The Second Happy Time (codenamed Operation Paukenschlag or Operation Drumbeat), also known among German submarine commanders as the American shooting season^[1] was the informal name for a phase in the Second Battle of the Atlantic during which Axis submarines attacked merchant shipping along the east coast of North America. The first "Happy time" was in 1940/41.

It lasted from January 1942 to about August of that year. German submariners named it the happy time or the golden time as defence measures were weak and disorganised,^[2] and the U-boats were able to inflict massive damage with little risk. During the second happy time, Axis submarines sank 609 ships totaling 3.1 million tons for the loss of only 22 U-boats. This was roughly one quarter of all shipping sunk by U-boats during the entire Second World War.

Background[link]

When war broke out between Germany and the United States on December 11, 1941, the U.S. was in a fortunate position. Where the other combatants had already lost thousands of trained sailors and airmen, and were experiencing shortages of ships and aircraft, the U.S. was at full strength. The U.S. had the opportunity to learn about modern naval warfare by observing the conflicts in the North Sea and the Mediterranean, and through a close relationship with the United Kingdom. The U.S. Navy had already gained significant experience countering U-boats in the Atlantic, particularly from April 1941 when President Roosevelt extended the "Pan-American Security Zone" east almost as far as Iceland. The United States had massive manufacturing capacity, including certainly the largest and possibly the most advanced electrical engineering in the world. Finally, the U.S. had a favourable geographical position from a defensive point of view: the port of New York, for example, was 3,000 miles to the west of the U-boat bases in Brittany.

U-boat commander Dönitz, however, saw the entry of the U.S. into the war as a golden opportunity to strike heavy blows in the tonnage war. The German Navy no longer had its surface tankers in the North Atlantic to refuel submarines (these had been sunk by Allied forces after Ultra intelligence revealed their locations)^{[citation needed]} and the standard Type VII U-boat had insufficient range to patrol off the coast of North America, so the only weapons Dönitz had on hand were the larger Type IX boats. These, however, were less maneuverable and slower to submerge, making them much more vulnerable than the Type VIIs, and few in number.

Opening moves[link]

Immediately after war was declared with the United States, Dönitz began to implement Operation Paukenschlag (often translated as "drumbeat", but literally it means "timpani beat"), requesting that 12 Type IX U-boats be made available for it. The Naval Staff in Berlin, however, insisted on retaining six of the precious Type IX boats for the Mediterranean theatre^{[citation needed]} (where they could achieve little) and one of the remaining six encountered mechanical troubles. This left just five long-range submarines for the opening moves of the campaign.

Loaded with the maximum possible amounts of fuel, food and ammunition, the first of the five Type IXs left Lorient on 18 December 1941, the others following over the next few days. Each carried sealed orders to be opened after passing 20°W, and directing them to different parts of the North American coast. No charts or sailing directions were available: Kapitänleutnant Reinhard Hardegen of U-123, for example, was provided with two tourist guides to New York, one of which contained a fold-out map of the harbour.

Each U-boat made routine signals on exiting the Bay of Biscay, which were picked up by the British Y service and plotted in Rodger Winn's London Submarine Tracking Room, which was then able to follow the progress of the Type IXs across the Atlantic, and cable an early warning to the Royal Canadian Navy. Working on the slimmest of evidence, Winn correctly deduced the target area and passed a detailed warning to Admiral Ernest King in the United States of a "heavy concentration of U-boats off the North American seaboard", including the five boats already on station and further groups already in transit, 21 U-boats in all. Rear-Admiral Frank Leighton of the U.S. Combined Operations and Intelligence Center then informed the responsible area commanders, but little or nothing was done.

The primary target area was the "North Atlantic Coastal Frontier", commanded by Rear-Admiral Adolphus Andrews and covering the area from Maine to North Carolina. Andrews had practically no modern forces to work with: on the water he commanded seven Coast Guard cutters, four converted yachts, three 1919-vintage patrol boats, two gunboats dating to 1905, and four wooden submarine chasers. About 100 aircraft were available, but these were short-range models only suitable for training. As a consequence of the traditionally antagonistic relationship between the U.S. Navy and the Army Air Forces, all larger aircraft remained under USAAF control, and in any case the USAAF was neither trained nor equipped for anti-submarine work.

American response[link]

Animation simulating a tanker silhouetted against lights of a city.

British experience in the first two years of World War II, which included the massive losses incurred to British shipping during the "First Happy Time" confirmed that ships sailing in convoy — with or without escort — were far safer than ships sailing alone. British recommendations were that merchant ships should avoid obvious standard routings wherever possible; navigational markers, lighthouses, and other aids to the enemy should be removed, and a strict coastal blackout enforced. In addition, any available air and sea forces should perform daylight patrols to restrict the U-boats' flexibility.

None of this was attempted. Coastal shipping continued to sail along marked routes and burn normal steaming lights. On 12 January 1942 Admiral Andrews was warned that three or four U-boats were about to commence operations against coastal shipping, but he refused to institute a convoy system on the grounds that this would only provide the U-boats with more targets.

Despite the urgent need for action, little was done to try to combat the U-boats. The USN was desperately short of specialised anti-submarine vessels. President Roosevelt's 1941 decision to "loan" fifty obsolete World War I-era destroyers to Britain in exchange for foreign bases, was largely irrelevant. These destroyers had a large turning circle that made them ineffective for anti-submarine work, however their firepower would have been a significant defence against surface attack, which was the major threat in the early part of World War II. The massive new naval construction programme had prioritised other types of ships. While freighters and tankers were being sunk in coastal waters the destroyers that were available remained inactive in port. At least 25 Atlantic Convoy Escort Command Destroyers had been recalled to the U.S. East Coast at the time of the first attacks, including seven at anchor in New York Harbor.

When U-123 sank the 9,500 ton Norwegian tanker Norness within sight of Long Island in the early hours of 14 January, no warships were dispatched to investigate, allowing the U-123 to sink the 6,700 ton British tanker Coimbra off Sandy Hook on the following night before proceeding south towards New Jersey. By this time there were 13 destroyers idle in New York Harbor, yet still none were employed to deal with the immediate threat, and over the following nights U-123 was presented with a succession of easy targets, most of them burning navigation lamps. At times, U-123 was operating in shallow coastal waters that barely allowed it to conceal itself, let alone evade a depth charge attack.

For the five Type IX boats in the first wave of Operation Drumbeat, it was a bonanza. They cruised along the coast, safely submerged through the days, and surfacing at night to pick off merchant vessels outlined against the lights of the cities.

• Reinhard Hardegen in U-123 sank seven ships totalling 46,744 tons before he ran out of torpedoes and returned to base;
• Ernst Kals in U-130 sank six ships of 36,988 tons;
• Robert-Richard Zapp in U-66 sank five ships of 33,456 tons;
• Heinrich Bleichrodt in U-109 sank four ships of 27,651 tons; and
• Ulrich Folkers on his first patrol in U-125 sank only a single 6,666 ton vessel, for which he was criticised by Dönitz (though he would later win the Knight's Cross of the Iron Cross.)

The tanker "Dixie Arrow", torpedoed by U-71

The tanker MS Pennsylvania Sun, torpedoed by U-571 on 15 July 1942

When the first wave of U-boats returned to port in early February, Dönitz wrote that each commander "had such an abundance of opportunities for attack that he could not by any means utilise them all: there were times when there were up to ten ships in sight, sailing with all lights burning on peacetime courses."

A significant failure in U.S. pre-war planning was lack of any ships suitable for convoy escort work. Escort vessels travel at relatively slow speeds, carry a large number of depth-charges, must be highly maneouvreable and must stay on station for long periods. Fleet destroyers are equipped for high speed and offensive action and not the ideal design for this type of work. There was no equivalent of the British Black Swan class sloops or the River-class frigate in the U.S. inventory when the war started. This blunder, highly surprising given that the USN had been involved in anti-submarine work in the Atlantic (see USS Reuben James) was further aggravated by the loss of the obsolete destroyers "loaned" to Britain through Lend-Lease, although these were barely suitable and vulnerable to counter-attack. There was also a lack of aircraft suitable for anti-submarine patrol and aircrew trained to use them.

Offers of civilian ships and aircraft to act as the Navy's "eyes" were repeatedly turned down, only to be accepted later when the situation was clearly critical and the admiral's claims to the contrary had become discredited.

By this time, the second wave of Type IX U-boats had arrived in American waters, and the third wave had reached its patrol area off the oil ports of the Caribbean. With such easy pickings available and all Type IX U-boats already committed, Dönitz began sending shorter-range Type VII U-boats to the U.S. East Coast as well. This required extraordinary measures: cramming every conceivable space with provisions, filling the fresh water tanks with diesel oil, and crossing the Atlantic at very low speed on a single engine to conserve fuel.

In the United States there was still no concerted response to the attacks. Overall responsibility rested with Admiral King, but King was preoccupied with the Japanese onslaught in the Pacific. Admiral Andrews' North Atlantic Coastal Frontier was expanded to take in South Carolina and renamed the Eastern Sea Frontier, but most of the ships and aircraft needed remained under the command of Admiral Royal E. Ingersoll, Commander-in-Chief, Atlantic Fleet, who was often at sea and unavailable to make decisions. Rodger Wynn's detailed weekly U-boat situation reports from the Submarine Tracking Room in London were available but ignored.

Popular alarm at the sinkings was dealt with by a combination of secrecy and misleading propaganda. The Navy confidently announced that many of the U-boats would "never enjoy the return portion of their voyage" but that, unfortunately, details of the sunken U-boats could not be made public lest the information aid the enemy. All citizens who had witnessed the sinking of a U-boat were asked to help keep the secrets safe.

The first sinking of a U-boat by a U.S. Navy ship off the coast of the U.S. did not occur until April 14, 1942, when the destroyer USS Roper sank the U-85. It has come to light in recent years that the famous "Loose Lips Sink Ships" propaganda campaign in the U.S. that started in 1942 was not so much designed to deny German agents knowledge of vessels' sailing times, but rather to keep American civilian morale high by reducing communication about how much shipping was being sunk during Operation Drumbeat.^{[citation needed]}

Chronology of attacks off the U.S. East Coast[link]

Counter measures get under way[link]

The decision to implement convoys and blackout coastal towns to make ships more difficult to see came slowly. The situation began to change in April when Andrews implemented a limited convoy system in which ships traveled only during daylight hours. Full convoys were in operation by mid-May, resulting in an immediate reduction of Allied shipping losses off the East Coast as Dönitz withdrew the U-boats to seek easier pickings elsewhere. The convoy system was later extended to the Gulf of Mexico with similar dramatic effects, thus proving that Andrews' initial rejection of the convoy system was wrong.

In March, 24 Royal Navy anti-submarine trawlers and 10 corvettes were transferred from the UK for the defence of the U.S. East Coast. That same month the Royal Canadian Navy began escorting convoys between Boston and Halifax. The British also transferred 53 Squadron, RAF Coastal Command to Quonset Point, Rhode Island to protect New York Harbor during July 1942. This squadron moved to Trinidad in August, with a U.S. squadron, to protect the critical sea lanes from the Venezuelan oil fields and then back to Norfolk, Virginia until the end of 1942. Royal Navy and Royal Canadian Navy ships took over escort duties in the Caribbean and on the Aruba–New York tanker run. Fast CU convoys were organized to maintain petroleum fuel stockpiles on the British Isles.^[34]

The Kriegsmarine, while enormously effective during this period, did not go without losses. Sinkings of German U-boats at the hands of United States forces during this time included:

• U-85: sunk 14 April by destroyer USS Roper in position 35°55′01″N 75°13′01″W / 35.917°N 75.217°W / 35.917; -75.217 off Cape Hatteras,^[20] first sinking in U.S. waters
• U-352: sunk 9 May by cutter Icarus in position 34°12′00″N 76°34′59″W / 34.2°N 76.583°W / 34.2; -76.583 off Cape Hatteras^[26]
• U-157: sunk 13 June by cutter Thetis in position 24°13′01″N 82°03′00″W / 24.217°N 82.05°W / 24.217; -82.05 off Havana, Cuba^[33]
• U-158: sunk 30 June by Mariner aircraft (USN VP-74) in position 32°49′59″N 67°28′01″W / 32.833°N 67.467°W / 32.833; -67.467 west of Bermuda^[35]
• U-215: sunk 3 July by Armed ASW Trawler HMS Le Tiger in position 41°29′N 66°23′W / 41.48°N 66.38°W / 41.48; -66.38 by depth charges
• U-701: sunk 7 July by Lockheed Hudson aircraft in position 34°49′59″N 74°55′01″W / 34.833°N 74.917°W / 34.833; -74.917 off Cape Hatteras^[36]
• U-153: sunk 13 July by destroyer USS Lansdowne in position 9°55′59″N 81°28′59″W / 9.933°N 81.483°W / 9.933; -81.483 off Colón, Panama^[37]
• U-576: sunk 15 July by two Kingfisher aircraft and ramming by the U.S. motor vessel Unicoi in position 34°51′00″N 75°22′01″W / 34.85°N 75.367°W / 34.85; -75.367 off Cape Hatteras^[38]
• U-166: sunk 30 July by US Navy patrol craft, PC 566, in position 28°31′01″N 90°45′00″W / 28.517°N 90.75°W / 28.517; -90.75 in the Gulf of Mexico,^[39] the only U-boat sunk in the Gulf of Mexico during World War II

See also[link]

• First Happy Time
• Attacks on North America during World War II
• Q-Ship
• United States Merchant Marine

References[link]

Notes

Bibliography

External links[link]

• List of U-boat sinkings
• No 53 Squadron, Royal Air Force, list of bases
• More information about RN Armed Trawlers and the Royal Naval Patrol Service in WW2

Professional ratings
Review scores
Source	Rating
Allmusic	[1]

Happy Time is a 1975 studio album by Roy Eldridge. ^[2]

Track listing[link]

1. "Sweethearts on Parade" (Carmen Lombardo, Charles Newman) – 4:20
2. "Willow Weep for Me" (Ann Ronell) – 7:01
3. "Makin' Whoopee" (Walter Donaldson, Gus Kahn) – 4:42
4. "Gee Baby, Ain't I Good to You" (Andy Razaf, Don Redman) – 3:33
5. "All of Me" (Gerald Marks, Seymour Simons) – 4:45
6. "I Want a Little Girl" (Murray Mencher, Billy Moll) – 4:10
7. "On the Sunny Side of the Street" (Dorothy Fields, Jimmy McHugh) – 6:55
8. "I Can't Get Started" (Vernon Duke, Ira Gershwin) – 4:43
9. "Call It Stormy Monday (But Tuesday Is Just as Bad)" (T-Bone Walker) – 5:18
10. "Let Me Off Uptown" (Earl Bostic, Redd Evans) – 3:04

Personnel[link]

Performance[link]

• Roy Eldridge - trumpet
• Oscar Peterson – piano
• Joe Pass – guitar
• Ray Brown – double bass
• Eddie Locke – drums

Production[link]

• Phil DeLancie - digital mastering, remastering
• Phil Stern - photography
• Benny Green - liner notes
• Norman Granz - producer

References[link]

Randy Jackson
Jackson in 2009
Background information
Birth name	Randall Darius Jackson
Born	(1956-06-23) June 23, 1956 (age 56) Baton Rouge, Louisiana, US
Genres	Rock, pop, R&B, jazz/fusion
Occupations	bassist, singer, record producer, entrepreneur, television personality.
Instruments	Vocals, bass, keyboards
Years active	1983–present
Labels	Columbia
Associated acts	Journey, Boston, Brooke White, Mariah Carey, Paula Abdul
Website	www.randyjacksonnext.com

Randall Darius "Randy" Jackson (born June 23, 1956) is an American bassist, singer, record producer, entrepreneur and television personality. He is best known as a judge on American Idol and executive producer for MTV's America's Best Dance Crew. Jackson has won a Grammy Award as a producer.^[1]

Personal life[link]

Jackson was born on June 23, 1956, in Baton Rouge, Louisiana,^[2] His first marriage, to Elizabeth Jackson, was dissolved in 1990; they had one daughter named Taylor.^[3] In 1995, Jackson married Erika Riker, with whom he has two children, a 14-year-old daughter named Zoe and a 12-year-old son named Jordan. In 2003, Jackson lost 114 pounds (52 kg) following gastric bypass surgery. He stated in a February 2008 television commercial that he has type 2 diabetes.^[4]

Music career[link]

Jackson played in bands with Carlos Santana and Jerry Garcia. In the early 1980s he played on three albums for Jean-Luc Ponty and with the rock band Taxxi. From 1986 to 1987 he was a session musician for the rock group Journey. Jackson played on Journey's 1986 album Raised on Radio. He moved to Italy in the late 1980s and played on a record by Italian pop star Zucchero. The record, Zucchero and the Randy Jackson Band, was produced by Corrado Rustici who played guitar with Jackson on many albums in the early 1980s. He also played with Billy Cobham.

In 1985, Keith Richards was asked to provide music for the Whoopi Goldberg comedy vehicle Jumpin' Jack Flash. Richards assembled an all-star band which included Aretha Franklin on piano and lead vocals and Jackson on bass guitar. This song was the fourth track on Aretha's 1986 album titled Aretha. Jackson can be seen in the song's video.

In the late 1980s, Jackson was still doing sessions. He was notably on the first solo album by famed session guitarist Steve Lukather. Jackson was a featured bass guitarist on five songs on Maze's 1989 "Silky Soul" album. He also performed on several of Kenny G's albums.

Jackson was the bass guitarist on the 1991 self-titled Divinyls album (which features the song "I Touch Myself") as well as featured bassist on several tracks of Tracy Chapman's 1992 release, Matters of the Heart. He performed on the singles "Bang Bang Bang", "Open Arms", and "Dreaming on a World". That same year, Jackson also played bass on Bruce Springsteen's hit "Human Touch."

Jackson has recorded, produced, or toured with many well-known artists and bands, ranging from Mariah Carey (he has worked with her throughout her career, been her musical director for a number of her tours; he has formed part of her band during numerous performances including Live 8 in London in 2005) to 'N Sync, Whitney Houston, (produced) Dionne Farris' (critically acclaimed debut CD, Wild-Seed Wild-Flower), Céline Dion, Fergie (dating back to her days in Wild Orchid), Stryper,^[5] Whitesnake (he took over when former bassist broke his arm for a couple of shows in the late 1980s), and Madonna (he played some bass on her album "Like a Prayer" although not on the single of the same name).

Jackson played numerous times in Jean-Luc Ponty's backing band. His credits as a session musician range from playing with Aldo Nova, Blue Öyster Cult, Jon Bon Jovi, Michael Bolton, Clarence "Gatemouth" Brown, Billy Cobham, Bob Dylan, Aretha Franklin, Herbie Hancock, Ernie Isley, Billy Joel, Brent Bourgeois, Journey, Richard Marx, George Michael, Stevie Nicks, Imogen Heap, Bruce Springsteen and Roger Waters to playing at the Grand Ole Opry with The Charlie Daniels Band. His production/songwriting work in the San Francisco Bay Area with Narada Michael Walden and Walter Afanasieff led Jackson to be in demand as a producer as well.

On March 11, 2008, Jackson released an album produced entirely by himself, titled Randy Jackson's Music Club, Vol. 1. The album's release was preceded by the single "Dance Like There's No Tomorrow" sung by Paula Abdul. In 2009, Randy began working with former Idol finalist Kimberley Locke, producing her 4th album. The lead single, "Strobe Light", was released March 16, 2010.^[6] In February 2010, Jackson participated in "We Are the World 25 for Haiti" as part of the chorus.

Jackson is the manager for the Charlotte-based band Paper Tongues. With the help of Jackson, they signed with a major label, A&M/Octone Records. He has also worked as an executive, spending eight years as vice president of artists and repertoire (A&R) at Columbia Records and four years heading A&R at MCA Records.

Since 2002, Jackson has been one of the panel judges on the Fox Network reality television series American Idol, along with Paula Abdul (2002–2009), Simon Cowell (2002–2010), Kara DioGuardi (2009–2010), Ellen DeGeneres (2010), Jennifer Lopez (2011–present) and Steven Tyler (2011–present). As a result of Cowell's resignation, Jackson is left as the sole original judge on American Idol.

Radio program[link]

Jackson also hosts a radio top 40 countdown known as Randy Jackson's Hit List,^[7] which is syndicated by Westwood One.^[8] Every week, Jackson counts down his top 30 Urban AC and Mainstream AC hits. He also gives behind-the-scenes information on American Idol on the internet radio station Artist Underground.

[edit] America's Best Dance Crew

Jackson produces America's Best Dance Crew, an American group dance competition and reality television show, which premiered on February 7, 2008 on MTV and is scheduled to return for its sixth season in April 2011. Each week, the teams showcase their creative talents in choreography and their dance skills, and one crew is eliminated by the judges. The competition continues until the sole winning dance crew is awarded the title of America's Best Dance Crew, and a cash prize of $100,000 ^[9]. Jackson has admitted to using the show as a platform for his banner-making company.^{[citation needed]}

Discography[link]

Albums[link]

Singles[link]

References[link]

External links[link]

• Official website

Wikimedia Commons has media related to: Randy Jackson

• Randy Jackson's Hit List from Westwood One
• Randy Jackson at the Internet Movie Database
• Randy Jackson on Twitter
• Randy Jackson on Facebook