House traditions include Masters' Tea on Thursday afternoons, a May Day Waltz at dawn on the Weeks Footbridge, High Table, and the annual Lowell House Opera mounted in the dining hall. Springtime brings the Bacchanalia Formal, often with a live swing band in the courtyard.
Each ArtsFirst weekend, the first weekend in May, there is a courtyard performance of the 1812 Overture, during which those not part of the official orchestral ensemble are encouraged to assist on kazoos; in lieu of cannon, hydrogen-filled balloons are ignited by the House chemistry tutor; and until recently (see below) the performance would climax with the role originally scored by Tchaikovsky for authentic Russian zvon (a set of bells similar to a carillon), being played (appropriately enough) by Lowell's own authentic Russian zvon.
There is a winter holiday dinner, and various sophomore, senior, Roundtable and faculty dinners take place throughout the year. Language tables and special-interest tables are common features of everyday lunches and dinners. Many House events are organized by Lowell's "House Committee" of elected undergraduates.
Lowell House was the residence of Silas (Method Man) and Jamal (Redman) in the 2001 stoner comedy How High.
Prior to the transition to complete randomization of Housing assignments in the spring of 1996, Harvard students were often placed into Houses with certain characters. Lowell House's location, picturesque courtyard, elegant dining hall, and historic traditions are often cited as reasons for its popularity among freshmen and upperclassmen. Lowell also boasts the coveted "Labyrinth," an eight-man room (nine if juniors choose to occupy it) with several exceptionally large singles and a sizable common room.
The Lowell House arms are those of the Lowell family, blazoned: Shield: sable, a dexter hand couped at the wrist grasping three darts, one in pale and two in saltire, all in argent. Crest: a stag's head cabossed, between the attires a pheon azure. Motto: ''Occasionem Cognosce.'' (In more prosaic terms: A shield with black field displaying a right hand cut off at the wrist and grasping three arrows, one vertical and two crossed diagonally, in silver. Above, a male deer's head mounted behind the ear, and between its antlers a barbed, broad arrowhead in blue. The motto means "Recognize the opportunity.") The house colors are blue and white.
Like those seen today on Dunster and Eliot Houses, Lowell's tower was originally meant to be a ''clock''-tower — Lowell's in particular is reminiscent of Philadelphia's Independence Hall, although it was actually modeled after a Dutch church. With word of Crane's gift, the planned tower was changed to the blue-capped belltower seen today. (One of the eighteen bells did not harmonize with the others; it was hung in the Harvard Business School's Baker Library.)
The bells originally hung in Moscow's Danilov Monastery (now the seat of the Patriarch of the Russian Orthodox Church) and were installed with the help, at first, of musician Konstantin Konstantinovich Saradzhev, and Vsevolod Andronoff, a former resident of the monastery They range in weight from 22 pounds (10 kg) to 26,700 pounds (12,100 kg, and known to Lowell House students as "Mother Earth"). The bells are consecrated, and are of great significance to the Russian Orthodox Church, in the liturgy of which bells play an important role.
At Lowell, the bells were usually rung on Sundays at 1pm by resident ''Klappermeisters.'' After the annual Harvard-Yale football game, Harvard's score would sometimes be proclaimed on the ''Mother Earth,'' with Yale's score tolled on the ''Bell of Pestilence, Famine, and Despair.''
With the reopening of the Danilov Monastery, it was suggested that the bells be returned to their original home. At Harvard's June 2008 Commencement they sounded for the last time at Lowell House, after which the belltower was partially dismantled so that the bells could be withdrawn. In their place were hung newly cast near-replica bells obtained with the financial assistance of the Link of Times Foundation, created by Russian industrialist Victor Vekselberg.
The now-departed bells may still be heard on the Lowell House Virtual Bell Tower. The new bells can be heard every Sunday from 1-1:30pm, and visitors are welcome to visit the tower.
Category:Harvard University Category:Harvard Houses Category:University and college dormitories in the United States
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 38°37′38″N90°11′52″N |
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Name | Jeremy Lin |
Position | Point guard |
Team | Golden State Warriors |
Number | 7 |
Career start | 2010 |
Height ft | 6 |
Height in | 3 |
Weight lb | 200 |
Birth date | August 23, 1988 |
Birth place | |
Nationality | American |
High school | Palo Alto |
College | Harvard (2006-2010) |
Draft year | 2010 |
Years1 | –present |team1Golden State Warriors |
Years2 | 2010–2011 |team2→Reno Bighorns (D-League) |
Highlights |
Joe Lacob, incoming Warriors' owner and Stanford booster, said Stanford's failure to recruit Lin "was really stupid. The kid was right across the street. You can’t recognize that, [then] you've got a problem."
Kerry Keating, the UCLA assistant who offered Lin the opportunity to walk-on, would say in hindsight that Lin would probably have ended up starting at point guard for UCLA.
Rex Walters, University of San Francisco men's basketball coach and a retired NBA player, said NCAA limits on coaches’ recruiting visits impacted Lin. “Most colleges start recruiting a guy in the first five minutes they see him because he runs really fast, jumps really high, does the quick, easy thing to evaluate," Walters said. Lin added, “I just think in order for someone to understand my game, they have to watch me more than once, because I’m not going to do anything that’s extra flashy or freakishly athletic."
Bill Holden, Harvard assistant coach, had initially told Lin's high school coach, Peter Diepenbrock, that Harvard was not interested in Lin. "Three weeks later, he calls me and says, 'I may have spoken a little too soon,'" Diepenbrock said.
By his junior year during the 2008–09 season, he was the only NCAA Division I men's basketball player who ranked in the top ten in his conference for scoring (17.8), rebounding (5.5), assists (4.3), steals (2.4), blocked shots (0.6), field goal percentage (0.502), free throw percentage (0.744), and 3 point shot percentage (0.400), and was a consensus selection for All-Ivy League First Team. He had 27 points, 8 assists, and 6 rebounds in an 82–70 win over 17th-ranked Boston College, three days after the Eagles had knocked off No. 1 North Carolina.
In his senior year (2009–10), Lin averaged 16.4 points, 4.4 rebounds, 4.5 assists, 2.4 steals and 1.1 blocks, and was again a unanimous selection for All-Ivy League First Team. He was one of 30 midseason candidates for the John R. Wooden Award and one of 11 finalists for the Bob Cousy Award. He was also invited to the Portsmouth Invitational Tournament. Fran Fraschilla of ESPN picked Lin among the 12 most versatile players in college basketball. He gained national attention for his performance against the 12th ranked Connecticut Huskies, against whom he scored a career-high tying 30 points and grabbed nine rebounds on the road. After the game, Hall of Fame Connecticut coach Jim Calhoun said of Lin:
"I've seen a lot of teams come through here, and he could play for any of them. He's got great, great composure on the court. He knows how to play."
For the season, Harvard set numerous program records including wins (21), non-conference wins (11), home wins (11) and road/neutral wins (10).
Lin finished his career as the first player in the history of the Ivy League to record at least 1,450 points (1,483), 450 rebounds (487), 400 assists (406) and 200 steals (225).
He graduated from Harvard with a degree in economics and a 3.1 grade-point average.
He later joined the Dallas Mavericks for mini-camp as well as their NBA Summer League team in Las Vegas. Donnie Nelson of the Mavericks was the only General Manager that offered him an invitation to play in the Summer League. "Donnie took care of me," said Lin. "He has a different type of vision than most people do."
In five Summer League games, while playing both guard positions, Lin averaged 9.8 points, 3.2 rebounds, 1.8 assists, and 1.2 steals in 18.6 minutes per game and shot a team leading 54.5% from the floor. Lin turned heads in his matchup against first overall pick John Wall when Lin scored 13 points to Wall's 21, but did so on 6-for-12 shooting in 28 minutes. Wall was 4-for-19 in 33 minutes.
While Wall received the biggest cheer for any player during introductions, the crowd had turned on Wall and was cheering for Lin by the end of the game.
Lin received offers to sign from the Mavericks, Los Angeles Lakers, and an unnamed Eastern Conference team. The Golden State Warriors would also offer Lin a contract in addition to the original three teams.
On October 8 in the Warriors' exhibition opener at their home in Oracle Arena, the loudest ovation of the night from the crowd of 10,004 was for Lin when he entered the game with 10:49 remaining in the fourth quarter. The crowd started chanting for Lin in the third quarter. They cheered whenever he touched the ball. "That really touched me. It's something I'll remember forever," Lin said. He ended up with seven points, three rebounds and two assists in 11 minutes. Warriors' head coach Keith Smart said Lin drew the crowd's attention on the road as well. Scott Howard-Cooper of NBA.com attributes the attention Lin had received out of town to the unique angle of "an Asian-American rising to rare basketball prominence".
Lin notices the expectations that follow him. "I've got news for them," Lin said with a smile, "I won't be an All-Star this year."
The attention Lin has received is tricky for him. While he would prefer to be able to just concentrate on his play without all the attention, he is appreciative of the unbelievable support he has received, especially from the Asian-American community. Lin wants to be a role model to young Asian-Americans. He has found the attention awkward as he says he has not "proven anything to anybody."
Frank Hughes of ''Sports Illustrated'' wrote that Lin talks with the occasional "seeds of self-doubt" which is not common to hear in the NBA. Hughes also found it rare when Lin compared himself to the Phoenix Suns' backup point guard Goran Dragić. “Neither of us is a freak athlete, but we’re both effective and know how to play the game,” Lin said.
Lin and Stephen Curry, 2009–10 runner-up Rookie of the Year and a gold medal winner in the 2010 FIBA World Championship, get more interview requests than any other Warrior. Team officials regularly deny requests for Lin to help him keep his focus. He has been approached to be the subject of documentaries.
Smart planned to take pressure off Lin since Lin has a tendency to be hard on himself and get frustrated. Smart admitted that he succumbed to the home crowd's wishes and put Lin into a game in the wrong situation. He vowed not to repeat that mistake.
Lin made the Warriors' opening day roster for the 2010–11 regular season, but he was placed on the inactive list. While he was disappointed, Lin noted that "part of being on this team is putting your ego aside." Lin made his official NBA debut in the next game against the Los Angeles Clippers. It was Asian Heritage Night for the Warriors' home game, and Lin received a standing ovation from the crowd of 17,408 when he entered the game with 2:32 remaining in the fourth quarter. He did not score in the 109–91 win but recorded one steal after tying up the ball and winning the subsequent jump ball.
In the next game against the Los Angeles Lakers, Lin scored his first NBA basket, had three assists, and recorded four steals. He was applauded by the road crowd at Staples Center when he entered the game in the third quarter. He played 11 of his 16 minutes in the third quarter and committed five fouls but played a role in a 12-1 run by the Warriors. "[Lin] came in and did a good job, gave us a good tempo," Smart said after the 107–83 loss to the defending NBA champions. Lakers' guard Derek Fisher praised him for his energy and aggressiveness.
Similar to the exhibition home opener, Oracle Arena fans continued to root for Lin to play in the end of games and cheered every time he touched the ball. "When I'm on the road, I don't feel like the spotlight is on me," Lin admitted. Smart noted that Lin looked more relaxed on the road. "There's a lot of pressure on him at home, with all of the applause for just checking into the game, so I'm sure that cranks his nerves up a little bit," said Curry. "You can tell on the road he plays a lot better, because he can just go out there, play and have fun."
At Toronto on November 8, the Raptors held Asian Heritage Night to coincide with Lin's visit with the Warriors. Over 20 members of Toronto's Chinese media covered the game. Lin played 15 minutes, most coming in the first half, and finished with three points, three assists, two steals and two blocks in the 109–102 Warriors' win. In the following game at Madison Square Garden against the New York Knicks, Lin again entered the game in the first half. According to ESPN.com NBA editor Matt Wong, "Lin checked into the game to loud applause, presumably from the many Asian-Americans in attendance." He had scored seven total points in his first six games played during the year. In a 89-117 road loss to the Lakers, Lin scored a career-high 13 points in 18 minutes and again earned big cheers from fans in Los Angeles.
An April 5, 2011, article posted by Slam Online stated that during intrasquad scrimmages between Warriors players, head coach Keith Smart implemented a rule. The rule was that no foul committed against Lin would ever be called. The idea behind this is that since Lin was rookie and a not a well-known established player, he would not get many calls from the referees. Thus Jeremy would learn how to play through it and coach Smart acknowledged that Jeremy has. In the same article, Lin credits Reno Bighorns coach Eric Musselman with "helping him regain [his] swagger."
Three times during the season, Lin was assigned to the Warriors' D-League affiliate, the Reno Bighorns. Each time, he was later recalled by the Warriors. He competed in the NBA D-League Showcase and was named to the All-NBA D-League Showcase First Team on January 14, 2011. He helped lead the Bighorns to a 2-0 record at the Showcase with averages of 21.5 points, 6.0 rebounds, 5.5 assists and 3.5 steals. Lin posted a season-high 27 points with the Bighorns on March 18. Lin had some misgivings when sent to the D-League because he felt he was being demoted and was not good enough to play in the NBA. After playing in the D-League, he realized he was still learning and putting in work and getting playing time in the D-League, which he wouldn't have received at the time with the Warriors. Lacob said the Warriors received more than one trade offer for Lin while he was in the D-League, but he was happy with Lin's progress as an undrafted free agent. "He’s a minimum, inexpensive asset. You need to look at him as a developing asset. Is he going to be a superstar? No."
On August 4, 2011, Lin stated that he would consider playing overseas during the 2011 NBA lockout. He wants to be fully recovered from his injury before making a decision.
Lin's high school coach, Peter Diepenbrock, said that people without meaning any harm assume since Lin is Asian that he is not a basketball player. The first time Lin went to a Pro-Am game in Kezar Pavilion in San Francisco, his coach said, someone there informed him: "Sorry, sir, there's no volleyball here tonight. It's basketball." During Lin's college career, fewer than 0.5% of men's Division 1 basketball players were Asian-American.
Lin has regularly heard bigoted jeers at games such as "Wonton soup", "Sweet and sour pork", "Open your eyes!", "Go back to China", "Orchestra is on the other side of campus", or Chinese gibberish. Lin says this occurred even at most if not all Ivy League gyms. He does not react to it. "I expect it, I'm used to it, it is what it is," says Lin. The heckling came mostly from fans and not as much from players. According to Harvard teammate Oliver McNally, a fellow Ivy League player did once call Lin a "chink".
In January 2010, Harvard played against Santa Clara University at the Leavey Center, just 15 miles from his hometown of Palo Alto, California. Playing to a capacity crowd that included droves of Asian Americans wanting to see his homecoming, his teammates told him, "It was like Hong Kong."
Lin considers himself a basketball player more than an Asian American. He understands that there are not many Asians in the NBA. "Maybe I can help break the stereotype," said Lin. Asian Americans who have played in the NBA prior to the 2010–11 NBA season include Wataru Misaka, Raymond Townsend, Corey Gaines, Rex Walters, and Robert Swift. "[Lin's] carrying the hopes of an entire continent. I only had to carry the hopes of Little Rock, Arkansas. He's accomplished a lot more than I have already," said Derek Fisher, who had won five NBA championships with the Lakers, after his first game against Lin. Lin is setting an example for prospective Asian athletes in America who rarely see Asian-Americans playing on their favorite teams. "I don't look Japanese," Walters said, referring to his mother's ethnicity. "When they see [Lin], it's an Asian-American.
Larry Riley, the Warriors' general manager, denied that Lin’s signing was done to cater to the Bay Area’s large Asian population. He understood that some people would look at it that way. “We evaluated him throughout summer league," Riley said. “All that had to happen was for him to confirm what we already believed." While the team was creating a campaign around him, Riley said it would not have been advisable if Lin was not a basketball player first.
In a video interview conducted by Elie Seckbach, he asked Jeremy how it felt to be representing so many people. Jeremy responded by stating, "It's humbling, a privilege, and a honor. I'm really proud of being Chinese, I'm really proud of my parents being from Taiwan. I just thank God for the opportunity." He was then asked if he was fluent in Chinese. Jeremy stated that he could understand it, but could use some help speaking it. In an interview conducted with NBADraft.net, Jeremy stated that he could only speak Mandarin, not Cantonese but can only read and write a little but had also taken classes while attending Harvard to try to improve. In a later interview attended by basketball players (under the age of 19) from Taiwan, he stated he would like to visit Taiwan again but also work on speaking Chinese. Later this summer Jeremy will being making a trip to Asia, which is sponsored by Nike where he hopes to converse with fans in Mandarin.
Category:American sportspeople of Taiwanese descent Category:American sportspeople of Chinese descent Category:American Christians Category:Basketball players from California Category:Harvard Crimson men's basketball players Category:Palo Alto High School alumni Category:Living people Category:1988 births Category:Golden State Warriors players Category:Undrafted National Basketball Association players Category:Reno Bighorns players
es:Jeremy Lin fr:Jeremy Lin it:Jeremy Lin zh:林書豪This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 38°37′38″N90°11′52″N |
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name | Robert Lowell |
birth name | Robert Traill Spence Lowell IV |
birth date | March 01, 1917 |
birth place | Boston, Massachusetts, USA |
death date | September 12, 1977 |
death place | New York City, New York, USA |
occupation | Poet |
nationality | United States |
period | 1944-1977 |
genre | American poetry |
notableworks | ''Life Studies,'' ''For the Union Dead'' |
movement | Confessional poetry |
spouse | Jean Stafford (1940-1948)Elizabeth Hardwick (1949-1972)Caroline Blackwood (1972-1977) |
children | Harriet Lowell, Sheridan Lowell |
relatives | Amy Lowell, James Russell Lowell |
influences | Elizabeth Bishop, John Crowe Ransom, Hart Crane, Allen Tate, William Carlos Williams |
influenced | Sylvia Plath, Anne Sexton, Frederick Seidel, Derek Walcott |
website | }} |
Robert Traill Spence Lowell IV (March 1, 1917 – September 12, 1977) was an American poet, considered the founder of the confessional poetry movement. He was appointed the sixth Poet Laureate Consultant in Poetry to the Library of Congress where he served from 1947 until 1948. He won the Pulitzer Prize in both 1947 and 1974, the National Book Award in 1960, and the National Book Critics Circle Award in 1977.
He received his high school education at St. Mark's School, a prominent prep-school in Southborough, Massachusetts, where he met and was influenced by the poet Richard Eberhart who taught at the school. Then Lowell attended Harvard College for two years before transferring to Kenyon College in Gambier, Ohio, to study under John Crowe Ransom and Allen Tate.
There's a well-known anecdote about where Lowell lived when he first arrived at Kenyon. Before arriving at the school, he asked Allen Tate if he could live with him, and Tate joked that if Lowell wanted to, he could pitch a tent on his lawn. And this is exactly what Lowell did. In an interview for The Paris Review, Lowell stated that he went to Sears, Roebuck to purchase the "pup tent" that he set up on Tate's lawn and lived in for two months Lowell called the act "a terrible piece of youthful callousness." Fortunately for Tate and his wife, Lowell soon settled into the so-called "writer's house" (a dorm that received its nickname after it had accrued a number of ambitious young writers) with fellow students Peter Taylor, Robie Macauley and Randall Jarrell.
Partly in rebellion against his parents, he converted from Episcopalianism to Catholicism, which influenced his first two books, ''Land of Unlikeness'' (1944) and the Pulitzer Prize–winning ''Lord Weary's Castle'' (1946). By the end of the forties, he left the Catholic Church. In 1950, Lowell was included in the influential anthology ''Mid-Century American Poets'' as one of the key literary figures of his generation. Among his contemporaries who also appeared in that book were Muriel Rukeyser, Karl Shapiro, Elizabeth Bishop, Theodore Roethke, Randall Jarrell, and John Ciardi, all poets who came into prominence in the 1940s. From 1950 to 1953, Lowell taught in the well-reputed Iowa Writers' Workshop at the University of Iowa, together with Paul Engle, Robie Macauley, and Anthony Hecht. Later, Donald James Winslow hired Lowell to teach at Boston University, where his students included the poets Sylvia Plath and Anne Sexton. Over the years, he taught at a number of other universities including the University of Cincinnati, Yale University, Harvard University, and the New School for Social Research.
Lowell was a conscientious objector during World War II and served several months at the federal prison in Danbury, Connecticut. He explained his decision not to serve in World War II in a letter addressed to President Franklin Roosevelt on September 7, 1943, stating, "Dear Mr President: I very much regret that I must refuse the opportunity you offer me in your communication of August 6, 1943 for service in the Armed Force." In the letter, he goes on to explain that after the bombing at Pearl Harbor, he was prepared to fight in the war until he read about the United States' terms of unconditional surrender which he feared would lead to the "permanent destruction of Germany and Japan." Before Lowell was tranferred to the prison in Connecticut, he was held in a prison in New York City which he would later write about in the poem "Memories of West Street and Lepke" from his book ''Life Studies''.
In 1949, he was involved in Yaddo's share of the Red Scare when he attempted unsuccessfully to oust Yaddo's director Elizabeth Ames who was being questioned by the FBI for her alleged involvement with writer Agnes Smedley, who was being accused of spying for the Soviet Union.
By 1967, he was the most public, well-known American poet, and this attention was increased in June of that year, when Lowell appeared on the cover of ''Time'' magazine as part of a lengthy cover story on American poetry in which he was praised as "the best American poet of his generation." Although the article gave a general overview of modern American poetry (mentioning Lowell's contemporaries like John Berryman and Elizabeth Bishop), Lowell's life, career, and place in the American literary canon remained the article's focus.
During the late 1960s Lowell was also active in the civil rights movement and opposed the US involvement in Vietnam. His participation in the October 1967 peace march in Washington, DC and his subsequent arrest would be described in the early sections of Norman Mailer's ''The Armies of the Night''. In that book, Mailer wrote, "[Lowell spoke] in his fine stammering voice which gave the impression that life rushed at him in a series of hurdles and some he succeeded in jumping and some he did not." He also wrote that "all flaws considered, Lowell was still a fine, good, and honorable man."
Lowell married the novelist Jean Stafford in 1940. Before their marriage, in 1938, Lowell and Stafford got into a terrible car accident, in which Lowell was at the wheel, that left Stafford permanently scarred, while Lowell walked away unscathed. The couple had a tumultuous marriage that ended in 1948. The poet Anthony Hecht characterized the marriage as "a tormented and tormenting one." Then, shortly thereafter, in 1949 Lowell married the writer Elizabeth Hardwick with whom he had a daughter, Harriet, in 1957. Later, the press would characterize their marriage as "restless and emotionally harrowing." After 23 years of marriage to Elizabeth Hardwick, in 1970, Lowell left her for the British author Lady Caroline Blackwood. Blackwood and Lowell were married in 1972 in England where they decided to settle and where they raised their son, Sheridan.
Lowell had a notably close friendship with the poet Elizabeth Bishop that lasted from 1947 until Lowell's death in 1977. Both writers relied upon one another for feedback on their poetry (which is in evidence in their voluminous correspondence, published in the book ''Words in Air: the Complete Correspondence between Elizabeth Bishop and Robert Lowell'' in 2008) and thereby influenced one another's work. Bishop's influence over Lowell can be seen at work in at least two of Lowell's poems: "The Scream" (inspired by Bishop's short story "In the Village") and "Skunk Hour" (inspired by Bishop's poem "The Armadillo").
Lowell suffered from manic depression and was hospitalized many times throughout his adult life for this mental illness. Although his manic depression was often a great burden (for himself and his family), the subject of that mental illness led to some of his most important poetry, particularly as it manifested itself in his book ''Life Studies''. When he was fifty, Lowell began taking lithium to treat his mental illness. The editor of Lowell's ''Letters'', Saskia Hamilton notes, "Lithium treatment relieved him from suffering the idea that he was morally and emotionally responsible for the fact that he relapsed. However, it did not entirely prevent relapses. . .And he was troubled and anxious about the impact of his relapses on his family and friends until the end of his life."
Lowell died in 1977, having suffered a heart attack in a cab in New York City on his way to see his ex-wife, Elizabeth Hardwick. He was buried in Stark Cemetery, Dunbarton, New Hampshire.
Lowell's early poems are formal, ornate, and concerned with violence and theology; a typical example is the close of "The Quaker Graveyard" -- "You could cut the brackish winds with a knife / Here in Nantucket and cast up the time / When the Lord God formed man from the sea's slime / And breathed into his face the breath of life, / And the blue-lung'd combers lumbered to the kill. / The Lord survives the rainbow of His will." He was Consultant in Poetry to the Library of Congress for 1947−1948 (a position now known as the U.S. Poet Laureate).
The poems in ''Life Studies'' were written in a mix of free and metered verse, with much more informal language than he had used in his first two books. It marked both a big turning point in Lowell's career, and a turning point for American poetry in general. Because many of the poems documented details from Lowell's family life and personal problems, one critic, M.L. Rosenthal, labeled the book "confessional." Lowell's editor and friend Frank Bidart notes in his afterword to Lowell's ''Collected Poems,'' "Lowell is widely, perhaps indelibly associated with the term 'confessional,'" though Bidart questions the accuracy of this label. But for better or worse, this label stuck and led to Lowell being grouped together with other influential confessional poets like Lowell's former students W. D. Snodgrass, Sylvia Plath, and Anne Sexton.
His next book ''For the Union Dead'' (1964) was widely praised, particularly for its title poem, which invokes Allen Tate's "Ode to the Confederate Dead." ''For the Union Dead'' was Lowell's first book since ''Life Studies'' to contain all original verse (since it did not include any translations), and in writing the poems in this volume, Lowell built upon the looser, more personal style of writing that he'd established in the final section of ''Life Studies''. However, none of the poems in ''For the Union Dead'' explicitly addressed the taboo subject of Lowell's mental illness (like some of the poems in ''Life Studies'' did) and were, therefore, not notably "confessional." The subject matter in ''For the Union Dead'' was also much broader than it was in ''Life Studies''. For instance, Lowell wrote about a number of world historical figures in poems like "Caligula," "Jonathan Edwards in Western Massachusetts," and "Lady Raleigh's Lament."
In ''Near the Ocean'', which followed a couple of years later, Lowell had returned to stanzaic forms, and the second half of the book shows Lowell returning once again to writing loose translations (including verse approximations of Dante, Juvenal, and Horace). The best known poem in this volume is "Waking Early Sunday Morning," which was written in eight-line tetrameter stanzas (borrowed from Andrew Marvell's poem "Upon Appleton House") and showed contemporary American politics overtly entering into Lowell's work.
During 1967 and 1968 he experimented with a verse journal, published as ''Notebook 1967-68'' (and later republished in a revised edition, simply titled ''Notebook''). Lowell referred to these fourteen-line poems as sonnets although they often failed to incorporate regular meter or rhyme (both of which are defining features of the sonnet form); however, some of the sonnets (particularly the ones in ''Notebook 1967-1968'') were often written in blank verse with a definitive pentameter. In the flyleaf to ''Notebook 1967-1968'', Lowell explained the timeline of the book:
The time is a summer, an autumn, a winter, a spring, another summer; here the poem ends, except for turned-back bits of fall and winter 1968. . .My plot rolls with the seasons. The separate poems and section are opportunist and inspired by impulse. Accident threw up subjects, and the plot swallowed them--famished for human chances.
Steven Gould Axelrod wrote that, "[Lowell's concept behind the sonnet form] was to achieve the balance of freedom and order, discontinuity and continuity, that he [had] observed in [Wallace] Stevens's late long poems and in John Berryman's ''Dream Songs,'' then nearing completion. He hoped that his form . . . would enable him 'to describe the immediate instant,' an instant in which political and personal happenings interacted with a lifetime's accumulation of memories, dreams, and knowledge." Lowell liked the new form so much that he reworked and revised many of the poems from ''Notebook'' and used them as the foundation for his next three volumes of verse, all of which employed the same loose, fourteen-line sonnet form.
A minor controversy erupted when Lowell admitted to having incorporated (and altered) private letters from his ex-wife, Elizabeth Hardwick into poems for ''The Dolphin''. He was particularly criticized for this by his friends, fellow-poets Adrienne Rich and Elizabeth Bishop. Bishop made an eloquent and thoughtful argument to Lowell against publishing ''The Dolphin''. In a letter to Lowell regarding ''The Dolphin'', dated March 21, 1972, before he'd published the book, Bishop praises the writing, saying, "Please believe that I think it is wonderful poetry." But then she states, "I'm sure my point is only too plain. . .Lizzie [Hardwick] is not dead, etc.--but there is a 'mixture of fact & fiction' [in the book], and you have ''changed'' [Hardwick's] letters. That is 'infinite mischief,' I think. . .One can use one's life as material--one does anyway--but these letters--aren't you violating a trust? IF you were given permission--IF you hadn't changed them. . .etc. But ''art just isn't worth that much''."
Lowell published his last volume of poetry, ''Day by Day'', in 1977 (also the year of his death). The book won that year's National Book Critics Circle Award for poetry. In a PBS documentary on Lowell, Anthony Hecht said that "[''Day by Day'' was] a very touching, moving, gentle book, tinged with a sense of [Lowell's] own pain and the pain [he'd] given to others." It was Lowell's only volume to contain nothing but free verse, and for fans of Lowell's work who were disappointed by the uneven "sonnets" that Lowell had been re-writing and re-packaging in volume after volume since 1967, ''Day by Day'' marked a return to form. In many of the poems, Lowell reflects on his life, his past relationships, and his own mortality. The best-known poem from this collection is the last one, titled "Epilogue," in which Lowell reflects upon the "confessional" school of poetry with which his work was associated. In this poem he wrote,
But sometimes everything I write with the threadbare art of my eye seems a snapshot, lurid, rapid, garish, grouped, heightened from life, yet paralyzed by fact. All's misalliance. Yet why not say what happened?
Lowell's ''Collected Poems'', edited by Frank Bidart and David Gewanter, was published in 2003. The Collected Poems is a very comprehensive volume that includes all of Lowell's major works with the exception of ''Notebook 1967-1968'' and ''Notebook''. However, many of the poems from these volumes were republished, in revised forms, in ''History'' and ''For Lizzie and Harriet''. On the heels of the publication of ''The Collected Poems'', ''The Letters of Robert Lowell'', edited by Saskia Hamilton, was published in 2005. Both Lowell's ''Collected Poems'' and his ''Letters'' received overwhelmingly positive critical responses from the mainstream press, and their publication has since led to a renewed interest in Lowell's writing.
Category:American conscientious objectors Category:American Poets Laureate Category:American poets Category:Converts to Roman Catholicism Category:Deaths from myocardial infarction Category:Formalist poets Category:Guggenheim Fellows Category:Harvard University alumni Category:Kenyon College alumni Category:National Book Award winners Category:National Book Critics Circle Award winner Category:Pulitzer Prize for Poetry winners Category:St. Mark's School (Massachusetts) alumni Category:University of Iowa faculty Category:Iowa Writers' Workshop faculty Category:1917 births Category:1977 deaths
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