Computer simulation of a wake in a pond

A wake is the region of recirculating flow immediately behind a moving or stationary solid body, caused by the flow of surrounding fluid around the body.

Fluid dynamics[link]

In fluid dynamics, a wake is the region of disturbed flow (usually turbulent) downstream of a solid body moving through a fluid, caused by the flow of the fluid around the body. In incompressible fluids (liquids) such as water, a bow wake is created when a watercraft moves through the medium; as the medium cannot be compressed, it must be displaced instead, resulting in a wave. As with all wave forms, it spreads outward from the source until its energy is overcome or lost, usually by friction or dispersion.

The formation of these waves in liquids is analogous to the generation of shockwaves in compressible flow, such as those generated by rockets and aircraft traveling supersonic through air (see also Lighthill equation). The non-dimensional parameter of interest is the Froude number.

For a blunt body in subsonic external flow, for example the Apollo or Orion capsules during descent and landing, the wake is massively separated and behind the body is a reverse flow region where the flow is moving toward the body. This phenomenon is often observed in wind tunnel testing of aircraft, and is especially important when parachute systems are involved, because unless the parachute lines extend the canopy beyond the reverse flow region, the chute can fail to inflate and thus collapse. Parachutes deployed into wakes suffer dynamic pressure deficits which reduce their expected drag forces. High-fidelity computational fluid dynamics simulations are often undertaken to model wake flows, although such modeling has uncertainties associated with turbulence modeling (for example RANS versus LES implementations), in addition to unsteady flow effects. Example applications include rocket stage separation and aircraft store separation.

• 

  Wave cloud pattern in the wake of the Île Amsterdam (lower left, at the "tip" of the triangular formation of clouds) in the southern Indian Ocean.

• 

  Cloud wakes from the [Juan Fernández Islands]].

Wake pattern of a boat[link]

Waterfowls and boats moving across the surface of water produce a wake pattern, first explained mathematically by Lord Kelvin and known today as the Kelvin wake pattern. This pattern consists of two wake lines that form the arms of a V, with the source of the wake at the point. Each wake line is offset from the path of the wake source by around 19° and is made up with feathery wavelets that are angled at roughly 53° to the path. The interior of the V is filled with transverse curved waves, each of which is an arc of a circle centered at a point lying on the path at a distance twice that of the arc to the wake source. This pattern is independent of the speed and size of the wake source over a significant range of values. The angles in this pattern are not intrinsic properties of water; Any isentropic and incompressible liquid with low viscosity will exhibit the same phenomenon. This phenomenon has nothing to do with turbulence. Everything discussed here is based on the linear theory of an ideal fluid.

This pattern follows from the dispersion relation of deep water waves, which is often written as,

Failed to parse (Missing texvc executable; please see math/README to configure.): \omega = \sqrt{g k},

where Failed to parse (Missing texvc executable; please see math/README to configure.): g

is the strength of the gravity field and "deep" means that the depth is greater than half of the wavelength. This formula has two implications: first, the speed of the wave scales with the wavelength and second, the group velocity of a deep water wave is half of its phase velocity.

As a surface object moves along its path at a constant velocity Failed to parse (Missing texvc executable; please see math/README to configure.): v , it continuously generates a series of small disturbances corresponding to waves with a wide spectrum of wavelengths. Those waves with the longest wavelengths have phase speeds above Failed to parse (Missing texvc executable; please see math/README to configure.): v

and simply dissipate into the surrounding water without being easily observed. Only the waves with phase speeds at or below Failed to parse (Missing texvc executable; please see math/README to configure.): v
get amplified through the process of constructive interference and form visible shock waves.

In a medium like air, where the dispersion relation is linear, i.e.

Failed to parse (Missing texvc executable; please see math/README to configure.): \omega = c k,\,

the phase velocity c is the same for all wavelengths and the group velocity has the same value as well. The angle Failed to parse (Missing texvc executable; please see math/README to configure.): \theta

of the shock wave thus follows from simple trigonometry and can be written as,

Failed to parse (Missing texvc executable; please see math/README to configure.): \theta = \arcsin \left( \frac{c}{v} \right).

This angle is dependent on Failed to parse (Missing texvc executable; please see math/README to configure.): v , and the shock wave only forms when Failed to parse (Missing texvc executable; please see math/README to configure.): v > c .

In deep water, however, shock waves always form even from slow-moving sources because waves with short enough wavelengths move still more slowly. These shock waves also manifest themselves at sharper angles than one would naively expect because it is group velocity that dictates the area of constructive interference and, in deep water, the group velocity is only half of the phase velocity.

By a simple accident in geometry, all shock waves that should have had angles between 33° and 72° get compressed into a narrow band of wake with angles between 15° and 19° with the strongest constructive interference occurring at the outer edge, resulting in the two arms of the V in the Kelvin wake pattern. This can be seen easily in the diagram on the left. Here, we consider waves generated at point C by the source which has now moved to point A. These waves would have formed a shock wave at the line AB, with the angle CAB = 62° because the phase velocity of the wave has been chosen to be Failed to parse (Missing texvc executable; please see math/README to configure.): \sin \left( 62^\circ \right)

= 0.883 of the boat velocity. But the group velocity is only half of the phase velocity, so the wake actually forms along the line AD, where D is the mid-point on the segment BC, and the wake angle CAD turns out to be 19°. The wavefronts of the wavelets in the wake coming from the wave components in our example still maintain an angle of 62° to the AC line. In reality, all the waves with would-be-shock-wave-angles between 33° and 72° contribute to the same narrow wake band and the wavelets exhibit an angle of 53°, which is roughly the average of 33° and 72°.

The wave components with would-be-shock-wave-angles between 73° and 90° dominate the interior of the V. Again, the waves that should have joined together and formed a wall similar to the phenomenon in sonic boom end up half-way between the point of generation and the current location of the wake source. This explains the curvature of the arcs.

Those very short waves with would-be-shock-wave-angles below 33° lack a mechanism to reinforce their amplitudes through constructive interference and are usually perceived by the naked eyes as small ripples on top of the interior transverse waves.

• 

  Wake from a small motorboat with an outboard motor.

• 

  Kelvin wake pattern generated by a small boat.

• 

  Wake of a boat crossing an alpine lake.

• 

  The wakes of two slow-moving boats. The nearer boat has made a striking series of ruler-straight waves.

Other effects[link]

The above describes an ideal wake, where the body's means of propulsion has no other effect on the water. In practice the wave pattern between the V-shaped wave fronts is usually mixed with the effects of propeller backwash and eddying behind the boat's (usually square-ended) stern.

Recreation[link]

"No wake zones" may prohibit wakes in marinas, near moorings and within some distance of shore^[1] in order to facilitate recreation by other boats, and reduce the damage wakes cause.

Wakes are occasionally used recreationally. Swimmers, people riding personal watercraft, and aquatic mammals such as dolphins can ride the leading edge of a wake. In the sport of wakeboarding the wake is used as a jump. The wake is also used to propel a surfer in the sport of wakesurfing. In the sport of water polo, the ball carrier can swim while advancing the ball, propelled ahead with the wake created by alternating armstrokes in crawl stroke, a technique known as dribbling.

• Sunseeker Wake.JPG

  Sunseeker wake on the Indian River looking at the 17th Street Bridge

• 

  Wake behind a ferry in the Baltic Sea

• 

  Wake of a boat in the Hawaiian Islands

See also[link]

• Wake turbulence
• Wakeboarding
• Slipstream
• Wakesurfing

References[link]

External links[link]

Wikimedia Commons has media related to: Wakes (liquids)

• Water Waves Wiki
• Erosion caused by boat wakes

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2009)

Pete Tong
Pete Tong at Glastonbury in 2009
Background information
Birth name	Peter Tong
Born	(1960-07-31) July 31, 1960 (age 51) Dartford, Kent, England
Genres	Electronica, Balearic beat, house
Occupations	Disc jockey, music producer
Website	petetong.com

Peter "Pete" Tong (born July 30, 1960) is an English DJ who works for BBC Radio 1. He is the host of programmes such as Essential Mix and Essential Selection on the radio service, which can be heard through Internet radio streams, for his record label FFRR Records, and for his own performances at nightclubs and music festivals. Tong has worked as a record producer and is known by the nickname of Lord of the Dance.

The phrase "It's all gone Pete Tong", where the name is used as rhyming slang for "wrong", was reputedly first coined by Paul Oakenfold in late 1987 in an article about acid house called "Bermondsey Goes Balearic" for Terry Farley and Pete Heller's Boys Own fanzine. It's All Gone Pete Tong is also the title of a 2004 film which portrays a fictional DJ's experiences as he realizes he is becoming deaf. Tong appears briefly in the film. It is also the name Tong has adopted for his club night at the nightclub Pacha in Ibiza.

In 2008 he was involved with the founding of the International Music Summit in Ibiza.

Early years[link]

Pete Tong was born in Dartford, Kent in July 1960 and was educated at King's School, Rochester, Kent.

Tong's original musical interest was in drumming, but he soon moved on to DJing. He played his first public gig at a friend's wedding at age 15. While at school he and a couple of friends earned some extra money by promoting a couple of local bands, booking halls for gigs etc. He also worked as part of the Kent "Soul Mafia" bringing soul weekenders to seaside towns like Caister-on-Sea and Prestatyn. Tong was heavily influenced by the late DJ Froggy in his early years and most of Tong's success is down to Froggy's originality in style of record mixing presentation.

Initially after leaving school he set up a mobile disco based in a transit van, but he soon started his own club in Baker Street called Family Function. He also booked bands for an alternative night, the first of which was the then unknown Culture Club. Later he became DJ/Promoter at the Kings Lodge club in West Kingsdown and quickly gained a faithful following, who were prepared to travel from far and wide on a Wednesday night to hear him playing underground Jazz, Funk and Soul. Later moving venue to the Hill Top also in West Kingsdown, he was responsible for breaking classics such as Lonnie Liston Smith's "Expansions" and Ritchie Cole's "Groovin on a New York Afternoon".

In 1979, he became a staff writer for Blues & Soul Magazine.^[1] After a year he was promoted to features editor, a position he would hold until 1983. He left Blues & Soul to join London Records as an A&R manager.

Through his connections in London Records Tong was exposed to the newly emerging house music sound from Chicago. In 1986, Tong organised a compilation album, The House Sound of Chicago, Vol. 1, the first British release to gather and expose this genre.

Radio career[link]

Tong's first appearance on radio was in the late 1970s on Radio Invicta 92.4fm, Europe's first soul station. He joined a rotation of nightclub djs including Steve Walsh, Chris Hill, Chris Brown and others to present monthly guest shows. Later he appeared on local radio station BBC Radio Medway in the 'Soul Mafia' and doing occasional mixes for Radio London. In 1981 he made his first appearance on Radio 1 hosting a 15 minute feature on Peter Powell's show, playing the new tracks and covering the latest gossip and news from the dance world.

When Invicta Radio started up in Kent in 1984, Tong joined them to host a regular soul show, where assisted by local Kent journalist Eddie Gordon of the Kent Messenger he built up a big county profile. Tong stayed at Invicta until 1987. He was then hired by Capital Radio in 1988 at the suggestion of DJ Jeff Young to present a weekly dance programme. DJ Jeff Young having initially been offered the slot by Capital went to BBC Radio 1 to broadcast a weekly Friday night show called The Big Beat.

In 1991 Tong returned to national radio taking over the "hot" Friday night slot from the retiring Jeff Young. Thus Tong began his long stint as the host of the Essential Selection.

The Essential Selection was a BBC Radio 1 show that aired on Friday evenings, at varying times from 6-10pm between 1991 and 2006. From 1992 to 1993, a second weekly edition of the show aired on Sunday evenings from 7-8pm. From 29 September 2006 onwards, the show dropped its name in the UK from Essential Selection and was referred to as simply "Pete Tong: The Official Start To The Weekend", airing from 7-9pm until 2009 when it changed to 9-11pm. The programme showcases the latest dance & electronic music, and informs listeners what club nights are on around the United Kingdom at weekends. It is endorsed by Radio 1 as the official start to the weekend, and attracts one of the highest audiences for a radio show in the UK. There are no plans to change this successful format.

DJing[link]

Tong is one of England's most recognised DJs.^{[citation needed]} From 2003 to 2007 he was resident at the Pacha nightclub in Ibiza, drawing people from all over the world to his Pure Pacha nights. In 2008 he left Pacha and signed with Eden in Sant Antoni de Portmany to host his own Wonderland night. In March 2011 he announced that he would be returning to Pacha on Friday nights with his new event named 'All Gone Pete Tong'.

Pete Tong plays the Together Winter Music Festival in London at the Alexandra Palace on Saturday 26 November.

Mix album discography[link]

All chart positions are in the UK Compilation Chart^[2]

• Cream Live (1995) (#3) (CD1, mixed with Paul Oakenfold)
• The Annual (1995) (#13) (CD1)
• The Annual II (1996) (#1) (CD1)
• Dance Nation 3 (1997) (Mixed by Pete Tong and Judge Jules)
• Essential Selection Summer 1997 (1997) (#4) (Orange cover)
• The Annual III (1997) (#3) (CD1)
• Essential Selection Winter 1997 (1997) (#10) (Light blue cover)
• Dance Nation 5 (Mixed by Pete Tong and Boy George)
• Essential Selection Spring 1998 (#4) (Green cover)
• Essential Selection Summer 1998 (1998) (#4) (Red cover of strawberries)
• Essential Selection Summer 1998 (1998) (Limited Edition) (#2) (Yellow cover of strawberries, CD3 is Twelve Ibiza Classics mixed by Paul Oakenfold)
• Essential Selection '98 Tong/Oakenfold (1998) (#13) (Orange cover of oranges)
• Essential Selection '98 Tong/Oakenfold (1998) (Limited Edition) (#11) (Purple cover of tinted oranges, CD3 is mixed by Carl Cox)
• Essential Selection Spring 1999 (1999) (#13) (Cover of gold, green and purple easter eggs)
• Essential Selection Spring 1999 (1999) (Limited Edition) (#3) (Gold cover of easter eggs, CD3 is Hacienda Classics mixed by Graeme Park)
• Essential Selection Ibiza 1999 (1999) (#11) (Cover of blue, red and yellow buckets and spades)
• Essential Selection Ibiza 1999 (1999) (#7) (Cover of green, purple and virdian bucket and spades, CD3 is mixed by DJ Pippi)
• Essential Millennium (1999) (#10) (Mixed by Pete Tong/Fatboy Slim/Paul Oakenfold)
• Essential Selection Spring 2000 (2000) (#8)
• Essential Selection Ibiza 2000 (2000) (#11)
• Essential Mix 2000 (2000)
• Twisted Beats (2001)
• Essential Selection Presents The Clubber's Bible Winter 2002 (2001)
• Fashion TV Presents Pete Tong (2003)
• Essential Selection Pete Tong (2003) (did not chart)
• Pure Pacha Ibiza: Mixed by Pete Tong and Andy B (2004)
• It's Showtime! (Pete Tong Presents Pure Pacha Vol.II Summer Season 2005 (2005)
• Essential Classics (2005)
• Pure Pacha Vol.1 (2006) (Mixed by Pete Tong & Sarah Main)
• Essential Dance Mix (2006)
• Pure Pacha 3 (Mixed with Pete Tong and Sarah Main)
• Wonderland (2008)
• Pete Tong Presents Wonderland 2009 (2009)
• Pete Tong Presents Wonderland 2010 (2010)
• Pete Tong and Riva Starr: Future Underground (2011)
• All Gone Pete Tong & Felix da House Cat Ibiza '11 (2011)
• All Gone Pete Tong & Groove Armada Miami '12 (2012)

References[link]

External links[link]

• Official website
• Pete Tong at BBC Programmes
• Pete Tong Interview - Laptoprockers (2009)
• Pete Tong Interview (2006)
• Pete Tong discography at Discogs
• Interview with DJ Times, 2000
• Video; Pete Tong interviewed by Paul Morley, 2010

Further reading[link]

• "Pete Tong Issues a Wikipedia Correction and Announces Concert at Mansion October 27" blog post by S. Pajot on "CrossFade, the Music Blog", Tue., Oct. 19 2010 @ 1:00PM, accessed October 19, 2010

Aloe Blacc
Blacc at Festival Mundial in Tilburg on June 19, 2011
Background information
Birth name	Egbert Nathaniel Dawkins III
Born	January 8, 1979
Origin	Orange County, California, United States
Genres	Soul, R&B, jazz, hip hop
Occupations	Musician
Instruments	Vocals
Years active	1995–present
Labels	Stones Throw Records, Goontrax
Associated acts	Emanon, Exile, Lena Meyer-Landrut, Sherif
Website	Aloe Blacc.com

Aloe Blacc (born Egbert Nathaniel Dawkins III; January 7, 1979^[1][2]) is an American soul singer, rapper and musician. He is married to Australian rapper Maya Jupiter.

[edit] Early career and Shine Through (1995–2009)

Blacc was born in Orange County, California to Panamanian parents.^[3] He began his music career in 1995 as a rapper in the hip hop duo Emanon with producer Exile.

By the late 1990s, Blacc was part of the duo Emanon and joined the group Lootpack on tour in Europe. The duo released six albums. This led to Blacc working with the French Jazz group Jazz Liberatorz. He released an album at the end of the 1990s.^[4]

In 2003, Blacc signed with Stones Throw Records and began a solo career. On July 11, 2006, he released his first LP album, Shine Through, on CD, vinyl record and online (on the Stones Throw website).

He then toured across Europe and the U.S. with Emanon, while working on his second solo album.

In 2009, Blacc collaborated with the Japanese hip hop producer Cradle. They called themselves Bee.

[edit] Mainstream success and Good Things (2010–present)

In 2010, Blacc released his second album, Good Things, on Stones Throw records. The album was produced by Jeff Dynamite and Leon Michels for Truth & Soul Productions.

Blacc was signed by Matthew Larkin for the charity album Red Hot + Rio 2, a follow-up to the 1996 Red Hot + Rio. Proceeds from the sales were donated to raise awareness and money to fight AIDS/HIV and related health and social issues. In 2011, Kenneth Bager used Aloe Blacc on "The Sound of Swing, Pt. 2 (Oh Na Na)" co-written by Thomas Troelsen.^[5]

In summer 2011, Blacc performed on the main stages at major festivals such as Glastonbury and The Falls Festival in Australia with his primary touring band The Grand Scheme. "I Need a Dollar" is the opening title track on the HBO series, How To Make It In America.

Television appearances[link]

Discography[link]

Studio albums[link]

Extended plays[link]

Singles[link]

With Emanon[link]

With Cradle[link]

• Bee – Open Your Mind (2009)

With The Grand Scheme[link]

• "Dark End Of The Street" from the Carhartt: Dark End Of The Street Compilation (2010)
• "Green Lights Grand Scheme Remix" from the UK Sony/Epic Single Release (2011)

With Joel Van Dijk[link]

• "I Got The Blues" Rolling Stones Cover - Mojo: Sticky Soul Fingers Compilation (2011)

References[link]

External links[link]

Wikimedia Commons has media related to: Aloe Blacc

• Aloe Blacc
• Aloe Blacc at Stones Throw Records
• RBMA Radio On Demand – Melbourne Marvels – Aloe Blacc (Stones Throw)
• Short Film on Aloe Blacc
• NPR interview from October 2010
• (fr) Interview with Aloe Blacc on Soulrnb.com
• NPR interview from February 2011
• Aloe Blacc – Radio 1Xtra Live Lounge

Bullet for My Valentine
Bullet for My Valentine performing at the 2010 Norway Rock Festival.
Background information
Origin	Bridgend, Wales, United Kingdom
Genres	Heavy metal, metalcore, thrash metal
Years active	1998–present
Labels	Columbia, Trustkill, Gun, Sony Music, Jive, RCA
Website	bulletformyvalentine.com
Members
Matthew Tuck Michael Paget Michael Thomas Jason James
Past members
Nick Crandle

Bullet for My Valentine are a Welsh heavy metal band from Bridgend, formed in 1998. The band is composed of Matthew Tuck (lead vocals, rhythm guitar), Michael Paget (lead guitar, backing vocals), Jason James (bass guitar, backing vocals), and Michael Thomas (drums). They were formed under the name Jeff Killed John and started their music career by covering songs by Metallica and Nirvana. Jeff Killed John recorded six songs which were not released; two of these tracks were reworked later in their career as Bullet for My Valentine. Financial difficulties dictated the name change, which was followed by a change in music direction. In 2002, the band secured a five-album deal with Sony BMG. The band has stated that their music is influenced by classic heavy metal acts such as Metallica, Iron Maiden, and Slayer. The band is part of the Cardiff music scene.

Bullet for My Valentine's debut album, The Poison, was released on 3 October 2005 in the United Kingdom and on 14 February 2006 in the United States to coincide with Valentine's Day hence their band name. The album entered the Billboard 200 in the US at number 128. It was certified Gold by the Recording Industry Association of America. The band made appearances at the Download Festival and Kerrang! XXV, and undertook a US tour with Rob Zombie. Bullet for My Valentine's second studio album, Scream Aim Fire, was released on 29 January 2008 and debuted at number four on the Billboard 200. The band's third album, Fever, was released on 26 April 2010 and debuted at number three on the Billboard 200. The band has sold over one million albums in the United States and nearly 2,500,000 albums worldwide and are the most-successful act in the Kerrang! Awards category of "Best British Band" with three wins.

History[link]

Jeff Killed John and record deal (1998—2005)[link]

	"Tears Don't Fall" noicon According to Scott Alisoglu of Blabbermouth.net, "Tears Don't Fall"'s "twin lead work, thrashy romps, galloping tempos, and a hot solo launch the track out of mediocrity."[1]
Problems listening to this file? See media help.

Jeff Killed John was the forerunner band to Bullet for My Valentine and was formed in 1998 by Matthew Tuck, Michael "Padge" Paget, Nick Crandle, and Michael "Moose" Thomas while studying music at Bridgend College. Playing Nirvana and Metallica cover songs, the band released a two-track EP in 2002, You/Play with Me, which was produced by Greg Haver. The EP was financed through the Pynci scheme for new Welsh musicians and the release garnered radio airplay on BBC Radio 1's broadcast at Newport's T.J.'s.^[2] Jeff Killed John's music followed the nu metal trend set by bands such as Korn and Limp Bizkit.^[2] Bassist Crandle left the band on the eve of entering the recording sessions for You/Play with Me and was replaced by Jason James.^[2] The band then changed their name to Bullet for My Valentine and reworked their musical strategy; they decided to play thrash metal songs with "harmony guitars and big angelic choruses" according to frontman Tuck.^[3]

Roadrunner Records showed interest in Bullet for My Valentine and offered the band a deal. The offer was ultimately turned down, and the band signed a five-album record deal with Sony BMG and a UK licensing deal with Visible Noise. According to Tuck, they chose Sony because, "We thought that a lot more doors would be open to us."^[3] A self-titled EP was released on 15 November 2004 in the UK. Produced by Colin Richardson, it featured five tracks and marked the band's first official release.^[2] A second EP, Hand of Blood, was released on 22 August 2005 through Trustkill Records and was only available in the US; the release contained one extra track than the self-titled EP, "4 Words (To Choke Upon)." Daniel Lukes of Decibel Magazine reviewed the EP by stating, "The worst part is that the music itself isn’t all that bad, for the genre." He went on to comment that the band should be "embarrassed" about the release.^[4] Zeromag's Josh Joyce complimented the band on "how technical they can get without confusing the kids."^[5]

[edit] The Poison (2005—2007)

Bullet for My Valentine at 2007's Earthday Birthday (depicted from left to right: Paget, James, and Tuck).

Bullet for My Valentine's debut album, The Poison, was released on 3 October 2005 in the UK and on Valentine's Day, 2006 in the US. It entered the Billboard 200 at number 128,^[6] and attained number 11 on the Independent Albums chart.^[7] On 30 January 2009, the album was certified gold by the RIAA after 500,000 copies were sold in the US.^[8] Four singles were released from The Poison: "4 Words (To Choke Upon)", "Suffocating Under Words of Sorrow (What Can I Do)", "All These Things I Hate (Revolve Around Me)", and "Tears Don't Fall".^[9] Bullet for My Valentine promoted the album by touring across the world. In 2005, with increased popularity, they played on the larger Download Festival Snickers stage;^[10] in 2006, the band were moved to near the top of the main stage bill.^[11] Other tours included opening for Metallica and Guns N' Roses in the summer of 2006,^[12] the Vans Warped Tour and Earthday Birthday. The band's headline performance at Kerrang XXV, a one-off gig at Brixton Academy in London on 28 January 2006, was filmed for their first DVD, The Poison: Live at Brixton.^[13][14] During June 2007, Tuck suffered from laryngitis, which let to an emergency tonsillectomy in July.^[15] Bullet for My Valentine were forced to cancel several shows, including supporting Metallica for three dates on their Sick of the Studio '07 tour on 29 June in Bilbao, 5 July in Vienna, and 8 July at the recently completed Wembley Stadium in London.^[16] Unable to speak, Tuck wrote that as soon as doctors cleared him he would be in the studio working on the band's next album.^[17]

[edit] Scream Aim Fire (2007—2008)

Bullet for My Valentine's second studio album, Scream Aim Fire, was recorded at Sonic Ranch Studios and was produced by Colin Richardson.^[18] Tuck commented at the time, "It's a lot more up tempo, a lot more aggressive".^[19] The album was released in the US on 29 January 2008.^[20] It sold 53,000 copies in its first week and peaked at number four on the Billboard 200.^[21] Three songs were released as singles: "Scream Aim Fire", "Hearts Burst into Fire", and "Waking the Demon".

In support of the new album, the band toured North America and Australia in the spring of 2008 for the Taste of Chaos tour alongside Atreyu, Blessthefall, and Avenged Sevenfold. Bullet for My Valentine cut short the Canada portion of the tour and flew back home to support the daughter of James who was in hospital.^[22] The band performed in North America again in the summer of 2008 as part of the No Fear Tour with Bleeding Through, Cancer Bats, and Black Tide.^[23] In late 2008, the band toured Europe, supported by Lacuna Coil, Bleeding Through, and Black Tide.^[24] In December 2008, Scream Aim Fire was re-released with four bonus tracks that were recorded during the album's studio sessions, but with re-recorded vocal-lines.^[25]

[edit] Fever (2009—2011)

Michael Paget (left) and Matthew Tuck (right) at 2006's Roskilde Festival held in Denmark.

Matt Tuck spoke to Daniel Marez of Metal Hammer in March 2009 about the band's progress on writing and recording their third album. Tuck stated that there were four or five songs that were finished and that "usually we write and record 14 tracks that I then have to write vocal lines for, but this time I’m trying to write the vocals as I write the music".^[25] Bullet for My Valentine confirmed in August 2009 that they were aiming for an early 2010 release for the new album, while Tuck stated that the upcoming record is "a lot more mature-sounding, it's a lot more classic. It'll stand the test of time [more] than both the previous things we've done".^[26] In a January 2010 interview with Rock Sound, Tuck stated explained details for the album; it would be titled Fever and that the 11-track record would have a sound closer to The Poison rather than Scream Aim Fire and would be absent of ballads.^[27]

During the summer of 2009, Bullet for My Valentine toured across the United States as part of the Mayhem Festival,^[28] alongside Killswitch Engage, Slayer, and Marilyn Manson on the main stage;^[29] they also appeared on the UK leg of the Sonisphere tour at Knebworth, headlining the second stage.^[30] The band will be headlining the second stage at the Download Festival 2010 on the Friday night.^[31] The band has also been confirmed for Nova Rock,^[32] Metaltown,^[33] Rock am Ring,^[34] Rock on the Range,^[35] The Bamboozle,^[36] Bilbao Live Festival,^[37] Fortarock^[38] and Graspop.^[39] In addition, they will be playing alongside the Big Four on the Greek leg of Sonisphere.^[40] Fever was released on 27 April 2010.^[41] A free download of a new track called "Begging For Mercy" was released on the band's website on 14 February 2010 as part of a Twitter promotion.^[42] The song "Your Betrayal" was chosen as the lead single for the album and was set to release on 9 March 2010, but, unexpectedly, was released earlier on 2 March 2010 as a digital single on iTunes Store. The second single is called "The Last Fight" and was released on 19 April. The album artwork for this studio album was released on the official website on 5 March 2010.^[41] Bullet for My Valentine announced the start their US tour in support of Fever. It began on 30 April with the bands Airbourne and Chiodos as support.^[43] On 12 March the band released the music videos for "The Last Fight" and "Your Betrayal".^[44] The band revealed the track listing on their website on 15 March, as well as other various sources that include an email to all of their subscribers on the mailing list.^[45] On 26 April the band played a secret show in London to celebrate the release of Fever. This was their only UK headline show until the end of the year.^[46]

Fourth studio album (2011—present)[link]

On 28 January 2011, Michael Paget stated that the group had already drawn proportions for the next studio album and will sound a lot like Fever. He followed-along with stating that the band plans to have the songs for it written within 2011 and will begin recording the album by the end of the year. A couple tracks left from the Fever sessions might be redone, re-arranged and re-recorded for the new record.^[47] The band played at Uproar Festival 2011, after which they began writing material for a fourth studio album. The band hopes to release the album sometime in 2012.^[48]

On 7 October, RCA Music Group announced it was disbanding Jive Records along with Arista Records and J Records. With the shutdown, the band (and all other artists previously signed to these three labels) will release their future material (including their next studio album) on the RCA Records brand.^[49][50] Also in October, frontman Matt Tuck announced that he will be working on a new side project which he has described as "metal as fuck", influenced by bands such as Pantera and Slipknot.^[51] On May 1, 2012, it was revealed that the project will be called AxeWound and will feature Liam Cormier, Mike Kingswood, Joe Copcutt and Jason Bowld.

In May 2012, it was announced that Bullet For My Valentine would be playing at the South African music festival Oppikoppi. They were slated to play in the country for the Coke Zero Fest of 2009, but pulled out at the last minute to record Fever.^[52]

Musical style and influences[link]

Bullet for My Valentine are primarily deemed as a contemporary metal band. With detailed statements, their music has been described by critics as heavy metal,^[53][54] metalcore^[41][55] and thrash metal.^[56][57] The band has cited being influenced by bands such as Metallica, Annihilator, Pantera, Machine Head, Iron Maiden, Guns N' Roses,^[58] Testament, Stuck Mojo, Slayer, Judas Priest, and Megadeth.^[59] These bands inspire Bullet for My Valentine's "catchy vocals, aggressive riffs, and melodies," according to Thomas.^[60] The band describe two of their albums, The Poison and Fever, as having a "super dark" tone,^[61] Tuck went on to state that "…we're a hard rock band with metal influences, and I’ve said that from Day One.”^[27] Kirk Miller of Decibel Magazine praised the band for the effort in synchronised song structures.^[62] When asked of their views on their looks, members of the band have stated that they would not change their sound or image for a commercial approach; Tuck also commented that, "Without sounding harsh, we're more interested in what our music sounds like than what our fucking hair looks like."^[63]

Band members[link]

Current members

• Michael Paget – lead guitar, backing vocals (1998–present)
• Michael Thomas – drums (1998–present)
• Matthew Tuck – lead vocals, rhythm guitar (1998–present)
• Jason James – bass guitar, backing vocals (2003–present)

Former members

• Nick Crandle – bass guitar (1998–2003)

Timeline[link]

id:bass value:brightgreen legend:Bass guitar
id:bass;vocals value:purple legend:Bass, backing vocals
id:drums value:yellow legend:Drums
id:rhythm;vocals value:red legend:Rhythm guitar, lead vocals
id:guitar;vocals value:brightblue legend:Lead guitar, backing vocals
id:lines value:black legend:Studio albums

at:10/03/2005 color:black layer:back
at:01/29/2008 color:black layer:back
at:04/26/2010 color:black layer:back

bar:Hetfield text:"'Matthew Tuck"
bar:Lars text:"Michael Paget"
bar:Mustaine text:"Jason James"
bar:Kirk text:"Michael Thomas"
bar:Ron text:"Nick Crandle"

width:10 textcolor:black align:left anchor:from shift:(10,-4)
bar:Hetfield from:01/01/1998 till:end color:rhythm;vocals
bar:Lars from:01/01/1998 till:end color:guitar;vocals
bar:Ron from:01/01/1998 till:01/01/2003 color:bass
bar:Mustaine from:01/01/2003 till:end color:bass;vocals
bar:Kirk from:01/01/1998 till:end color:drums

Discography[link]

Studio albums

• The Poison (2005)
• Scream Aim Fire (2008)
• Fever (2010)

Awards and achievements[link]

• Welsh Music Award
  • Best Newcomer (2004)^[64]
• Metal Hammer Golden God Award
  • Best British Band (2006, 2010)^[65][66]
• Kerrang! Awards
  • Best Single for "Tears Don't Fall" (2006)^[67]
  • Best British Newcomer (2005)^[68]
  • Best British Band (2008, 2009, 2010)^[69][70]
  • Headlined Kerrang!'s 25 year anniversary tour of the UK^[71]
  • Best Live Band (2010)^[72]

References[link]

External links[link]

• Official website