Muslih-ud-Din Mushrif ibn-Abdullah Shirazi

Born	1184 CE
Died	1283/1291 CE (aged 99/107)
School	Persian poetry, Persian literature
Main interests	Poetry, Mysticism, Logic, Ethics, Sufism

Abū-Muḥammad Muṣliḥ al-Dīn bin Abdallāh Shīrāzī, Saadi Shirazi^[1] (Persian: ابومحمد مصلح الدین بن عبدالله شیرازی‎) better known by his pen-name as Saʿdī (Persian: سعدی‎) or, simply, Saadi, was one of the major Persian poets of the medieval period. He is not only famous in Persian-speaking countries, but he has also been quoted in western sources. He is recognized for the quality of his writings, and for the depth of his social and moral thoughts.

Ancestry[link]

Shaikh Saadi was a direct descendant of the first Caliph of Islam, Abu Bakr As-Siddiq.^{[citation needed]}

Biography[link]

A native of Shiraz, his father died when he was an infant. Saadi experienced a youth of poverty and hardship, and left his native town at a young age for Baghdad to pursue a better education. As a young man he was inducted to study at the famous an-Nizzāmīya center of knowledge (1195–1226), where he excelled in Islamic Sciences, law, governance, history, Arabic literature and theology.

The unsettled conditions following the Mongol invasion of Khwarezm and Iran led him to wander for 30 years abroad through Anatolia (he visited the Port of Adana, and near Konya he met proud Ghazi landlords), Syria (he mentions the famine in Damascus), Egypt (of its music and Bazaars its clerics and elite class), and Iraq (the port of Basra and the Tigris river). He also refers in his work about his travels in Sindh (Pakistan across the Indus and Thar with a Turkic Amir named Tughral), India (especially Somnath where he encountered Brahmans) and Central Asia (where he meets the survivors of the Mongol invasion in Khwarezm).

He also performed the pilgrimage to Mecca and Medina and also visited Jerusalem.^[2] Saadi traveled through war wrecked regions from 1271 to 1294. Due to Mongol invasions he lived in desolate areas and met caravans fearing for their lives on once lively silk trade routes. Saadi lived in isolated refugee camps where he met bandits, Imams, men who formerly owned great wealth or commanded armies, intellectuals, and ordinary people. While Mongol and European sources (such as Marco Polo) gravitated to the potentates and courtly life of Ilkhanate rule, Saadi mingled with the ordinary survivors of the war-torn region. He sat in remote teahouses late into the night and exchanged views with merchants, farmers, preachers, wayfarers, thieves, and Sufi mendicants. For twenty years or more, he continued the same schedule of preaching, advising, and learning, honing his sermons to reflect the wisdom and foibles of his people. Saadi's works reflects upon the lives of ordinary Iranians suffering displacement, plight, agony and conflict, during the turbulent times of Mongol invasion.

Saadi was also among those who witnessed first-hand accounts of Baghdad's destruction by Mongol Ilkhanate invaders led by Hulagu during the year 1258. Saadi was captured by Crusaders at Acre where he spent 7 years as a slave digging trenches outside its fortress. He was later released after the Mamluks paid ransom for Muslim prisoners being held in Crusader dungeons.

When he reappeared in his native Shiraz he was an elderly man. Shiraz, under Atabak Abubakr Sa'd ibn Zangy (1231–60) was enjoying an era of relative tranquility. Saadi was not only welcomed to the city but was respected highly by the ruler and enumerated among the greats of the province. In response, Saadi took his nom de plume from the name of the local prince, Sa'd ibn Zangi. Some of Saadi's most famous panegyrics were composed an initial gesture of gratitude in praise of the ruling house, and placed at the beginning of his Bustan. The remainder of Saadi's life seems to have been spent in Shiraz.

The Journey of Saadi Shirazi[link]

Saadi Shirazi is welcomed by a youth from Kashgar during a forum in Bukhara.

Due to the Mongol Empire invasion of the Muslim World, especially Khwarizm and Iran, Saadi like many other Muslims was displaced by the ensuing conflict thus beginning a 30 year journey. He first took refuge at Damascus and witnessed the famine in one of the most efficient cities of the world. After the frightful Sack of Baghdad in 1258 by Hulegu and the Ilkhanate Horde, Saadi visited Jerusalem and then set out on a pilgrimage to Mecca and Medina. It is also believed that Saadi may have also visited Oman an other lands south of the Arabian Peninsula.

Saadi then visits Mamluk Egypt, of Sultan Baibars. He mentions the Qadis, Muftis of Al-Azhar, the grand Bazaar, music and art. At Halab Saadi joins a group of Sufis who had fought arduous battles against the Crusaders. Further Saadi travels to Turkey first, mentions the port city of Adana and the wealthy Ghazi landowners in Anatolia.

Saadi mentions Honey-gatherers in Azerbaijan, fearful of Mongol plunder. Saadi finally returns to Iran where he meets his childhood companions in Isfahan and other cities. At Khorasan Saadi befriends a Turkic Emir named Tughral. Saadi joins him and his men on their journey to Sindh where he met Pir Puttur, a follower of the Persian Sufi grand master Shaikh Usman Marvandvi (1117–1274),^[3] Saadi then traveled across the Indus River and when they reach the Thar Desert, Tughral hires Hindu sentinels. Tughral later enters service of the wealthy Delhi Sultanate and Saadi is invited to Delhi and later visits the Vizier of Gujarat. During his stay in Gujarat Saadi learns more of the Hindus and visits the large temple of Somnath; Saadi flees the temple due to an unpleasant encounter with the Brahmans.

Soon after Saadi returns to his native Shiraz and earns the patronage of its leaders.

His works[link]

The first page of Bostan, from an Indian manuscript.

His best known works are Bostan (The Orchard) completed in 1257 and Gulistan (The Rose Garden) in 1258. Bostan is entirely in verse (epic metre) and consists of stories aptly illustrating the standard virtues recommended to Muslims (justice, liberality, modesty, contentment) as well as of reflections on the behaviour of dervishes and their ecstatic practices. Gulistan is mainly in prose and contains stories and personal anecdotes. The text is interspersed with a variety of short poems, containing aphorisms, advice, and humorous reflections. Saadi demonstrates a profound awareness of the absurdity of human existence. The fate of those who depend on the changeable moods of kings is contrasted with the freedom of the dervishes.

Saadi is also remembered as a panegyrist and lyricist, the author of a number of odes portraying human experience, and also of particular odes such as the lament on the fall of Baghdad after the Mongol invasion in 1258. His lyrics are found in Ghazaliyat (Lyrics) and his odes in Qasa'id (Odes). He is also known for a number of works in Arabic.

Of the Mongols he writes:

In Isfahan I had a friend who was warlike, spirited, and shrewd. His hands and dagger were forever stained with blood. The hearts of his enemies were consumed by fear of him; even the tigers stood in awe of him. In battle he was like a sparrow among locusts; but in combat,

"after long I met him: O tiger-seizer!" I exclaimed, "what has made thee decrepit like an old fox?"

He laughed and said: "Since the days of war against the Mongols, I have expelled the thoughts of fighting from my head. Then did I see the earth arrayed with spears like a forest of reeds. I raised like smoke the dust of conflict; but when Fortune does not favour, of what avail is fury? I am one who, in combat, could take with a spear a ring from the palm of the hand; but, as my star did not befriend me, they encircled me as with a ring. I seized the opportunity of flight, for only a fool strives with Fate. How could my helmet and cuirass aid me when my bright star favoured me not? When the key of victory is not in the hand, no one can break open the door of conquest with his arms.^[4]

"The enemy were a pack of leopards, and as strong as elephants. The heads of the heroes were encased in iron, as were also the hoofs of the horses. We urged on our Arab steeds like a cloud, and when the two armies encountered each other thou wouldst have said they had struck the sky down to the earth. From the raining of arrows, that descended like hail, the storm of death arose in every corner. Not one of our troops came out of the battle but his cuirass was soaked with blood. Not that our swords were blunt—it was the vengeance of stars of ill fortune. Overpowered, we surrendered, like a fish which, though protected by scales, is caught by the hook in the bait. Since Fortune averted her face, useless was our shield against the arrows of Fate."^[4]

Alexander Pushkin, one of Russia's most celebrated poets, quotes Saadi in his masterpiece Eugene Onegin:^[5]

as Saadi sang in earlier ages,
"some are far distant, some are dead".

Saadi distinguished between the spiritual and the practical or mundane aspects of life. In his Bostan, for example, spiritual Saadi uses the mundane world as a spring board to propel himself beyond the earthly realms. The images in Bostan are delicate in nature and soothing. In the Gulistan, on the other hand, mundane Saadi lowers the spiritual to touch the heart of his fellow wayfarers. Here the images are graphic and, thanks to Saadi's dexterity, remain concrete in the reader's mind. Realistically, too, there is a ring of truth in the division. The Sheikh preaching in the Khanqah experiences a totally different world than the merchant passing through a town. The unique thing about Saadi is that he embodies both the Sufi Sheikh and the travelling merchant. They are, as he himself puts it, two almond kernels in the same shell.

Saadi's prose style, described as "simple but impossible to imitate" flows quite naturally and effortlessly. Its simplicity, however, is grounded in a semantic web consisting of synonymy, homophony, and oxymoron buttressed by internal rhythm and external rhyme something that Dr. Iraj Bashiri quite skillfully captures in his translation of the Prologue of the work:

"In the Name of Allah, the Compassionate, the Merciful

Laudation is due the most High, the most Glorious, Whose worship bridges the Gap and Whose recognition breeds beneficence. Each breath inhaled sustains life, exhaled imparts rejuvenation. Two blessings in every breath, each due a separate salutation.

Whose hand properly offers and whose tongue,

The salutation due Him, and not be wrong?

Says He: "Ingratiate yourself, O family of David,

Unlike the unthankful, that I thee bid!"

Subjects proper, best admit to all transgression,

At His threshold, with contrite expression;

How otherwise could mortal creatures ever,

Make themselves worthy of His discretion?

Regarding the importance of professions Saadi writes:

Oh darlings of your fathers, learn the trade because property and riches of the world are not to be relied upon; also silver and gold are an occasion of danger because either a thief may steal them at once or the owner spend them gradually; but a profession is a living fountain and permanent wealth; and although a professional man may loose riches, it does not matter because a profession is itself wealth and wherever you go you will enjoy respect and sit on high places, whereas those who have no trade will glean crumbs and see hardships.

Saadi's mausoleum in Shiraz, Iran.

Saadi is also known to have taken a keen interest in natural phenomenons:

He has ordered the zephyr to cover, with the emerald carpet of spring, the earth; and He has instructed the maternal vernal clouds to nourish the seeds of autumn to birth. In foliage green, He has clothed the trees, and through beautiful blossoms of many hues, has perfumed the breeze. He has allowed the life-imparting sap to percolate and its delicious honey to circulate. His power is hidden in the tiny seed that sires the lofty palm.

The clouds, the wind, the moon, and the sun,

For your comfort, and at your behest, run;

They toil continuously for your satisfaction,

Should not you halt, monitor your action?"

Tomb of Saadi in his mausoleum

Chief among these works is Goethe's West-Oestlicher Divan. Andre du Ryer was the first European to present Saadi to the West, by means of a partial French translation of Gulistan in 1634. Adam Olearius followed soon with a complete translation of the Bustan and the Gulistan into German in 1654.

Ralph Waldo Emerson was also an avid fan of Sadi's writings, contributing to some translated editions himself. Emerson, who read Saadi only in translation, compared his writing to the Bible in terms of its wisdom and the beauty of its narrative.^[6]

Saadi is well known for his aphorisms, the most famous of which, Bani Adam, calls for breaking all barriers:^[7]

The poem is translated by M. Aryanpoor as:

Human beings are members of a whole,

In creation of one essence and soul.

If one member is afflicted with pain,

Other members uneasy will remain.

If you've no sympathy for human pain,

The name of human you cannot retain!

by H. Vahid Dastjerdi as:^[9]

Adam's sons are body limbs, to say;

For they're created of the same clay.

Should one organ be troubled by pain,

Others would suffer severe strain.

Thou, careless of people's suffering,

Deserve not the name, "human being".

and the last translation by Dr. Iraj Bashiri:^[10]

Of One Essence is the Human Race,

Thusly has Creation put the Base.

One Limb impacted is sufficient,

For all Others to feel the Mace.

The Unconcern'd with Others' Plight,

Are but Brutes with Human Face.

The translations above are attempts to preserve the rhyme scheme of the original while translating into English, but may distort the meaning. What follows is an attempt at a more literal translation of the original Persian:

"Humans (children of Adam) are inherent parts (or more literally, limbs) of one body,
and are from the same essence in their creation.
When the conditions of the time hurts one of these parts,
other parts will be disturbed.
If you are indifferent about the misery of others,
it may not be appropriate to call you a human being."

See also[link]

Poetry portal

• List of Persian poets and authors
• Persian literature
• Persian literature in the West
• Islamic scholars
• Riaz Ahmed Gohar Shahi

Notes[link]

References[link]

• W.M. Thackston. The Gulistan of Sa'di. (Bilingual. English translation, Persian text on facing page). 2008. ISBN 978-1-58814-058-6
• Homa Katouzian, Sa'di, the Poet of Life, Love and Compassion (A comprehensive study of Sa'di and his works). 2006. ISBN 1-85168-473-5
• G.M Wikens, The Bustan of Sheikh Moslehedin Saadi Shirarzi (English translation and the Persian original). 1985. Iranian National Commission for Unesco, No. 46
• E.G. Browne. Literary History of Persia. (Four volumes, 2,256 pages, and twenty-five years in the writing). 1998. ISBN 0-7007-0406-X
• Jan Rypka, History of Iranian Literature. Reidel Publishing Company. 1968 OCLC 460598. ISBN 90-277-0143-1
• Persian Language & Literature: Saadi Shirazi

External links[link]

Wikiquote has a collection of quotations related to: Saadi

Wikisource has original works written by or about: Saadi

Wikimedia Commons has media related to: Sa'di

• The Bustan of Saadi, English translation, 74 p., Iran Chamber Society (PDF).
• The Golestan of Saadi, translated by Richard Francis Burton, 213 p., Iran Chamber Society (PDF).
• Golestan Saadi, the complete work, in Persian (ParsTech). This work can be freely downloaded (File size, compiled in pdf format: 485 KB).

• Saadi Shirazi, Sheikh Mosleh al-Din, Persian Language & Literature, Iran Chamber Society.
• The Gulistan of Sa'di
• Poems by Saadi English translations of Saadi's poetry.
• Sa'di, Muslih al-Din, a biography by Professor Iraj Bashiri, University of Minnesota.
• Sa'di's Tomb in Shiraz
• Sa'di: A story about wealth vs. virtue - Translation from Washington State University
• Pictures of Sa'di's Tomb in Shiraz
• Scholarly article on Sa'di & his work, Encyclopædia Iranica (Columbia University).
• اشعار سعدی (Persian)
• The Bustan of Sadi, tr. A. Hart Edwards, at sacred-texts.com
• complete Ghazals of Sheikh Saadi in original Persian single free pdf file uploaded by Javed Hussen

v t e Sufism and Tariqa Ideas Qutb Wali Abdal Fakir Dervish Tazkiah Baqaa Fanaa Haal Keramat Haqiqa Ihsan Irfan Kashf Lataif Manzil Marifa Nafs Noor Sufi cosmology Sufi metaphysics Sufi philosophy Sufi poetry Sufi psychology Sulook Yaqeen Silsila Practices Anasheed Dhikr Haḍra Muraqaba Qawwali Sama Whirling Ziyarat Sufi orders Azeemia Akbarī Alians Ba 'Alawī Bayramī Bektashī Chishtī Galibī Gulshanī Ḥurūfī Idrīsī Jelvetī Jerrahī Khalwatī Kubrāwī Madarī Malāmatī Mawlāwī Mourīdī Naqshbandī Naqshbandi Uwaisī Khalidiyya Nasuhī Ni'matullāhī Nuqtawī Qadirī Qalāndārī Rifa'ī Safāvī Shadhilī Suhrawardī Sunbulī Tijanī Ussakī Uwaisī Zahedī Notable early Sufi saints and mystics Abdul-Qadir Gilanī Abul-Khayr Ahmad Ghazālī Ahmed Yasāvī Al-Ghazālī Al-Hallaj al-Misrī Al-Qāsim al-Qunawī Amīr Kulal Ardabilī Ata Allah Attar Balım Sultan Baha ūd-Dīn Naqshband Bande Nawāz Baqī Billah Bastamī Bhita'ī Bulleh Shah Shah Waliullah Dehlāvī Farīd ūd-Dīn Fozail Gālib Gharīb Nawāz Ghujdawanī Ghulam Farīd Sheik Edebali Gül Baba Hajji Bayram Hajji Bektash Hazrat Mai Safoora Qadiriyya Haddad Hamadānī Hansvī Harabatī Baba Hasan Basri Mahmud Hudayī Hujwirī ibn ʿArabī Jābir ibn Hayyān Jahangasht Jamī Jan-e-Jānāān Jazoulī Junayd Baġdādī Kākī Kaliyarī Karkhī Kharaqanī Kubrā Nāimī Najib al-Suhrawardī Nasīmī Mansur Al-Hallaj Ni'matullāh Nizām ūd-Dīn Nurī Otman Baba Pir Sultan Qutb ūd-Dīn Haydār Rabbānī Rabia Basri Razī Rifa'ī Rukn-e-Alam Rūmī Ibrahim ibn Adham Saadī Salman al-Farisī Sanai Mevlana Halid-i Bagdadi Sarı Saltuk Semnanī Shadhilī Shahāb al-Dīn Suhrawardī Shams Tabrizī Shiblī Shirazī Sultan Walad Surkh Bukhari Taj al-Dīn Gilanī Umar al-Suhrawardī Uwais al-Qarni Yunus Emre Magtymguly Pyragy Zakariya Zarruq Notable modern Sufi saints Auliya Azeemi Nagpuri Meher Ali Sheikh Muhammad Uthman Sirajuddin Qadeer Piya Muhammad Maliki Gohar Shahi Tahir ul-Qadri Tahir Allauddin Taqi Usmani Abdal Hakim Murad Nazim Al-Haqqani Hisham Kabbani Nuh Keller Nooruddeen Durkee Abdalqadir as-Sufi Zaheen Ghulam Mustafa Reshad Feild Ahmad al-Alawi Ashraf Ali Thanvi Bawa Muhaiyaddeen Abd al-Rahman al-Shaghouri Omar Shah Haeri Raza Khan Syed Shujaat Pir Zulfiqar Abdullah Naqshbandi Sufi Barkat Ali Hafiz Qamaruddin Saheb Qibla Fultali Feisal Abdul Rauf Osman Nuri Topbaş Sufi studies Aguéli Almqvist Burckhardt Chittick Corbin Ernst Frager Guénon Hixon Lindbom Lings Nasr Schimmel Sells Shah Schuon Topics in Sufism Art Fiction History Music Poetry Shrines Texts Portal

Saadi or Sadi may refer to:

geography

• Sədi, village in Azerbaijan
• Sadi, Nepal

family name

• Saadi dynasty, a dynasty of Morocco
• Saadi (poet), medieval Persian Sufi poet
• Dheyaa al-Saadi, Iraqi lawyer
• Hussein Hanoun al-Saadi, Iraqi interpreter and pilot
• Ramón Saadi, Argentine politician, son of Vicente Saadi
• Suhayl Saadi, Scottish author
• Vicente Saadi (1913-1988), Argentine politician
• Youcef Saadi, Algerian professional soccer player
• Abd ar-Rahman ibn Nasir as-Sa'di, Islamic scholar of fiqh and tafsir
• Amir Hamudi Hasan al-Sadi (or al-Saadi), Iraqi chemical engineer and weapons developer
• Marie François Sadi Carnot, former president of France
• Nicolas Léonard Sadi Carnot, French physicist
• Saïd Sadi, Algerian political activist

given name

• Al-Saadi Gaddafi, Libyan professional soccer player
• Saadi Simawe, Iraqi-American author, teacher, and translator
• Saadi Yacef, Algerian politician
• Saadi Youssef, Iraqi writer and publisher

See also[link]

• Saudi

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

This page or section lists people with the surname Saadi. If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name(s) to the link.

Apollinaire's calligramme (1918)

The Chinese poem Quatrain on Heavenly Mountain by Emperor Gaozong of Song; fan mounted as album leaf on silk, four columns in cursive script

A poet is a person who writes poetry. A poet's work can be literal, meaning that his work is derived from a specific event, or metaphorical, meaning that his work can take on many meanings and forms. Poets have existed since antiquity, in nearly all languages, and have produced works that vary greatly in different cultures and time periods.^[1] Throughout each civilization and language, poets have used various styles that have changed through the course of literary history, resulting in a history of poets as diverse as the literature they have produced.

The English word "poet" is derived from the French poète, itself descended from the Latin first-declension masculine noun poeta, meaning "poet". The word "poetry" derives from the Latin feminine noun poetria, meaning not "poetry" but "poetess".

French poet Arthur Rimbaud summarized the "poet" by writing,

A poet makes himself a visionary through a long, boundless, and systematized disorganization of all the senses. All forms of love, of suffering, of madness; he searches himself, he exhausts within himself all poisons, and preserves their quintessences. Unspeakable torment, where he will need the greatest faith, a superhuman strength, where he becomes all men: the great invalid, the great criminal, the great accursed—and the Supreme Scientist! For he attains the unknown! Because he has cultivated his soul, already rich, more than anyone! He attains the unknown, and, if demented, he finally loses the understanding of his visions, he will at least have seen them! So what if he is destroyed in his ecstatic flight through things unheard of, unnameable: other horrible workers will come; they will begin at the horizons where the first one has fallen!

Although that is only one opinion of many on a poet's definition.^[2]

William Wordsworth once described the poet's task as to

make A present joy the matter of a song, Pour forth that day my soul in measured strains That would not be forgotten and are here Recorded

(The Prelude Book 1)

Marianne Moore famously described the poet's job as creating 'imaginary gardens with real toads in them'.(Poetry)

Many poets such as Virgil in the Aeneid and John Milton in Paradise Lost invoke the aid of a Muse to help them in their tasks.

See also[link]

Poetry portal

Wikiquote has a collection of quotations related to: Poets

Look up poet in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: poets

• Bard
• List of poets
• Lyricist
• Poet Laureate
• Writer