Fuck (film)

Fuck is a 2005 American documentary film by director Steve Anderson about the word "fuck". The film argues that the word is an integral part of societal discussions about freedom of speech and censorship. It looks at the term from perspectives which include art, linguistics, society and comedy, and begins with a segment from the 1965 propaganda film Perversion for Profit. Scholars and celebrities analyze perceptions of the word from differing perspectives. Journalist Sam Donaldson talks about the versatility of the word, and comedian Billy Connolly states it can be understood despite one's language or location. Musician Alanis Morissette comments that the word contains power because of its taboo nature. The film features the last recorded interview of author Hunter S. Thompson before his suicide. Scholars, including linguist Reinhold Aman, journalism analyst David Shaw and Oxford English Dictionary editor Jesse Sheidlower, explain the history and evolution of the word. Language professor Geoffrey Nunberg observes that the word's treatment by society reflects changes in our culture during the 20th century.

Blue Movie

Blue Movie (stylized as blue movie; aka Fuck) is a 1969 American film directed, produced, written and cinematographed by American producer Andy Warhol.Blue Movie, the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, is a seminal film in the Golden Age of Porn and helped inaugurate the "porno chic" phenomenon in modern American culture. Further, according to Warhol, Blue Movie was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after Blue Movie was made.Viva and Louis Waldon, playing themselves, starred in Blue Movie.

Plot

The film includes dialogue about the Vietnam War, various mundane tasks and, as well, unsimulated sex, during a blissful afternoon in a New York City apartment. The film was presented in the press as, "a film about the Vietnam War and what we can do about it." Warhol added, "the movie is about ... love, not destruction."

Karl Wilhelm Gottlieb Leopold Fuckel

Karl Wilhelm Gottlieb Leopold Fuckel (3 February 1821, in Reichelsheim – 8 May 1876) was a German botanist who worked largely on fungi.

From 1836 to 1852 he worked as an apothecary, afterwards deriving income from a vineyard he owned in Oestrich im Rheingau.

The species epithet in the binomen Botryotinia fuckeliana, a plant pathogen and the causal agent of gray mold disease, was named by mycologist Heinrich Anton de Bary in honor of him. Fuckel was the taxonomic authority of the mycological genera Aleuria, Phyllachora (Nitschke ex Fuckel), Plectania and Sclerotinia.

Works

His exsiccatae of Rhineland fungi, "Fungi rhenani exsiccati", contained a number of the type species for the taxa that he proclaimed (Edit I Fascic. I-XXVII, 1863-75, edit. Fascic II. I-XXI, 1871-75). He was also the author of:

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.