This article contains instructions, advice, or how-to content. The purpose of Wikipedia is to present facts, not to train. Please help improve this article either by rewriting the how-to content or by moving it to Wikiversity or Wikibooks. (July 2011)

Text file created with gedit and viewed with a hex editor
Besides the text objects there are only EOL markers
with the hexadecimal value 0A.

In computing, a newline,^[1] also known as a line break or end-of-line (EOL) marker, is a special character or sequence of characters signifying the end of a line of text. The name comes from the fact that the next character after the newline will appear on a new line—that is, on the next line below the text immediately preceding the newline. The actual codes representing a newline vary across operating systems, which can be a problem when exchanging text files between systems with different newline representations.

There is also some confusion whether newlines terminate or separate lines. If a newline is considered a separator, there will be no newline after the last line of a file. The general convention on most systems is to add a newline even after the last line, i.e. to treat newline as a line terminator. Some programs have problems processing the last line of a file if it is not newline terminated. Conversely, programs that expect newline to be used as a separator will interpret a final newline as starting a new (empty) line.

In text intended primarily to be read by humans using software which implements the word wrap feature, a newline character typically only needs to be stored if a line break is required independent of whether the next word would fit on the same line, such as between paragraphs and in vertical lists. See hard return and soft return.

Representations[link]

Software applications and operating systems usually represent a newline with one or two control characters:

• Systems based on ASCII or a compatible character set use either LF (Line feed, '\n', 0x0A, 10 in decimal) or CR (Carriage return, '\r', 0x0D, 13 in decimal) individually, or CR followed by LF (CR+LF, '\r\n', 0x0D0A). These characters are based on printer commands: The line feed indicated that one line of paper should feed out of the printer thus instructed the printer to advance the paper one line, and a carriage return indicated that the printer carriage should return to the beginning of the current line. Some rare systems, such as QNX before version 4, used the ASCII RS (record separator, 0x1E, 30 in decimal) character as the newline character.
  • LF:    Multics, Unix and Unix-like systems (GNU/Linux, Mac OS X, FreeBSD, AIX, Xenix, etc.), BeOS, Amiga, RISC OS and others.
  • CR+LF: Microsoft Windows, DEC TOPS-10, RT-11 and most other early non-Unix and non-IBM OSes, CP/M, MP/M, DOS (MS-DOS, PC-DOS, etc.), Atari TOS, OS/2, Symbian OS, Palm OS
  • LF+CR: Acorn BBC and RISC OS spooled text output.
  • CR:    Commodore 8-bit machines, Acorn BBC, TRS-80, Apple II family, Mac OS up to version 9 and OS-9
  • RS:    QNX pre-POSIX implementation.
• EBCDIC systems—mainly IBM mainframe systems, including z/OS (OS/390) and i5/OS (OS/400)—use NEL (Next Line, 0x15) as the newline character. Note that EBCDIC also has control characters called CR and LF, but the numerical value of LF (0x25) differs from the one used by ASCII (0x0A). Additionally, there are some EBCDIC variants that also use NEL but assign a different numeric code to the character.
• Operating systems for the CDC 6000 series defined a newline as two or more zero-valued six-bit characters at the end of a 60-bit word. Some configurations also defined a zero-valued character as a colon character, with the result that multiple colons could be interpreted as a newline depending on position.
• ZX80 and ZX81, home computers from Sinclair Research Ltd used a specific non-ASCII character set with code NEWLINE (0x76, 118 decimal) as the newline character.
• OpenVMS uses a record-based file system, which stores text files as one record per line. In most file formats, no line terminators are actually stored, but the Record Management Services facility can transparently add a terminator to each line when it is retrieved by an application. The records themselves could contain the same line terminator characters, which could either be considered a feature or a nuisance depending on the application.
• Fixed line length was used by some early mainframe operating systems. In such a system, an implicit end-of-line was assumed every 80 characters, for example. No newline character was stored. If a file was imported from the outside world, lines shorter than the line length had to be padded with spaces, while lines longer than the line length had to be truncated. This mimicked the use of punched cards, on which each line was stored on a separate card, usually with 80 columns on each card. Many of these systems added an carriage control character to the start of the next record, this could indicate if the next record was a continuation of the line started by the previous record, or a new line, or should overprint the previous line (similar to a CR). Often this was a normal printing character such as '#' that thus could not be used as the first character in a line. Some early line printers interpreted these characters directly in the records sent to them.

Most textual Internet protocols (including HTTP, SMTP, FTP, IRC and many others) mandate the use of ASCII CR+LF (0x0D 0x0A) on the protocol level, but recommend that tolerant applications recognize lone LF as well. In practice, there are many applications that erroneously use the C newline character '\n' instead (see section Newline in programming languages below). This leads to problems when trying to communicate with systems adhering to a stricter interpretation of the standards; one such system is the qmail MTA that actively refuses to accept messages from systems that send bare LF instead of the required CR+LF.^[2]

FTP has a feature to transform newlines between CR+LF and LF only when transferring text files. This must not be used on binary files. Usually binary files and text files are recognised by checking their filename extension.

Unicode[link]

The Unicode standard defines a large number of characters that conforming applications should recognize as line terminators:^[3]

 LF:    Line Feed, U+000A
 VT:    Vertical Tab, U+000B
 FF:    Form Feed, U+000C
 CR:    Carriage Return, U+000D
 CR+LF: CR (U+000D) followed by LF (U+000A)
 NEL:   Next Line, U+0085
 LS:    Line Separator, U+2028
 PS:    Paragraph Separator, U+2029

This may seem overly complicated compared to an approach such as converting all line terminators to a single character, for example LF. However, Unicode was designed to preserve all information when converting a text file from any existing encoding to Unicode and back. Therefore, Unicode should contain characters included in existing encodings. NEL is included in ISO-8859-1^{[citation needed]} and EBCDIC (0x15). The approach taken in the Unicode standard allows round-trip transformation to be information-preserving while still enabling applications to recognize all possible types of line terminators.

Recognizing and using the newline codes greater than 0x7F is not often done. They are multiple bytes in UTF-8 and the code for NEL has been used as the ellipsis ('…') character in Windows-1252. For instance:

• YAML^[4] no longer recognizes them as special in order to be compatible with JSON.
• ECMAScript^[5] accepts LS and PS as line breaks, but considers U+0085 (NEL) white space, not a line break.
• Microsoft Windows 2000 does not treat any of NEL, LS or PS as line-break in the default text editor Notepad
• In Linux, a popular editor "gedit" treats LS and PS as newlines but does not for NEL.

History[link]

ASCII was developed simultaneously by the ISO and the ASA, the predecessor organization to ANSI. During the period of 1963–1968, the ISO draft standards supported the use of either CR+LF or LF alone as a newline, while the ASA drafts supported only CR+LF.

The sequence CR+LF was in common use on many early computer systems that had adopted Teletype machines, typically a Teletype Model 33 ASR, as a console device, because this sequence was required to position those printers at the start of a new line. On these systems, text was often routinely composed to be compatible with these printers, since the concept of device drivers hiding such hardware details from the application was not yet well developed; applications had to talk directly to the Teletype machine and follow its conventions.

Most minicomputer systems from DEC used this convention. CP/M used it as well, to print on the same terminals that minicomputers used. From there MS-DOS (1981) adopted CP/M's CR+LF in order to be compatible, and this convention was inherited by Microsoft's later Windows operating system.

The separation of the two functions concealed the fact that the print head could not return from the far right to the beginning of the next line in one-character time. That is why the sequence was always sent with the CR first. In fact, it was often necessary to send extra characters (extraneous CRs or NULs, which are ignored) to give the print head time to move to the left margin. Even many early video displays required multiple character times to scroll the display.

The Multics operating system began development in 1964 and used LF alone as its newline. Multics used a device driver to translate this character to whatever sequence a printer needed (including extra padding characters), and the single byte was much more convenient for programming. The seemingly more obvious choice of CR was not used, as a plain CR provided the useful function of overprinting one line with another, and thus it was useful to not translate it. Unix followed the Multics practice, and later systems followed Unix.

In programming languages[link]

To facilitate the creation of portable programs, programming languages provide some abstractions to deal with the different types of newline sequences used in different environments.

The C programming language provides the escape sequences '\n' (newline) and '\r' (carriage return). However, these are not required to be equivalent to the ASCII LF and CR control characters. The C standard only guarantees two things:

1. Each of these escape sequences maps to a unique implementation-defined number that can be stored in a single char value.
2. When writing a file in text mode, '\n' is transparently translated to the native newline sequence used by the system, which may be longer than one character. When reading in text mode, the native newline sequence is translated back to '\n'. In binary mode, no translation is performed, and the internal representation produced by '\n' is output directly.

On Unix platforms, where C originated, the native newline sequence is ASCII LF (0x0A), so '\n' was simply defined to be that value. With the internal and external representation being identical, the translation performed in text mode is a no-op, and text mode and binary mode behave the same. This has caused many programmers who developed their software on Unix systems simply to ignore the distinction completely, resulting in code that is not portable to different platforms.

The C library function fgets() is best avoided in binary mode because any file not written with the UNIX newline convention will be misread. Also, in text mode, any file not written with the system's native newline sequence (such as a file created on a UNIX system, then copied to a Windows system) will be misread as well.

Another common problem is the use of '\n' when communicating using an Internet protocol that mandates the use of ASCII CR+LF for ending lines. Writing '\n' to a text mode stream works correctly on Windows systems, but produces only LF on Unix, and something completely different on more exotic systems. Using "\r\n" in binary mode is slightly better.

Many languages, such as C++, Perl,^[6] and Haskell provide the same interpretation of '\n' as C.

Java, PHP,^[7] and Python^[8] provide the '\r\n' sequence (for ASCII CR+LF). In contrast to C, these are guaranteed to represent the values U+000A and U+000D, respectively.

The Java I/O libraries do not transparently translate these into platform-dependent newline sequences on input or output. Instead, they provide functions for writing a full line that automatically add the native newline sequence, and functions for reading lines that accept any of CR, LF, or CR+LF as a line terminator (see BufferedReader.readLine()). The System.getProperty() method can be used to retrieve the underlying line separator.

Example:

  String eol = System.getProperty( "line.separator" );
  String lineColor = "Color: Red" + eol;

Python permits "Universal Newline Support" when opening a file for reading, when importing modules, and when executing a file.^[9]

Some languages have created special variables, constants, and subroutines to facilitate newlines during program execution.

Common problems[link]

The different newline conventions often cause text files that have been transferred between systems of different types to be displayed incorrectly. For example, files originating on Unix or Apple Macintosh systems may appear as a single long line on some Windows programs. Conversely, when viewing a file originating from a Windows computer on a Unix system, the extra CR may be displayed as ^M at the end of each line or as a second line break.

The problem can be hard to spot if some programs handle the foreign newlines properly while others do not. For example, a compiler may fail with obscure syntax errors even though the source file looks correct when displayed on the console or in an editor. On a Unix system, the command cat -v myfile.txt will send the file to stdout (normally the terminal) and make the ^M visible, which can be useful for debugging. Modern text editors generally recognize all flavours of CR / LF newlines and allow the user to convert between the different standards. Web browsers are usually also capable of displaying text files and websites which use different types of newlines.

The File Transfer Protocol can automatically convert newlines in files being transferred between systems with different newline representations when the transfer is done in "ASCII mode". However, transferring binary files in this mode usually has disastrous results: Any occurrence of the newline byte sequence—which does not have line terminator semantics in this context, but is just part of a normal sequence of bytes—will be translated to whatever newline representation the other system uses, effectively corrupting the file. FTP clients often employ some heuristics (for example, inspection of filename extensions) to automatically select either binary or ASCII mode, but in the end it is up to the user to make sure his or her files are transferred in the correct mode. If there is any doubt as to the correct mode, binary mode should be used, as then no files will be altered by FTP, though they may display incorrectly.

Conversion utilities[link]

This article contains instructions, advice, or how-to content. The purpose of Wikipedia is to present facts, not to train. Please help improve this article either by rewriting the how-to content or by moving it to Wikiversity or Wikibooks. (June 2010)

Text editors are often used for converting a text file between different newline formats; most modern editors can read and write files using at least the different ASCII CR/LF conventions. The standard Windows editor Notepad is not one of them (although Wordpad and the MS-DOS Editor are).

Editors are often unsuitable for converting larger files. For larger files (on Windows NT/2000/XP) the following command is often used:

TYPE unix_file | FIND "" /V > dos_file

On many Unix systems, the dos2unix (sometimes named fromdos or d2u) and unix2dos (sometimes named todos or u2d) utilities are used to translate between ASCII CR+LF (DOS/Windows) and LF (Unix) newlines. Different versions of these commands vary slightly in their syntax. However, the tr command is available on virtually every Unix-like system and is used to perform arbitrary replacement operations on single characters. A DOS/Windows text file can be converted to Unix format by simply removing all ASCII CR characters with

tr -d '\r' < inputfile > outputfile

or, if the text has only CR newlines, by converting all CR newlines to LF with

tr '\r' '\n' < inputfile > outputfile

The same tasks are sometimes performed with awk, sed, Tr_(Unix) or in Perl if the platform has a Perl interpreter:

awk '{sub("$","\r\n"); printf("%s",$0);}' inputfile > outputfile  # UNIX to DOS  (adding CRs on Linux and BSD based OS that haven't GNU extensions)
awk '{gsub("\r",""); print;}' inputfile > outputfile              # DOS to UNIX  (removing CRs on Linux and BSD based OS that haven't GNU extensions)
sed -e 's/$/\r/' inputfile > outputfile              # UNIX to DOS  (adding CRs on Linux based OS that use GNU extensions)
sed -e 's/\r$//' inputfile > outputfile              # DOS  to UNIX (removing CRs on Linux based OS that use GNU extensions)
cat inputfile | tr -d "\r" > outputfile              # DOS  to UNIX (removing CRs using tr(1). Not Unicode compliant.)
perl -pe 's/\r?\n|\r/\r\n/g' inputfile > outputfile  # Convert to DOS
perl -pe 's/\r?\n|\r/\n/g'   inputfile > outputfile  # Convert to UNIX
perl -pe 's/\r?\n|\r/\r/g'   inputfile > outputfile  # Convert to old Mac

To identify what type of line breaks a text file contains, the file command can be used. Moreover, the editor Vim can be convenient to make a file compatible with the Windows notepad text editor. For example:

[prompt] > file myfile.txt
myfile.txt: ASCII English text
[prompt] > vim myfile.txt
  within vim :set fileformat=dos
             :wq
[prompt] > file myfile.txt
myfile.txt: ASCII English text, with CRLF line terminators

The following grep commands echo the filename (in this case myfile.txt) to the command line if the file is of the specified style:

grep -PL $'\r\n' myfile.txt # show UNIX style file (LF terminated)
grep -Pl $'\r\n' myfile.txt # show DOS style file (CRLF terminated)

For Debian-based systems, these commands are used:

egrep -L $'\r\n' myfile.txt # show UNIX style file (LF terminated)
egrep -l $'\r\n' myfile.txt # show DOS style file (CRLF terminated)

The above grep commands work under Unix systems or in Cygwin under Windows. Note that these commands make some assumptions about the kinds of files that exist on the system (specifically it's assuming only UNIX and DOS-style files—no Mac OS 9-style files).

This technique is often combined with find to list files recursively. For instance, the following command checks all "regular files" (e.g. it will exclude directories, symbolic links, etc.) to find all UNIX-style files in a directory tree, starting from the current directory (.), and saves the results in file unix_files.txt, overwriting it if the file already exists:

find . -type f -exec grep -PL '\r\n' {} \; > unix_files.txt

This example will find C files and convert them to LF style line endings:

find -name '*.[ch]' -exec fromdos {} \;

The file command also detects the type of EOL used:

file myfile.txt
> myfile.txt: ASCII text, with CRLF line terminators

Other tools permit the user to visualise the EOL characters:

od -a myfile.txt
cat -e myfile.txt
hexdump -c myfile.txt

dos2unix, unix2dos, mac2unix, unix2mac, mac2dos, dos2mac can perform conversions. The flip^[10] command is often used.

See also[link]

• ASA carriage control characters
• C0 and C1 control codes
• Page break
• Line starve

References[link]

External links[link]

• The Unicode reference, see paragraph 5.8 in Chapter 5 of the Unicode 4.0 standard (PDF)
• "The End-of-Line Story"
• The [NEL] Newline Character
• The End of Line Puzzle
• Tofrodos - software for Unix that converts to and from DOS newlines
• ToFroWin: a Windows shell extension that is able to convert multiple files from DOS to UNIX (and vice-versa) line endings right from the context menu.
• "Understanding Newlines" on O'Reilly-Net - an article by Xavier Noria.

Bruno Mars
Bruno Mars performing in Las Vegas, Nevada on September 19, 2010
Background information
Birth name	Peter Gene Hernandez
Born	(1985-10-08) October 8, 1985 (age 26)[1] Honolulu, Hawaii, U.S.
Genres	Reggae fusion, pop, soul, R&B
Occupations	Singer-songwriter, record producer, model, dancer
Instruments	Vocals, drums, guitar, keyboard, bass, piano, harmonica
Years active	2005–present
Labels	Atlantic, Elektra
Associated acts	The Smeezingtons
Website	www.brunomars.com

Peter Gene Hernandez (born October 8, 1985), better known by his stage name Bruno Mars, is an American singer-songwriter and record producer. Raised in Honolulu, Hawaii by a family of musicians, Mars began making music at a young age. He performed in various musical venues in his hometown throughout his childhood. He graduated from high school and then moved to Los Angeles, California to pursue a musical career. Mars produced songs for other artists, joining production team The Smeezingtons.

Mars had an unsuccessful stint with Motown Records, but then signed with Atlantic Records in 2009. He became recognized as a solo artist after lending his vocals and co-writing the hooks for the songs "Nothin' on You" by B.o.B, and "Billionaire" by Travie McCoy. He also co-wrote the hits "Right Round" by Flo Rida featuring Ke$ha, and "Wavin' Flag" by K'naan. In October 2010, he released his debut album, Doo-Wops & Hooligans. Anchored by the worldwide number-one singles "Just the Way You Are" and "Grenade", the album peaked at number three on the Billboard 200.^[2] Mars was nominated for seven Grammys at the 53rd Grammy Awards, winning Best Male Pop Vocal Performance for "Just the Way You Are".

Mars' music is noted for displaying a wide variety of styles and influences, and contains elements of many musical genres. He has worked with an assortment of artists from various genres. Mars acknowledges the influences that his collaborations have had on his own music. As a child, he was highly influenced by artists such as Little Richard,^[3] Elvis Presley and Michael Jackson and would often impersonate these artists from a young age. Mars also incorporates reggae and Motown inspired sounds into his work. Jon Caramanica of The New York Times referred to Mars as "one of the most versatile and accessible singers in pop."^[4] Worldwide, Mars became the best-selling digital artist in 2011. He had three singles in the top ten, including first place with "Just The Way You Are," which sold 12.5 million copies.^[5] Mars won Best International Male Solo Artist at the BRIT Awards in 2012.^[6] Bruno Mars has sold 5 million albums and 36 million singles worldwide.^[7]

Early life[link]

Bruno Mars was born Peter Gene Hernandez on October 8th, 1985, and raised in the Waikiki neighborhood of Honolulu, Hawaii, by parents Pete Hernandez, of Puerto Rican descent, and Bernadette "Bernie," a Filipina.^{[8][9][10][11]} His mother emigrated to Hawaii from the Philippines as a child and his father moved to the island from Brooklyn, New York.^[12] Mars' parents met while performing in a show, where his mother was a hula dancer and his father played percussion.^[12] At the age of two, he was nicknamed "Bruno" by his father, because of his resemblance to legendary professional wrestler Bruno Sammartino.^[13]

Mars was one of six children and came from a musical family who exposed him to a diverse mix of reggae, rock, hip hop, and R&B.^[14][15] In addition to being a dancer, his mother was a singer and his father used his musical ability to perform Little Richard rock n roll music.^[3] Mars' uncle was an Elvis impersonator. By the age of three his uncle had Mars up on the stage performing. He also performed songs by artists such as Michael Jackson, The Isley Brothers, and The Temptations.^[10] At age four, Mars began performing five days a week with his family's band, The Love Notes, in which he became known on the island for his impersonation of Presley.^[16]

In 1990, Mars was featured in MidWeek as "Little Elvis", going on to have a cameo in the film Honeymoon in Vegas in 1992.^[10][17] He later reflected on the influence Presley had on his music: "I watch the best. I'm a big fan of Elvis. I'm a big fan of 1950s Elvis when he would go on stage and scare people because he was a force and girls would go nuts! You can say the same thing for Prince or The Police. It's just guys who know that people are here to see a show, so I watch those guys and I love studying them because I'm a fan."^[18] In 2010, he also acknowledged his Hawaiian roots and musical family as an influence, explaining, "Growing up in Hawaii made me the man I am. I used to do a lot of shows in Hawaii with my father's band. Everybody in my family sings, everyone plays instruments...I've just been surrounded by it."^[19] In 2003, shortly after graduating from President Theodore Roosevelt High School at the age of seventeen, Mars moved to Los Angeles, California, to pursue a musical career.^[10][17] He adopted his stage name from the nickname his father gave him, adding "Mars" at the end because "I felt like I didn't have [any] pizzazz, and a lot of girls say I’m out of this world, so I was like I guess I'm from Mars."^[20]

Career[link]

[edit] 2004–10: Career beginnings and It's Better If You Don't Understand

Bruno Mars performing in Houston, Texas in November 2010.

Shortly after moving to Los Angeles, Mars signed to Motown Records in 2004, in a deal that "went nowhere".^[21] However, Mars' experience with Motown proved to be beneficial to his career when he met songwriter and producer Philip Lawrence, who was also signed to the label. Mars, Lawrence, and engineer Ari Levine began writing songs together, and formed the production team The Smeezingtons.^[21] In 2006, Lawrence introduced Mars to his future manager at Atlantic Records, Aaron Bay-Schuck.^[22] After hearing him play a couple of songs on the guitar, Bay-Schuck wanted to sign him immediately, but it took about three years for Atlantic records to finally sign Mars to the label.^[22] In the meantime, Bay-Schuck hired Mars and the Smeezingtons to write and produce songs for the label's artists.^[22] According to Bay-Schuck in an interview with HitQuarters, Mars had stated that although his ultimate goal was to be a solo artist, he was willing to write and produce for other artists, both to help improve his songwriting and help him discover the type of artist he ultimately wanted to be.^[22] Bay-Schuck credits this as a period of "self-discovery" that contributed significantly to Mars' later success.^[22]

Before becoming a successful solo artist, Hernandez was an acknowledged music producer, writing songs for Alexandra Burke, Travie McCoy, Adam Levine, Brandy, Sean Kingston, and Flo Rida.^[14][23] He also co-wrote the Sugababes' hit song "Get Sexy" and provided backing vocals on their album Sweet 7.^[24][25] His first musical appearance as a singer was in Far East Movement's second studio album Animal, featured on the track "3D".^[26] He was also featured on pastor and hip hop artist Jaeson Ma's debut single "Love" in August 2009.^[27][28] He reached prominence as a solo artist after being featured on and co-writing B.o.B's "Nothin' on You" and Travie McCoy's "Billionaire"; both songs peaked within the top ten of many charts worldwide.^{[29][30][31][32]} He said of them, "I think those songs weren't meant to be full-sung songs. If I'd sung all of "Nothin' on You", it might've sounded like some '90s R&B." Following this success, Mars released his debut extended play (EP), titled It's Better If You Don't Understand, on May 11, 2010.^[33] The EP peaked at the 99th position on the Billboard 200 and produced one single, "The Other Side", featuring singers Cee Lo Green and B.o.B.^[34][35] Mars collaborated with Green once more in August 2010 by co-writing his single "Fuck You!". He performed a medley of "Nothin' on You" and "Airplanes" with B.o.B and Hayley Williams at the 2010 MTV Video Music Awards on September 12, 2010.^[36]

[edit] 2010–present: Doo-Wops & Hooligans

Bruno Mars' debut album, Doo-Wops & Hooligans, was released digitally on October 4, and saw its physical release on October 5, 2010.^[37][38] The lead single, "Just the Way You Are", was released on July 19, 2010,^[39] and has reached the top of the Billboard Hot 100 as well as several other charts worldwide.^[40][41] The music video was released on September 8, 2010.^[42] The second single, "Grenade", was released September 28, 2010, and has also seen successful international chart performance.^[43][44] In the United States, Doo-Wops & Hooligans debuted at number three on the Billboard 200 for the week of October 13, 2010, selling 55,000 copies.^[2] The album also received generally positive reviews from critics. Entertainment Weekly's Leah Greenblatt praised Mars for his "instant-access melodies" and "sly snatches of dance-floor swagger", but noted weaknesses in songs deviant from his conventional pop and soul genres.^[45] He opened for Maroon 5 on the fall leg of the Hands All Over Tour starting October 6, 2010 and co-headlined with McCoy on a European tour starting October 18, 2010.^[38]

On September 19, 2010, Mars was arrested in Las Vegas for possession of cocaine.^[46] When talking to a police officer, Mars reportedly stated that what he did was "foolish" and that "he has never used drugs before".^[47][48] Mars pled guilty to felony drug possession, and in return for his plea, he was told that the charges would be erased from his criminal record as long as he stayed out of trouble for a year, paid a $2,000 fine, did 200 hours of community service and completed a drug counseling course.^[49]

On February 13, 2011, Mars won his first Grammy Award for Best Male Pop Vocal Performance, having received six nominations; Best Rap Song and Best Rap/Sung Collaboration for "Nothin' on You", Record of the Year for "Nothin' on You" and "Fuck You", Song of the Year for "Fuck You", and Producer of the Year, Non-Classical at the 53rd Grammy Awards.

On September 16, 2011, Bad Meets Evil released their single, "Lighters", which featured Mars in the song. The song was met with mixed reviews from critics and many criticized Mars for doing this type of song.^[50] On September 22, 2011, it was announced on Mars' website that his new song "It Will Rain" will appear on The Twilight Saga: Breaking Dawn – Part 1 Original Motion Picture Soundtrack which was released on November 8.^[51] On October 30, 2011, Mars gave an exclusive performance of "Runaway Baby" on the results show of The X Factor UK, the same day that Mars received six nominations for a Grammy Award; Album of the Year and Best Pop Vocal Album for Doo-Wops & Hooligans, Record of the Year, Song of the Year and Best Pop Solo Performance for "Grenade", and Producer of the Year, Non-Classical at the 54th Grammy Awards. During the ceremony, Mars performed "Runaway Baby" but he did not win any awards as Adele won in all the categories he was nominated in and also lost to Paul Epworth for Producer of the Year.

Mars has confirmed on Twitter that his work on his second album has begun.^[52] On March 22, 2012, it was announced that Mars had signed a worldwide publishing deal with BMG Chrysalis US.^[53]

Musical style[link]

Mars performing on November 24, 2010. Mars plays several instruments including piano, guitar, bass and congas.^[54]

Mars' music has been noted for displaying a wide variety of styles and influences, including pop,^[55] rock,^[55] reggae,^[55] R&B,^[56] soul,^[45] and hip hop.^[57] His co-producer Philip Lawrence says, "What people don't know is there's a darker underbelly to Bruno Mars." Mars himself says, "I blame that on me singing to girls back in high school."^[58] Jon Caramanica of The New York Times called him "one of the most versatile and accessible singers in pop, with a light, soul-influenced voice that’s an easy fit in a range of styles, a universal donor."^[4] Mars was initially influenced by R&B artists such as Keith Sweat, Jodeci and R. Kelly, as well as 1950s rock 'n' roll and Motown.^[59] In high school, he began listening to classic rock groups such as The Police, Led Zeppelin, and the Beatles.^[59] All of these genres of music have influenced Mars' musical style; he observed that "It’s not easy to [create] songs with that mixture of rock and soul and hip-hop, and there’s only a handful of them."^[59] Mars also stated that he is a fan of Alicia Keys, Jessie J, Jack White and The Saturdays.^[60]

In addition, Mars claims that his work with other artists influenced his musical style, saying that "'Nothin' on You' had a Motown vibe, 'Billionaire' was a reggae acoustic guitar-driven song, though one of my favorites is the Cee-Lo [Green] song ['Fuck You']. I don't think anyone else could've sung that song. And there's 'Just the Way You Are.' If you know my story, you know I love all different genres of music."^[61] He cites doo-wop as a major influence on his music, referring to the genre as "just straightforward love songs – so charming and simple and romantic."^[61] In addition, Mars states that growing up in Hawaii influenced his music, giving the songs a reggae sound. He explains that "In Hawaii some of the biggest radio stations are reggae. The local bands are heavily influenced by Bob Marley. That music brings people together. It's not urban music or pop music. It's just songs. That's what makes it cross over so well. The song comes first."^[12] Lyrically, many of Mars' songs have been described as "feel-good", carefree, and optimistic,^[62] however, darker subjects are addressed in songs such as "Grenade", "Liquor Store Blues", and "Talking to the Moon", which detail failed relationships and self-destructive behavior.^[45][63]

Discography[link]

• Doo-Wops & Hooligans (2010)
• TBA (2012)

Tours[link]

• Doo-Wops & Hooligans tour (2010–2011)

Awards and nominations[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Bruno Mars

• Official website
• Bruno Mars on Twitter
• Bruno Mars at the Internet Movie Database

Jessie J
Jessie J at the O2 Arena in London in 2011.
Background information
Birth name	Jessica Ellen Cornish
Also known as	Jessie J
Born	(1988-03-27) 27 March 1988 (age 24) Chadwell Heath, London, England, United Kingdom
Genres	pop, hip hop, R&B, dance-pop, soul
Years active	2005–present
Labels	Lava, Universal Republic, Island, Gut
Website	jessiejofficial.com

Jessica Ellen Cornish (born 27 March 1988), better known by her stage name Jessie J, is an English singer and songwriter. Born and raised in London, she studied at the BRIT School before signing with Gut Records and striking a songwriting deal with Sony/ATV Music Publishing where she wrote for artists such as Chris Brown and Miley Cyrus.

Signed with Universal, Jessie J came to prominence following the release of her debut single "Do It Like a Dude" which peaked at number two on the UK Singles Charts. After scoring her first number one in the United Kingdom, France, Ireland and New Zealand with the song "Price Tag", she released her debut album Who You Are (2011) which charted at number two in the UK. Other releases from the album include "Nobody's Perfect", "Who's Laughing Now" and "Who You Are" which charted within the top 20 in the UK but the release of fifth single "Domino" spawned international chart success, peaking at number 6 on the Billboard Hot 100 in the US, and becoming her second UK number one. Aside from her musical career, Jessie J is currently a coach and mentor on television show The Voice UK.

Citing various influences, Jessie J is recognized for an unconventional musical and performance style^[1][2] that mixes her soul voice with contemporary R&B, pop, and hip-hop influences. Jessie J has garnered various awards and nominations for her contributions to the music industry, including the 2011 Critics' Choice BRIT Award and the BBC's Sound of 2011. As of April 2012, Jessie has sold over 11 million singles and 2.5 million records worldwide.^[3][4]

Early life[link]

Jessie J was born Jessica Ellen Cornish in Chadwell Heath, London,^[5] daughter of Stephen Cornish and Rose Cornish (née Archer). She was educated at Mayfield High School in the London Borough of Redbridge. She attended Colin's Performing Arts School and as an 11-year old-was cast in Andrew Lloyd Webber's West End production of Whistle Down the Wind.^[6][7][8] Jessie has two sisters, who are five and seven years older than her, who were both head girls at school. Unlike her academic sisters, Cornish has stated she was "never really that good at anything". She said, "At school they were like 'oh, you're a Cornish girl' and they kind of expected me to be the same as my sisters. Give me something to draw or an outfit to pick for someone, or hair, make-up, acting, write a song, I'm fine with it, but anything to do with sums – it was never my thing." She also said she never based her intelligence on her exam results.^[9] She also said she was always good at singing and it was her "thing". At the age of 16 she began studying at the BRIT School and at 17 she joined a girl group named Soul Deep.^[10] She graduated in the class of 2006 along with singers Adele and Leona Lewis.^[11] At 18 she suffered a stroke.^[12]

Music career[link]

2006–2010: Career beginnings[link]

Jessie J was signed to Gut Records, recording an album for the label, but the company went bankrupt before any material was released.^[8][10] She then found success as a songwriter, gaining a Sony ATV publishing contract.^[13] She was also the support act for Cyndi Lauper during Lauper's UK dates of her 2008 Bring Ya To The Brink tour (Lauper invited J to join her on stage for the performances of "Girls Just Want To Have Fun"). Jessie has also written lyrics for artists such as Chris Brown and Miley Cyrus, including "Party in the U.S.A.".^[14][15] Jessie J was also part of a girl band, called Soul Deep, for two years, however she left due to thoughts that "it wasn't going anywhere". Despite people thinking that her first notoriety was through YouTube, Jessie was signed for four years before her first video was posted. Jessie first came to the attention of Lava Records when her publisher at Sony/ATV, Rich Christina, sent Lava president Jason Flom a link to her MySpace page, which the record executive loved.^[16] After seeing an impressive U.S. showcase, Lava was, along with several other labels, keen to sign the artist but progress was hampered by her management's insistence on, what Flom called, a "crazy deal", and their refusal to let Jessie speak to any labels directly.^[16] Despite this, Senior Director of A&R at Lava, Harinder Rana, made surreptitious efforts to meet Jessie on her own in winter of 2008. Later in the year a change in management to Sarah Stennett and Nadia Khan of Crown Music allowed record deal negotiations to take place. Jessie eventually signed with Lava as part of a joint venture with Universal Republic.^[16]

[edit] 2010–2012: Who You Are

Jessie J performing at a concert in New York City in 2011.

Jessie J began recording her debut studio album in 2006 and it was completed on 19 January 2011.^[17][18] She revealed that "Big White Room" would be on the album and was written from an experience she had when she was 11 years old, although she wrote the song at age 17, in hospital, where a ward mate, a little boy, died.^[19] Jessie J says the album's title track, "Who You Are", is one of her proudest creations, she said the song is a "positive role model for young people" and "I always say that I'm half-artist, half-therapist".^[19] In late 2010 Jessie J released her first single, "Do It Like a Dude" which was co-written with George Astasio, Tj Normandin, Jason Pebworth, Jon Shave, Kyle Abrahams and Peter Ighile. Originally, she wrote the song with Rihanna in mind because "Rude Boy" was released at the time, partly inspiring the song. She then sent the song to her label, Island Records, before sending it to Rihanna's management. Island insisted the song become Jessie J's first single.^[20] She wishes to perform the song with Rihanna at one point.^[21] The single gained positive reception from critics.^[22] The single charted at number two on the UK Singles Charts. Her follow-up single "Price Tag" was released in late January 2011. This was written by Jessie J, Lukasz Gottwald, Claude Kelly, and Bobby Ray Simmons, Jr. and charted at number one in the top of the charts. "Price Tag" was released in the United States on 1 February 2011 and peaked at 23 on the Billboard Hot 100.^[23] "Price Tag" also charted at number-one in New Zealand and Ireland and is the most successful online video J has released. As of October 2011, the video has generated over 148 million views on Youtube and Vevo, making it the 22nd most viewed music video of all time.^[24][25] Her first American television appearance was as the musical guest on the 12 March 2011 episode of NBC's Saturday Night Live.^[26]

On 25 February 2011 her debut album, Who You Are, was released.^[27] The album first entered the charts on 6 March 2011 where it charted on the UK Album Charts at number two. The album charted into the top ten in a number of countries and number 11 in the United States.^[28] After the release she went on to release a third single from the album, "Nobody's Perfect".^[29] MTV reported that the single is, so far, only confirmed for release in the United Kingdom.^[30] The album's fourth single was "Who's Laughing Now". "Domino" was her second US single.^[31] The Dr. Luke-produced track was sent to mainstream radio on 6 September 2011.^[32] With the success of Who You Are in North America, Jessie was chosen to tour as the opening act for American pop artist Katy Perry's California Dreams Tour in 2011 but after she was unable to fully recover from her injuries during rehearsals she was forced to pull out under the doctor's orders.^[33] Jessie J served as the house artist at the 2011 MTV Video Music Awards, performing several of her original songs along with covers around commercial breaks.^[34]

James Morrison's third studio album, The Awakening features a collaboration with Jessie J called "Up", the song was released as a single on 4 December 2011. Jessie J re-released "Who You Are" on 9 November 2011, featuring the regular tracks plus "Domino" and two new songs. "Domino" became her first top 10 hit in the U.S., following the success of "Price Tag". The song also peaked at number 1 in January 2012 in the UK, before it was even officially released there.

[edit] 2012–present: Second studio album and The Voice

On 4 October 2011, Jessie announced that she will be one of four coaches for new BBC program, The Voice UK.^[35] The show was announced after the success of the US version, The Voice. It premiered in March 2012 on BBC One. It will be presented by Holly Willoughby and Reggie Yates, with will.i.am (of The Black Eyed Peas), Tom Jones and Danny O'Donoghue (of The Script) joining Jessie on the coaching panel.^[36] The first stage of the competition, The Blind auditions, began in London on 18 January 2012 at the BBC Television Centre and finished filming on 22 January 2012. The winner will receive £100,000 and a record deal with Universal Republic. It was also reported that the 4 coaches recorded a cover of the Black Eyed Peas song, "I Gotta Feeling", and will release an accompanying music video to help promote the show.^[37]

On 31 January 2012, Jessie announced that she had begun recording for her second studio album.^[38] She also stated that she hopes to collaborate with many artists this year, possibly including some of her fellow coaches on The Voice.^[39] It was revealed that she has worked in the studio with Cee-Lo Green after he tweeted her on twitter. Jessie has also revealed on twitter that she has worked with Diane Warren as well as reuniting in the studio with her 'Price Tag' co-writer Claude Kelly.

Jessie will embark on her first arena tour in March 2013. Via microblogging website, Twitter, Jessie J confirmed the tour will be called Nice to Meet You Tour.^[40]

Personal life[link]

Jessie J performing at the 2011 The Big Chill, sitting on the "gilded throne" she used for performances while her foot was broken.

In early 2011 she suffered a panic attack on stage after she was forced to perform in the dark. "I did a gig recently and had a panic attack on stage," she told NOW. "The night was called 'Black Out' and I had to perform in the dark. I asked them to turn on the lights and they didn't. I was onstage in pitch black and, because I couldn't see anything, I started to panic. It was awful."^[41]

Jessie J is bisexual and stated in an interview on the "In Demand" radio show on 3 March 2011, "I've never denied it. Whoopie doo guys, yes, I've dated girls and I've dated boys – get over it."^[42][43] However, in April 2012 The Sun outed her as homosexual which she denied via Twitter, calling it a "yet another boring untrue story".^[44] According to The Guardian, Jessie J's sexuality is valuable to young teens, especially for young girls unsure of themselves because of their sexuality and identity, to feel "that this does happen and this is normal."^[45]

On 12 June 2011 at the Capital Radio Summertime Ball, Jessie ruptured several tendons in her foot during rehearsals, and performed her set the following day while sitting on a gilded throne.^[46] For her appearance at Glastonbury Festival 2011 on 25 June 2011, she performed on the throne again, claiming her physician had told her not to perform with her broken foot which would take six weeks to heal.^[47] Jessie J was scheduled to play at several festivals throughout the summer, however it was reported on 1 July 2011 that she would not be able to attend T in the Park, T4 On The Beach, Wembley:Orange, iTunes Festival, Lovebox and Oxegen due to the injuries to her foot. Jessie J personally tweeted before surgery; "Keep making nervous jokes with the doctor and he keeps looking at me blankly. Which is making me laugh even more. It's getting serious. I just took my nose stud out." Tweeting after the surgery, she wrote: "Can't keep tweeting. Still very dizzy and being sick. But I'm OK, I got through it." Her record label released an official statement on 30 June 2011 that under strict orders from her doctor, she will not be able to perform for a number of weeks so she can heal and recuperate properly.^[48] She returned to the concert circuit in late August, including sets at the V Festival^[49] and The Big Chill. For the 2011 VMA's she was still in a cast and using the throne to keep off it.

Jessie J confirmed on 2 August 2011 that she would be shaving her hair off for charity in 2012. Speaking via her official Twitter account she said: "It’s hair, It will grow back. Even if it takes 2 years, if it saves lives it’s worth it. Even if its 1 life that’s something."^[50]

‎Artistry and voice[link]

Jessie J performing at the Bournemouth International Centre in 2011.

Although she was first identified as a soul singer, she primarily records songs of contemporary R&B and pop music with hip-hop influences.

Music critic Matthew Perpetua of Pitchfork Media compared Jessie J to her peers Adele and Amy Winehouse, but suggested she was missing something: "Whereas Adele and Winehouse also have powerhouse voices, they fit into clear aesthetic niches and invest their songs with depth and humanity. Jessie J doesn't have even a fraction of their restraint." Perpetua added: "Her idea of showcasing her gift is to shoot for a blaring melisma on "Mamma Knows Best" that makes Christina Aguilera seem as subtle as Joni Mitchell by comparison."^[51]

Ailbhe Malone of the music magazine NME also recognized Cornish's "undeniably potent voice". However, she pointed out the possible "identity crisis" that might have been caused by Jessie's songwriter past: "This is an album of singles for other artists. There’s Rihanna Jessie (‘Do It...’), Perry Jessie (‘Abracadabra’), Pixie Jessie (‘Mamma Knows Best’), Ellie Jessie ('Big White Room')."^[52]

Caroline Sullivan of The Guardian shared her positive opinion about the singer, saying that "if any singer has the potential to be the British Katy Perry or Pink, with the accompanying millions of sales, it's her". Sullivan also complimented Cornish's attitude: "[Her songs] are delivered with a confidence that money can't buy."^[53]

Entertainment Weekly's music critic Adam Markovitz said of Jessie: "The 23-year-old Brit has all the tools, from a monster voice to an ear for hooks — she co-wrote Miley Cyrus' 'Party in the U.S.A.' — and a manic persona that's equal parts Katy Perry, Kristin Chenoweth, and Alice Cooper."^[54]

Discography[link]

• Who You Are (2011)

Concert tours[link]

Headlining

• Stand Up Tour (2011)
• Heartbeat Tour (2011-12)
• Nice To Meet You Tour (2013)

Filmography[link]

Awards and nominations[link]

References[link]

Wikimedia Commons has media related to: Jessie J

External links[link]

• Official website
• Jessie J discography at Discogs
• Jessie J's channel on YouTube
• Jessie J's BBC Sound of 2011 page at BBC Online