A Man Apart is a 2003 action-thriller-drama film directed by F. Gary Gray and released by New Line Cinema. The film stars Vin Diesel and Larenz Tate. The story follows undercover DEA agent Sean Vetter who is on a vendetta to take down a mysterious drug lord named Diablo after his wife is murdered. The film was released in the United States on April 4, 2003.

Plot[link]

Sean Vetter (Vin Diesel) and Demetrius Hicks (Larenz Tate), who are former criminals, are members of the U.S. DEA working on the California/Mexico border. After arresting a drug baron named Memo Lucero (Geno Silva), the mysterious "Diablo" steps in and organizes the assassination of Vetter, but his wife, Stacy (Jacqueline Obradors), is killed instead.

Looking for revenge, Vetter acts outside the law to punish his wife's murderers. To accomplish that, he asks Memo, who is now in prison, for help finding Diablo. With Hicks' help, he hunts every member of the cartel from the bottom to the top of the organization's hierarchy and finds that Memo is linked to the recent activities.

Cast[link]

• Vin Diesel as DEA Agent Sean Vetter
• Larenz Tate as DEA Agent Demetrius Hicks
• Timothy Olyphant as Hollywood Jack
• Geno Silva as Memo Lucero
• Jacqueline Obradors as Stacy Vetter
• Karrine Steffans as Candice Hicks
• Steve Eastin as Supervisory DEA Agent Ty Frost
• Juan Fernández as Mateo Santos
• Jeff Kober as Pomona Joe
• Marco Rodríguez as Hondo
• Mike Moroff as Gustavo Leon
• Emilio Rivera as Garza
• George Sharperson as Big Sexy
• Malieek Straughter as Overdose
• Alice Amter as Marta
• Ken Davitian as Ramon Cadena

Production[link]

The premise originated from an idea by producers Joseph Nittolo of Nittolo Entertainment, and producing partners Tucker Tooley & Vincent Newman of Newman/Tooley Films based on their interest in films about the drug trade. Tooley noted that the frequent cover stories in The Los Angeles Times focusing on the drug cartels and ongoing corruption in Mexico were the basis for the film. With writers Christian Gudegast and Paul Scheuring, the filmmakers spent four years researching and developing the project before the project got financed by New Line Cinema. Being director F. Gary Gray's favorite film, Brian De Palma's Scarface served as a major influence for the film. Richard B. Valdemar, a veteran police officer of the Sheriff's Department in Los Angeles, served as a consultant. Filming took place at various locations in and around Los Angeles County during 2001.

A scene where Sean beats a dealer to death was cut by seven seconds in order to get an R rating instead of NC-17.

Release[link]

Box office performance[link]

After a prolonged delay, A Man Apart was finally released April 4, 2003 in 2,459 theaters and grossed $11,019,224 on its opening weekend, ranking #3 at the box office. As of July 10, 2003, the film has a domestic box office gross of $26,736,098 and a foreign gross of $17,614,828, giving it a worldwide total of $44,350,926.

Critical reception[link]

The film was universally panned by critics. On the film review website Rotten Tomatoes it currently holds a 10% "Rotten" with the general consensus being "Action and drama elements don't mix well in this cliched actioner".^[2] The film holds an average score of 36 out of 100 based on 32 reviews on another film review site Metacritic.^[3]

Home video[link]

A Man Apart was released on DVD on September 2, 2003 as a 'barebones' release, containing no special features except deleted scenes and trailers. It was criticised for poor video transfer.

Lawsuit[link]

The film's original title "Diablo" was the subject of a lawsuit^[4] by the video game company Blizzard Entertainment in 2001 when the developer/publisher filed against New Line Cinema, claiming trademark infringement on the name Diablo (a title used by Blizzard for a franchise of role-playing video games). A court initially ruled in favor of Blizzard, but reversed its decision on appeal.^[5] Ultimately, New Line changed the film's name.

Soundtrack[link]

1. "The Messenjah (Tweaker Remix)" - P.O.D
2. "Straight Out of Line" - Godsmack
3. "Right Now" - Korn
4. "I'm Tired of Good, I'm Trying Bad" - Bootsy Collins
5. "Touch" - Seal
6. "Descarga Total" - Maraca^{[disambiguation needed ]}
7. "Double Drums" - Peter Kruder
8. "6 Underground" - Sneaker Pimps
9. "But I Feel Good" - Groove Armada
10. "King for a Day" - Jamiroquai
11. "Buena" - Mark Sandman
12. "My Own Prison" - Creed
13. "Rover Take Over" - Lords of Acid
14. "Gone!" - The Cure
15. "Broken Home" - Papa Roach
16. "Nothing to Lose" - Robert Smith

References[link]

External links[link]

• Official website
• A Man Apart at AllRovi
• A Man Apart at the Internet Movie Database
• A Man Apart at Rotten Tomatoes
• A Man Apart at Metacritic

A Man for All Seasons is a 1966 film based on Robert Bolt's play A Man for All Seasons about Sir Thomas More. It was released on 12 December 1966. Paul Scofield, who had played More in the West End stage premiere, also took the role in the film. It was directed by Fred Zinnemann, who had previously directed such films as High Noon and From Here to Eternity. The film won six Academy Awards, including Best Picture and Best Actor.

Title[link]

The title reflects playwright Bolt’s portrayal of More as the ultimate man of conscience and as remaining true to his principles and religion under all circumstances and at all times. Bolt borrowed the title from Robert Whittington, a contemporary of More, who in 1520 wrote of him:

More is a man of an angel's wit and singular learning. I know not his fellow. For where is the man of that gentleness, lowliness and affability? And, as time requireth, a man of marvelous mirth and pastimes, and sometime of as sad gravity. A man for all seasons.^[2][3]

Premise[link]

Sir Thomas More was the 16th-century Lord Chancellor of England who refused to sign a letter asking Pope Clement VII to annul the King's marriage to Catherine of Aragon and resigned rather than take an Oath of Supremacy declaring the King the Supreme Head of the Church of England. The King is Henry VIII of England and his wife is Catherine of Aragon, the first of Henry's eventual six wives. Both the play and the film portray More as a tragic hero, motivated by his devout Roman Catholic faith and envied by rivals, such as Thomas Cromwell. He is also deeply loved by his family and respected by the common people.

Plot[link]

This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (May 2012)

The film opens with Cardinal Wolsey summoning Sir Thomas More to his palace at Hampton Court. Desiring his support in obtaining a divorce from the Pope so that Henry V can marry Anne Boleyn, Wolsey chastises More for being the only member of the Privy Council to argue against him. When More states that the Pope will never grant a divorce, he is scandalised by Wolsey's suggestion that they apply "pressure" in order to force the issue. More refuses to support continued efforts to secure an annulment for Henry VIII from the Pope as legal and religious options having been exhausted, provide no grounds for the Pope to issue an annulment.

Returning by a River Thames ferry to his estate at Chelsea, More finds Richard Rich, a young acquaintance from Cambridge waiting by the dock for his return. An ambitious young man, who is drawn to the allure of power, Rich pleads with More for a position at Court, but More, citing the various corruptions there, advises him to become a teacher instead.

Entering the house, More finds his daughter Meg with a young Lutheran named William Roper, who announces his desire to marry her. More, a devout Catholic, announces that his answer is "no" as long as Roper remains a heretic.

Wolsey dies banished from Court in disgrace, having failed to coerce a divorce from the Pope. King Henry appoints More as Lord Chancellor of England.

Soon after, the King makes an "impromptu" visit by barge at More's home in Chelsea to inquire about his divorce. Sir Thomas, not wishing to admit that his conscience forbids him to dissolve what he considers a valid marriage, remains unmoved as the King alternates thinly-veiled threats with promises of unbounded Royal favour. When More finally refers to Catherine as "the Queen," the King explodes into a raging tantrum. Storming off in a huff, King Henry returns to his barge and orders the oarsmen to cast off. His courtiers are left to run through the mud and into the river to catch up as the King laughs hysterically at their predicament. At the embankment, Rich is approached by Thomas Cromwell, a member of Henry's court and political adversary of More. Cromwell subtly inquires whether Rich has information that could damage More's reputation, in exchange for a position at Court.

Roper, learning of More's quarrel with the King, reveals that his religious opinions have altered considerably. He declares that by attacking the Catholic Church, the King has become "the Devil's minister." A terrified More begs him to be more guarded as Rich arrives, pleading again for a position at Court. When More again refuses, Rich denounces More's steward as a spy for Cromwell. Now, More and his family, including wife Alice learn the ugly truth: Rich is being manipulated by Cromwell to spy on him.

As a humiliated Rich leaves, More's family pleads with him to have Rich arrested. More refuses, stating that Rich, while dangerous, has broken no law. Still seeking a position at Court, Rich enlists Cromwell's patronage and joins him in attempting to bring down More. Henry, tired of awaiting for an annulment from the Vatican, redefines the Catholic Church in England by declaring himself "Supreme Head of the Church in England." He demands that both the bishops and Parliament renounce all allegiance to the Holy See. More quietly resigns his post as Chancellor rather than accept the new order. As he does so, his close friend, Thomas Howard, 3rd Duke of Norfolk, attempts to draw his opinions out as part of a friendly chat with no witnesses present. More, however, knows that the time for speaking openly of such matters is over.

The King will not be appeased. He demands that More attend his wedding to Anne Boleyn. More refuses and is summoned again to Hampton Court, now occupied by Cromwell. More is interrogated on his opinions but refuses to answer, citing it as his right under English Law. Cromwell angrily declares that the King now views him as a traitor.

More returns home and is met by his daughter. Meg informs him that a new oath about the marriage is being circulated and that all must take it on pain of high treason. Initially, More says he would be willing to take the oath, provided it does not conflict with his principles. One issue for More is that the King cannot declare himself to be the head of the Catholic Church as the head of the Catholic Church is the Pope. However, an expert in the law, More knows that if he does not state why he is opposed to taking the oath, he cannot be considered a traitor to the King; More refuses to take the oath and is imprisoned in the Tower of London regardless.

In spite of the bullying tactics of Cromwell, the subtle manipulation of Archbishop Thomas Cranmer and the pleadings of both Norfolk and his family, More remains steadfast in his refusal to take the oath. When he is finally brought to trial, he remains silent until after being convicted of treason on the perjured testimony of Richard Rich. He is then informed that Rich has been promoted to Attorney General for Wales as a reward.

Now having nothing left to lose, More angrily denounces the illegal nature of the King's actions, citing the Biblical basis for the authority of the Papacy over Christendom. He further declares that the immunity of the Church from State interference is guaranteed both in Magna Carta and in the King's own Coronation Oath. As the spectators scream in protest, More is condemned to death.

A narrator intones the epilogue.

Thomas More's head was stuck on Traitor's Gate for a month. Then his daughter, Margaret, removed it and kept it 'til her death. Cromwell was beheaded for high treason five years after More. The Archbishop was burned at the stake. The Duke of Norfolk should have been executed for high treason but the King died of syphilis the night before. Richard Rich became Chancellor of England and died in his bed.

Adaptation[link]

Robert Bolt adapted the screenplay himself. The running commentary of The Common Man was deleted and the character was divided into the roles of the Thames boatman, More's steward, an innkeeper, the jailer from the Tower, the jury foreman and the executioner. The subplot involving the Spanish ambassador, Eustace Chapuys, was also excised. A few minor scenes were added to the play, for instance Wolsey's death, More's investiture as Chancellor, and the King's wedding to Anne Boleyn, in order to cover narrative gaps left by the exclusion of the Common Man.

For obvious reasons, the Brechtian staging of the final courtroom scene (which depicted the Jury as consisting of the Common Man and several sticks bearing the hats of the various characters he has played) is changed to a more realistic setting. Also, while the Duke of Norfolk was the judge both historically and in the play's depiction of the trial, the character of the Chief Justice (Jack Gwillim) was created for the film. Norfolk is still present, but plays little role in the proceedings.

Zinneman uses light in an interesting way throughout the film. Regardless of the time of day, More’s home is always shown in full daylight, whereas in contrast other places are seen in the dark of night. This contrast of light is often jarring. For example, the film opens with a courier delivering a message to More. The courier travels in darkness up to the wall surrounding More’s estate. Once the courier enters the estate, he finds himself in the full light of day. More travels home in darkness and pre-dawn light, only to find full daylight once he's on his estate. In another scene More and his family members go to bed with daylight streaming in through the bedroom windows. Light is also used to capture moods: the king’s trip to and from More’s estate and the king’s wedding take place on bright sunny days, plotting against More takes place on a cold snowy day, More’s execution takes place on a cloudy overcast day, Wolsey's death is presaged by a foggy day, and the passage of time is shown by the changing seasons.

Cast[link]

• Paul Scofield as Sir Thomas More
• Wendy Hiller as Alice More
• Leo McKern as Thomas Cromwell
• Robert Shaw as Henry VIII
• Orson Welles as Cardinal Wolsey
• Susannah York as Margaret More
• Nigel Davenport as The Duke of Norfolk
• John Hurt as Richard Rich
• Corin Redgrave as William Roper (the Younger)
• Colin Blakely as Matthew
• Cyril Luckham as Archbishop Thomas Cranmer
• Jack Gwillim as Chief Justice
• Vanessa Redgrave as Anne Boleyn

Production[link]

The producers initially feared that Paul Scofield was not a big enough name to draw in audiences, so the producers approached Richard Burton, who turned down the part. Laurence Olivier was also considered, but Fred Zinnemann demanded that Scofield be cast.

Alec Guinness was the studio's first choice to play Cardinal Wolsey, and Peter O'Toole was the first choice to play Henry VIII. Richard Harris was also considered. Bolt wanted film director John Huston to play Norfolk, but he refused. Vanessa Redgrave was originally to have played Margaret, but she had a theatre commitment. She agreed to a cameo as Anne Boleyn on the condition that she not be billed in the part or mentioned in the previews.

To keep the budget at under $2 million, the actors all took salary cuts. Only Scofield, York and Welles were paid salaries exceeding £10,000. For playing Rich, his first major film role, John Hurt was paid £3,000. Vanessa Redgrave appeared simply for the fun of it and refused to accept any money.

Leo McKern had played the Common Man in the original West End production of the show, but had been shifted to Cromwell for the Broadway production. He and Scofield are the only members of the cast to appear in the both the stage and screen versions of the story. Vanessa Redgrave did appear as Alice in a 1988 remake.

Awards and acclaim[link]

The film was a box office success, making $28,350,000 in the US alone,^[4] making it the fifth highest grossing film of 1966. Scofield's performance was particularly acclaimed and he won the Best Actor Oscar. The film also won Academy Awards for Best Adapted Screenplay, cinematography, costume design, Best Director, and Best Picture. It was also nominated for Best Supporting Actor for Shaw and Best Supporting Actress for Hiller. The film also helped launch the career of the then-unknown Hurt. The film's win for Best Picture Oscar defeated another heavy nominee Who's Afraid of Virginia Woolf? which earned 13 nominations, almost twice the winning picture's total nominations alone.

The film won five BAFTA Awards for Best Film from any Source, Best British Film, Best Photography (Ted Moore), Best Production design (John Box) and Best Actor (Scofield).

The film is number 43 on the British Film Institute's list of the top 100 British films.

See also[link]

• A Man for All Seasons - television film (1988)
• Anne Boleyn in popular culture
• Cultural depictions of Henry VIII of England

Notes[link]

References[link]

• Film Script

External links[link]

Wikiquote has a collection of quotations related to: A Man for All Seasons (1966 film)

• A Man for All Seasons at the Internet Movie Database
• A Man for All Seasons at AllRovi
• A Man for All Seasons at Rotten Tomatoes

Vin Diesel
Diesel at a premiere for Fast & Furious in March 2009
Born	Mark Sinclair Vincent (1967-07-18) July 18, 1967 (age 44) New York City, U.S.
Occupation	Actor, director, producer, screenwriter
Years active	1990–present
Partner	Paloma Jimenez
Website
VinDiesel.com

Vin Diesel (born Mark Sinclair Vincent; July 18, 1967) is an American actor, writer, director and producer. He became known in the early 2000s, appearing in several successful Hollywood films, including The Fast and the Furious and xXx. He founded the production companies One Race Films, Tigon Studios and Racetrack Records.

Early life[link]

Vin Diesel was born in New York City, the son of Delora, a psychiatrist and astrologer.^[1][2] Diesel has white and black ancestry.^[3][4] He has described himself as "definitely a person of color"^[5] and stated that he is "of ambiguous ethnicity – Italian and a lot of other stuff."^[6] Diesel has never met his biological father, and was raised by his African-American stepfather, Irving, an acting instructor and theatre manager.^[1][5] He made his stage debut at age seven when he appeared in the children's play Dinosaur Door, written by Barbara Garson. The play was produced at Theater for the New City in New York's Greenwich Village. His involvement in the play came about when he, his brother, and some friends had broken into Theater for the New City's space on Jane Street with the intent to vandalize it. They were confronted by the theater's artistic director, Crystal Field, who, instead of calling the police, handed them scripts and offered them parts in the upcoming show.^[7] He remained involved with the theatre throughout adolescence, going on to attend the city's Hunter College, where his creative writing studies led him to begin screenwriting. Diesel became an active film-maker in the early 1990s, first earning notice for the short film Multi-Facial, which was selected for screening at the 1995 Cannes Festival. Diesel has identified himself as a "multi-faceted" actor^[8] as a result of early difficulties finding roles due to his mixed heritage.^[8][9]

In an interview on Late Night with Conan O'Brien, he said that he changed his name to "Vin Diesel" while working as a bouncer at the New York City nightclub Tunnel, because in that business one's real name is not usually given out. The name "Vin" is simply a shortened version of "Vincent". He received the nickname "Diesel" from his friends who said he ran off diesel fuel, referring to his non-stop energy.

He has a twin brother, Paul, a younger brother, Tim, and a sister, Samantha.^{[citation needed]}

Career[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2011)

Diesel in Munich, April 2005

Diesel's first film role was a brief uncredited appearance in the 1990 film Awakenings. He then produced, directed, and starred in the 1994 short film Multi-Facial, a short semi-autobiographical film which follows a struggling actor stuck in the audition process, because he is regarded as either "too black" or "too white", or not black or white enough. He made his first feature-length film, 1997's Strays, an urban drama in which he was self-cast as a gang boss whose love for a woman inspires him to try to change his ways. Written, directed and produced by Diesel, the film was selected for competition at the 1997 Sundance Festival, leading to an MTV deal to turn it into a series.

He was then cast in Steven Spielberg's 1998 Oscar-winning film Saving Private Ryan on the poignancy of his performance in Multi-Facial. In 1999 he earned critical acclaim for his voice work as the title character in the animation film The Iron Giant. He followed it up with a major role in the business drama Boiler Room (2000) and then got his breakthrough role as the anti-hero Riddick in the science-fiction film Pitch Black (2000). He attained action hero super stardom with the box office hits, the street racing action film The Fast and the Furious (2001), starring opposite Paul Walker, and the action thriller xXx (2002).

In 2004, he reprised his role as Pitch Black's Riddick in The Chronicles of Riddick which was a box office failure considering the large budget. In 2005 he played a lighthearted role in the comedy film The Pacifier, which became a box office success. In 2006 he chose a dramatic role playing real-life mobster Jack DiNorscio in Find Me Guilty. Although he received critical acclaim for his performance, the film did poorly at the box office. Later that year he made a cameo appearance in The Fast and the Furious: Tokyo Drift, reprising his role from The Fast and The Furious. Diesel was originally offered the lead in 2 Fast 2 Furious but turned it down. He was also offered the chance to reprise his role from xXx in xXx: State of the Union but turned it down as well.

In 2007, he was set to produce and star as Agent 47 in the film adaptation of the video game Hitman, but eventually pulled back and served as executive producer on the film instead. In 2008 he starred in the science-fiction action thriller Babylon A.D..

He returned to the The Fast and The Furious series, alongside all the actors from the original 2001 film, in Fast & Furious, which released in April 2009. In 2011, he once again returned, for the fifth film in the series, titled Fast Five. He is is currently filming the third installment in the Riddick series titled The Chronicles of Riddick: Dead Man Stalking which is in post-production as of April 2012 and set for release in 2013.

Personal life[link]

Diesel is noted for his recognizable deep voice; he has said that his voice broke at around age 15, giving him a mature sounding voice on the telephone.^[10]

Around 2001, Diesel dated his The Fast and the Furious co-star, Michelle Rodriguez.^[11]

Diesel has expressed his love for the Dominican Republic, and how he relates to its multicultural facets.^[12] He is also acquainted with President Leonel Fernandez, and has since appeared in one of his earlier campaign ads. Los Bandoleros, a short film directed by Diesel, was also filmed in the Dominican Republic.^[13]

Diesel claims that he prefers dating in Europe, where he is less likely to be recognized and where celebrities are not romantically linked to each other. He prefers to maintain his privacy regarding his personal life:^[14]

Diesel has played Dungeons & Dragons for over twenty years^[15] and wrote the foreword for the commemorative book 30 Years of Adventure: A Celebration of Dungeons & Dragons. In the 30th Anniversary of Dungeons & Dragons issue of Dragon Magazine, they examine the fact that Diesel played Dungeons & Dragons, and reveal that he had a fake tattoo of his character's name, "Melkor," on his stomach while filming xXx.

Diesel has a daughter, Hania Riley, born April 2, 2008, with his girlfriend, model Paloma Jimenez.^[16][17] Speaking to An tEolas, an Irish newspaper, Diesel stated he has been seen as a hard man, but is in touch with his soft side as a father.^[18]

Filmography[link]

Actor[link]

Producer[link]

Director and writer[link]

Games[link]

1. The Chronicles of Riddick: Escape from Butcher Bay (2004)
2. The Chronicles of Riddick: Assault on Dark Athena (2009)
3. Wheelman (2009)

Video game roles[link]

• Need for Speed: Most Wanted (Black Edition) - Rog

References[link]

External links[link]

• Vin Diesel at the Internet Movie Database
• Vin Diesel at the Open Directory Project