3:10 to Yuma is the 2007 remake of the 1957 film of the same name, making it the second adaptation of Elmore Leonard's short story Three-Ten to Yuma. It is directed by James Mangold and produced by Cathy Konrad, and stars Academy Award winners Russell Crowe and Christian Bale in the lead roles. Filming took place in various locations in New Mexico. 3:10 to Yuma opened September 7, 2007, in the United States.

Plot[link]

In the late 19th century, Dan Evans (Christian Bale), an impoverished rancher and Civil War veteran, although sitting awake and armed to prevent it, has his barn set ablaze by two men working for Glen Hollander, to whom Evans owes money. The next morning, as Evans and his two sons drive their herd, they stumble upon outlaw Ben Wade (Russell Crowe) and his gang using Evans' cattle as a road blockade to ambush an armored stagecoach. As he loots the stage, Wade discovers Evans and his two sons watching from the hills. Acknowledging that they pose no threat to him and his gang, Wade takes their horses telling Evans that he will leave them tied up on the road to Bisbee.

Wade travels with his gang to the town of Bisbee, Arizona to enjoy a celebratory drink at the local saloon. Meanwhile, the railroad guards find Evans and his sons with Byron McElroy (Peter Fonda), a Pinkerton agent and lone survivor of the ambush, tied up. Evans reveals Bisbee as Wade's likely destination, where the guards immediately return, joined by Evans and McElroy. While Doc Potter (Alan Tudyk), the local medic/veterinarian, treats McElroy, Evans tries negotiating with Hollander, who reveals his intentions to sell the land to the railroad workers rather than grant water rights to Evans. Enraged at the loss of his livelihood and land, Evans tries confronting Hollander in the nearby saloon, but instead he finds Wade, whom he distracts long enough for the railroad guards to ambush and arrest him.

The coach's owner, Grayson Butterfield (Dallas Roberts), enlists McElroy, Potter, Tucker (Kevin Durand), one of Hollander's guards, and Evans, who agrees for a $200 fee to deliver Wade for arrest. From Evans' ranch, McElroy arranges a decoy wagon to distract Wade's gang, now led by Charlie Prince (Ben Foster), while the real convoy charts a course for Contention, where Wade will be put on the 3:10 P.M. train to Yuma Territorial Prison and sentenced. As the group prepares to ride out, Evans' older son William (Logan Lerman) demands to accompany them. Evans flatly refuses his demand.

During the journey, Wade kills Tucker during his sleep with a fork stolen from Evans' house, and later McElroy (the former for claiming his horse and the latter for insulting his mother) but is stopped from escaping by the surprise arrival of William, who had followed the group all the way from the ranch. Evans tries to pressure William to return back to the ranch, but William declines. Wade seemingly accepts to have his son with him. While taking a shortcut through a canyon, the group is attacked by Apache warrior Indians. Evans tries to kill them, but he is badly wounded. Wade saves him, arms himself, and kills the remaining attackers. Following the shootout, Wade escapes to a Chinese laborer construction camp blasting a tunnel through the mountain range, where the foreman captures Wade for having killed his brother. One of his assistants, Zeke (Luke Wilson), tortures Wade with electric shocks. Evans, William, Potter, and Butterfield appear and after unsuccessful attempts at negotiation, Potter leads an attack on the foremen and his miners, freeing Wade. As they flee on their horses, Potter is shot and killed, while Wade and Evans destroy the tunnel behind them with dynamite. The group arrives in Contention several hours before the train's scheduled arrival and check into the hotel, where they are soon joined by several local marshals hired by Butterfield to protect them.

Prince and the gang ambushes and interrogates the survivor of the decoy wagon, learning that Wade is being delivered to Contention and will board a train to Yuma; he then leaves the wagon to burn with the survivor trapped in it. Later Prince meets the mine foreman. Upon seeing Zeke with Wade's gun, Prince kills Zeke, the foreman and his assistant. Upon arriving in Contention and discovering the heavy guard around Wade, Prince offers every townsman a $200 bounty for every guard they kill. The marshals, unwilling to fight against such steep odds, surrender to Prince, who kills them anyway. Butterfield refuses to complete the mission, offering Evans the $200 salary even if Wade goes free. Evans refuses, noting that was the amount the government paid him for the loss of his leg. Instead he asks Butterfield to escort his son back to his ranch and to pay his wife $1,000 and a guarantee of water rights from Hollander in exchange for Evans delivering Wade to the train.

After Butterfield agrees, Evans escorts Wade out of the hotel and the two make their way across town, evading continuous gunfire from the townsmen before taking refuge inside a storeroom. Wade, tired of running, nearly strangles Evans; he relents when Evans reveals that the reason he has a wooden leg (a subject Wade brought up throughout the journey) is that his real leg was lost when Evans was shot by fellow soldiers while in retreat from battle, a story that would shame his sons, and that delivering Wade to Yuma would serve as an accomplishment his sons would admire. Wade relents and agrees to board the train. The two return to the streets, dodging bullets before barricading themselves in the station to wait for the train (which is running late), where Wade reveals that he's been to Yuma twice and escaped both times.

Wade's gang set up positions around the station as the train approaches. William, observing the events, stampedes a herd of cattle (echoing a similar act performed by Wade earlier in the film) that provides cover for Evans to push Wade onto the train. As Wade boards, he congratulates Evans. At that moment, Prince steps up and shoots Evans four times, despite Wade's shouted order to stop. Wade steps off the train and catches the gun belt Prince tosses him. After a tense moment of silence, Wade abruptly executes Prince and the rest of his gang. William appears and draws his gun on Wade but finds he can't kill him; instead he turns to his dying father. Wade boards the train politely and surrenders his weapon. Evans eventually dies as Wade leaves in the train. As the train pulls away, he whistles for his horse, who pricks up his ears and canters after the running train into the distance.

Cast[link]

• Russell Crowe as Ben Wade, a ruthless leader of a band of outlaws
• Christian Bale as Dan Evans, a one-legged veteran turned rancher
• Logan Lerman as William Evans, Dan's eldest son, who dreams of being a cowboy
• Ben Foster as Charlie Prince, Ben's right-hand man, undyingly loyal to Ben
• Peter Fonda as Byron McElroy, an elderly Pinkerton agent hired by the Railroad to hunt Wade
• Dallas Roberts as Grayson Butterfield, an agent of the Southern Pacific Railroad
• Alan Tudyk as Doc Potter
• Lennie Loftin as Glen Hollander
• Gretchen Mol as Alice Evans
• Vinessa Shaw as Emmy
• Kevin Durand as Tucker
• Luce Rains as Marshal Weathers
• Luke Wilson as Zeke
• Marcus Sylvester as Slick
• Carmilla Blakney as Rebbi
• Rio Alexander as Campos

Production[link]

In June 2003, Columbia Pictures announced a negotiation with Mangold to helm a remake of the 1957 Western film 3:10 to Yuma, based on a script written by Michael Brandt and Derek Haas.^[2] After being apart from the project for several years, Mangold resumed his role as director in February 2006. Production was slated to begin in summer 2006.^[3] In the same month, Tom Cruise expressed an interest in starring as the villain in the film.^[4] Eric Bana also briefly sought a role in the film.^[5]

A stagecoach used during filming

In summer 2006, Columbia placed the film on turnaround, and the project was acquired by Relativity Media. Crowe and Bale were cast as the main characters, and Relativity began seeking a distributor for the film.^[5] By September, Lions Gate Entertainment signed on to distribute the film.^[6] Later in the month, Peter Fonda, Gretchen Mol, Dallas Roberts, Ben Foster, and Vinessa Shaw were cast. Filming was slated to begin on October 23, 2006 in New Mexico.^[7] On the first day of filming, a rider and his horse were seriously injured in a scene when the horse ran directly into a camera-carrying vehicle instead of veering off as planned. The rider was hospitalized, and the horse had to be euthanized on the set. The animal's death prompted an investigation from the American Humane Association.^[8] By November, the AHA concluded its investigation, finding that the horse did not respond accordingly due to having received a dual training approach and the rider not being familiar with the mount. The organization recommended no charges against the producers.^[9] Principal photography took place in and around Santa Fe, Abiquiú, and Galisteo.^[10] The Bonanza Creek Ranch represented the film's town of Bisbee as a "kinder, gentler frontier town" while Galisteo was set up to be Contention (now a ghost town), a "much rougher, bawdier, kind of sin city".^[11] Another location was the scenic Diablo Canyon, and another was the Gilman Tunnels (35°44′03″N 106°45′53″W / 35.734081°N 106.76475°W / 35.734081; -106.76475) along New Mexico State Road 485. Filming concluded on January 20, 2007.^[10]

After filming concluded, the owners of the Cerro Pelon Ranch petitioned to keep a $2 million expansion to the movie set on their property, which was supposed to be dismantled within 90 days. The set of 3:10 to Yuma made up 75% of the overall sets on the ranch.^[12] In April 2007, the request was met by the county's development review committee to keep the expansion, which would potentially generate revenue in the future.^[13]

Release[link]

3:10 to Yuma was originally slated for an October 5, 2007 release, but Lionsgate moved the film's release a month earlier to September 7, 2007 to beat competing Western films The Assassination of Jesse James by the Coward Robert Ford and No Country for Old Men. As a result of the move, the studio was not able to use the Toronto Film Festival as a platform for the film's release, but it was released before a cluster of films similarly vying for awards. According to Lionsgate president Tom Ortenberg, "In what is shaping up to be a very impressive and crowded field of upscale commercial motion pictures this fall, we wanted to be one of the first ones out, so that everything else will be measured against us." The earlier theatrical run positioned it for a prominent high-definition Blu-ray Disc and DVD release in the first week of January, during awards seasons. Lionsgate similarly planned this strategy for Crash (2004), which won the Academy Award for Best Picture that year.^[14]

In Germany, the film was released by Columbia Pictures, which had produced the 1957 original.

Reception[link]

Box office[link]

3:10 to Yuma debuted in the United States and Canada on September 7, 2007 in 2,652 theaters. In its opening weekend, the film grossed $14,035,033 and ranked #1 at the U.S. and Canadian box office. 3:10 to Yuma grossed an estimated $53,606,916 in the United States and $16,409,304 in other territories for a worldwide total of $70,016,220.^[1]

Critical reaction[link]

The film received very positive reviews from critics. According to the review aggregator Rotten Tomatoes, 88% of critics gave the film positive reviews, based on 192 reviews.^[15] On Metacritic, the film had an average score of 76 out of 100, based on 37 reviews.^[16]

Andrew Sarris of The New York Observer said "There is more greed-driven corruption in the remake than there was in the original" and that the film is less a remake "than a resurrection of both the film and its now unfashionable genre." Sarris said Fonda and Foster "are especially memorable" and said "the performances of Mr. Crowe and Mr. Bale alone are worth the price of admission."^[17] The New Yorker film critic David Denby wrote that the film "is faster, more cynical, and more brutal" than the 1957 film. Denby wrote that Fonda "gives an amazingly fierce performance" and that Crowe "gives a fascinating, self-amused performance", saying "Crowe is an acting genius." Denby said "this is by far [director James Mangold's] most sustained and evocative work." Denby wrote that one action scene looks fake, but "much of this Western is tense and intricately wrought."^[18] Ty Burr of The Boston Globe called the film "lean, almost absurdly satisfying." Burr wrote that Crowe and Bale "are among the best, most intuitively creative we have, and whatever transpires offscreen in Crowe’s case, onscreen they only serve their characters. Neither man showboats here, and it’s a thrill to watch them work." Burr said that the character of Ben Wade is "a snake and a snake charmer in one irresistible package" and said Foster as Charlie Prince is "mesmerizing." Burr said "Bale and Crowe never once misstep" and that Mangold "steers clear of Deadwood revisionism." Burr, however, wrote that the ending "makes little to no sense in a post-Clint Eastwood universe."^[19]

Bruce Westbrook of the Houston Chronicle gave the film 3½ stars and called it "the best Western since Unforgiven", calling it "both cathartic and intelligent." He wrote that the film "draws clear inspiration from the lonely heroics of High Noon" and said "While a wildly eventful action-adventure and outlaw shoot-'em-up, it's also a vibrant story of heroism, villainy and hard-earned redemption." Westbrook said that Crowe and Bale are "at the top of their game" and "Crowe is reliably charismatic as a man who's less craven and bloodthirsty than wise, resourceful and expedient."^[20] Shawn Levy of The Oregonian gave the film a "B+" and said the film is "grounded in something like the credible realism of a John Ford Western but which also can appease the thirsts for blood, wit and tension harbored by fans of Quentin Tarantino." Levy wrote "The original film spends much time on conversation between Wade and Evans and focuses more on Evans' wife, whereas the new film has more action sequences and is infused subtly with themes that echo vexing contemporary political and moral issues." Levy said "Christian Bale gives us another of his wounded, desperate, stubborn men" and "Russell Crowe fills a role originated by Glenn Ford with a big dose of the mocking charisma, cool discernment and casual cruelty of Robert Mitchum." Levy said the climax "sews up the narrative too quickly", but called the film "a fine and sturdy picture."^[21]

Christian Science Monitor critic Peter Rainer gave the film a "B+" and wrote "what Alfred Hitchcock once said about thrillers also applies to Westerns: The stronger the bad guy, the better the film. By that measure, 3:10 to Yuma is excellent." Comparing the film to the 1957 film, Rainer wrote that the film "is larger in scope than its predecessor, and significantly altered in its ending, but essentially it's the same old morality play." Rainer said the "drippy father-son stuff is the least successful aspect of the movie." Rainer also wrote "Bale acts as if he's still playing the POW survivalist from Werner Herzog's Rescue Dawn" and said "his hyperrealistic performance is a drag next to Crowe's dapper prince of darkness." Rainer said Crowe's "underplaying here is in many ways as hammy as if he were overplaying, and that's just fine."^[22] Richard Schickel of TIME magazine said "when a movie is as entertaining as this one, you begin to think this formerly beloved genre is due for a revival." Schickel said the 1957 film "was, in my opinion, not as good as a lot of people thought" and said Crowe "never settles for predictability when he's on screen and never lets us settle into complacency as we watch him." Schickel wrote that director Mangold "never loses his crispness or his narrative efficiency." Schickel said the comparisons to Unforgiven "are not entirely apt", saying that "Mangold's offering lacks the blackness and absurdity" of that film. He wrote, "It is more in the vein of Anthony Mann's westerns of the 1950s — trim, efficiently paced, full of briskly stated conflicts that edge up to the dark side, but never fully embrace it."^[23]

Awards and nominations[link]

The film received two Academy Award nominations for the 80th Academy Awards. Marco Beltrami was nominated for Best Original Score, and Paul Massey, David Giammarco, and Jim Stuebe were nominated for Best Sound Mixing.^[24] The film also received a nomination for Best Cast at the 14th Screen Actors Guild Awards.

References[link]

External links[link]

Wikiquote has a collection of quotations related to: 3:10 to Yuma (2007 film)

• Official website
• 3:10 to Yuma at the Internet Movie Database
• 3:10 to Yuma at Rotten Tomatoes
• 3:10 to Yuma at Metacritic
• 3:10 to Yuma at Box Office Mojo
• 3:10 to Yuma at AllRovi
• 3:10 to Yuma at MoviePress
• Production notes

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (May 2010)

The Basics
The Basics at the Oxford Art Factory, 2010
Background information
Origin	Melbourne, Australia
Genres	Rock
Years active	2002–present
Labels	Independent, Albert Records
Associated acts	Gotye, Down Hills Home, Dog With Wheels, Blood Red Bird
Website	The Basics Official Website
Members
Wally De Backer Kris Schroeder Tim Heath
Past members
Michael Hubbard
Notable instruments
Lead guitar, drums, bass guitar.

The Basics ( /ˈbæzɪtʃ/ BAZZ-ich) are a three-piece band from Melbourne, Australia, formed by Wally De Backer and Kris Schroeder in 2002. Their style has been described as anything from 'indie-pop' to 'rock'n'roll' to 'pop-rock', though their records show they span a wide range of genres, including reggae, ska, country, and electro-pop. They are "recognised as one of Australia's hardest-working bands".^[1]

With close to 1000 shows in their ten-year career, their live performances are well-known for their sense of humour and energy.^[2]

Formation[link]

The Basics were formed after Kris met Wally at a party in Melbourne.^[3] The event was to see off the young aspiring producer, who was about to depart for Los Angeles, and together with a number of musician friends, the two jammed on some blues-rock standards. Later that night, they bonded over a mutual love of The Beatles, 70s and 80s cartoon theme songs and old Sierra adventure games.

Initially, they played around Melbourne as an acoustic guitar/drums combo, starting at The Opposition in Frankston and the House of Fools in Footscray, where in late 2002 they met Michael Hubbard and later invited him to join them on electric guitar.^[4] Though lacking any real experience with the instrument, Kris willingly purchased his first bass guitar, and the trio was born. During this time, the group start performing songs with more complicated three-part harmony.

During late 2002 and early 2003, The Basics recorded and released an album called Get Back through MGM Distribution. They began what was to become regular tours of the East and West coasts of Australia.

2004-2005: Current lineup[link]

Tim Heath joined the group in June 2004, after Michael decided to pursue his solo career, which has included being one half of Down Hills Home.^[4] Tim was reportedly the only person to reply to an advertisement in Melbourne's Beat Magazine looking for a new guitarist. Tim apparently answered the advertisement - which said the applicant "must have a love of 50s and 60s rock'n'roll" - thinking that he would be meeting "a couple of old guys to play with on the weekends over some beers". They soon recorded For Girls Like You.

The Basics in 2005 continued to tour and play small festivals, and after releasing For Girls Like You through MGM Distribution, they departed for a national tour of Australia, which lasted for two months and took them to every Australian state and territory. Stuart Padbury, a young Melbourne sound engineer, joined them on much of this tour. On returning, the band began demonstrating songs for a new album.

2006-2009: Touring and soundtracks[link]

In 2006, The Basics began recording what was to become known as Stand Out/Fit In. Taking several months, it was not completed until the end of the year, despite intentions to have it released in June. Instead, they held a successful 'album preview', where each of the tracks was demonstrated in 'rough form' accompanied by a music video for each (produced by Melbourne photographic artist James Bryans). The band also talked about the origins of the songs. This event brought a lot of attention to the band for the idea's originality. They pre-released a radio single 'Just Hold On' from the album. The band were invited to play the hugely popular Homebake Festival in Sydney, where they received a great response, after being introduced onto the stage by a short stocky Asian guy with big calves ("one of the highlights" wrote The Daily Telegraph).

In 2007, the band departed on a tri-state residency which saw them play Melbourne, Sydney and Brisbane every week for the month of April - a bold move which brought further attention to the band for its original idea.^[5] Riding on the wave of this tour, Schroeder, De Backer and Heath departed on their first overseas tour which saw them performing 26 shows around Japan, Norway and the United Kingdom.^[6] They also toured twice more up the East Coast, one of which was with popular Japanese band The Bawdies. Their song 'Rattle My Chain' was used in a series of commercials for Volvo Australia. The song 'Hey There!' featured in the British film The Bank Job - starring Jason Statham - and was used as the backing for a February 2007 short film directed by Tim Longhurst called The Rip. Their song 'Better' was featured in a surfing documentary about the invention of the shortboard in 1967.

In 2008, the band appeared on Australia's Channel 9 for Australia Day celebrations, performing two of their songs - 'Just Hold On' and 'Hey There!' - to an estimated audience of 2 million. Securing an Australian Government grant, they embarked on a two-month tour of Australia, specifically targeting "culturally underprivileged groups" in rural and regional schoolchildren and Indigenous communities. The programme had them holding masterclasses and performing alongside Indigenous groups in the remote Northern Territory and Queensland.^[7][8] Their initiative also had them raising money for the charity Lifeline^{[disambiguation needed ]}, their contribution to which was recognised with a plaque at the end of the tour. Season two of Californication starring David Duchovny featured their cover of the classic 'Have Love, Will Travel', most famously covered by 'The Sonics'.

In 2009, The Basics for the first time enjoyed the support of Australian radio network Triple J, which had reportedly snubbed the band's previous material.^[9] The singles 'With This Ship' and 'Like A Brother' were added to the station's playlist, and momentum carried The Basics overseas for a second tour of the United Kingdom and Norway, and also a series of shows in Dublin, Ireland. They were joined by the longtime front-of-house engineer Stuart Padbury, who had been mixing them since 2005. The band was often seen in the Grafton Street Mall in Dublin, busking to promote their concerts there. Their second show in Oslo, Norway, saw the band perform with Hot Tub, one of the members of the Norwegian boy band "Boyzvoice", in his first performance for several years. Season Eight of Scrubs featured the song 'Lookin' Over My Shoulder'.

Despite all this promise, the band's album Keep Your Friends Close - produced and part-recorded by Peter Cobbin at London's Abbey Road Studios - though enjoying many favourable reviews,^{[10][11][12][13]} failed to impress Richard Kingsmill, music director of Triple J. This effectively ended the band's apparent upward spiral and the resulting album launch tour was reportedly "trying".

2010: Hiatus and live album[link]

In 2010, following the band's fourth stint at the Tamworth Country Music Festival, and the recording of a yet-unreleased live album, an indefinite hiatus was announced on the band's websites. This was in part due to the impending release of a new album produced by Wally for his Gotye project, and also to reported tensions within the band following the previous year's disappointments.

However, this hiatus was soon broken with a two-month residency at the Northcote Social Club in Melbourne, which saw an apparent return to form.^[14] The band's EP "Wait For You" enjoys airplay on Triple J.^[15] The Basics also played a one-off show at Sydney's Oxford Art Factory.^[16]

On 20 August 2010, The Basics released their fourth LP /ðəˈbæzɪtʃ/, available free and exclusively from their website for digital download^[17]. The band had reportedly moved to expand their listenership through this free giveaway, though 300 "Deluxe" CD/vinyl versions have been printed. /ðəˈbæzɪtʃ/ was recorded at the Northcote Social Club on 6 February, "in front of a live studio audience", and like the previous record, was mixed by Peter Cobbin at Abbey Road Studios. Technically a self-titled album, the phonetics spell out the accurate pronunciation of the band’s name. Kris Schroeder: "For years we’ve worked at bringing our live energy into the studio and thus far it’s been a bit hit-and-miss. Our trick this time was to pull a switcheroo and bring the studio to us instead; the result is the best and closest to us we’ve sounded yet."

Melbourne thespian and Dog With Wheels bassist David Bramble - friends with Heath from university days - has occasionally joined the band on tour, playing keys, often while sporting a large moustache. Other guests have included Jake Mason (saxophone), also of Cookin' on 3 Burners and The Bamboos^{[disambiguation needed ]}, Gideon Brazil (saxophone, flute), Simon Imrei (guitar and vocals) and Monty MacKenzie (saxophone).

Covers have often made an appearance from various sources: to date, some of the bands covered have been Cream, The Kinks, The Rolling Stones, The Police, Neil Young, Bob Dylan, New Kids on the Block, Richard Berry, Sonny Curtis and The Crickets, JJ Cale, Harry Nilsson, Bill Scott, Ryan Adams and The Coasters (via The Beatles for their cover of Three Cool Cats).

Members[link]

Current

• Wally De Backer - drums, vocals (2002-present)
• Kris Schroeder - bass, vocals (2002-present)
• Tim Heath - guitar, vocals (2004-present)

Former

• Michael Hubbard - guitar, vocals (2002-2004)

Discography[link]

Albums[link]

• Get Back (15 January 2004)
• Stand Out/Fit In (5 May 2007)
• Keep Your Friends Close (25 September 2009)
• /ðəˈbæzɪtʃ/ (20 August 2010)

EP[link]

• For Girls Like You (11 July 2005)
• Lookin' Over My Shoulder (10 February 2007)
• Like A Brother (5 June 2009)
• Wait For You (21 May 2010)

Singles[link]

• Call It Rhythm & Blues (20 August 2004)
• Just Hold On
• With This Ship (22 February 2009)

Upcoming projects[link]

The band is taking a three year hiatus, with an announced return to the stage together in early 2014. Wally De Backer launched Making Mirrors under his Gotye act in August 2011, Tim Heath will be touring and recording with Blood Red Bird, and Kris Schroeder recorded a solo EP titled, Patience in the Face of Control, before leaving Australia to work with the Red Cross in Kenya for a two year sabbatical.

References[link]

External links[link]

• Official Website
• Myspace Website

Phillip Lim
Phillip Lim in his spring 2009 collection
Born	Cambodia
Nationality	United States
Occupation	Fashion designer
Labels	3.1 Phillip Lim

3.1 Phillip Lim gold jacket with black buttons, 2010.

Phillip Lim (born 1973 in fashion designer of Chinese ancestry.^[1] He was awarded the 2007 Council of Fashion Designers of America Emerging Talent in Womenswear award for his work as creative director of 3.1 Phillip Lim.^[2] He worked at the label Development from 2000 to 2004, and has been the head of 3.1 Phillip Lim which launched in the fall of 2005 to present.

3.1 Phillip Lim[link]

3.1 Philip Lim is Lim's fashion label. It is projected to have sales of 60 million USD in 2011.^[3]

Collections[link]

For the line's fall 2006 collection,^[4] Lim aimed to "inject some 'street elegance'" into his designs. Laird Borrelli of Vogue praised his work as a "pretty-but-cool clothes" that "don't try too hard".

Lim's spring 2007 collection,^[5] His first runway show was praised as "lovely" by Nicole Phelps of Vogue, who said Lim proved himself to be an "accomplished tailor". His clothes were romantic and predominantly white, with occasional navy and floral elements. Phelps noted Lim's "knack for combining the dressy and the casual", saying that "Lim knows how fashionable women want to dress".

The line's fall 2007 collection was inspired by socialite Edith Bouvier Beale and meant to embody what Lim called "pedigree minus prudence".^[6] In what Phelps described as Lim's "most ambitious collection by far", Lim showed prep-school plaids and debutante-inspired dresses.

For his Resort 2008 collection,^[7] Lim revisited his standby motifs.

His fall 2009 was inspired by the youthquake of the 60s in England. Lissie Trullie's band performed live on his runway.

In its fifth year the brand -known for its effortlessly chic and youthful elegance -has seen immense critical and commercial success with stores in L.A. New York, Seoul, Tokyo.

References[link]

External links[link]

• Phillip Lim designer profile at Fashion Model Directory
• Phillip Lim at the Internet Movie Database
• 3.1 Phillip Lim collections at style.com