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A case study is an intensive analysis of an individual unit (e.g., a person, group, or event) stressing developmental factors in relation to context.^[1] The case study is common in social sciences and life sciences. Case studies may be descriptive or explanatory. The latter type is used to explore causation in order to find underlying principles.^[2][3] They may be prospective (in which criteria are established and cases fitting the criteria are included as they become available) or retrospective (in which criteria are established for selecting cases from historical records for inclusion in the study).

Thomas^[4] offers the following definition of case study: "Case studies are analyses of persons, events, decisions, periods, projects, policies, institutions, or other systems that are studied holistically by one or more methods. The case that is the subject of the inquiry will be an instance of a class of phenomena that provides an analytical frame — an object — within which the study is conducted and which the case illuminates and explicates."

Rather than using samples and following a rigid protocol (strict set of rules) to examine limited number of variables, case study methods involve an in-depth, longitudinal (over a long period of time) examination of a single instance or event: a case. They provide a systematic way of looking at events, collecting data, analyzing information, and reporting the results. As a result the researcher may gain a sharpened understanding of why the instance happened as it did, and what might become important to look at more extensively in future research. Case studies lend themselves to both generating and testing hypotheses.^[5]

Another suggestion is that case study should be defined as a research strategy, an empirical inquiry that investigates a phenomenon within its real-life context. Case study research can mean single and multiple case studies, can include quantitative evidence, relies on multiple sources of evidence, and benefits from the prior development of theoretical propositions. Case studies should not be confused with qualitative research and they can be based on any mix of quantitative and qualitative evidence. Single-subject research provides the statistical framework for making inferences from quantitative case-study data.^[3][6] This is also supported and well-formulated in (Lamnek, 2005): "The case study is a research approach, situated between concrete data taking techniques and methodologic paradigms."

The case study is sometimes mistaken for the case method, but the two are not the same.

Case selection and structure[link]

An average, or typical, case is often not the richest in information. In clarifying lines of history and causation it is more useful to select subjects that offer an interesting, unusual or particularly revealing set of circumstances. A case selection that is based on representativeness will seldom be able to produce these kinds of insights. When selecting a subject for a case study, researchers will therefore use information-oriented sampling, as opposed to random sampling.^[5] Outlier cases (that is, those which are extreme, deviant or atypical) reveal more information than the putatively representative case. Alternatively, a case may be selected as a key case, chosen because of the inherent interest of the case or the circumstances surrounding it. Or it may be chosen because of researchers' in-depth local knowledge; where researchers have this local knowledge they are in a position to “soak and poke” as Fenno^[7] puts it, and thereby to offer reasoned lines of explanation based on this rich knowledge of setting and circumstances.

Three types of cases may thus be distinguished:

1. Key cases
2. Outlier cases
3. Local knowledge cases

Whatever the frame of reference for the choice of the subject of the case study (key, outlier, local knowledge), there is a distinction to be made between the subject and the object of the case study. The subject is the “practical, historical unity” ^[8] through which the theoretical focus of the study is being viewed. The object is that theoretical focus – the analytical frame. Thus, for example, if a researcher were interested in US resistance to communist expansion as a theoretical focus, then the Korean War might be taken to be the subject, the lens, the case study through which the theoretical focus, the object, could be viewed and explicated.^[9]

Beyond decisions about case selection and the subject and object of the study, decisions need to be made about purpose, approach and process in the case study. Thomas^[4] thus proposes a typology for the case study wherein purposes are first identified (evaluative or exploratory), then approaches are delineated (theory-testing, theory-building or illustrative), then processes are decided upon, with a principal choice being between whether the study is to be single or multiple, and choices also about whether the study is to be retrospective, snapshot or diachronic, and whether it is nested, parallel or sequential. It is thus possible to take many routes through this typology, with, for example, an exploratory, theory-building, multiple, nested study, or an evaluative, theory-testing, single, retrospective study. The typology thus offers many permutations for case study structure.

For more on case selection, see [1]

Generalizing from case studies[link]

A critical case can be defined as having strategic importance in relation to the general problem. A critical case allows the following type of generalization, ‘If it is valid for this case, it is valid for all (or many) cases.’ In its negative form, the generalization would be, ‘If it is not valid for this case, then it is not valid for any (or only few) cases.’

The case study is also effective for generalizing using the type of test that Karl Popper called falsification, which forms part of critical reflexivity.^[5] Falsification is one of the most rigorous tests to which a scientific proposition can be subjected: if just one observation does not fit with the proposition it is considered not valid generally and must therefore be either revised or rejected. Popper himself used the now famous example of, "All swans are white," and proposed that just one observation of a single black swan would falsify this proposition and in this way have general significance and stimulate further investigations and theory-building. The case study is well suited for identifying "black swans" because of its in-depth approach: what appears to be "white" often turns out on closer examination to be "black."

Galileo Galilei’s rejection of Aristotle’s law of gravity was based on a case study selected by information-oriented sampling and not random sampling. The rejection consisted primarily of a conceptual experiment and later on of a practical one. These experiments, with the benefit of hindsight, are self-evident. Nevertheless, Aristotle’s incorrect view of gravity dominated scientific inquiry for nearly two thousand years before it was falsified. In his experimental thinking, Galileo reasoned as follows: if two objects with the same weight are released from the same height at the same time, they will hit the ground simultaneously, having fallen at the same speed. If the two objects are then stuck together into one, this object will have double the weight and will according to the Aristotelian view therefore fall faster than the two individual objects. This conclusion seemed contradictory to Galileo. The only way to avoid the contradiction was to eliminate weight as a determinant factor for acceleration in free fall. Galileo’s experimentalism did not involve a large random sample of trials of objects falling from a wide range of randomly selected heights under varying wind conditions, and so on. Rather, it was a matter of a single experiment, that is, a case study.^[5]

Galileo’s view continued to be subjected to doubt, however, and the Aristotelian view was not finally rejected until half a century later, with the invention of the air pump. The air pump made it possible to conduct the ultimate experiment, known by every pupil, whereby a coin or a piece of lead inside a vacuum tube falls with the same speed as a feather. After this experiment, Aristotle’s view could be maintained no longer. What is especially worth noting, however, is that the matter was settled by an individual case due to the clever choice of the extremes of metal and feather. One might call it a critical case, for if Galileo’s thesis held for these materials, it could be expected to be valid for all or a large range of materials. Random and large samples were at no time part of the picture. However it was Galileo's view that was the subject of doubt as it was not reasonable enough to be the Aristotelian view. By selecting cases strategically in this manner one may arrive at case studies that allow generalization.^[5]

The case study paradox[link]

Case studies have existed as long as recorded history. Much of what is known about the empirical world has been produced by case study research, and many of the classics in a long range of disciplines are case studies, including in psychology, sociology, anthropology, history, education, economics, political science, management, geography, biology, and medical science. Half of all articles in the top political science journals use case studies, for instance. But there is a paradox here, as argued by Oxford professor Bent Flyvbjerg. At the same time that case studies are extensively used and have produced canonical works, one may observe that the case study is generally held in low regard, or is simply ignored, within the academy. Statistics on courses offered in universities confirm this. It has been argued that the case study paradox exists because the case study is widely misunderstood as a research method. Flyvbjerg argues that by clearing the misunderstandings about the case study, the case study paradox may be resolved.^[1]

Misconceptions[link]

Flyvbjerg identified five common misunderstandings about case-study research:^[5]

1. General, theoretical knowledge is more valuable than concrete, practical knowledge.
2. One cannot generalize on the basis of an individual case and, therefore, the case study cannot contribute to scientific development.
3. The case study is most useful for generating hypotheses, whereas other methods are more suitable for hypotheses testing and theory building.
4. The case study contains a bias toward verification, i.e., a tendency to confirm the researcher’s preconceived notions.
5. It is often difficult to summarize and develop general propositions and theories on the basis of specific case studies.

These statements can be said to represent the cautionary view of case studies in conventional philosophy of science. Flyvbjerg argued that these statements are too categorical, and argued for the value of phenomenological insights gleaned by closely examining contextual "expert knowledge".

History of the case study[link]

It is generally believed that the case-study method was first introduced into social science by Frederic Le Play in 1829 as a handmaiden to statistics in his studies of family budgets. (Les Ouvriers Europeens (2nd edition, 1879).^[10]

The use of case studies for the creation of new theory in social sciences has been further developed by the sociologists Barney Glaser and Anselm Strauss who presented their research method, Grounded theory, in 1967.

The popularity of case studies in testing hypotheses has developed only in recent decades. One of the areas in which case studies have been gaining popularity is education and in particular educational evaluation.^[11]

Case studies have also been used as a teaching method and as part of professional development, especially in business and legal education. The problem-based learning (PBL) movement is such an example. When used in (non-business) education and professional development, case studies are often referred to as critical incidents.

When the Harvard Business School was started, the faculty quickly realized that there were no textbooks suitable to a graduate program in business. Their first solution to this problem was to interview leading practitioners of business and to write detailed accounts of what these managers were doing. Cases are generally written by business school faculty with particular learning objectives in mind and are refined in the classroom before publication. Additional relevant documentation (such as financial statements, time-lines, and short biographies, often referred to in the case as "exhibits"), multimedia supplements (such as video-recordings of interviews with the case protagonist), and a carefully crafted teaching note often accompany cases

See also[link]

• Casebook method
• Case method
• Case study in psychology
• Case competition

References[link]

Useful Sources[link]

• Baxter, P and Jack, S. (2008) "Qualitative Case Study Methodology: Study design and implementation for novice researchers", in The Qualitative Report, 13(4): 544-559. Available from [2]
• Dul, J. and Hak, T. (2008) Case Study Methodology in Business Research. Oxford: Butterworth-Heinemann. ISBN 978-0-7506-8196-4.
• Eisenhardt, K. M. (1989) "Building theories from case study research", in The Academy of Management Review, 14 (4), Oct, 532-550. doi:10.2307/258557
• Flyvbjerg, Bent. (2011) "Case Study", in Norman K. Denzin and Yvonna S. Lincoln, eds., The Sage Handbook of Qualitative Research, 4th Edition. Thousand Oaks, CA: Sage, pp. 301–316. Available from [3]
• George, Alexander L. and Bennett, Andrew. (2005) Case studies and theory development in the social sciences. London: MIT Press. ISBN 0-262-57222-2
• Gerring, John. (2005) Case Study Research. New York: Cambridge University Press. ISBN 978-0-521-67656-4
• Hancké, Bob. (2009) Intelligent Research Design. A guide for beginning researchers in the social sciences. Oxford University Press.
• Lijphart, Arend. (1971) "Comparative Politics and the Comparative Method", in The American Political Science Review, 65(3): 682-693. Available from [4]
• Ragin, Charles C. and Becker, Howard S. eds. (1992) What is a Case? Exploring the Foundations of Social Inquiry. Cambridge: Cambridge University Press. ISBN 0-521-42188-8
• Scholz, Roland W. and Tietje, Olaf. (2002) Embedded Case Study Methods. Integrating Quantitative and Qualitative Knowledge. Thousand Oaks, CA: Sage. ISBN 0-7619-1946-5
• Straits, Bruce C. and Singleton, Royce A. (2004) Approaches to Social Research, 4th ed. Oxford: Oxford University Press. ISBN 0-19-514794-4. Available from: [5]
• Thomas, Gary. (2011) How to do your Case Study: A Guide for Students and Researchers. Thousand Oaks, CA: Sage.

External links[link]

• Case Studies

Trent Reznor
Background information
Birth name	Michael Trent Reznor
Born	(1965-05-17) May 17, 1965 (age 47) Mercer, Pennsylvania, U.S.
Genres	Industrial rock, industrial metal, post-industrial, dark ambient, alternative rock, experimental rock
Occupations	Musician, songwriter, sound designer, record producer, film score composer
Instruments	Vocals, guitar, piano, synthesizer, mellotron, keyboards, bass guitar, saxophone, cello, double bass, drums, tuba, sousaphone, harmonium, marimba, pan flute, harpsichord, vibraphone, swarmatron
Years active	1982–present
Labels	The Null Corporation, Nothing, Interscope, Universal, TVT
Associated acts	Option 30, The Innocent, Exotic Birds, Nine Inch Nails, How to Destroy Angels, Tapeworm, Atticus Ross, Marilyn Manson, David Fincher
Website	www.nin.com

Michael Trent Reznor (born May 17, 1965) is an American singer–songwriter, composer, and record producer. As both a vocalist and a multi-instrumentalist, Reznor has led the industrial rock project Nine Inch Nails beginning in 1988, and as of 2010 he and his wife, Mariqueen Maandig, are also members of the post-industrial^[1][2] band How to Destroy Angels alongside fellow composer Atticus Ross,^[1][3] with whom Reznor has scored two films. Reznor was previously associated with the bands Option 30, Exotic Birds, and Tapeworm, among others. Reznor left Interscope Records in 2007, and is now an independent recording artist.

Reznor began creating music early in his life, and cites his Western Pennsylvania childhood as an early influence. After being involved with a number of synthesizer-based bands in the mid-80s, Reznor gained employment at Right Track Studios in Cleveland, Ohio and began creating his own music during the studio's closing hours under the moniker Nine Inch Nails. Reznor's first release as Nine Inch Nails, Pretty Hate Machine (1989), was a commercial and critical success, and he has since released seven major studio releases. Outside of Reznor's chief project Nine Inch Nails, he has contributed to many other artists' albums, including Marilyn Manson and Saul Williams. In 1997, Reznor appeared in Time magazine's list of the year's most influential people, and in Spin magazine he was described as "the most vital artist in music."^[4]

Reznor, in collaboration with Atticus Ross, composed the score for the soundtrack to The Social Network, a 2010 theatrical film about the founding of Facebook. The duo won the 2010 Golden Globe Award for Best Original Score and the Academy Award for Best Original Score for their collaboration. Reznor and Ross also composed the score to the US film adaptation of the novel The Girl with the Dragon Tattoo, which was released in late 2011. Both soundtrack albums were released by The Null Corporation, Reznor's own independent record label.

Early life[link]

Reznor was born in Mercer, Pennsylvania, halfway between Pittsburgh and Erie, the son of Nancy Lou (née Clark) and Michael Reznor.^[5] After his parents divorced, he lived with his maternal grandparents, while his sister Tera lived with their mother.^[6] Reznor is a direct descendant of George Reznor, who founded the Reznor Company, a heating and air conditioning company, in 1888. The family sold the business in the 1960s.^[5][7]

Reznor began playing the piano at the age of five and showed an early aptitude for music. In a 1995 interview, his grandfather, Bill Clark, remarked, "Music was his life, from the time he was a wee boy. He was so gifted."^[8] His former piano teacher Rita Beglin said "Reznor always reminded me of Harry Connick, Jr." when he played.^[8]

Reznor has acknowledged that his sheltered life in Pennsylvania left him feeling isolated from the outside world. In a 1994 interview with Rolling Stone, he references his choices in the music industry.

However, Reznor later said, "I don't want to give the impression it was a miserable childhood."^[10]

At Mercer Area Junior/Senior High School, Reznor learned to play the tenor saxophone and tuba. He was a member of both the jazz and marching band. Former Mercer High School band director Dr. Hendley Hoge remembered Reznor as "very upbeat and friendly."^[8] Reznor also became involved in theater while in high school. He was voted "Best in Drama" by classmates for his roles as Judas in Jesus Christ Superstar and Professor Harold Hill in The Music Man. Reznor graduated from this high school in 1983 and enrolled at Allegheny College, where he studied computer engineering.^[11]

Music career[link]

Early musical projects[link]

While he was enrolled in Allegheny College, Reznor joined local band Option 30, playing three shows a week with them. After only a year of college, Reznor dropped out and moved to Cleveland, Ohio to pursue a career in music.^[8] In 1985, he joined The Innocent as a keyboardist. They released one album, Livin' in the Street, but Reznor quit after just three months. In 1986, Reznor joined local band Exotic Birds, during this time, Reznor also contributed on keyboards to the band Slam Bamboo. He also appeared with them as the fictional band "The Problems" in the 1987 film Light of Day.^[12]

Reznor got a job at Cleveland's Right Track Studio as an assistant engineer and janitor.^[13] Studio owner Bart Koster later commented that Reznor was "so focused in everything he [did]. When that guy waxed the floor, it looked great."^[8] Reznor asked Koster for permission to record demos of his own songs for free during unused studio time. Koster agreed, remarking that it cost him "just a little wear on [his] tape heads".^[8] While assembling these, the earliest Nine Inch Nails recordings, Reznor was unable to find a band that could articulate his songs as he wanted. Instead, inspired by Prince, he played all the instruments himself, except drums.^[14] This role remains Reznor's on most of the band's studio recordings, though he has occasionally involved other musicians and assistants. Several labels responded favorably to the demo material, and Reznor signed with TVT Records.^[13] Nine selections from the Right Track demos were unofficially released in 1988 as Purest Feeling; many of these songs had appeared in revised form on his 1989 debut studio album under the stage name Nine Inch Nails.

Formation of Nine Inch Nails[link]

Reznor performing at the Lollapalooza festival, 1991.

Most of Reznor's work as a musician has been as founding and primary member of Nine Inch Nails. Nine Inch Nails' debut album, Pretty Hate Machine was released in 1989. It was a moderate commercial success, and was certified Gold in 1992.^[15] Amid pressure from Reznor's record label to produce a follow-up to Pretty Hate Machine, Reznor secretly began recording under various pseudonyms to avoid record company interference, resulting in the Broken EP, released in 1992.^[16] In the summer of 1991 Nine Inch Nails was included in the Lollapalooza package tour. They later won a Grammy Award in 1993 for the song "Wish" in the Best Heavy Metal Performance category.^[17]

Nine Inch Nails' second full-length album, The Downward Spiral, entered the Billboard 200 chart in 1994 at number two,^[18] and remains the highest-selling Nine Inch Nails release in the United States.^[15] To record the album, Reznor rented and moved into the 10050 Cielo Drive mansion, site of the 1969 Manson Family murders.^[19] Reznor built a studio space in the house, which he renamed Le Pig, after the word that was scrawled on the front door in Sharon Tate's blood by her murderers.^[19] Reznor told Entertainment Weekly that despite the notoriety attached to the house, he chose to record there because, "I looked at a lot of places, and this just happened to be the one I liked most".^[19]

Nine Inch Nails toured extensively over the next few years, including a performance at Woodstock '94, although he admitted to the audience that he did not like to play large venues.^[20] Around this time, Reznor's studio perfectionism,^[21] struggles with addiction, and bouts of writer's block prolonged the production of a follow-up.^[22]

Collaboration with other artists[link]

One of Reznor's earliest collaborations was a Ministry side project in 1990 under the name of 1000 Homo DJs. Reznor sang vocals on a cover of Black Sabbath's Supernaut. Due to legal issues with Reznor's label, Reznor's vocals had to be distorted enough to make his voice indistinguishable. The band also recorded additional versions with Al Jourgensen doing vocals.^[23] While there is still debate as to which version is Reznor and which is Jourgensen, it has been definitively stated that Reznor's vocals were used in the TVT Record's Black Box Box set.^[24] Reznor sang backing vocals on Tori Amos' 1994 album Under the Pink on a track called "Past The Mission." Reznor produced Marilyn Manson's first album Portrait of an American Family (1994), several tracks on Marilyn Manson's albums Smells Like Children (1995), and Antichrist Superstar (1996), as well as the film soundtracks for Oliver Stone's Natural Born Killers (1994) and David Lynch's Lost Highway (1997). Reznor is credited for "Driver Down" and "Videodrones; Questions" on the soundtrack for Lost Highway, while another track, "The Perfect Drug", is credited to Nine Inch Nails instead. In 1998 Reznor produced a remix of Notorious B.I.G.'s song "Victory" which also featured Busta Rhymes.^[25] He also unofficially worked with Garrett Ahlstrom on "Big Black Bomb" a remix on "Burn" he stated on the spiral, "I never worked on the song but I still consider it an official mix"

Under the band name Tapeworm, Reznor collaborated over the span of nearly 10 years with Danny Lohner, Maynard James Keenan, and Atticus Ross, but the project was eventually terminated before any official material was released.^[26] The only known released Tapeworm material is a reworked version of a track called "Vacant," retitled "Passive", on A Perfect Circle's 2004 album eMOTIVe,^[27] as well as a track called "Potions," on Puscifer's 2009 "C" Is for (Please Insert Sophomoric Genitalia Reference Here).

In 2006, Reznor played his first "solo" show(s) at Neil Young's annual Bridge School Benefit. Backed by a four piece string section, he performed stripped-down versions of many Nine Inch Nails songs.^[28] Reznor featured on El-P's 2007 album I'll Sleep When You're Dead, guesting on the track "Flyentology". The accompanying music video for the song and its artwork was created by Adult Swim, who aired the music video.

Reznor co-produced Saul Williams' 2007 album The Inevitable Rise and Liberation of NiggyTardust! after Williams toured with Nine Inch Nails in 2005 and 2006. Reznor convinced Williams to release the album as a free download, while giving fans the option of paying $5 for higher quality files, or downloading all of the songs at a lower quality for free.^[29][30] Reznor was also credited as "Musical Consultant" on the 2004 film Man on Fire.^[31] The movie features six Nine Inch Nails songs.^[32] He has produced a number of songs for Jane's Addiction in his home studio in Beverly Hills. The first recordings, new versions of the early tracks "Chip Away" and "Whores", were released simultaneously on Jane's Addiction's website and the NINJA 2009 Tour Sampler digital EP.

How to Destroy Angels[link]

In April 2010, it was announced that Reznor had formed a new band with his wife, Mariqueen Maandig, and Atticus Ross, called How to Destroy Angels. The group released a self-titled six song EP digitally on June 1, 2010, with the retail edition becoming available on July 6, 2010.^[33]

As an independent artist[link]

Trent Reznor and Robin Finck, Santa Barbara, California 2009.

In May 2008 Reznor founded The Null Corporation and Nine Inch Nails released the studio album The Slip as a free digital download. In his appreciation for his following and fan base, and having no contractual obligation, he made "The Slip" available for free on his website, stating “This one’s on me.”^[34] A month and a half after its online release, The Slip had been downloaded 1.4 million times from the official Nine Inch Nails website.^[35]

In February 2009, Reznor posted his thoughts about the future of Nine Inch Nails on NIN.com, stating that "I've been thinking for some time now it's time to make NIN disappear for a while."^[36] Reznor noted in an interview on the official website that while he has not stopped creating music as Nine Inch Nails, the group will not be touring in the foreseeable future.^[37][38]

Video games[link]

The original music from id Software's video game Quake is credited to "Trent Reznor and Nine Inch Nails";^[39] Reznor helped record sound effects and ambient audio, and the NIN logo appears on the nailgun ammunition boxes in the game.^[40] Reznor's association with id Software began with Reznor being a fan of the original Doom. He reunited with id Software in 2003 as the sound engineer for Doom 3, though due to "time, money and bad management",^[41] he had to abandon the project, and his audio work did not make it into the game's final release.

Nine Inch Nails' 2007 major studio recording, Year Zero, was released alongside an accompanying alternate reality game.^[42] With its lyrics written from the perspective of multiple fictitious characters, Reznor described Year Zero as a concept album criticizing the United States government's current policies and how they will affect the world 15 years in the future.^[43]

Film composition[link]

In 2001, Reznor was asked by Mark Romanek to provide the score for One Hour Photo, but the music did not work for the film and was not used. These compositions eventually evolved into Still.^[44]

In 2009, Trent Reznor composed "Theme for Tetsuo" for the Japanese cyberpunk film Tetsuo: The Bullet Man from Shinya Tsukamoto.^[45]

Reznor collaborated with Atticus Ross to compose the score for David Fincher's The Social Network, a 2010 drama film about the founding of Facebook. Says Reznor, "When I actually read the script and realized what he was up to, I said goodbye to that free time I had planned."^[46] The score was noted for portraying "Mark Zuckerberg the genius, developing a brilliant idea over ominous undertones,"^[47] and received nearly unanimous praise across the board. On September 16, 2010, Reznor announced that the film's score would be released in October 2010 in multiple formats, including digital download, compact disc, 5.1 surround on Blu-ray disc, and vinyl record.^[48] A 5-song sampler EP was released for free via digital download.^[49] In 2011 Reznor and Ross won the Golden Globe Award for Best Original Score^[50] and the Academy Award for Original Score^[51] for this work.

On January 7, 2011, Reznor announced that he would again be working with Fincher, this time to provide the score for the American adaptation of The Girl with the Dragon Tattoo.^[52] A cover of "Immigrant Song" by Led Zeppelin produced by Reznor and Ross, with Karen O (of the Yeah Yeah Yeahs) as featured singer, was released by way of a trailer for the film. The cover extended for the entirety of the trailer and was well received by critics.^[53] Reznor and Ross were announced as nominees for the 2012 Golden Globe Award for Best Original Score for their score.

Business activity[link]

Suit and counter-suit with John Malm[link]

In 2004, Reznor's former manager John Malm Jr. filed suit in the United States district court of Ohio against Reznor for over $2 million in deferred commissions. The suit alleged that Reznor "reneged on every single contract he and Malm ever entered into", and that Reznor refused to pay Malm payments which he was contractually entitled to.^[54] Weeks later, Reznor filed a counter-suit in the U.S. District Court of New York, charging Malm with fraud and breach of fiduciary duties.^[55] Reznor's suit arose from a five-year management contract signed in the early days of Nine Inch Nails, between Reznor and Malm's management company J. Artist Management. This contract, according to the suit, was unlawful and immoral in that it secured Malm 20% of Reznor's gross earnings, rather than his net earnings, as is the standard practice between artists and their management. The suit also alleged that the contract secured this percentage even if Malm was no longer representing Reznor, and for all Reznor's album advances.^[56] The suit also described how Malm had misappropriated the ownership rights regarding Nine Inch Nails, including the trademark name "NIN".^[57] According to testimony by Malm, Reznor gave him half of the "NIN" trademark "as a gift."^[57]

Reznor stated that he began to fully understand his financial situation after tackling his addiction to drugs and alcohol.^[56] Reznor requested a financial statement from Malm in 2003, only to discover that he had only $400,000 in liquid assets. "It was not pleasant discovering you have a 10th as much as you've been told you have," Reznor told the court.^[58] Malm's lawyers, however, claimed that Malm had worked for years "pro bono", and that Reznor's inability to release an album or tour and his uninhibited spending were the reasons for Reznor's financial situation.^[59]

After a three week trial in 2005, jurors sided with Reznor, awarding him upwards of $2.95 million and returning to him complete control of his trademarks.^[58] After adjustment for inflation, Reznor's award rose to nearly $5 million.^[57]

Independence from major record labels[link]

Following the release of Year Zero, Reznor announced later that Nine Inch Nails had split from its contractual obligations with Interscope Records, and would distribute its next major albums independently. The last Nine Inch Nails release on Interscope was Year Zero Remixed, based on material from Year Zero.^[60]

Criticism of the music industry[link]

In May 2007, Reznor made a post on the official Nine Inch Nails website condemning Universal Music Group—the parent company of the band's record label, Interscope Records—for their pricing and distribution plans for Nine Inch Nails' 2007 album Year Zero.^[61] He labeled the company's retail pricing of Year Zero in Australia as "ABSURD," concluding that "as a reward for being a 'true fan' you get ripped off". Reznor went on to say that as "the climate grows more and more desperate for record labels, their answer to their mostly self-inflicted wounds seems to be to screw the consumer over even more."^[62] Reznor's post, specifically his criticism of the recording industry at large, elicited considerable media attention.^[63] In September 2007, Reznor continued his attack on Universal Music Group at a concert in Australia, urging fans there to "steal" his music online instead of purchasing it legally.^[64] Reznor went on to encourage the crowd to "steal and steal and steal some more and give it to all your friends and keep on stealin'."^[65]

Musical style and influence[link]

Reznor is a fan of David Bowie, and has cited Bowie's 1977 album Low as one of his favorite albums. Reznor has stated that he played the album constantly during the recording of The Downward Spiral for inspiration.^[10] In 1995, Nine Inch Nails and David Bowie toured as a co-headlining act on the Outside Tour. Reznor also appeared in Bowie's video for "I'm Afraid of Americans", cast as Bowie's stalker. Reznor also made several remixes for the single release of the same song, as well as a remix of "The Hearts Filthy Lesson".^[66] Reznor also states in the 2010 documentary Rush: Beyond the Lighted Stage that the band Rush had played a major part in his childhood influences. He also stated that he considered Rush to be "one of the best bands ever" and had gained a perspective on how keyboards could be introduced into hard rock after listening to their 1982 album Signals. Reznor also stated "Freddie Mercury's death meant more to me than John Lennon's" and covered Queen's "Get Down Make Love", which was produced by Paul Barker & Al Jourgensen of Ministry and released on the single for "Sin". In many interviews in Musician, Spin, and Alternative Press, Reznor mentioned The Cars, The Jesus and Mary Chain, Soft Cell,^[67] Prince, Gary Numan, and The Cure's 1985 album, The Head on the Door, as important influences. In a radio interview, Reznor stated the first song he ever wrote "Down in It" was a "total rip-off" of the Skinny Puppy song "Dig It."^[68]

Reznor's work as Nine Inch Nails has influenced many newer artists, which according to Reznor range from "generic imitations" dating from the band's initial success to younger bands echoing his style in a "truer, less imitative way".^[69] Following the release of The Downward Spiral, mainstream artists began to take notice of Nine Inch Nails' influence: David Bowie compared NIN's impact to that of The Velvet Underground.^[70] In 1997, Reznor appeared in Time magazine's list of the year's most influential people, and Spin magazine described him as "the most vital artist in music."^[4] Bob Ezrin, producer for Pink Floyd, Kiss, Alice Cooper, and Peter Gabriel, described Reznor in 2007 as a "true visionary" and advised aspiring artists to take note of his no-compromise attitude.^[71] During a rare appearance at the Kerrang! Awards in London that year, Reznor accepted the Kerrang! Icon, honoring Nine Inch Nails' long-standing influence on rock music.^[72] Steven Wilson of progressive rock band Porcupine Tree has stated that he much admires Reznor's production work, in particular The Fragile. Timbaland, one of pop music's most successful producers in recent years, has cited Reznor as his favorite studio producer.^[73]

Personal life[link]

During the five years following the release of The Downward Spiral (1994), Reznor struggled with depression, social anxiety disorder, and the death of his grandmother, who raised him. During this period of intense grief, Reznor began abusing alcohol and other drugs. He eventually became addicted to alcohol and cocaine.^[74] Five years elapsed before Nine Inch Nails' next album, The Fragile, a double CD that debuted in September 1999 at number one on the Billboard 200, selling 228,000 copies in its first week and receiving favorable reviews.^[75]

In 2001, Reznor successfully completed rehab, and eventually moved from New Orleans to Los Angeles. In a 2005 interview with Kerrang!, Reznor reflected on his self-destructive past: "There was a persona that had run its course. I needed to get my priorities straight, my head screwed on. Instead of always working, I took a couple of years off, just to figure out who I was and working out if I wanted to keep doing this or not. I had become a terrible addict; I needed to get my shit together, figure out what had happened".^[22] In contrast with his former suicidal tendencies, Reznor also admitted in another interview that he is "pretty happy".^[76] Nine Inch Nails' next full-length album, With Teeth (2005), reached number one on Billboard 200.^[77][78]

Reznor married Mariqueen Maandig in October 2009.^[79] Their son, Lazarus Echo, was born in October 2010^[80] and they are currently expecting another child.^[81]

Discography[link]

References[link]

External links[link]

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• Official website