A page boy is a young male attendant at a wedding or cotillion. This type of wedding attendant is less common than it used to be, but is still a way of including young relatives or the children of relatives and friends in a wedding. A page is often seen at British royal weddings. There may be many pages for effect at cotillions.

Traditionally, page boys carry the bride's train, especially if she is wearing a dress with a long train. Because of the difficulty of managing the train, page boys are generally no younger than age seven, with older boys being preferred for more complicated duties.^[1]

A ringbearer holding a wedding ring on a cushion.

In a formal wedding, the ring bearer is a special page who carries the wedding rings for the bridal party. This is almost always symbolic, with the ring bearer carrying a large white satin pillow on which imitation rings are sewn, while the real wedding bands are kept in the safekeeping of the best man. If the real rings are used, they are tacked on with thread to prevent their accidental loss.

The ring bearer as a separate role is a relatively modern innovation. In today's common wedding ceremony, the best man carries the rings.

Ring bearers are often nephews or young brothers (although they can also be nieces or sisters) and are generally in the same age range as flower girls, which is to say that they are no younger than about five nor older than 10.^[1] If the couple have had children prior to marriage, their own child(ren) may serve as ring bearer.

The coin bearer is similar to that of the ring bearer. The coin bearer is a young boy who marches on the wedding aisle to bring the wedding coins. The wedding coins are more commonly known as wedding arrhae.^{[2][unreliable source?]} The coins are presented to the celebrant for a blessing. The coins usually consist of thirteen gold and silver coins, to represent Jesus and his apostles.^{[citation needed]} Historically, Spanish colonists started this custom.^{[citation needed]}

References[link]

Look up page in Wiktionary, the free dictionary.

Page, Pages or Paging may also refer to:

Position or occupation[link]

• Page (servant), a traditionally young male servant
• Page (wedding attendant)
• Page of Honour, a ceremonial position in the Royal Household of the Sovereign of the United Kingdom
• A participant in any of the following programs:
  • Canadian House of Commons Page Program
  • Canadian Senate Page Program
  • United States House of Representatives Page
  • United States Senate Page
  • NBC page

Technology[link]

• Page (computer memory), a block of virtual memory
  • The act of paging, a method of data retrieval
• Bank switching, sometimes known as paging
• Code page
• Electronic page, a type of electronic document
• Homepage, the originating page of a web browser
• Multiple buffering, also known as paging
• Ogg page, a unit of data in an Ogg bitstream
• Pager, a personal telecommunications device
• Pages (word processor), a word processor and page layout application
• Splash page (disambiguation)
• Web page
• PolyAcrylamide Gel Electrophoresis

Music[link]

• Pages (band), an American pop rock band
• Pages (album), by Bering Strait
• Page (band), a Swedish synth pop group
• Page (group), a Korean musical group
• Page Music, a record label
• "Pages", a 2007 EP by alternative rock band There for Tomorrow
• Big Page (rapper), a rap musician

People[link]

• Page (surname)

Fictional characters[link]

• Bob Page, a character in the computer game Deus Ex
• Valerie Page, is a fictional character from the comic book series V for Vendetta
• Victoria Page, a character in the Dream Theater concept album Metropolis Pt. 2: Scenes from a Memory

Places[link]

Australia[link]

• Division of Page, New South Wales
• Page, Australian Capital Territory

United States[link]

• Page, Arizona
• Page Park, Florida
• Page, Minneapolis, Minnesota
• Page Township, Mille Lacs County, Minnesota
• Page, Nebraska
• Page, North Dakota
• Page Township, Cass County, North Dakota
• Page Township, Le Flore County, Oklahoma
• Page County, Iowa
• Page County, Virginia

Other uses[link]

• Page (paper), one side of a leaf of paper, as in a book
• Use of a pager to contact a person
• Polyacrylamide gel electrophoresis, a variety of gel electrophoresis
  • SDS-PAGE, sodium dodecyl sulfate polyacrylamide gel electrophoresis
• Thomas Nelson Page House, house listed on the National Register of Historic Places in Washington, D.C.
• An announcement requesting someone's presences - see Public address

See also[link]

• Paige (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Boy in Indonesia

Boy in Spain

Elder boys in Ethiopia

Boys in Germany,
performing a puppet play

A boy is a young male human, usually child or adolescent. When he becomes an adult he's described as a man. The most apparent thing that differentiates a boy from a girl is that a boy typically has a penis while girls do not. However some intersex children with ambiguous genitals, and biologically female transgender children, may also be classified or self-identify as a "boy".

The term "boy" is primarily used to indicate biological sex distinctions, cultural gender role distinctions or both. The latter most commonly applies to adult men, either considered in some way immature or inferior, in a position associated with aspects of boyhood, or even without such boyish connotation as age-indiscriminate synonym. The term can be joined with a variety of other words to form these gender-related labels as compound words.

Etymology[link]

The word "boy" comes from Middle English boi, boye ("boy, servant"), related to other Germanic words for boy, namely East Frisian boi ("boy, young man") and West Frisian boai ("boy"). Though the exact etymology is obscure, the English and Frisian forms probably derive from an earlier Anglo-Frisian *bō-ja ("little brother"), a diminutive of the Germanic root *bō- ("brother, male relation"), from Proto-Indo-European *bhā-, *bhāt- ("father, brother"). The root is also found in Flemish boe ("brother"), Norwegian dialectal boa ("brother"), and, through a reduplicated variant *bō-bō-, in Old Norse bófi, Dutch boef "(criminal) knave, rogue", German Bube ("knave, rogue, boy"). Furthermore, the word may be related to Bōia, an Anglo-Saxon personal name.

Overview[link]

Ongoing debates about the influences of nature versus nurture in shaping the behavior of girls and boys raises questions about whether the roles played by boys are mainly the result of inborn differences or of socialization. Images of boys in art, literature and popular culture often demonstrate assumptions about gender roles.

An adult male human is a man, but when age is not a crucial factor, both terms can be interchangeable, e.g., 'boys and their toys' applies equally to adults and young boys, just as 'Are you mice or men?' can also apply to young boys.

Japanese boys wearing fundoshi at a festival.

The age boundary is not clear cut, rather dependent on the context or even on individual circumstances. A young man who has not assumed (or has been denied) the traditional roles of a man might also be called a boy. It may feel uncomfortable to a young male upon being referred to as a "man" before he believes he has assumed these roles, such as having a career, a partner, a household of his own, fatherhood, etc., though the addition of a jocular modifier such as "young man" or "little man" might lessen the dissonance. Conversely, it may feel uncomfortable to a male to be called a "boy" if he believes he has assumed the traditional roles of a "man". In mother's/mama's boy, the word emphatically implies a male (minor or adult in years) who is too immature to be independent.

In some traditions boyhood is held to be exchanged for adult manhood, or at least approach it significantly, by certain -in se independent- acts assuming a role deemed to be typical for a "normal" man (though there are limits) as marriage, fathering offspring or military service. Various cultural and/or religious rites of passage serve, partially or specifically, to mark the transition to manhood.

Boy siiting in the stair of School in Kasaragod, Kerala, India

There is often a number of traditional differences in attire between boys and adult men, which may even give rise to a metaphoric term such as broekvent in Dutch (i.e., a boy who has not yet "graduated" from shorts to trousers) and in what is socially accepted as appropriate behaviour, e.g., boys may be publicly seen naked in cultures where men are not.

In English, the words youth, teenager and adolescent may refer to either male or female. No gender-specific term exists for an intermediate stage between a boy and a man, except "young man", although the term puberty, for one who reached sexual reproductivity (or the legally assumed age, e.g. 14 for boys, often set lower for girls) without being a legal adult yet, stems from a Latin word for boys only, itself named after the accompanying male body hair, pubes, on face and genital region.

Many occasions occur when an adult male is commonly referred to as a boy. A person's boyfriend or loverboy may be of any age; this even applies to a 'working' call-boy, toyboy (though usually younger than the client as youth is generally considered attractive). Reflecting the general aesthetic preference for youth, one says pretty boy (e.g. in the nickname of Charles Arthur "Pretty Boy" Floyd, who committed his first bank robbery at age 30) or Adonis (name of a mythological youth) even when a male beauty is clearly of riper age. In terms (used pejoratively or neutrally) for homosexuals such as batty boy (alongside "batty man"; from "bottom") or "bum boy", age is not essential, but the connotation of immaturity can strengthen insulting use.

Boy Scouts at summer camp in the United States.

A man's group of male friends etc. engaged in Male bonding are often called "the boys". It is most common to refer to men, irrespective of age or even in an adult age group, as boys in the context of a team (especially all-male), such as old boys for networking of adult men who attended the same school(s) as boys, or as professional colleagues, e.g. "the boys at the office, - police station etc." (often all adults). The members of a student fraternity can be called frat(ernity) boys, technically preferable to the pleonasm frat-bro(ther), and remain so for life as adults, after graduation.

In sports 'the boys' commonly refers to the teammates; e.g., UK football managers quite often refer to their players as "The boy so-and-so" and this usage is by no means restricted to the youngest players, though it is rarely applied to the most senior.

In US urban, particularly African American and Latino slang the term boy is used with a possessive as meaning friend (my boy, his boys), presumably as a reduction of homeboy, originally a male from the same area.

In some cases, the word boy is used merely to designate the age of the (male) person, irrespective of the function, as in altar boy, a minor acting as liturgical acolyte, or in Boy Scouts, an organisation specifically for boys. Thus the compound -man can then be replaced by -boy, as in footboy; or boy is simply added, either as a prefix (e.g., in boy-racer) or as a suffix (e.g., in Teddy Boy).

An adult equivalent (with or without -man) is not to be expected when -boy designates an apprentice (for which some languages use a compound with the equivalent of boy, e.g. leerjongen 'learning boy' in Dutch) or lowest rank implying specific on the job training if promotion is to be obtained, as in kitchen-boy. Similarly schoolboy only applies to minors; the modern near-synonym pupil originally designated a minor in Roman law as being under a specific adult's authority, as in loco parentis.

Expressions such as "boys will be boys" (i.e., a male always retains a tendency for boyish games or mischief) allude to stereotypically ascribed characteristics of boys and men; in the term tomboy, a woman's (according to the counterpart-gender stereotype) uncharacteristically bold nature is even described solely by comparing her to a boy.

The use of boy (like kid) in (fantasy or descriptive) nicknames, also for adult men (e.g. Shark Boy for a wrestler with matching costume), may also connote to the informal or naughty image of boyhood.

In such terms as 'city boy' or 'home boy', the age notion is at most anachronistic, as they indicate any male who grew up (or by extension lived a long time) in a certain environment.

Specific uses and compounds[link]

The following subsections treat some specific contexts where the term boy is frequently used, as such or in compound terms, often 'emancipated' from the age notion as such.

• Master was replaced (not for a slave owner or his overseer etc.) by the late 19th century, as a form of address, especially employed by servants, by Mister (etymologically equal) for the master of the household and other adults, but retained for boys until age 13.

Military[link]

The term 'our boys' is commonly used for a nation's soldiers, often with sympathy. Given the physical demands of battle, recruits are preferably in their physical prime, but adult professionals remain included in the term as long as they remain in service. A case where the term is formally used for (adult) men is sideboy, a member of an even-numbered group of seamen posted in two rows at the Quarterdeck when a visiting dignitary boards or leaves a ship. In the Ottoman empire, the young, mainly Christian military recruits for life (often forcibly enlisted by 'devshirme') were officially called acemi oglanlar ("novice boys").

Thus "-boy" can enter the nickname for a particular nation's soldiers, e.g. the US (infantry) doughboy, or a specific force, e.g. Fly-boy is slang for an airman.

Furthermore, specific terms refer to minors used in the armed forces:

• Drummer boy
• Ship's boy is a minor in naval training; boy seaman refers to specific, low-paid apprentice ranks, notably in the Royal Navy; until the middle of the twentieth century, they were the only Navy staff subject (like their civilian age-peers, at home and in school) to physical punishment, usually spanking, traditionally administered on the bare bottom (as in English public schools; the adults were lashed on the backside above the waist), either formally (ordered in court martial, publicly executed on deck) or, more often but less severely, summary; the same was true of a midshipman, also a minor, but indicated with "-man" rather than "-boy", possibly reflecting their higher status as future naval officers. Sometimes in ex-servicemen's parades, an old man is described as "ship's boy" to say that he served so classed in the Navy as a boy.

However, when a minor in military employ is considered (historically often far less restrictive then nowadays) too young to be a 'normal' warrior (illegal under present UN rules, but without precise enforceable age limits), he's called boy soldier, regardless whether he's used as an armed fighter or only in logistic or similar functions such as bearer.

Domestic, residential and similar 'personal' attendants[link]

• Bellboy was originally a ship's bell-ringer, later a hotel page.
• Busboy is a rank in restaurants etc. below (head) waiter, fitting for trainees but may be held by ripe adults, even under younger (e.g. better qualified) superiors
• Cabana boy
• Cabin boy
• Hall boy
• Hamam oğlanı "bath boy" (also called Tellak) working in a Turkish bath.
• Houseboy, or often "boy" for short, became a common term for domestic staff, notably non-European natives in the Asian and African colonies, adopted as such in other languages, e.g. in Dutch and French (also in the Belgian colonies).
• Kitchen boy, belows the cook(s); in a large household there may be specific functions, such as spitboy
• Linkboy like linkman meant torch- or other light-bearer
• Page, from the Greek παις pais, again in many languages, already in Hellenistic times παίδες βασιλικοί paides basilikoi 'royal (i.e. court) boys'.

Cultural and religious life[link]

• Altar boy (see above)
• Choir boy designates a boy (always a minor) singer in a choir; here applies a specific physiological, artistically relevant criterion: they remain a musical category of their own (boy soprano, also known as a treble) until their voice 'breaks', during puberty, to join one of the adult male voice registers (countertenor (closest to treble), alto, tenor, baritone, or bass); only the castrato may (not guaranteed) remain a soprano as an adult man; historically the term was designed for all-male (mainly church) choirs, with men with already broken voices (often former choir boys), in modern times it also applies to mixed choirs.

Rural life and professions[link]

• Cowboy originally designated a herdsboy employed as cowherd, but lost the age notion, first retaining the connotation of inferior status, later applying to the whole ranch life culture; by contrast "shepherd's boy" (rather herding sheep or goats, representing less capital) remained restricted to minors.

Commercial and other services[link]

Often the term "boy" describes positions of the trainee type, such as stable boy (a junior stable hand).

• Best boy in a film crew denotes the chief assistant, usually of the gaffer or key grip, next in line to be promoted; an example of a use where the term is traditionally unaltered in crediting female incumbents
• Breaker boys were boys between 8 and 12 years old who worked as coal breakers in U.S. coal mines. The job resulted in a high number of fatal and debilitating injuries and the practice of employing children as coal breakers largely ended by 1920 due to the efforts of the National Child Labor Committee.
• Office boy and copy boy refer to a young(est) employee (i.e. lacking experience), in training and/or performing menial services such as carrying typewritten texts between offices of a newspaper.
• Even into the early 20th century, the British empire systematically employed boy clerks, including a specific rank of boy copyist, recruited by examination (despite the name, requiring schooling) and reserved for candidates aged 15–18, not retained in that rank after the age of 20.

Certain jobs need so little training or formal qualifications that they can easily be performed as student jobs, and thus tend to be filled mostly or exclusively by minors, as it would not pay to employ an adult at or above minimum wage. Thus an equivalent word with the compound man (or similar) may be the rarer one, or even inexistent. Examples include delivery boy, errand boy, messenger boy and various specific terms naming the product to deliver, such as paperboy (closest adult counterpart postman), pizza boy (alongside pizzaman), or to serve, such as a potboy (drinks waiter). In other cases the compound mentions a crucial attribute of his task, e.g. ball boy (more recently also girls) in tennis.

In some cases his small, light body makes a boy a better choice, e.g. as jockey where no weight handicap is in force.

• A nipper originally was a boy send out by an adult (often his own father) as pickpocket, later a boy assistant to various professions such as a carter, still later (recorded since 1859) a boys' age term roughly equal to toddler

Race[link]

Historically, in countries such as the U.S. and South Africa, "boy" was not only a 'neutral' term for domestics but also used as a disparaging racist insult towards men of colour (especially of African descent), recalling their subservient status even after the 20th century legal emancipation (from slavery, evolved to race segregation, viz. Apartheid) and alleged infantility, and many still consider it offensive in that context to this day since it denotes that men of colour (especially of African descent) are less than men.

The use of the term "boy" has not always been used as an insult. As an example, Thomas Branch, an early African-American Seventh-day Adventist missionary to Nyassaland (Malawi) referred to the native students as boys:

There is one way by which we judge many of our present boys to be quite different from some of those who were here long ago: those that are married have their wives here with them, and build their own houses, and all are busy making their gardens. I have told all the boys that if they wished to stay here and learn, those that had wives must bring them. This is having a good effect on them. They stay longer, and are more attentive to their work and their studies.^[1]

Non-function specific analogous terms[link]

Boys, in the strict or a wider sense, are often informally referred to by analogous or metaphorical terms. The literal connotations, which may be ironic or downright pejorative, have often been eroded by common use. Some terms are unisex, with or without (at least historical) preponderance of use for boys:

• Cub, pup(py) and whelp compare boys to the young of predatory animals, the slang tadpole even to that of an amphibian;
• Buck, another animal young, usually refers to a sexually adventurous male youngster
• Loon, originally an (idle) lout, has got -mainly in Scotland- unrelated specific meanings, including boy, simpleton and looney person
• Sprout compares to a plant's young shoots
• References to the boy's generally lighter physique than a man include stripling 'slender youth' and -rather insulting- slang like half-pint or small-fry
• More specifically, shaveling (or in slang shaver) refers to boys' lesser hair growth than men's before - and densification around puberty
• Various terms refer to children's, often especially boys', lack of adult manners (e.g. "snot(ty) nose(d) (kid)") or to often mischievous behavior, e.g. "rascal", also by analogy with animals, e.g. "monkey", "urchin" (as 'prickly' as a hedgehog); "(spoiled) brat" refers to such undiscipline for lack of firm upbringing.
• Furthermore, common boys' names have also been used metonymically to stand for boys and/or men in general, as in 'every Dick and Tom'.

Analogous uses and popular etymology[link]

By analogy "boy" can also refer as an anthropomorphic term to a young male (or any male) of another animal, either in general or species-specific; in the last case it may even have a specific term, notably derived from a boy's name, such as "billy goat" for a 'boy' goat, or tomcat (known since 1809, for any male cat; but just Tom, applied to male kittens, is recorded since c.1303)

Again by analogy "boy" can occasionally even refer to a 'male' object.

Some words contain 'boy' in English by mistake (folk etymology), actually referring to a (near) homophone such as French bois = "wood" (e.g. in "low boy", a type of furniture, and in "tallboy", both furniture and a high glass or goblet).

Similar originally youth-related terms[link]

Boys in art[link]

Many mythological boys have frequently been represented in various arts, e.g. Venus' often mischievous son Cupid, himself a young god of love which he 'inflicts' on humans by shooting his arrows; in some style periods even multiplied as naked little boys called putti.

In religious art, generally adults preponderate (except as extras), with certain marked, stereotypical exceptions such as the infant Jesus or angels which may even act as 'Christianized' putti.

In children's books of English folklore, elves are often portrayed as mischievous little boys who are very small with leaf-shaped ears and blond hair.

In portrait art, and generally in commissioned work (including funeral art), the subjects are usually determined by the wishes of the (adult) client, so minors are often in the minority, yet in wealthy families especially heirs are (re)presented as part of their social positioning in view of future marriage and succession, generally either as mini-adults or stereotypical youth, e.g. at play or in cozy home scenes.

Some artists displayed a clear predeliction for scenes with boys, in certain cases (especially if frequently depicting revealing poses) believed to have to do with a homo-erotic taste, as is believed of the highly respected Old Master Caravaggio, or Henry Scott Tuke who kept producing such works even though the market circa 1900 was rather unappreciative.

In music, boys' voices, before they 'break' being of a soprano register (specifically known as treble) unlike adult men (in a choir usually tenor and bass), have been most sought-after, especially where female voices were considered inappropriate as often in church and certain theatrical music - this even led to the practice of physically trying to prevent their 'angelical' voices ever to break by surgically cutting short the hormonal drive to manhood: for centuries, castrato singers, who coupled adult strength and experience with a treble register, starred in contratenor parts, mainly in operatic styles.

Gallery[link]

• 

  Roman-Egyptian funeral portrait of a young boy

• 

  Sir Walter Raleigh and his son, 1602

• 

  Die Söhne des Künstlers Christian Leberecht Vogel

• 

  Die Geschwister an der Ostsee, by Ernst Weise, 1915

See also[link]

Wikimedia Commons has media related to: Boys

• Boy band
• Boy bishop
• Boi (gender)
• Boy Scouts
• Pederasty

References[link]

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (March 2009)

• Etymology Online - entry for "boy"
• H. H. Malincrodt, Latijn-Nederlands woordenboek (Latin-Dutch dictionary)
• Webster's Seventh New Collegiate Dictionary
• Buck, Carl Darling (1949). A Dictionary of Selected Synonyms in the Principal Indo-European Languages. Chicago: University of Chicago Press. ISBN 0-226-07937-6 (1988 reprint). 

External links[link]

Look up boy in Wiktionary, the free dictionary.

• Boyhood Studies, website and journal for the study of boys
• Boyhood Studies Forum, discusses news items, new research
• Historical Boys' Clothing

 This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

Robin Thicke
Robin Thicke (2012)
Background information
Birth name	Robin C. Thicke
Also known as	Thicke
Born	(1977-03-10) March 10, 1977 (age 35) Los Angeles, California, United States
Genres	R&B, soul, hip hop
Occupations	Singer-songwriter, record producer, actor, musician
Instruments	Vocals, piano, guitar and saxophone
Years active	1994–present
Labels	Nu America, Star Trak, Interscope
Associated acts	Pharrell Williams, Lil Wayne
Website	www.robinthicke.com

Robin Charles Thicke ( /ˈθɪk/; born March 10, 1977) is an American R&B singer-songwriter, musician, composer, and actor. Thicke's albums, which he previously released under the name Thicke, are noted for their feature of a predominantly R&B sound.^[1][2] Thicke has written hits for popular artists such as Jennifer Hudson, Usher, Mary J. Blige and Raven-Symoné. Thicke has also been acknowledged for his work in popular albums such as Confessions and Tha Carter III.

Thicke is a judge on the ABC show Duets.^[3]

Career[link]

Early years[link]

Before his days as a singer-songwriter, Thicke had written "Love Is On My Side" on Brandy's self-titled album and a number of songs for 3T's "Sexual Attention" and collaborated with Jordan Knight, Jimmy Jam and Terry Lewis on several songs in Knight's 1999 album Jordan Knight. He also co-wrote the songs "When You Put Your Hands On Me" for Christina Aguilera's debut album and "No Tears on My Pillow" for Mýa's sophomore release, Fear of Flying. As an artist, he recorded and performed solely under his surname, Thicke. He would continue to do so until 2005.

2002–2004: Early commercial success[link]

In 2000, Thicke, who simply went by his last name, went to work on material for his debut album, initially titled Cherry Blue Skies. The album focused more on soul than his pop-offerings for other artists.

In 2002, Thicke released his debut single "When I Get You Alone". The track samples Walter Murphy's "A Fifth of Beethoven", which itself is a disco rendition of Beethoven's Fifth Symphony. The music video for the song received some rotation on MTV2 and BET's Rated Next and was spun moderately on pop and urban radio, peaking at #49 on Radio & Records Pop chart.^{[citation needed]} Globally, however, "When I Get You Alone" became a chart success when it peaked within the top 20 in Australia, Belgium, and Italy, and reached the top ten of the singles charts in New Zealand and the top three in the Netherlands.^{[citation needed]} The tune was featured for the soundtrack of Agent Cody Banks.^{[citation needed]}

The moderate success was enough to signal the release of the album, with its name changed to A Beautiful World. Despite the release of a second single, "Brand New Jones", the album received very little promotion, and debuted at a low number 152 on the US Billboard 200, eventually selling 63,000 copies.^[4]

Runner-up Blake Lewis performed "When I Get You Alone" during the 2007 season of American Idol when the top 3 chose a song to sing. Lewis has often put Robin Thicke in his list of musical influences in interviews and on the American Idol website. The song was also performed by Blaine Anderson (played by Darren Criss) on Glee during the season 2 episode "Silly Love Songs".^{[citation needed]}

[edit] 2005–2007: The Evolution of Robin Thicke

In 2005, Thicke performed as a guest on the remix of Will Smith's song, "Switch". After being signed to The Neptunes label, Star Trak, he began working on his second album entitled The Evolution of Robin Thicke. The first single, "Wanna Love U Girl", featured producer Pharrell and experienced chart success on urban radio in the United Kingdom. For the video, Thicke changed his appearance, cutting off his trademark long hair. In 2006, a remix version of the song was filmed with rapper Busta Rhymes. Nearly a year after the single was released, the album was released on October 3, 2006. To promote the album Thicke toured with India.Arie, and then opened for John Legend in late 2006.

His second single, the ballad "Lost Without U", began getting a lot of radio airplay in Urban & Rhythmic stations towards the end of 2006 and early 2007.^{[citation needed]} With the assistance of radio airplay, the song became his breakout hit, reaching as high as number fourteen on the Billboard Hot 100, and number one on the Billboard Hot R&B/Hip-Hop Songs, the first Caucasian male artist to top that chart since George Michael.^[5] With album sales over 1.5 million copies sold domestically after the re-release as a Deluxe Edition (with three new bonus tracks) on February 13, 2007, The Evolution of Robin Thicke became a commercial success in the United States.^{[citation needed]}

The album peaked at number five on the Billboard 200 and number one on the Billboard Top R&B/Hip-Hop Albums chart,^[4] garnering Thicke his first R&B number one album of his career. In early 2007 the single "Lost Without U" and album The Evolution of Robin Thicke simultaneously spent two consecutive weeks at number one on the R&B singles and albums charts respectively. On the March 3, 2007 issue of Billboard magazine, Thicke simultaneously topped four Billboard charts; Top R&B/Hip-Hop Albums, Hot R&B/Hip-Hop Songs, Hot R&B/Hip-Hop Airplay, and Hot Adult R&B Airplay.^{[citation needed]} In March 2007, The Evolution of Robin Thicke was certified Platinum by the RIAA.^{[citation needed]} Thicke and his record label Interscope soon considered potential tracks to be released as the album's next and third single. Thicke's preference was the track "Can U Believe", which peaked at number fifteen on the Billboard Hot R&B/Hip-Hop Songs and at number ninety-nine on the Billboard Hot 100 chart.^[5][6] On October 2, 2007 the track "Got 2 Be Down" was released as the album's fourth official single. The single peaked at number sixty on Billboard's Hot R&B/Hip-Hop Singles & Tracks.^[5]

Late in 2007, Thicke finished promotion for the album as the featured opening act for the North American leg of Beyoncé's US tour, The Beyoncé Experience.^[7] Thicke also performed a one off UK concert in London's Koko Arena on September 24, 2007. As of February 10, 2009, the album was certified Double-Platinum by the RIAA.

[edit] 2008–10: Something Else and Sex Therapy

There's so many meanings behind that title. Number one, it reflects what we're going through as a nation here in America. I just felt, with Barack Obama and the new energy he's bringing, that it is time for some fresh hope and new attitudes. Then, in terms of me as an artist, because I'd been singing all these songs about self-reflection - like '2 The Sky' and 'Angels' - I just thought it was time for me to start singing about something ELSE! Also, I felt that - with my music being a little different from everything else you can get out there - the music IN ITSELF is also something different and something else!"

—Robin Thicke interview by Pete Lewis, Blues & Soul, November 2008.[8]

Thicke released his third solo album, entitled Something Else, on September 30, 2008.^{[citation needed]} It debuted at number three on the Billboard 200 charts and sold nearly 140,000 records the first week.^{[citation needed]} The first single from the album was "Magic" a further expansion of the R&B sound that powered his 2006 breakthrough, The Evolution of Robin Thicke.^{[citation needed]} "Magic" went on to peak at number two on the Urban AC charts.^{[citation needed]} He followed this success with the second single, "The Sweetest Love", which also peaked at number two on the Urban AC charts and remained in the top five for twelve consecutive weeks.^{[citation needed]}

During an interview to promote his third album, Thicke explained:

Thicke appeared on an episode of ABC's The Bachelor to perform “Magic” and “The Sweetest Love” for the remaining female contestants. Thicke wrote and produced a track for the movie Precious in which his wife Paula Patton also starred.^[10] He co-headlined a U.S. tour with Jennifer Hudson, which began March 31, 2009 in Albany, New York, and wrapped up 25 shows later in Biloxi, Mississippi.^[11] At the start of the tour, Thicke released "You're My Baby" as the official third single from Something Else, despite filming and releasing a music video for the track "Dreamworld".^[11] As of April 2009, Something Else has shifted over 435,000 units in the U.S.

Seven months after the release of Something Else, Billboard.com announced that Thicke would release his fourth studio album in the fall of 2009, which would not be self-produced.^[11] The album, titled Sex Therapy, had its release date postponed to winter, on December 15, 2009. Jay-Z is featured on the track "Meiple (Me I Play)". The first single from the album was the self-titled track, produced by Polow Da Don and released in October 2009. In November 2009, Thicke premiered the second single to radio, "Shakin' It for Daddy", featuring rapper Nicki Minaj. It was also produced by Polow Da Don.

Speaking of the musical background to Sex Therapy, Thicke told Pete Lewis - Deputy Editor of Blues & Soul - "I'm always gonna have the influence of Marvin Gaye, Stevie Wonder and Al Green in my music. But with this album I also wanted to show my HIP HOP side. I grew up listening to Run DMC and NWA and Biggie and Pac and Jay-Z... So I really wanted to make a record that represented how much that music has influenced me."^[12] Earlier in 2009, on October 14, Leighton Meester's debut single "Somebody to Love", featuring Thicke, was released. Thicke told MTV he was glad to have Lil Wayne on the album. He also pointed out that he was featured on Lil Wayne's last two albums, and Lil Wayne was on his last two albums. "We're kind of good luck charms for each other."^{[citation needed]}

Thicke appeared on ABC's New Year's Rockin' Eve on January 1, 2010 and performed three songs in Las Vegas, in a pre-recorded segment. Also in 2010, it was confirmed that he, along with Melanie Fiona, would feature on The Freedom Tour with Alicia Keys. As of October 2011, the album has sold 269,000 copies in the United States.^[13]

[edit] 2011–present: Love After War

During 2011, Thicke was confirmed to go on tour with Jennifer Hudson, with whom he toured in 2009.^[14] Later that year, Robin Thicke released his fifth studio album, Love After War, on December 6, 2011.^[15] The album has produced two singles. There is the title track and lead single, "Love After War". The second single is "Pretty Lil' Heart", which features Lil Wayne. Robin Thicke appeared on ABC's New Year's Rockin' Eve 2012 performing via remote feed from Los Angeles, California.^{[citation needed]}

Thicke is appearing as a judge on a new ABC television show called Duets which premiered May 24, 2012 and which also features John Legend, Jennifer Nettles, and Kelly Clarkson.^[3]

Artistry[link]

Songwriting and producing[link]

Thicke began his songwriting career by writing hits for popular artists. He co-wrote and produced the Color Me Badd hit "Sexual Capacity" in 1996. The Thicke original "When I Get You Alone" was performed by Guy Sebastian, the winner of the first Australian Idol 2003, during the competition and at the Idol grand finale. "When I Get You Alone" was a popular song choice for Sebastian; he put the live idol performance on his four-times platinum debut single "Angels Brought Me Here"; it was the fastest selling single in Australia debuting at #1 and immediately breaking an Aria record.^[16] In 2004, Thicke co-wrote "Out With My Baby" with Guy Sebastian, from Sebastian's second album, Beautiful Life. Thicke also produced this single for Sebastian.^[17] During this same year, he wrote a song with the singer and actress Raven-Symoné for the album This Is My Time, with the song "Set Me Free".

In April 2007, Thicke co-wrote a song with singer/songwriter Angela Via called "Wrong for You". In 2008, Thicke was enlisted by producer Polow da Don to play piano on the Usher track, "Love in This Club".^[18] At the 2009 Grammy Awards, Thicke was recognized for his work on Lil Wayne’s sixth studio album Tha Carter III, as well as Jennifer Hudson’s self titled debut album. Thicke wrote and produced the song "Tie My Hands" on Tha Carter III, which went on to win Best Rap Album. Thicke wrote and produced the song "Giving Myself" for the album Jennifer Hudson, which went on to win Best R&B Album.

Collaborations[link]

In 2007, Thicke appeared on 50 Cent's album Curtis, which was released on September 11, 2007, on a song called "Follow My Lead". The following year, he worked with Ashanti on her fourth studio album, The Declaration, which was released on June 3, 2008.^[6][7] Also that year, Thicke reunited with Lil Wayne and was featured on his album Tha Carter III on a track entitled "Tie My Hands", which Thicke also produced.

Discography[link]

• A Beautiful World (2003)
• The Evolution of Robin Thicke (2006)
• Something Else (2008)
• Sex Therapy (2009)
• Love After War (2011)
• 6th Studio Album (2012)

Personal life[link]

Thicke's mother is Days of Our Lives actress and singer Gloria Loring and his father is Canadian actor Alan Thicke. They divorced when he was seven.^{[citation needed]}

Thicke began dating actress Paula Patton at the age of 16.^[19] They were married in 2005 and had a son, Julian Fuego Thicke, on April 6, 2010.^[20] In the Fall of 2010, Robin Thicke spent several weeks in New York City recording and living in a rented SoHo apartment which he had converted into a makeshift professional studio.^[21] Thicke has said he does not like his music being described as "blue-eyed soul", calling the label "small-minded and stereotypical."^[22]

Tours[link]

• The Beyoncé Experience – as an opening act for the North American leg
• Jennifer Hudson and Robin Thicke – co-headline tour
• The Freedom Tour – as an opening act for the tour along with Melanie Fiona
• Robin Thicke with special guest Miguel in Houston, Texas
• Love After War – 3 week promotional tour in November 2011

Awards and nominations[link]

Recording artist[link]

Songwriting and production[link]

References[link]

External links[link]

• Official website
• Robin Thicke at the Internet Movie Database
• Robin Thicke on Myspace

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2009)

Donny Edward Hathaway (October 1, 1945 – January 13, 1979) was an American soul singer-songwriter and musician. Hathaway contracted with Atlantic Records in 1969 and with his first single for the Atco label, "The Ghetto, Part I" in early 1970, Rolling Stone magazine "marked him as a major new force in soul music."^[1]

His collaborations with Roberta Flack scored high on the charts and won him the Grammy Award for Best Pop Performance by a Duo or Group with Vocal for the duet, "Where Is the Love" in 1973.

His body was found outside the luxury hotel Essex House in New York City; his death was ruled a suicide.

Early career[link]

Hathaway, the son of Drusella Huntley, was born in Chicago. He lived with his grandmother, Martha Pitts, also known as Martha Crumwell, in the Carr Square housing project, in St Louis. Hathaway began singing in a church choir with his grandmother, a professional gospel singer, at the age of three. He graduated from Vashon High School in 1963. He studied music on a fine arts scholarship at Howard University in Washington, D.C. He was a member of the Alpha Phi Alpha Fraternity, Inc. He also formed a jazz trio to work around the local area with drummer Ric Powell while there, but during 1967 left Howard without a degree, after receiving job offers in the music business.

Career[link]

At first, Hathaway worked as songwriter, session musician and producer. Working first at Chicago's Twinight Records, he later did the arrangements for hits by The Unifics ("Court of Love" and "The Beginning Of My End") and took part in projects by The Staple Singers, Jerry Butler, Aretha Franklin, The Impressions and Curtis Mayfield. After becoming a "house producer" for Mayfield's label, Curtom Records, he started recording there as a member of The Mayfield Singers. He recorded his first single under his own name in 1969, a duet with singer June Conquest called "I Thank You Baby". They also recorded the duet "Just Another Reason", released as the b-side. Former Cleveland Browns president Bill Futterer, a college student who promoted Curtom in the southeast in 1968 and 1969, was befriended by Hathaway and has cited Hathaway's influence on his later projects.

That year, Hathaway signed to Atco Records after being spotted for the label by producer/musician King Curtis at a trade convention. He released his first single of note, "The Ghetto, Pt. 1", which he co-wrote with former Howard roommate Leroy Hutson, who became a performer, writer and producer with Curtom. The track appeared the following year on his critically acclaimed debut LP, Everything Is Everything, which he co-produced with Ric Powell while also arranging all the cuts.

His second LP, Donny Hathaway, was also a success, but it was an album of duets with former Howard University classmate and label mate Roberta Flack that established him, especially on the pop charts. The album was both a critical and commercial success, including the Ralph MacDonald-penned track "Where Is The Love", which proved to be not only an R&B success, but also scored Top Five on the pop Hot 100.^[2] The album also included a number of other covers, including versions of Carole King's "You've Got a Friend", "Baby I Love You", originally a hit for Aretha Franklin and "You've Lost That Loving Feeling".

Donny Hathaway is also known as the co-composer and performer of the Christmas standard, “This Christmas.” The song, released in 1970, has become a holiday staple and is often used in movies, television and in advertising. “This Christmas” has been covered by numerous artists across diverse musical genres, including The Whispers, Diana Ross, Aretha Franklin, The Temptations, The Four Tops, Stevie Wonder, Chicago, Harry Connick, Jr., Dru Hill, *NSYNC, Gloria Estefan, Boney James, The Cheetah Girls, Chris Brown, and Patti LaBelle.

Hathaway followed this flurry of work with some contributions to soundtracks, along with his recording of the theme song to the TV series Maude. He also composed and conducted music for the 1972 soundtrack of the movie Come Back Charleston Blue.^[3] In the mid-1970s, he also produced albums for other artists including Cold Blood, where he expanded the musical range of lead singer Lydia Pense.

His final studio album, "Extension Of A Man" came out in 1973 with two tracks, "Love Love Love" and "I Love You More Than You'll Ever Know" reaching both the pop and R&B charts. However, it was probably best noted for his classic ballad, "Someday We'll All Be Free" and a six-minute symphonic-styled instrumental piece called " I Love The Lord, He Heard My Cry". He told UK music journalist David Nathan in 1973, “I always liked pretty music and I’ve always wanted to write it.” Added the writer, "He declined to give one particular influence or inspiration but said that Ravel, Debussy and Stravinsky were amongst whom he studied."^[4]

He returned to the charts in 1978 after again teaming up with Roberta Flack for a duet, "The Closer I Get To You" on her album, "Blue Lights In The Basement". The song topped the R&B chart and just missed the number 1 spot on the Hot 100 (reaching #2). Atlantic then put out another solo single, "You Were Meant For Me" shortly before his sudden death.

Liner notes for later releases of his final solo album explain: "Donny is no longer here, but the song [Someday We'll All Be Free] gathers momentum as part of his legacy... Donny literally sat in the studio and cried when he heard the playback of his final mix. It's pretty special when an artist can create something that wipes them out." Edward Howard, lyricist of the song, adds, "It was a spiritual thing for me... What was going through my mind at the time was Donny, because Donny was a very troubled person. I hoped that at some point he would be released from all that he was going through. There was nothing I could do but write something that might be encouraging for him. He's a good leader for young black men"

Personal life[link]

Hathaway met his wife, Eulaulah, at Howard University. They had two daughters, Eulaulah Donyll (Lalah Hathaway) and Kenya. Lalah has enjoyed a successful solo career, while Kenya is one of the three backing vocalists on the hit TV program American Idol. He also had another daughter, Donnita Hathaway.

Health challenges[link]

During the best part of his career, Hathaway began to suffer from severe bouts of depression. It was found that he was suffering from paranoid schizophrenia and was known to take strong medication daily to try to control the illness. However, Eulaulah Hathaway has said that her husband was frequently less than diligent about following his prescription regimen.^[5] Donnita Hathaway has said that her mother gave her similar information about her father, saying that when he took his medication, he was generally fine, but that when he did not, it was impossible for her to deal with him.^[5]

Over the course of the 1970s, Hathaway's mental instability wreaked havoc on his life and required several hospitalizations. The effects of his melancholia also drove a wedge in Flack and Hathaway's friendship; they did not reconcile for several years, and did not release additional music until the successful release of "The Closer I Get To You" in 1978. Flack and Hathaway then resumed studio recording to compose a second album of duets.

Death[link]

Sessions for a second album of duets were underway in 1979. On January 13 of that year, Hathaway began a recording session at which Eric Mercury and James Mtume were present. Mercury and Mtume each reported that although Hathaway's voice sounded good, he began behaving irrationally, seeming to be paranoid and delusional. According to Mtume, Hathaway said that "white people" were trying to kill him and had connected his brain to a machine, for the purpose of stealing his music -and his sound.^[5] Given Hathaway's behavior, Mercury said that he decided the recording session could not continue, so he aborted it and all of the musicians went home.^[5] Mercury added that the last recording Hathaway did was "You Are My Heaven".

Hours later, Hathaway was found dead on the sidewalk below the window of his 15th-floor room in New York's Essex House hotel. He had jumped from his balcony.^[6] The glass had been neatly removed from the window and there were no signs of struggle, leading investigators to rule Hathaway's death a suicide. His friends were mystified, considering that his career had just started to pick up again, and Flack was devastated. Spurred by his death, she included the few duet tracks they had finished on her next album, Roberta Flack Featuring Donny Hathaway.

Hathaway's funeral was conducted by the Reverend Jesse Jackson.

Legacy[link]

Donny Hathaway Live, which featured noted R&B musicians Willie Weeks (bass), Fred White (drums), Mike Howard (guitar), Phil Upchurch (lead guitar side 1), Cornell Dupree (lead guitar side 2) and Earl DeRouen (percussion) has been cited as an influence by numerous artists including Alicia Keys, Chris Brown, Amy Winehouse, Beyoncé, George Benson, India.Arie, Jon Gibson,[1] Stevie Wonder, Brian McKnight, Anthony Hamilton, Usher, and Frank McComb are among the contemporary artists whose work echoes Hathaway's. His use of the Rhodes Piano on his early Atco R&B recordings has also influenced many neo soul artists & producers.

A second live album called In Performance was released in 1980 following his death and also included tracks recorded at venues in Los Angeles and New York between 1971 and 1973, showing Hathaway to be a fine stage performer. Later, in 2004, selected tracks from these two albums were added to previously unreleased live recordings for These Songs for You, Live!.

In popular culture[link]

• Several anecdotes about Hathaway are contained in Jerry Wexler's book Rhythm and The Blues.
• On soul group The Whispers' 1980 self-titled album, the group paid homage with "Song for Donny", written by fellow soul singer Carrie Lucas. The song was set to the melody of Hathaway's "This Christmas".
• Dr.Dre's 1992 album The Chronic features a song "Little Ghetto Boy" which incorporates a sample of Hathaway's "Little Ghetto Boy".
• On Jim Jones's song "Certified Gangstas", rapper The Game refers to Donny Hathaway with the lines "Blowin in the crowd like Don Hathaway".
• In 2005, neo-soul singer songwriter guitarist, Raul Midón (Blue Note) worked with Hathaway's longtime producer Arif Mardin (known for collaborations with The Bee Gees, Chaka Khan, Bette Midler, Norah Jones, and Aretha Franklin) and created a tribute song to Hathaway called "Sittin' in the Middle".
• On Ray J's 2005 album, Raydiation, Norwood sings the line "Donny and Stevie they can Write You" on the second verse on the track, "Melody".
• Amy Winehouse refers to "Mr. Hathaway" in her song "Rehab" about depression and alcoholism.
• On New York artist Nas's album Hip Hop is Dead on the song "Blunt Ashes", he tells a story that includes reportedly claiming Donny Hathaway "freefell" from his balcony.
• Hathaway's name is mentioned multiple times in rapper Common's lyrics (i.e.: "What could get me halfway calm, was this Donny Hathaway song") in "Stolen Moments Pt. II". Also, Common's duet with Lauryn Hill entitled "Retrospect for Life" contains a sample from Hathaway's "Song for You".
• In the 2001 hit by Jay-Z "Girls, Girls, Girls" Donny Hathaway's song "Love, Love, Love" is sampled. A 1999 song called "This Life Forever", Jay-Z mentions listening to his music with the lyrics saying "bumping Donny Hathaway".
• In 1999 Aaron Hall recorded a brief tribute version of "Someday We'll All Be Free" on the third album for his group Guy titled Guy III, with Teddy Riley and Damion Hall.
• In September 2001, Alicia Keys performed "Someday We'll All Be Free" on the 9/11 televised tribute concert America: A Tribute to Heroes.
• Teena Marie does a brief tribute version of "Someday We'll All Be Free" on a bonus track on the reissue of her It Must Be Magic album.
• Rhymesayers artist Brother Ali mentions Donny Hathaway in his songs "Room with a View" and "Writer's Block".
• Soul Position mentions Hathaway in their song, "Hand-Me-Downs".
• Talib Kweli mentions Hathaway in his songs "The Beautiful Struggle" and "Hold It Down" with Buckshot and 9th Wonder.
• In 2007, Deniece Williams covered "Someday We'll All Be Free" for her Love, Niecy Style album. Williams later shared that she broke down in tears in the studio while recording.
• In 2008, Ed Pavlic published Winners Have Yet to Be Announced (University of Georgia Press), poems re-imagining the life of Donny Hathaway.
• Bizzy Bone's song entitled "A Song for You", is a track that includes an interpolation of Donny Hathaways's original recording of the same name.
• The song "What a Catch, Donnie", from Fall Out Boy's fifth studio album, Folie à Deux, is named for Hathaway and mentions Roberta Flack, his writing partner.
• In November 2008, Dutch singer Gordon Heuckeroth released the album, A Song for You, with several songs by Hathaway.
• Rapper Scarface mentions Hathaway in his song "Still Here" off of the 2008 album, Emeritus.
• Prince mentions Hathaway's "Song for You" in his song, "Here" from the album titled MPLSound; part of a 2009 three CD release titled Lotusflower ("Donny Hathaway's 'Song 4 U' ain't the same without you here".)
• Kanye West mentions Hathaway in his 2010 song "Power" ("All my old girls know that I'm the one that got away. I think about 'em on Christmas and play some Donny Hathaway").
• On an episode of Girlfriends, Maya and Darnell share a dance on Donny's version of "Giving Up (Is Hard to Do)" in the aftermath of their divorce.
• "A Song for You" is covered in one take by Amy Winehouse on her posthumously released album, Lioness: Hidden Treasures. The track concludes with studio dialog in which she expresses her deep admiration for Hathaway.

Discography[link]

Studio albums[link]

Live albums[link]

Soundtrack albums[link]

Compilation albums[link]

Singles[link]

References[link]

External links[link]

Biography portal

• Donny Hathaway website
• Donny Hathaway website (formerly donny-hathaway.com)
• Donny Hathaway at Allmusic
• Donny Hathaway at the Internet Movie Database
• Donny Hathaway at Discogs

• Donny Hathaway at WhoSampled