The Royal Gold Medal for architecture is awarded annually by the Royal Institute of British Architects on behalf of the British monarch, in recognition of an individual's or group's substantial contribution to international architecture. It is given for a distinguished body of work rather than for one building, and is therefore not awarded for merely being currently fashionable.

The medal was first awarded in 1848 to Charles Robert Cockerell, and its winners include some of the most influential architects of the 19th and 20th centuries, including Eugène Viollet-le-Duc (1864), Frank Lloyd Wright (1941), Le Corbusier (1953), Walter Gropius (1956), Ludwig Mies van der Rohe (1959) and Buckminster Fuller (1968). Already with the second recipient, the Italian Luigi Canina in 1849, the award went international.

Not all recipients were architects. Also recognised were Engineers like Ove Arup (1966) and Peter Rice (1992) who undoubtedly played an outstanding role in the realisation of some of the 20th century's key buildings all over the world. Repeatedly, the prize was awarded to influential writers on architecture, including scholars like the Rev Robert Willis (1862), Sir Nikolaus Pevsner (1967) and Sir John Summerson (1976) as well as theoreticians like Lewis Mumford (1961) and Colin Rowe (1995). It honoured archaeologists like Sir Austen Henry Layard (1868), Karl Richard Lepsius (1869), Melchior de Vogüé (1879), Heinrich Schliemann (1885), Rodolfo Lanciani (1900) and Sir Arthur Evans (1909), and painters like Lord Leighton (1894) and Sir Lawrence Alma-Tadema (1906). Another notable exception was the 1999 award to the city of Barcelona.

List of recipients[link]

References[link]

• 2007 winner
• 2006 winner

External links[link]

• RIBA page on Royal Gold Medal
• list of medal winners 1848-2008(PDF)

A Congressional Gold Medal award by the United States Congress

A gold medal is typically the medal awarded for highest achievement in a non-military field. Its name derives from the use of at least a fraction of gold in form of plating or alloying in its manufacture. The award concept arose in the military, initially by simple recognition of military rank, and later by decorations for admission to military orders dating back to medieval times.^{[citation needed]}

Since the eighteenth century, gold medals have been awarded in the arts, for example, by the Royal Danish Academy, usually as a symbol of an award to give an outstanding student some financial freedom. Others offer only the prestige of the award. Many organizations now award gold medals either annually or extraordinarily, including UNESCO and various academic societies.

While most gold medals are solid gold, notable exceptions are gold-plated and often silver-gilt, like those of the Olympic Games, the Lorentz Medal, the United States Congressional Gold Medal (displayed to the right) and the Nobel Prize medal. Nobel Prize medals consist of 18 carat green gold plated with 24 carat gold. Before 1980 they were struck in 23 carat gold.

Military origins[link]

Before the establishment of standard military awards, e.g., the Medal of Honor, it was common practice to have a medal specially created to provide national recognition for a significant military or naval victory or accomplishment. In the United States, Congress would enact a resolution asking the President to reward those responsible. The commanding officer would receive a gold medal and his officers silver medals.^[1] Other countries similarly honored their military and naval victors in a similar fashion.

Competition medals[link]

A medal on a ribbon designed to be worn around the winner's neck.

Medals have historically been given as prizes in various types of competitive activities, especially athletics.

Traditionally, medals are made of the following metals:

1. Gold (or another yellow metal, e.g., brass)
2. Silver (or another grey metal, e.g., steel)
3. Bronze

These metals designate the first three Ages of Man in Greek mythology: the Golden Age, when men lived among the gods, the Silver Age, where youth lasted a hundred years, and the Bronze Age, the era of heroes.

The custom of awarding the sequence of gold, silver, and bronze medals for the first three highest achievers dates from at least the 19th century, with the National Association of Amateur Athletes in the United States awarding such medals as early as 1884.^[2]

This standard was adopted for Olympic competition at the 1904 Summer Olympics. At the 1896 event, silver was awarded to winners and bronze to runners-up, while at 1900 other prizes were given, not medals.

Olympic Games[link]

At the modern Olympic Games, winners of a sporting discipline receive a gold medal in recognition of their achievement. At the Ancient Olympic Games only one winner per event was crowned with kotinos which was an olive wreath made of wild olive leaves from a sacred tree near the temple of Zeus at Olympia. Aristophanes in Plutus makes a sensible remark why victorious athletes are crowned with wreath made of wild olive instead of gold.^[3] Herodotus describes a story that explains why there were only a few Greek men at the Battle of Thermopylae since "all other men were participating in the Olympic Games" and that the prize for the winner was "an olive-wreath". When Tigranes, an Armenian general learned this, he uttered to his leader a most noble saying: "Good heavens! what kind of men are these against whom you have brought us to fight? Men who do not compete for possessions, but for honour".^[4] Hence medals were not awarded at the ancient Olympic Games. At the 1896 Summer Olympics, however, winners received a silver medal and the second place finisher received a bronze medal. In 1900, most winners received cups or trophies instead of medals.

The last series of Olympic medals to be made of solid gold were awarded at the 1912 Olympic games in Sweden. Olympic Gold medals are required to be made from at least 92.5% silver, and must be plated with a minimum of 6 grams of gold.^[5] All Olympic medals must be at least 60mm in diameter and 3mm thick.^[6]

Minting the medals is the responsibility of the Olympic host. From 1928 through 1968 the design was always the same: the obverse showed a generic design by Florentine artist Giuseppe Cassioli with text naming the host city; the reverse showed another generic design of an Olympic champion.

From the 1972 Summer Olympics through 2000, Cassioli's design (or a slight modification) remained on the obverse with a custom design by the host city on the reverse. Noting that Cassioli's design showed a Roman amphitheater for what originally were Greek games, a new obverse design was commissioned for the 2004 Summer Olympics in Athens. For the 2008 Beijing Olympics medals had a diameter of 70mm and were 6mm thick, with the front displaying a winged figure of victory and the back showed a Beijing Olympics symbol surrounded by an inset jade circle.

Winter Olympics medals have been of more varied design. The silver and bronze medals have always borne the same designs.

Other gold medal awards[link]

The award of a gold medal, often coupled with the award of silver and bronze medals to the next place finishers, has been adopted in other competitive fields, such as music and writing. Typically bronze medals are awarded only to third place, but in some contests there is some variety, such as International barbershop music contests where bronze medals are awarded for third, fourth, and fifth place.

References[link]

External links[link]

Wikimedia Commons has media related to: Gold medal

• Medals: Going For Gold! - Minerals Council of Australia
• Royal Canadian Mint Interactive 3D Tour of the Vancouver 2010 Winter Olympic Medals

Peter Zumthor
Therme Vals, Switzerland
Born	(1943-04-26) 26 April 1943 (age 69) Basel, Switzerland
Nationality	Swiss
Awards	Pritzker Prize (2009)
Work
Buildings	Therme Vals Kunsthaus Bregenz

Peter Zumthor (born 26 April 1943) is a Swiss architect and winner of the 2009 Pritzker Prize.

Early life[link]

Zumthor was born in Basel, the son of a cabinet-maker. He apprenticed to a carpenter in 1958 and studied at the Kunstgewerbeschule in his native city starting in 1963.

In 1966, Zumthor studied industrial design and architecture as an exchange student at Pratt Institute in New York. In 1968, he became conservationist architect for the Department for the Preservation of Monuments of the canton of Graubünden. This work on historic restoration projects gave him a further understanding of construction and the qualities of different rustic building materials. As his practice developed, Zumthor was able to incorporate his knowledge of materials into Modernist construction and detailing. His buildings explore the tactile and sensory qualities of spaces and materials while retaining a minimalist feel.

Career[link]

Zumthor founded his own firm in 1979. His practice grew quickly and he accepted more international projects.

Zumthor has taught at Southern California Institute of Architecture in Los Angeles (1988), the Technical University of Munich (1989), Tulane University (1992), and the Harvard Graduate School of Design (1999). Since 1996, he is professor at the Accademia di Architettura di Mendrisio

His best known projects are the Kunsthaus Bregenz (1997), a shimmering glass and concrete cube that overlooks Lake Constance (Bodensee) in Austria; the cave-like thermal baths in Vals, Switzerland (1999); the Swiss Pavilion for Expo 2000 in Hannover, an all-timber structure intended to be recycled after the event; the Kolumba Diocesan Museum (2007), in Cologne; and the Bruder Klaus Field Chapel, on a farm near Wachendorf.

In 1993 Zumthor won the competition for a museum and documentation center on the horrors of Nazism to be built on the site of Gestapo headquarters in Berlin. Mr. Zumthor’s submission called for an extended three-story building with a framework consisting of concrete rods. The project, called the Topography of Terror, was partly built and then abandoned when the government decided not to go ahead for financial reasons. The unfinished building was demolished in 2004.^[1] In 1999, Zumthor was selected as the only foreign architect to participate in Norway’s National Tourist Routes Project, with two projects, the Memorial in Memory of the Victims of the Witch Trials in Varanger, a collaboration with Louise Bourgeois (completed in 2010), and a rest area/museum on the site of an abandoned zinc mine.^[2]

For the Dia Art Foundation in Beacon, New York, Zumthor designed a gallery that was to house the “360° I Ching” sculpture by Walter de Maria; though the project was never completed. Zumthor is the only foreign architect to participate, with two projects, the Memorial in Memory of the Victims of the Witch Trials in Varanger, a collaboration with Louise Bourgeois (to be completed in June), and a rest area/museum on the site of an abandoned zinc mine (completion date 2011). In November 2009, it was revealed that Zumthor is working on a major redesign for the campus of the Los Angeles County Museum of Art.^[3] Recently, he turned down an opportunity to consider a new library for Magdalen College, Oxford. He was selected to design the Serpentine Gallery's annual summer pavilion with designer Piet Oudolf in 2011.^[4]

Currently, Zumthor works out of his small studio with around 30 employees, in Haldenstein, near the city of Chur, in Switzerland.^[5]

Recognition[link]

In 1994, he was elected to the Akademie der Künste in Berlin. In 1996, he was made an honorary member of the Bund Deutscher Architekten (BDA). In 1998, Zumthor received the Carlsberg Architecture Prize for his designs of the Kunsthaus Bregenz in Bregenz, Austria and the Thermal Baths at Vals, Switzerland (see below). He won the Mies van der Rohe Award for European Architecture in 1999. Recently, he was awarded Praemium Imperiale in (2008) and the Pritzker Architecture Prize (2009).

Zumthor and Heidegger[link]

The Vals spa—famed among architects for its evocative sequence of spaces and exquisite construction details—presents intriguing correspondences between Heidegger’s writing and Zumthor’s architecture. Writing in his architectural manifesto, Thinking Architecture, Zumthor mirrors Heidegger’s celebration of experience and emotion as measuring tools. A chapter entitled “A way of looking at things” begins by describing a door handle:

^[6]

I used to take hold of it when I went into my aunt’s garden. That door handle still seems to me like a special sign of entry into a world of different moods and smells. I remember the sound of gravel under my feet, the soft gleam of waxed oak staircase. I can hear the heavy front door closing behind me as I walk along the dark corridor and enter the kitchen[...].(1998:9)

Zumthor always emphasises the sensory aspects of the architectural experience. To him, the physicality of materials can involve an individual with the world, evoking experiences and texturing horizons of place through memory. He recalls places he once measured out at his aunt’s house through their sensual qualities. Zumthor’s Vals spa recounts the thinking he describes in his essay, making appeals to all the senses. The architect choreographs materials according to their evocative qualities. Flamed and polished stone, chrome, brass, leather and velvet were deployed with care to enhance the inhabitant’s sense of embodiment when clothed and naked. The touch, smell, and perhaps even taste of these materials were orchestrated obsessively. The theatricality of steaming and bubbling water was enhanced by natural and artificial light, with murky darkness composed as intensely as light. Materials were crafted and joined to enhance or suppress their apparent mass. Their sensory potential was relentlessly exploited with these tactics, Zumthor aimed to celebrate the liturgy of bathing by evoking emotions.

Literature[link]

Zumthor's work is largely unpublished in part because of his philosophical belief that architecture must be experienced first hand.^[7] His published written work is mostly narrative and phenomenological.

“Thinking Architecture”

In this book Peter Zumthor expresses his motivation in designing buildings that speak to our feelings and understanding in so many ways and that possess a powerful and unmistakable presence and personality. The book is illustrated throughout with color photographs by Laura Padgett of Zumthor's new home and studio in Haldenstein.

“To me, buildings can have a beautiful silence that I associate with attributes such as composure, self-evidence, durability, presence, and integrity, and with warmth and sensuousness as well; a building that is being itself, being a building, not representing anything, just being. The sense that I try to instil into materials is beyond all rules of composition, and their tangibility, smell, and acoustic qualities are merely elements of the language we are obliged to use. Sense emerges when I succeed in bringing out the specific meanings of certain materials in my buildings, meanings that can only be perceived in just this way in this one building. When I concentrate on a specific site or place for which I am going to design a building, when I try to plumb its depths, its form, its history, and its sensuous qualities, images of other places start to invade this process of precise observation: images of places I know and that once impressed me, images of ordinary or special places places that I carry with me as inner visions of specific moods and qualities; images of architectural situations, which emanate from the world of art, or films, theater or literature.”

“Atmospheres”

Atmospheres is a poetics of architecture and a window into Peter Zumthor's personal sources of inspiration. In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and “presence” of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design. In conclusion, Peter Zumthor has described what really constitutes an architectural atmosphere as "this singular density and mood, this feeling of presence, well-being, harmony, beauty...under whose spell I experience what I otherwise would not experience in precisely this way."

“Peter Zumthor Therme Vals” This is the only book-length study of this singular building, features the architect’s own original sketches and plans for its design as well as Hélène Binet’s striking photographs of the structure. Architectural scholar Sigrid Hauser contributes an essay on such topics as “Artemis/Diana,” “Baptism,” “Mikvah,” and “Spring”—drawing out the connections between the elemental nature of the spa and mythology, bathing, and purity.

Annotations by Peter Zumthor on his design concept and the building process elucidate the structure’s symbiotic relationship to its natural surroundings, revealing, for example, why he insisted on using locally quarried stone. Therme Vals’s scenic design elements, and Zumthor’s contributions to this book, reflect the architect’s commitment to the essential and his disdain for needless architectural flourishes. [1]

“Seeing Zumthor” Seeing Zumthor represents a unique collaboration between Zumthor and Swiss photographer Hans Danuser, containing Danuser’s images of buildings created by Zumthor. More than twenty years ago, in a milestone event of twentieth-century architectural photography, Danuser photographed, at Zumthor’s invitation, two buildings: the protective structure built for archaeological excavations in Chur and St. Benedict’s Chapel in Sumvitg. When first shown in exhibition, those photos ignited a lively debate that has been revived with a recent exhibition of Danuser’s photographs of Zumthor’s most famous work, the spa at Therme Vals. Seeing Zumthor collects these three important series of Danuser’s pictures and includes essays by leading art historians exploring the relationship between the two seemingly different disciplines or architecture and photography. [2]

Principal works[link]

• 1983 Elementary school Churwalden, Churwalden, Graubünden, Switzerland.
• 1983 House Räth, Haldenstein, Graubünden, Switzerland.
• 1986 Shelters for Roman archaeological site, Chur, Graubünden, Switzerland.
• 1986 Atelier Zumthor, Haldenstein, Graubünden, Switzerland.
• 1989 Saint Benedict Chapel, Sumvitg, Graubünden, Switzerland.
• 1990 Art Museum Chur, Graubünden, Switzerland.
• 1993 Residential home for the elderly, Masans, Chur, Graubünden, Switzerland.
• 1994 Gugalun House, Versam, Graubünden, Switzerland.
• 1996 Spittelhof housing, Biel-Benken, Basel, Switzerland.
• 1996 Therme Vals, Vals, Graubünden, Switzerland.
• 1997 Art Museum Bregenz, Bregenz, Vorarlberg, Austria.
• 1997 Topography of Terror, International Exhibition and Documentation Centre, Berlin, Germany, partly built, abandoned, demolished in 2004.
• 1997-2000 Swiss Pavilion EXPO 2000, Hannover, Germany.
• 1997 Villa in Küsnacht am Zürichsee Küsnacht, Switzerland.
• 1997 Lichtforum Zumtobel Staff, Zürich, Switzerland.
• 1999 Cloud Rock Wilderness Lodge, Moab, Utah, United States.
• 2007 Bruder Klaus Kapelle, Mechernich-Wachendorf, Germany.
• 2007 Kolumba - Erzbischöfliches Diözesanmuseum, Cologne (Köln), Germany.
• 2011 Steilneset Memorial, Vardø, Norway^[8]

• 

  Kunsthaus Bregenz

• 

  View of glass facade of Kunsthaus Bregenz

• 

  Therme Vals

• 

  St. Benedict Chapel

• 

  Bruder Klaus Chapel

• 

  Bruder Klaus Chapel

• 

  Kolumba - Erzbischöfliches Diözesanmuseum

• 

  Kolumba - Diözesanmuseum (interior)

Awards[link]

• 1987 Auszeichnung guter Bauten im Kanton Graubüunden, Switzerland.
• 1989 Heinrich Tessenow medal, Technische Universität Hannover, Germany.
• 1991 Gulam, European wiid-glue prize.
• 1992 Internationaler Architekturpreis für Neues Bauen in den Alpen, Graubünden, Switzerland.
• 1993 Best Building 1993 award from Swiss tc's '10 vor '10, Graubünden, Switzerland.
• 1994 Auszeichnung guter Bauten im Kanton Graubüunden, Switzerland.
• 1995 International Prize for Stone Architecture, Fiera di Verona, Italy.
• 1995 Internationaler Architekturpreis für Neues Bauen in den Alpen, Graubünden, Switzerland.
• 1996 Erich-Schelling-Preis für Architektur, Erich-Schelling-Stiftung, Germany.
• 1998 European Union Prize for Contemporary Architecture (aka Mies van der Rohe Award) for Bregenz Art Museum.
• 1998 Carlsberg Architectural Prize.
• 2006 Spirit of Nature Wood Architecture Award.
• 2006 Thomas Jefferson Foundation Medal in Architecture, University of Virginia.
• 2008 Praemium Imperiale, Japan Arts Association
• 2009 Pritzker Prize

References[link]

External links[link]

Wikimedia Commons has media related to: Peter Zumthor

• Kunsthaus Bregenz
• Peter Zumthor Projects, Archicentral
• Visitor Details for the Vals Spa, Switzerland(English)
• Peter Zumthor at the Internet Movie Database
• Works by or about Peter Zumthor in libraries (WorldCat catalog)
• Peter Zumthor collected news and commentary at The New York Times
• Architect Peter Zumthor photogallery at Time, 2009
• "Slideshow: The Pritzker Prize Winner," Sarah Williams Goldhagen, The New Republic, 16 April 2009
• Interview Between Peter Zumthor and Toni Hildebrandt

Anthony 'Tony' Chapman was a British drummer, especially active during the 1960s. He played with an early line-up of The Rolling Stones before they settled on their permanent band members. He appeared with the band in 1962, including a performance at Sidcup Art College, Bexley, which Keith Richards had attended, and was probably the drummer at the first official performance of the group, on 12 July 1962 at the Marquee Club in London.^[1]

Chapman was the person through whom Bill Wyman was enlisted to the Stones, having been in Wyman's band The Cliftons. It was Chapman who made enquiries about vacancies with the Stones and discovered they might be found at the Wetherby Arms on the King's Road, Chelsea. He and Wyman turned up for a run-through and although they had doubts about the blues style and did not like the name, agreed to join on a make-or-break basis. Another drummer, Steve Harris, also sat in for some sessions - Charlie Watts was still with Alexis Korner. After a short time Chapman felt he did not fit in with the way-out approach of the group and left to form a band called The Preachers. It was not long after Wyman joined the group that Watts took over the drums.^[2]

Chapman's group, The Preachers had a less wild approach. It was one of the first bands of Peter Frampton and was produced and managed by Bill Wyman. Chapman was responsible for the first meeting between Wyman and Frampton.^[3] After The Preachers, Chapman went on to play drums in The Herd, where he was a member for the first two years,^[4] again with Peter Frampton, and also with Andy Bown (later of Status Quo) and others.

References[link]

This article about an English musician is a stub. You can help Wikipedia by expanding it. v t e

A major contributor to this article appears to have a close connection with its subject. It may require cleanup to comply with Wikipedia's content policies, particularly neutral point of view. Please discuss further on the talk page. (January 2012)

Dermot Moran is an Irish philosopher specialising in phenomenology and in medieval philosophy and also active in the dialogue between analytic and continental philosophy. He is currently Professor of Philosophy (Metaphysics and Logic) at University College Dublin. He previously taught at St. Patrick's College, Maynooth, Queen's University of Belfast, and Yale University. He has served as a visiting professor of philosophy in many universities around the world, including Rice University, Sorbonne, University at Albany, SUNY, Catholic University of Leuven, Trinity College Dublin, Connecticut College, Ludwig Maximilian University of Munich and Northwestern University. He has been an elected member of the Royal Irish Academy since March 2003 and has been involved in the Fédération Internationale des Sociétés de Philosophie, the highest non-governmental world organization for philosophy, since the 1980s. He is the Founding Editor of International Journal of Philosophical Studies, founded in 1993 and published by Routledge, and co-editor of Contributions To Phenomenology book series, published by Springer. His monograph Introduction to Phenomenology was awarded the Edward Goodwin Ballard Prize in Phenomenology (2001) and was translated into Chinese. A Turkish translation of the book is in preparation. Moran has also been elected President of the Programme Committee for the 23rd World Congress of Philosophy which is scheduled to take place in Athens from 4–10 August 2013.

Biography[link]

Dermot Moran was born in Stillorgan, Dublin, Ireland. He was educated at Oatlands College, Primary and Secondary Schools where he specialised in the sciences but was also active in debating in English and Irish. He was awarded the Higgins Gold Medal for Chemistry there in 1968 and the Institute of Chemists of Ireland Gold Medal for Chemistry in 1970. He is a published poet and was awarded the Irish Press New Irish Writing literary award for his poetry. Having studied mathematics, applied mathematics, physics and chemistry for the Leaving Certificate examination he decided to study languages and literature in university. He entered University College Dublin in 1970 on the basis of a UCD Entrance Scholarship and completed his BA in 1973, graduating with a Double First Class Honours Degree in English and Philosophy. He was the recipient of Wilmarth Lewis Scholarship to Yale University for graduate study. He graduated from Yale University with MA (1974), MPhil (1976) and PhD (1986) degrees in Philosophy. He then returned to Ireland to take up a post at Queen's University of Belfast. He taught at Queen's Belfast from 1979 to 1982 and then moved to a permanent lectureship in St Patrick's College Maynooth, then a Recognised College of the National University of Ireland. In 1989 he was appointed to the Chair of Philosophy (Metaphysics and Logic) in University College Dublin. In 1992-1993 he was Distinguished Visiting Professor at Connecticut College and in Fall 2003 and Spring 2006 he was Lynette S. Autry Professor of Humanities at Rice University. In 2007 he was Visiting Professor at Northwestern University, Evanston, Illinois. In 2010 he was guest Professor at the Chinese University of Hong Kong for the Edwin Cheng Foundation Summer School in Phenomenology.

Areas of Specialization[link]

• Phenomenology (especially Husserl and Heidegger)
• Medieval Philosophy (especially Christian Neoplatonism, John Scottus Eriugena, Nicholas of Cusa)
• Philosophy of Mind and Cognitive Science (Intentionality, Consciousness, Embodiment, Empathy)
• Modern European Philosophy (especially Descartes, Kant, German Idealism)
• Relations Between Analytic and Continental Philosophy
• History of Twentieth-Century Philosophy

Areas of Competence[link]

• Philosophy of Mind (esp. Dennett, Searle, Putnam)
• Metaphysics (Aristotle, Aquinas, Kant)
• Environmental Ethics

Authored Books[link]

• Edmund Husserl: Founder of Phenomenology. Polity Press, 2005.
• Introduction to Phenomenology. London and New York: Routledge, 2000.
• Dermot Moran, (德穆‧莫倫), Xianxiangxue Daolun (現象學導論),[Introduction to Phenomenology] translated into Chinese by 蔡錚雲, Prof. Tsai, Cheng-Yun, National Sun Yat-Sen University, Taiwan (Taipei: Laureate Book Co. Ltd., 2005).
• The Philosophy of John Scottus Eriugena. A Study of Idealism in the Middle Ages. Cambridge: Cambridge University Press, 1989.

Edited Books[link]

• The Routledge Companion to Twentieth Century Philosophy. Edited by Dermot Moran. London and New York: Routledge, 2008.
• Epistemology. The Proceedings of the Twenty-First World Congress of Philosophy, held in Istanbul, Turkey in 2003, Volume 6. Ed. Dermot Moran and Stephen Voss. Ankara: Philosophical Society of Turkey, 2007. pp. vii +162.
• Eriugena, Berkeley, and the Idealist Tradition. Edited by Stephen Gersh and Dermot Moran. Notre Dame: University of Notre Dame Press, 2006.
• Phenomenology: Critical Concepts in Philosophy. 4 Vols. Edited by Lester Embree and Dermot Moran. Routledge Press, 2004.
• The Phenomenology Reader. Edited by Dermot Moran and Timothy Mooney. London and New York: Routledge, 2001.
• Edmund Husserl, Logical Investigations. Volume 1. Translated by J. N. Findlay. Edited and revised with a new Introduction by Dermot Moran and new Preface by Michael Dummett. London and New York: Routledge, 2001.
• Edmund Husserl, Logical Investigations. Volume 2. Translated by J. N. Findlay. Edited and revised with a new Introduction by Dermot Moran and new Preface by Michael Dummett. London and New York: Routledge, 2001.
• Edmund Husserl, The Shorter Logical Investigations. Translated by J. N. Findlay. Edited and abridged with a new Introduction by Dermot Moran and new Preface by Michael Dummett. London and New York: Routledge, 2001.

Articles in Refereed Journals[link]

• “The Phenomenology of the Personhood: Edmund Husserl and Charles Taylor,” Colloquium Vol. 3 (2009), pp. 80–104.
• “Sartre on Embodiment, Touch, and the ‘Double Sensation’,” Proceedings of 48th Annual SPEP Meeting, Philosophy Today (Supplement 2010). In press.
• “Husserl's Transcendental Critique of Naturalism,” Continental Philosophy Review. Volume 41 No. 4 (December 2008), pp. 401–425.
• “Immanence, Self-Experience, and Transcendence in Edmund Husserl, Edith Stein and Karl Jaspers,” American Catholic Philosophical Quarterly vol. 82, no. 2 (Spring 2008), pp. 265–291.
• “Edmund Husserl’s Letter to Lucien Lévy-Bruhl, 11 March 1935: Introduction,” with the assistance of Lukas Steinacher, New Yearbook for Phenomenology and Phenomenological Philosophy, Vol. VIII (2008), pp. 325–347.
• “Hegel and the Neoplatonic Tradition,” Bulletin of the Hegel Society of Great Britain (2006). In preparation.
• “Fink’s Speculative Phenomenology: Between Constitution and Transcendence,” Research in Phenomenology, Vol. 37 No. 1 (2007), pp. 3–31.
• “Editorial,” International Journal of Philosophical Studies, Vol. 12 No. 1 (Feb. 2004), pp. 1–2.
• “El idealismo en la filosofía medieval: el caso de Juan Escoto Eriúgena,” trans. Raul Gutierrez, Areté. Revista de Filosofía Vol. XV No. 1 (Lima: Pontificia Universidad Católica del Perú, 2003), pp. 117–154.
• “Editorial,” International Journal of Philosophical Studies Vol. 9 no 1 (Feb. 2001), pp. 1– 2.
• “Editorial,” International Journal of Philosophical Studies Vol. 9 no 3 (Aug. 2001), pp. 289–90.
• “Husserl’s Critique of Brentano in the Logical Investigations,” Manuscrito, Special Husserl Issue, Vol. XXIII No. 2 (2000), pp. 163–205.
• “Kant and Putnam: Two ‘Internal Realists’?” Synthese Vol. 123 No. 1 (2000), pp. 65-104.
• “Heidegger’s Critique of Husserl’s and Brentano’s Accounts of Intentionality,” Inquiry Vol. 43 No. 1 (March 2000), pp. 39–65.
• “Our Germans are Better Than Their Germans”: Continental and Analytic Approaches to Intentionality Reconsidered,” Philosophical Topics Vol. 27 No. 2 (Fall 1999), pp. 77-106.
• “Idealism in Medieval Philosophy: The Case of Johannes Scottus Eriugena,” Medieval Philosophy and Theology Vol. 8 (1999), pp. 53–82.
• “The Inaugural Address: Brentano’s Thesis,” Inaugural Address to the Joint Session of the Aristotelian Society and the Mind Association, Proceedings of the Aristotelian Society Supplementary. Volume LXX (1996), pp. 1–27.
• “Pantheism in Eriugena and Nicholas of Cusa,” American Catholic Philosophical Quarterly (formerly New Scholasticism) Vol. LXIV No. 1 (Winter 1990), pp. 131–152.
• “Phenomenology and the Destruction of Reason,” Irish Philosophical Journal, Vol. 2, No. 1 (Belfast, 1985), pp. 15–36.
• “Chronique nationale de publications de philosophie médiévale 1977-83,” Bulletin de Philosophie Médiévale, 25 (1983), pp. 151–57. Co-authored with J.J. McEvoy.
• “Natura Quadriformata and the Beginnings of physiologia in the Philosophy of John Scottus Eriugena,” Bulletin de Philosophie Médiévale 21 (1979), pp. 41–46.

Book Chapters[link]

• “Edmund Husserl,” in Sebastian Luft and Søren Overgaard, eds, The Routledge Companion to Phenomenology (London & New York: Routledge, 2011). In preparation.
• “Sartre’s Ontology of the Body,” in Vesselin Petrov, ed., Ontological Landscapes—Recent Thought on Conceptual Interfaces between Science and Philosophy (Frankfurt: Ontos-Verlag, 2010). In press.
• “Immanence, Self-Experience, and Transcendence in Edmund Husserl, Edith Stein and Karl Jaspers,” in Fran O’Rourke, ed.., Essays in Memory of Gerard Hanratty (Notre Dame: University of Notre Dame Press, 2010). In press.
• “Phenomenology and Deconstruction,” The Blackwell Guide to Heidegger’s Being and Time, ed. Robert Scharff, Blackwell Guides to Great Works Series. Oxford: Blackwell, 2010. In press.
• “Choosing a Hero: Heidegger’s Conception of Authentic Life in Relation to Early Christianity,” in Andrzej Wiercinski and Sean McGrath, eds, A Companion to Heidegger’s Phenomenology of Religious Life (Amsterdam: Rodopi, 2010). In proof.
• “Meister Eckhart and Modern Philosophy,” in Jeremiah Hackett, ed., A Companion to Meister Eckhart. Leiden: Brill, 2010, in press.
• “Johannes Scottus Eriugena,” in Encyclopedia of Medieval Philosophy: Philosophy Between 500 and 1500, ed. Henrik Lagerlund (Dordrecht: Springer, 2010).
• “The Secret Folds of Nature: Eriugena’s Expansive Concept of Nature (Physis),” Redefining Nature's Boundaries: Premodern and Postmodern Confluences. Ed. Alf Siewers. Proceedings of the ‘Redefining Nature’s Boundaries’ Lecture Series, Humanities Institute & Environmental Institute Colloquium, Bucknell University Press. In press, publication date 2010.
• “Husserl and Sartre on Embodiment and the ‘Double Sensation’,” in Katherine J. Morris, ed. Sartre on the Body, Philosophers in Depth Series. Basingstoke: Palgrave-Macmillan, 2010, pp. 41-66.
• “Continental Philosophies,” in Andrew Gardner, Mark Lake and Ulrike Sommer, eds, The Oxford Handbook of Archaeological Theory (Oxford: OUP, 2010). In preparation.
• “Brentano,” in William Schroeder and Simon Critchley, eds, The Blackwell Companion to Continental Philosophy, Second Edition (Oxford: Blackwell, 2010). In preparation.
• “Husserl and Heidegger on the Transcendental ‘Homelessness’ of Philosophy,” Phenomenology, Archaeology, Ethics: Current Investigations of Husserl’s Corpus, ed. Pol Vandevelde and Sebastian Luft, Issues in Phenomenology and Hermeneutics series (London & New York: Continuum Press, 2010), in press.
• “Describing the Life of Spirit: Husserl’s Engagement with Hegel,” in Joseph Cohen,ed., Two Hundred Years of Phenomenology of Spirit. 2009. In press.
• “Analytic and Continental Philosophy,” in Len Lawlor, ed., Responses to Phenomenology (1930–1967), Acumen History of Continental Philosophy, Volume 4. Chesham: Acumen, 2009. In press.
• “Towards and Assessment of Twentieth-Century Philosophy,” The Routledge Companion to Twentieth-Century Philosophy. Ed. Dermot Moran. London & New York: Routledge, 2008, pp. 1–40.
• “The Phenomenological Approach: An Introduction,” in Lucas Introna, Fernando Ilharco and Eric Fay, eds, Phenomenology, Organisation, and Technology.(Lisbon: Universidada Catolica Editora, 2008), pp. 21–41.
• “Nicholas of Cusa (1401-1464): Platonism at the Dawn of Modernity,” in Platonism at the Origins of Modernity: Studies on Platonism and Early Modern Philosophy, edited Douglas Hedley and Sarah Hutton, Proceedings of A Conference of the British Society for the History of Philosophy, in association with the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), Clare College Cambridge 27–29 March 2003, International Archives in the History of Ideas Volume 196. Dordrecht: Springer, 2007. Chapter two, pp. 9–29.
• “Cusanus and Modern Philosophy,” in James Hankins, ed., The Cambridge Companion to Renaissance Philosophy. Cambridge: CUP, 2007, pp. 173–192.
• “John Scottus Eriugena,” chapter in Graham Oppy and Nick Trakakis, eds, History of Western Philosophy of Religion. Chesham: Acumen Press, 2007., in press.
• ‘Heidegger’s Transcendental Phenomenology in the Light of Husserl’s Project of First Philosophy,’ in Steven Crowell and Jeff Malpas, eds, Transcendental Heidegger (Stanford: Stanford U. P., 2007), pp. 135–150 and pp. 261–264.
• ‘Beckett and Philosophy’, in Christopher Murray, ed., Samuel Beckett – One Hundred Years (Dublin: New Island Press, 2006), pp. 93–110.
• ‘Edmund Husserl’s Methodology of Concept Clarification,’ in Michael Beaney, ed., The Analytic Turn: Analysis in Early Analytic Philosophy and Phenomenology (London & New York: Routledge, 2007), pp. 239–261.
• “Eriugena, John Scottus,” Entry in A. C. Grayling, Andrew Pyle and Naomi Goulder, eds, Encyclopedia of British Philosophy (Bristol/London: Thoemmes Continuum, 2006).
• (with Stephen Gersh) “Introduction”, Stephen Gersh and Dermot Moran, eds, Eriugena, Berkeley and the Idealist Tradition (Notre Dame, Indiana: University of Notre Dame Press, 2006), pp. 1–13.
• “Spiritualis Incrassatio: Eriugena’s Intellectualist Immaterialism: Is It an Idealism?” in Stephen Gersh and Dermot Moran, eds, Eriugena, Berkeley and the Idealist Tradition (Notre Dame, Indiana: University of Notre Dame Press, 2006), pp. 123–150.
• “Eriugena, John Scottus,” Medieval Science, Technology, and Medicine: An Encyclopedia, ed. Thomas F. Glick, Steven J. Livesey, and Faith Wallis (London & New York: Routledge, 2005), pp. 161–64.
• “The Meaning of Phenomenology in Husserl’s Logical Investigations,” in Gary Banham, ed. Husserl and the Logic of Experience (London & New York: Palgrave Macmillan, 2005), pp. 8–37.
• ‘What is Historical in the History of Philosophy? Towards an Assessment of Twentieth-Century European Philosophy,’ in Peter Kemp, ed., History in Education. Proceedings from the Conference History in Education held at the Danish University of Education 24–25 March 2004. (Copenhagen: Danish University of Education Press, 2005), pp. 53–82.
• With L. Embree, ‘General Introduction,’ Phenomenology. Critical Concepts in Philosophy. Ed. Dermot Moran and Lester E. Embree. (London & New York: Routledge, 2004), Vol. 1, pp. 1–7.
• With L. Embree, ‘Introduction to Volume I,’ Phenomenology. Critical Concepts in Philosophy. Ed. Dermot Moran and Lester E. Embree. (London & New York: Routledge, 2004), Vol. 1, pp. 9–12.
• With L. Embree, ‘Introduction to Volume II,’ Phenomenology. Critical Concepts in Philosophy. Ed. Dermot Moran and Lester E. Embree. (London & New York: Routledge, 2004), Vol. 2, pp. 1–3.
• With L. Embree, ‘Introduction to Volume III,’ Phenomenology. Critical Concepts in Philosophy. Ed. Dermot Moran and Lester E. Embree. (London & New York: Routledge, 2004), Vol. 3, pp. 1–2.
• With L. Embree, ‘Introduction to Volume IV,’ Phenomenology. Critical Concepts in Philosophy. Ed. Dermot Moran and Lester E. Embree. (London & New York: Routledge, 2004), Vol. 4, pp. 1–2.
• With L. Embree, ‘Introduction to Volume V,’ Phenomenology. Critical Concepts in Philosophy. Ed. Dermot Moran and Lester E. Embree. (London & New York: Routledge, 2004), Vol. 5, pp. 1–3.
• “An Original Christian Platonism: Eriugena’s Response to the Tradition,” Bilan et Perspectives des études médiévales (1993–1998), Euroconférence (Barcelone, 8-12 juin 1999), Actes du IIe Congrès Européen d’Études Médiévales, ed. J. Hamesse. (Turnhout: Brepols, 2004), pp. 467–487.
• “Neoplatonic and Negative Theological Elements in Anselm’s Argument for the Existence of God in Proslogion,” in Pensées de l’un dans l’histoire de la philosophie. Études en hommage au Professor Werner Beierwaltes, edité par Jean-Marc Narbonne et Alfons Reckermann, Collection Zêtêsis (Paris/Montréal: Vrin/Presses de l’Université Laval, 2004), pp. 198–229.
• “Eriugena, John Scottus,” Dictionary Entry, in Tom Duddy, ed., Dictionary of Irish Philosophers (Bristol: Thoemmes Continuum Press, 2004), pp. 119–126.
• “The Problem of Empathy: Lipps, Scheler, Husserl and Stein,” in Amor Amicitiae: On the Love that is Friendship. Essays in Medieval Thought and Beyond in Honor of the Rev. Professor James McEvoy, ed. Thomas A. Kelly and Phillip W. Rosemann (Leuven/Paris/ Dudley, MA: Peeters, 2004), pp. 269–312.
• “Making Sense: Husserl’s Phenomenology as Transcendental Idealism,” in J. Malpas, ed., From Kant to Davidson: Philosophy and the Idea of the Transcendental, Routledge Studies in Twentieth-Century Philosophy. (London: Routledge, 2003), pp. 48–74. Reprinted in Phenomenology. Critical Concepts in Philosophy. Ed. Dermot Moran and Lester E. Embree (London & New York: Routledge, 2004), Vol. 1, pp. 84–113.
• “John Scottus Eriugena,” Encyclopedia Entry, The Stanford Encyclopedia of Philosophy. (Fall 2003 Edition), ed. Edward N. Zalta. Internet encyclopedia
• “Medieval Philosophy from St. Augustine to Nicholas of Cusa,” in John Shand, ed., The Fundamentals of Philosophy (London and NY: Routledge, 2003), pp. 155–203.
• “Time and Eternity in the Periphyseon,” History and Eschatology in John Scottus Eriugena and His Time. Proceedings of the Tenth International Conference of the Society for the Promotion of Eriugena Studies, Maynooth and Dublin, August 16–20, 2000, ed. James McEvoy and Michael Dunne (Leuven: Leuven University Press, 2002), pp. 487–507.
• “Editor’s Introduction,” in D. Moran and T. Mooney, eds, The Phenomenology Reader (London & New York: Routledge, 2002), pp. 1–26.
• “Introduction,” in E. Husserl, Logical Investigations, trans. J. N. Findlay (London and New York: Routledge, 2001), Vol. 1, pp. xxi – lxxii.
• “Introduction,” in E. Husserl, The Shorter Logical Investigations. Trans. J. N. Findlay. Edited and abridged with new Introduction by Dermot Moran and new Preface by Michael Dummett (London & New York: Routledge, 2001), pp. xxv – lxxxi.
• “Analytic Philosophy and Phenomenology,” The Reach of Reflection: Issues for Phenomenology’s Second Century, Proceedings of Center for Advanced Research in Phenomenology Symposium, Florida Atlantic University, 2001. Ed. Lester Embree, Samuel J. Julian, and Steve Crowell. 3 Vols. (West Harford: Electron Press, 2001), Vol. 3, pp. 409–433.
• “Husserl and the Crisis of European Science,” in T. Crane, M. W. F. Stone and J. Wolff, eds, The Proper Ambition of Science (London: Routledge, 2000), pp. 122–150.
• “Heidegger’s Critique of Husserl’s and Brentano’s Accounts of Intentionality,” Inquiry Vol. 43 No. 1 (March 2000), pp. 39–65; reprinted in Phenomenology. Critical Concepts in Philosophy. Ed. Dermot Moran and Lester E. Embree. (London & New York: Routledge, 2004), Vol. 1, pp. 157–183.
•  »Johannes Eriugena. Der christliche Neuplatonismus der Natur« in Philosophen des Mittelalters, hrsg. Theo Kobusch (Darmstadt: Wissenschaftliche Buchgesellschaft,2000), pp. 13–26.
• “Eriugena, Johannes Scottus (c. 800-c. 877),” The Concise Routledge Encyclopedia of Philosophy. Ed. Edward Craig (London: Routledge, 2000), pp. 252–253.
• “Platonism, Medieval,” The Concise Routledge Encyclopedia of Philosophy. Ed. Edward Craig (London: Routledge, 2000), pp. 680–681.
• “Eriugena, Johannes Scottus (c. 800-c. 877),” The Routledge Encyclopedia of Philosophy. Ed. Edward Craig (London: Routledge, 1998), Vol. 3, pp. 401–406.
• “Platonism, Medieval,” The Routledge Encyclopedia of Philosophy. Ed. Edward Craig (London: Routledge, 1998), Vol. 7, pp. 431–439.
• “The Analytic and Continental Divide: Teaching Philosophy in an Age of Pluralism,” in Teaching Philosophy on the Eve of the Twenty-First Century, ed. D. Evans and I. Kuçuradi (Ankara: International Federation of Philosophical Societies, 1998), pp. 119–154.
• “Towards a Philosophy of the Environment,” in John Feehan, ed., Educating for Environmental Awareness, (Dublin: University College Dublin Environmental Institute, 1997), pp. 45–67.
• “A Case for Pluralism: The Problem of Intentionality,” in Philosophy. Royal Institute of Philosophy Supplementary Volume. Edited by David Archard. (Cambridge: Cambridge University Press, 1996), pp. 19 – 32.
• “Eriugena’s Theory of Language in the Periphyseon: Explorations in the Neoplatonic Tradition,” in Próinséas Ní Chatháin and Michael Richter, eds., Ireland and Europe in the Early Middle Ages IV. Language and Learning (Frankfurt: Klett-Cotta, 1996), pp. 240–260.
• “The Contemporary Significance of Meister Eckhart’s Teaching,” in Ursula Fleming, ed., Meister Eckhart: The Man From Whom God Hid Nothing (Leominster: Gracewing, 1995), pp. 131–42.
• Medieval Philosophy. Philosophy Foundation Module Textbook for Oscail. (Dublin: DCU, 1994).
• Phenomenology, Hermeneutics, Deconstruction. Philosophy Contemporary Philosophy Module Textbook for Oscail. (Dublin: Dublin City University Publications, 1994). 200 pp.
• “The Destruction of the Destruction: Heidegger’s Versions of the History of Philosophy,” Paper Read to the Colloquium on 100th Anniversary of Heidegger’s Birthday, Yale University, Oct 13th- 15th 1989, Proceedings, ed. K. Harries & C. Jamme, Martin Heidegger: Politics, Art, and Technology (New York: Holmes & Meier, 1994), pp. 175–196.
• Reading Kant. The Critique of Pure Reason (co-authored with James O'Shea). Philosophy 2. Reading Philosophers Textbook for University Distance Learning Degree in Humanities. Oscail, Dublin: Dublin City University Publications, 1995. nine chapters on Kant, approx. 150 pp.
• “Origen and Eriugena: Aspects of Christian Gnosis,” Paper presented to the First Patristics Symposium, Maynooth College, June 1990. Proceedings published as The Relationship between Neoplatonism and Christianity, ed. T. Finan and V. Twomey (Dublin: Four Courts Press), 1992, pp. 27–53.
• “Time, Space and Matter in John Scottus Eriugena: An Examination of Eriugena’s Account of the Physical World,” Paper Read to the Royal Irish Academy, May 1989, published in At The Heart of the Real. Essays in Honour of Archbishop Desmond Connell, ed. F. O’Rourke (Dublin: Irish Academic Press, 1992), pp. 67– 96.
•  »Die Destruktion der Destruktion. Heideggers Versionen der Geschichte der Philosophie«, in C. Jamme & K. Harries, herausgegebenen, Kunst - Politik - Technik. Martin Heidegger (München: Wilhelm Fink Verlag, 1991), pp. 295–318.
• “Officina omnium or notio quaedam intellectualis in mente divina aeternaliter facta. The Problem of the Definition of Man in John Scottus Eriugena,” paper read to the Seventh International Conference of the Société International pour l'Etude de la Philosophie Médiévale, Louvain, Septembre, 1982. Published in L’Homme et son univers au moyen âge, ed. C. Wenin, 2 Vols. (Louvain, 1986). Vol. 1, pp. 195–204.
• “Nature, Man and God in the Philosophy of John Scottus Eriugena,” in R. Kearney, ed., The Irish Mind (Dublin and New Jersey: Wolfhound Press and Humanities Press, 1985), pp. 91–106; pp. 324–332.
• “Wandering from the Path. The Navigatio Theme in Johannes Scottus Eriugena,” in Richard Kearney and Patrick Hederman, eds, The Crane Bag Book of Irish Studies v. 1 (Dublin: Blackwater/Folens, 1982), pp. 244–250.
• “Johannes Scottus Eriugena,” Art About Ireland (Dublin, 1983), Vol. 1 No. 4, pp. 25–29

Translations[link]

• “Edmund Husserl’s Letter to Lucien Lévy-Bruhl, 11 March 1935,” Translation from the German, with Lukas Steinacher, New Yearbook for Phenomenology and Phenomenological Philosophy, Vol. VIII (2008), pp. 349–354.
• Jean Pépin, “St. Augustine on The Indwelling of the Ideas in God,” in Stephen Gersh and Dermot Moran, eds, Eriugena, Berkeley and the Idealist Tradition (Notre Dame, Indiana: University of Notre Dame Press, 2006), pp. 105–122. Trans. from the French by D. Moran and S. Gersh.
• Jean Greisch, “Heidegger on Eschatology and the God of Time,” International Journal of Philosophical Studies Vol 4. No 1 March 1996), pp. 17–42, Trans. from the French by D. Moran.
• Jacques Taminiaux, “Bios Politikos and Bios Theoretikos in the Phenomenology of Hannah Arendt,” International Journal of Philosophical Studies Vol. 4, No 2 (September 1996), pp. 215–232. Trans. from the French by D. Moran.

Critical Notices[link]

• “Ethics and Selfhood: A Critique”. Critical Notice of James Richard Mensch, Ethics and Selfhood. Alterity and the Phenomenology of Obligation (Albany, NY: SUNY Pr., 2003),’ in International Journal of Philosophical Studies, Vol. 11. No 1 (Feb. 2006), pp. 95-107.
• ‘Adventures of the Reduction: Jacques Taminiaux, The Metamorphoses of Phenomenological Reduction,’ critical notice of Jacques Taminiaux, The Metamorphoses of Phenomenological Reduction, The Aquinas Lecture 2004 (Marquette U. P., 2004), in American Catholic Philosophical Quarterly, Vol. 80, no. 2 (spring 2006), pp. 283–293.
• Review of Alfredo Ferrarin, Hegel and Aristotle (Cambridge U. P., 2001), Bulletin of the Hegel Society of Great Britain Nos. 51/52 (2005), pp. 120–126.
• Review of Steve Galt Crowell, Husserl, Heidegger, and the Space of Meaning. Paths Toward Transcendental Phenomenology, in European Journal of Philosophy, Vol. 12 No. 3 (2004), pp. 414–420.
• Review of Daniel C. Dennett, Kinds of Minds (Basic Books, 1996) in Mind Vol. 109 No. 436 (Oct. 2000), pp. 883 – 890.
• “New Books on Merleau-Ponty,” International Journal of Philosophical Studies Vol. 7 No. 3 (October 1999), pp. 393–402.
• “Expounding Eriugena,” Irish Historical Studies, Vol. XXXI No. 122 (November 1998), pp. 247–258.
• “Phenomenology and the Philosophy of Mathematics: Husserl and Realism in Mathematics,” Philosophical Studies Vol. XXXI (Dublin, 1986). pp. 361 – 365.

Book Reviews[link]

• Review of David R. Cerbone, Understanding Phenomenology (Acumen, 2006), in Notre Dame Philosophical Reviews (2007.01.08), http://ndpr.nd.edu/review.cfm?id=8484.
• Review of Lester Embree et al., eds, The Encyclopedia of Phenomenology (Kluwer, 1997), in Intentional Journal of Philosophical Studies, Vol. 13 No 1 (Feb 2005), pp. 134–36.
• Review of William Hamrick, Kindness and the Good Society, Connections of the Heart (Albany, NY: SUNY Pr., 2002) in International Journal of Philosophical Studies, forthcoming.
• Review of Thomas Duddy, A History of Irish Thought (Routledge, 2002) in Notre Dame Philosophical Reviews (2003.01.09) http://ndpr.icaap.org/content/archives/2003/1/moranduddy.html
• Review of R. Small, ed. A Hundred Years of Phenomenology: Perspectives On a Philosophical Tradition (Ashgate, 2001), in Journal of the History of Philosophy, Vol. 41 No. 3 (July 2003), pp. 422–423.
• Review of Cyril O’Regan, Gnostic Return in Modernity and Gnostic Apocalypse. Jacob Boehme's Haunted Narrative (State University of New York Press, 2002), in Notre Dame Philosophical Reviews, 1 May 2002, pp. 1–6. http://ndpr.icaap.org/content/archives/2002/5/moranoregan.html
• Review of Robert Sokolowski, Introduction to Phenomenology (Cambridge U. P., 2000), in Journal of the British Society for Phenomenology Vol. 32 No. 1 (January 2001), pp. 109 – 112.
• Review of Michael Herren, ed., Iohannis Scotti Eriugenae Carmina (Dublin: Institute for Advanced Studies, 1993) in Peritia, ed. D. Ó Cróinín Vol. 12 (1998), pp. 400 – 403.
• Review of Michael Herren, ed., Iohannis Scotti Eriugenae Carmina (Dublin: Institute for Advanced Studies, 1993) in Irish Theological Quarterly Vol. 64 No. 3 (Autumn 1999), pp. 321 – 323.
• Review of R. S. Woolhouse, Descartes, Spinoza, Leibniz. The Concept of Substance in Seventeenth-Century Philosophy, in the British Journal of the History of Philosophy. Vol. 6 No. 3(October 1998), pp. 482–486.
• Review of William Lyons, Approaches to Intentionality, International Journal of Philosophical Studies Vol. 5 No. 3 (October 1997), pp. 471–476.
• Review of Andrew Benjamin, The Plural Event. Descartes, Hegel, Heidegger in Bulletin of the Hegel Society of Great Britain. No. 34 (Autumn/Winter 1996), pp. 53–59.
• Review of Willemien Otten, The Anthropology of Johannes Scottus Eriugena, in Speculum. A Journal of Medieval Studies Vol. 69 No. 2 (April 1994), pp. 543–545.
• Review of J. J. O’Meara, Eriugena in The Review of Metaphysics (Sept. 1990), pp. 156–157.
• Review of J.J. O’Meara, ed., Eriugena. Periphyseon (On the Division of Nature) in Speculum. A Journal of Medieval Studies Vol. 65 No. 1 (Jan. 1990), pp. 180–181.
• Review of J. Dillon and G. Morrow, trans., Proclus’ Commentary on Plato’s Parmenides (1987)in The Irish Philosophical Journal Vol. 6 No. 1 (Belfast, 1989), pp. 164–166.
• Review of Richard Kearney, The Wake of Imagination in Irish Philosophical Journal Vol. 6 No. 2 (1989), pp. 311 – 314.
• Review of Analecta Husserliana Vol. XVII (1984), Phenomenology of Life in a Dialogue Between Chinese and Occidental Philosophy, in Journal of the British Society for Phenomenology Vol. 18 No.1 (1987), pp. 90 – 92.
• Review of Richard Kearney, Modern Movement in European Philosophy, in The Furrow Vol.XXXVIII No. 7 (July 1987), pp. 478 – 479.
• Review of R.S. Cohen, M. Martin, and M. Westphal, eds, Studies on the Philosophy of J.N. Findlay in Journal of the British Society for Phenomenology Vol. 17 No. 2 (May 1986), pp. 200–201.
• Review of P. Connerton, The Tragedy of Enlightenment, in Philosophical Studies (Dublin) Vol.XXXI (1986), pp. 460–464.
• “The Poets of Munster,” The Irish Literary Supplement (Spring, 1986), p. 20.
• Review of Richard Kearney, Poétique du possible. Phénoménologie Herméneutique de la Figuration in Philosophical Studies Vol. XXX1 (Dublin, 1986) pp. 555–557.
• Review of R. Kearney, Dialogues with Contemporary Continental Thinkers, in Journal of the British Society for Phenomenology Vol. 16 No. 3 (Oct. 1985), pp. 307–310.
• “The Protestant Consciousness. The Field Day Pamphlets,” The Irish Literary Supplement(Fall, 1985), pp. 1, 24. Review of Merold Westphal, History and Truth in Hegel’s Phenomenology, in Bulletin of the Hegel Society of Great Britain No. 11 (Spring/Summer 1985), pp. 21–24.
• Review of Analecta Husserliana, Vol. XIV (1983), The Phenomenology of Man and the Human Condition, in Journal of the British Society for Phenomenology Vol. 15 No. 3 (Oct. 1984), pp. 314–317.
• Review of Q. Lauer, Hegel’s Philosophy of God, in Bulletin of the Hegel Society of Great Britain No. 9 (Spring/Summer 1984), pp. 33–36.
• Review of E. Brian Titley, Church, State and the Control of Schooling in Ireland (Gill & Macmillan), The Irish Press, 14 January 1984, p. 9.
• Review of Nathan Scott, Mirrors of Man in Existentialism, Hibernia National Review 3 May 1979.
• Review of John Maguire, Marx’s Theory of Politics, Hibernia National Review, 1 March 1979
• Review of Agnes Heller, Renaissance Man, Hibernia National Review 19 April 1979

Other Miscellaneous Publications[link]

• Proceedings of the Thirty-Fifth Annual Meeting of the Husserl Circle, University College Dublin, June 9–12, 2005, ed. Dermot Moran (Dublin: University College Dublin, 2005).
• “What Kind of Being is the Foetus?” Irish Times 1.4.1992
• “An Chritic Liteartha: Fadhb na Léitheoireacta,” Comhar (Nollaig 1984), pp. 28–31.
• “Nationalism, Religion and the Education Question,” The Crane Bag Vol. 7 No. 2 (1983), pp. 77–84.
• “Teaching Literature in Ireland Today,” The Crane Bag Vol. 6 No. 2 (1982), pp. 133–135.

Fellowships and Awards[link]

• Irish Research Council of the Humanities and Social Sciences (IRCHSS) Research Development Initiative Grant, 2008-2011 (value: €99,600 euro). Project title: „The Phenomenology of Consciousness and Subjectivity‟
• Australian Research Council (ARC) Discovery Project. Title: “Judgment, Responsibility and the life-world: The phenomenological critique of formalism”, 2010-2013 (value 167,000 Australian dollars)
• University College Dublin President’s Sabbatical Fellowship 2003-4
• Senior Fellowship, Irish Research Council for the Humanities and Social Sciences (IRCHSS), Government of Ireland, 2002-3
• Awarded Edward Goodwin Ballard Prize in Phenomenology (2001)
• University College Dublin, President’s Fellowship 1996-7
• DAAD Postdoctoral Award, Germany, 1989
• British Academy, Travel Grant
• Yale University Postgraduate Fellowships 1973-1978
• Yale Concilium for Area Studies Award, 1978
• Magennis Prize in Philosophy, University College Dublin 1973
• Gold Medal for Chemistry, Institute of Chemistry of Ireland, 1970
• University College Dublin, Entrance Scholarship 1970

External links[link]

• Dermot Moran's personal webpage at University College Dublin
• The webpage of the IRCHSS-funded research project 'The phenomenology of Consciousness and Subjectivity', Principal Investigator Professor Dermot Moran