It has been suggested that fake be merged into this article or section. (Discuss) Proposed since March 2012.

A replica is an exact reproduction (as of a painting) executed by the original artist or a copy or reproduction, especially one on a scale smaller than the original.^[1][2] A replica is a copy closely resembling the original concerning its shape and appearance. An inverted replica complements the original by filling its gaps. It can be a copy used for historical purposes, such as being placed in a museum. Sometimes the original never existed. Replicas and reproductions can be related to any form of licensing an image for others to use, whether it is through photos, postcards, prints, miniature or full size copies they represent a resemblance of the original object.

"Not all incorrectly attributed items are intentional forgeries. In the same way that a museum shop might sell a print of a painting or a replica of a vase, copies of statues, paintings, and other precious artifacts have been popular through the ages.^[3]

However, replicas have often been used illegally for forgery and counterfeits,especially of money and coins, but also commercial merchandise such as designer label clothing, luxury bags and accessories, and luxury watches. In arts or historic cars, the term "replica" is used for discussing the non-original recreation, sometimes hiding its real identity.^{[citation needed]}

Because of gun ownership restrictions in some locales, gun collectors often create non-functional legal replicas of illegal firearms. Such replicas are also preferred to real firearms when used as a prop in a stage performance, generally for safety reasons.

A prop replica is an authentic-looking duplicate of a prop from a video game, movie or television show.

Background[link]

"Replicas represent a copy or forgery of another object and we often think of forgeries we think of paintings but, in fact, anything that is collectible and expensive is an attractive item to forge".^[3]

Replicas have been made by people to preserve a perceived link to the past. This can be linked to a historical past or specific time-period or just to commemorate an experience. Replicas and reproductions of artifacts help provide a material representation of the past for the public.^{[citation needed]}

A General Terracotta Replica Warrior- 3 1/2 feet

Replicas of artifacts and art[link]

Replicas of artifacts and arts have a purpose within museums and research. They are created to help with preserving of original artifacts. In many cases the original artifact may be too frail and be to much at risk of further damage on display posing a risk to the artifact from light damage, environmental agents, and other risks greater than in secure storage.^[4]

Replicas are created for the purpose of experimental archaeology where archaeologists and material analysts try to understand the ways that an artifact was created and what technologies and skills where needed for the people to create the artifact on display.^[4]

Another reason for the creation of replica artifacts, is for museums to be able to send originals around the globe or allow other museums or events to educate people on the history of specific artifacts. Replicas are also put on display in museums when further research is being conducted on the artifact but further display of the artifact is important for public access and knowledge.^[4]

Authenticity and replicas[link]

Replicas and their original representation can been seen as fake or real depending on the viewer. Good replicas take a lot of education related to understanding all the processes and history that goes behind the culture and the original creation. To create a good and authentic replica of an object there is to be a skilled artisan or “forger” to create the same authentic experience that the original object provides.^[4] This process takes time and lots of money to be done correctly for museum standards.^[5]

Authenticity or real feeling presented by an object can be “described as the experience of an ‘aura’ of an original”.^[6] An aura of an object is what an object represents through its previous history and experience.^[7]

Replicas work well in museum settings because they have the ability to look so real and accurate that people can feel the authentic feelings that they are supposed to get from the originals. Through the context and experience that a replica can provide in a museum setting people can be fooled into seeing it as ‘original’.^[7]

The authenticity of a replica is important for the impression it gives off to tourists or observers. “According to Trilling, the original use of authenticity in tourism was in museums where experts wanted to determine 'whether objects of art are what they appear to be or are claimed to be, and therefore worth the price that is asked for them or…. worth the admiration they are being given'.”^{[8] [9]}

These reproductions and the values of authenticity presented to the public through artifacts in museums provide “truth”. However, authenticity has away of also being represented in what the public expects in a predictable manner or based on stereotypes within museums.^[9] This idea of authenticity also relates to cultural artifacts like food, cultural activities, festivals, housing, and dress that helps to homogenize the cultures that are being represented and make them seem static.^[9]

For luxury goods the same authentic feel has to be present for consumers to want to buy a “fake” designer bag or watch that provides them with the same feelings and desired experiences, but as well achieve the look of higher class.

Examples of replicas[link]

Replicas and reproductions are also for purely consumption and personal value. Through souvenirs people can own their very own physical representation of their experience or passions. People can buy on-line full size replicas (museum-quality) of the Rosetta Stone^[10] or prints and museum-quality copies of the Mona Lisa and other famous pieces of art.^[11]

The replica Difference Engine No. 2 in the Science Museum, London.

For example, Difference Engine No. 2, designed by Charles Babbage in the 19th century, was reconstructed from original drawings studied by Allan Bromley in the 1980s and is now on display at the Science Museum in London, England. A second example is Stephenson's Rocket where a replica was built in 1979, following the original design fairly closely, but with some adaptations.

In China the terra-cotta warriors can be recreated to be personalized for customers. The “Talented craftspeople use their hands and proper tools reproducing every masterwork precisely in the same manner as the royal craftsmen did 2200 years ago. They are made from the same local clay as the originals and constructed essentially in the same ancient method.”^[12] These warriors can come in a variety of sizes and provide a very realistic and authentic experience with their own personal warrior.

Knock-off brand label fashions and accessories like Louis Vuitton, Coach, Chanel, and Rolex are major labels that get copied.

Issues and controversies[link]

Controversies with replicas (museum context) are associated with who owns the past.

With works of art museums assert their intellectual property rights for replicas and reproduction of images which many museums use commercial licensing for providing access to images. Issues are arising with more images being available on the internet and it being free access.^[13]

Artists can claim copyright infringement related to displays of their work their work in a context they did not approve of which can be the creation of replicas of their pieces.^[14]

With replica artifacts the copies to be “museum-quality” have to reach a high standard and can cost a lot of money to be produced.^[4]

Replica artifacts (copies) can provide an authentic view but represents more of the subjectivities of what people expect and desire from their museum experiences and the cultures they learn about.^[15]

With copies of retail and other counterfeit goods there is a legal issue related to copyright and trademark ownership.

References[link]

• Replica Watches

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2010)

Sonata Arctica
Sonata Arctica performing live at the Galaxy Theater in Santa Ana, California 2007
Background information
Also known as	Tricky Beans, Tricky Means,
Origin	Kemi, Finland
Genres	Power Metal, Symphonic Power Metal Heavy metal
Years active	1996−present
Labels	Spinefarm, Nuclear Blast
Website	www.sonataarctica.info
Members
Tony Kakko Tommy Portimo Marko Paasikoski Henrik Klingenberg Elias Viljanen
Past members
Jani Liimatainen Pentti Peura Janne Kivilahti Mikko Härkin

Sonata Arctica is a Finnish power metal band from the town of Kemi, originally assembled in 1995. Their later works (most notably The Days of Grays, Unia and a few tracks on Reckoning Night and Winterheart's Guild) contain several elements typical of progressive metal.^[1]

Biography[link]

Formation and early years (1996–1999)[link]

The band was founded by Marko Paasikoski, Jani Liimatainen and Tommy Portimo in Kemi at the end of 1995 (Tony Kakko and Pentti Peura joined in early 1996). Originally named Tricky Beans, they played hard rock rather than the power metal with which they grew to fame. During their early career, they recorded three demos which were never sent to any recording label — Friend 'till the End, Agre Pamppers and PeaceMaker.

In 1997 the band changed their name to Tricky Means, and from that point until 1999 their style was thoroughly worked upon and ultimately was drastically changed, acquiring strong emphasis on the keyboard melodies and relying on an easily distinguishable rhythm line maintained both by the bass and the guitar. Vocalist Tony Kakko developed a clean singing style which relies both on falsetto and tenor voices and second guitarist Marko Paasikoski left the band. Kakko has stated that the change of sound was influenced by fellow Finnish power metal band Stratovarius.^[2]

In 1999 (after they changed their name to Sonata Arctica), the band recorded a demo entitled FullMoon in Kemi's Tico Tico Studios, which was their first real metal recording. The line-up consisted of vocalist and keyboardist Tony Kakko, guitarist Jani Liimatainen, bassist Janne Kivilahti and drummer Tommy Portimo. The demo was sent to Spinefarm Records by a friend of the band and a recording deal soon followed.

[edit] Ecliptica and Silence (1999–2002)

Later that year, Sonata Arctica's first single, entitled "UnOpened" was released in Finland. It entered the Finnish Top 20 sales chart on the week of its release and, soon after, the band had closed deals with labels from around the world, prior to the release of their debut album. The debut Ecliptica arrived by the end of 1999 and had a worldwide release, obtaining rave reviews from the specialized press.^{[citation needed]}

Tony Kakko then decided to focus on singing and began seeking a new keyboard player for Sonata Arctica; Mikko Härkin (ex-Kenziner) was eventually invited to fill the position.

In the beginning of 2000, Sonata Arctica was chosen to support the well known power metal band Stratovarius throughout their European tour. Marko Paasikoski returned to the band to play bass in the wake of Janne Kivilahti's departure after the tour.

From late 2000 to late 2001, the band worked on composing and recording their next album — Silence — which was released in June 2001. An extensive tour followed, which included concerts throughout Europe (together with Gamma Ray) and Japan. In 2002 Sonata Arctica made its first incursion to America, putting on shows in Brazil and Chile. According to some of the musicians from the band, it was one of their best tours to date — the other being the Japanese tour from 2003. A live album entitled Songs of Silence was also released that year, consisting of gigs from their tour in Japan. By the end of 2002, Mikko Härkin left the band due to personal reasons.

[edit] Winterheart's Guild (2003)

Their third album — Winterheart's Guild — was recorded with the help of the seasoned keyboard player Jens Johansson from Stratovarius who recorded the keyboard solos, while Kakko took care of the basics. The album was released in 2003.

In the search for another keyboardist, the band received many applications and two of them were invited for auditions. Since they were well aware of the candidates' ability, the band decided to pick the new member based on personality. To this end they spent a night drinking with each of the potentials in order to find out which one would fit best into the band's personality and mentality. Henrik Klingenberg was eventually chosen and joined the band in time to take part in the tour that followed the release of Winterheart's Guild. Most of the concerts on the tour were sold out.

With the end of their contract with Spinefarm Records, the band received invitations from most European recording labels, and eventually opted for Nuclear Blast.

[edit] Reckoning Night (2004–2005)

In early 2004, the band was chosen as the opener for Iron Maiden's Japanese tour. Additionally, Tommy Portimo became a father; his wife gave birth to a baby girl in March. Reckoning Night was recorded in three months and released in October. Both the single and the EP of this release remained on the top of the Finnish charts simultaneously for over six weeks. A promotional tour was to follow, but Sonata Arctica was invited by the popular Nightwish to join their European tour, and thus made a change of plans. The concerts that followed were played for audiences of over ten thousand people. Fans took notice that Reckoning Night was more progressive than previous Sonata Arctica albums. At that time in interviews, Tony Kakko and Henrik Klingenberg began to claim that they saw themselves as more so just a rock band than Power Metal. Another notable feature about this album was that Henrik Klingenberg introduced use of the organ to the band.

In early 2005, Nightwish invited the band to open the concerts of their North American tour. This tour eventually got cancelled, but the members of Sonata Arctica opted to still make a short tour, playing concerts in Canada and the USA. On October 21, 2005, Sonata Arctica opened for Nightwish at the Hartwall Areena, Helsinki.

[edit] For the Sake of Revenge and Winterheart's Guild video game (2006)

In 2006, the band released a live CD and DVD entitled For the Sake of Revenge, which was recorded in Tokyo in February 2005. Then, Spinefarm Records released a compilation album in order to get the most out of their contract with the band, since Sonata Arctica changed their recording label. The compilation is entitled The End of This Chapter and was released in Japan in August 2005 and in Europe in May 2006.

A computer video game was also planned, based on Sonata Arctica characters and music. The name of the game was going to be Winterheart's Guild, like their album. The game was to be developed by Zelian Games, and was to be an Action-RPG in a style between Fallout and Diablo. The game was cancelled for unannounced reasons but a demo was shown at the Leipzig video game conference in 2006, featuring Henrik Klingenberg as the playable character. In December 2006, the band began recording their fifth studio album.

[edit] Unia (2007–2008)

On May 25, 2007, Unia was released. The album's first single, "Paid In Full", was released on April 27, 2007. Interestingly, the cover for Unia features a barely perceptible image of a person's hair and eyes looking out through a crack in the background in the lower right-hand corner. It is likely an allusion to the person in the song "Caleb".

On August 6, 2007, the band announced on their website that guitarist Jani Liimatainen had been asked to leave the band due to problems related to his conscription. He was replaced by Elias Viljanen who had already filled in for him in the band's Finnish and Japanese shows during the spring and summer.

In October 2007 Sonata Arctica headlined the ProgPower USA VIII. Later the band supported Nightwish across their 2008 tour of United States and Canada and headlined at the shows that Nightwish cancelled due to Anette Olzon's sudden severe sickness.^[3]

In 2008 Tony Kakko collaborated with English singer/songwriter and arranger Mark Deeks to perform choral arrangements of some of the band's works at a special one off concert at The Sage Centre in Gateshead.

It was announced on September 4, 2008 that the band's first two albums would be re-released with bonus tracks by Spinefarm UK on October 6.^[4]

[edit] The Days of Grays (2009-2011)

Sonata Arctica during the The Days of Grays Tour 2011.

Sonata Arctica's latest album was released on September 16, 2009 in Finland and September 22 in the USA.^[5] Henrik stated that the new album would be in the same vein as Unia, but not as complex and darker.^[5] Singles from this album include "Flag in the Ground" and "The Last Amazing Grays". On August 28, 2009, the music video of "Flag In The Ground" was released to the web. The limited 2CD European edition of the album featured many of the album tracks with all instruments performed by a symphony orchestra.^[6]

The band also recently toured with DragonForce for the third U.S. leg of the Ultra Beatdown tour, and will be touring the US "two or three times," as well as doing a European tour and Asian tour covering Indonesia, Taiwan, China, and Japan. In early 2010 they engaged on an Australian tour with Ensiferum and Melbourne band Vanishing Point.

In April 2010, Sonata Arctica embarked on their USA and Canada Headlining tour for The Days of Grays. In October they headlined in Chile in support of the same album.^[7]

[edit] Stones Grow Her Name (since 2011)

In January 2011, the band hinted in an online interview for Metaleater magazine that they are currently writing songs for a new album while on their current tour. Elias is quoted as saying, "I've been working on some new riffs, quite dark. Tony's been stuck in his bed scratching notes about some girl and her 'Luna Lust'." Tommy states later, "We've just got back from Cozumel, we had a good time, had lots of beers, loads more sun and thought about putting a bit more Queen stuff back into the music again."

While playing in Wolverhampton, Tony stated to the audience that they were in fact hoping to start recording the new album this autumn and have it available for purchase before summer 2012.

In April, the band recorded a live DVD in Oulu, Finland, entitled "Live in Finland", which was released on November 11, 2011 (11/11/11).

It was announced on February 20, 2012 through the official Sonata Arctica website that the new album entitled Stones Grow Her Name would be released on May 18 in Europe and May 22 in North America .^[8][9]

Influences[link]

In a 2007 interview with C.B.Liddell, Tony Kakko cited the English rock band Queen as his biggest musical influence. "A lot of people seem to mention a Queen influence in our music," he said. "Queen have always been the biggest band for me."^[10]

Members[link]

Tony Kakko.

Elias Viljanen and Marko Paasikoski.

Tommy Portimo.

Henrik Klingenberg.

Current[link]

• Tony Kakko
  • Vocals (1996−present)
  • Keyboards (1996–2001, 2003, 2007–present)
• Elias Viljanen
  • Guitars (2007−present)
  • Backing vocals (2007−present)
• Marko Paasikoski
  • Bass guitar (2000−present)
  • Backing vocals (2000−present)
  • Guitars (1996–1997)
• Tommy Portimo
  • Drums (1996−present)
• Henrik Klingenberg
  • Keyboards/keytar (2002−present)
  • Backing vocals (2002−present)

Former[link]

• Pentti Peura
  • Bass guitar (1996−1998)
  • Backing vocals (1996−1998)
• Janne Kivilahti
  • Bass guitar (1998−2000)
  • Backing vocals (1998−2000)
• Mikko Härkin
  • Keyboards (2000−2002)
  • Backing vocals (2000−2002)
• Jani Liimatainen
  • Guitars (1996−2007)
  • Backing vocals (1996−2007)

Guest musicians[link]

• Raisa Aine − flute (on "Letter to Dana")
• Nik Van-Eckmann − spoken passages (on "...of Silence", "The End of This Chapter", "Last Drop Falls" and "The Power of One" from Silence and "Don't Say a Word", "White Pearl, Black Oceans..." and "Wildfire" from Reckoning Night)
• Timo Kotipelto − vocals (on "False News Travel Fast" from Silence^[11] and "Only The Broken Hearts (Make You Beautiful)", "Shitload Of Money", "I Have A Right", and "Alone In Heaven")
• Renay Gonzalez − spoken female passage (on "The End of This Chapter")
• Jens Johansson − keyboard solos (on "The Cage", "Silver Tongue", "Victoria's Secret" and "Champagne Bath")
• Peter Engberg − acoustic guitars, bouzouki, viola caipira, banjo, chromaharp, cavaquinho and Q-chord (on "They Follow", "Under Your Tree", "The Harvest", "It Won't Fade" and "Fly With the Black Swan" from Unia and "Cinderblox", "I Have A Right", "The Day","Don't Be Mean", and "Alone In Heaven" from Stones Grow Her Name
• Johanna Kurkela − female vocals (on "Deathaura" and "No Dream Can Heal a Broken Heart")
• Pekka Kuusisto - violin (on "Don't Be Mean", "Cinderblox", "Wildfire II, One With The Mountain", and "Wilfire III, Wildfire Town, Population: 0")
• Lauri Valkonen - double bass (on "Cinderblox", and "Wildfire II, One With The Mountain")
• Mika Myllari - trumpet (on "Shitload Of Money")
• Mikko P. Mustonen - orchestrations (on "Wildfire III, Wilfire Town, Population: 0")
• Anna Lavender - spoken passage (on "I Have A Right")
• Mediocre Media Ogre Choir - hey's (on "Shitload of Money")

Discography[link]

Studio albums:

• Ecliptica (1999)
• Silence (2001)
• Winterheart's Guild (2003)
• Reckoning Night (2004)
• Unia (2007)
• The Days of Grays (2009)
• Stones Grow Her Name (2012)

Cover songs[link]

• "Black Diamond" − Stratovarius (live, short clip in Stratovarius - Infinite Visions VHS/DVD)
• "Speed of Light" − Stratovarius (at the end of "False News Travel Fast" in Songs of Silence)
• "Fade to Black" − Metallica (Victoria's Secret, Takatalvi, A Tribute to the Four Horsemen)
• "Wind Beneath My Wings" − Bette Midler (Orientation)
• "Die With Your Boots On" − Iron Maiden (Last Drop Falls, Orientation)
• "World in My Eyes" − Depeche Mode (Don't Say a Word)
• "Two Minds, One Soul" − Vanishing Point (Don't Say a Word)
• "Still Loving You" − Scorpions (Takatalvi)
• "I Want Out" − Helloween (Takatalvi)
• "Out in the Fields" − Gary Moore (Paid in Full, Unia)
• "Silent Jealousy" − X Japan (live)
• "Crash & Burn" − Yngwie Malmsteen (live)
• "Excuse Me While I Kill Myself" − Sentenced (live)
• "I Was Made for Lovin' You" − KISS (live)
• "Smoke on the Water" − Deep Purple (live)
• "Child in Time" - Deep Purple (live)
• "Gaston y'a l'téléfon qui son" − Nino Ferrer (live)
• "One" − Metallica (live)
• "We Will Rock You" − Queen (live)
• "No More Tears" − Ozzy Osbourne (live)
• "Hava Nagila" ("The Cage"/"Vodka", "For the Sake of Revenge")
• "Master of Puppets" − Metallica (live)
• "The Trooper" − Iron Maiden (live)
• "Cowboys From Hell" - Pantera (live, Jani Liimatainen's Young Guitar DVD and Into The Storm bootleg DVD)
• "Metropolis" - Dream Theater" (live)
• "Total Eclipse Of The Heart" - Bonnie Tyler" (live)
• "Runaway" - Del Shannon (live)
• "Hell Is Living Without You" - Alice Cooper (One For All, All For One)

References[link]

External links[link]

Wikimedia Commons has media related to: Sonata Arctica

• Sonata Arctica's official website
• Sonata Arctica on Myspace
• Sonata Arctica's official fanclub
• Winterheart's Guild video game

Oneohtrix Point Never is the recording name of Brooklyn-based experimental musician Daniel Lopatin,^[1][2] whose album Returnal was released by Editions Mego in June 2010.^[3] Lopatin's music is composed and performed primarily on vintage synthesizers, and has been described as drone or ambient music,^[4] gentle eddies of sound,^[5] and like a cracked mirror refracting the sounds of the past.^[6]

Lopatin was chosen by Animal Collective to perform at the All Tomorrow's Parties festival that it curated in May 2011.^[7]

Partial discography[link]

Albums[link]

• Betrayed In The Octagon (2007, Deception Island; 2009, No Fun)
• Zones Without People (2009, Arbor)
• Russian Mind (2008, No Fun)
• Rifts (2009, No Fun)
• Returnal (2010, Editions Mego)
• Replica (2011, Mexican Summer/Software)

References[link]

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