"MacArthur Park" is a song by Jimmy Webb, originally composed as part of an intended cantata. The song was initially rejected by The Association.^[1] Richard Harris was the first to record it, in 1968; the song was subsequently covered by numerous artists. Among the best-known covers are Donna Summer's disco arrangement from 1978 and Waylon Jennings's version recorded in 1969. Maynard Ferguson,^[2] Stan Kenton,^[3] and Woody Herman all performed big-band jazz arrangements, and "Weird Al" Yankovic parodied it in his 1993 "Jurassic Park."

While it was a commercially successful song multiple times after it was released, "MacArthur Park" utilized flowery lyrics and metaphors (most famously, love being likened to a cake left out in the rain) that were considered by media such as the Los Angeles Times to be "polarizing" and "loopy."^[4]

Original Webb composition and Harris recording[link]

The inspiration for "MacArthur Park" was the relationship and breakup between Webb and Susan Ronstadt, a cousin of singer Linda Ronstadt. MacArthur Park was where the two occasionally met for lunch and spent their most enjoyable times together. At that time (mid-1965), Ronstadt worked for a life insurance company whose offices were located just across the street from the park. Webb and Ronstadt remained friends, even after her marriage to another man. The breakup was also the primary influence for "By the Time I Get to Phoenix," another Webb composition.^[4]

The song begins as a poem about love, then moves into a lover's lament.^[5] When asked by interviewer Terry Gross what was going through his mind when he wrote the lyrics, Webb replied that the lyrics were meant to be symbolic and referred to the end of a love affair.

The song was first recorded by Richard Harris, after Harris first met Webb at a fundraiser in East Los Angeles, California in late 1967. Webb had been invited to provide the musical backdrop at the piano. Out of the blue, Harris suggested to him that he wanted to release a record. Webb didn't take it seriously until he later received a telegram from Harris, requesting that he come to London to begin the project. After exhaustively listening to all of Webb's compositions, Harris selected "MacArthur Park" for his pop music debut.^[4]

The Harris recording of "MacArthur Park" comprises four sections or movements:

1. A mid-tempo arrangement, called "In the Park" in the original session notes,^[6] built around piano and harpsichord, with horns and orchestra coming in, accompanying the song's main verses and choruses
2. At about two and a half minutes in, this shifts to a slow tempo and quiet arrangement paired with an alternate lyric, "After the Loves of My Life"^[6]
3. At about five minutes in, a sudden switch to an up-tempo instrumental section, "Allegro",^[6] led by drums and percussion and punctuated by horn riffs, building up to an orchestral climax
4. At about six and a half minutes in, a reprise of the first section's arrangement accompanying the final choruses and another climax.

The recording was made on December 21, 1967, at Sunset Sound Recorders in Hollywood, with further work done on December 29 and 30.^[6] The musicians in the original studio recording included members of the famous "Wrecking Crew" of Los Angeles-based studio musicians who played on many of the hit records of the 1960s and 1970s. Personnel used included Hal Blaine on drums, Larry Knechtel on keyboards, Joe Osborn on bass guitar, and Mike Deasy on guitar,^[6] along with Webb himself on harpsichord.

Throughout the recording, Harris can be heard using an incorrect possessive form, "MacArthur's Park." Webb has said he tried correcting Harris during retakes, but gave up when Harris simply could not (or would not) sing the correct words.^{[citation needed]} (The version recorded by Donna Summer retains this error.)

The recording appeared on Harris's album A Tramp Shining in 1968 and was released as a single. It was an unusual choice at its more than seven minute length and multi-part structure. Harris topped the music charts in Europe and Australia, and peaked at No. 2 on the American charts. The song peaked at No. 10 in Billboard's Easy Listening survey, and was No. 8 for the year on WABC's overall 1968 chart.^[7]

"MacArthur Park" received the Grammy Award for Best Arrangement Accompanying Vocalist(s) in 1969.^[8]

"MacArthur Park's" unusual metaphors and sentimentality have made it a frequent target of parody and ridicule over the years. Speaking about the controversy in a 2007 interview, songwriter Jimmy Webb said, "Those lyrics were all very real to me; there was nothing psychedelic about it to me. The cake, it was an available object. It was what I saw in the park at the birthday parties. But people have very strong reactions to the song. There's been a lot of intellectual venom."^[4]

In 1992, humorist Dave Barry conducted a poll among his readers of the worst songs ever, as recorded in Dave Barry's Book of Bad Songs. Barry's readers selected Harris' version of "MacArthur Park" as the worst song ever recorded, both in terms of "Worst Lyrics" and "Worst Overall Song".^[9] In the book he acknowledges the results are biased because he had arbitrarily limited the survey to songs that were very popular and at least 10 years old, as well as excluding certain songs including ones that were intentionally terrible. The survey also likely reflects the demographics of his readership: the large number of middle aged readers resulted in a disproportionate number of Oldies being selected.

Donna Summer version[link]

A multi-million selling vinyl single disco version of "MacArthur Park" by Donna Summer was number one on the American pop music sales charts for three weeks during 1978. Summer's recording, which was included as part of the "MacArthur Park Suite" on her double album Live and More, was eight minutes and forty seconds long on the album. The shorter seven-inch vinyl single version of the MacArthur Park was Summer's first single to reach number one on the Billboard Hot 100; it doesn't include the balladic second movement of the song, however.

The 18-minute musical medley "MacArthur Park Suite" incorporated the songs "One of a Kind" and "Heaven Knows". This medley was also sold as a 12" (30 cm) vinyl recording, and it stayed at number one on Billboard's Hot Dance Club Songs chart for five weeks in 1978. The versions of this medley in Live and More and in the 12" recording are notably different in choices of the lengths of the slices of the two accompanying songs.

"MacArthur Park" was not included on the compact disc version of Live and More because of early CD limitations; however, the album version is available on 1987's The Dance Collection.

Other versions[link]

The song has been covered more than 50 times, including versions by:

• Jerry Vale
• The 5th Dimension
• Diana Ross & the Supremes
• Beggar's Opera
• Glen Campbell
• Vic Damone
• Sammy Davis, Jr (twice)
• Percy Faith
• Michael Feinstein
• Maynard Ferguson - M.F.Horn (1971)
• Ferrante & Teicher
• The Four Tops
• Aretha Franklin - Live on The Bob Hope Show (1975)
• Plastic Penny
• Justin Hayward
• Gitte Hænning
• Waylon Jennings (Grammy Award)
• Long John Baldry
• Stan Kenton - Live at Redlands University (1970)
• Liza Minnelli
• Grimethorpe Colliery Band
• Hugo Montenegro (Hugo's version used only the instrumental section and was also used as a TV News theme for WJW/WJKW in the mid 1970's)
• Only Men Aloud!
• Elaine Paige
• Psychotica
• The Queers
• Doc Severinsen
• Frank Sinatra - Trilogy: Past Present Future (2010) [Box Set, CD]
• The Negro Problem
• The Three Degrees
• Ukulele Orchestra of Great Britain
• Andy Williams
• Zumpano
• Regine Velasquez
• Sally Yeh
• The Daly-Wilson Big Band
• 101 Strings - "Million Seller Hits Composed by Jim Webb and Burt Bacharach" [LP S-5162]
• Transistor Transistor
• Rico J. Puno
• Peter Hofmann - Rock Classics (1987)

Variations on the song have included:

• Frank Sinatra, Tony Bennett and Ed Ames each recorded versions utilizing only the middle section. Liz Callaway recorded the middle section as part of a medley with "Didn't We," another song also by Jimmy Webb.
• Carmen McRae with Norman Simmons trio recorded an impressive version of the middle section for her album Song Time (1969).
• Chet Atkins and Jerry Reed recorded an instrumental version for their guitar duet album Me & Jerry, winner of the 1971 Grammy Award for Best Country Instrumental Performance.
• The Four Tops recorded a version that omits the long instrumental breaks, which reached #38 on the Billboard singles chart.
• Beggars Opera recorded a progressive version with harpsichord and mellotron in their third album, Pathfinder, in 1972.
• The song was performed by the Madison Scouts Drum and Bugle Corps in several productions in the mid-1970s.
• In 1977 Finnish singer-songwriter Hector recorded the song in band called H.E.C. with Finnish lyrics. Hector titled the song in Finnish "Vanhan kirkon puisto" ("Old Church's Park"), referring to the old church of Helsinki, Hector's hometown.
• In 1980 Pink Lady performed the tune on their variety show Pink Lady and Jeff.
• Yuri performed a Spanish version, entitled "Siempre Hay Un Mañana" ("There Is Always a Tomorrow"), in 1979.
• Moody Blues singer Justin Hayward (with Mike Batt and the London Philharmonic Orchestra) covered it on his Classic Blue album.
• Carrie Underwood performed it in season four of American Idol.
• UK Hip Hop artist Roots Manuva uses the main chord structure in his 2001 single "Dreamy Days."
• Father Guido Sarducci (Don Novello) sings an Italian version called "Parco MacArthur (La Torta in Pioggia)."
• Spanish singer Noelia Cano included a version on the reality show Operación Triunfo in 2008.
• Industrial/goth band Psychotica released the song as a 12" single on clear vinyl.
• "Weird Al" Yankovic parodied the tune in his 1993 song "Jurassic Park."
• Vermont-based 'jam-band' Phish quoted the lyrics during a rendition of their composition "Dave's Energy Guide" at their March 8, 1991 concert while performing with members of the group Aquarium Rescue Unit at College Station Theater, in Tuscaloosa, Alabama.
• Sung in the stage musical Priscilla Queen of the Desert.
• Wu-tang Clan released a version called Second Coming as the penultimate track on their 1997 album Wu-Tang Forever.
• It has appeared on The Simpsons at least twice: Homer sings it in the 15th season episode "Co-Dependent's Day," and Sanjay's daughter Pahusacheta Nahasapeemapetilon plays it on the tabla in the episode "Lisa the Beauty Queen."

References[link]

External links[link]

• Donna Summer live performing the 1978 song in Rotterdam, 2001, 6 min 25 sec.
• Cite from Fred Bronson, The Billboard Book of Number One Hits, Billboard, 1988
• Link to The Lou Gordon Home Page

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2010)

Richard St John Harris (1 October 1930 – 25 October 2002) was an Irish actor, singer-songwriter, theatrical producer, film director and writer.

He appeared on stage and in many films, and is perhaps best known for his roles as King Arthur in Camelot (1967), as Oliver Cromwell in Cromwell (1970) and as Albus Dumbledore in the first two films in the Harry Potter series, his final works. He played a British aristocrat and prisoner in A Man Called Horse (1970), Emperor Marcus Aurelius in Gladiator (2000), Saint John in Apocalypse Revelation (2002), gunfighter English Bob in Clint Eastwood's Western film Unforgiven (1992), and Dom Frollo in the 1997 TV movie version of The Hunchback of Notre Dame. Harris had a top ten hit in the UK and the US with his 1968 recording of Jimmy Webb's song "MacArthur Park".

Early life and career[link]

Harris, the fifth of nine children, was born in Limerick city, Ireland (then known as the Irish Free State) into a middle-class, staunchly Roman Catholic family.^[1] His parents were Ivan John Harris (b. 1896, son of Richard Harris, b. 1854, son of James Harris of St. Michael's, Limerick) and Mildred Josephine Harty Harris (b. 1898, daughter of James Harty, St. John's, Limerick, who owned a flour mill.) Harris' siblings include Patrick Ivan (born 1929), Noel William Michael (born 1932), Diarmid (Dermot, born 1939), and William George Harris (born 1942).^[2][3] He was schooled by the Jesuits at Crescent College. A talented rugby player, he was on several Munster Junior and Senior Cup teams for Crescent, and played for Garryowen.^[4] Harris' athletic career was cut short when he caught tuberculosis in his teens. He remained an ardent fan of the Munster Rugby and Young Munster teams then until his death, and attending many of its matches, and there are numerous stories of japes at rugby matches with the actors and fellow rugby fans Peter O'Toole and Richard Burton.

After recovering from tuberculosis, Harris moved to England, wanting to become a director. He could not find any suitable training courses, and he enrolled in the London Academy of Music and Dramatic Art (LAMDA) to learn acting. He had failed an audition at the Royal Academy of Dramatic Art (RADA), and had been rejected by the Central School of Speech and Drama because they felt he was too old at 24.^[5] While still a student, Harris rented the tiny "off-West End" Irving Theatre, and there directed his own production of Clifford Odets's play Winter Journey (The Country Girl). This show was a critical success, but it was a financial failure, and Harris lost all his savings in this venture.

As a result, Harris ended up temporarily homeless, sleeping in a coal cellar for six weeks. Accounts of Harris' contemporaries from his hometown of Limerick, however, indicate that Harris may have exaggerated these stories somewhat and that he actually stayed with a few aunts, sleeping on their living room sofas.^{[citation needed]} After completing his studies at the Academy, Harris joined Joan Littlewood's Theatre Workshop. He began getting roles in West End theatre productions, starting with The Quare Fellow in 1956, a transfer from the Theatre Workshop. Harris spent nearly a decade in obscurity, learning his profession on stages throughout the UK.^{[citation needed]}

Career[link]

Harris made his film debut in 1958 in the film Alive and Kicking, and played the lead role in The Ginger Man in the West End in 1959. He hated filming The Wreck of the Mary Deare so much that he refused to return to Hollywood for several years, turning down the role of Commodus in The Fall of the Roman Empire. He had a memorable bit part in the movie The Guns of Navarone as a Royal Australian Air Force pilot who reports that blowing up the "bloody guns" of the island of Navarone is impossible by an air raid.

For his role in the film Mutiny on the Bounty, despite being virtually unknown to film audiences, Harris reportedly insisted on third billing, behind Trevor Howard and Marlon Brando.

Harris' first starring role was in the movie This Sporting Life in 1963, as a bitter young coal miner, Frank Machin, who becomes an acclaimed rugby league football player. For his role, Harris won Best Actor in 1963 at the Cannes Film Festival and an Academy Award nomination. Harris followed this with a leading role in the Italian film, Michelangelo Antonioni's Il deserto rosso (1964), and he also won notice for his role in Sam Peckinpah's Major Dundee (1965), as an Irish immigrant who became a Confederate cavalryman during the Civil War.

Harris next performed the role of King Arthur in the film adaptation of the musical play Camelot. Harris continued to appear on stage in this role for years, including a successful Broadway run in 1981–82. In 1966, Harris starred as Cain in John Huston's film The Bible: In the Beginning.

Harris recorded several albums of music, one of which, (A Tramp Shining), included the seven-minute hit song "MacArthur Park" (Harris insisted on singing the lyric as "MacArthur's Park").^[6] This song had been written by Jimmy Webb, and it reached #2 on the American Billboard Hot 100 chart. It also topped several music sales charts in Europe during the summer of 1968. "MacArthur Park" sold over one million copies, and was awarded a gold disc.^[7] A second album, with music mostly composed by Webb, The Yard Went on Forever, was published in 1969.

Some memorable movie performances followed this, among them a role as a reluctant police informant in the coal-mining tale The Molly Maguires (1970), starring with Sean Connery. Harris starred in the Man in the Wilderness in 1971, Juggernaut in 1974 (a British suspense movie about the hijacking of an ocean liner), in 1976 in The Cassandra Crossing, along with the actresses Sophia Loren and Ava Gardner, and in a B-movie, Orca, in 1977. Harris achieved a form of cult status for his role as the mercenary tactician Rafer Janders in the movie The Wild Geese (1978).

In 1973, Harris published a widely-acclaimed book of poetry, I, In The Membership Of My Days, which was later re-published as an audio recording of his reading his own poems. In 1989, Harris played the beggar king J.J. Peachum in Mack the Knife, the third screen adaptation of The Threepenny Opera.

By the end of the 1980s, Harris had gone for an extended time without a significant movie role. He was familiar with the stage plays of fellow Irishman John B. Keane, and had heard that one of them, The Field, was being adapted for film by director Jim Sheridan. Sheridan was working with actor Ray McAnally on the adaptation, intending to feature McAnally in the lead role of Bull McCabe. When McAnally died suddenly during initial preparations, Harris began a concerted campaign to be cast as McCabe.^{[citation needed]} The campaign succeeded, and the movie version of The Field was released in 1990. For his performance, Harris earned his second Academy Award nomination for Best Actor but lost to Jeremy Irons for Reversal of Fortune. In 1992, Harris had a supporting role in the film Patriot Games, as an Irish-American radical.

In November 1987, Harris began a brief tenure as a visiting professor at the University of Scranton, a Jesuit university in Scranton, Pennsylvania.^[8] Harris had previously visited Scranton in October 1986 to perform Camelot with his younger brother, Dermot Harris, who died of a heart attack that same year.^[8][9] He soon established friendships with members of the University's faculty, notably Scranton President J.A. Panuska.^[8][9] Harris agreed to return to the University of Scranton as a visiting professor in 1987 to raise funds for a scholarship for Irish students, which he established and named in honor of his brother.^[8][9] Harris was welcomed to the city with a limo escorted by five police motorcycles and proclamation from the mayor. He cast the actors for the University of Scranton's production of Julius Caesar in November.^[8] He then returned to the university in January and February 1988 for the production.^[10]

Later career[link]

Harris appeared in two films which won the Academy Award for Best Picture. First, as the gunfighter "English Bob" in the 1992 Western, Unforgiven; second, as the Roman Emperor Marcus Aurelius in Ridley Scott's Gladiator (2000). He also played a lead role alongside James Earl Jones in the 1995 Darrell Roodt film adaptation of Cry, the Beloved Country. In 1999, Harris starred in the film To Walk with Lions. After Gladiator, Harris gained further fame playing the supporting role of Albus Dumbledore in the first two of the Harry Potter films, and as Abbé Faria in Kevin Reynolds' 2002 film adaptation of The Count of Monte Cristo. The film Kaena: The Prophecy (released in 2003) was dedicated to him posthumously as he had voiced the character Opaz before his death.

Concerning his role as Dumbledore, Harris had stated that he did not intend to take the part at first, since he knew that his own health was in decline, but he relented and accepted it because his 10-year-old granddaughter threatened never to speak to him again if he did not take it.^[11] In an interview with the Toronto Star in 2001, Harris expressed his concern that his association with the Harry Potter movies would outshine the rest of his career. He explained by saying: "Because, you see, I don't just want to be remembered for being in those bloody films, and I'm afraid that's what's going to happen to me."^[12]

Personal life and death[link]

In 1957, he married Elizabeth Rees-Williams, the daughter of David Rees-Williams, 1st Baron Ogmore. Their three children are the actor Jared Harris who plays Lane Pryce on AMC's Mad Men and whom was once married to Emilia Fox, the actor Jamie Harris, and the director Damian Harris, once married to Annabel Brooks and now partner of Peta Wilson. Harris and Rees-Williams divorced in 1969, after which Elizabeth married Sir Rex Harrison. His maternal niece is actress Annabelle Wallis.

Harris's second marriage was to the American actress Ann Turkel, who was 16 years younger than he. This marriage also ended in a divorce.

Despite his divorces, Harris was a member of the Roman Catholic Knights of Malta, and was also dubbed a knight by the Queen of Denmark in 1985.

Harris often told stories about his haunted London home, The Tower House, which was sold later to the musician Jimmy Page of Led Zeppelin. According to Harris, the tower was haunted by an eight-year-old boy who had been buried in the tower. The boy often kept Harris awake at night until he one day built a nursery for the boy to play in, which calmed the disturbances to some extent.^[13]

Harris was a vocal supporter of the IRA from the early 1970s until they carried out the Harrods bombing in 1983, after which he disavowed them.^{[citation needed]}

Harris was a longtime alcoholic until he became a teetotaler in 1981, although he did resume drinking Guinness a decade later. He gave up drugs after almost dying from a cocaine overdose in 1978. A memorable incident concerning his massive alcohol consumption was an appearance on The Late Late Show where he recounted to host Gay Byrne how he had just polished off two bottles of fine wine in a restaurant and decided that he would then be going on the wagon: "And I looked at my watch and it was... Well isn't that spooky! It was the same time it is now: 11:20!"^{[citation needed]}

Harris is also attributed with an anecdote in which he was found lying drunk in a street in London. A passing policeman asked him what he was doing, and he replied that the world was spinning. The policeman inquired as to how lying in the street was going to help, and he said, "I'm waiting for my house to go by."^{[citation needed]} In a 1994 appearance on The Late Show with David Letterman, Harris said he had his driver's licence permanently suspended for knocking over a double-decker bus in Dublin, Ireland.^{[citation needed]}

Harris died of Hodgkin's lymphoma on 25 October 2002, aged 72, two and a half weeks before the American premiere of Harry Potter and the Chamber of Secrets. Harris was a lifelong friend of actor Peter O'Toole,^[14] and his family reportedly hoped that O'Toole would replace Harris as Dumbledore in Harry Potter and the Prisoner of Azkaban.^[14] There were, however, worries of insuring O'Toole for the six remaining films in the series, and he was ultimately replaced as Dumbledore by the Irish-born actor Sir Michael Gambon.

For years, whenever he was in London, Harris resided at the Savoy Hotel. According to the hotel archivist Susan Scott, as Harris was being taken from the hotel on a stretcher, shortly before his death, he warned the diners, "It was the food!"^[15]

Harris's remains were cremated, and his ashes were scattered in The Bahamas, where he had owned a home.

Memorials[link]

On 30 September 2006, Manuel Di Lucia, of Kilkee, County Clare, a long-time friend, organized a bronze life-size statue of Richard Harris, at the age of eighteen, playing racquetball. The sculptor was Seamus Connolly and the sculpture (unveiled by Russell Crowe) stands in Kilkee, Ireland.^[16]

Another life-size statue of Richard Harris, as King Arthur from his film, Camelot, has been erected in Bedford Row, in the center of his home town of Limerick. The sculptor of this statue was the Irish sculptor Jim Connolly, a graduate of the Limerick School of Art and Design.

At the 2009 BAFTAs, Mickey Rourke dedicated his Best Actor award to Harris, calling him a "good friend, and great actor."

Awards and nominations[link]

Academy Awards[link]

• 1963 – Nominated – Best Actor in a Leading Role – This Sporting Life
• 1990 – Nominated – Best Actor in a Leading Role – The Field

Golden Globes[link]

• 1968 – Won – Best Motion Picture Actor – Musical/Comedy – Camelot
• 1991 – Nominated – Best Performance by an Actor in a Motion Picture – Drama – The Field

Grammy Awards[link]

• – Won – Best Spoken Word Recording for Jonathan Livingston Seagull – 1973
• – Nominated – Album of the Year for A Tramp Shining – 1968
• – Nominated – Contemporary Pop Male Vocalist for MacArthur Park- 1968
• – Nominated – Best Spoken Word, Documentary or Drama Recording for The Prophet – 1975

Filmography[link]

Discography[link]

Albums[link]

• Camelot (Motion Picture Soundtrack) (1967)
• A Tramp Shining (1968)
• The Yard Went On Forever (1968)
• My Boy (1971)
• The Richard Harris Love Album (1972)
• Slides (1972)
• His Greatest Performances (1973)
• Jonathan Livingston Seagull (1973)
• The Prophet (1974)
• I, in the Membership of My Days (1974)
• Camelot (Original 1982 London Cast recording) (1982)
• Mack The Knife (Original Soundtrack) (1989)
• The Apocalypse (2004) the story of John the Apostle on Island named Patmos

Singles[link]

• "Here in My Heart (Theme from This Sporting Life)" (1963)
• "MacArthur Park" (1968)
• "Fill the World With Love" (1969)
• "Ballad of A Man Called Horse" (1970)
• "Morning of the Mourning for Another Kennedy" (1970)
• "Go to the Mirror" (1971)
• "My Boy" (1971)
• "Turning Back the Pages" (1972)
• "Half of Every Dream" (1972)
• "Trilogy (Love, Marriage, Children)" (1974)
• "The Last Castle (Theme from Echoes of a Summer)" (1976)
• "Lilliput (Theme from Gulliver's Travels)" (1977)

[edit] CD releases and compilations

• Camelot (Original 1982 London Cast Recording) (1988)
• Mack the Knife (Motion Picture Soundtrack) (1989)
• Tommy (studio recording) (1990)
• Camelot (Motion Picture Soundtrack) (1993)
• A Tramp Shining (1993)
• The Prophet (1995)
• The Webb Sessions 1968–1969 (1996)
• MacArthur Park (1997)
• Slides/My Boy (2 CD Set) (2005)
• My Boy (2006)
• Man of Words Man of Music The Anthology 1968-1974 (2 CD Set) (2008) * [1]

See also[link]

• List of people on stamps of Ireland

References[link]

Further reading[link]

• Michael Feeney Callan (2004-12-01). Richard Harris: Sex, Death & the Movies. Robson Books. ISBN 978-1-86105-766-2. http://books.google.com/?id=A-wxCwq4u4EC. 

External links[link]

• Richard Harris at the Internet Movie Database
• Richard Harris at the Internet Broadway Database
• Richard Harris discography at MusicBrainz
• Harris' Bar Limerick: A Bar in Limerick City Dedicated to Richard
• The Round Table, The Richard Harris Fansite
• Richard Harris file at Limerick City Library, Ireland

Donna Summer
Donna Summer at a recording studio in 1977
Background information
Birth name	LaDonna Adrian Gaines
Also known as	Donna Gaines
Born	(1948-12-31)December 31, 1948 Boston, Massachusetts, United States
Died	May 17, 2012(2012-05-17) (aged 63) Englewood, Florida, U.S.
Genres	Pop, disco, dance-pop, rock
Occupations	Singer, songwriter
Instruments	Vocals, piano
Years active	1969–2012
Labels	Oasis, Casablanca (1975–80), Geffen (1980–88), Atlantic (1988–91), Mercury (1994–96), Warner-Elektra-Atlantic (1980–91), Epic (1999–2001), Burgundy (2006–12)
Associated acts	Giorgio Moroder, Brooklyn Dreams

LaDonna Adrian Gaines (December 31, 1948 – May 17, 2012),^[1] known by the stage name Donna Summer, was an American singer and songwriter who gained prominence during the disco era of the late 1970s. She had a mezzo-soprano vocal range, and was a five-time Grammy Award winner. Summer was the first artist to have three consecutive double albums reach number one on the United States Billboard chart, and she also charted four number-one singles in the United States within a 13-month period.

Born into a devoutly Christian lower middle class African American family in Boston, Massachusetts, Summer first became involved with singing through church choir groups before joining a number of bands influenced by the Motown Sound. Influenced by the counterculture of the 1960s, she became the front singer of a psychedelic rock band named Crow and moved to New York City. Joining a touring version of the musical Hair, she spent several years living in West Germany, where she married Helmut Sommer, whose surname she adopted as her stage name.

Returning to the United States, Summer co-wrote the song "Love to Love You Baby" with Pete Bellotte; music producer Giorgio Moroder convinced her to sing it herself, and it was released to mass commercial success in 1975, particularly on the disco scene. Over the following years, Summer followed this success with a string of other disco hits, such as "I Feel Love", "MacArthur Park", "Hot Stuff" and "No More Tears (Enough is Enough)". Becoming known as the "Queen of Disco", she regularly appeared at the Studio 54 club in New York City, while her music gained a particularly large following within the gay community, for whom she became a gay icon. Struggling with drug addiction and depression, she subsequently became a born-again Christian.^[2]

Diagnosed with lung cancer, Summer died in May 2012, at her home on Manasota Key in Englewood, Florida, after a battle with the disease. She was posthumously described as the "undisputed queen of the Seventies disco boom" who reached the status of "one of the world's leading female singers."^[2] Her work with Moroder, particularly "I Feel Love", has also been described as "really the start of electronic dance" music, by Moroder himself.^[3]

Early life[link]

Summer was born LaDonna Adrian Gaines on December 31, 1948 in Boston, Massachusetts, to her parents, Andrew and Mary Gaines, and was one of seven children.^[4] She and her family were raised in the Boston neighborhood of Mission Hill. Her father, Andrew Gaines, was a butcher, and her mother Mary, was a schoolteacher.^[5] Summer's mother later recalled that from the time she could talk, Summer would often sing: "She literally loved to sing. She used to go through the house singing, singing. She sang for breakfast and for lunch and for supper."^[5]

Summer's performance debut occurred at church when she was ten years old, when she replaced a vocalist who had failed to show up.^[5] Her priest invited Summer to perform, judging from her small frame and speaking voice that she would be an "amusing spectacle", but instead Summer's voice recalled a voice older than her years and frame.^[5] Summer herself recalled that as she sang, "I started crying, everybody else started crying. It was quite an amazing moment in my life and at some point after I heard my voice came out I felt like God was saying to me 'Donna, you're going to be very, very famous' and I knew from that day on that I would be famous."^[5]

Summer later attended Boston's Jeremiah E. Burke High School, where she performed in school musicals and was considered popular.^[5] She was also something of a troublemaker, skipping home to attend parties, circumventing her parents' strict curfew.^[5] In 1967, just weeks before graduation, Summer left for New York where she was a member of the blues-rock band, Crow. After they were passed by every record label, they agreed to break up. Summer stayed in New York and auditioned for a role in the counterculture musical, Hair. When Melba Moore was cast in the part, Summer agreed to take the role in the Munich production of the show. She moved to Munich, Germany after getting her parents' reluctant approval.^[5]

Summer eventually became fluent in German, singing various songs in German. She participated in the musicals Ich Bin Ich (the German version of The Me Nobody Knows), Godspell and Show Boat. Within three years, she moved to Vienna, Austria and joined the Vienna Volksoper. She briefly toured with an ensemble vocal group called FamilyTree, the creation of producer Guenter "Yogi" Lauke. In 1968, Summer released (as Donna Gaines) on Polydor her first single, a German version of the title Aquarius from the musical Hair, followed in 1971 by a second single, a cover of The Jaynetts' "Sally Go 'Round the Roses", from a one-off European deal with Decca Records.^[6] In 1972, she issued the single, "If You Walkin' Alone" on Philips Records.^[6]

In 1973, she married Austrian actor Helmuth Sommer and had a daughter, Mimi, the same year. Citing marital problems caused by her affair with German artist (and future live-in boyfriend) Peter Mühldorfer, she divorced Helmuth. She kept his last name, but Anglicized it to "Summer". She provided backing vocals on producer-keyboardist Veit Marvos on his 1972 Ariola Records release, Nice to See You, credited as "Gayn Pierre". Several subsequent singles included Summer performing with the group, but she often denied singing on any of the Marvos releases. The name "Gayn Pierre" was also used by Donna while performing in Godspell with Helmuth Sommer during 1972.^[6]

Music career[link]

1974–1979: Initial success[link]

While singing background in a recording session at Munich's Musicland Studios for Three Dog Night, Summer met German-based producers Giorgio Moroder and Pete Bellotte. The trio forged a working partnership and began collaborating on songs together starting in 1974. A demo tape of Summer's work with Moroder and Bellotte led to a deal with the European-distributed label, Groovy Records. The label issued Summer's first album, Lady of the Night. The album became a hit success in selected countries with two songs, "The Hostage" and "Lady of the Night", reaching the top of the charts in countries such as the Netherlands and Belgium.

In mid-1975, while working on another album, Summer passed on an idea for a song that Moroder was working on for another artist in the then-nascent disco sound, writing part of the song and labeling it as "Love to Love You". Summer would later say that she had imagined how Marilyn Monroe would sing this song and demonstrated how she felt Monroe would've approached it. Prior to recording the song and to get into the mood, she requested Moroder to turn off the lights while they sat on a sofa with him inducing her moans and groans. Moroder liked what he heard after hearing its playback and felt Summer's song should be released. The song was then sent to Casablanca Records president Neil Bogart in hopes of getting an American release. Bogart informed Summer and Moroder he would release the song (now called "Love to Love You Baby") but requested that Moroder produce a longer version for discothèques. Moroder, Bellotte, and Summer returned with a 17 minute version and Casablanca signed Summer and released the single in November 1975. The shorter version of the single was promoted to radio stations while clubs regularly played the 17 minute version (the longer version would also appear on the album). Casablanca became one of the first record labels to popularize the 12" single format.

By early 1976, "Love to Love You Baby" had reached No. 2 on the US Billboard Hot 100, while the parent album of the same name sold over a million copies. The song generated controversy due to Summer's moans and groans and some American and European radio stations, including the BBC, refused to play it.^[7] "Love to Love You Baby" found chart success in several European countries, and made the Top 5 in the United Kingdom despite the BBC ban. Other upcoming singles included "Try Me, I Know We Can Make It", US No. 80; "Could It Be Magic", US No. 52; "Spring Affair", US No. 58; and "Winter Melody", US No. 43. The subsequent albums Love Trilogy and Four Seasons of Love both went gold in the US.

In 1977, Summer released the concept album I Remember Yesterday. This album, again co-produced by Moroder and Bellotte, included her second top ten single, "I Feel Love", which reached number six in the US and number one in the UK. Another concept album, also released in 1977, was Once Upon a Time, a double album which told of a modern-day Cinderella "rags to riches" story through the elements of orchestral disco and ballads. This album would also attain gold status. In 1978, Summer released her version of the Jimmy Webb ballad, "MacArthur Park", which became her first US number one hit. The song was featured on Summer's first live album, Live and More, which also became her first album to hit number one on the US Billboard 200 chart, and went platinum selling over a million copies. Other studio tracks included the top ten hit, "Heaven Knows", which featured the group Brooklyn Dreams accompanying her on background and Joe "Bean" Esposito singing alongside her on the verses. Summer would later be romantically involved with Brooklyn Dreams singer Bruce Sudano and the couple married two years after the song's release. Also in 1978, Summer acted in the film, Thank God It's Friday, playing a singer determined to perform at a hot disco club. The film met modest success, but a song from the film, titled "Last Dance", reached number three on the Hot 100 and resulted in Summer winning her first Grammy Award. Its writer, Paul Jabara, won an Academy Award for the composition.

In 1979, Summer performed at the world-televised Music for UNICEF Concert, joining contemporaries such as Abba, Olivia Newton-John, the Bee Gees, Andy Gibb, Rod Stewart, John Denver, Earth, Wind & Fire, Rita Coolidge and Kris Kristofferson for an hour's TV special that raised funds and awareness for the world's children. Artists donated royalties of certain songs, some in perpetuity, to benefit the cause.

[edit] 1979–1980: Bad Girls and the break from disco

Summer began work on her next project with Moroder and Bellotte, Bad Girls, an album that had been in production for nearly two years. Summer based the whole concept on prostitution (revisiting the theme for 1974's Lady of the Night), even dressing as a hooker herself on the cover art.

The album became a huge success, spawning the number one hits "Hot Stuff" and the title track and the number two "Dim All the Lights". With "MacArthur Park", "Hot Stuff", "Bad Girls", and the Barbra Streisand duet "No More Tears (Enough is Enough)", Summer achieved four number one hits within a thirteen month period. Those aforementioned songs, along with "Heaven Knows", "Last Dance", "Dim All the Lights", and "On the Radio" (from her upcoming double-album) would give her eight US Top 5 singles within a two year period. "Hot Stuff" later won her a second Grammy in the Best Female Rock Vocal Performance, the first time the category was included. That year, Summer played eight sold-out nights at the Universal Amphitheater in Los Angeles.

Summer released On the Radio: Greatest Hits Volumes I & II, her first (international) greatest hits set in 1979. The double album reached number one in the United States, becoming her third consecutive number one album. A new song from the compilation, "On the Radio", reached the US top five, selling over a million copies in the United States alone.

1980–1985: Continued success[link]

After the release of the On the Radio hits album, Summer wanted to branch out into other musical styles in addition to disco, which led to tensions between her and Casablanca Records as Casablanca wanted her to continue to record in the disco format while Summer wanted to sing more rock and pop-based music. Sensing that they could no longer come to terms, Summer and the label parted ways in 1980, and she signed with Geffen Records, the new label started by David Geffen.

Summer's first Geffen album, The Wanderer, featured an eclectic mixture of sounds similar to Bad Girls but with only little emphasis on Summer's past disco success, instead, bringing elements of rock, rockabilly, new wave and gospel music. The album continued Summer's streak of gold albums with the title track peaking at No. 3 in the US, though its follow-up singles, "Cold Love" and "Who Do You Think You're Foolin'" were only modestly received.

When Summer presented Geffen with her projected second album, I'm a Rainbow, the label disapproved of its production sensing Moroder's sound had grown stale and advised Summer to change producers, leading to an argument between the artist and the label. Eventually, Moroder and Bellotte and Summer agreed to part ways with Geffen hiring top R&B and pop producer Quincy Jones to produce Summer's next album, the eponymously titled Donna Summer, released in 1982 and which took over six months to record, which was unusual for Summer's recordings. Among its releases included the top ten hit, "Love Is in Control (Finger on the Trigger)", and the more moderately received "State of Independence" (No. 41 pop) and "The Woman in Me" (No. 33 pop). Problems then increased between Summer and Geffen Records after they were notified by Polygram Records, Summer's former label Casablanca was by then a wholly owned subsidiary, that she needed to deliver them one more album to fulfill her contract with them.

Summer delivered the album, She Works Hard for the Money, and Polygram released it on its Mercury imprint in 1983. The title song became a hit reaching number three on the US Hot 100, and would provide Summer with a Grammy nomination. The album also featured the reggae-flavored UK Top 20 hit "Unconditional Love", which featured the British group Musical Youth who were riding high from the success of their single "Pass the Dutchie". The third US single, "Love Has A Mind of Its Own", reached the top forty of the Billboard R&B chart. The album itself was certified gold.

In late 1984, with her obligation to Polygram complete, Summer returned on Geffen Records with her next release. Geffen, wanting to keep the momentum going, enlisted She Works Hard for the Money's producer Michael Omartian to produce Cats Without Claws. The album, however, was not as successful as She Works Hard for the Money and failed to attain gold status in the US, becoming her first album since her 1974 debut not to do so. It did include a moderate hit in The Drifters cover "There Goes My Baby", which peaked at No. 21. Jellybean Benitez remixed two of the songs for the album that were released as 12" singles for club play "Eyes" & "I'm Free".

On January 19, 1985, she sang at the nationally-televised 50th Presidential Inaugural Gala, the day before the second inauguration of Ronald Reagan. She was introduced by Merv Griffin.

Controversy over alleged anti-gay comments[link]

In the mid 1980s, Summer was embroiled in a controversy. She had allegedly made anti-gay remarks regarding the then-relatively new disease, AIDS, which as a result had a significantly negative impact on her career. Summer, by this time a born-again Christian, was alleged to have said that AIDS was a punishment from God for the immoral lifestyles of homosexuals. ^[8][9] However, she denied that she had ever made any such comment and, in a letter to the AIDS campaign group ACT UP in 1989, she said that it was "a terrible misunderstanding. I was unknowingly protected by those around me from the bad press and hate letters... If I have caused you pain, forgive me." She went on to apologize for the delay in refuting the rumours and closed her letter with Bible quotes (from Chapter 13 of 1 Corinthians).^[10]

Also in 1989, Summer told The Advocate magazine that "A couple of the people I write with are gay, and they have been ever since I met them. What people want to do with their bodies is their personal preference."^[11] A couple of years later she filed a lawsuit against New York magazine when it reprinted the rumours as fact just as she was about to release her album Mistaken Identity in 1991.^[12] According to a Biography television program dedicated to Summer in which she participated in 1995, the lawsuit was settled out of court though neither side was able to divulge any details.^[13][14]

1987–1989: Continued success in Europe[link]

In 1987, Summer returned with the album All Systems Go, which did not sell well, becoming her second consecutive album not to achieve gold status. It featured the single "Dinner with Gershwin" (written by Brenda Russell), which was only a minor US hit, though it peaked at No. 13 in the UK. The album's title track, "All Systems Go", was released only in the UK where it peaked at No. 54.

For Summer's next album, Geffen Records hired the British hit production team of Stock Aitken Waterman (or SAW), who had enjoyed incredible success by writing and producing for such acts as Kylie Minogue, Dead or Alive, Bananarama, and Rick Astley among others. However, Geffen decided not to release the album, entitled Another Place and Time, and Summer and Geffen Records parted ways in 1988. The album was released in Europe in March 1989 on Warner Bros. Records, which had been Summer's label in Europe since 1982. The single "This Time I Know It's for Real" had become a top ten hit in several countries in Europe, prompting the Warner Bros. subsidiary company Atlantic Records to sign Summer in the US and pick up the album for a North American release soon after. The single peaked at No. 7 on the Hot 100 in the US, and became her twelfth gold single there. It was also Summer's final Top 40 hit on the American pop charts, though she scored two more UK hits from the album, "I Don't Wanna Get Hurt" (UK No. 7) and "Love's About to Change My Heart" (UK No. 20).

[edit] 1990–1999: Mistaken Identity, acting, and Live & More Encore

In 1990, a Warner compliation, The Best of Donna Summer, was released. The album went gold after the song "State of Independence" had been re-released there to promote the album. The following year, Summer emerged with the album, Mistaken Identity, which included elements of R&B as well as new jack swing. While the album itself failed to become a success, the song "When Love Cries" continued her success on the R&B charts, reaching No. 18. In 1992, Summer embarked on a world tour to promote the album and later that year received her star on the Hollywood Walk of Fame. In 1993, Polygram issued the two-disc set, The Donna Summer Anthology, which included 34 tracks of all of Summer's material with Casablanca and Mercury while also including songs from her tenures with Atlantic and Geffen.

Summer signed with Mercury/Polygram that same year and in 1994, issued the the Christmas album, Christmas Spirit which included renditions of classic Christmas songs such as "O Holy Night" and "Joy To The World", while also including Summer-penned songs as well. Another hits collection, Endless Summer: Greatest Hits, was released, featuring eighteen songs, that were single cuts of the songs differentiating from the Anthology set where fuller length recordings were featured. In 1992, she reunited with Giorgio Moroder recording the dance song, "Carry On", which later won Summer the first Grammy given to anyone in its dance category. The 1995 dance tune "Melody of Love (Wanna Be Loved)" went number-one on the dance charts in the U.S. while becoming a top 30 hit in the UK, peaking at number 21.

During this time, Summer was offered a guest role on the sitcom Family Matters as Steve Urkel's (Jaleel White) Aunt Oona. She made a second appearance in 1997. In 1998, Summer received a Grammy Award for Best Dance Recording, being the first to do so, after a remixed version of her 1992 collaboration with Giorgio Moroder, "Carry On", was released in 1997. In 1999, Summer taped a live television special for VH1 titled Donna Summer – Live and More Encore, producing the second highest ratings that year for the network, after their annual Divas special. A CD of the event was released by Epic Records and featured two studio recordings, "I Will Go with You (Con te partirò)" and "Love Is the Healer", both of which reached number one on the US dance charts.

[edit] 2000–2009: Later recordings and Crayons

Summer performing at the Nobel Peace Prize Concert in 2009

In 2000, Summer participated in VH-1's third annual Divas special, dedicated to Diana Ross, though Summer sung mostly her own material for the show. In 2003, Summer issued her autobiography, Ordinary Girl: The Journey and that same year released a best-of set titled The Journey: The Very Best of Donna Summer. In 2004, Summer was inducted to the Dance Music Hall of Fame alongside the Bee Gees and Barry Gibb as an artist. Her classic song, "I Feel Love", was also inducted that night. In 2004 and 2005, Summer's success on the dance charts continued with the songs "You're So Beautiful" and "I Got Your Love".

Summer, in a 2008 interview with The Daily Telegraph, claimed that one month before the September 11 Attacks she had a premonition that they would occur. Summer was living in Manhattan at the time of the attacks. In the same interview she said for a period of time after the attacks she was so depressed she was unable to leave her bedroom and left her blinds closed.^[15]

In 2008, Summer released her first studio album of fully original material in 17 years, entitled Crayons. Released on the Sony BMG label Burgundy Records, it peaked at No. 17 on the United States Top 200 Album Chart (her highest placing on the chart since 1983), and achieved modest international success. The songs "I'm a Fire", "Stamp Your Feet", and "Fame (The Game)" reached number one on the United States Billboard Dance Chart. The ballad "Sand on My Feet" was released to adult contemporary stations and reached number thirty on that chart. While commenting on the album, Summer said "I wanted this album to have a lot of different directions on it. I did not want it to be any one baby. I just wanted it to be a sampler of flavors and influences from all over the world. There's a touch of this, a little smidgeon of that, a dash of something else...like when you're cooking." On the song "The Queen Is Back", Summer reveals her wry and witty self-awareness of her musical legacy and her public persona. "I'm making fun of myself," she admits. "There's irony, it's poking fun at the idea of being called a queen. That's a title that has followed me, followed me, and followed me. We were sitting and writing and that title kept popping up in my mind and I'm thinking, 'Am I supposed to write this? Is this too arrogant to write?' But people call me 'the queen,' so I guess it's ok to refer to myself as what everybody else refers to me as. We started writing the song and thought it was kind of cute and funny." Summer wrote "The Queen Is Back" and "Mr. Music" with J. R. Rotem and Evan Bogart, the son of Casablanca Records founder, Neil Bogart.

On December 11, 2009, Summer performed at the Nobel Peace Prize Concert in Oslo, Norway, in honor of United States President Barack Obama. She was backed by the Norwegian Radio Orchestra.

2010–2012: Final recordings[link]

In August 2010, she released the single "To Paris With Love", co-written with Bruce Roberts and produced by Peter Stengaard. In October 2010, the single reached No. 1 on the US Billboard Dance Chart (it would be her last charted single). Also that month, Summer appeared in the PBS Television Special Hitman Returns: David Foster and Friends. In it, Summer performed with Seal on a medley of the songs "Unbreak My Heart / Crazy / On the Radio", before Summer closed the show with "Last Dance".^[16]

On July 29, 2010, Summer gave an interview with Allvoices.com, wherein she was asked if she would consider doing an album of standards. She replied:

I actually am, probably in September. I will begin work on a standards album. I will probably do an all-out dance album and a standards album. I'm gonna do both, and we will release them however were gonna release them. We are not sure which is going first.^[17]

On September 15, 2010, Summer appeared as a guest celebrity singing alongside rising star Prince Poppycock on the television show America's Got Talent.

On October 16, 2010, she performed at a benefit concert at the Phoenix Symphony.^[18]

On June 6, 2011, Summer was a guest judge on the show, Platinum Hit in week two titled, "Dance Floor Royalty". Platinum Hit is a reality competition series on Bravo launched in 2011, in which 12 singer-songwriters compete through innovative songwriting challenges that test their creativity, patience and drive. Every episode features a different topic, from a dance track to a love ballad, that requires the contestants to write and perform lyrics from a multiple of genres, for a cash prize of $100,000, a publishing deal with songwriting collective The Writing Camp, and a recording deal with RCA/Jive label.

In July 2011, Summer was working at Paramount Recording Studios in Los Angeles with her nephew, the rapper and producer O'Mega Red. Together they worked on a track titled "Angel".

Personal life[link]

LaDonna Gaines was one of seven children born and raised in Boston's Mission Hill neighborhood, living on the first floor of a three-decker home. Following her move to Austria in 1971, she met and fell in love with actor Helmuth Sommer while the two were acting in Godspell. In 1973, the couple married^[19] and that year Gaines gave birth to her first child, daughter Mimi Sommer. In 1975, the couple divorced.^[19] Gaines took her husband's last name, translated to English, as her stage name.

In 1978, while working on the hit track, "Heaven Knows" which featured Brooklyn Dreams member Joe "Bean" Esposito on vocals, Summer met fellow member Bruce Sudano. Within a few months, Summer and Sudano became a couple. They married on July 16, 1980. In 1981, Summer gave birth to another daughter (her first child with Sudano), Brooklyn Sudano, named after Sudano's group. In 1982, Summer and Sudano had their second child, Amanda Sudano. (Brooklyn would grow up to star in the hit ABC production My Wife and Kids.)

In 1995, Summer and her family moved from Sherman Oaks, California to Nashville,^[20] where she took time out from show business to focus on painting, a hobby she began back in the 1980s. Also during 1995, Summer's beloved mother, Mary Gaines, died of lung cancer. Her father, Andrew Gaines, died in 2004 of natural causes.

Death and aftermath[link]

Death[link]

Summer died on the morning of May 17, 2012, at her home in Englewood, Florida at the age of 63.^[21][22] She had been diagnosed with lung cancer not related to smoking,^[23][24] reportedly being a non-smoker. She believed she contracted the illness by inhaling toxic particles following the 9/11 terrorist attacks in New York.^[25][26] Summer is survived by her husband Bruce Sudano, their daughters Brooklyn and Amanda, as well as her daughter Mimi from a previous marriage. Her funeral was held in Nashville, Tennessee on May 23, 2012.^[27] Her body was buried in Harpeth Hills Memory Gardens Cemetery in Nashville, Tennessee.^[28]

Reactions[link]

Donna Summer's memorial made by fans in the Castro District, San Francisco

Singers and music industry professionals around the world reacted to Donna Summer's death.^[29][30] Gloria Gaynor, a famous disco performer during the late 1970s,^[31] said that she was "deeply saddened" and that Donna was "a fine lady and human being." Gaynor said she was devastated by the death of her longtime friend, and that she had not known about Summer's cancer.^[32] Harry Wayne Casey of KC and the Sunshine Band said he and Donna "ran in the same circles and are part of the same generation."^[30] Liza Minnelli said, "She was a queen, the queen of disco, and we will be dancing to her music forever." She said that her "thoughts and prayers are with her family always."^[30] Dolly Parton said, "Donna, like Whitney, had one of the greatest voices ever. I loved her records. She was the disco queen, and will remain so. I knew her and found her to be one of the most likable and fun people ever. She will be missed and remembered."^[30] Janet Jackson wrote that Donna "changed the world of music with her beautiful voice and incredible talent."^[30] Barbra Streisand wrote: "I loved doing the duet with her. She had an amazing voice and was so talented. . . It's so sad."^[30] Quincy Jones wrote that Donna's voice was "the heartbeat and soundtrack of a decade."^[30] Aretha Franklin said, "It's so shocking to hear about the passing of Donna Summer. In the 70s, she reigned over the disco era and kept the disco jumping. Who will forget 'Last Dance.' A fine performer and a very nice person."^[33] Chaka Khan said: "Donna and I had a friendship for over 30 years. She is one of the few black women I could speak German with and she is one of the few friends I had in this business."^[33] Gloria Estefan wrote that "It's the end of an era," and posted a photo of herself with Summer.^[33] Elton John said, "I'm so sad. This woman was the queen of disco and so much more. Her records sound as good today as they ever did. That she has never been inducted into the Rock and Roll Hall of Fame is a total disgrace, especially when I see the second-rate talent that has been inducted. She is a great friend to me and to the Elton John AIDS Foundation and I will miss her greatly."^[34]

United States President Barack Obama said: "Michelle and I were saddened to hear about the passing of Donna Summer. A five-time Grammy Award winner, Donna truly was the 'Queen of Disco.' Her voice was unforgettable, and the music industry has lost a legend far too soon. Our thoughts and prayers go out to Donna's family and her dedicated fans."^[30][35]

Donna Summer was honored at the 2012 Billboard Music Awards ceremony.^[36][37] Singer Natasha Bedingfield honored Summer, calling her "a remarkable woman who brought so much light, and who inspired many women, including myself through her music. And if we can remember her through her music, this will never really be the last dance." After her statement, she began to sing the "Last Dance", Summer's song that received an Academy Award.^[37] As she sang the song, photos of Summer were displayed on a screen overhead.^[37] Many fans of Summer noticed and were unsatisfied that the Summer's tribute was cut off, supposedly for commercial benefits.^[37]

Fans paid a tribute to Donna by leaving flowers and memorabilia on her star on the Hollywood Walk of Fame.^[38] A few days after her death, her album sales increased by a 3,277 percent, according to Nielsen SoundScan. Billboard reported that the week before she died, Summer sold about 1,000 albums. After her death, that number increased to 26,000.^[39]

Funeral[link]

Summer's funeral service was held in the Christ Presbyterian Church in Nashville, Tennessee on the afternoon of May 23, 2012.^[27][40][41] The exact location and time of the service was kept secret.^[42] Several hundred of Summer's friends and family appeared at the singer's funeral, according to CNN.^[41] The funeral was a private ceremony^[41] and cameras were not allowed inside the church.^[41] TMZ obtained a copy of Summer's funeral program.^[43][44][45] The program includes a Proverb dedicated to Summer about a "wife of noble character".^[44] According to the program, Pastor Tim Johnson started the service and welcomed the guests.^[44] Afterward, Ricky Gaines, who is a relative of Summer's, gave a speech.^[44] Summer's sisters: Linda Gaines Lotman, Mary Ellen Bernard, Dara Bernard, and Jenette Yancey, performed "We've Come This Far By Faith."^[44] Mary Ellen Bernard performed "Because of Whose You Are".^[44] After that, Rick Dohler, the husband of one of Summer's daughters, gave a speech. Next, Pastor Tim Johnson spoke, again.^[44] The service was closed by David Foster and Natalie Grant performing "The Prayer".^[41][44] Guests left the church, entered their cars, and followed the black hearse with Summer's body to the Harpeth Hills Memory Gardens cemetery in Nashville, where she was buried.^[28][44] Other guests included Giorgio Moroder, who produced several of Summer's hits, and singer Tony Orlando.^[41]