This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2012)

Armored Knight Mounted on Caparisoned Horse (Paul Mercuri in Costumes Historiques circa 1861)

Royal, noble and chivalric ranks

Emperor & Empress consort Empress & Emperor consort

Empress dowager or Empress mother

King & Queen consort or Princess consort Queen & King consort or Prince consort

Queen dowager or Queen mother Princess dowager or Princess mother

Grand Duke & Grand Duchess Grand Prince & Grand Princess

Viceroy & Vicereine

Archduke & Archduchess Infante & Infanta

Duke & Duchess Prince & Princess

Marquess & Marchioness Marquis & Marquise Margrave & Margravine

Count & Countess Earl & Countess

Viscount & Viscountess

Baron & Baroness Freiherr & Freifrau

Baronet & Baronetess Hereditary Knight, Ritter

Knight & Dame

Nobile, Edler von

This box: view talk edit

Knight with Plumed Helmet and Shield, (Paul Mercuri in Costumes Historiques circa 1861)

A knight is a person granted an honorary title of knighthood by a monarch or other political leader for service to the monarch or country, especially in a military capacity. Historically, in Europe, knighthood has been conferred upon mounted warriors.^[1] During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior. Since the Early Modern period, the title of knight is purely honorific, usually bestowed by a monarch, as in the British honours system, often for non-military service to the country.

Historically, the ideals of chivalry were popularized in medieval literature, especially the Matter of Britain and Matter of France, the former based on Geoffrey of Monmouth's Historia Regum Britanniae ("History of the Kings of Britain"), written in the 1130s. Sir Thomas Malory's Le Morte d'Arthur ("The Death of Arthur"), written in 1485, was important in defining the ideal of chivalry which is essential to the modern concept of the knight as an elite warrior sworn to uphold the values of faith, loyalty, courage, and honour. During the Renaissance, the genre of chivalric romance became popular in literature, growing ever more idealistic and eventually giving rise to a new form of realism in literature popularised by Miguel de Cervantes' Don Quixote. This novel explored the ideals of knighthood and their incongruity with the reality of Cervantes' world. In the late medieval period, new methods of warfare began to render classical knights in armour obsolete, but the titles remained in many nations.

Some orders of knighthood, such as the Knights Templar, have themselves become the subject of legend; others have disappeared into obscurity. Today, a number of orders of knighthood continue to exist in several countries, such as the English Order of the Garter, the Swedish Royal Order of the Seraphim, and the Royal Norwegian Order of St. Olav. Each of these orders has its own criteria for eligibility, but knighthood is generally granted by a head of state to selected persons to recognise some meritorious achievement.

Knighthood in the Middle Ages was closely linked with horsemanship (and especially the joust) from its origins in the 12th century until its final flowering as a fashion among the high nobility in the Duchy of Burgundy in the 15th century. This linkage is reflected in the etymology of chivalry, cavalier and related terms (see Etymology section below). The special prestige given to mounted warriors finds a parallel in the furusiyya in the Muslim world, and the Greek hippeus and the Roman eques of Classical Antiquity.^[2]

Etymology[link]

A Norman knight slaying Harold Godwinson (Bayeux tapestry, ca. 1070). The rank of knight developed in the 12th century from the mounted warriors of the 10th and 11th centuries.

The word knight, from Old English cniht ("boy" or "servant"),^[3] is a cognate of the German word Knecht ("servant, bondsman").^[4] This meaning, of unknown origin, is common among West Germanic languages (cf: Old Frisian kniucht, Dutch knecht, Danish knægt, Swedish knekt, Norwegian knekt, Middle High German kneht, all meaning "boy, youth, lad", as well as German Knecht "servant, bondsman, vassal").^[3] Anglo-Saxon cniht had no particular connection to horsemanship, referring to any servant. A rādcniht (meaning "riding-servant") was a servant delivering messages or patrolling coastlines on horseback. Old English cnihthād ("knighthood") had the meaning of adolescence (i.e. the period between childhood and manhood) by 1300.^[3]

A narrowing of the generic meaning "servant" to "military follower of a king or other superior" is visible by 1100. The specific military sense of a knight being a mounted warrior in the heavy cavalry emerges only in the Hundred Years' War. The verb "to knight" (i.e. to make someone a knight) appears around 1300, and from the same time, the word "knighthood" shifted from "adolescence" to "rank or dignity of a knight".

The capture of the French king John II at Poitiers in 1356.

In this respect English differs from most other European languages, where the equivalent word emphasizes the status and prosperity of war horse ownership. Linguistically, the association of horse ownership with social status extends back at least as far as ancient Greece, where many aristocratic names incorporated the Greek word for horse, like Hipparchus and Xanthippe; the character Pheidippides in Aristophanes' Clouds has his grandfather's name with hipp- inserted to sound more aristocratic. Similarly, the Greek ἱππεύς (hippeus) is commonly translated "knight"; at least in its sense of the highest of the four Athenian social classes, those who could afford to maintain a warhorse in the state service.

An Equestrian (Latin, from eques "horseman", from equus "horse")^[5] was a member of the second highest social class in the Roman Republic and early Roman Empire. This class is often translated as "knight"; the medieval knight, however, was called miles in Latin, (which in classical Latin meant "soldier", normally infantry).^[6][7][8] Both Greek hippos and Latin equus are derived from the Proto-Indo-European word root ekwo- meaning "horse".^[9]

In the later Roman Empire the classical Latin word for horse, equus, was replaced in common parlance by vulgar Latin caballus, sometimes thought to derive from Gaulish caballos.^[10] From caballus arose terms in the various Romance languages cognate to the (French-derived) English cavalier: Old Italian cavaliere, Italian cavallo, Spanish caballero, French chevalier, Portuguese cavaleiro, Romanian cavaler.^[11] The Germanic languages feature terms cognate to the English rider: German Ritter, and Dutch and Scandinavian ridder. These words are cognates derived from Germanic rīdan "to ride", derived from the Proto-Indo-European root reidh-.^[12]

Origins of medieval knighthood[link]

Since antiquity, heavy cavalry known as Cataphracts were involved in various wars mainly by Iranian peoples, with their arms and role in battle similar to those of the medieval knight. However, a cataphract had no fixed political position or social role other than his military function.

Tournament from the Codex Manesse, depicting the mêlée.

The Iranian Sarmatians were probably the originator of the armored knights of medieval Europe^{[dubious – discuss]}.^[13] Knighthood as known in Europe was characterized by the combination of two elements, feudalism and service as a mounted warrior. Both arose under the reign of the Frankish emperor Charlemagne, from which the knighthood of the Middle Ages can be seen to have had its genesis.

Some portions of the armies of Germanic peoples who occupied Europe from the 3rd century CE, had always been mounted, and some armies, such as those of the Ostrogoths, comprised mainly cavalry. However it was the Franks who came to dominate Western and Central Europe after the fall of Rome, and they generally fielded armies composed of large masses of infantry, with an infantry elite, the comitatus, which often rode to battle on horseback rather than marching on foot. Riding to battle had two key advantages: it reduced fatigue, particularly when the elite soldiers wore armour (as was increasingly the case in the centuries after the fall of the Western Roman empire); and it gave the soldiers more mobility to react to the raids of the enemy, particularly the Muslim invasions which reached Europe in 711. So it was that the armies of the Frankish ruler and warlord Charles Martel, which defeated the Umayyad Arab invasion at the Battle of Tours in 732, were still largely infantry armies, the elites riding to battle but dismounting to fight, providing a hard core for the levy of the infantry warbands.

Miniature by Jean Froissart (15th century) depicting the Battle of Montiel (Castillian Civil War, part of the Hundred Years' War) from his Chronicles.

As the 8th century progressed into the Carolingian Age, the Franks were generally on the attack, and larger numbers of warriors took to their horses to ride with the Emperor in his wide-ranging campaigns of conquest. At about this time the Franks increasingly remained on horseback to fight on the battlefield as true cavalry rather than as mounted infantry, and would continue to do so for centuries thereafter. Although in some nations the knight returned to foot combat in the 14th century, the association of the knight with mounted combat with a spear, and later a lance, remained a strong one.

Maximilian Gothic plate armour, 15th century.

These mobile mounted warriors made Charlemagne’s far-flung conquests possible, and to secure their service he rewarded them with grants of land called benefices. These were given to the captains directly by the Emperor to reward their efforts in the conquests, and they in turn were to grant benefices to their warrior contingents, who were a mix of free and unfree men. In the century or so following Charlemagne’s death, his newly empowered warrior class grew stronger still, and Charles the Bald declared their fiefs to be hereditary. The period of chaos in the 9th and 10th centuries, between the fall of the Carolingian central authority and the rise of separate Western and Eastern Frankish kingdoms (later to become France and Germany respectively), only entrenched this newly landed warrior class. This was because governing power, and defence against Viking, Magyar and Saracen attack, became an essentially local affair which revolved around these new hereditary local lords and their demesnes.

In the Early Medieval period any well-equipped horseman could be described as a 'knight,' or miles in Latin.^[14] In the course of the 12th century knighthood became a social rank with a distinction being made between 'milites gregarii' (non-noble cavalrymen) and milites nobiles (true knights).^[15] As the term 'knight' became increasingly confined to denoting a social rank the military role of fully armoured cavalryman gained a separate term, 'man-at-arms'. Although any Medieval knight going to war would automatically serve as a man-at-arms, not all men-at-arms were knights.

The first military orders of knighthood were the Knights Hospitaller founded at the First Crusade of 1099, followed by the Knights Templar (1119). At the time of their foundation, these were intended as monastic orders, whose members would act as simple soldiers protecting pilgrims. It was only over the following century, with the successful conquest of the Holy Land and the rise of the crusader states, that these orders became powerful and prestigious.

The ideal of chivalry as the ethos of the Christian warrior, and the transmutation of the term knight from the meaning "servant, soldier", and of chevalier "mounted soldier", to refer to a member of this ideal class, is significantly influenced by the Crusades, on one hand inspired by the military orders of monastic warriors, as seen retrospectively from the point of view of the beginning Late Middle Ages, and on the other hand influenced by Islamic (Saracen) ideals of furusiyya.^[16]

Maximilian I, Holy Roman Emperor (1459–1519) is often referred to as the last true knight. He was the last emperor to lead his troops onto the battlefield.

Chivalric code[link]

Jan van Eyck, "Knights of Christ" (detail of the Ghent Altarpiece).

Knights of the medieval era were asked to "Protect the weak, defenseless, helpless, and fight for the general welfare of all." These few guidelines were the main duties of a medieval knight, but they were very hard to accomplish fully. Knights trained in hunting, fighting, and riding, amongst other things. They were also trained to practise courteous, honorable behaviour, which was considered extremely important. Chivalry (derived from the French word chevalier implying "skills to handle a horse") was the main principle guiding a knight’s life style. The code of chivalry dealt with three main areas: the military, social life, and religion.^[17]

The military side of life was very important to knighthood. Along with the fighting elements of war, there were many customs and rules to be followed as well. A way of demonstrating military chivalry was to own expensive, heavy weaponry. Weapons were not the only crucial instruments for a knight. Horses were also extremely important, and each knight often owned several horses for distinct purposes. One of the greatest signs of chivalry was the flying of coloured banners, to display power and to distinguish knights in battle and in tournaments.^[18] Warriors were not only required to own all these belongings to prove their allegiance: they were expected to act with military courtesy as well. In combat when nobles and knights were taken prisoner, their lives were spared and were often held for ransom in somewhat comfortable surroundings. This same code of conduct did not apply to non-knights (archers, peasants, foot-soldiers, etc.) who were often slaughtered after capture, and who were viewed during battle as mere impediments to knights' getting to other knights to fight them.^[19]

Becoming a knight was not a widely attainable goal in the medieval era. Sons of knights were eligible for the ranks of knighthood.^[20] While other young men could become knights, in theory, it was nearly impossible for them to achieve that goal, especially for those from the lowest class.^[21] Those who were destined to become knights were singled out: in boyhood, these future warriors were sent off to a castle as pages, later becoming squires. Commonly around the age of 20, knights would be admitted to their rank in a ceremony called either "dubbing" (from the French adoubement), or the "Accolade". Although these strong young men had proved their eligibility, their social status would be permanently controlled. They were expected to obey the code of chivalry at all times, and no failure was accepted.^{[citation needed]}

Chivalry and religion were mutually influenced. The early Crusades helped to clarify the moral code of chivalry as it related to religion. As a result, Christian armies began to devote their efforts to sacred purposes. As time passed, clergy instituted religious vows which required knights to use their weapons chiefly for the protection of the weak and defenceless, especially women and orphans, and of churches.^[22]

The Code of Chivalry continued to influence social behaviour long after the actual knighthood ceased to exist, influencing for example 19th century Victorian perceptions of how a "gentleman" ought to behave up to today.^{[citation needed]}

Medieval and Renaissance literature[link]

Battle between the Turks and Christian knights, 16th century

Knights and the ideals of knighthood featured largely in medieval and Renaissance literature, and have secured a permanent place in literary romance. While chivalric romances abound, particularly notable literary portrayals of knighthood include Geoffrey Chaucer's The Knight's Tale, Baldassare Castiglione's The Book of the Courtier, and Miguel de Cervantes' Don Quixote, as well as Sir Thomas Malory's Le Morte d'Arthur and other Arthurian tales (Geoffrey of Monmouth's Historia Regum Britanniae, the Pearl Poet's Sir Gawain and the Green Knight, etc.).

The ideal courtier—the chivalrous knight—of Baldassarre Castiglione's The Book of the Courtier became a model of the ideal virtues of nobility.^[23] Castiglione's tale took the form of a discussion among the nobility of the court of the Duke of Urbino, in which the characters determine that the ideal knight should be renowned not only for his bravery and prowess in battle, but also as a skilled dancer, athlete, singer and orator, and he should also be well-read in the Humanities and classical Greek and Latin literature.^[24]

Heraldry and other attributes[link]

Knights are generally armigerous (bearing a coat of arms), and indeed they played an essential role in the development of heraldry. As heavier armour, including enlarged shields and enclosed helmets, developed in the Middle Ages, the need for marks of identification arose, and with coloured shields and surcoats, coat armory was born. Armorial rolls were created to record the knights of various regions or those who participated in various tournaments.

Additionally, knights adopted certain forms of regalia^{[dubious – discuss]} which became closely associated with the status of knighthood. At the Battle of Crécy (1346), Edward III of England sent his son, Edward, the Black Prince, to lead the charge into battle and when pressed to send reinforcements, the king replied, "say to them that they suffer him this day to win his spurs." Clearly, by this time, spurs had already become emblematic of knighthood. The livery collar is also specifically associated with knighthood.

Types of knighthood[link]

Military–monastic orders of knighthood[link]

• Knights Hospitaller, founded during the First Crusade, 1099
• Order of Saint Lazarus established about 1100
• Knights Templar, founded 1118, disbanded 1307
• Teutonic Knights, established about 1190, and ruled the Monastic State of the Teutonic Knights in Prussia until 1525

Other orders were established in the Iberian peninsula, under the influence of the orders in the Holy Land and the Crusader movement of the Reconquista:

• the Order of Aviz, established in Avis in 1143
• the Order of Alcántara, established in Alcántara in 1156
• the Order of Calatrava, established in Calatrava in 1158
• the Order of Santiago, established in Santiago in 1164.

Chivalric orders[link]

The Battle of Grunwald between the Teutonic Knights (black cross on white) and the Polish-Lithuanian forces, July 1410

After the Crusades, the military orders became idealized and romanticized, resulting in the late medieval notion of chivalry, as reflected in the Arthurian romances of the time. The creation of chivalric orders was fashionable among the nobility in the 14th and 15th centuries, and this is still reflected in contemporary honours systems, including the term order itself. Examples of notable orders of chivalry are:

• the Order of Saint George, founded by Charles I of Hungary in 1325/6
• the Order of the Most Holy Annunciation, founded by count Amadeus VI in 1346
• the Order of the Garter, founded by Edward III of England around 1348
• the Order of the Dragon, founded by King Sigismund of Luxemburg in 1408
• the Order of the Golden Fleece, founded by Philip III, Duke of Burgundy in 1430
• the Order of Saint Michael, founded by Louis XI of France in 1469
• the Order of the Thistle, founded by King James VII of Scotland (also known as James II of England) in 1687
• the Order of the Elephant, which may have been first founded by Christian I of Denmark, but was founded in its current form by King Christian V in 1693
• the Order of the Bath, founded by George I in 1725

Honorific orders of knighthood[link]

From roughly 1560, purely honorific orders were established, as a way to confer prestige and distinction, unrelated to military service and chivalry in the more narrow sense. Such orders were particularly popular in the 17th and 18th centuries, and knighthood continues to be conferred in various countries:

• The United Kingdom (see British honours system) and some Commonwealth of Nations countries;
• Some European countries, such as The Netherlands (see below).
• The Holy See — see Papal Orders of Chivalry.

There are other monarchies and also republics that also follow this practice. Modern knighthoods are typically awarded in recognition for services rendered to society: services which are not necessarily martial in nature. The British musician Elton John, for example, is a Knight Bachelor, thus entitled to be called Sir Elton. The female equivalent is a Dame.

In the British honor system the knightly style of Sir is accompanied by the given name, and optionally the surname. So, Elton John may be called Sir Elton or Sir Elton John, but never Sir John. Similarly, actress Judi Dench DBE may be addressed as Dame Judi or Dame Judi Dench, but never Dame Dench.

Wives of knights, however, are entitled to the honorific "Lady" before their husband's surname. Thus Sir Paul McCartney's ex-wife was formally styled Lady McCartney (rather than Lady Paul McCartney or Lady Heather McCartney). The style Dame Heather McCartney could be used for the wife of a knight; however, this style is largely archaic and is only used in the most formal of documents, or where the wife is a Dame in her own right (such as Dame Norma Major, who gained her title six years before her husband Sir John Major was knighted). The husbands of Dames have no honorific, so Dame Norma's husband remained John Major until he received his own knighthood.

Since the reign of Edward VII a clerk in holy orders in the Church of England or in another Anglican Church has not normally received the accolade on being appointed to a degree of knighthood. He receives the insignia of his honor and may place the appropriate letters after his name or title but he may not be called Sir and his wife may not be called Lady. The Rt Revd the Hon Sir Paul Reeves did receive the accolade and is correctly called Sir but it is not clear how this situation arose. Ministers of other Christian Churches are entitled to receive the accolade. For example, His Eminence Sir Norman Cardinal Gilroy did receive the accolade on his appointment as Knight Commander of the Most Excellent Order of the British Empire in 1969. A knight who is subsequently ordained does not lose his title. A famous example of this situation was The Revd Sir Derek Pattinson, who was ordained just a year after he was appointed Knight Bachelor, apparently somewhat to the consternation of officials at Buckingham Palace.^[25] A woman clerk in holy orders may be appointed a Dame in exactly the same way as any other woman since there are no military connotations attached to the honour. A clerk in holy orders who is a baronet is entitled to use the title Sir.

Outside the British honours system it is usually considered improper to address a knighted person as 'Sir' or 'Dame'. Some countries, however, historically did have equivalent honorifics for knights, such as Cavaliere in Italy (e.g. Cavaliere Benito Mussolini), and Ritter in Germany and the Austro-Hungarian Empire (e.g. Georg Ritter von Trapp).

State Knighthoods in the Netherlands are issued in three orders, the Order of William, the Order of the Netherlands Lion, and the Order of Orange Nassau. Additionally there remain a few hereditary knights in the Netherlands.

In France, among other orders are the Légion d'Honneur, the Ordre National du Mérite, the Ordre des Palmes académiques and the Ordre des Arts et des Lettres. The lowest of the ranks conferred by these orders is Chevalier, meaning Knight.

In the Polish-Lithuanian Commonwealth the monarchs tried to establish chivalric orders but the hereditary lords who controlled the Union did not agree and managed to ban such assemblies. They feared the King would use Orders to gain support for absolutist goals and to make formal distinctions among the peerage which could lead to its legal breakup into two separate classes, and that the King would later play one against the other and eventually limit the legal privileges of hereditary nobility. But finally in 1705 King August II managed to establish the Order of the White Eagle which remains Poland's most prestigious order of that kind. The head of state (now the President as the acting Grand Master) confers knighthoods of the Order to distinguished citizens, foreign monarchs and other heads of state. The Order has its Chapter. There were no particular honorifics that would accompany a knight's name as historically all (or at least by far most) its members would be royals or hereditary lords anyway. So today, a knight is simply referred to as "Name Surname, knight of the White Eagle (Order)".

Hereditary knighthoods[link]

Continental Europe[link]

In continental Europe different systems of hereditary knighthood have existed or do exist. Ridder, Dutch for "knight", is a hereditary noble title in the Netherlands and Belgium. It is the lowest title within the nobility system and ranks below that of "Baron" but above "Jonkheer" (the latter is not a title, but a Dutch honorific to show that someone belongs to the untitled nobility). The collective term for its holders in a certain locality is the Ridderschap (e.g. Ridderschap van Holland, Ridderschap van Friesland, etc.). In the Netherlands and Belgium no female equivalent exists. Before 1814, the history of nobility is separate for each of the eleven provinces that make up the Kingdom of the Netherlands. In each of these, there were in the early Middle Ages a number of feudal lords who often were just as powerful, and sometimes more so than the rulers themselves. In old times, no other title existed but that of knight. In the Netherlands only 10 knightly families are still alive, a number which steadily decreases because in this country ennoblement or incorporation into the nobility is not possible anymore. Instead, Belgium, which still has a vibrant culture of ennoblement, does have 232 registered knightly families.

The German and Austrian equivalent of an hereditary knight is a Ritter. This designation is used as a title of nobility in all German-speaking areas. Traditionally it denotes the second lowest rank within the nobility, standing above "Edler" and below "Freiherr". For its historical association with warfare and the landed gentry in the Middle Ages, it can be considered roughly equal to the titles of "Knight" or "Baronet".

France, Italy, and Poland also had the hereditary knighthood that existed within the nobility system.

Ireland[link]

There are traces of the Continental system of hereditary knighthood in Ireland. Notably all three of the following belong to the Welsh-Norman FitzGerald dynasty, created by the Earls of Desmond, acting as Earls Palatine, for their kinsmen.

• Knight of Kerry or Green Knight (FitzGerald of Kerry) — the current holder is Sir Adrian FitzGerald, 6th Baronet of Valencia, 24th Knight of Kerry. He is also a Knight of Malta, and currently President of the Irish Association of the Sovereign Military Order of Malta.
• Knight of Glin or Black Knight (FitzGerald of Limerick) — now dormant.
• White Knight (see Edmund Fitzgibbon) — now dormant.

Another Irish family were the O'Shaughnessys, who were created knights in 1553 under the policy of Surrender and regrant^[26] (first established by Henry VIII of England).

British Baronetcies[link]

Since 1611, the British Crown has awarded a hereditary title in the form of the Baronetcy.^[27] Like knights, baronets are accorded the title Sir. Baronets are not peers of the realm, and did not sit in the House of Lords when it was a hereditary house, therefore like knights they remain commoners in the view of the British nobility system. However, unlike knights, the title is hereditary and the recipient does not receive an accolade. The position is therefore more comparable with hereditary knighthoods in continental European orders of nobility, such as ritter, than with knighthoods under the British orders of chivalry.

Women in orders of knighthood[link]

It has been suggested that this section be split into a new article titled Orders of knighthood. (Discuss) Proposed since April 2012.

England[link]

Women were appointed to the Order of the Garter almost from the start. In all, 68 women were appointed between 1358 and 1488, including all consorts. Though many were women of royal blood, or wives of knights of the Garter, some women were neither. They wore the garter on the left arm, and some are shown on their tombstones with this arrangement. After 1488, no other appointments of women are known, although it is said that the Garter was granted to Neapolitan poet Laura Bacio Terricina, by Edward VI. In 1638, a proposal was made to revive the use of robes for the wives of knights in ceremonies, but this did not occur. Queen consorts have been made Ladies of the Garter since 1901 (Queens Alexandra in 1901, Mary in 1910, Elizabeth in 1937). The first non-Royal woman to be made Lady Companion of the Garter was Lavinia, duchess of Norfolk in 1990, the second was Baroness Thatcher in 1995 (post-nominal: LG). On Nov. 30, 1996, Marion Ann Forbes, Lady Fraser was made Lady of the Thistle, the first non-Royal woman (post-nominal: LT). (See Edmund Fellowes, Knights of the Garter, 1939; and Beltz: Memorials of the Order of the Garter). The first woman to be granted a knighthood in modern Britain seems to have been H.H. Nawab Sikandar Begum Sahiba, Nawab Begum of Bhopal, who became a Knight Grand Commander of the Order of the Star of India (GCSI) in 1861, at the foundation of the order. Her daughter received the same honor in 1872, as well as her granddaughter in 1910. The order was open to "princes and chiefs" without distinction of gender. The first European woman to have been granted an order of knighthood was Queen Mary, when she was made a Knight Grand Commander of the same order, by special statute, in celebration of the Delhi Durbar of 1911. She was also granted a knighthood in 1917, when the Order of the British Empire was created (it was the first order explicitly open to women). The Royal Victorian Order was opened to women in 1936, and the Order of Bath and Saint Michael and Saint George in 1965 and 1971 respectively.^[28]

France[link]

Helmeted Knight of France, illustration by Paul Mercuri in Costumes Historiques (Paris, 1860-1861)

Medieval French had two words, chevaleresse and chevalière, which were used in two ways: one was for the wife of a knight, and this usage goes back to the 14th c. The other was possibly for a female knight. Here is a quote from Menestrier, a 17th c. writer on chivalry: "It was not always necessary to be the wife of a knight in order to take this title. Sometimes, when some male fiefs were conceded by special privilege to women, they took the rank of chevaleresse, as one sees plainly in Hemricourt where women who were not wives of knights are called chevaleresses." Modern French orders of knighthood include women, for example the Légion d'Honneur (Legion of Honor) since the mid-19th c., but they are usually called chevaliers. The first documented case is that of Marie-Angélique Duchemin (1772–1859), who fought in the Revolutionary Wars, received a military disability pension in 1798, the rank of 2nd lieutenant in 1822, and the Legion of Honor in 1852. A recipient of the Ordre National du Mérite recently requested from the order's Chancery the permission to call herself "chevalière," and the request was granted (AFP dispatch, Jan 28, 2000).^[28]

Italy[link]

As related in Orders of Knighthood, Awards and the Holy See by H.E. Cardinale (1983), the Order of the Blessed Virgin Mary was founded by two Bolognese nobles Loderingo degli Andalò and Catalano di Guido in 1233, and approved by pope Alexander IV in 1261. It was the first religious order of knighthood to grant the rank of militissa to women. However, this order was suppressed by Sixtus V in 1558.^[28]

The Low Countries[link]

At the initiative of Catherine Baw in 1441, and 10 years later of Elizabeth, Mary, and Isabella of the house of Hornes, orders were founded which were open exclusively to women of noble birth, who received the French title of chevalière or the Latin title of equitissa. In his Glossarium (s.v. militissa), Du Cange notes that still in his day (17th c.), the female canons of the canonical monastery of St. Gertrude in Nivelles (Brabant), after a probation of 3 years, are made knights (militissae) at the altar, by a (male) knight called in for that purpose, who gives them the accolade with a sword and pronounces the usual words.^[28]

Spain[link]

To honour those women who defended the town of Tortosa against an attack by the Moors, Ramon Berenguer IV, then count of Barcelona, created the order of the Hatchet (orden de la Hacha) in 1149. As reported by Elias Ashmole in The Institution, Laws, and Ceremony of the Most Noble Order of the Garter (1672) Ch. 3, sect. 3: "The inhabitants [of Tortosa] being at length reduced to great streights, desired relief of the Earl, but he, being not in a condition to give them any, they entertained some thoughts of making a surrender. Which the Women hearing of, to prevent the disaster threatening their City, themselves, and Children, put on men's Clothes, and by a resolute sally, forced the Moors to raise the Siege. The Earl, finding himself obliged, by the gallentry of the action, thought fit to make his acknowlegements thereof, by granting them several Privileges and Immunities, and to perpetuate the memory of so signal an attempt, instituted an Order, somewhat like a Military Order, into which were admitted only those Brave Women, deriving the honour to their Descendants, and assigned them for a Badge, a thing like a Fryars Capouche, sharp at the top, after the form of a Torch, and of a crimson colour, to be worn upon their Head-clothes. He also ordained, that at all publick meetings, the women should have precedence of the Men. That they should be exempted from all Taxes, and that all the Apparel and Jewels, though of never so great value, left by their dead Husbands, should be their own. These Women having thus acquired this Honour by their personal Valour, carried themselves after the Military Knights of those days." ^[28]

See also[link]

Wikimedia Commons has media related to: Knights

Look up knight in Wiktionary, the free dictionary.

• Accolade
• British honours system
• Chivalric orders
• Destrier
• Heavy Cavalry
• Knightly Virtues
• Knight-errant
• Medieval warfare
• Nobility
• Papal Orders of Chivalry
• Samurai

Notes[link]

References[link]

• Arnold, Benjamin. German Knighthood, 1050-1300. Oxford: Clarendon Press, 1985. ISBN 0-19-821960-1 LCCN 85-235009
• Bloch, Marc. Feudal Society, 2nd ed. Translated by Manyon. London: Routledge & Keagn Paul, 1965.
• Bluth, B. J. Marching with Sharpe. London: Collins, 2001. ISBN 0-00-414537-2
• Boulton, D'Arcy Jonathan Dacre. The Knights of the Crown: The Monarchical Orders of Knighthood in Later Medieval Europe, 1325-1520. 2d revised ed. Woodbridge, UK: Boydell Press, 2000. ISBN 0-85115-795-5
• Bull, Stephen. An Historical Guide to Arms and Armour. London: Studio Editions, 1991. ISBN 1-85170-723-9
• Carey, Brian Todd; Allfree, Joshua B; Cairns, John. Warfare in the Medieval World, UK: Pen & Sword Military, June 2006. ISBN 1-84415-339-8
• Church, S. and Harvey, R. (Eds.) (1994) Medieval knighthood V: papers from the sixth Strawberry Hill Conference 1994. Boydell Press, Woodbidge
• Clark, Hugh. "A Concise History of Knighthood: Containing the Religious and Military Orders which have been Instituted in Europe". London, 1784. link
• Edge, David; John Miles Paddock (1988) Arms & Armor of the Medieval Knight. Greenwich, CT: Bison Books Corp. ISBN 0-517-10319-2
• Edwards, J. C. "What Earthly Reason? The replacement of the longbow by handguns." Medieval History Magazine, Is. 7, March 2004.
• Embleton, Gerry. Medieval Military Costume. UK: Crowood Press, 2001. ISBN 1-86126-371-6
• Forey, Alan John. The Military Orders: From the Twelfth to the Early Fourteenth Centuries. Basingstoke, Hampshire, UK: Macmillan Education, 1992. ISBN 0-333-46234-3
• Hare, Christopher. Courts & camps of the Italian renaissance. New York: Charles Scribner's Sons, 1908. LCCN 08-031670
• Keen, Maurice. "Chivalry". Yale University Press, 2005.
• Laing, Lloyd and Jennifer Laing. Medieval Britain: The Age of Chivalry. New York: St. Martin's Press, 1996. ISBN 0-312-16278-2
• Oakeshott, Ewart. A Knight and his Horse, 2nd ed. Chester Springs, PA: Dufour Editions, 1998. ISBN 0-8023-1297-7 LCCN 98-032049
• Robards, Brooks. The Medieval Knight at War. London: Tiger Books, 1997. ISBN 1-85501-919-1
• Shaw, William A. The Knights of England: A Complete Record from the Earliest Time. London: Central Chancery, 1906. (Republished Baltimore: Genealogical Publishing Co., 1970). ISBN 0-8063-0443-X LCCN 74-129966
• Williams, Alan. "The Metallurgy of Medieval Arms and Armour", in Companion to Medieval Arms and Armour. Nicolle, David, ed. Woodbridge, UK: Boydell Press, 2002. ISBN 0-85115-872-2 LCCN 20-02003680

Terry Jones
Terry Jones, 5 May 2007
Born	(1942-02-01) 1 February 1942 (age 70) Colwyn Bay, North Wales, United Kingdom
Occupation	Actor, comedian, film director, presenter, poet, writer, historian
Known for	Monty Python
Spouse	Alison Telfer
Website
terry-jones.net

Terence Graham Parry Jones (born 1 February 1942) is a Welsh comedian, screenwriter, actor, film director, author, political commentator, and TV host. He is best known as a member of the Monty Python comedy team.

Early life[link]

Jones was born in Colwyn Bay, Wales. The family home was named "Bodchwil". His father was stationed with the RAF in India. When Jones was four-and-a-half, the family moved to Surrey.^[1]

Jones was educated at the Royal Grammar School^[2] in Guildford, where he was head boy in the 1960-61 academic year. He read English at St Edmund Hall, Oxford, but "strayed into history".^[3] He graduated with a 2:1.^[4] While there, he performed comedy with future Monty Python castmate Michael Palin in The Oxford Revue.

Career history[link]

Before Python[link]

Jones appeared in Twice a Fortnight with Palin, Graeme Garden, Bill Oddie and Jonathan Lynn, as well as the television series The Complete and Utter History of Britain (1969). He appeared in Do Not Adjust Your Set (1967–69) with Palin, Eric Idle and David Jason. He wrote for The Frost Report and several other David Frost programmes on British television. Along with Palin, he wrote lyrics for the 1968 Barry Booth album "Diversions".

Early on, Jones was interested in devising a fresh format for the Python TV shows, and it was largely he who developed the stream-of-consciousness style which abandoned punchlines and encouraged the fluid movement of one sketch into another, allowing the troupe's conceptual humour the space to “breathe”. Jones took a keen interest in the direction of the show. As demonstrated in many of his sketches with Palin, Jones was interested in making comedy that was visually impressive, feeling that interesting settings augmented, rather than detracted from, the humour. His methods encouraged many future television comedians to break away from conventional studio-bound shooting styles, as demonstrated by shows such as Green Wing, Little Britain and The League of Gentlemen.

Of Jones' contributions as a performer, his depictions of middle-aged women are among the most memorable. His humour, in collaboration with Palin, tends to be conceptual in nature. A typical Palin/Jones sketch draws its humour from the absurdity of the scenario. For example, in the “Summarise Proust Competition”, Jones plays a cheesy game show host who gives contestants 15 seconds to condense Marcel Proust's lengthy work À la recherche du temps perdu. Jones was also noted for his gifts as a Chaplinesque physical comedian. His performance in the "Undressing in Public" sketch, for instance, is done is total silence.

Directorial work[link]

Jones co-directed Monty Python and the Holy Grail with Terry Gilliam, and was sole director on two further Monty Python movies, Life of Brian and Monty Python's The Meaning of Life. As a film director, Jones finally gained fuller control of the projects and devised a visual style that complemented the humour. His later films include Erik the Viking (1989) and The Wind in the Willows (1996). In 2008, Jones wrote and directed an opera titled Evil Machines.^[5] In 2011, he was commissioned to direct and write the libretto for another opera, entitled The Doctor's Tale.^[6]

On the commentary track of the 2004 "2 Disc Special Edition" DVD for the film Monty Python's The Meaning of Life, Terry Jones stated that to his knowledge Ireland had banned only four movies, three of which he had directed: The Meaning of Life, Monty Python's Life of Brian and Personal Services.

Animation[link]

He was the creator and co-producer of the animated television program Blazing Dragons, which ran for two seasons.^{[citation needed]} Set in a fantasy medieval setting, the series' protagonists are dragons who are beset by evil humans, reversing a common story convention. When the series was broadcast on US television, several episodes were censored due to minor cursing and the implied sexuality of an overtly effeminate character named "Sir Blaze".^{[citation needed]} It was turned into a game for the Sega Saturn in 1994, which starred Jones's voice.^{[citation needed]}

As an author[link]

He co-wrote Ripping Yarns with Palin, and wrote the screenplay for Labyrinth (1986), although his draft went through several rewrites and several other writers before being filmed; much of the finished film wasn't written by Jones at all. He has also written numerous works for children, including Fantastic Stories, The Beast with a Thousand Teeth, and a collection of Comic Verse called The Curse of the Vampire's Socks.

He has written books and presented television documentaries on medieval and ancient history and the history of numeral systems. His series often challenge popular views of history: for example, Terry Jones' Medieval Lives (2004) (for which he received a 2004 Emmy nomination for "Outstanding Writing for Nonfiction Programming") argues that the Middle Ages was a more sophisticated period than is popularly thought, and Terry Jones' Barbarians (2006) presents the cultural achievements of peoples conquered by the Roman Empire in a more positive light than Roman historians typically have, while criticizing the Romans as the true "barbarians" who exploited and destroyed higher civilizations.

He has written numerous editorials for The Guardian, The Daily Telegraph and The Observer condemning the Iraq war. Many of these editorials were published in a paperback collection titled Terry Jones's War on the War on Terror.

Chaucer's Knight: The Portrait of a Medieval Mercenary (1980) offers an alternative take on the historical view of Geoffrey Chaucer's The Knight's Tale as being a paragon of Christian virtue. Jones asserts that, after closer examination of historical rather than literary context, the Knight is actually a typical mercenary and a potentially cold-blooded killer.

His most recent book, "Evil Machines", was launched by the online publishing house Unbound at the Adam Street Club in London on 4 November 2011. Evil Machines is the world's first book to be published by a crowd funding website dedicated solely to books. Jones provided significant support to Unbound as they developed their publishing concept.

He is also a member of the UK Poetry Society and his poems have appeared in Poetry Review.

Working with musicians[link]

Jones has performed with The Carnival Band and appears on their 2007 CD Ringing the changes (Park Records PRKCD98).

In January 2008, the Teatro São Luiz, in Lisbon, Portugal, premiered Evil Machines – a musical play, written by Jones (based on his book) and with original music by Portuguese composer Luis Tinoco. Jones was invited by the Teatro São Luiz to write and direct the play, after a very successful run of Contos Fantásticos, a short play based on Jones' Fantastic Stories, also with music by Luis Tinoco.

In January 2012, it was announced that Jones is working with songwriter/producer Jim Steinman on a heavy metal version of "The Nutcracker."^[7]

As performer[link]

Apart from a cameo in Terry Gilliam's Jabberwocky and a memorable minor role as a drunken vicar in BBC sitcom The Young Ones, Jones has rarely appeared in work outside of his own projects. Since January 2009, however, he has provided narration for The Legend of Dick and Dom, a CBBC fantasy series set in the Middle Ages.

In 2009 Jones took part in the BBC Wales programme Coming Home about his Welsh family history.

Personal life[link]

Jones married Alison Telfer in 1970, and they have two children together, Sally (born in 1974), and Bill (born in 1976). The marriage broke down after he admitted to falling in love with 26-year-old student Anna Söderström.

On 21 October 2006, it was reported in The Daily Mirror that Jones had been diagnosed with bowel cancer.^[8] Another article dated three days later, also by The Mirror, indicated that the exploratory surgery performed on Jones had good results.^[9] It was reported in the British media on 27 April 2009 that Jones was due to become a father for the third time in the autumn of 2009, by way of Söderström. But he remained married to Telfer.^[10] Jones's daughter Siri was born in early September 2009.^[11]

Selected bibliography[link]

Fiction[link]

• Douglas Adams's Starship Titanic (1997), ISBN 0-330-35446-9 – a novel based on the computer game of the same name by Douglas Adams. (Jones claims to have written the entire book while in the nude.)
• Evil Machines (2011), ISBN 978-1-908717-01-6

Illustrated by Michael Foreman

• Fairy Tales (1981), ISBN 0-907516-03-3
• The Saga of Erik the Viking (1983), ISBN 0-907516-23-8 – Children's Book Award 1984
• Nicobobinus (1985), ISBN 1-85145-000-9
• The Curse of the Vampire's Socks and Other Doggerel (1988), ISBN 1-85145-233-8 – poetry
• Fantastic Stories (1992), ISBN 1-85145-957-X
• The Beast with a Thousand Teeth (1993), ISBN 1-85793-070-3
• A Fish of the World (1993), ISBN 1-85793-075-4
• The Sea Tiger (1994), ISBN 1-85793-085-1
• The Fly-by-Night (1994), ISBN 1-85793-090-8
• The Knight and the Squire (1997), ISBN 1-86205-044-9
• The Lady and the Squire (2000), ISBN 1-86205-417-7 – nominated for a Whitbread Award
• Bedtime Stories (2002), ISBN 1-86205-276-X – with Nanette Newman

Illustrated by Brian Froud

• Goblins of the Labyrinth (1986), ISBN 1-85145-058-0
  • The Goblin Companion: A Field Guide to Goblins (1996), ISBN 1-85793-795-3 – an abridged re-release, in a smaller format, with the colour plates missing
• Lady Cottington's Pressed Fairy Book (1994), ISBN 1-85793-336-2
• Strange Stains and Mysterious Smells: Quentin Cottington's Journal of Faery Research (1996), ISBN 0-684-83206-2
• Lady Cottington's Pressed Fairy Journal (1998), ISBN 1-86205-024-4
• Lady Cottington's Fairy Album (2002), ISBN 1-86205-559-9

Illustrated by Martin Honeysett and Lolly Honeysett

• Bert Fegg's Nasty Book for Boys and Girls with Michael Palin (1974) ISBN 0-413-32740-X

Non-fiction[link]

• Chaucer's Knight: The Portrait of a Medieval Mercenary (1980), ISBN 0-297-77566-9; rev. ed. (1994), ISBN 0-413-69140-3
• Who Murdered Chaucer?: A Medieval Mystery (2003), ISBN 0-413-75910-5 – with Robert Yeager, Terry Dolan, Alan Fletcher and Juliette Dor
• Terry Jones's War on the War on Terror (2005), ISBN 1-56025-653-2

With Alan Ereira

• Crusades (1994), ISBN 0-563-37007-6
• Terry Jones' Medieval Lives (2004), ISBN 0-563-48793-3
• Terry Jones' Barbarians (2006), ISBN 0-563-49318-6

Screenplays[link]

• And Now for Something Completely Different (1972) with Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, and Michael Palin
• Secrets (1973) – for TV, with Michael Palin
• Monty Python and the Holy Grail (1975) with Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, and Michael Palin
• Monty Python's Life of Brian (1979) with Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, and Michael Palin
• Monty Python's The Meaning of Life (1983) with Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, and Michael Palin
• Labyrinth (1986)
• Erik the Viking (1989) – includes a notice in the credits specifically disclaiming any link with Jones's earlier novel ("although he hopes it will help the sales")
• The Wind in the Willows (1996)

Documentary series[link]

• Crusades (1995)
• Ancient Inventions – directed by Phil Grabsky and Daniel Percival (1998)
• The Surprising History of Egypt (USA, 2002) a.k.a. The Hidden History of Egypt (UK, 2003) – directed by Phil Grabsky
• The Surprising History of Rome (USA, 2002) a.k.a. The Hidden History of Rome (UK, 2003) – directed by Phil Grabsky
• The Surprising History of Sex and Love (2002) – directed by Alan Ereira and Phil Grabsky
• Terry Jones' Medieval Lives (2004)
• The Story of 1 (2005)
• Terry Jones' Barbarians (2006)
• Terry Jones' Great Map Mystery (2008)

Political articles[link]

Jones has published a number of articles on political and social commentary, principally in newspapers The Daily Telegraph, The Guardian, The Independent, and The Observer. Many of these articles criticized the war on terror, belittling it as "declaring war on an abstract noun" and comparing it to attempting to "annihilate mockery".^[12]

Collaborations[link]

	Monty Python and the Holy Grail	Monty Python's Life of Brian	Monty Python's The Meaning of Life	Erik the Viking	The Wind in the Willows
Graham Chapman	Y	Y	Y
John Cleese	Y	Y	Y	Y	Y
Carol Cleveland	Y	Y	Y
Terry Gilliam	Y	Y	Y
Eric Idle	Y	Y	Y		Y
Neil Innes	Y	Y
Terry Jones	Y	Y	Y	Y	Y
Charles McKeown		Y		Y
Michael Palin	Y	Y	Y		Y
John Young	Y	Y

Jones and Gavin Scott have been working for years on a script for a "sci-fi farce combining CGI and live action" tentatively called Absolutely Anything;^[13] the film is expected to begin principal photography in spring 2012,^[13] with Terry Gilliam, John Cleese, and Michael Palin agreeing to "provide voices for a group of aliens".^[14]

Miscellany[link]

• An asteroid, 9622 Terryjones, is named in his honour. When asked during a webchat if this were the greatest honour he has received, Jones replied, "I didn't realise it was an honour to have a barren lump of rock named after one."^{[citation needed]}

Further reading[link]

• Wilmut, Roger (1980). From Fringe to Flying Circus: Celebrating a Unique Generation of Comedy, 1960–1980. London: Eyre Methuen. ISBN 0-413-46950-6. 

References[link]

Notes

External links[link]

Wikiquote has a collection of quotations related to: Terry Jones

• Terry Jones on twitter
• Terry Jones at the Internet Movie Database
• Terry Jones at the BBC Guide to Comedy
• Terry Jones at the Comedy Zone
• MP3 audio interview with Jones from The Sound of Young America public radio program and podcast
• Interview with Terry Jones by Jeff Fleischer in Mother Jones. He talks about his politics columns.
• Text interview with Jones from Wisconsin Public Television. Jones talks about Monty Python's legacy and his more current work.

Christian Bale
Bale in June 2009
Born	Christian Charles Philip Bale (1974-01-30) 30 January 1974 (age 38) Haverfordwest, Pembrokeshire
Residence	Los Angeles, California
Occupation	Actor
Years active	1982–present
Spouse	Sandra Blažić (2000–present)
Children	1
Parents	David Bale, Jenny (née James) Bale
Family	Gloria Steinem (Step-Mother)

Christian Charles Philip Bale (born 30 January 1974) is an English actor.^[1] Best known for his roles in American films, Bale has starred in both big budget Hollywood films and the smaller projects from independent producers and art houses.

Bale first caught the public eye at the age of 13, when he was cast in the starring role of Steven Spielberg's Empire of the Sun (1987). He played an English boy who is separated from his parents and subsequently finds himself lost in a Japanese internment camp during World War II.^[2] He is also notable for his role as serial killer Patrick Bateman in American Psycho (2000), and for portraying Bruce Wayne/Batman in Christopher Nolan's Batman Begins (2005), The Dark Knight (2008) and the upcoming finale The Dark Knight Rises (2012).

In 2010, Bale portrayed Dicky Eklund in the biopic The Fighter. He received critical acclaim for his role and won several awards, including the Academy Award for Best Supporting Actor, the Golden Globe Award for Best Supporting Actor and the Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Supporting Role.

Early life[link]

Bale was born in Wales to parents of English descent. His South African–born father, David Bale, was an entrepreneur, commercial pilot and talent manager, and his mother, Jenny (née James), was a circus performer.^[3][4][5][6] He spent his childhood in England, Portugal, and the United States.

Bale's first foray into acting was a commercial for the fabric softener Lenor in 1982.^[7] A year later, he appeared in a Pac-Man cereal commercial playing a child rock star. In 1984, he made his stage debut in The Nerd, opposite Rowan Atkinson.^[8]

Career[link]

1986–1998[link]

A 14-year-old Bale in Stockholm, Sweden in February 1988 while promoting Empire of the Sun

Bale made his film debut as Tsarevich Alexei Nikolaevich of Russia in the made-for-television film Anastasia: The Mystery of Anna in 1986, which was followed by leading roles in the miniseries Heart of the Country and the fantasy adventure Mio in the Land of Faraway, in which he appeared with Christopher Lee and Nick Pickard.

Bale's performance as Jim Graham in Empire of the Sun earned him widespread critical praise and the first ever "Best Performance by a Juvenile Actor" award from the National Board of Review of Motion Pictures.^[9] The attention the press and his schoolmates lavished upon him after this took a toll on Bale, and he contemplated giving up acting until Kenneth Branagh approached him and persuaded him to appear in Henry V in 1989.^[9] In 1990, he played the role of Jim Hawkins opposite Charlton Heston (as Long John Silver) in Treasure Island, an adaptation of Robert Louis Stevenson's classic book.

In 1992, Bale starred as Jack Kelly in the Disney musical Newsies, and followed it up in 1993 with another release, Swing Kids, a film about teenagers who secretly listened to forbidden jazz during the rise of Nazi Germany.^[10] Bale was recommended by actress Winona Ryder to star in Gillian Armstrong's 1994 film Little Women.^[9] Bale provided the voice for Thomas, a young compatriot of Captain John Smith, in Disney's Pocahontas (1995) and in 1997 played Arthur Stuart in Velvet Goldmine, Todd Haynes' tribute to glam rock.^[10] In 1999, Bale contributed to an all-star cast, including Kevin Kline, Michelle Pfeiffer, Stanley Tucci and Rupert Everett, portraying Demetrius in an updated version of William Shakespeare's A Midsummer Night's Dream.^[10]

1999–2001[link]

In 1999, Bale played serial killer Patrick Bateman in American Psycho, director Mary Harron's adaptation of Bret Easton Ellis' controversial novel. Bale was briefly dropped from the project in favour of Leonardo DiCaprio, but DiCaprio eventually dropped out to star in The Beach, and Bale was cast once again. He researched his character by studying the novel and prepared himself physically for the role by spending months tanning and exercising in order to achieve the "Olympian physique" of the character as described in the original novel.^[11] He went so far as to distance himself from the cast and crew to maintain the darker side of Bateman's character. American Psycho premiered at the 2000 Sundance Film Festival to much controversy. Roger Ebert condemned the film at first, calling it pornography,^[12] and "the most loathed film at Sundance,"^[13] but gave it a favourable review, writing that Harron "transformed a novel about bloodlust into a film about men's vanity." Of Bale's performance, he wrote, "Christian Bale is heroic in the way he allows the character to leap joyfully into despicability; there is no instinct for self-preservation here, and that is one mark of a good actor."^[14]

On 14 April 2000, Lions Gate Films released American Psycho in cinemas. Bale was later approached to make a cameo appearance in another Bret Easton Ellis adaptation, The Rules of Attraction, a film loosely connected to American Psycho, but he declined out of loyalty to Harron's vision of Bateman, which he felt could not be properly expressed by anyone else.^[15] In 2000, he again played a wealthy murderer, this time in John Singleton's Shaft.