The United States and Soviet Union were the two superpowers during the Cold War. Here, Ronald Reagan and Mikhail Gorbachev meet in 1985. After the dissolution of the Soviet Union, the United States was left as the sole world superpower.

A superpower is a state with a dominant position in the international system which has the ability to influence events and its own interests and project power on a worldwide scale to protect those interests. A superpower is traditionally considered to be a step higher than a great power.

Alice Lyman Miller (Professor of National Security Affairs at the Naval Postgraduate School), defines a superpower as "a country that has the capacity to project dominating power and influence anywhere in the world, and sometimes, in more than one region of the globe at a time, and so may plausibly attain the status of global hegemony."^[1]

It was a term first applied in 1944 to the British Empire, the Soviet Union and the United States of America. Following World War II, as the British Empire transformed itself into the Commonwealth and its territories became independent, the Soviet Union and the United States generally came to be regarded as the only two superpowers, and confronted each other in the Cold War.

After the Cold War, only the United States appeared to fulfill the criteria to be considered a world superpower.^[2] The term second superpower has also been applied by scholars to the possibility that China will emerge as a superpower on par with the United States.^[3][4][5] Brazil, the European Union, and India are thought to have the potential of achieving superpower status within the 21st century^[6] A few heads of states^[7][8], politicians^[9] and news analysts^[10] claim that Russia may have already reclaimed that status.^{[11][12][13][14]}

Some people doubt the existence of superpowers in the post Cold War era altogether, stating that today's complex global marketplace and the rising interdependency between the world's nations has made the concept of a superpower an idea of the past and that the world is now multipolar.^{[15][16][17][18]}

Terminology[link]

The term superpower was used to describe nations with greater than great power status as early as 1944, but only gained its specific meaning with regard to the United States, the British Empire and the Soviet Union after World War II. This was because the United States and the Soviet Union had proved themselves to be capable of casting great influence in global politics and military dominance.

There have been attempts to apply the term superpower retrospectively, and sometimes very loosely, to a variety of past entities such as Ancient Egypt, Ancient Greece, China,^[19] India,^[19] the Persian Empire, the Ottoman Empire, the Roman Empire,^[20][21] the Mongol Empire, Portuguese Empire, the Spanish Empire,^[22][23] France,^[24][25] and the British Empire.

Recognition by historians of these older states as superpowers may focus on various superlative traits exhibited by them. For example, at its peak the British Empire was the largest in history with 1 in every 4 people in the world living under its flag.

Origin[link]

A world map of 1945. According to William T.R. Fox, the United States (blue), the Soviet Union (red), and the British Empire (teal) were superpowers.

The term in its current political meaning was coined by Dutch-American geostrategist Nicholas Spykman in a series of lectures in 1943 about the potential shape of a new post-war world order. This formed the foundation for the book The Geography of the Peace, which referred primarily to the unmatched maritime global supremacy of the United Kingdom and United States as essential for peace and prosperity in the world.

A year later, William T.R. Fox, an American foreign policy professor, elaborated on the concept in the book The Superpowers: The United States, Britain and the Soviet Union — Their Responsibility for Peace (1944), which spoke of the global reach of a super-empowered nation.^[26] Fox used the word Superpower to identify a new category of power able to occupy the highest status in a world in which, as the war then raging demonstrated, states could challenge and fight each other on a global scale.

According to him, there were (at that moment) three states that were superpowers: Britain, the United States, and the Soviet Union. The British Empire was the most extensive empire in world history, was considered the foremost great power and held sway over 25% of the world's population^[27] and controlled about 25% of the Earth's total land area,^[28] while the United States and the Soviet Union grew in power in World War II.

Characteristics[link]

The New York Stock Exchange trading floor. Economic power such as a large nominal GDP and a world reserve currency are important factors in projection of hard power.

Military assets such as U.S. Nimitz-class aircraft carriers combined with a blue water navy are a means of power projection – one hallmark of a superpower.^[1] Ten different countries control one or more aircraft carriers. The US Navy currently has eleven.

The criteria of a superpower are not clearly defined^[2] and as a consequence they may differ between sources.

According to Lyman Miller, "The basic components of superpower stature may be measured along four axes of power: military, economic, political, and cultural (or what political scientist Joseph Nye has termed “soft power”).^[1]

In the opinion of Kim Richard Nossal of Queen's University, "generally this term was used to signify a political community that occupied a continental-sized landmass, had a sizable population (relative at least to other major powers); a superordinate economic capacity, including ample indigenous supplies of food and natural resources; enjoyed a high degree of non-dependence on international intercourse; and, most importantly, had a well-developed nuclear capacity (eventually normally defined as second-strike capability)."^[2]

In the opinion of Professor Paul Dukes, "a superpower must be able to conduct a global strategy including the possibility of destroying the world; to command vast economic potential and influence; and to present a universal ideology". Although, "many modifications may be made to this basic definition".^[29] According to Professor June Teufel Dreyer, "A superpower must be able to project its power, soft and hard, globally."^[30]

Cold War[link]

This section may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (November 2009)

This map shows two essentially global spheres during the Cold War in 1980. Consult the legend on the map for more details.

The 1956 Suez Crisis suggested that Britain, financially weakened by two world wars, could not then pursue its foreign policy objectives on an equal footing with the new superpowers without sacrificing convertibility of its reserve currency as a central goal of policy.^[31] As the majority of World War II had been fought far from its national boundaries, the United States had not suffered the industrial destruction or massive civilian casualties that marked the wartime situation of the countries in Europe or Asia.

The war had reinforced the position of the United States as the world's largest long-term creditor nation^[32] and its principal supplier of goods; moreover it had built up a strong industrial and technological infrastructure that had greatly advanced its military strength into a primary position on the global stage.^{[citation needed]}

Despite attempts to create multinational coalitions or legislative bodies (such as the United Nations), it became increasingly clear that the superpowers had very different visions about what the post-war world ought to look like, and after the withdrawal of British aid to Greece in 1947 the United States took the lead in containing Soviet expansion in the Cold War.^[33]

The two countries opposed each other ideologically, politically, militarily, and economically. The Soviet Union promoted the ideology of communism: planned economy and a one-party state, whilst the United States promoted the ideologies of liberal democracy and the free market. This was reflected in the Warsaw Pact and NATO military alliances, respectively, as most of Europe became aligned with either the United States or the Soviet Union. These alliances implied that these two nations were part of an emerging bipolar world, in contrast with a previously multipolar world.^{[citation needed]}

The Soviet Union and the United States fulfilled the superpower criteria in the following ways:

	Soviet Union	United States
Political	Strong Communist state. Permanent seat on the United Nations Security Council. Strong ties with Eastern Europe, anti-colonialist movements, labour parties, and some countries in Latin America, Southeast Asia, and Africa.	Strong capitalist federation/constitutional republic. Permanent seat on the United Nations Security Council plus two allies with permanent seats. Strong ties with Western Europe, Latin America, Commonwealth of Nations, and several East Asian countries.
Geographic	Largest country in the world, with a surface area of 22.27 million km²[34]	Third largest country in the world (after the Soviet Union and Canada), with an area of approximately 9.37 million km².[35]
Cultural	Press explicitly controlled and censored. Promoted, through the use of propaganda, its Communist and Socialist ideal that workers of all countries should unite to overthrow capitalist society and what they called the dictatorship of the bourgeoisie and replace it with a socialist society where all means of production are publicly owned.	Maintained constitutional guarantees for freedom of speech and freedom of press, though the ongoing Cold War did lead to a degree of censorship and oppression. Rich cultural influence in music, television, films, food, art, and fashion.
Military	Possessed largest armed forces in the world, an air force second in size to only the US, and one of the world's largest navies. Also held the world's largest stockpile of nuclear weapons for the second half of the Cold War. Founder of Warsaw Pact with satellite states in Eastern Europe. Global intelligence network with GRU and the First Chief Directorate of KGB. Ties with paramilitary and guerrilla groups in the developing world. Large armament production industry with global distribution.	Highest military expenditure in the world,[36] with the world's largest navy surpassing the next 13 largest navies combined,[37][38] and an army and air force rivaled only by that of the Soviet Union. Possessed bases around the world, particularly in an incomplete "ring" bordering the Warsaw Pact to the West, South and East. Largest nuclear arsenal in the world during the first half of the Cold War. Powerful military allies in Western Europe (NATO) with their own nuclear capabilities. Global intelligence network, the CIA. Ties with paramilitary and guerrilla groups in the developing world. Large armament production through defense contractors along with its developed allies for the global market.
Economic	GDP of $2.9 trillion in 1990. Second largest economy in the world.[39] Enormous mineral energy resources and fuel supply. Generally self-sufficient using a minimal amount of imports, though suffered resource inadequacies such as in agriculture. Marxist economic theory based primarily on production: industrial production directed by centralised state organs leading to a high degree of inefficiency. Five-year plans frequently used to accomplish economic goals. Economic benefits such as guaranteed employment, free healthcare, free education on all levels formally assured for all citizens. Economy tied to Eastern-European satellite states.	GDP of $5.2 trillion in 1990. Largest economy in the world. Capitalist free market economic theory based on supply and demand: production determined by customers' demands. Enormous industrial base and a large and modernized farming industry. Large volume of imports and exports. Large resources of minerals, energy resources, metals, and timber. High standard of living with accessibility to many manufactured goods. Home to a multitude of the largest global corporations. U.S. Dollar served as the dominant world reserve currency under Bretton Woods Conference. Allied with G7 major economies. Supported allied countries' economies via such programmes as the Marshall Plan.
Demographic	Had a population of 286.7 million in 1989, the third largest on Earth behind China and India.[34]	Had a population of 248.7 million in 1990, at that time the fourth largest on Earth.[40]

The idea that the Cold War period revolved around only two blocs, or even only two nations, has been challenged by some scholars in the post–Cold War era, who have noted that the bipolar world only exists if one ignores all of the various movements and conflicts that occurred without influence from either of the two superpowers.^{[citation needed]} Additionally, much of the conflict between the superpowers was fought in "proxy wars", which more often than not involved issues more complex than the standard Cold War oppositions.^{[citation needed]}

After the Soviet Union disintegrated in the early 1990s, the term hyperpower began to be applied to the United States, as the sole remaining superpower of the Cold War era.^[2] This term, coined by French foreign minister Hubert Védrine in the 1990s, is controversial and the validity of classifying the United States in this way is disputed. One notable opponent to this theory, Samuel P. Huntington, rejects this theory in favor of a multipolar balance of power.

Other International Relations theorists, such as Henry Kissinger, theorize that because the threat of the Soviet Union no longer exists to formerly American-dominated regions such as Japan and Western Europe, American influence is only declining since the end of the Cold War, because such regions no longer need protection or have necessarily similar foreign policies as the United States.^[41]

Post Cold War[link]

NATO has expanded eastwards into the former Warsaw Pact and parts of the former Soviet Union since the end of the Cold War.

After the dissolution of the Soviet Union in 1991 that ended the Cold War, the post–Cold War world was sometimes considered as a unipolar world,^[42][43] with the United States as the world's sole remaining superpower^[44] but within the 21st century some analysts believe Russia has risen back to superpower status.^{[45][46][47][48][49]} In the opinion of Samuel P. Huntington, "The United States, of course, is the sole state with preeminence in every domain of power – economic, military, diplomatic, ideological, technological, and cultural – with the reach and capabilities to promote its interests in virtually every part of the world."^[50]

Experts argue that this older assessment of global politics was too simplified, in part because of the difficulty in classifying the European Union at its current stage of development. Others argue that the notion of a superpower is outdated, considering complex global economic interdependencies, and propose that the world is multipolar.^{[15][16][17][18]} According to Samuel P. Huntington, "There is now only one superpower. But that does not mean that the world is unipolar. A unipolar system would have one superpower, no significant major powers, and many minor powers." Huntington thinks, "Contemporary international politics" ... "is instead a strange hybrid, a uni-multipolar system with one superpower and several major powers."^[50]

Additionally, there has been some recent speculation that the United States is declining in relative power as the rest of the world rises to match its levels of economic and technological development. Citing economic hardships, Cold War allies becoming less dependent on the United States, a declining dollar, and the rise of other great powers around the world, some experts have suggested the possibility of the United States losing its superpower status in the future.^{[51][52][53][54]}

Potential superpowers[link]

Present day states that currently are or have the potential to become a superpower within the 21st century.
The list of governments.

  United States of America (Current superpower)^[55][56]

  Brazil

  China

  European Union

  India

  Russia

Academics, institutions and other qualified commentators sometimes identify potential superpowers thought to have a strong likelihood of being recognized as superpowers in the 21st century. The record of such predictions has not been perfect. For example in the 1980s some commentators thought Japan would become a superpower, due to its large GDP and high economic growth at the time.^[57] However the prediction has not come to fruition.

Due to their large markets, growing military strength, and economic potential and influence in international affairs, the Federative Republic of Brazil,^[58][59][60] the People's Republic of China,^[61][62] the European Union,^[63][64] Republic of India and the Russian Federation,^[65][66][67] are among the powers which are most often cited as having the ability to influence future world politics and reach the status of superpower in the 21st century. While some believe one (or more) of these countries may replace the United States as a superpower, others claim they will rise to rival, but not replace, the United States. Some furthermore dismiss the concept of influence surpassing that of the United States, due to their pervasive cultural influence on developing nations like China and Brazil. ^{[68][69] [70][71] [42]}

See also[link]

References[link]

Bibliography[link]

• Belt, Don (2004). "Europe's Big Gamble". National Geographic. pp. 54–65. 
• Brzezinski, Zbigniew (1997). The Grand Chessboard: American Primacy and Its Geostrategic Imperatives. New York: Basic Books. ISBN 0-465-02726-1. 
• Fox, William (1944). The Super-powers: the United States, Britain, and the Soviet union—their responsibility for peace. Harcourt, Brace a. Co. 
• Kamen, Henry (2003). Spain's Road To Empire: The Making Of A World Power, 1492–1763. Penguin. pp. 640p.. 
• Kennedy, Paul (1988). The Rise and Fall of the Great Powers. ISBN 0-679-72019-7. 
• McCormick, John, John (2007). The European Superpower. Palgrave Macmillan. 
• Todd, Emanuel (200X). After the Empire – The Breakdown of the American Order. 
• Rosefielde, Steven (2005) (PDF). Russia in the 21st Century: The Prodigal Superpower. Cambridge, UK: Cambridge University Press. ISBN 0-521-83678-6. http://assets.cambridge.org/97805218/36784/excerpt/9780521836784_excerpt.pdf. Retrieved 2007-10-07. 
• Erik Ringmar, "The Recognition Game: Soviet Russia Against the West," Cooperation & Conflict, 37:2, 2002. pp. 115–36. – an explanation of the relations between the superpowers in the 20th century based on the notion of recognition.

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (April 2010)

Robert Patrick "Robbie" Amell (born April 21, 1988) is a Canadian actor, who is best known for his role on the Nickelodeon series True Jackson, VP, Picture This, and Fred Jones in the television films Scooby-Doo! The Mystery Begins and Scooby-Doo! Curse of the Lake Monster. In 2011, he appeared in the role of "Scooby", Robin's dog-like Labradorian boyfriend in the CBS comedy series How I Met Your Mother.

Early life[link]

Amell was born in Toronto, Ontario. Along with his sister, he started modeling and acting in small roles in commercials when he was six years old. He attended Armour Heights Public School and graduated in 2000. At 16, he began landing roles in high school plays such as Louis and Dave, Picasso at the Lapin Agile and The Importance of Being Earnest. He graduated from Lawrence Park Collegiate Institute in Toronto in 2006.

Career[link]

Amell appeared as Daniel Murtaugh in Cheaper by the Dozen 2. He also appeared in the 2010 horror film Left for Dead. He had a role in the Disney Channel series Life with Derek (he played Casey McDonald's boyfriend, Max).^[1] He has also appeared in the ABC Family movie Picture This.

Amell has a regular role on the Nickelodeon series True Jackson, VP as Max Madigan's nephew Jimmy, True's love interest. Amell is currently set to star in the comedy movie Seeing is Believing playing one of the 3 lead characters, Nick Wright, production for the movie began on May 3, 2010 and ended on July 1. The movie is set to premiere on January 14, 2011.

He currently has a recurring role as Adam on the hit TV show Revenge.

Filmography[link]

References[link]

External links[link]

• Robbie Amell at the Internet Movie Database

Lara Croft is a fictional character and the protagonist of the Square Enix (previously Eidos Interactive) video game series Tomb Raider. She is presented as a beautiful, intelligent, and athletic British archaeologist-adventuress who ventures into ancient, hazardous tombs and ruins around the world. Created by Toby Gard during his employment at UK developer Core Design, the character first appeared in the 1996 video game Tomb Raider. The character has also appeared in video game sequels, printed adaptations, a series of animated short films, feature films (portrayed by Angelina Jolie), and merchandise related to the series. Official promotion of the character includes a brand of apparel and accessories, action figures, and model portrayals. Croft has also been licensed for third-party promotion, including television and print advertisements, music-related appearances, and as a spokesmodel.

Core Design handled initial development of the character and the series. Inspired by pop artist Neneh Cherry and comic book character Tank Girl, Gard designed Lara Croft to counter stereotypical female characters. The company modified the character for subsequent titles, which included graphical improvements and gameplay additions. American developer Crystal Dynamics took over the series after the 2003 sequel Tomb Raider: The Angel of Darkness was received poorly. The new developer rebooted the character along with the video game series. Crystal Dynamics focused on making the character more believable. The company altered her physical proportions, and gave her additional ways of interacting with game environments. Croft has been voiced by four actresses in the video game series: Shelley Blond, Judith Gibbins, Jonell Elliott and Keeley Hawes, plus an unannounced voice actress for the tenth game, scheduled for release in early 2013.

Critics consider Lara Croft a significant game character in popular culture. She holds six Guinness World Records, has a strong fan following, and is among the first video game characters to be successfully adapted to film.^[1] The character's debut was well-received by the video game industry, but her popularity slowly declined until the series' redesign in 2006. While the rebooted games were generally well-received, Croft's redesign was met with mixed responses. A second reboot is planned for Q1 2013. Lara Croft is also considered a sex symbol, one of the earliest in the industry to achieve widespread attention. The character's influence in the industry has been a point of contention among critics; viewpoints range from a positive agent of change in video games to a negative role model for young girls.

Description[link]

Lara Croft is depicted as an athletic woman; she has brown eyes and hair, frequently kept in a plait or ponytail. The character's classic costume is a turquoise sleeveless tank top, light brown shorts, calf-high boots, and long white socks. Accessories include fingerless gloves, a backpack, a utility belt with holsters on either side, and two pistols. The video game sequels introduced new outfits designed for different environments, such as underwater and cold weather. In the later games, Croft wears a crop top, camouflage pants and black or light brown shirts. When exploring, she often carries two pistols, but has used other weaponry throughout the series. Lara Croft is fluent in several languages.^[2][3][4]

Game manuals describe the character as the Wimbledon, London-born daughter of the fictional Lord Richard Croft. She was raised as an aristocrat and betrothed to the fictitious Earl of Farringdon. Lara Croft attended the Scottish boarding school Gordonstoun and a Swiss finishing school. A plane crash left the character stranded in the Himalayas for two weeks; the experience spurred her to shun her former life and seek other adventures around the world. Croft wrote books and other published works based on her exploits as a mercenary, big-game hunter, and master thief.^[5][6] The story was later changed to include her mother in the plane crash. While searching for shelter against the elements, Lara Croft witnesses her mother vanish after tampering with an ancient sword. Her father disappears in search of his wife.^[7][8]

Appearances[link]

In video games[link]

Lara Croft primarily appears in the Tomb Raider video game series published by Square Enix Europe (previously Eidos Interactive). The action-adventure games feature the protagonist travelling the world in search of rare objects and mystical artifacts.^[9] Croft first appeared in the 1996 video game Tomb Raider, in which she competes against a rival archaeologist in search of an Atlantean artifact.^[9][10] Tomb Raider II (1997) centres on the search for the Dagger of Xian, which is sought by thieves. Tomb Raider III (1998) focuses on meteorite fragments that endow humans with supernatural powers. In Tomb Raider: The Last Revelation (1999), the first depiction of a young Croft, she is accompanied by her mentor, Werner Von Croy.^[9] Lara searches for artefacts associated with the Egyptian god Horus, and later encounters Von Croy as an antagonist.^[9][11] In Tomb Raider Chronicles (2000), most of the game relates adventures told via flashbacks.^[6] The first portable game, Tomb Raider (2000), was released on the Game Boy Color, and follows the character's search for the Nightmare Stone.^[9] A second Game Boy Color title, Tomb Raider: Curse of the Sword (2001), sees Lara Croft facing off against a cult.^[12] The next portable game, Tomb Raider: The Prophecy (2002), was released on the Game Boy Advance, and focuses on three magical stones.^[13] Tomb Raider: The Angel of Darkness (2003) was released on home platforms, centring on the murder of Professor Von Croy.^[14]

Eidos rebooted the series with Tomb Raider: Legend (2006), which focuses on Lara Croft's search for Excalibur and her mother, altering the character's backstory as part of the redesign. Tomb Raider: Anniversary (2007), a remake of the first game in the series, carried over design elements from Legend.^[8] Tomb Raider: Underworld (2008) continues the plot introduced in Legend. The story centres on Croft's search for information about her mother's disappearance. In the process she learns of the existence of Thor's hammer, Mjölnir.^[15][16] Lara Croft and the Guardian of Light (2010) is a downloadable game that is set in a Central American jungle, and features an ancient warrior who works with Lara Croft.^[17]

In other adaptations[link]

Beginning in 1997, the character regularly appeared in comics by Top Cow Productions. Lara Croft first appeared in a crossover in Sara Pezzini's Witchblade, and later starred in her own comic book series in 1999.^[18] The series began with Dan Jurgens as the writer, featuring artwork by Andy Park and Jon Sibal.^[19] The stories were unrelated to the video games until issue 32 of the Tomb Raider series, which adapted Angel of Darkness's plot.^[18] The series ran for 50 issues in addition to special issues.^[20] Other printed adaptations are Lara Croft Tomb Raider: The Amulet of Power, a 2003 novel written by Mike Resnick; Lara Croft Tomb Raider: The Lost Cult, a 2004 novel written by E. E. Knight; and Lara Croft Tomb Raider: The Man of Bronze, a 2005 novel written by James Alan Gardner.^[21][22][23]

Lara Croft has appeared in two motion pictures. The first, Lara Croft: Tomb Raider, was released in 2001, and follows Croft as she encounters the Illuminati, a group searching for a relic able to control time.^[24] The film depicted Croft's backstory differently from the version in the early games. In the films, Lara Croft's mother died in a plane crash and her father disappeared in Cambodia; in the games, both parents are alive. A similar backstory was adopted in 2006 in Legend.^[25] The sequel, Lara Croft Tomb Raider: The Cradle of Life, depicts Croft in search of Pandora's box in competition with a Chinese crime syndicate.^[26] Development for a third movie was announced in 2009.^[27][28] Producer Graham King plans to release the film in 2013.^[29] GameTap released Re\Visioned: Tomb Raider Animated Series in 2007 via the GameTap TV section of its website. The web series is a collection of ten short animated films that features re-imagined versions of Croft by well-known animators, comic book artists, and writers, including Jim Lee, Warren Ellis, and Peter Chung.^[30][31] Episodes ranged from five to seven and half minutes in length, featuring Minnie Driver as Croft.^[30][32] The creative staff was given considerable freedom to re-interpret the character; they did not consult the video game designers, but were given a guide listing acceptable and unacceptable practices.^[32][33]

Development history[link]

Swedish pop artist Neneh Cherry was an early inspiration to Lara Croft's creation.

Core Design, a subsidiary of Eidos,^{[Note 1]} created Lara Croft as the lead protagonist of its video game Tomb Raider, which began development in 1993.^[34] Lead graphic artist Toby Gard went through about five designs before arriving at the character's final appearance.^[35] He initially envisioned a male lead character with a whip and a hat. Core Design co-founder Jeremy Smith characterized the design as derivative of Indiana Jones, and asked for more originality.^[36] Gard decided that a female character would work better from a design standpoint.^[35] He also claimed a desire to counter stereotypical female characters, which he has characterized as "bimbos" or "dominatrix" types.^[37] Smith was sceptical of a female lead at first because few contemporary games featured them.^[38] He came to regard a female lead as a great hook and put faith in Gard's idea.^[8][38] Inspired by pop artist Neneh Cherry and comic book character Tank Girl, Gard experimented with different designs, including a muscular woman and a Nazi-like militant.^[8][39] He settled on a tough South American woman with a braid named Laura Cruz.^[8] Eidos management preferred a more "UK friendly" name, and selected Lara Croft from similar-sounding British names found in an English telephone directory.^[8][36] Along with the name change, the character's backstory was altered to incorporate a British origin.^[8][34]

Gard was keen to animate the character realistically, an aspect he felt the industry at the time had disregarded.^[35] He sacrificed quick animations in favour of more fluid movement, believing that players would empathize with the character more easily.^[5][35] In the first Tomb Raider, Croft's three-dimensional (3D) character model is made of around 230 polygons.^[38] The graphical limits at the time required the removal of the character's braid from the model; it was added to the model for subsequent iterations.^[8] While adjusting the character model, Gard accidentally increased the breasts' dimensions by 150 percent. After seeing the increase, the rest of the creative team argued to keep the change.^[8][34] Core Design hired Shelley Blond to voice Croft after the game entered the beta phase of development.^[8] Gard left Core Design after completing Tomb Raider, citing a lack of creative freedom and control over marketing decisions related to the ideas he developed (especially Lara Croft).^[5][8][40]

Core Design improved and modified the character with each instalment.^[3][4] Developers for Tomb Raider II increased the number of polygons in the character's model and added more realistic curves to its design.^[3][41] Other changes included new outfits and manoeuvres.^[41] Core Design reportedly planned to implement crawling as a new gameplay option, but the option did not appear until Tomb Raider III.^[41][42] Actress Judith Gibbins took over voice acting responsibilities and stayed on through the third game.^[8] For Tomb Raider III, the developers increased the number of polygons in Croft's 3D model to about 300, and introduced more abilities to the gameplay.^[4][38] Core Design wanted to reintroduce the character to players in Tomb Raider: The Last Revelation and included a flashback scenario with a younger Lara. The developers expanded the character's set of moves threefold to allow more interaction with the environment, like swinging on ropes and kicking open doors.^[43] The character model was altered to feature more realistic proportions, and Jonell Elliott replaced Gibbins as the voice of Lara Croft.^[3][8] By the time development for The Last Revelation began, Core Design had worked on the series constantly for four years and the staff felt they had exhausted their creativeness. Feeling the series lacked innovation, Core Design decided to kill the character and depicted Croft trapped by a cave-in during the final scenes of the game.^[8]

The next title, Tomb Raider Chronicles, depicted the late Lara Croft via her friends' flashbacks.^[8] The game introduced stealth attacks, which would carry over to the next game, Tomb Raider: The Angel of Darkness.^[4] While the original development team worked on Chronicles, Core Design assigned a new team to develop Angel of Darkness for the PlayStation 2.^[8] Anticipating innovative changes from next generation consoles, Adrian Smith—co-founder of Core Design—wanted to reinvent the character to keep pace with the updated technology.^[44] Core Design conducted market research, including fan polls, to aid in Angel of Darkness's development. The development team felt it could not alter the character and instead opted to place her in a situation different from previous games.^[45] The PlayStation 2 hardware allowed for more manoeuvres and a more detailed character model; the number of polygons in Croft's model increased to 4,400.^[46][47] The team sought to add more melee manoeuvres to better match Lara Croft's portrayal as an expert fighter in her backstory.^[8] Movement control was switched from the directional pad to the analog control stick to provide more precision.^[46] After the original team finished Chronicles, it joined the development of Angel of Darkness. Excess content, missed production deadlines, and Eidos's desire to time the game's launch to coincide with the release of the 2003 Tomb Raider film resulted in a poorly designed game; Croft was brought back to life without explanation and the character controls lacked precision.^[8][48]