Messianism is the belief in a messiah, a savior or redeemer. Many religions have a messiah concept, including the Jewish Messiah, the Christian Christ, the Muslim Mahdi and Isa (Islamic name for Christian Jesus), the Buddhist Maitreya, the Hindu Kalki and the Zoroastrian Saoshyant. The state of the world is seen as hopelessly flawed beyond normal human powers of correction, and divine intervention through a specially selected and supported human is seen as necessary.

Judaism[link]

Messiah (Hebrew: משיח‎; mashiah, moshiah, mashiach, or moshiach, ("anointed [one]") is a term used in the Hebrew Bible to describe priests and kings, who were traditionally anointed. For example, Cyrus the Great, the king of Persia, is referred to as "God's anointed" (Messiah) in the Bible.

In Jewish messianic tradition and eschatology, the term came to refer to a future Jewish King from the Davidic line, who will be "anointed" with holy anointing oil and rule the Jewish people during the Messianic Age. In Standard Hebrew, The Messiah is often referred to as מלך המשיח, Méleḫ ha-Mašíaḥ (in the Tiberian vocalization pronounced Méleḵ hamMāšîªḥ), literally meaning "the Anointed King."

Traditional Rabbinic teachings and current Orthodox thought has held that the Messiah will be an anointed one (messiah), descended from his father through the Davidic line of King David, who will gather the Jews back into the Land of Israel and usher in an era of peace.

Other denominations, such as Reform Judaism, perceive a Messianic Age when the world will be at peace, but do not agree that there will be a Messiah as the leader of this era.

The Jewish Messiah was the source of the development of later, similar messianic concepts in Christianity (originally a Jewish sect) and Islam.

Christianity[link]

In Christianity, the Second Coming is the anticipated return of Jesus from the heavens to the earth (Zechariah 14:3-4, Acts 1:11, Revelation 19:11-20:6), an event that will fulfill aspects of Messianic prophecy, such as the resurrection of the dead, the last judgment of the dead and the living and the establishment of the Kingdom of God on earth, including the Messianic Age. Views about the nature of this return vary among Christian denominations. Jesus is understood as having fulfilled the laws set forth by Moses (such as sacrificial offerings) with the supposition that those laws represented Jesus in the first place, being the shadow of the true substance which would be this new fulfillment, see also New Covenant. Therefore, this new fulfillment of the law is believed to now have potentiality in being upheld by each individual instinctively, as Jesus Spirit is believed to be abiding in each Christian. This includes the allowance and explanation of calling God "Father", because God recognizes the new Christian as a son, since that person has Jesus own Spirit within them. However, Christianity has a unique attribute of a tri-part God. The "Son" is believed to be one with the "Father", and also with the "Spirit". Therefore there is an overall understanding of oneness, and each identity of the Christian God is fully separate, and power is authoritatively different while at the same time retaining equality among the Godhead, as being all three aspects to one God. Granted, this explanation only roughly describes the triune God within the Christian Religion. Therefore, God himself is the Messiah, King of All the Earth, in the person of Christ Jesus.

Islam[link]

In Islamic eschatology the Mahdi (مهدي Mahdī, also Mehdi; "Guided One") is the prophesied redeemer of Islam who will stay on earth seven, nine, or nineteen years (depending on the interpretation^[1]) before the coming of Yaum al-Qiyamah (literally "Day of the Resurrection" or "Day of the Standing").^[2] Muslims believe the Mahdi will rid the world of error, injustice and tyranny alongside Jesus.^[3] The concept of Mahdi is not mentioned in the Qur'an nor in the Sunni hadith collection called Sahih al-Bukhari.^[4][5] Hadith about the Mahdi are present in other Sunni hadith collections, although some orthodox Sunnī theologians question do Mahdist beliefs.^[5] Such beliefs do form a necessary part of Shīʿī doctrine.^[4]

The idea of the Mahdi has been described as important to Sufi Muslims, and a "powerful and central religious idea" for Shia Muslims who believe the Mahdi is the Twelfth Imam, Muhammad al-Mahdi who will return from occultation. However, among Sunni, it "never became a formal doctrine" and is neither endorsed, nor condemned "by the consensus of Sunni Ulama." It has "gained a strong hold on the imagination of many ordinary" self-described orthodox Sunni though, thanks to Sufi preaching.^[6] Another source distinguishes between Sunni and Shia beliefs on the Mahdi saying the Sunni believe the Mahdi will be a descendant of the Prophet named Muhammad who will revive the faith, but not necessarily be connected with the end of the world, Jesus or perfection.^[7]

The word Masih literally means "The anointed one" and in Islam, Isa son of Mariam, al-Masih (The Messiah Jesus son of Virgin Mary) is believed to have been anointed from birth by Allah with the specific task of being a prophet and a king. In orthodox Islam, Isa is believed to hold the task of killing the false messiah al-Dajjal (similar to the Antichrist in Christianity), who will emerge shortly before him during Qiyamah. After he has destroyed al-Dajjal, his final task will be to become leader of the Muslims. Isa will unify the Muslim Ummah under the common purpose of worshipping Allah alone in pure Islam, thereby ending divisions and deviations by adherents. Mainstream Muslims believe that at that time Isa will dispel Christian and Jewish claims about him.

Buddhism[link]

Maitreya is a bodhisattva who in the Buddhist tradition is to appear on Earth, achieve complete enlightenment, and teach the pure dharma. According to scriptures, Maitreya will be a successor of the historic Śākyamuni Buddha, the founder of Buddhism. The prophecy of the arrival of Maitreya is found in the canonical literature of all Buddhist sects (Theravāda, Mahāyāna, Vajrayāna) and is accepted by most Buddhists as a statement about an actual event that will take place in the distant future.

Taoism[link]

Around the 3rd century CA religious Taoism developed eschatological ideas. A number of scriptures predict the end of the world cycle, the deluge, epidemics, and coming of the saviour Li Hong 李弘 (not to be confused with the Tang personalities).

Hinduism[link]

In Hinduism, Kalki (Devanagari: कल्कि; also rendered by some as Kalkin and Kalaki) is the tenth and final Maha Avatara (great incarnation) of Vishnu who will come to end the present age of darkness and destruction known as Kali Yuga. The name Kalki is often a metaphor for eternity or time. The origins of the name probably lie in the Sanskrit word "kalka" which refers to dirt, filth, or foulness and hence denotes the "destroyer of foulness," "destroyer of confusion," "destroyer of darkness," or "annihilator of ignorance."^[8]

Zoroastrianism[link]

According to Zoroastrian philosophy, redacted in the Zand-i Vohuman Yasht, "at the end of thy tenth hundredth winter [...] the sun is more unseen and more spotted; the year, month, and day are shorter; and the earth is more barren; and the crop will not yield the seed; and men [...] become more deceitful and more given to vile practices. They have no gratitude.

Honorable wealth will all proceed to those of perverted faith [...] and a dark cloud makes the whole sky night [...] and it will rain more noxious creatures than winter."

Saoshyant, the Man of Peace, battles the forces of evil.^{[citation needed]} The events of the final renovation are described in the Bundahishn (30.1ff): In the final battle with evil, the yazatas Airyaman and Atar will "melt the metal in the hills and mountains, and it will be upon the earth like a river" (Bundahishn 34.18), but the righteous (ashavan) will not be harmed.

Eventually, Ahura Mazda will triumph, and his agent Saoshyant will resurrect the dead, whose bodies will be restored to eternal perfection, and whose souls will be cleansed and reunited with God. Time will then end, and truth/righteousness (asha) and immortality will thereafter be everlasting.

Religious Zionism[link]

Religious Zionists are the Jewish religious minority of the basically secular Zionist movement who justified, on the basis of Judaism, secular Zionist efforts to build a Jewish state in the land of Israel. In their belief, the Jewish state is "the commencement of the growth of our redemption" (Hebrew: ראשית צמיחת גאולתנו‎ reshit tzmichat ge'ulateinu), and that state may be brought about by human action, without waiting for the Messiah to gather the Jews back into the Land of Israel. This view ran contrary to the view of Ultra-Orthodox Judaism which rejected any secular, human effort to preempt the ingathering of the exiles by God and his chosen one, the Messiah. Religious Zionists explained in terms acceptable to the Halakha, the secular, mainly socialist, existentialist Zionist vision where material needs of the people are addressed through practical and realistic solutions, reflected by secular philosophers such as Ahad Ha'am.

In 1862, German Orthodox Rabbi Zvi Hirsch Kalischer published his tractate Derishat Zion, positing that the salvation of the Jews, promised by the Prophets, can come about only by self-help.^[9]

The main ideologue of modern religious Zionism was Rabbi Abraham Isaac Kook, who justified Zionism according Jewish law and urged young religious Jews to support efforts to settle the land, and the mainsteam, majority, secular and socialist Labour Zionists to give more consideration to Judaism.

Rav Kook saw Zionism as a part of a divine scheme which would result in the resettlement of the Jewish people in its homeland. This would bring salvation (Geula) to Jews, and then to the entire world. After world harmony is achieved by the refoundation of the Jewish homeland, the Messiah will come.

The apparent contradiction arising from the fact that political and practical Zionism were overwhelmingly secular, socialist and even atheist schools of thought, was resolved by the concept of "the Messiah's donkey" (Hebrew: חמורו של משיח‎ khamoro shel mashiakh) whereby majority secular Zionism was seen as a temporary divine measure for the achievement of Jewish salvation.

Since the Six Day War, Religious Zionism, speared by mass-movements such as Gush Emunim, has been the leading force behind Jewish settlement in the non-consensual areas of Judea and Samaria, bringing about the main schism dividing Israeli politics for the past 40 years.

Rastafarianism[link]

Rastafarianism believes that Emperor Haile Selassie was not killed by the Derg in Ethiopia's civil war, but will return to save Earth, and in particular, people of African descent. This is a particularly interesting case, as Selassie is identified as the Second Coming of Jesus, so the Rastafarian prophecy is effectively a second coming of the second coming.

John Frum[link]

This cargo cult believes in a messiah figure called John Frum. When David Attenborough asked one of its adherents if it was rational for them to be still waiting for Frum to re-appear after 50 years, he was told that Christianity had been waiting 2,000 years, so waiting for Frum was much more rational than that.

Russian and Slavic[link]

Romantic Slavic messianism held that the Slavs, especially the Russians, suffer in order that other European nations, and eventually all of humanity, may be redeemed.^[10] This theme had a profound impact in the development of Russian and Soviet imperialism; it also appears in works by the Polish Romantic poets Zygmunt Krasiński and Adam Mickiewicz, including the latter's familiar expression, "Polska Chrystusem narodów" ("Poland is the Christ of the nations").^[11]

See also[link]

• Apocalypse
• End Times
• List of messiah claimants
• Messiah complex
• Messianic Age
• Maitreya (Share International)
• Millennialism
• Qiyamah
• Christ of Europe
• Sebastianism
• Fifth Empire

References[link]

Walter Bendix Schönflies Benjamin (German pronunciation: [ˈvaltɐ ˈbɛnjamiːn];^[1] 15 July 1892 – 26 September 1940)^[2] was a German-Jewish literary critic, philosopher, social critic, translator, radio broadcaster and essayist. Combining elements of German idealism or Romanticism, Historical Materialism and Jewish mysticism, Benjamin made enduring and influential contributions to aesthetic theory and Western Marxism, and has sometimes been associated with the Frankfurt School of critical theory. Among his major works as a literary critic are essays on Goethe's novel Elective Affinities; the work of Franz Kafka and Karl Kraus; translation theory; the stories of Nikolai Leskov; the work of Marcel Proust and perhaps most significantly, the poetry of Charles Baudelaire. He also made major translations into German of the Tableaux Parisiens section of Baudelaire's Les Fleurs du mal and parts of Proust's À la recherche du temps perdu.

His turn to Marxism in the 1930s was partly due to the influence of Bertolt Brecht, whose critical aesthetics developed epic theatre and its Verfremdungseffekt (defamiliarisation, alienation). An earlier influence was friend Gershom Scholem, founder of the academic study of the Kabbalah and of Jewish mysticism.

Influenced by the Swiss anthropologist Johann Jakob Bachofen (1815–87), Benjamin coined the term “auratic perception”, denoting the aesthetic faculty by means of which civilization may recover an appreciation of myth.^[3] Benjamin's work is often cited in academic and literary studies, especially the essays "The Task of the Translator" (1923) and "The Work of Art in the Age of Mechanical Reproduction" (1936).

Life[link]

Part of a series on the
Frankfurt School
Major works
Reason and Revolution The Work of Art in the Age of Mechanical Reproduction Eclipse of Reason The Fear of Freedom Dialectic of Enlightenment Minima Moralia Eros and Civilization One-Dimensional Man Negative Dialectics The Structural Transformation of the Public Sphere The Theory of Communicative Action
Notable theorists
Max Horkheimer · Theodor Adorno Herbert Marcuse · Walter Benjamin Erich Fromm · Friedrich Pollock Leo Löwenthal · Jürgen Habermas
Important concepts
Critical Theory · Dialectic · Praxis Psychoanalysis · Antipositivism Popular culture · Culture industry Advanced capitalism · Privatism Non-Identity · Communicative Rationality Legitimation Crisis
v t e

Benjamin and his younger siblings, Georg (1895 – 1942) and Dora (1901 – 1946) were born to a wealthy business family of assimilated Jews^[4] in the Berlin of the German Empire (1871 – 1918). The patriarch, Emil Benjamin, was a banker in Paris who relocated from France to Germany, where he worked as an antiques trader in Berlin; he later married Pauline Schönflies. He owned a number of investments in Berlin, including ice skating rinks. In 1902, ten-year-old Walter was enrolled to the Kaiser Friedrich School in Charlottenburg; he completed his secondary school studies ten years later. Personally, Walter Benjamin was a boy of fragile health, so, in 1905, the family sent him to boarding school in the Thuringian countryside, for two years; in 1907, returned to Berlin, his schooling resumed at the Kaiser Friedrich School.

In 1912, at the age of twenty, he enrolled at the Albert Ludwigs University of Freiburg, but, at summer semester's end, returned to Berlin, then matriculated into the Humboldt University of Berlin, to continue studying philosophy. Here Benjamin had his first exposure to the ideas of zionism, which had not been part of his liberal upbringing, this exposure gave him occasion to formulate his own ideas about the meanings of Judaism. Benjamin distanced himself from political and nationalist zionism, instead developing in his own thinking what he called a kind of "cultural zionism" - an attitude which recognized and promoted Judaism and Jewish values. In Benjamin's formulation his Jewishness meant a commitment to the furtherance of European culture. Benjamin expressed "My life experience led me to this insight: the Jews represent an elite in the ranks of the spiritually active…For Judaism is to me in no sense an end in itself, but the most distinguished bearer and representative of the spiritual." This was a position that Benjamin largely held lifelong.^[5]

Elected president of the Freie Studentenschaft (Free Students Association), Benjamin wrote essays arguing for educational and general cultural change.^[6] When not re-elected as student association president, he returned to Freiburg University, and studied, with particular attention to the lectures of Heinrich Rickert; in that time he travelled to France and Italy.

In 1914, as Germany and France fought each other in the First World War (1914 – 1918), the intellectual Walter Benjamin began faithfully translating the works of the 19th-century French poet Charles Baudelaire (1821 – 1867). The next year, 1915, he moved to Munich, and continued his schooling at the Ludwig Maximilian University of Munich, where he met Rainer Maria Rilke and Gershom Scholem; the latter became a friend. In that year, Benjamin wrote about the 18th-century Romantic German poet Friedrich Hölderlin (1770 – 1843).

In 1917 he transferred to the University of Bern; there, he met Ernst Bloch, and Dora Sophie Pollak (née Kellner) (1890 – 1964), whom he later married, and they had a son, Stefan Rafael (1918 – 1972). In 1919 Benjamin earned his doctoral degree cum laude with the dissertation essay Begriff der Kunstkritik in der Deutschen Romantik (The Concept of Criticism in German Romanticism). Later, unable to support himself and family, the Benjamins returned to Berlin, and resided with his parents; in 1921, he published the essay Kritik der Gewalt (The Critique of Violence). At this time, Benjamin first became socially acquainted with Leo Strauss, and would remain an admirer of him and of his work throughout his life.^[7][8][9]

In 1923, when the Institut für Sozialforschung (Institute for Social Research) was founded, and later became home to the Frankfurt School, he published Charles Baudelaire, Tableaux Parisiens. In that time he became acquainted with Theodor Adorno and befriended Georg Lukács, whose The Theory of the Novel (1920) much influenced him. Meanwhile, the inflation in the Weimar Republic, consequent to the First World War, made it difficult for the businessman Emil Benjamin to continue supporting his intellectual son's family, Walter, Dora, and Stefan. At year's end of 1923, his best friend, Gershom Scholem, emigrated to Palestine, a country ruled under the British Mandate of Palestine; despite repeated invitations, he failed to persuade Walter Benjamin (and family) to leave the Continent for the Middle East.

In 1924, Hugo von Hoffmansthal, in the Neue Deutsche Beiträge magazine, published Goethes Wahlverwandtschaften (Goethe’s Elective Affinities), by Walter Benjamin, about Goethe’s third novel, Die Wahlverwandtschaften (1809). Later that year, Benjamin and Ernst Bloch resided in the Italian island of Capri; Benjamin wrote Ursprung des deutschen Trauerspiel (The Origin of German Tragic Drama), as an habilitation dissertation meant to qualify him as a tenured university professor in Germany. He also read, at Bloch’s suggestion, History and Class Consciousness (1923), by Georg Lukács. In the event, he also met the Latvian Bolshevik and actress Asja Lācis, then residing in Moscow; she became his lover and was a lasting intellectual influence upon him.

A year later, in 1925, the Goethe University Frankfurt, at Frankfurt am Main, rejected The Origin of German Tragic Drama as Benjamin’s qualification for the habilitation teaching credential; he was not to be an academic instructor. Working with Franz Hessel (1880–1941), he translated the first volumes of À la Recherche du Temps Perdu (In Search of Lost Time), by Marcel Proust. The next year, 1926, he began writing for the German newspapers Frankfurter Zeitung (The Frankfurt Times) and Die Literarische Welt (The Literary World), that paid enough for him to reside in Paris for some months. In December 1926 (the year his father, Emil Benjamin, died), Walter Benjamin went to Moscow to meet Asja Lācis, and found her ill, in a sanatorium.^[10]

In 1927, he began Das Passagen-Werk (The Arcades Project), his incompleted magnum opus, a study of 19th-century Parisian life. The same year, he saw Gershom Scholem in Berlin, for the last time, and considered emigrating from Continental Europe (Germany) to Palestine. In 1928, he and Dora separated, then divorced two years later, in 1930; he published Einbahnstraße (One-Way Street), and a revision of his habilitation dissertation Ursprung des Deutschen Trauerspiels (The Origin of German Tragic Drama). In 1929 Berlin, Asja Lācis, then assistant to Bertolt Brecht, socially presented the intellectuals to each other. In that time, he also briefly embarked upon an academic career, as an instructor at the University of Heidelberg.

In 1932, during the turmoil preceding Adolf Hitler’s assumption of the office of Chancellor of Germany, Walter Benjamin left Germany for the Spanish island of Ibiza for some months; he then moved to Nice, where he considered killing himself. Perceiving the socio-political and cultural significance of the Reichstag fire (27 February 1933) as the de facto Nazi assumption of full power in Germany, then manifest with the subsequent persecution of the Jews, he moved to Paris, but, before doing so, he sought shelter in Svendborg, at Bertold Brecht's house, and at Sanremo, where his ex-wife Dora lived.

As he ran out of money, Benjamin collaborated with Max Horkheimer, and received funds from the Institute for Social Research, later going permanently into exile. In Paris, he met other German artists and intellectuals refuged there from Germany; he befriended Hannah Arendt, novelist Hermann Hesse, and composer Kurt Weill. In 1936, L'Œuvre d'Art à l'Époque de sa Reproductibilité Technique (The Work of Art in the Age of Mechanical Reproduction) was first published, in French, by Max Horkheimer in the Zeitschrift für Sozialforschung journal of the Institute for Social Research.

In 1937 Benjamin worked on Das Paris des Second Empire bei Baudelaire (The Paris of the Second Empire in Baudelaire), met Georges Bataille (to whom he later entrusted the Arcades Project manuscript), and joined the College of Sociology. In 1938 he paid a last visit to Bertolt Brecht, who was exiled to Denmark. Meanwhile, the Nazi Régime stripped German Jews of their German citizenship; now a stateless man, Benjamin was arrested by the French government and incarcerated for three months in a prison camp near Nevers, in central Burgundy.

Returning to Paris in January 1940, he wrote Über den Begriff der Geschichte (Theses on the Philosophy of History). As the Wehrmacht defeated the French defence, on 13 June, Benjamin and his sister fled Paris to the town of Lourdes, a day before the Germans entered Paris (14 June 1940), with orders to arrest him at his flat. In August, he obtained a travel visa to the US that Max Horkheimer had negotiated for him. In eluding the Gestapo, Benjamin planned to travel to the US from neutral Portugal, which he expected to reach via fascist Spain, then ostensibly a neutral country.

The historical record indicates he safely crossed the French-Spanish border and arrived at the coastal town of Portbou, in Catalonia. The Franco government had cancelled all transit visas and ordered the Spanish police to return such persons to France, including the Jewish refugee group Benjamin had joined. Expecting repatriation to Nazi hands, Walter Benjamin killed himself with an overdose of morphine tablets on the night of 25 September 1940; the official Portbou register records 26 September 1940 as the official date of death.^[11]

Works[link]

Among Walter Benjamin’s works are:

• Zur Kritik der Gewalt (Critique of Violence, 1921).
• Goethes Wahlverwandtschaften (Goethe’s Elective Affinities, 1922).
• Ursprung des deutschen Trauerspiels (Origin of German Tragic Drama, 1928).
• Einbahnstraße (One Way Street, 1928).
• "Karl Kraus" (1931 in the Frankfurter Zeitung).
• Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (The Work of Art in the Age of Mechanical Reproduction, 1936).
• Berliner Kindheit um 1900 (Berlin Childhood around 1900, 1950).
• Über den Begriff der Geschichte (On the Concept of History / Theses on the Philosophy of History), 1940.
• Das Paris des Second Empire bei Baudelaire (The Paris of the Second Empire in Baudelaire, 1938).

Walter Benjamin corresponded much with Theodor Adorno and Bertolt Brecht, and was occasionally funded by the Frankfurt School under the direction of Adorno and Horkheimer, even from their New York City residence. The competing influences — Brecht’s Marxism, Adorno’s critical theory, Gerschom Scholem’s Jewish mysticism — were central to his work, although their philosophic differences remained unresolved. Moreover, the critic Paul de Man argued that the intellectual range of Benjamin’s writings flows dynamically among those three intellectual traditions, deriving a critique via juxtaposition; the exemplar synthesis is "On the Concept of History" (Theses on the Philosophy of History).

Paul Klee's 1920 painting Angelus Novus, which Benjamin compared to "the angel of history"

The ninth thesis in the essay “Theses on the Philosophy of History” presents:

A Klee painting named Angelus Novus shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.

[edit] The Origin of German Tragic Drama

Ursprung des deutschen Trauerspiels (The Origin of German Tragic Drama, 1928), is a critical study of German baroque drama, as well as the political and cultural climate of Germany during the Counter-Reformation (1545–1648). Benjamin presented the work to the University of Frankfurt in 1925 as the (post-doctoral) dissertation meant to earn him the Habilitation (qualification) to become a university instructor in Germany.

Professor Schultz of University of Frankfurt found The Origin of German Tragic Drama inappropriate for his Germanistik department (Department of German Language and Literature), and passed it to the Department of Aesthetics (philosophy of art), the readers of which likewise dismissed Benjamin's work. The faculty, among them Max Horkheimer, recommended that Benjamin withdraw Ursprung des deutschen Trauerspiels as a Habilitation dissertation to avoid formal rejection and public embarrassment. He heeded the advice, and three years later, in 1928, he published The Origin of German Tragic Drama as a book.^[12]

The Arcades Project[link]

The Passagenwerk (Arcades Project, 1927–40), was Walter Benjamin’s final, incomplete book about Parisian city life in the 19th century, especially about the Passages couverts de Paris the covered passages that extended the culture of flânerie (idling and people-watching) when inclement weather made flânerie infeasible in the boulevards and streets proper.

Writing style[link]

Susan Sontag said that in Walter Benjamin’s writing, sentences did not originate ordinarily, do not progress into one another, and delineate no obvious line of reasoning, as if each sentence “had to say everything, before the inward gaze of total concentration dissolved the subject before his eyes”, a “freeze-frame baroque” style of writing and cogitation. “His major essays seem to end just in time, before they self-destruct”.^[13] The difficulty of Benjamin's writing style is essential to his philosophical project. Fascinated by notions of reference and constellation, his goal in later works was to use intertexts to reveal aspects of the past that cannot, and should not, be understood within greater, monolithic constructs of historical understanding.

Walter Benjamin’s writings identify him as a modernist for whom the philosophic merges with the literary: logical philosophic reasoning cannot account for all experience, especially not for self-representation via art. He presented his stylistic concerns in The Task of the Translator, wherein he posits that a literary translation, by definition, produces deformations and misunderstandings of the original text. Moreover, in the deformed text, otherwise hidden aspects of the original, source-language text are elucidated, while previously obvious aspects become unreadable. Such translational mortification of the source text is productive; when placed in a specific constellation of works and ideas, newly revealed affinities, between historical objects, appear and are productive of philosophical truth.

Death[link]

Walter Benjamin's grave in Portbou

Benjamin committed suicide in Portbou at the French–Spanish border while attempting to escape from the Nazis. The people he was with were told by the Spanish police that they would be deported back to France, which would have hampered Benjamin's plans to get to the United States. While staying in the Hotel de Francia, he apparently took some morphine pills and died on the night of 25/26 September 1940.^[14][15][16] Benjamin's colleague Arthur Koestler, also fleeing Europe, attempted suicide by taking some of the morphine tablets, but he survived.^[17]

The fact that Benjamin was buried in the consecrated section of a Roman Catholic cemetery would indicate that his death was not announced as a suicide. The others in his party were allowed passage the next day, and safely reached Lisbon on 30 September. A manuscript of Benjamin's "On the Concept of History" was passed to Theodor Adorno by Hannah Arendt, who crossed the French-Spanish border at Portbou a few months later, and was subsequently published by the Institute for Social Research (temporarily relocated to New York) in 1942.

A completed manuscript, which Benjamin had carried in his suitcase, disappeared after his death and has not been recovered. Some critics speculate that it was his Arcades Project in a final form; this is very unlikely as the author's plans for the work had changed in the wake of Adorno's criticisms in 1938, and it seems clear that the work was flowing over its containing limits in his last years. As the last finished piece of work from Benjamin, the Theses on the Philosophy of History (noted above) is often cited; Adorno claimed this had been written in the spring of 1940, weeks before the Germans invaded France.

While this is not completely certain, Theses is clearly one of his last works, and the final paragraph, about the Jewish quest for the Messiah provides a harrowing final point to Benjamin's work, with its themes of culture, destruction, Jewish heritage and the fight between humanity and nihilism. He brings up the interdiction, in some varieties of Judaism, to try to determine the year when the Messiah would come into the world, and points out that this did not make Jews indifferent to the future "for every second of time was the strait gate through which the Messiah might enter."

Legacy[link]

Since the publication of Schriften (Writings, 1955) fifteen years after his death, Benjamin's work--especially the essay "The Work of Art in the Age of Mechanical Reproduction" (1936)--is of seminal importance to academics in the humanities disciplines.

See also[link]

• Gertrud Kolmar
• Angelus Novus
• Profane illumination

References[link]

Further reading[link]

Primary literature[link]

Secondary literature[link]

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (June 2011)

Wikiquote has a collection of quotations related to: Walter Benjamin

• Walter Benjamin, at the Stanford Encyclopedia of Philosophy
• The Internationale Walter Benjamin Gesellschaft. In English and German. (Defunct)
• Walter Benjamin at Marxists.org
• Fragments of the Passagenwerk: The Arcades Project, Giles Peaker
• Aufklärung für Kinder, by Walter Benjamin. 30 broadcasts for German Radio between 1929-1932 specifically for children, maybe 7-14 or so, each consisting of a 20 minute talk or monologue.
• One Way Street: Fragments for Walter Benjamin (1993), by Jon Hughes. This documentary provides clear and accessible introductions to some of the central ideas in Benjamin's writings.
• Protocols to the Experiments on Hashish, Opium and Mescaline Translated by Scott J. Thompson, copyright March 25, 1997
• From 'Rausch' to Rebellion An introductory essay by Scott J. Thompson
• Paris, capitale du XIXe siècle In French
• Walter Benjamin Research Syndicate
• "Walter Benjamin for Historians", American Historical Review, Vol. 106, No. 5. December 2001.
• Who Killed Walter Benjamin..., (Spain/The Netherlands/Germany, 2005, 73 min.) a documentary film about the circumstances of Benjamin's death by David Mauas
• Paris, capital of 19th century, an essay/experimental film about the Passagen-Werk by Benjamin Bardou, France, 2010, 10'
• The Mysterious Death of Walter Benjamin, Stephen Schwartz, The Weekly Standard, Volume 006, Issue 37, 11 June 2001
• Through the Trapdoor: review of The Narrow Foothold by Carina Birman describes Benjamin's final days
• The Arcades Project or The Rhetoric of Hypertext, Heather Marcelle Crickenberger
• The Dialectics of Allegoresis: Historical Materialism in Benjamin's Illuminations, John Parker
• Walter Benjamin and the Arcades Project - The Passagenwerk