The Uncanny

The Uncanny may refer to:

Uncanny

The psychological concept of the uncanny as something that is strangely familiar, rather than just mysterious, was perhaps first fixed by Sigmund Freud in his essay Das Unheimliche.

Because the uncanny is familiar, yet incongruous, it has been seen as creating cognitive dissonance within the experiencing subject, due to the paradoxical nature of being simultaneously attracted to yet repulsed by an object. This cognitive dissonance often leads to an outright rejection of the object, as one would rather reject than rationalize, as in the uncanny valley effect.

History

German idealism

Schelling raised the question of the uncanny in his late Philosophie der Mythologie of 1835, postulating that the Homeric clarity was built upon a prior repression of the uncanny.

In The Will to Power manuscript Nietzsche refers to nihilism as "the uncanniest of all guests" and, earlier, in On the Genealogy of Morals he claims it is the "will to truth" that has destroyed the metaphysics that underpins the values of Western culture. Hence, he coins the phrase "European nihilism" to describe the condition that afflicts those Enlightenment ideals that seemingly hold strong values yet undermine themselves.

The Uncanny (film)

The Uncanny is a 1977 British anthology horror film, concerning feline revenge. The film was written by Michael Parry, directed by Denis Héroux and stars Peter Cushing, Donald Pleasence, Ray Milland, Joan Greenwood, Donald Pilon, Samantha Eggar, and John Vernon.

Although it is similar to the horror anthologies released by Amicus Productions and could be mistaken as one, it was actually distributed by The Rank Organisation. However the co-producer was Milton Subotsky of Amicus.

In the UK the film was originally given an X-rating.

Plot

In 1977, in Montreal, the scared writer Wilbur Gray (Peter Cushing) visits his publisher Frank Richards (Ray Milland) to disclose his new book about the evilness of cats. Wilbur tells that the felines are supernatural creatures, and that there is a saying in which the cat would be the devil in disguise. Wilbur tells three tales to illustrate his thoughts:

In 1912, in London, Miss Malkin (Joan Greenwood) is a wealthy woman who rewrites her will leaving her fortune to her cats rather than to her nephew Michael (Simon Williams). Her maid Janet (Susan Penhaligon), also mistress of Michael, steals one copy of the will from the lawyer's briefcase and tries to destroy the original copy which is kept in the safe. When Miss Malkin sees her attempt, Janet kills her. The cats avenge Miss Malkin.