The Jordan River (American English) or River Jordan (British English) (Hebrew: נהר הירדן Nehar haYarden, Arabic: نهر الأردن‎ Nahr al-Urdun) is a 251 kilometres (156 mi) long river in West Asia flowing to the Dead Sea. Currently, the river serves as the eastern border of the State of Israel and of the disputed Palestinian Territories. In Christian tradition, Jesus was baptised in it by John the Baptist. The Hashemite Kingdom of Jordan takes its name from this river.

The river drops rapidly in a 75 kilometre run to swampy Lake Hula, which is slightly above sea level. Exiting the lake, it drops much more in 25 kilometres to the Sea of Galilee. The last section has less gradient, and the river meanders before entering the Dead Sea, about 422 metres below sea level, which has no outlet. Two major tributaries enter from the east during this last section: the Yarmouk River and Jabbok River.

Its section north of the Sea of Galilee (Hebrew: כינרת kinneret, Arabic: Bohayrat Tabaraya, meaning Lake of Tiberias) is within the boundaries of Israel, and forms the western boundary of the Golan Heights. South of the lake, it forms the border between the Kingdom of Jordan (to the east) and Israel and the West Bank (to the west).

Jordan ( /ˈdʒɔr.dən/;Arabic: اَلأُرْدُنّ, Al-'Urdunn), officially the Hashemite Kingdom of Jordan (Arabic: اَلمَمْلَكَة اَلأُرْدُنِيَّة اَلهَاشِمِيَّة), Al-Mamlakah Al-Urdaniyyah Al-Hashimiyyah) is a kingdom on the East Bank of the River Jordan. The country borders Saudi Arabia to the east and south-east, Iraq to the north-east, Syria to the north and the West Bank and Israel to the west, sharing control of the Dead Sea with the latter. Jordan's only port is at its south-western tip, at the Gulf of Aqaba, which is shared with Israel, Egypt, and Saudi Arabia. Over half of Jordan is covered by the Arabian Desert. However, the western part of Jordan is arable land and forests. Jordan is part of the Fertile Crescent. The capital city is Amman. According to the CIA World Factbook, Jordan has the second highest life expectancy in the Middle East, after Israel. The average life expectancy is one position behind the United Kingdom, although the age remains exactly the same (80.05 years).

The precursor to modern Jordan was founded in 1921 as the Hashemite Emirate, and it was recognized by the League of Nations as a state under the British mandate in 1922 known as The Emirate of Transjordan. In 1946, Jordan became an independent sovereign state officially known as the Hashemite Kingdom of Transjordan. After capturing the West Bank area of Cisjordan during the 1948–49 war with Israel, Abdullah I took the title King of Jordan and Palestine, and he officially changed the country's name to the Hashemite Kingdom of Jordan in April 1949.

Richard Lee "Ricky" Skaggs (born July 18, 1954) is a country and bluegrass singer, musician, producer, and composer. He primarily plays mandolin; however, he also plays fiddle, guitar, mandocaster and banjo.

Ricky Skaggs was born in Cordell, Kentucky. He started playing music at age 5 after he was given a mandolin by his father, Hobert. At age 6, he played mandolin and sang on stage with Bill Monroe. At age 7, he appeared on television's Martha White country music variety show, playing with Lester Flatt and Earl Scruggs. He also wanted to audition for the Grand Ole Opry at that time, but was told he was too young.

In his mid-teens, Skaggs met a fellow teen prodigy, guitarist Keith Whitley, and the two started playing together with Whitley's banjoist brother Dwight on radio shows. By 1970, they had earned a spot opening for Ralph Stanley and Skaggs and Keith Whitley were thereafter invited to join Stanley's band, the Clinch Mountain Boys

Skaggs later joined The Country Gentlemen in Washington, DC, J. D. Crowe's New South. For a few years, Skaggs was a member of Emmylou Harris's Hot Band. He wrote the arrangements for Harris's 1980 bluegrass-roots album, Roses in the Snow. In addition to arranging for Harris, Skaggs sang harmony and played mandolin and fiddle in the Hot Band.

Vusi Sidney Mahlasela Ka Zwane (born 1965 in Pretoria) is a Sotho South African singer-songwriter.

His music is generally described as "African folk". His work was an inspiration to many in the anti-apartheid movement. His themes include the struggle for freedom, and forgiveness and reconciliation with enemies. Vusi can also be heard performing on Warren Haynes' Live at Bonnaroo release during the song "Soulshine", and the Dave Matthews Band song, "Everyday", from the album of the same name as well as a live version of the song with him which appears on the album The Best of What's Around Vol. 1. Vusi was also one of the performers at the Live 8 concerts.

His album The Voice includes the popular track "Weeping", recorded with Josh Groban and Ladysmith Black Mambazo. Vusi joined Mambazo for their October–November UK tour in 2004, and again for their 2007 UK tour, again from October to November 2007.

He and other South African musicians took part in the 2002 documentary Amandla!: A Revolution in Four-Part Harmony where they recalled the days of Apartheid.

Lincoln Barrington "Sugar" Minott (May 25, 1956 – July 10, 2010) was a Jamaican reggae singer, producer and sound-system operator.

After working as a selector on the Sound of Silence Keystone sound system, and then his own Gathering of Youth system, he began his singing career as part of The African Brothers in 1969, along with Tony Tuff and Derrick Howard. The group released several singles in the first half of the 1970s on labels such as Micron and their own Ital label, and were an early example of the Rastafari movement's influence on the Jamaican music scene, taking a clear lead from The Abyssinians. After recording "Mysterious Nature" for producer Rupie Edwards, the group recorded 1974's "No Cup No Broke" for Studio One, breaking up shortly after. Minott then teamed up with the producer Clement "Coxsone" Dodd, as studio apprentice at Dodd's Studio One, working as a singer, guitarist and percussionist, and soon began recording his own singles. Minott developed a talent for writing new songs to fit over existing rhythms (which at the time was common when singers performed live, but rare in the studio), often proving more popular than the original songs, pioneering an approach that would be central to the emerging dancehall style.