In filmmaking, a long take or oner is an uninterrupted shot in a film which lasts much longer than the conventional editing pace either of the film itself or of films in general, usually lasting several minutes. Long takes are often accomplished through the use of a dolly shot or Steadicam shot. Long takes of a sequence filmed in one shot without any editing are rare in films.
The term "long take" is used because it avoids the ambiguous meanings of "long shot", which can refer to the framing of a shot, and "long cut", which can refer to either a whole version of a film or the general editing pacing of the film. However, these two terms are sometimes used interchangeably with "long take".
When filming Rope (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the cameras available could hold no more than 1000 feet of 35 mm film. As a result, each take used up to a whole roll of film and lasts up to 10 minutes. Many takes end with a dolly shot to a featureless surface (such as the back of a character's jacket), with the following take beginning at the same point by zooming out. The entire film consists of only 11 shots.
Long may refer to:
Long is a surname and may refer to many people.
The Longs in Ireland got their names from a number of different origins. Some are of English, Scottish, and Norman descent. The Norman de Long and le Lung arrived in the 11th century with the Anglo-Norman conquest in 1066 AD and established in numerous locations. A number of Irish Gaelic septs of O'Longain and O'Longaig contributed to the origin of the name. One sept was located in County Armagh, but the greater numbers were in County Cork at Cannovee and also at Moviddy. The Longs lost all their lands in the upheavals of the 17th century. The name is found in its greatest numbers in Munster, County Cork being most favored. The line of direct descent from the last elected chieftain to the present day is unbroken — the official title is styled "O'Long of Carrenelongy". The Irish origin also comes from "Lonklin" from county Tipperary and Dublin.
Long is also the pinyin romanization of several Chinese surnames. It includes 龍/龙, which means "dragon" in Chinese, ranking number 80 on the list of common Chinese surnames in 2006, up from 108 in 1990. Another name transcribed as Long is 隆, which is very rare in contemporary China. In Hong Kong, these names are also romanized as Lung.
This is a list of the major characters from the Hudson Soft video game series Bloody Roar that were released over various platforms from 1997 to 2003.
Yūgo Ōgami (大神勇吾, Ōgami Yūgo), the series' protagonist, is a young wolf zoanthrope on a quest to uncover the circumstances of his father's death. His father, Yūji Ōgami (大神勇二, Ōgami Yūji), was a mercenary said to have died in combat in a South American country. Yūgo also seeks the mercenary Gado, the sole survivor of Yūji's combat unit. Yūgo and Gadou eventually meet in a secret Tyron Corporation laboratory, where Gado reveals that Yūji was a zoanthrope who fought against the Tyron Corporation's mind control experiments and conversion process. Yūgo then promises his father that he will destroy their enemies with the powers that he inherited from him.
After the fall of Tylon, Yūgo hides his Zoanthropy and takes up a career as a boxer. He is not truly alone, as he took under his wing a boy he found during the destruction of Tylon. The boy had no memories and nobody to take care of him, so Yūgo took it upon himself to adopt him as his brother and named him Kenji. One day, five years after the incident with Tylon, Kenji is mysteriously abducted by a strange person. He assumes this is a sign that Tylon might be resurfacing and decides to fight back and rescue his younger brother.
We still got a long way to go
We still got a long way to go
We all got a long way to go
What's keeping us apart isn't selfishness
What's holding us together isn't love
Listen to the man who's been
touched all his life
Yes he's the one they call the fool
Where is the savior of the sidewalk life
and the road that takes us to the crusades
I've seen the shadows
as they're moving in my sleep
leading the blind poet to his grave
We still got a long way to go
We still got a long way to go
Yes we all got a long way to go
Please don't waste your energy on me my friend
cause we still got a long way to go
we'll meet again some day
but right now just go away
cause I still got a long way to go
The silence is speaking
so why am I weeping
I guess I love it
I love it to death
We still got a long way to go
Yes we still got a long way to go
In filmmaking, a long take or oner is an uninterrupted shot in a film which lasts much longer than the conventional editing pace either of the film itself or of films in general, usually lasting several minutes. Long takes are often accomplished through the use of a dolly shot or Steadicam shot. Long takes of a sequence filmed in one shot without any editing are rare in films.
The term "long take" is used because it avoids the ambiguous meanings of "long shot", which can refer to the framing of a shot, and "long cut", which can refer to either a whole version of a film or the general editing pacing of the film. However, these two terms are sometimes used interchangeably with "long take".
When filming Rope (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the cameras available could hold no more than 1000 feet of 35 mm film. As a result, each take used up to a whole roll of film and lasts up to 10 minutes. Many takes end with a dolly shot to a featureless surface (such as the back of a character's jacket), with the following take beginning at the same point by zooming out. The entire film consists of only 11 shots.
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