Children at a primary school in Paris

Biologically, a child (plural: children) is generally a human between the stages of birth and puberty. Some vernacular definitions of a child include the fetus, as being an unborn child.^[1] The legal definition of "child" generally refers to a minor, otherwise known as a person younger than the age of majority. "Child" may also describe a relationship with a parent (such as sons and daughters of any age)^[2] or, metaphorically, an authority figure, or signify group membership in a clan, tribe, or religion; it can also signify being strongly affected by a specific time, place, or circumstance, as in "a child of nature" or "a child of the Sixties".^[3]

Legal, biological, and social definitions[link]

Population aged under 15 years in 2005

The United Nations Convention on the Rights of the Child defines a child as "a human being below the age of 18 years unless under the law applicable to the child, majority is attained earlier".^[4] Ratified by 192 of 194 member countries. Some English definitions of the word 'child' include the fetus and the unborn.^[5] Biologically, a child is anyone between birth and puberty or in the developmental stage of childhood, between infancy and adulthood. Children generally have fewer rights than adults and are classed as not able to make serious decisions, and legally must always be under the care of a responsible adult.

Recognition of childhood as a state different from adulthood began to emerge in the 16th and 17th centuries. Society began to relate to the child not as a miniature adult but as a person of a lower level of maturity needing adult protection, love and nurturing. This change can be traced in painting: In the Middle Ages, children were portrayed in art as miniature adults with no childish characteristics. In the 16th century, images of children began to acquire a distinct childish appearance. From the late 17th century onwards, children were shown playing. Toys and literature for children also began to develop at this time.^[6]

Children's Games, 1560, Pieter Bruegel the Elder

Socialization[link]

Sikh children playing on Nintendo DSi in Punjab, India

Children in Namibia

All children go through stages of social development. An infant or very young child will play alone happily. If another child wanders onto the scene, he or she may be physically attacked or pushed out of the way. Next, the child is able to play with another child, gradually learning to share and take turns. Eventually, the group grows larger, to three or four children. By the time a child enters kindergarten, he or she is usually able to join in and enjoy group experiences.^[7]

Children with ADHD and learning disabilities may need extra help in developing social skills. The impulsive characteristics of an ADHD child may lead to poor peer relationships. Children with poor attention spans may not tune in to social cues in their environment, making it difficult for them to learn social skills through experience.^[7]

Attitudes toward children[link]

Social attitudes toward children differ around the world in various cultures. These attitudes have changed over time. A 1988 study on European attitudes toward the centrality of children found that Italy was more child-centric and Holland less child-centric, with other countries, such as Austria, Great Britain, Ireland and West Germany falling in between.^[8]

Age of responsibility[link]

The age at which children are considered responsible for their society-bound actions (e. g. marriage, voting, etc.) has also changed over time, and this is reflected in the way they are treated in courts of law. In Roman times, children were regarded as not culpable for crimes, a position later adopted by the Church. In the nineteenth century, children younger than seven years old were believed incapable of crime. Children from the age of seven forward were considered responsible for their actions. Therefore, they could face criminal charges, be sent to adult prison, and be punished like adults by whipping, branding or hanging. ^[9] Today, in many countries like Canada and the United States, children twelve and older are held responsible for their actions and may be sent to special correctional institutions, such as juvenile hall.

Surveys have found that at least 25 countries around the world have no specified age for compulsory education. Minimum employment age and marriage age also vary. In at least 125 countries, children aged 7–15 may be taken to court and risk imprisonment for criminal acts. In some countries, children are legally obliged to go to school until they are 14 or 15 years old, but may also work before that age. A child's right to education is threatened by early marriage, child labour and imprisonment.^[10]

One-child policy[link]

See also: Two-child policy

China's one-child policy forces some couples to have no more than one child. China's population policy has been credited with a very significant slowing of China's population growth which had been higher before the policy was implemented. It has come under criticism that the implementation of the policy has involved forced abortions and forced sterilization. However, while the punishment of "unplanned" pregnancy is a fine, both forced abortion and forced sterilization can be charged as intentional assault, which is punished with up to 10 years' imprisonment. If born with another child and kept, parents must pay a large fine for every day he/she is alive.

Child mortality[link]

Children rounded up for deportation to the Chełmno extermination camp. Some 1.5 million Jewish children were murdered by the Nazis.

During the early 1600s in England, life expectancy was only about 35 years, largely because two-thirds of all children died before the age of four.^[11] During the Industrial Revolution, the life expectancy of children increased dramatically.^[12]

According to population health experts, child mortality rates have fallen sharply since the 1990s. Deaths of children under the age of five are down by 42% in the United States, while Serbia and Malaysia have cut their rates by nearly 70%.^[13]

See also[link]

Listen to this article (info/dl)

This audio file was created from a revision of the "Child" article dated 2008-06-24, and does not reflect subsequent edits to the article. (Audio help)

More spoken articles

• Childhood
• Childlessness
• Child sexual abuse
• Index of youth articles
• Outline of children
• Religion and children

References[link]

External links[link]

Wikimedia Commons has media related to: Children

• Wikichild.org
• United Nations Children's Fund (UNICEF)
• Family database, OECD

Motorcycle cop redirects here.

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German state police officer in Hamburg

A Royal Canadian Mounted Police officer in the force's distinctive dress uniform.

Mounted Tourist-Police officers in Petra, Jordan.

A group of Garda officers in the Republic of Ireland.

A motor officer patrolling in Arizona on a motorcycle.

A police officer (also known as a policeman or policewoman, and constable in some forces, particularly in the United Kingdom^[1][2] and other Commonwealth nations) is a warranted employee of a police force. In the United States, "officer" is the formal name of the lowest police rank; in many other countries "officer" is a generic term not specifying a particular rank, and the lowest rank is often "constable". Police officers are generally charged with the apprehension of criminals and the prevention and detection of crime, and the maintenance of public order. Police officers may be sworn to an oath, and have the power to arrest people and detain them for a limited time, along with other duties and powers.

Some police officers may also be trained in special duties, such as counter-terrorism, surveillance, child protection, VIP protection, and investigation techniques into major crime, including fraud, rape, murder and drug trafficking.

Duties and functions[link]

Responsibilities of a police officer are varied, and may differ greatly from within one political context to another. Typical duties relate to keeping the peace, law enforcement, protection of people and property, and the investigation of crimes. Officers are expected to respond to a variety of situations that may arise while they are on duty. Rules and guidelines dictate how an officer should behave within the community, and in many contexts restrictions are placed on what the uniformed officer wears. In some countries, rules and procedures dictate that a police officer is obliged to intervene in a criminal incident, even if they are off-duty. Police officers in nearly all countries retain their lawful powers, while off duty.^[3]

In the community[link]

In the majority of Western legal systems, the major role of the police is to maintain order, keeping the peace through surveillance of the public, and the subsequent reporting and apprehension of suspected violators of the law. They also function to discourage crimes through high-visibility policing, and most police forces have an investigative capability. Police have the legal authority to arrest, usually granted by magistrates. Police officers also respond to emergency calls, along with routine community policing.

Police are often used as an emergency service and may provide a public safety function at large gatherings, as well as in emergencies, disasters, search and rescue situations, and Road Traffic Collisions. To provide a prompt response in emergencies, the police often coordinate their operations with fire and emergency medical services. In some countries, individuals serve jointly as police officers as well as firefighters (creating the role of Fire Police) or paramedics. In many countries, there is a common emergency service number that allows the police, firefighters, or medical services to be summoned to an emergency. Some countries, such as the United Kingdom have outlined command procedures, for the use in major emergencies or disorder. The Gold Silver Bronze command structure is a system set up to improve communications between ground based officers and the control room, typically, Bronze Commander would be a senior officer on the ground, coordinating the efforts in the center of the emergency, Silver Commanders would be positioned in an 'Incident Control Room' erected to improve better communications at the scene, and a Gold Commander who would be in the Control Room.

Police are also responsible for reprimanding minor offenders by issuing citations which typically may result in the imposition of fines, particularly for violations of traffic law. Traffic enforcement is often and effectively accomplished by police officers on motorcycles—called motor officers, these officers refer to the motorcycles they ride on duty as simply motors. Police are also trained to assist persons in distress, such as motorists whose car has broken down and people experiencing a medical emergency. Police are typically trained in basic first aid such as CPR.

In addition, some park rangers are commissioned as law enforcement officers and carry out a law-enforcement role within national parks and other back-country wilderness and recreational areas, whereas Military police perform law enforcement functions within the military.

Entry and promotion qualifications[link]

In most countries, candidates for the police force must have completed some formal education.^{[citation needed]} Increasing numbers of people are joining the police force who possess tertiary education^{[citation needed]} and in response to this many police forces have developed a "fast-track" scheme whereby those with university degrees spend two to three years as a Constable before receiving promotion to higher ranks, such as Sergeants or Inspectors. (Officers who work within investigative divisions or plainclothes are not necessarily of a higher rank but merely have different duties.)^{[citation needed]} Police officers are also recruited from those with experience in the military or security services. In the United States state laws may codify state-wide qualification standards regarding age, education, criminal record, and training but in other places requirements are set by local police agencies. Each local Police agency has different requirements.

Officers of the Polizia Municipale from Piacenza, Italy

Promotion is not automatic and usually requires the candidate to pass some kind of examination, interview board or other selection procedure. Although promotion normally includes an increase in salary, it also brings with it an increase in responsibility and for most, an increase in administrative paperwork. There is no stigma attached to this, as experienced line patrol officers are highly regarded.

Dependent upon each agency, but generally after completing two years of service, officers may also apply for specialist positions, such as detective, police dog handler, mounted police officer, motorcycle officer, water police officer, or firearms officer (in countries where police are not routinely armed).

In some countries such as in Singapore, police ranks may also be supplemented through conscription, similar to national service in the military. Qualifications may thus be relaxed or enhanced depending on the target mix of conscripts. In Singapore, for example, conscripts face tougher physical requirements in areas such as eyesight, but are less stringent with minimum academic qualification requirements. Some police officers join as volunteers, who again may do so via differing qualification requirements.

Police pay[link]

This section requires expansion.

In some societies, police officers are paid relatively well compared to other occupations; their pay depends on what rank they are within their police force and how many years they've served.^[4]

Occupational hazards[link]

Line of duty deaths[link]

Memorial to a fallen police officer at the Texas Department of Public Safety Houston Webster Office in Houston^[5]

Line of duty deaths are deaths which occur while an officer is conducting his or her appointed duties. Despite the increased risk of being a victim of a homicide, automobile accidents are the most common cause of officer deaths. Officers are more likely to be involved in traffic accidents because of their large amount of time spent conducting vehicle patrols, or directing traffic, as well as their work outside their vehicles alongside or on the roadway, or in dangerous pursuits. Officers killed by suspects make up a smaller proportion of deaths. In the U.S. in 2005, 156 line of duty deaths were recorded of which 44% were from assaults on officers, 35% vehicle related (only 3% during vehicular pursuits) and the rest from other causes: heart attacks during arrests/foot pursuits, diseases contracted either from suspects' body fluids or, more rarely, from emergency blood transfusions received after being in motor vehicle accidents, shot or stabbed, accidental gun discharges, falls, and drownings.^[6]

Police officers who die in the line of duty, especially those who die from the actions of suspects or in accidents or heart attacks, are often given elaborate funerals, attended by large numbers of fellow officers. Their families may also be entitled to special pensions. Fallen officers are often remembered in public memorials, such as the National Law Enforcement Officers Memorial in the U.S., the National Police Memorial in the U.K. and the Scottish Police Memorial, at the Scottish Police College.

In the United Kingdom, in the 10 years from April 2000 there were 143 line of duty deaths: 54 in road accidents travelling to or from duty, 46 in road accidents on duty, 23 from natural causes on duty, 15 from criminal acts, and 5 in other accidents.^[7] (In the United Kingdom, police do not normally carry firearms.)

The Singapore Police Force registered just over 100 deaths in a century up to the year 2000. There have been 28 New Zealand police officers killed by criminal act since 1890.^[8] Despite perceived dangers, policing has never been listed above number ten as one of the most dangerous jobs in the U.S. In terms of deaths per capita, driver-sales work such as food delivery is a more dangerous profession than being a police officer^[9].

Work stress[link]

Indicators[link]

The actual presence of stress in police work is well documented and evidenced by certain statistics. Researchers typically use suicide, divorce and alcoholism rates as three key indexes of stress in a group of people.^[10] These factors paint a compelling picture of police officers demonstrating signs of significant stress, for example:

• A study in the United States, by National Surveillance of Police Suicide Study (NSOPS), showed 141 suicides in 2008 and 143 in 2009. This yields a suicide rate of 17/100,000, a figure that holds up under scrutiny and is consistent with CDC/NOMS data.^[11] The overall suicide rate in the United States was 11.3 suicide deaths per 100,000 people.^[12] There is some speculation or controversy that this official rate may understate the actual rate as it is often other police officers that report facts that lead to a cause of death determination, and death benefits, institutional image, and other factors may be incentives to misreport incident facts. It is speculated that some suicides are reported by fellow officers as accidents or as deaths in the line of duty perpetrated by unknown assailants. Also, many jurisdictions simply don't keep suicide statistics. Even though the information is incomplete, the available statistics suggest that police officers are more likely to commit suicide than the general population. However there is still controversy in the interpretation of these statistics. When comparisons are made within age, gender, and racial cohorts, the differences are much less dramatic.^[13][14] Although suicides may be notably more prevalent among police, it is not clear whether police suicides are the result of work stress or the consequence of other variables, such as the influence of a subculture of violence^[15]
• Police officers are much more likely to experience interpersonal relationship problems. Relationship problems are most dramatically demonstrated by the divorce rate among police officers, which is usually reported as being the second highest of all occupations. However in a 2009 study, the divorce rates of law enforcement personnel were compared with the rates for other occupations, where data was analyzed from the 2000 U.S. Census. The results of the analysis indicate that the divorce rate for law enforcement personnel is lower than that of the general population, even after controlling for demographic and other job-related variables.^[16] The propensity to domestic violence is also thought to be higher for police officers than the general population, though the statistics are very fuzzy and controversial. Police officers also seem to have relationship problems at work, typically with superiors or with political oversight, though the evidence is largely anecdotal and controversial.
• Alcoholism is considered another aberrant statistic for police officers. Although the statistics are fuzzy, clinically treated alcohol addiction rates are usually calculated to be about twice as high for police officers than for the general population in the United States. In contrast, statistics documenting alcohol abuse are less precise. Rates for arrest for driving under the influence of alcohol, or DUI or DWI, are somewhat higher for police officers than for other drivers, but the statistics are not widely trusted outside of the insurance industry since it is other police officers that make DUI arrests. Some departments and even some individual officers tend to hold police officers to a higher behavioral and ethical standard while others will recognize a 'blue line' behind which those within the 'brotherhood' are not held to the same standards as the rest of society. Despite the controversies in the interpretation of the statistics, it is generally considered evident that police officers are more susceptible to alcohol abuse than other occupations. The same conclusions are usually made regarding the police abuse of other substances, though the statistics are even less accurate, and even though the higher rates of substance abuse may be due in part to the more ready access to drugs and the more permissive atmosphere 'behind the blue line' rather than to occupational stresses.

Hans Selye, the foremost researcher in stress in the world, said that police work is "the most stressful occupation in America even surpassing the formidable stresses of air traffic control."^[10]

Other researchers, though, claim that police officers are more psychologically healthy than the general population. Police officers are increasingly more educated, more likely to engage in a regular program of exercise and to consume less alcohol and tobacco, and increasingly family-oriented. Healthy behavior patterns typically observed at entry training usually continue throughout the career of an officer. Even though the presence of occupation related stress seems to be well documented, it is highly controversial. Many within the law enforcement industry claim the propagation of incorrect suicide, divorce, and substance abuse statistics comes from people or organizations with political or social agendas, and that the presence of these beliefs within the industry makes it hard for health workers to help police officers in need of treatment to deal with the fear of negative consequences from police work which is necessary to enable police officers to develop a healthy expectancy of success in treatment.^[17]

Sources[link]

Even though the presence of occupational stresses appear to be well documented, though not without controversy, the causes of workplace stress are comparatively unclear or even a matter of conjecture.

Although individual policemen and institutional public relations typically cite the risks of being killed in the line of duty as the predominant source of stress for individual policemen, there is significant controversy regarding the causes of personal workplace stress due to the fact that the actual risk of being killed is so small relative to other occupations.

It is charged that the myth of the high risks of occupational mortality connected with police work is often propagated by the law enforcement community as part of its institutional advancement and a central element in its public relations. Actual homicides of police are comparatively rare, but the reports of such incidents are typically reported in the press along with quotes by police officials or police officer family members stressing the notion that police officers 'put their lives on the line for the public' or 'risk their lives everyday', making it look like individual policemen routinely place themselves in mortal danger for low pay and little recognition, and that the view of police work as 'combat' is the source of police occupational stress indications.

Another explanation often advanced is the idea that police officers will undergo some traumatic experience in their police work that they never recover from, leading to suicide, divorce, etc. However, since the effects of such traumatic stresses is readily recognized, there are usually proactive programs in place to help individual police officers deal with the psychological effects of a traumatic event. Unfortunately, there is some evidence that such programs are actually ineffective, especially group therapies, may re-traumatize the participant, weaken coping mechanisms, and contribute to the development of post traumatic stress disorder (PTSD).^[18][19][20]

Observations where police officers and other emergency workers, such as firemen, experience the same traumatic event, it is more likely that the police officer will have difficulty dealing with the long term emotional effects of the traumatic event. On this observation, some of the academic literature suggests that along these lines the causes of occupational stress is more complex for police officers. Stress in police work is often present in other occupations, but not in an ongoing capacity. One line of thinking is that the individual stresses of police work produce a condition of chronic stress. Police officers encounter stressors in call after call which sap their emotional strength. Debilitation from this daily stress accumulates making officers more vulnerable to traumatic incidents and normal pressures of life. The weakening process is often too slow to see; neither a person nor his friends are aware of the damage being done. The effects of chronic stresses is two-fold:

• First, prolonged stress causes people to regress. Their psychological growth reverses, and they become more immature. They rapidly become more childish and primitive, much like a person being sick for several days becoming more irritable and childish in its demands on other people.
• Second, chronic stress numbs people's sensitivity. They can't stand to continually see human misery. They must stop feeling or they won't survive. The mind has this defense mechanism so people can continue working in horrible situations. If they kept their normal sensitivity, they would fall apart. As they become insensitive to their own suffering, they become insensitive to the suffering of others. When treated with indignity, they lose not only a sense of their own dignity but also the dignity of others. The pain of others stops bothering them, and they are no longer bothered when they hurt others.

The daily work of a police officer involves certain paradoxes and conflicts which may be difficult to deal with, the predominant examples are^[10]

• Any interaction with a member of the public, whether socially or officially, such as in a traffic stop, involves a non-trivial risk of verbal abuse or physical harm. Treating a person with common respect or normal social graces requires the officer to be off guard and unprepared for an attack. Being on guard for an attack and treating every interpersonal situation with safety procedures and affirmative commands makes the police officer appear cynical, brutal, and detached, and limits his actual effectiveness with the public. Considering someone a friend or an enemy produces opposite mental states, an unnatural no-win situation engendering chronic stress.
• A police department is both a professional and military organization, and these two aspects oppose each other. As a professional, he is considered to be an expert in his field and is expected to use his expertise for the good of his public. He has much discretion in how he serves the people who call upon him. However, the dangers and complexities of the work require a military structure of the organization and a military leaning in the training. Although some are actually educated, all police officers are well trained. Policies, regulations, and procedures cover every facet of police work. Everything is expected to be done by the book with substantial repercussions, including civil and criminal liability, for varying from the expectations of operating procedures. Often the facts of a situation require a course of action that does not follow procedures. If he follows procedures exactly, he knows he won't fully help the public, and the public will think he is shirking his responsibility. If the officer follows his own judgment, he is taking a risk. The community and department expect officers to use judgment, but when they do, there is a danger they will be disciplined; another unnatural no-win situation engendering chronic stress.
• Police officers tend to become socially isolated. The reasons given for this isolation are varied and mostly anecdotal. One theory is that police work is not balanced. Most occupations involve a combination of good and bad results. In police work, almost everything is bad, and everybody you deal with is perceived either inherently bad or at least foolish. Another is that police officers develop a 'street wisdom' and by fiat possess a degree of authority that tends to make them perceive themselves as being morally superior to the rest of society. Whatever the reason, the public that the police deal with clearly perceive it and tend to reinforce the divide. Classically when a group of people are isolated, they become disoriented and confused. Their behavior changes drastically. Ironically an isolated class are usually the ones who are losing real world wisdom and tend to judge the world incorrectly from a very limited perspective, leading to interpersonal mistakes and more chronic stress.^{[citation needed]}

A more colloquial view looks at specific sources of stress in police work.^[21] The sources of stress most often actually cited are:

• The fear of killing someone in the line of duty.
• Having your partner or somebody else that you feel at least partly responsible for killed in the line of duty.
• Lack of support by the department or superiors.
• The scheduling of work and irregular work demands resulting in a disruption of family time or family events or rituals.
• The daily grind of dealing with the stupidity of the public, or the "asshole factor".

Other more academic studies have produced similar lists, but may include items that the more colloquial surveys do not reveal, such as 'exposure to neglected, battered, or dead children'^[22]

Again, the actual fear of occupational death or physical harm is not high on the list of stress sources.

There have been numerous academic studies on the specific sources of police stress, and most conclude organizational culture and workload as the key issues in officer stress.^[23] Traumatic events are usually concluded to not be of sufficient scope or prevalence to account for prevalence of suicide, divorce, and substance abuse abnormalities.

Personality theories[link]

Some of the more esoteric, least documented or cited, and more longstanding theories for police stress symptoms involves the interaction of the specifics of police work with the personalities of individual police officers. There has been a raging debate on the fringes of psychiatry as to whether there is something about police work that causes psychiatric symptomology and personality disorders or whether there are certain personalities susceptible to disorders that are attracted to police work. Theory holds that there are four general possibilities:

• There is something about police work, the social structure, the work atmosphere, etc., which causes stresses or presents traumas that cause personality or psychiatric disorders resulting in symptoms such as suicide, divorce, violence, substance abuse, etc. (the foundations of this possibility are outlined above)
• There is one or more personality types or people with certain tendencies or proclivities who are susceptible of developing personality or psychiatric disorders, regardless of their occupation, who because of their personality or preferences are attracted to police work, and then display symptoms of stress or disorders.
• There is a combination of the two.
• Or there is a combination and synergistic interaction of the two.

Some studies have tried to use personality traits to determine police applicant desirability,^[24]. These have generally looked at psychology's Big Five personality traits of openness, conscientiousness, extraversion, agreeableness and neuroticism. These studies have suggested that age, cynicism and institutional culture affect performance.

There are other personality traits that are specifically not desired for police work that are equally well documented. However, there has been relatively little academic work cited regarding the personality traits attracted to police work. The nature of personality traits of people attracted to police work tends to be a matter of conjecture and anecdotal observations. The personalities of people who are actually in police work tends to be different from that which is purported to be desired by police departments. Police officers tend to be isolated and suspicious, view expression of emotions as a weakness, and find it hard to trust and confide in others.^[25] For example, police officers are often viewed by the public to be domineering, narcissistic, authoritarian, physically oppressive, and basically the opposite of the personality traits most often cited as being desirable in a police officer. There are studies that suggest that people who take risks are attracted to police work.^[26] There is a corresponding theory that police officers actually tend to be people seeking security and stability and are attracted to the job for the steady government paycheck and government pension and adverse to the risks of business, sales, or other occupations. There is ample evidence that there is something in police work that alters personality.

The theory that there is an interaction between the personality attracted to the work and the work itself is mostly conjecture. For example, people attracted to police work are thought to crave the respect and authority that they expect with a badge, gun, uniform, and commission, but most of the people that police officers come in contact with do not respect them, and their authority is strongly regulated and limited by law, policies, and procedures, setting up a conflict resulting in chronic stress.

Abuse of power[link]

Police officers have considerable powers and are often supported by authorities who oversee them if accused of wrongdoing.^[27]

Systematic cases[link]

In dictatorial, corrupt, or weak states, police officers may carry out many criminal acts for the ruling regime with impunity. Examples are the Gestapo secret police in Nazi Germany, and the role of the police in the military dictatorship in Argentina in the 1970s.^[28] Institutional racism has been found in modern police forces.^[29]

Individual cases[link]

Individual officers, or sometimes whole units, can be corrupt or carry out various other forms of misconduct; this occasionally happens in many forces, but is particularly problematic where police pay is very low unless supplemented by bribes.^[30] Police sometimes act with unwarranted brutality when they overreact to confrontational situations,^[31] to extract a confession from a person they may or may not genuinely suspect of being guilty,^[32] or in other circumstances. Instances of racism occur, even when the police force as a whole is not found to be racist.^[33]

See also[link]

• The Thin Blue Line (emblem)
• Cops (TV series)
• Fictional police officers
• Field Training Officer
• List of slang terms for police officers
• Military police
• Peace officer
• Police brutality
• Police rank
• Police procedural
• President Grover Cleveland—former Sheriff of Erie County, New York
• President Theodore Roosevelt—Deputy Sheriff in the Dakota Territory, and New York City Police Commissioner

References[link]

External links[link]

Wikimedia Commons has media related to: Police officers

• Thin Blue Line Emblem
• http://www.discoverpolicing.org
• Metropolitan Police history
• http://www.newscotlandyard.police.uk/foi/pdfs/other_information/corporate/operational_uniform_and_equipment.pdf
• http://www.west-midlands.police.uk/publications/freedom-of-information/policy.asp?id=144
• http://www.gmp.police.uk/mainsite/pages/pcsouniform.htm,ts=2
• http://www.policelink.com

Rachel de Azevedo Coleman is an American musician and actress. With her sister Emilie de Azevedo Brown, she helped to create the Signing Time! video series to teach children basic American Sign Language (ASL). Coleman also produces and directs the series. She is founder and CEO of Two Little Hands Productions.

Biography[link]

Her father Lex de Azevedo is an American Mormon composer known primarily for his film scores. Lex's mother, and Rachel's grandmother is of Alyce King of The King Sisters. She and her father Lex de Azevedo won a Pearl Award in 2007 for songs they had done for children.^[1]

As Rachel De Azevedo she has been credited in several episodes of Touched by an Angel.^[2] Before moving out of the Los Angeles area, she performed with the band "We the Living" and appeared in the made-for-TV movie "Spring Fling".^{[citation needed]}

In 1996, Rachel and her husband Aaron discovered that their oldest daughter Leah was deaf.^[3] In 2001, Rachel teamed up with her sister Emilie to create Signing Time! - a children's video series that teaches basic ASL to children of all abilities. Signing Time was inspired by Leah. From the beginning, they have found that teaching her 'hearing' peers even a few basic signs builds bonds of friendship and community that every child needs.

Awards[link]

Emmy Award Nomination - Rachel Coleman, host of Signing Time, was nominated for the "Outstanding Performer in a Children's Series," for the 35th Annual Daytime Entertainment Emmys.^[4]

Filmography[link]

• Signing Time! Series 1 - Rachel (13 volumes)
• Signing Time! Series 2 - Rachel (13 volumes)
• Baby Signing Time! - Rachel (4 Volumes)
• Practice Time! - Rachel (2 Volumes)
• Potty Time! - Rachel (1 Volume)

References[link]

External links[link]

• http://www.signingtime.com
• Rachel's Blog
• Rachel's Twitter
• Rachel Coleman at the Internet Movie Database

This article about a performing arts director is a stub. You can help Wikipedia by expanding it. v t e

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Pete Tong
Pete Tong at Glastonbury in 2009
Background information
Birth name	Peter Tong
Born	(1960-07-31) July 31, 1960 (age 51) Dartford, Kent, England
Genres	Electronica, Balearic beat, house
Occupations	Disc jockey, music producer
Website	petetong.com

Peter "Pete" Tong (born July 30, 1960) is an English DJ who works for BBC Radio 1. He is the host of programmes such as Essential Mix and Essential Selection on the radio service, which can be heard through Internet radio streams, for his record label FFRR Records, and for his own performances at nightclubs and music festivals. Tong has worked as a record producer and is known by the nickname of Lord of the Dance.

The phrase "It's all gone Pete Tong", where the name is used as rhyming slang for "wrong", was reputedly first coined by Paul Oakenfold in late 1987 in an article about acid house called "Bermondsey Goes Balearic" for Terry Farley and Pete Heller's Boys Own fanzine. It's All Gone Pete Tong is also the title of a 2004 film which portrays a fictional DJ's experiences as he realizes he is becoming deaf. Tong appears briefly in the film. It is also the name Tong has adopted for his club night at the nightclub Pacha in Ibiza.

In 2008 he was involved with the founding of the International Music Summit in Ibiza.

Early years[link]

Pete Tong was born in Dartford, Kent in July 1960 and was educated at King's School, Rochester, Kent.

Tong's original musical interest was in drumming, but he soon moved on to DJing. He played his first public gig at a friend's wedding at age 15. While at school he and a couple of friends earned some extra money by promoting a couple of local bands, booking halls for gigs etc. He also worked as part of the Kent "Soul Mafia" bringing soul weekenders to seaside towns like Caister-on-Sea and Prestatyn. Tong was heavily influenced by the late DJ Froggy in his early years and most of Tong's success is down to Froggy's originality in style of record mixing presentation.

Initially after leaving school he set up a mobile disco based in a transit van, but he soon started his own club in Baker Street called Family Function. He also booked bands for an alternative night, the first of which was the then unknown Culture Club. Later he became DJ/Promoter at the Kings Lodge club in West Kingsdown and quickly gained a faithful following, who were prepared to travel from far and wide on a Wednesday night to hear him playing underground Jazz, Funk and Soul. Later moving venue to the Hill Top also in West Kingsdown, he was responsible for breaking classics such as Lonnie Liston Smith's "Expansions" and Ritchie Cole's "Groovin on a New York Afternoon".

In 1979, he became a staff writer for Blues & Soul Magazine.^[1] After a year he was promoted to features editor, a position he would hold until 1983. He left Blues & Soul to join London Records as an A&R manager.

Through his connections in London Records Tong was exposed to the newly emerging house music sound from Chicago. In 1986, Tong organised a compilation album, The House Sound of Chicago, Vol. 1, the first British release to gather and expose this genre.

Radio career[link]

Tong's first appearance on radio was in the late 1970s on Radio Invicta 92.4fm, Europe's first soul station. He joined a rotation of nightclub djs including Steve Walsh, Chris Hill, Chris Brown and others to present monthly guest shows. Later he appeared on local radio station BBC Radio Medway in the 'Soul Mafia' and doing occasional mixes for Radio London. In 1981 he made his first appearance on Radio 1 hosting a 15 minute feature on Peter Powell's show, playing the new tracks and covering the latest gossip and news from the dance world.

When Invicta Radio started up in Kent in 1984, Tong joined them to host a regular soul show, where assisted by local Kent journalist Eddie Gordon of the Kent Messenger he built up a big county profile. Tong stayed at Invicta until 1987. He was then hired by Capital Radio in 1988 at the suggestion of DJ Jeff Young to present a weekly dance programme. DJ Jeff Young having initially been offered the slot by Capital went to BBC Radio 1 to broadcast a weekly Friday night show called The Big Beat.

In 1991 Tong returned to national radio taking over the "hot" Friday night slot from the retiring Jeff Young. Thus Tong began his long stint as the host of the Essential Selection.

The Essential Selection was a BBC Radio 1 show that aired on Friday evenings, at varying times from 6-10pm between 1991 and 2006. From 1992 to 1993, a second weekly edition of the show aired on Sunday evenings from 7-8pm. From 29 September 2006 onwards, the show dropped its name in the UK from Essential Selection and was referred to as simply "Pete Tong: The Official Start To The Weekend", airing from 7-9pm until 2009 when it changed to 9-11pm. The programme showcases the latest dance & electronic music, and informs listeners what club nights are on around the United Kingdom at weekends. It is endorsed by Radio 1 as the official start to the weekend, and attracts one of the highest audiences for a radio show in the UK. There are no plans to change this successful format.

DJing[link]

Tong is one of England's most recognised DJs.^{[citation needed]} From 2003 to 2007 he was resident at the Pacha nightclub in Ibiza, drawing people from all over the world to his Pure Pacha nights. In 2008 he left Pacha and signed with Eden in Sant Antoni de Portmany to host his own Wonderland night. In March 2011 he announced that he would be returning to Pacha on Friday nights with his new event named 'All Gone Pete Tong'.

Pete Tong plays the Together Winter Music Festival in London at the Alexandra Palace on Saturday 26 November.

Mix album discography[link]

All chart positions are in the UK Compilation Chart^[2]

• Cream Live (1995) (#3) (CD1, mixed with Paul Oakenfold)
• The Annual (1995) (#13) (CD1)
• The Annual II (1996) (#1) (CD1)
• Dance Nation 3 (1997) (Mixed by Pete Tong and Judge Jules)
• Essential Selection Summer 1997 (1997) (#4) (Orange cover)
• The Annual III (1997) (#3) (CD1)
• Essential Selection Winter 1997 (1997) (#10) (Light blue cover)
• Dance Nation 5 (Mixed by Pete Tong and Boy George)
• Essential Selection Spring 1998 (#4) (Green cover)
• Essential Selection Summer 1998 (1998) (#4) (Red cover of strawberries)
• Essential Selection Summer 1998 (1998) (Limited Edition) (#2) (Yellow cover of strawberries, CD3 is Twelve Ibiza Classics mixed by Paul Oakenfold)
• Essential Selection '98 Tong/Oakenfold (1998) (#13) (Orange cover of oranges)
• Essential Selection '98 Tong/Oakenfold (1998) (Limited Edition) (#11) (Purple cover of tinted oranges, CD3 is mixed by Carl Cox)
• Essential Selection Spring 1999 (1999) (#13) (Cover of gold, green and purple easter eggs)
• Essential Selection Spring 1999 (1999) (Limited Edition) (#3) (Gold cover of easter eggs, CD3 is Hacienda Classics mixed by Graeme Park)
• Essential Selection Ibiza 1999 (1999) (#11) (Cover of blue, red and yellow buckets and spades)
• Essential Selection Ibiza 1999 (1999) (#7) (Cover of green, purple and virdian bucket and spades, CD3 is mixed by DJ Pippi)
• Essential Millennium (1999) (#10) (Mixed by Pete Tong/Fatboy Slim/Paul Oakenfold)
• Essential Selection Spring 2000 (2000) (#8)
• Essential Selection Ibiza 2000 (2000) (#11)
• Essential Mix 2000 (2000)
• Twisted Beats (2001)
• Essential Selection Presents The Clubber's Bible Winter 2002 (2001)
• Fashion TV Presents Pete Tong (2003)
• Essential Selection Pete Tong (2003) (did not chart)
• Pure Pacha Ibiza: Mixed by Pete Tong and Andy B (2004)
• It's Showtime! (Pete Tong Presents Pure Pacha Vol.II Summer Season 2005 (2005)
• Essential Classics (2005)
• Pure Pacha Vol.1 (2006) (Mixed by Pete Tong & Sarah Main)
• Essential Dance Mix (2006)
• Pure Pacha 3 (Mixed with Pete Tong and Sarah Main)
• Wonderland (2008)
• Pete Tong Presents Wonderland 2009 (2009)
• Pete Tong Presents Wonderland 2010 (2010)
• Pete Tong and Riva Starr: Future Underground (2011)
• All Gone Pete Tong & Felix da House Cat Ibiza '11 (2011)
• All Gone Pete Tong & Groove Armada Miami '12 (2012)

References[link]

External links[link]

• Official website
• Pete Tong at BBC Programmes
• Pete Tong Interview - Laptoprockers (2009)
• Pete Tong Interview (2006)
• Pete Tong discography at Discogs
• Interview with DJ Times, 2000
• Video; Pete Tong interviewed by Paul Morley, 2010

Further reading[link]

• "Pete Tong Issues a Wikipedia Correction and Announces Concert at Mansion October 27" blog post by S. Pajot on "CrossFade, the Music Blog", Tue., Oct. 19 2010 @ 1:00PM, accessed October 19, 2010

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2012)

Paul Simon
Paul Simon performing March 8, 2007
Background information
Birth name	Paul Frederic Simon
Born	(1941-10-13) October 13, 1941 (age 70) Newark, New Jersey, U.S.
Genres	Folk rock, folk-pop, soft rock, world fusion
Occupations	Musician, singer-songwriter, producer
Instruments	Vocals, guitar, bass, piano, percussion, lute, alto saxophone, piccolo
Years active	1957–present
Labels	Columbia, Warner Bros., Hear Music
Associated acts	Simon & Garfunkel
Website	www.paulsimon.com
Notable instruments
Martin OM42PS (Paul Simon) and PS2 Yamaha PS Signature Models

Paul Frederic Simon (born October 13, 1941) is a grammy award winning American singer-songwriter, poet and guitarist.

Simon's international fame and success began as part of the duo Simon & Garfunkel, launched in 1964 with musical partner Art Garfunkel. Simon wrote most of the pair's songs, including three that reached No. 1 on the U.S. singles charts: "The Sound of Silence", "Mrs. Robinson", and "Bridge Over Troubled Water".^[1] The duo split up in 1970 at the height of their popularity, and Simon began a successful solo career, recording three highly acclaimed albums over the next five years.^[2] In 1986, he released Graceland, an album inspired by South African township music. Simon also wrote and starred in the film One-Trick Pony in 1980 and co-wrote the Broadway musical The Capeman in 1998.^[3]

Simon has earned 12 Grammys for his solo and collaborative work, including the Lifetime Achievement Award.^[4] In 2001, he was inducted into the Rock and Roll Hall of Fame^[5] and in 2006 was selected as one of the "100 People Who Shaped the World" by Time magazine.^[6] Among many other honors, Simon was the first recipient of the Library of Congress' Gershwin Prize for Popular Song in 2007.^[7] In 1986 Simon was awarded an Honorary Doctor of Music degree from Berklee College of Music where he currently serves on the Board of Trustees.^{[8] [9]}

Biography[link]

Early years[link]

Simon was born in Newark, New Jersey. His father, Louis (1916–1995), was a college professor, upright bass player, and dance bandleader who performed under the name "Lee Sims". His mother, Belle (1910–2007), was an elementary school teacher. In 1941, his family moved to Kew Gardens Hills, Queens, in New York City. Donald Fagen has described Simon's childhood as that of "a certain kind of New York Jew, almost a stereotype, really, to whom music and baseball are very important. I think it has to do with the parents. The parents are either immigrants or first-generation Americans who felt like outsiders, and assimilation was the key thought — they gravitated to black music and baseball looking for an alternative culture."^[10] Simon, upon hearing Fagen's description, said it "isn't far from the truth."^[10] Simon says about his childhood, "I was a ballplayer. I'd go on my bike, and I'd hustle kids in stickball." He adds that his father was a Yankee fan:

I used to listen to games with my father. He was a nice guy. Fun. Funny. Smart. He didn't play with me as much as I played with my kids. He was at work until late at night. . . Sometimes [until] two in the morning."^[10]

Simon's musical career began at Forest Hills High School after meeting Art Garfunkel when they were both 11. They performed in a production of Alice in Wonderland for their sixth grade graduation, and began singing together when they were 13,^[11] occasionally performing at school dances. Their idols were the Everly Brothers, whom they imitated in their use of close two-part harmony. Simon also developed an interest in jazz, folk and blues, especially in musical legends Woody Guthrie and Lead Belly.

Simon's first song written for himself and Garfunkel, when he was 12 or 13, was called "The Girl for Me," and according to Simon became the "neighborhood hit." His father wrote out the words and chords on paper by hand for the boys to use. That paper became the first officially copyrighted Paul Simon and Art Garfunkel song, and is now in the Library of Congress. In 1957, still in their mid-teens, they recorded the song "Hey, Schoolgirl" under the name Tom and Jerry, given to them by their label Big Records. The single reached No. 49 on the pop charts.

After graduating from high school, Simon majored in English at Queens College, while Garfunkel studied mathematics at Columbia University in Manhattan.^[10] Simon was a brother in the Alpha Epsilon Pi fraternity, earned a degree in English literature, and briefly attended Brooklyn Law School after graduation, but his real passion was rock and roll.

Early career[link]

Between 1957 and 1964, Simon wrote, recorded, and released more than 30 songs, occasionally reuniting with Garfunkel as Tom & Jerry for some singles, including "Our Song" and "That's My Story". Most of the songs Simon recorded during that time were performed alone or with musicians other than Garfunkel. They were released on several minor record labels, such as Amy, Big, Hunt, King, Tribute, and Madison. He used several pseudonyms for these recordings, including Jerry Landis, Paul Kane and True Taylor. Simon enjoyed some moderate success in recording a few singles as part of a group called Tico and the Triumphs, including a song called "Motorcycle" which reached No. 97 on the Billboard charts in 1962. Tico and the Triumphs released four 45s. Marty Cooper, known as Tico, sang lead on several of these releases. A childhood friend, Bobby Susser, children's songwriter, record producer, and performer, co-produced the Tico 45s with Simon. That year, Simon reached No. 99 on the pop charts as Jerry Landis with the hit "The Lone Teen Ranger." Both chart singles were released on Amy Records.

Simon & Garfunkel[link]

In early 1964, Simon and Garfunkel got an audition with Columbia Records, whose executive Clive Davis was impressed enough to sign the duo to a contract to produce an album. Columbia decided that the two would be called simply "Simon & Garfunkel", a replacement for the group's previous name "Tom and Jerry". Simon said in 2003 that this renaming as "Simon & Garfunkel" was the first time that artists' ethnic names had been used in pop music.^[12] Simon and Garfunkel's first LP, Wednesday Morning, 3 A.M., was released on October 19, 1964; it consisted of 12 songs in the folk vein, five written by Simon. The album initially flopped.

So Simon moved to England to pursue a solo career by touring folk clubs and coffee houses. At the first club he played, the Railway Inn Folk Club in Brentwood, Essex, he met Kathy Chitty who became his girlfriend and inspiration for "Kathy's Song", "America" and others. He performed at Les Cousins in London and toured provincial folk clubs where he was exposed to a wide range of musical influences. In 1965, he recorded his solo LP The Paul Simon Songbook in England.

During his time in the UK, Simon co-wrote several songs with Bruce Woodley of the Australian pop group The Seekers including "I Wish You Could Be Here," "Cloudy", and "Red Rubber Ball"; Woodley's co-author credit was omitted from "Cloudy" on the Parsley, Sage, Rosemary and Thyme album. The American group The Cyrkle recorded a cover of "Red Rubber Ball", which reached No. 2 in the US. Simon also contributed to The Seekers catalogue with "Someday One Day," which was released in March 1966, charting at around the same time as Simon and Garfunkel's Homeward Bound.

Back on the American East Coast, radio stations began receiving requests for one of the Wednesday Morning tracks, Simon's "The Sounds of Silence". Their producer, Tom Wilson, overdubbed the track with electric guitar, bass, and drums, releasing it as a single that eventually went to No. 1 on the U.S. pop charts.^{[citation needed]}

The song's success drew Simon back to the United States to reunite with Garfunkel. Together they recorded four more influential albums: Sounds of Silence; Parsley, Sage, Rosemary and Thyme; Bookends; and the hugely successful Bridge over Troubled Water. Simon and Garfunkel also contributed extensively to the soundtrack of the Mike Nichols film The Graduate (1967), starring Dustin Hoffman and Anne Bancroft. While writing "Mrs. Robinson", Simon originally toyed with the title "Mrs. Roosevelt". When Garfunkel reported this indecision over the song's name to the director, Nichols replied, "Don't be ridiculous! We're making a movie here! It's Mrs. Robinson!"^[13] Simon and Garfunkel returned to England in the fall of 1968 and did a church concert appearance at Kraft Hall, which was broadcast on the BBC, and which also featured Paul's brother Ed sitting in on a performance of the instrumental "Anji".^[14]

Simon pursued solo projects after Bridge over Troubled Water, reuniting occasionally with Garfunkel for various projects, such as their 1975 Top Ten single "My Little Town". Simon had written it for Garfunkel, whose solo output Simon judged as lacking "bite". The song was included on their respective solo albums: Paul Simon's Still Crazy After All These Years; and Garfunkel's Breakaway. Contrary to popular belief, the song is not autobiographical of Simon's early life in New York City.^[15] In 1981, they got together again for the famous concert in Central Park, followed by a world tour and an aborted reunion album, to have been entitled Think Too Much, which was eventually released (without Garfunkel) as Hearts and Bones. Together, they were inducted into the Rock and Roll Hall of Fame in 1990.^[16]

In 2003, Simon and Garfunkel reunited once again when they received a Grammy Lifetime Achievement Award. This reunion led to a U.S. tour — the acclaimed "Old Friends" concert series — followed by a 2004 international encore, which culminated in a free concert at the Colosseum in Rome that drew 600,000 people.^[17] In 2005, the pair sang "Bridge Over Troubled Water" with Aaron Neville in a benefit for Hurricane Katrina victims.^{[citation needed]}

The pair reunited six years later in New Orleans at the New Orleans Jazz & Heritage Festival.^[18]

1971–76[link]

After Simon and Garfunkel split in 1970, Simon began to write and record solo material. His eponymous album Paul Simon was released in January 1972, preceded by his first experiment with world music, the Jamaican-inspired "Mother and Child Reunion", considered one of the first examples of reggae attempted by a white musician. The single was a hit, reaching both the American and British Top 5. The album received universal acclaim, with critics praising the variety of styles and the confessional lyrics, reaching No. 4 in the US and No. 1 in the UK and Japan. It later spawned another Top 30 hit with "Me and Julio Down by the Schoolyard".

Simon's next project was the pop-folk masterpiece, There Goes Rhymin' Simon, released in May 1973. It contained some of his most popular and polished recordings – the lead single, "Kodachrome", was a No. 2 hit in America, and the follow-up, the gospel-flavored "Loves Me Like a Rock" was even bigger, topping the Cashbox charts. Other songs, like the weary "American Tune" or the melancholic "Something So Right" – a tribute to Simon's first wife, Peggy – became standards in the musician's catalogue. The critical and commercial reception for this second album were even stronger than for his debut. At the time, it was remarked how the songs were very fresh and unworried on the surface while they were exploring socially and politically conscious themes on a deeper level.^{[citation needed]} The album reached No. 1 on the Cashbox album charts. As a souvenir for the tour that came next, in 1974 it was released as a live album, Live Rhymin', which was moderately successful and displayed some changes in Simon's music style, adopting world and religious music.

Highly anticipated, Still Crazy After All These Years was his next album. Released in October 1975 and produced by Simon and Phil Ramone, it marked another departure. The mood of the album was darker, as he wrote and recorded it in the wake of his divorce. Preceded by the feel-good duet with Phoebe Snow, "Gone at Last" (a Top 25 hit) and the Simon & Garfunkel reunion track "My Little Town" (a No. 9 on Billboard), the album managed to be his only No. 1 on the Billboard charts to date. The 18th Grammy Awards named it the Album of the Year and Simon's performance the year's Best Male Pop Vocal. With Simon in the forefront of popular music, the third single from the album, "50 Ways to Leave Your Lover" reached the top spot of the Billboard charts, his only single to reach No. 1 on this list. Also, on May 3, 1976, Simon put together a benefit show at Madison Square Garden to raise money for the New York Public Library. Phoebe Snow, Jimmy Cliff and the Brecker Brothers also performed. The concert produced over $30,000 for the Library.

1977–85[link]

After three back-to-back successful studio albums, Simon became less productive during the second half of the 1970s. He dabbled in various projects, including writing music for the film Shampoo and acting (he was cast as Tony Lacey in Woody Allen's film Annie Hall). He achieved another hit in this decade, with the lead single of his 1977 compilation, Greatest Hits, Etc., "Slip Slidin' Away", reaching No. 5 in the United States.

In 1980 he released One-Trick Pony, his debut album with Warner Bros. Records and his first in almost five years. It was paired with the motion picture of the same name, which Simon wrote and starred in. Although it produced his last Top 10 hit with the upbeat "Late in the Evening" (also a No. 1 hit on the Radio & Records American charts), the album did not sell well, in a music market dominated by disco music. Simon recorded Hearts and Bones, a polished and confessional album that was eventually viewed as one of his best works, but that marked a lull in his commercial popularity; both the album and the lead single, "Allergies", missed the American Top 40. Hearts and Bones included "The Late Great Johnny Ace", a song partly about Johnny Ace, an American R&B singer, and partly about slain Beatle John Lennon. A successful US solo tour featured Simon and his guitar, with a recording of the rhythm track and horns for "Late In The Evening."^{[citation needed]} In January 1985, Simon lent his talent to USA for Africa and performed on the relief fundraising single "We Are the World".

1986–92[link]

Graceland (1986) album cover.

As he commented years later, after the disappointing commercial performance of Hearts and Bones, Simon felt he had lost his inspiration to a point of no return, and that his commercial fortunes were unlikely to change. While driving his car in late 1984 in this state of frustration, Simon listened to a cassette of the Boyoyo Boys' instrumental "Gumboots: Accordion Jive Volume II". Interested by the unusual sound, he wrote lyrics to the number which he sang over a re-recording of the song. It was the first composition of a new musical project that became the celebrated album Graceland, an eclectic mixture of musical styles including pop, a cappella, isicathamiya, rock, and mbaqanga. Simon felt that he had nothing to lose. He travelled to South Africa in an attempt to embrace the culture and find the most comfortable environment for recording the album. Sessions in Johannesburg took place in February 1985. Overdubbing and additional recording was done in April, 1986, in New York. The sessions featured many South African musicians and groups, particularly Ladysmith Black Mambazo. Simon also collaborated with several artists of his own culture, singing a memorable duet with Linda Ronstadt in "Under African Skies", and playing with Los Lobos in "All Around the World or The Myth of the Fingerprints". Warner Bros. Records had serious doubts about releasing an album of this eclecticism to the mainstream, but when it did in August 1986, Graceland was praised by critics and the public and became Simon's most successful solo album. Slowly climbing the worldwide charts, it reached #1 in many countries, including the UK, Canada, Australia and New Zealand, and peaked at #3 in the US. It was the second-best-selling album of 1987 in the US, selling five million copies and eventually reaching 5x Platinum certification. Another seven million copies were sold internationally to become his best-selling album. Much of the success of the album was due to the lead single, the upbeat "You Can Call Me Al", whose lyrics describe a man experiencing an identity crisis. The track featured many memorable elements – a catchy synthesizer riff, an easy whistle solo, and an unusual bass run in which the second half was a reversed recording of the first half. "You Can Call Me Al" was accompanied with a humorous video featuring actor Chevy Chase, which introduced Simon to a new audience through MTV. In the end, the track reached UK Top 5 and the US Top 25. Further singles, including the title track, "The Boy in the Bubble" and "Diamonds on the Soles of Her Shoes", were not commercial hits but became radio standards and were highly praised.

At age 45, Simon found himself back at the forefront of popular music. He received the Grammy Award for Album of the Year in 1987 and also Grammy Award for Record of the Year for the title track one year later. He also embarked on the very successful Graceland Tour, which was documented on music video. Simon found himself embracing new sounds, a fact that some critics viewed negatively – however, Simon reportedly felt it as a very natural artistic experiment, considering that "world music" was already present on much of his early work, including such Simon & Garfunkel hits as "El Condor Pasa" and his early solo recording "Mother and Child Reunion", which was recorded in Kingston, Jamaica. One way or another, Warner Bros. Records (who by this time now controlled and reissued all his previous Columbia albums) re-established Simon as one of their most successful artists. In an attempt to capitalize on his renewed success, WB Records released the album Negotiations and Love Songs in November 1988, a mixture of popular hits and personal favorites that covered Simon's entire career and became an enduring seller in his catalog.

After Graceland, Simon decided to extend his roots with the Brazilian music-flavored The Rhythm of the Saints. Sessions for the album began in December 1989, and took place in Rio de Janeiro and New York, featuring guitarist J. J. Cale and many Brazilian and African musicians. The tone of the album was more introspective and relatively low-key compared to the mostly upbeat numbers of Graceland. Released on October 1990, the album received excellent critical reviews and achieved very respectable sales, peaking at #4 in the US and No. 1 in the UK. The lead single, "The Obvious Child", featuring the Grupo Cultural Olodum, was a Top 20 hit in the UK and appeared near the bottom of the Billboard Hot 100. Although not as successful as Graceland, The Rhythm of the Saints was received as a competent successor and consistent complement on Simon's attempts to explore (and popularize) world music, and also received a Grammy nomination for Album of the Year. Here are also more songs about past loves; his ex-wife Carrie Fisher says in her autobiography Wishful Drinking that the song "She Moves On" is about her. It's one of several she claims, followed by the line, "If you can get Paul Simon to write a song about you, do it. Because he is so brilliant at it." ^[19]

The importance of both albums allowed Simon to stage another New York concert, and on August 15, 1991, almost a decade after his concert with Garfunkel, Simon staged another concert in Central Park with both African and South American bands. The success of the concert surpassed all expectations, and reportedly over 750,000 people attended, becoming one of the largest concert audiences in history. He later remembered the concert as the "most memorable moment in my career". The success of the show led to both a live album and an Emmy-winning TV special. In the middle, Simon embarked on the successful Born at the Right Time Tour and promoted the album with further singles, including "Proof" – accompanied with a humorous video featuring, again, Chevy Chase. On March 4, 1992 he appeared on his own MTV Unplugged, offering renditions of many of his most famous compositions. Broadcast in June, the show was a success, though it did not receive an album release.

1993–98[link]

After Unplugged, Simon's place in the forefront of popular music dropped notably. A Simon & Garfunkel reunion took place in 1993, and in another attempt to capitalize on the occasion, Columbia released Paul Simon 1964/1993 in September, a three-disc compilation that received a reduced version on the two-disc album The Paul Simon Anthology one month later. In 1995 he only made news for appearing at The Oprah Winfrey Show, where he performed the song "Ten Years", which he composed specially for the tenth anniversary of the show. Also that year, he was featured on the Annie Lennox version of his 1973 song "Something So Right", which appeared briefly on the UK Top 50 once it was released as a single in November.

Since the early stages of the nineties, Simon was fully involved on The Capeman, a musical that finally opened on January 29, 1998. Simon worked enthusiastically on the project for many years and described it as "a New York Puerto Rican story based on events that happened in 1959—events that I remembered." ^[20] The musical tells the story of real-life Puerto Rican youth Salvador Agron, who wore a cape while committing two murders in 1959 New York, and who went on to become a writer in prison. Featuring Marc Anthony as the young Agron and Ruben Blades as the older Agron, the play received terrible reviews and very poor box office receipts from the very beginning, and ended up closing on March 28 after just 68 performances, becoming a failure from which Simon reportedly lost 11 million dollars. Simon recorded an album of songs from the show, which was released in November 1997. It was received with very mixed reviews, though many critics praised the combination of doo-wop, rockabilly and Caribbean music that the album reflected. In commercial terms, Songs from The Capeman was a failure—it found Simon missing the Top 40 of the Billboard charts for the first time in his career. The cast album was never released on CD but eventually became available online.

1999–2007[link]

After the disaster of The Capeman, Simon's career was again in an unexpected crisis. However, entering the new millennium he maintained a respectable reputation, offering critically acclaimed new material and receiving commercial attention. In 1999, Simon embarked on a North American tour with Bob Dylan where each alternated as headline act with a "middle" section where they performed together, starting on the first of June and ending September 18. The collaboration was generally well-received, with just one critic, Seth Rogovoy, from the Berkshire Eagle, questioning the collaboration.^[21]

In an attempt to return successfully to the music market, Simon wrote and recorded a new album very quickly, with You're the One arriving in October 2000. The album consisted mostly of folk-pop writing combined with foreign musical sounds, particularly grooves from North Africa. While not reaching the commercial heights of previous albums, it managed at least to reach both the British and American Top 20. It received favorable reviews and received a Grammy nomination for Album of the Year. He toured extensively for the album, and one performance in Paris was released to home video.

On September 21, 2001, Simon sang "Bridge Over Troubled Water" on "America: A Tribute to Heroes", a multinetwork broadcast to benefit the September 11 Telethon Fund. In 2002, he wrote and recorded "Father and Daughter", the theme song for the animated children's movie The Wild Thornberrys Movie, The track was nominated for an Academy Award for Best Song. In 2003, he participated on another Simon & Garfunkel reunion. One year later, Simon's studio albums were re-released both individually and together in a limited-edition nine-CD boxed set, Paul Simon: The Studio Recordings 1972–2000.

At the time, Simon was already working on a new album with Brian Eno called Surprise, which was released in May 2006. Most of the album was inspired by the September 11 terrorist attacks, the Iraq invasion and the war that followed. In personal terms, Simon was also inspired by the fact of being over 60 years old, an age that he turned in 2001 and that he humorously referred already on his single "Old" from the You're the One. Simon showed special care about the musical venture he traveled since 1986's Graceland. As he put it, "Once you go away for a bit, you wonder who people think you are. If they don't know what you're up to, they just go by your history. I'm so often described as this person that went to other cultures, which is true, but I never thought of it that way. I suspect people are thinking, 'What culture did you go to?' But this record is straight-ahead American." Surprise was a commercial hit, reaching #14 in the Billboard 200 and #4 in the UK. Most critics also praised the album, and many of them called it a real "comeback" for the artist. Stephen Thomas Erlewine from Allmusic paid attention to the attempts of Simon in embracing his classic folk sound with Eno's electronic textures, and wrote that "Simon doesn't achieve his comeback by reconnecting with the sound and spirit of his classic work; he has achieved it by being as restless and ambitious as he was at his popular and creative peak, which makes Surprise all the more remarkable." The album was supported with the successful Surprise Tour.

On March 1, 2007, Simon made headlines again when he was announced as the first recipient of the recently-created Gershwin Prize for Popular Song. The Prize, created by the Library of Congress, was awarded to Simon during a Concert Gala featuring his music at the Warner Theatre in Washington, D.C., on the evening of May 23. The event was nationally broadcast on PBS on the evening of June 27, 2007.^[22] Performers at the concert included Shawn Colvin, Philip Glass, Alison Krauss, Jerry Douglas, Ladysmith Black Mambazo, Lyle Lovett, James Taylor, and Stevie Wonder as well as Simon's former collaborator Art Garfunkel.^[23] On June 26, Warner Bros. released the definitive Paul Simon greatest-hits collection. The Essential Paul Simon consisted of two discs that reviewed 36 songs from his ten studio albums, and was also released on a special edition featuring a DVD of music videos and memorable live performances. The album was a commercial hit, reaching #12 in the UK.

2008–12[link]

Simon performing live in Germany, in 2008.

Paul Simon resides in New Canaan, Connecticut.^[24] He is one of a small number of performers who are named as the copyright owner on their recordings (most records have the recording company as the named owner of the recording). This noteworthy development was spearheaded by the Bee Gees after their successful $200 million lawsuit against RSO Records, which remains to this day the largest successful lawsuit against a record company by an artist or group.

All of Simon's solo recordings, even the ones originally issued by Columbia Records, are currently distributed by Sony Records' Legacy Recordings unit. His records were issued by Warner Music until mid-2010.^[25]

In February 2009, Simon performed back-to-back shows in his native New York City at the Beacon Theatre, which had recently been renovated. Simon was reunited with Art Garfunkel at the first show as well as with the cast of The Capeman; also playing in the band was Graceland bassist Bakithi Kumalo.

In May 2009, Simon toured with Art Garfunkel in Australia, New Zealand and Japan.

In October 2009, Simon appeared alongside Art Garfunkel at the 25th Anniversary of The Rock & Roll Hall of Fame concert at Madison Square Garden in New York City. The pair performed four of their most popular songs, "The Sound of Silence", "The Boxer", "Cecilia", and "Bridge Over Troubled Water".

Simon paying tribute to musician Chuck Berry and Leonard Cohen who were the recipients of the first annual PEN Awards for songwriting excellence, at the JFK Presidential Library, on February 26, 2012.

In mid-2010, Simon moved his catalogue of solo work from Warner Bros. Records to Sony/Columbia Records ^[25] where Simon and Garfunkel's catalogue is. Simon's back catalogue of solo recordings would be marketed by Sony Music's Legacy Recordings unit.

Simon's latest album entitled So Beautiful or So What,^[26] was released on the Concord Music Group label on April 12, 2011.^[27] The album received high marks from the artist, "It's the best work I've done in 20 years."^[25] It was reported that Paul Simon attempted to have Bob Dylan guest on the album.^[25]

On November 10, 2010, Simon released a new song called "Getting Ready for Christmas Day". It premiered on National Public Radio,^[28] and was included on the album So Beautiful Or So What. The song samples a 1941 sermon by the Rev. J.M. Gates, also entitled "Getting Ready for Christmas Day".^[29] Simon performed the song live on The Colbert Report on December 16, 2010.^[30] The first video featured J.M. Gates' giving the sermon and his church in 2010 with its display board showing many of Simon's lyrics; the second video illustrates the song with cartoon images.

In the premiere show of the final season of The Oprah Winfrey Show on September 10, 2010, Simon surprised Oprah and the audience with a song dedicated to Oprah and her show lasting 25 years (an update of a song he did for her show's 10th anniversary).^[31]

Rounding off his 2011 World Tour, which included United States, England, the Netherlands, Switzerland and Germany, Simon appeared at Ramat Gan Stadium in Israel in July 2011, making his first concert appearance in Israel since 1983.^[32] On September 11, 2011, Paul Simon performed "The Sound of Silence" at the National September 11 Memorial & Museum, site of the World Trade Center, on the 10th Anniversary of the September 11th attacks. ^[33]

On February 26, 2012, Simon paid tribute to fellow musicians Chuck Berry and Leonard Cohen who were the recipients of the first annual PEN Awards for songwriting excellence at the JFK Presidential Library in Boston, Massachusetts.^[34] In 1986 Simon was awarded an Honorary Doctor of Music degree from Berklee College of Music where he currently serves on the Board of Trustees.^{[35] [36]}