Quincy Jones

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Quincy Delight Jones, Jr. (born March 14, 1933) is an American record producer, conductor, arranger, composer, musician, television producer, film producer, instrumentalist, magazine founder, entertainment company executive, and humanitarian. His career spans six decades in the entertainment industry and a record 79 Grammy Award nominations, 27 Grammys, including a Grammy Legend Award in 1991.

Jones came to prominence in the 1950s as a jazz arranger and conductor, before moving on to work prolifically in pop music and film scores.

In 1968, Jones and his songwriting partner Bob Russell became the first African Americans to be nominated for an Academy Award for Best Original Song, their "The Eyes of Love" for the Universal Pictures film Banning. That same year, Jones was the first African American to be nominated twice within the same year for an Academy Award for Best Original Score, as he was also nominated for his work on the film In Cold Blood (1967). In 1971, Jones was the first African American to be named as the musical director and conductor of the Academy Awards ceremony. In 1995 he was the first African American to receive the Academy's Jean Hersholt Humanitarian Award. He is tied with sound designer Willie D. Burton as the African American who has been nominated for the most Oscars; each has received seven nominations.

Bossa nova

Bossa nova is a genre of Brazilian music, which developed and was popularized in the 1950s and '60s and is today one of the best-known Brazilian music genres abroad. The phrase bossa nova means literally "new trend" (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ]). A lyrical fusion of samba and jazz, bossa nova acquired a large following in the 1960s, initially among young musicians and college students.

Etymology

In Brazil, the word "bossa" is old-fashioned slang for something that is done with particular charm, natural flair or innate ability. As early as 1932, Noel Rosa used the word in a samba:

The exact origin of the term "bossa nova" still remains uncertain. Within the artistic beach culture of the late 1950s in Rio de Janeiro, the term "bossa" was used to refer to any new "trend" or "fashionable wave". In his book Bossa Nova, Brazilian author Ruy Castro asserts that "bossa" was already in use in the 1950s by musicians as a word to characterize someone's knack for playing or singing idiosyncratically. Castro claims that the term "bossa nova" might have first been used in public for a concert given in 1958 by the Grupo Universitário Hebraico do Brasil (University Hebrew Group of Brazil). This group consisted of Sylvinha Telles, Carlinhos Lyra, Nara Leão, Luizinho Eça, Roberto Menescal, et al. In 1959, Nara Leão also participated in more than one embryonic display of bossa nova. This included the 1st Festival de Samba Session, conducted by the PUC's (Pontifícia Universidade Católica) student union. This session was then chaired by Carlos Diegues, a law student that Leão ultimately married.

Soul Bossa Nova

"Soul Bossa Nova" is a popular instrumental title, composed by and first performed by American impresario, jazz composer, arranger, and record producer Quincy Jones. It appeared on his 1962 Big Band Bossa Nova album on Mercury Records. Multi-reed player Roland Kirk played the flute solo. Incomplete personnel on the album liner notes do not specify the prominent brass players. According to Jones, he took twenty minutes to compose the piece. The piece prominently features a Cuíca, responsible for the distinctive "laughing" sound in the first bars.

"Soul Bossa Nova" has endeared itself to producers, musicians and the public. The piece appears in the soundtracks to Sidney Lumet's 1964 dramatic film The Pawnbroker, which was scored by Jones, while Woody Allen's 1969 comedy Take the Money and Run features a similar-sounding instrumental composed by Marvin Hamlisch. It was used by BBC Radio 1 disc jockey Alan 'Fluff' Freeman as a theme for his afternoon programme that was broadcast in the UK during the 1970s. In 1969, the French composer Nino Ferrer used the orchestration of the theme for the chorus of his song Les cornichons, based on the title "Big Nick" by James Booker. The theme was used in a long-running Canadian television game show, Definition. Canadian hip hop group Dream Warriors sampled the title heavily for their popular track "My Definition of a Boombastic Jazz Style", in their debut album And Now the Legacy Begins in 1991. Like Dream Warriors, Canadian Mike Myers grew up watching Definition, and as a homage to his childhood used the title as the theme for the Austin Powers film series, starting with Austin Powers: International Man of Mystery in 1997. It was used as a theme for the 1998 FIFA World Cup. It was sampled by Ludacris for his Austin Powers-themed 2005 single, "Number One Spot", on his 2004 album The Red Light District, appearing in the videogames Samba de Amigo, Just Dance 2, and Rayman Raving Rabbids: TV Party .

Quincy

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Jones

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