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EMI Records, also called Evergreen Music Recordings is the flagship record label founded by the EMI company in 1972 and launched in January 1973 as the successor to its Columbia label. The EMI label was launched worldwide.^[1]

The global success that EMI had enjoyed in the 1960s exposed the fact that the company only had the rights to some of its trademarks in some parts of the world, most notably His Master's Voice and Columbia, with RCA Victor Records and the American Columbia Records owning the rights to these trademarks in North America. Complicating matters was the formation by American Columbia of its own operations in the UK by purchasing Oriole Records and changing its name to that of its then parent company CBS (the legal trademark designation bearing the full name of the parent company, "Trade Mark of Columbia Broadcasting System, Inc."), and becoming highly successful, a serious rival to EMI, in the UK.

EMI Records picked up the English Columbia roster and signed new acts that became global successes, such as Kraftwerk, Queen, Olivia Newton-John, Iron Maiden, Kate Bush, Sheena Easton and Robbie Williams (though some of these acts were on different labels in the United States, not EMI's Capitol Records).

In 2010, EMI Records opened a country music division, EMI Records Nashville, which includes Troy Olsen and Eric Church on its roster. EMI Records Nashville runs as a sister label to Capitol Nashville.^[2]

Australia's most prolific artist, Australian country music singer Slim Dusty, signed with the Columbia Graphophone Co. for the Regal Zonophone label in 1946 and remained with EMI until his death in 2003 - selling over 7 million records for the label in Australia by 2007.

See also[link]

• Abbey Road Studios
• List of record labels

References[link]

Emeli Sandé
Background information
Birth name	Adele Emeli Sandé
Born	(1988-03-10) 10 March 1988 (age 24)[1][2]
Genres	Soul, R&B, pop
Occupations	Singer, musician, songwriter
Years active	2009–present
Labels	Virgin (2010–present)
Website	www.emelisande.com

Adele Emeli Sandé  /sænˈdeɪ/ san-DAY, (born 10 March 1988)^[1] known by her stage name Emeli Sandé, is a Scottish soul and R&B recording artist and songwriter. Sandé first became known to the public eye after she featured on rapper Chipmunk's third single, "Diamond Rings", which gained herself and Chipmunk a first top 10 single on the UK Singles Chart. In 2010, she appeared on Roll Deep star, Wiley's "Never Be Your Woman", which became another top ten hit. Simon Cowell called her "his favourite songwriter at the minute". She has written for a number of artists, including Cher Lloyd, Parade, Susan Boyle, Preeya Kalidas, Leona Lewis, Alesha Dixon, Cheryl Cole, and Tinie Tempah.

In 2010, she signed a publishing deal with EMI Music Publishing. She later announced that Virgin Records had given her a record deal. Sandé released her first solo single "Heaven" in August 2011, which was an instant hit around the globe. Sandé has two number-one singles across the United Kingdom and Ireland with "Read All About It" with Professor Green and "Next to Me". She released Our Version of Events, in February 2012, upon the release the album peaked number one in the UK.^[3]

Early life[link]

Emeli Sandé was born to a Zambian father and English mother. She was raised in Alford, Aberdeenshire.^[4][5] She studied Medicine at the University of Glasgow, but stopped in her fourth year.^[4] She said that education was one of the most important things to her, stating that if her music career failed, she has education to fall back on. Sandé said that her manager, Adrian Sykes, waited patiently since she was 16, saying "Adrian really respects that I want to get an education behind me. He also knows my parents are keen that I finish university."^[6] Sandé has a tattoo of artist Frida Kahlo.^[7] At the age of 11, when Sandé was still in primary school, she wrote her first song for a school talent show.^[7] She spoke "That was the first time I thought I might be a songwriter. I always knew I wanted to be a musician, and I always knew I wanted to write. Because the people I was listening to all wrote. I never thought it was an option to sing anyone else's songs.^[7] The first song we wrote in was called "Tomorrow Starts Again", the song had proper structure, which even had a Middle eight.^[7] At the age of 15, Choice FM invited her to London, United Kingdom to take part in a competition they were holding, the "Rapology". Richard Blackwood also had her down to MTV's Camden studios to sing gospel.^[7] Sandé went to the same secondary school at which her father was a teacher. She said "I hated to be ill and to miss a day because I was so hungry to learn. I was very shy, nerdy and extremely well-behaved. Inevitably, throughout secondary school, it was part and parcel of my identity that I was Mr Sandé’s daughter. No way could I muck about or get into trouble, because it would've got back to him within minutes. And Dad was strict, let me tell you."^[8]

Career[link]

2008–10: Career beginnings[link]

Sandé's sister made a video of her playing the piano and singing to one of her favourite songs, "Nasty Little Lady".^[7] They sent the clip to Trevor Nelson's BBC Urban music competition. Sandé won the show and was offered a record deal, but the management that she met via the competition decided against the deal.^[7] Her parents sent 1Xtra a CD of her songs. Ras Kwame played on his "Homegrown Sessions", and four artists that year were asked to do a show in Soho. She met with Watford-born music producer/writer Shahid Khan aka Naughty Boy,^[9] who has previously worked with Ms Dynamite and Bashy,^[7] and they began writing tracks for artists such as Alesha Dixon, Chipmunk, Professor Green, Devlin, Preeya Kalidas, Cheryl Cole, and Tinie Tempah. Sandé soon signed a record deal with Virgin Records and EMI Records.^[10] In an interview, she said "I was doing a show in London for 1Xtra and I met this guy called Naughty Boy. We got in the studio and we clicked work wise. We just started writing, not necessarily for me, we just thought ‘let's write a pop tune’ and experiment. And we wrote the Chipmunk track and I thought nothing of it. Naughty Boy sent it off to Chipmunk who really liked it and wrote his stuff around it."^[10] She signed a record deal with Virgin Records in 2010. She later signed another deal with EMI Records in early 2011.^[11] Sandé made her singing career debut in 2009 after appearing on the track she wrote for Chipmunk's first debut single, "Diamond Rings". The single charted at No. 6 on the UK Singles Charts, making it Chipmunk and Sandé's first ever Top 10 Hit.^[12] She later appeared on another single singing guest vocals, after collaborating with Wiley on his comeback single "Never Be Your Woman", the single charted at number-eight on the UK Singles Charts becoming Sandé's second consecutive Top 10 Single.^[9] Sandé announced she changed her name from Adele Sandé to her middle name Emeli Sandé due to Adele's growing success. She spoke; "I changed it as soon as Adele came out. I just thought, 'You've kind of taken the [name] now', so I went with my middle name. She was just getting bigger and bigger, so I thought I just really need it."^[13]

[edit] 2011–present: Our Version of Events, international success and songwriting

While making her debut album, Sandé began to work with Tinie Tempah. She co-wrote "Let Go", on which she provided guest vocals. She also started working with Devlin after recording a song titled "Dreamer". Sandé later revealed she would be working on Alesha Dixon's upcoming album, The Entertainer. She co-wrote the hit single "Radio" along with Shahid Khan.^[14] and co-wrote tracks on Cheryl Cole's albums as well as Professor Green's album, which Sandé gave guest vocals on.^[15] Sandé revealed her first solo single would be released in early 2011.^[16] There was some speculation surrounding what track she would release, after many newspapers stated that it would be "Daddy". The first official single from her upcoming debut album was "Heaven" and was released on 14 August 2011.^[17] The song has received positive reviews from blogs such as This Must Be Pop^[18] and Robot Pigeon.^[19]

Sandé at XOYO

She revealed that she is Simon Cowell's favourite song-writer at the moment; due to her writing songs for Leona Lewis and Susan Boyle.^[13] Sandé stated in an interview; she said that she would love to meet Boyle after writing songs for her saying, "I haven’t met her yet. I just sent her the song. I’d love to meet her because I think she is a bit of a rock star." One song that Sandé had cowritten for Boyle will appear on her new album, titled "This Will Be The Year". Leona had heard a couple of songs so we had a week in the studio with her. Leona and I got along really well. Then we had another week together. It was very natural. She recorded a song called Trouble and another called Mountains, so I look forward to hearing them on her album."^[13] It was revealed after Professor Green announced his album tracking list for his album, At Your Inconvenience, that Sandé would feature on the first single from the album, "Read All About It". The single was released in October 2011,^{[dated info]} a week before the album was released.^[20] The pair also performed the song live on The X Factor results show.^[21] She confirmed that "Daddy" would be the second official single released from Our Version of Events. Sandé achieved her first number-one single on the UK Singles Chart after "Read All About" entered at number-one. On 26 November, Sandé performed at the LG ARENA in Birmingham for BRMB 2011. On 15 December 2011, she was named as the Brit Awards Critics' Choice for 2012.^[4][22][23] Sandé`s debut album includes songs written by her and has been reviewed as having "richly melodic, classically powerful, retro-futurist soul-pop songs."^[7] She draws on influences for her music from Nina Simone, Joni Mitchell and Lauryn Hill.^[7] Sandé said that all her songs are about World peace and political issues.^[7]

Sandé said that the key to a good song when songwriting is using "honesty" and "raw emotion" as the best way to write. She said that if she attempts to write something which is "too smart" the creative process will not work for her. "Kill the Boy" was one of the first ideas that came to Sandé's head. She said if she has to work on a song longer than a day, she will not go back to it, as she said it won't work. She went onto say if it was to work, it the idea for the song would be almost instant.^[7] It was announced that she was up for another BRIT Award in 2012, for British Breakthrough Act.^[24] Sandé is currently writing material for the original lineup of Sugababes. On 24 January 2012, Sandé performed a one off gig for Q Magzine at XOYO, London. She was supported by British soul singer Michael Kiwanuka. She recorded a version of David Guetta's "Titanium" and the pair performed the song at NRJ Music Awards in France.^[25][26] Sandé has penned a track for Naughty Boy's upcoming LP entitled "Hollywood" which features soul singer Gabrielle. It is about fame coming and going and will be released in November.^[27]

Personal life[link]

In January 2012, Sandé confirmed that she is engaged to her unidentified, long-term boyfriend.^[28] Her boyfriend has requested not to be identified and Sandé has said he is not in the music industry but that he is a scientist.^[29]

Discography[link]

Albums

• Our Version of Events (2012)

Touring[link]

Headlining

• Our Version of Events tour (2011-2012)

Supporting

• Mylo Xyloto Tour (2011-2012)

Awards and nominations[link]

References[link]

Wikimedia Commons has media related to: Emeli Sandé

External links[link]

• Official website
• Aberdeen Famous Faces

Gene McDaniels (February 12, 1935^[1] – July 29, 2011) was an American singer and songwriter, who had his greatest recording success in the early 1960s.

Biography[link]

Born Eugene Booker McDaniels in Kansas City, Missouri, United States,^[1] McDaniels grew up in Omaha, Nebraska. As well as singing gospel music in church, he developed a love of jazz, and learned to play the saxophone and trumpet. After forming a singing group, The Echoes of Joy, later known as The Sultans, in his teens, he studied at the University of Omaha Conservatory of Music before joining the Mississippi Piney Woods Singers, with whom he toured in California. There, he began singing in jazz clubs, and came to the attention of Sy Waronker of Liberty Records.^[2][3]

After recording two unsuccessful singles and an album, he was teamed with producer Snuff Garrett, with whom he recorded his first hit, "A Hundred Pounds of Clay," which reached no. 3 in the Billboard Hot 100 chart in early 1961 and sold over one million copies, earning gold disc status.^[1] Its follow-up, "A Tear", was less successful but his third single with Garrett, "Tower of Strength," co-written by Burt Bacharach, reached number 5 and won McDaniels his second gold record.^[2] "Tower of Strength" reached number 49 in the UK Singles Chart, losing out to Frankie Vaughan's chart-topping version.^[4]

In 1962 he appeared performing in the movie It's Trad, Dad!, directed by Richard Lester. He continued to have minor hit records, including "Chip Chip", "Point Of No Return" and "Spanish Lace", each in 1962, but his suave style of singing gradually became less fashionable. In 1965 he moved to Columbia Records, with little success, and in 1968, after the assassination of Dr. Martin Luther King, he left the US to live in Denmark and Sweden, where he concentrated on songwriting. He returned to the US in 1971, and recorded thereafter as Eugene McDaniels.^[2]

After the late 1960s, McDaniels turned his attention to a more black consciousness form, and his best-known song in this genre was "Compared to What," a jazz-soul protest song made famous (and into a hit) by Les McCann and Eddie Harris on their album, Swiss Movement, and also covered by Roberta Flack, Ray Charles, Della Reese, John Legend, The Roots and others.^[3] McDaniels also attained the top spot on the chart as a songwriter. In 1974, Roberta Flack reached number 1 with McDaniels' "Feel Like Makin' Love" (not to be confused with the Bad Company song of the same name), which won a Grammy Award. McDaniels also received a BMI award for outstanding radio airplay; at the time of the award, the song had already had over five million plays.

In the early 1970s, McDaniels recorded on the Atlantic label, which released the McDaniels albums, Headless Heroes of the Apocalypse and Outlaw.

In the 1980s, McDaniels recorded an album with the percussionist Terry Silverlight, which has not yet been released. In 2005, McDaniels released Screams & Whispers on his own record label. In 2009, it was announced that he is to release a new album, Evolution's Child, which featured his lyrics, and a number of songs composed or arranged with pianist Ted Brancato. Some of the songs featured jazz musician Ron Carter on concert bass.

McDaniel's "Jagger the Dagger" was featured on the Tribe Vibes breakbeat compilation album, after it had been sampled by A Tribe Called Quest.

McDaniels also appeared in films. They included the 1962 film, It's Trad, Dad! (released in the United States as Ring-A-Ding Rhythm), which was directed by Richard Lester. He also appeared in the 1963 The Young Swingers. McDaniels is briefly seen singing in the choir in the 1974 film Uptown Saturday Night.

McDaniels lived as a self-described "hermit" in the state of Maine. In 2010 he launched a series of YouTube videos on his website, featuring his music and thoughts on some of his creations. McDaniels died on July 29, 2011 at his home.^[6]

Discography[link]

Studio albums[link]

• In Times Like These - Liberty (1960)
• Sometimes I'm Happy, Sometimes I'm Blue - Liberty (1960)
• A Hundred Pounds Of Clay - Liberty (1961)
• Gene McDaniels Sings Movie Memories - Liberty (1962)
• Hit After Hit - Liberty (1962)
• Tower Of Strength - Liberty (1962)
• Spanish Lace - Liberty (1963)
• The Wonderful Word Of Gene McDaniels - Liberty (1963)
• Outlaw - Atlantic (1970)
• Headless Heroes of the Apocalypse - Atlantic (1971)
• Natural Juices - Ode (1975)
• Screams & Whispers - Sky Forest Music (2005)

Produced by Eugene McDaniels[link]

• The First Time - Carri Coltrane, 1999
• Flamenco Sketches - Carri Coltrane, 1998

Chart singles[link]

Filmography[link]

• It's Trad, Dad! (a.k.a. Ring-A-Ding Rhythm, 1962)
• The Young Swingers (1963)

References[link]

Bobby McFerrin
Bobby McFerrin in March 2011
Background information
Birth name	Robert McFerrin, Jr
Born	(1950-03-11) March 11, 1950 (age 62) Manhattan, New York
Genres	Jazz, Reggae, World Music, Classical Music
Occupations	Musician Songwriter Conductor Arranger Producer
Instruments	Vocals, piano, bass guitar, clarinet
Years active	1977–present
Labels	Manhattan Records Blue Note Records Elektra Records Sony Classical
Associated acts	Chick Corea Herbie Hancock
Website	www.bobbymcferrin.com

Robert "Bobby" McFerrin, Jr. (born March 11, 1950) is a virtuoso American vocalist and conductor. He is best known for his 1988 hit song "Don't Worry, Be Happy". He is a ten-time Grammy Award winner. He is well known for his unique vocal techniques and singing styles.

Life[link]

Bobby McFerrin was born in Manhattan, New York City, the son of operatic baritone Robert McFerrin and singer Sara Copper.^[1] Robert Sr. was the first African American to be a regular with New York's Metropolitan Opera. Sara is a former soloist with regional opera companies and in Broadway shows, and is a professor emeritus of music at Fullerton College in Fullerton, California.

Bobby McFerrin married Debbie Green in 1975. They have three children.^[2]

McFerrin's song "Don't Worry, Be Happy" was a No. 1 U.S. pop hit in 1988 and won Song of the Year and Record of the Year honors. McFerrin has also worked in collaboration with instrumental performers, including pianists Chick Corea, Herbie Hancock, and Joe Zawinul, drummer Tony Williams, and cellist Yo-Yo Ma.

Vocal technique[link]

As a vocalist, McFerrin often switches rapidly between modal and falsetto registers to create polyphonic effects, performing both the main melody and the accompanying parts of songs. He makes use of percussive effects created both with his mouth and by tapping on his chest. McFerrin is also capable of multiphonic singing, as observed in his song "Drive" from the 2005 DVD Live in Montreal.^[3]

A notable document of McFerrin's approach to singing is his 1984 album The Voice, the first solo vocal jazz album recorded with no accompaniment or overdubbing.^[4]

Career[link]

In 1986, McFerrin was the voice of Santa Bear in Santa Bear's First Christmas, and in 1987 he was the voice of Santa Bear/Bully Bear in the sequel Santa Bear's High Flying Adventure. That same year, he performed the theme song for the opening credits of Season 4 of The Cosby Show, as well as the music for a Cadbury chocolate commercial.^{[citation needed]}

In 1988, McFerrin recorded the hit song "Don't Worry, Be Happy", which brought him widespread recognition across the world. However, the song's success "ended McFerrin's musical life as he had known it," and he began to pursue other musical possibilities – on stage and in recording studios.^[5] The song was used in George H. W. Bush's 1988 U.S. presidential election as Bush's 1988 official presidential campaign song, without Bobby McFerrin's permission or endorsement. In reaction, Bobby McFerrin publicly protested that particular use of his song, including stating that he was going to vote against Bush, and completely dropped the song from his own performance repertoire, to make the point even clearer.^{[citation needed]}

In 1989, he composed and performed the music for the Pixar short film Knick Knack. The rough cut to which McFerrin recorded his vocals had the words "blah blah blah" in place of the end credits (meant to indicate that he should improvise). McFerrin spontaneously decided to sing "blah blah blah" as lyrics, and the final version of the short film includes these lyrics during the end credits. Also in 1989, he formed a ten-person "Voicestra" which he featured on both his 1990 album Medicine Music and in the score to the 1989 Oscar-winning documentary Common Threads: Stories from the Quilt. The song "Common Threads" has frequently reappeared in some public service advertisements about AIDS. McFerrin also performed with the Vocal Summit.^{[citation needed]}

As early as 1992, widespread rumors circulated that falsely claimed McFerrin committed suicide. The rumors intentionally made fun of the distinctly positive nature of his popular song "Don't Worry, Be Happy" by claiming McFerrin ironically took his own life.^[6]

In 1993, McFerrin sang Henry Mancini's "Pink Panther" theme for the movie Son of the Pink Panther.

In addition to his vocal performing career, in 1994, Mr. McFerrin was appointed as creative chair of the Saint Paul Chamber Orchestra. He makes regular tours as a guest conductor for symphony orchestras throughout the United States and Canada, including the San Francisco Symphony (on his 40th birthday), the New York Philharmonic, the Chicago Symphony Orchestra, the Cleveland Orchestra, the Israel Philharmonic Orchestra the Philadelphia Orchestra, the Los Angeles Philharmonic, the London Philharmonic, the Vienna Philharmonic and many others. In McFerrin's concert appearances, he combines serious conducting of classical pieces with his own unique vocal improvisations, often with participation from the audience and the orchestra. For example, the concerts often end with McFerrin conducting the orchestra in an a cappella rendition of the "William Tell Overture," in which the orchestra members sing their musical parts in McFerrin's vocal style instead of playing their parts on their instruments.

For a few years in the late 1990s, he toured a concert version of Porgy and Bess, partly in honor of his father, who sang the role for Sidney Poitier in the 1959 film version, and partly "to preserve the score's jazziness" in the face of "largely white orchestras" who tend not "to play around the bar lines, to stretch and bend". McFerrin says that because of his father's work in the movie, "This music has been in my body for 40 years, probably longer than any other music."^[7]

McFerrin also participates in various music education programs and makes volunteer appearances as a guest music teacher and lecturer at public schools throughout the U.S. McFerrin has collaborated with his son, Taylor, on various musical ventures. Taylor has recently been singing, rapping, and playing minimal keyboard accompaniment with Vernon Reid (leader-guitarist of Living Colour) in the eclectic metal-fusion-funk group Yohimbe Brothers.^{[citation needed]}

In 2009, McFerrin and musician-scientist Daniel Levitin served as co-hosts of The Music Instinct, a two-hour award-winning documentary produced by PBS and based on Levitin's best-selling book This Is Your Brain On Music. Later that year, the two appeared together on a panel at the World Science Festival, where McFerrin demonstrated audience participation with the ubiquitous nature of human understanding of the pentatonic scale by singing and dancing, and having the audience sing while following his movements.^[8]

Discography[link]

As leader[link]

• Bobby McFerrin (1982)
• The Voice (1984)
• Spontaneous Inventions (1987)
• Elephant's Child (1987)
• Simple Pleasures (1988)
• Don't Worry, Be Happy (1988)
• How the Rhino Got His Skin/How the Camel Got His Hump (1990)
• Medicine Music (1990)
• Play, with Chick Corea, 1992
• Hush, with Yo-Yo Ma, 1992
• Many Faces of Bird (1991)
• "The Siamese Cat Song" on Simply Mad About the Mouse (1991)
• Sorrow Is Not Forever (1994)
• Paper Music (1995, Doick with the St. Paul Chamber orchestra)
• Bang! Zoom (1996)
• The Mozart Sessions, with Chick Corea, 1996
• Circlesongs (1997)
• Mouth Music (2001)
• Beyond Words (2002) – featuring Chick Corea, Cyro Baptista and Richard Bona
• Konzert für Europa -The Schönbrunn Concert (2004)
• VOCAbuLarieS (2010)

As sideman[link]

• Pharoah Sanders, Journey to the One, 1980
• Grover Washington, Jr., The Best Is Yet to Come, 1982
• Various Artists, The Young Lions, 1983
• Charles Lloyd Quartet, A Night in Copenhagen (Blue Note, 1984)
• Various Artists, A Tribute to Thelonius Monk, 1984
• Chico Freeman, Tangents, 1984
• Michael Hedges, Watching My Life Go By, 1985
• The Manhattan Transfer, Vocalese, 1985
• Joe Zawinul, Di•a•lects, 1986
• Weather Report, Sportin' Life, 1985
• Al Jarreau, Heart’s Horizon, 1988
• Quincy Jones, Back on the Block, 1989
• Laurie Anderson, Strange Angels, 1989
• Gal Costa, The Laziest Gal in Town, 1991
• Dizzy Gillespie, Bird Songs: The Final Recordings (Telarc, 1992), To Bird with Love (Telarc, 1992)
• Jack DeJohnette, Extra Special Edition (Blue Note, 1994)
• Yellowjackets, Dreamland, 1995
• George Martin, In My Life, 1998 – on "Come Together" with Robin Williams
• En Vogue, Masterpiece Theatre, 2000
• Bela Fleck and the Flecktones, Little Worlds, 2003
• Chick Corea, Rendezvous in New York, 2003
• Wynton Marsalis, The Magic Hour, 2004
• size2shoes, 2006 (free track)^[9]

Grammys[link]

• 1985, Best Jazz Vocal Performance, male, "Another Night In Tunisia" with Jon Hendricks
• 1985, Best Vocal Arrangement for two or more voices, "Another Night In Tunisia" with Cheryl Bentyne
• 1986, Best Jazz Vocal Performance, male, "Round Midnight"
• 1987, Best Jazz Vocal Performance, male, "What Is This Thing Called Love"
• 1987, Best Recording for Children, "The Elephant's Child" with Jack Nicholson
• 1988, Song of the year, Best Pop Vocal Performance, male, Record of the year, "Don't Worry, Be Happy"
• 1988, Best Jazz Vocal Performance, male, "Brothers"
• 1992, Best Jazz Vocal Performance, "Round Midnight"

References[link]

External links[link]

Wikimedia Commons has media related to: Bobby McFerrin

• Bobby McFerrin

Sir Cliff Richard OBE
Cliff Richard in November 2009
Background information
Birth name	Harry Rodger Webb
Born	(1940-10-14) 14 October 1940 (age 71) Lucknow, United Provinces, British India
Genres	Skiffle, rock and roll, pop, gospel, contemporary Christian music
Occupations	Musician, actor, philanthropist
Instruments	Vocals, guitar, percussion
Years active	1958–present
Labels	EMI, EMI's Columbia, Epic, Decca, Rocket, Papillon
Associated acts	The Shadows, Olivia Newton-John, Dionne Warwick
Website	www.cliffrichard.org

Sir Cliff Richard, OBE (born Harry Rodger Webb; 14 October 1940) is a British pop singer, musician, performer, actor, and philanthropist. With his backing group The Shadows, Richard, originally positioned as a rebellious rock and roll singer in the style of Little Richard^[1] and Elvis Presley, dominated the British popular music scene in the pre-Beatles period of the late 1950s and early 1960s. His 1958 hit single "Move It" is often described as Britain's first authentic rock and roll song, and John Lennon once claimed that "before Cliff and the Shadows, there had been nothing worth listening to in British music."^[2][3] A conversion to Christianity and subsequent softening of his music later led to a more middle of the road pop image, sometimes venturing into gospel music.

Over a 53-year career, Richard has become a fixture of the British entertainment world, amassing many gold and platinum discs and awards, including three Brit awards and two Ivor Novello awards. He has had more than 130 singles, albums and EPs make the UK Top 20, more than any other artist^[4] and holds the record (with Elvis Presley) as the only act to make the UK singles charts in all of its first six decades (1950s–2000s). He has achieved 14 UK No. 1 singles (or 18, depending on the counting methodology) and is the only singer to have had a No. 1 single in the UK in six consecutive decades: the 1950s through to the 2000s (discounting digital downloads and counting only CDs, he had a UK No. 1 single in the 2000s). Richard is the biggest selling singles artist of all time in the UK, with total sales of over 21 million^[5] and has reportedly sold an estimated 250 million records worldwide.^[6][7]

Richard has never achieved the same impact in the United States despite eight US Top 40 singles, including the million-selling "Devil Woman" and "We Don't Talk Anymore", the latter becoming the first to reach the Hot 100's top 40 in the 1980s by a singer who had been in the top 40 in the 1950s, 1960s, and 1970s. In Canada, Richard achieved moderate success in the 1980s with several albums reaching platinum status. He has remained a popular music, film, and television personality in Australia, New Zealand, South Africa, Northern Europe and Asia, and he retains a following in other countries.

Biography[link]

1940–58: Childhood[link]

Harry Rodger Webb was born on 14 October 1940 at the King George Hospital, Victoria Street, in Lucknow, India, to Rodger Oscar Webb, a manager for a catering contractor that serviced the Indian Railways, and his wife Dorothy Marie Dazely.^[8] Richard was baptised Harry Rodger Webb on 2 November 1940 at St Thomas's Church, Dehradun, India.^{[citation needed]} The family lived in a modest home with other Anglo-Indians at Maqbara, near the main shopping centre of Hazratganj. The Anglo-Indians living at Maqbara were often employed as musicians; a band played at the Royal Cafe Restaurant, Lucknow, and another at the Mohmmad Bagh club, which was the officers' club serving the garrison at Lucknow.^[9] Dorothy's mother served as the dormitory matron at the La Martiniere Girls' School. Anglo-Indians did not enjoy any great social status in India and were looked down upon by the British.^[9] Richard has three sisters.^[10] In around 1945, his family moved to Howrah, near Calcutta, where he started his schooling in St. Thomas' Church School, Howrah, which still exists.

In 1948, following Indian independence the family embarked on a three week sea voyage to Tilbury, Essex, England aboard the SS Ranchi. The Webbs moved from comparative wealth in India, where they had servants and lived in a company-supplied flat at Howrah near Calcutta, to a semi-detached house in Carshalton, Surrey (which was also the location of the school he attended, Stanley Park Juniors). In 1949 his father obtained employment in the credit control office of Thorn Electrical Industries and the family moved in with other relatives in Waltham Cross Hertfordshire, where he attended Kings Road Junior Mixed Infants School until a three-bedroom council house in Cheshunt was allocated to them in 1950. Harry Webb then attended Cheshunt Secondary Modern School, later renamed Riversmead School (later rebuilt and renamed Bishopslea School) from 1952 to 1957. As a member of the top stream he stayed on beyond the minimum leaving age to take GCE Ordinary Level examinations and gained a pass in English literature. He then started work as a filing clerk for a company called Atlas Lamps.^[11] A development of flats, Cliff Richard Court, has been named after him in Cheshunt.^[12]

Harry Webb became interested in skiffle. His father bought him a guitar at 16 and he formed the Quintones vocal group in 1957.^{[citation needed]} He then sang in the Dick Teague Skiffle Group.^{[citation needed]}

1958–63: Success and stardom[link]

Harry Webb became lead singer of a rock and roll group, The Drifters (not to be confused with the US group of the same name). 1950s entrepreneur Harry Greatorex wanted the up and coming Rock 'n' Roll singer to change from his real name of Harry Webb. The name Cliff was adopted as it sounded like cliff face, which suggested "Rock." It was "Move It" writer Ian Samwell who suggested that the former Harry Webb be surnamed Richard as a tribute to Webb's musical hero Little Richard.^[1][13] Before their first large-scale appearance, at the Regal Ballroom in Ripley, Derbyshire in 1958, they adopted the name "Cliff Richard and the Drifters". The four members were Harry Webb (now going under the stage name "Cliff Richard"), Ian "Sammy" Samwell on guitar, Terry Smart on drums and Norman Mitham on guitar. None of the other three played with the later and better known Shadows, although Samwell wrote songs for Richard's later career.

For his debut session, Norrie Paramor provided Richard with "Schoolboy Crush", a cover of an American record by Bobby Helms. Richard was permitted to record one of his own songs for the B-side; this was "Move It", written by the Drifters' Samwell on a number 715 Green Line bus on the way to Richard's house for a rehearsal. For the "Move It" session Paramor used the session guitarist Ernie Shears on lead guitar and Frank Clark on bass.

There are a number of stories about why the A-side was replaced by the intended B-side. One is that Norrie Paramor's young daughter raved about the B-side; another was that influential TV producer Jack Good, who used the act for his TV show Oh Boy!, wanted the only song on his show to be "Move It".^[14] Richard was quoted as saying -

NME - September 1958^[15]

The single went to No. 2 on the UK Singles Chart. Music critics Roy Carr and Tony Tyler wrote that it was the first genuine British rock classic, followed by Johnny Kidd and the Pirates' "Shakin' All Over". John Lennon was quoted as saying that "Move It" was the first English rock record.

In the early days, Richard was marketed as the British equivalent to Elvis Presley. Like previous British rockers such as Tommy Steele and Marty Wilde, Richard adopted Presley-like dress and hairstyle. In performance he struck a pose of rock attitude, rarely smiling or looking at the audience or camera. His late 1958 and early 1959 follow-up singles, "High Class Baby" and "Livin' Lovin' Doll", were followed by "Mean Streak", which carried a rocker's sense of speed and passion, and Lionel Bart's "Living Doll". It was on "Living Doll" that the Drifters began to back Richard on record. It was his fifth record,and became his first No. 1 single. By that time the group's lineup had changed with the arrival of Jet Harris, Tony Meehan, Hank Marvin, and Bruce Welch. The group was obliged to change its name to "The Shadows" after legal complications with the US Drifters as "Living Doll" entered the American top 40, licensed by ABC-Paramount. "Living Doll" was used in Richard's debut film Serious Charge, but as a country standard, rather than a rock and roll standard.

The Shadows were not a typical backing group. They would become contractually separate from Richard, and the group received no royalties for records backing Richard. In 1959, The Shadows (then still the Drifters) landed an EMI recording contract of their own, for independent recordings. That year, they released three singles, two of which featured double-sided vocals and one of which had instrumental A and B sides. In 1960, they recorded and released "Apache" this time using Richard as a session percussionist playing Chinese drums to open and close this single.^{[citation needed]} Reaching the top of the charts in more than one country, the single set The Shadows on a path of their own. They thereafter had several major hits, including five UK No. 1s. The band also continued to appear and record with Richard and wrote many of his hits. On more than one occasion, a Shadows' instrumental replaced a Richard song at the top of the British charts.

Richard's fifth single "Living Doll" triggered a softer, more relaxed, sound. Subsequent hits, the No. 1s "Travellin' Light" and "I Love You" and also "A Voice in the Wilderness" lifted from his film "Expresso Bongo" and "Theme for a Dream" cemented Richard's status as a mainstream pop entertainer along with contemporaries such as Adam Faith and Billy Fury. Throughout the early sixties his hits were consistently in the top five.

In 1961, EMI records organised Richard's 21st birthday party at its London headquarters in Manchester Square led by his producer Norrie Paramor. Photographs of the celebrations were incorporated into Richard's next album "21 Today" in which Tony Meehan joined in despite, then, having very recently left the Shadows to be replaced by Brian Bennett.

Typically, The Shadows closed the first half of the show with a 30-minute set of their own, then backed Richard on his show-closing 45-minute stint as exemplified by the retrospective CD album release of "Live at the ABC Kingston 1962". Tony Meehan and Jet Harris left the group in 1961 and 1962 respectively and later had their own chart successes for Decca. The Shadows added bass players Brian Locking (1962–63) and then John Rostill (1963–1968) and took on Brian Bennett permanently on drums.

In the early days, particularly on EP and album releases, Richard sometimes recorded without The Shadows in order to cater to other styles with The Norrie Paramor Orchestra with Tony Meehan and then Brian Bennett as a session drummer. Even after the Beatles' rise he continued to achieve hits, although more often with an orchestra rather than The Shadows: a revival of "It's All In The Game" and "Constantly". A session under the direction of Billy Sherrill in Nashville yielded two more top two hits: "The Minute You're Gone" and "Wind Me Up" in 1965.

Richard, and in particular The Shadows, never achieved star status in the United States. In 1960 they toured the US and were well-received; however, lacklustre support and distribution from a revolving door of American record labels proved an obstacle to long-term success Stateside despite several chart records by Richard including the aforementioned "It's All In The Game" on Epic, via a renewed linking of the worldwide Columbia labels after Philips ended its distribution deal with CBS. To the Shadows' chagrin, Apache reached No. 1 in the US via a cover version by Danish guitarist Jorgen Ingmann which was virtually unchanged from their worldwide hit, save a sound effect Ingmann added evoking whooshing arrows in flight created by flicking his fingers on the fretboard. Richard and the band appeared on The Ed Sullivan Show, which was crucial for The Beatles, but these performances did not help them gain sustained success in North America.

Richard and The Shadows appeared in six feature films all commercially successful,(although the films title was changed to suit various countries' markets), including a rather odd debut in the 1959 film Serious Charge but most notably in The Young Ones, (the title song being his biggest hit up to "Mistletoe and Wine"), Summer Holiday (which featured a slimmed-down Richard with visible dancing skills), Wonderful Life and Finders Keepers. These films created their own genre known as the "Cliff Richard musical" and led to Richard being named the second biggest star at the British box office in 1962.^[16] The irreverent 1980s TV sitcom The Young Ones took its name from Richard's 1962 film, and also made references to the singer. In 1966, Richard and the Shadows appeared as marionettes in the Gerry Anderson film Thunderbirds Are GO. In the summer of 1963 Cliff and the Shadows appeared for a season in Blackpool, where Richard had his portrait modelled by Victor Heyfron, M.A.

1964–75: Changing circumstances[link]

As with the other existing rock acts in Britain, Richard's career was affected by the sudden advent of The Beatles and the Mersey sound in 1963 and 1964. However, his popularity was established enough to allow him to weather the storm and continue to have hits in the charts throughout the 1960s, albeit not at the level that he had enjoyed before. Nor did doors open to him in the US market; he was not considered part of the British Invasion, and despite four Hot 100 hits (including the top 25 "It's All In The Game") between August 1963 and August 1964, the US public had little awareness of him. However, he continued having international hits, including 1967's "The Day I Met Marie", which reached No. 10 in the UK Singles Chart and No. 5 in the Australian charts, and is considered a quintessential summer hit, due to its summery nature.

Although baptised as an Anglican, Richard did not appear to practise the faith in his early years. However, in 1964, he became an active Christian and this embrace of the faith has become an important aspect of his life. Standing up publicly as a Christian affected his career in several ways. Initially, he believed that he should quit rock 'n roll, feeling he could no longer be the rocker who had been called a "crude exhibitionist" and "too sexy for TV" and a threat to parents' daughters. However, by the time Richard converted, his image had become tamer because of his film roles and well-spoken manners on radio and TV. Richard intended at first to "reform his ways" and become a teacher, but Christian friends advised him not to abandon his career just because he had become a Christian. Soon after, Richard re-emerged, performing with Christian groups and recording some Christian material. He still recorded secular songs with the Shadows, but devoted a lot of his time to Christian work, including appearances with the Billy Graham crusades. As time progressed, Richard balanced his faith and work, enabling him to remain one of the most popular singers in Britain as well as one of its best-known Christians. He was a leading figure in the Nationwide Festival of Light during 1971, protesting against the commercial exploitation of sex and violence in Britain, and advocating the teaching of Christ as the key to recovering moral stability in the nation.^{[citation needed]}

Richard's first serious acting role took place in the 1967 film Two a Penny, released by Billy Graham's World Wide Pictures,^[17] in which he played Jamie Hopkins, a young man who gets involved in drug dealing while questioning his life after his girlfriend changes her attitude. He released the live album "Cliff in Japan" in 1967.

In 1968, he sang the UK's entry in the Eurovision Song Contest: "Congratulations" by Bill Martin and Phil Coulter; it lost by just one point to Spain's "La La La". According to John Kennedy O'Connor's The Eurovision Song Contest—The Official History, this was the closest result yet in the contest and Richard locked himself in the toilet to avoid the nerves of the voting.^[18] In May 2008 a Reuters news report claimed that voting in the competition had been fixed by the Spanish dictator leader, Francisco Franco, to ensure that the Spanish entry won, allowing them to host the contest the following year (1969). In particular, it is claimed that Spanish TVE television executives offered to buy programmes in exchange for votes.^[19][20] The story was widely covered and featured on UK Channel 4 News as a main story, with Jon Snow interviewing author and historian John Kennedy O'Connor about the matter.^[21] Eurovision later ended voting by national juries in a bid to eradicate such alleged scams. Nevertheless, "Congratulations" was a huge hit throughout Europe and yet another No. 1 in April 1968.

After the Shadows split in 1968, Richard continued to record. He had already become accustomed to the Shadows' absence, and was able to record in a variety of settings. Although many of his earliest fans regretted that Richard had tried out songs which were not strictly in the rock 'n roll genre, most had got used to his habit of recording rockier material with the Shadows, while producing more middle-of-the-road material at other times; this versatility extended Richard's career prospects.

Portrait by Allan Warren (1973)

During the 1970s, Richard took part in several television shows and fronted his own show It's Cliff Richard! from 1970 - 1976. It starred Olivia Newton-John, Hank Marvin and Una Stubbs, and included A Song for Europe. These shows, for a time, branded Richard as a television personality more than a recording artist. He began 1970 by appearing live on the BBC's review of the sixties music scene, Pop Go The Sixties, which was broadcast across Britain and Europe on 31 December 1969. He performed "Bachelor Boy" with The Shadows and "Congratulations" solo. In 1972, he made a short BBC television comedy film called The Case with appearances from comedians and his first ever duets with a woman, Olivia Newton-John. He went on to release a double live album "Cliff Live in Japan 1972" featuring Newton-John.

His final acting role on the silver screen was in 1973 when he starred in the film, Take Me High.

In 1973, he sang the British Eurovision entry "Power to All Our Friends"; the song finished third, close behind Luxembourg's "Tu Te Reconnaîtras" and Spain's "Eres Tú". This time, Richard took Valium in order to overcome his nerves and his manager was almost unable to wake him for the performance.^[22] Richard also hosted the BBC's qualifying heat for the Eurovision Song Contest, A Song for Europe, in 1970, 1971 and 1972 as part of his BBCTV variety series. He presented the Eurovision Song Contest Previews for the BBC in 1971 and 1972.

In 1975, he released the single "Honky Tonk Angel" produced by Hank Marvin and John Farrar, oblivious to its connotations or hidden meanings. As soon as Richard was notified that a honky-tonk angel was Southern US slang for a prostitute, Richard ordered EMI to withdraw it. He refused to promote it despite making a video for it. EMI agreed to his demand despite positive sales. About 1,000 copies are known to exist on vinyl. Subsequently, Richard was harassed by the British media about this single and in particular this apparent career 'anti-Christian' faux-pas. Thereafter, all of Richard's songs on any format were double checked by his management for any conflict with his faith.^{[citation needed]}

1976–94: Comeback[link]

In 1976, the decision was made to repackage Richard as a "rock" artist. That year he produced the landmark album I'm Nearly Famous, which included the successful but controversial guitar-driven track "Devil Woman" (Richard's first true hit in the United States) and the ballad "Miss You Nights". Richard's fans were excited about this revival of a performer who had been a part of British rock from its early days. Many music names such as Jimmy Page, Eric Clapton, and Elton John were seen sporting I'm Nearly Famous badges, pleased that their boyhood idol was getting back into the heavier rock in which he had begun his career. In the same year, Richard became the first occidental artist to tour the USSR at the height of the Cold War.^{[citation needed]}

Notwithstanding this, Richard continued to release Gospel-tinged albums in parallel with his rock and pop albums, for example: Small Corners from 1978 contained the single "Yes He Lives". Despite his 1976 comeback, this single failed to chart in the United Kingdom. In 1980, the singer would legally change his name by deed poll from Harry Webb to Cliff Richard.^[23] On 31 December 1976, he performed his latest single "Hey, Mr. Dream Maker" on BBC1's A Jubilee Of Music, celebrating British pop music for Queen Elizabeth II's impending Silver Jubilee.

In 1979, Richard teamed up with the producer Bruce Welch for the pop hit single "We Don't Talk Anymore", written by Alan Tarney, which hit No. 1 in the UK and No. 7 in the US Bryan Ferry added hummed backing vocals to the song. The record gave Richard the distinction of becoming the first act to reach the Hot 100's top 40 in the 1980s who had also been there in each of the three previous decades. The song was quickly added onto the end of his latest album Rock 'n' Roll Juvenile. It was his first time at the top of the UK singles chart in over ten years, and the song would become his biggest-selling single ever. The accompanying music video was the sixth to appear on American cable channel MTV when it debuted on 1 August 1981. In 1980, Richard received the O.B.E. from the Queen for services to music and charity.^{[citation needed]}

At long last he had some extended success in the United States following "Devil Woman". The follow-up "Dreamin'" peaked at No. 10. His 1980 duet "Suddenly" with Olivia Newton-John, from the film Xanadu, peaked at No. 20. Richard continued with a string of top ten albums, including I'm No Hero, Wired for Sound, Now You See Me, Now You Don't, and, marking his 25th year in show business, Silver. The singles chart also saw his most consistent period of top twenty hits since the mid 1960s, with "A Little In Love", "Dreamin'", and "Suddenly" on the Hot 100 at the same time at the end of 1980. His 1985 single "She's So Beautiful" reached No. 17 in the UK. 1987 saw Richard record his Always Guaranteed album, which became his best selling album of all new material. It contained the two top ten hit singles "My Pretty One" and "Some People". Richard concluded his thirtieth year in music by reaching No. 1 on the British singles chart with "Mistletoe and Wine", while simultaneously holding the No. 1 positions on the album and video charts with the compilation Private Collection summing up his biggest hits from 1979-1988. "Mistletoe and Wine" was his biggest seller to that point.

In 1986, Richard teamed up with The Young Ones to re-record his smash hit "Living Doll" for the charity Comic Relief. Along with the song, the recording contained comedy dialogue between Richard and The Young Ones. The release went to No. 1. That same year he opened in the West End as a rock musician called upon to defend Earth in a trial set in the Andromeda Galaxy in the multi-media Dave Clark musical Time. Two Richard singles, "She's So Beautiful" and "Born To Rock 'n Roll", were released respectively in 1985 and 1986 from the concept album recorded for Time. In 1989, Richard received the Brits highest award The Outstanding Achievement award.^[24]

Further top ten albums included Stronger in 1989, which included the UK No. 2 hit "Best Of Me", and UK No. 3 "Just Don't Have The Heart" written and produced by Mike Stock, Matt Aitken and Pete Waterman, and From a Distance in 1990. Later that year, Richard scored his second UK Christmas No. 1 single with "Saviour's Day". Richard unsuccessfully bid for the Christmas No. 1 spot again with "We Should Be Together" and "Healing Love" in 1991 and 1993 respectively – the latter being taken from his No. 1 studio album Cliff Richard - The Album. The next few years saw Richard concentrate on bringing the musical Heathcliff to the stage. The production was a resounding success,^{[citation needed]} but the time it took seemed to take a toll on his reinvigorated chart status. Back in the UK during the next years and throughout the 1980s, Richard remained one of the best-known music artists in the country. In the space of a few years he worked with Elton John, Mark Knopfler, Julian Lennon, Freddie Mercury, Stevie Wonder, Phil Everly, Janet Jackson, Sheila Walsh, and Van Morrison. Richard also reunited with Olivia Newton-John. In 1989, he filled the Wembley Stadium for a few nights with a spectacular titled "The Event". Meanwhile, The Shadows later re-formed (and again split). They recorded on their own, but also reunited with Richard in 1978, 1984, and 1989–90 for some concerts. On 14 June 2004 Richard joined the Shadows on-stage at the London Palladium. The Shadows had decided to re-form for one final tour of the UK, with this concert heralded as their final ever concert as "Cliff and the Shadows".

1995–2007: Knighthood[link]

Richard was knighted by Queen Elizabeth II on 25 October 1995,^[25] the first rock star to be so honoured (Bob Geldof had received his honorary knighthood a full nine years earlier, but not being either a British subject or British citizen, he is not permitted to use the title 'Sir').

In 1996, he famously led the Wimbledon Centre Court crowd in singing during a rain delay when asked by Wimbledon officials to entertain the crowd.^[26][27] Richard was not aware this performance was being televised by the BBC and after singing six of his golden greats, TV presenter Des Lynam commented on this and added jokingly "we'll probably get one hell of a bill".^{[citation needed]}

In 1998, Richard demonstrated that radio stations were refusing to play his music by releasing his latest single "Can't Keep This Feeling In" on a white label under the pseudonym of Blacknight. The single was well regarded and featured on playlists until the true artist was revealed.^[28]

In 1999, controversy again arose regarding radio stations refusing to play his releases when EMI, Richard's label since 1958, refused to release his latest song, "The Millennium Prayer".^{[clarification needed]} Richard took it to an independent label, Papillon, which released the charity recording (in aid of Children's Promise). The single went on to top the UK chart for three weeks, becoming his fourteenth No.1 and the third-highest-selling single of his career. Richard's next album, in 2001, was a covers project, Wanted, followed by another top ten album, Cliff at Christmas. The holiday album contained both new and older recordings, including the single "Santa's List", which reached No. 5 in 2003.

For his seven day long 60th birthday party Richard in conjunction with OK magazine hired a cruise boat to Monte Carlo and sailed with his top 80 (out of a possible 500) specially invited guests, mostly from British showbiz, to France. Notable attendees were Olivia Newton-John, Shirley Bassey, Sue Barker, Gloria Hunniford, Tim Rice, Mike Read, Bobby Davro (a Cliff Richard impersonator), Richard's three sisters, etc. Notable non-attendees were all the members of The Shadows, except Bruce Welch, all of whom would have been shortlisted on Richard's original list of 500 guests.

Richard decamped to Nashville, Tennessee for his next album project in 2004, employing a writers' conclave to give him the pick of all new songs for the album Something's Goin' On. Though the collection was critically well-received, it had disappointing sales. Nevertheless it was yet another top ten album, and produced three top fifteen singles: "Something's Goin' On", "I Cannot Give You My Love", with Barry Gibb of the Bee Gees, and the lively "What Car". Richard did not hide his disappointment with the album's lacklustre sales, and it was speculated that it might have been his last ever album of original songs.

Two's Company, an album of duets released in 2006, was another top 10 success and included newly recorded material with Brian May, Dionne Warwick, Anne Murray, Barry Gibb and Daniel O'Donnell, plus some previously recorded duets with artists such as Phil Everly, Elton John and Olivia Newton-John. Two's Company was released to coincide with the UK leg of his latest world tour, "Here and Now", which included a number of lesser known but fan-favourite songs such as "My Kinda Life", "How Did She Get Here", "Hey Mr. Dream Maker", "For Life", "A Matter Of Moments", "When The Girl In Your Arms", "Every Face Tells A Story", "Peace In Our Time" and the Christmas single "21st Century Christmas", which debuted at No. 2 on the UK singles chart.

Another compilation album, Love... The Album was released on 12 November 2007. Like Two's Company before it, this album includes both previously released material and newly recorded songs, namely "Waiting For A Girl Like You", "When You Say Nothing At All", "All Out Of Love", "If You're Not the One" and "When I Need You" (the last was released as a single, reaching No. 38; the album peaked at No. 13). The concept of the project has divided fans who anticipate an album of new material.

2008–present: 50th anniversary and reunion[link]

2009 Brussels

2008, Richard's 50th year in music, saw the release of the 8 CD box set And They Said It Wouldn't Last (My 50 Years In Music).^[29] In September, a single celebrating his 50 years in pop music, titled "Thank You for a Lifetime" was released. On 14 September 2008 it reached No. 3 on the UK music charts. On 2 November 2008, British newspaper The Mail on Sunday gave away a free promotional CD entitled 50th Anniversary containing 12 tracks picked by Richard himself. On 11 November 2008, Richard's official website announced that 20 years after their latest concert together, Cliff and The Shadows would reunite to celebrate their 50th anniversary in the music business. A month later they performed at the Royal Variety Performance. In 2009 Cliff and The Shadows brought their partnership to an end with the "Golden Anniversary concert tour of the UK".

A new album by Richard and the Shadows was released in September 2009. Titled Reunited, It was their first studio project in forty years. The 28 tracks recorded comprise 25 re-recordings of their earlier classics, with three "new" tracks, originally from that era (and earlier), the single "Singing the Blues", along with Eddie Cochran's "C'mon Everybody" and the Frankie Ford hit "Sea Cruise". The tracks are to be spread across the single and its bonus tracks, a limited edition version of the album, as well as a standard CD release. The album charted at No. 6 in the UK charts in its opening week and peaked at No. 4. The reunion tour continued into Europe in 2010. In June 2009, it was reported by Sound Kitchen Studios in Nashville that Richard was to return there shortly to record a new album of original recordings of jazz songs.^[30] He was to record fourteen tracks in a week.

Richard performed "Congratulations" at the 70th birthday celebrations of Queen Margrethe II in Denmark on 13 April 2010.

On 14 October 2010, Richard celebrated his 70th birthday and to mark the occasion, he performed a series of six concerts at the Royal Albert Hall, London. Over 30,000 tickets for the concerts went on sale on 7 March and sold out within a few hours.^{[citation needed]} To accompany the concerts, a new album of cover versions of swing standards, Bold as Brass, was released on 11 October.

2009 Brussels

After a quick week of promotion, Richard flew out to rehearse for the German Night Of The Proms concerts in Belgium at the end of October. He made a surprise appearance at the Antwerp, Belgium concert of the Night Of The Proms on Thursday, 28 October 2010 and sang "We Don't Talk Anymore" to a great reaction from the surprised 20,000 fans at Sportpaleis Antwerp. In all, he toured 12 German cities in November and December 2010, during the Night Of The Proms concerts, as the headline act. The total of 18 concerts were attended by over 300,000 fans. Richard performed a selection of hits and tracks from the Bold As Brass album.

In Munich, Richard added his hand prints to the Munich Olympic Walk Of Stars during a break when the concerts were held there.

With the DVD release of Bold As Brass in November 2010, he achieved his third consecutive No. 1 music DVD in three years. It has so far achieved a total of eight weeks in the top 10 on the UK chart selling nearly 60,000 copies. It also charted in New Zealand, and Denmark in the top 10 and in Holland in the top 20—Selling a further 10,000 copies.

2011 saw Richard recording once again in the US for his Soulicious album, containing duets with American soul legends including Percy Sledge, Ashford and Simpson, Roberta Flack, Freda Payne, Peabo Bryson, Brenda Holloway and Candi Staton. The album is produced by Lamont Dozier with David Gest as executive producer. Released in October 2011, the album was supported by a short UK arena tour and gave Richard his 41st top ten UK hit album.

Lack of commercial support[link]

Richard openly complains about the lack of commercial support he receives from radio stations and record labels. He spoke about this on The Alan Titchmarsh Show on ITV in December 2007, pointing out that while new bands needed airplay for promotion and sales, long-established artists like him also relied upon airplay for the same ends. He did note, however, that so-called eighties radio stations did play his records and that this went some way to help sales and maintain his media presence. In the recent BBC Radio 2 documentary "Cliff – Take Another Look", he pointed out that many documentaries charting the history of British music (e.g. I'm in a Rock 'n' Roll Band!) fail to even mention him (or The Shadows).^[31]

In 2011, digital station Absolute Radio 60s, dedicated to playing popular music from the 1960s, announced they would not be playing any of Richard's records because they claimed they did not fit "the cool sound... we're trying to create". DJ Pete Mitchell claimed "Timeless acts of the decade that remain relevant today are The Beatles, The Stones, The Doors and The Who, not Sir Cliff." Richard responded to this by saying "They're lying to themselves, and more importantly they're lying to the public."^[32]

Richard believes he is "the most radical rock star there has ever been".^[31] Richard's premise is that his decision not to adopt the "sex, drugs and alcohol" image expected of rock stars, then and now, was the truly avant-garde choice.

Career achievements[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (March 2011)

Richard holds many records for the number of concerts held at various venues around the world. In the UK he holds the record for most performances at the Royal Albert Hall, with over 80 performances at the venue with audiences reaching 450,000. He also holds the record for most shows at Wembley Arena, where he has performed at least 66 concerts to audiences of nearly 800,000. In Birmingham, Richard has performed at least 56 shows at the NIA (totalling 620,000 attendees), in addition to over 20 shows at the NEC arena. In Manchester Richard has performed at the MEN arena eight times with over 120,000 fans attending the shows. He appeared twice at Wembley Stadium in 1989 in celebration of his 30th year in music; over 144,000 fans attended the sold-out shows. Richard has also performed hundreds of times in Australia and New Zealand in cities including Melbourne, Sydney and Auckland, audience members totalling hundreds of thousands.

Personal life[link]

Richard's father, Rodger Webb, died in 1961, and his mother, Dorothy in 2007.^{[citation needed]} Dorothy suffered from dementia and in a 2006 interview with the Daily Mail, he spoke about the difficulties he and his sisters had in dealing with their mother's condition.^[33] On 18 October 2007 a statement on the star's website read, "We are sad to report that Cliff's mother, Dorothy, passed away early on 17 October; she was 87."

Richard is a lifelong bachelor.^[34] In a letter written in October 1961 to "his first serious girlfriend",^[5] Australian dancer Delia Wicks, and made public in April 2010 after her death from cancer, Richard writes, "Being a pop singer I have to give up one priceless thing – the right to any lasting relationship with any special girl."^[5] The pair had been dating for 18 months. In the letter he goes on to say, "I couldn't give up my career, besides the fact that my mother and sisters, since my father's death, rely on me completely. (...) I have showbiz in my blood now and I would be lost without it."^[5] He has said that he once considered marriage to the dancer Jackie Irving and later to the former tennis player Sue Barker.

In 1971, Richard was one of approximately 30,000 people gathering at London's Trafalgar Square to protest against the Swedish sex education film Kärlekens Språk, which was showing at a nearby cinema.^[35]