Hallstatt
Coat of arms
Hallstatt Location within Austria
Coordinates: 47°33′21″N 13°38′48″E / 47.55583°N 13.64667°E / 47.55583; 13.64667Coordinates: 47°33′21″N 13°38′48″E / 47.55583°N 13.64667°E / 47.55583; 13.64667
Country	Austria
State	Upper Austria
District	Gmunden
Government
• Mayor	Alexander Scheutz (SPÖ)
Area
• Total	59.8 km2 (23.1 sq mi)
Elevation	511 m (1,677 ft)
Population (1 January 2012)[1]
• Total	794
• Density	13/km2 (34/sq mi)
Time zone	CET (UTC+1)
• Summer (DST)	CEST (UTC+2)
Postal code	4830
Area code	06134
Vehicle registration	GM
Website	www.hallstatt.at

Hallstatt, Upper Austria, is a village in the Salzkammergut, a region in Austria. It is located near the Hallstätter See (a lake). At the 2001 census, it had 946 inhabitants. Alexander Scheutz has been mayor of Hallstatt since 2009.

Hallstatt is known for its production of salt, dating back to prehistoric times, and gave its name to the Hallstatt culture.

Geography[link]

Situated in the south-western shore of the Hallstätter See, the town lies in the geographical region of Salzkammergut, on the national road linking Salzburg and Graz.

History[link]

Overview[link]

Salt was a valuable resource, so the region was historically very wealthy. It is possible to tour the world's first known salt mine, located above downtown Hallstatt.

The village also gave its name to the early Iron Age Hallstatt culture and is a World Heritage Site for Cultural Heritage. Hallstatt is a popular tourist attraction owing to its small-town appeal and can be toured on foot in ten minutes.

Early history[link]

View of Hallstatt 1899. from nord

View of Hallstatt from south

There are to date no recorded notable events that took place in Hallstatt during Roman rule or the early Middle Ages. In 1311, Hallstatt became a market town, a sign that it had not lost its economic value. Today, apart from salt production, which since 1595 is transported for 40 kilometres from Hallstatt to Ebensee via a brine pipeline, tourism plays a major factor in the town's economic life. Tourists are told that Hallstatt is the site of "the world's oldest pipeline",^[2] which was constructed 400 years ago from 13,000 hollowed out trees.^[3] There is so little place for cemeteries that every ten years bones used to be exhumed and removed into an ossuary, to make room for new burials.^[3] A collection of elaborately decorated skulls with the owners' names, professions, death dates inscribed on them is on display at the local chapel.^[4]

19th century[link]

Until the late 19th century, it was only possible to reach Hallstatt by boat or via narrow trails. The land between the lake and mountains was sparse, and the town itself exhausted every free patch of it. Access between houses on the river bank was by boat or over the upper path, a small corridor passing through attics. The first road to Hallstatt was only built in 1890, along the west shore, partially by rock blasting.

Lake Street

However this secluded and inhospitable landscape nevertheless counts as one of the first places of human settlement because of the rich sources of natural salt, which have been mined for thousands of years, originally in the shape of hearts owing to the use of an antler pick.^[3] Some of Hallstatt's oldest archaeological finds, such as a shoe-last celt, date back to around 5500 BC. In 1846 Johann Georg Ramsauer discovered a large prehistoric cemetery close by the current location of Hallstatt. Ramsauer's work at the Hallstatt cemeteries continued until 1863, unearthing more than 1000 burials. It is to his credit and to the enormous benefit of archaeology that he proceeded to excavate each one with the same slow, methodical care as the first. His methods included measuring and drawing each find, in an age before color photography, he produced very detailed watercolors of each assemblage before it was removed from the ground. In the history of archaeology Ramsauer's work at Hallstatt helped usher in a new, more systematic way of doing archaeology. In addition, one of the first blacksmith sites was excavated there. Active trade and thus wealth allowed for the development of a highly developed culture, which, after findings in the Salzberghochtal, was named the Hallstatt culture. This lasted from approximately 800 to 400 BC.

Replica[link]

On 18 June 2011, it was reported that a Chinese real-estate firm intend to build a replica of the entire town in Huizhou, Guangdong province.^[5][6]

See also[link]

• Salzkammergut
• Hallstatt culture
• Hallstätter See

References[link]

External links[link]

Wikimedia Commons has media related to: Hallstatt

• Hallstatt's government
• Hallstatt in various languages

v t e World Heritage Sites in Austria East Cultural Landscape of Fertő / Neusiedlersee1 · Cultural Landscape of Wachau  · Historic Centre of Vienna · Palace and Gardens of Schönbrunn · Semmering railway2 South Cultural Landscape of Hallstatt-Dachstein Salzkammergut2 · Historic Centre of the City of Graz and Schloss Eggenberg · Semmering railway2 West Cultural Landscape of Hallstatt-Dachstein Salzkammergut2 · Historic Centre of the City of Salzburg  · Prehistoric Pile dwellings around the Alps3 1 Shared with Hungary · 2 Shared with other region/s  · 3 Shared with France, Germany, Italy, Slovenia and Switzerland

André Rieu
Rieu in Atlantic City, NJ, in 2007
Background information
Birth name	André Léon Marie Nicolas Rieu
Born	(1949-10-01) 1 October 1949 (age 62)
Origin	Maastricht, Netherlands
Genres	Waltz
Occupations	Conductor, violinist
Instruments	Violin
Years active	1978–present
Labels	Denon Records , Philips
Website	www.andrerieu.com
Notable instruments
Stradivarius violin (1667)[1]

André Léon Marie Nicolas Rieu (born 1 October 1949) is a Dutch violinist, conductor, and composer best known for creating the waltz-playing Johann Strauss Orchestra.

Early life and studies[link]

The name Rieu is of French Huguenot origin.^[1] He began studying violin at the age of five. His father, of the same name, was conductor of the Maastricht Symphony Orchestra. From a very young age he developed a fascination with orchestra. He studied violin at the Conservatoire Royal in Liège and at the Conservatorium Maastricht, (1968–1973). His teachers included Jo Juda and Herman Krebbers. From 1974 to 1977, he attended the Music Academy in Brussels, studying with André Gertler, getting his degree "Premier Prix" from the Brussels Royal Conservatory.^[2]

Career[link]

At University he performed the Gold And Silver Waltz by Franz Lehár. Encouraged by the audience reaction he decided to pursue the waltz form. Rieu formed the Maastricht Salon Orchestra and performed as a violinist with the Limburg Symphony Orchestra. In 1987, he created the Johann Strauss Orchestra and his own production company. Since then, his melodramatic stage performances and rock-star demeanor have for some been associated with a revival of the waltz music category. André Rieu plays a 1667 Stradivarius violin.^[1]

In April 2009 (Dublin)/June 2009 (UK), he made a cameo appearance as himself on "Ramsay Street" in the long-running Australian soap opera Neighbours.^[3]

Johann Strauss Orchestra[link]

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The Orchestra began in 1998 with 21 members but now performs with between 80 and 150 musicians. At the time the Orchestra first toured Europe, there emerged a renewed interest in waltz music. The revival began in the Netherlands and was ignited by their recording of the Second Waltz from Shostakovich's Jazz Suites. As a result, Rieu became known as the waltz King.

Rieu and his orchestra have performed throughout Europe, in North America, and Japan. Winning a number of awards including two World Music Awards, their recordings have gone gold and platinum in many countries, including 8-times Platinum in the Netherlands. In September 2007 Rieu performed in Australia for the first time solo, without his Orchestra at the Eastland shopping centre in the Melbourne suburb of Ringwood playing "My Way" and "Waltzing Matilda"—and the next day appeared at Sydney's Arena Cove, Warringah Mashopping with the same set. Rieu and orchestra returned to Australia in November as part of his world tour. Rieu and his orchestra played 3 concerts at Melbourne's Telstra Dome from 13–15 November and continued their tour throughout Perth, Sydney, Brisbane and Adelaide, through to December 2008. The concert theme is 'A Romantic Vienna Night' and the set comprises a life-size reproduction of the Viennese imperial Schönbrunn Palace, complete with 2 ice-skating rinks, 2 Fountains, and a ballroom dance floor situated above and behind the Orchestra. Rieu's largest concert attendance to date in Australia was 38,000 on Saturday 15 November in Melbourne. The Perth concert did not feature the replica of the Viennese Palace as it was stated in the press because it would not fit into the front doors of Subiaco Oval.

He records both DVD and CD repertoire at his own recording studios in Maastricht in a wide range of classical music as well as popular and folk music plus music from well-known soundtracks and musical theatre. His lively orchestral presentations, in tandem with incessant marketing, have attracted worldwide audiences to this subgenre of classical music.

Some of his orchestra's performances have been broadcast in the United Kingdom and the United States on the PBS television network^[4] such as the 2003 airing of Andre Rieu Live in Dublin, filmed in Dublin, Ireland, and 2005's André Rieu Live in Tuscany filmed in the Piazza Della Repubblica in the village of Cortona in Tuscany.

Reception[link]

Eamon Kelly writing in The Australian newspaper, in an article that discusses the controversy that Rieu engenders, said: "He depicts his critics as members of a stuffy musical elite with narrow aesthetic tastes, yet regularly demeans in interviews music that is not to his taste and classical musicians who choose not to perform in his manner."^[5]

Of Rieu's popularity and the debate in the media over criticism of him, Eamon Kelly says: "It is disappointing to see professional journalists indulging in cheap, inaccurate stereotypes to dismiss criticism of Rieu."^[5] But he goes on to add: "Equally misguided are those who cursorily dismiss Rieu. Rieu's live and recorded performances have brought joy to millions of people. Few in his audiences are regular classical music attendees and it could be seen as promising that, via Rieu, they are listening to standards of the classical canon. The fact that Rieu's focus is on highly accessible, enjoyable repertoire is not an argument against his musical credentials."^[5]

Eamon Kelly further adds, after hearing the orchestra perform, that there is "no cause" for Rieu's boast his orchestra was "superior to the many other orchestras that specialise in ... Viennese and popular classical repertoire." Additionally, he found that in musical terms "the performance did not surpass playing standards in Australia's major symphony orchestras". He did add that the "oboist, Arthur Cordewener, provided the most impressive musical performance with a sublime introduction to an otherwise unremarkable performance of [Ravel's] Boléro."^[5]

David Templeton, writing in the magazine All Things Strings says:

Ironically, it is Rieu’s own success that has earned him a horse-drawn carriage full of criticism, a pot-shot laden backlash aimed chiefly at the calculated emotionalism and theatrical flourishes of his performances, which, according to many, only cheapen the classical-music experience. Classical radio stations avoid his music as they might avoid a leper in the mall, though—let’s just say it plain and clear—Rieu is a superb violinist.^[6]

Chris Boyd, a critic writing for Melbourne's Herald Sun newspaper, finds that he could not give a general criticism of the playing of Rieu, as, except for "a clean and lyrical solo in Waltzing Matilda", his main stage function was apparently "blarney and delegation". However, Boyd also comments that the quality of the artists that Rieu works with is "extraordinary". Boyd assesses the low points of the concert as the "Three Tenors-style" rendition of "Nessun dorma" which he finds was an "abomination", while saying the concert's highlights included "a sugar-shock sweet rendition" of "O mio babbino caro" as well as Strauss's Emperor Waltz and Blue Danube, Clarke's Trumpet Voluntary and the Boléro.^[7]

Personal life[link]

He is married to Marjorie, who works with him full-time as production manager, and has two sons, Marc and Pierre. He speaks (in order of fluency) Dutch, English, German, French, Italian and Spanish.

Honours[link]

• Knight of the Order of the Netherlands Lion (Netherlands, 2002)
• Honorary Medal of the Province of Limburg (Netherlands, 2009)
• Knight of the Ordre des Arts et des Lettres (France, 2009)

Selected discography[link]

References[link]

External links[link]

• André Rieu (official website)
• Official André Rieu Facebook page
• André Rieu on Twitter
• Official André Rieu YouTube Channel
• André Rieu's Official Australian website
• André Rieu (C Music TV Biography)
• André Rieu at Allmusic
• The Magic of Andre Rieu