The year 1943 in film involved some significant events.

U.S.A. unless stated

Dana Andrews (January 1, 1909 – December 17, 1992) was an American film actor. He was one of Hollywood's major stars of the 1940s, and continued acting, though generally in less prestigious roles, into the 1980s.

He was born Carver Dana Andrews on a farmstead outside Collins, Covington County, Mississippi, the third of nine children of Charles Forrest Andrews, a Baptist minister, and his wife Annis (née Speed). The family subsequently moved to Huntsville, Texas, where his younger siblings (including actor Steve Forrest) were born.

Andrews attended college at Sam Houston State University and also studied business administration in Houston, Texas, working briefly as an accountant for Gulf & Western^{[citation needed]} . In 1931, he travelled to Los Angeles, California seeking opportunities as a singer. He worked at various jobs to earn a living, including pumping gas at a filling station in Van Nuys. One of his employers believed in him and paid for his studies in opera and also at the Pasadena Playhouse, a theater and acting school.^{[citation needed]}

Amirbai Karnataki (ca 1906 - March 3, 1965) was a famous actress/singer and playback singer of the early Hindi cinema and was famous as Kannada Kokila. Mahatma Gandhi was an ardent fan of her song Vaishnav Jan To.

Amirbai Karnataki was born in Bilgi town, District of Bijapur in Karnataka into a middle class family. Of all of her five sisters, Amirbai and her elder sister, Gauharbai, earned fame and fortune. Amirbai completed her matriculation and went to Bombay at the age of fifteen.

A representative from HMV was so impressed by her singing talent that he made her sing a Qawwali, which became very popular. Her elder sister, Gauherbai, was an actress and helped Amirbai get a role in the film Vishnu Bhakti in 1934.

Initially, Amirbai sang songs in films, but they failed to attain the success she desired. In 1943, with the release of Bombay Talkies' Kismet (1943 film) (1943), she achieved popularity: the songs of Kismet became a rage and Amirbai became famous. The man behind the success was the composer Anil Biswas. She was initially known as a singing star, but at the decline of her career she became a playback singer. She reached her peak by 1947.

Rosie the Riveter is a cultural icon of the United States, representing the American women who worked in factories during World War II, many of whom produced munitions and war supplies. These women sometimes took entirely new jobs replacing the male workers who were in the military. Rosie the Riveter is commonly used as a symbol of feminism and women's economic power.

The term "Rosie the Riveter" was first used in 1942 in a song of the same name written by Redd Evans and John Jacob Loeb. The song was recorded by numerous artists, including the popular big band leader Kay Kyser, and became a national hit. The song portrays "Rosie" as a tireless assembly line worker, doing her part to help the American war effort.

All the day long,
Whether rain or shine
She’s part of the assembly line.
She’s making history,
Working for victory
Rosie the Riveter

Although women took on male dominated trades during World War II, they were expected to return to their everyday housework once men returned from the war. Government campaigns targeting women were addressed solely at housewives, perhaps because already employed women would move to the higher-paid "essential" jobs on their own, perhaps because it was assumed that most would be housewives. One government advertisement asked women "Can you use an electric mixer? If so, you can learn to operate a drill." Propaganda was also directed at their husbands, many of whom were unwilling to support such jobs. Most women opted to do this. Later, many women returned to traditional work such as clerical or administration positions, despite their reluctance to re-enter the lower-paying fields. However, some of these women continued working in the factories.

Parul Ghosh (died August 13, 1977), born Parul Biswas, was one of the pioneers of playback singing, singing in Hindi and Bengali movies from 1935 to 1951. Originally hailing from Barisal, now in Bangladesh, she was introduced to playback singing by her brother Anil Biswas. Films in which she featured include Jwar Bhata, Milan, Hamhaari Baat and Namaste. In her early career she was associated with New Theatres, Kolkata. She was married to the eminent flautist Pannalal Ghosh in 1924.

Parul Ghosh died on August 13, 1977 in Malad, Mumbai.