- published: 01 Mar 2010
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George Ignacio Mira (born January 11, 1942) is a former professional American football player. A quarterback drafted in the second round of the 1964 NFL Draft from the University of Miami, Mira played in eight National Football League (NFL) seasons, from 1964 to 1971, for three different teams. He was a backup in Super Bowl VI as a member of the Miami Dolphins.
One of the best games in Mira's collegiate career came in the 1962 Gotham Bowl against the Nebraska Cornhuskers. Despite playing in twenty-degree weather in front of fewer than a thousand fans at Yankee Stadium, Mira threw for 321 yards, a Miami school record at the time, and was named the bowl game's most valuable player. Despite Mira's efforts, the Cornhuskers won, 36–34.
Mira later played 19 games with the Montreal Alouettes of the Canadian Football League (NFL) in 1972 and 1973, completing 92 of 168 passes for 1356 yards and 11 touchdowns and eight interceptions in 1973. With the Birmingham Americans of the World Football League (WFL) in 1974 he was MVP of their championship game victory, completing 155 of 313 passes for 2248 yards and 17 touchdowns and 14 interceptions during the season. In 1975, with the Jacksonville Express of the WFL, he completed 123 of 254 passes for 1675 yards and 12 touchdowns and interceptions. He finished his career in 1977, playing six games for the Toronto Argonauts.
George Harrison,MBE (25 February 1943 – 29 November 2001) was an English guitarist, singer, songwriter, and music and film producer who achieved international fame as the lead guitarist of the Beatles. Often referred to as "the quiet Beatle", Harrison embraced Indian mysticism and helped broaden the horizons of his fellow Beatles as well as their Western audience by incorporating Indian instrumentation in their music. Although the majority of the Beatles' songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group included "Taxman", "Within You Without You", "While My Guitar Gently Weeps", "Here Comes the Sun" and "Something", the last of which became the Beatles' second-most covered song.
Harrison's earliest musical influences included George Formby and Django Reinhardt; Carl Perkins, Chet Atkins and Chuck Berry were subsequent influences. By 1965 he had begun to lead the Beatles into folk rock through his interest in the Byrds and Bob Dylan, and towards Indian classical music through his use of the sitar on "Norwegian Wood (This Bird Has Flown)". Having initiated the band's embracing of Transcendental Meditation in 1967, he subsequently developed an association with the Hare Krishna movement. After the band's break-up in 1970, Harrison released the triple album All Things Must Pass, a critically acclaimed work that produced his most successful hit single, "My Sweet Lord", and introduced his signature sound as a solo artist, the slide guitar. He also organised the 1971 Concert for Bangladesh with Indian musician Ravi Shankar, a precursor for later benefit concerts such as Live Aid. In his role as a music and film producer, Harrison produced acts signed to the Beatles' Apple record label before founding Dark Horse Records in 1974 and co-founding HandMade Films in 1978.
Si yo te sigo amando como te amo
Voy a acabar usando una camisa de fuerza
Voy a dejar sin rosas el planeta
Si yo te sigo amando de la forma en que te amo, amor.
Ay ay, na na na na, no no no...
Si yo te sigo amando como te amo,
Voy a acabar cruzando cuatro mares y una luna,
Ay, es que tu eres mi fortuna,
Tu eres mi vida, Tu eres mi quebranto.
Si yo te sigo amando de esta forma asi tan loca
¡Voy a ser un esclavo del rojo de tu boca!
¡Ay Carmelina, Carmelina!
No me hagas sufrir ay Carmelina de mi vida, ¡Ay Dios!
¡Ay Carmelina, Carmelina!
Ya no me hagas sufrir, ¡No! ¡Ya no! Ya no me hagas llorar.
Ay Carmelina, Ay Carmelina de mi vida...
Si yo te sigo amando como te amo
Voy a acabar cruzando cuatro mares y una luna,
Ay, es que tu eres mi fortuna, ay ay ay ay,
Tu eres mi vida, Tu eres mi quebranto.
Si yo te sigo amando de esta forma asi tan loca,
¡Voy a ser un esclavo del rojo de tu boca!
¡Ay Carmelina, Carmelina!
No me hagas sufrir ay Carmelina de mi vida, ¡Ay Dios!
¡Ay Carmelina, Carmelina!
Ya no me hagas sufrir, ¡No! ¡Ya no! Ya no me hagas llorar.
¡Ay Carmelina, Carmelina!
No me hagas sufrir ay Carmelina de mi vida, ¡Ay Dios!
¡Ay Carmelina, Carmelina!
Ya no me hagas sufrir más ¡Ya no! ¡Ay Carmelina! yea yea yea yea.
No, no, no, no, no, no, no.
Nah Nah Nah, Oe Oe ¡Oh Ay Carmelina! Oe Oe
¡Ay Carmelina, Carmelina! Oe Oe
¡Carmelina, Carmelina!
¡Ay Carmelina, Carmelina! Oe Oe
¡Ay Carme-Carme-Carmelina! Oe Oe
¡Ay Carme-Carme-Carmelina! Ay yea mama Nah
¡Ay Carmelina, Carmelina! Oe Oe
¡Ay Carmelina, Carmelina! Oe Oe
¡Ay Carmelina, Carmelina! Oe Oe