New Idea is a long-running Australian weekly magazine published by Pacific Magazines and aimed at women.

History[link]

The magazine was first published in 1902 by Fitchett Bros. Southdown Magazines (later renamed Pacific Magazines) purchased Fitchett Bros. after World War II.

Circulation[link]

In June 2006, the magazine was ranked 3rd in Australia in circulation, with an audited circulation of 433,176; it ranked ahead of Reader's Digest.^[1] The magazine's readership in 2004 was in excess of 2 million ^[2] and had increased to 2.364 million in 2005/6;^[3] that is the magazine is read by more than 10% of Australia's population.

Prince Harry controversy[link]

In January 2008 it revealed details that UK Prince Harry was with the British army serving in Afghanistan, in breach of an agreement with the major news organisations.^[4] It ran updates on the story on two further occasions. When the United States Drudge Report ran the story on 28 February 2008, the prince was forced to abandon his posting and return to the UK. After the story broke much more widely, New Idea pulled the story from its web site and made itself unavailable for comment to other members of the press.^[5][6]

In March 2008 New Idea issued an apology for publishing the story about Prince Harry. "We regret this serious lapse of judgment. We sincerely apologise to all our readers, to the servicemen whose lives are at constant risk while serving at home and abroad and to their families and loved ones."

Personnel[link]

Editor-in-Chief from 2005-2008 was Robyn Foyster, succeeded in 2008 by Mirella Cestaro.

See also[link]

• Health promotion
• List of women's magazines
• List of men's magazines

References[link]

1. ^ "Top 100 Magazine Circulation". Magazine Publishers of Australia. 2006. http://www.magazines.org.au/files/Top100CircJanJune06.pdf. 
2. ^ "2004 Annual Report". Seven Network Limited. p. 17. http://www.sevencorporate.com.au/_uploads/documents/2004%20Annual%20Report.pdf. 
3. ^ "Top 100 Readership". Magazine Publishers of Australia. 2006. http://www.magazines.org.au/files/June%2005%20-%20July%2006%20Top%20100%20Readership.pdf. 
4. ^ "Biography". Yahoo Lifestyles, New Idea. http://google.com/search?q=cache:VTKXn7tp_2oJ:au.lifestyle.yahoo.com/b/new-idea/8771/prince-harry-goes-to-war-in-afghanistan/+%22prince+harry%22+site:lifestyle.yahoo.com&hl=en&ct=clnk&cd=3&gl=us. 
5. ^ "New Idea pleads ignorance on Harry embargo". ABC Australia News. http://www.abc.net.au/news/stories/2008/02/29/2176274.htm. Retrieved 2008-03-01. 
6. ^ "Prince Harry takes on the Taliban". Sydney Morning Herald. 2008-02-29. http://www.smh.com.au/news/world/prince-harry-takes-on-the-taliban/2008/02/29/1204226924767.html. 

External links[link]

• New Idea
• New Idea (New Zealand)

This women's magazine-related article is a stub. You can help Wikipedia by expanding it. v t e

Look up new in Wiktionary, the free dictionary.

New is an adjective referring to something recently made, discovered, or created.

New or NEW may refer to:

Film and music[link]

• New (film), a 2004 Tamil movie
• "New" (song), a song by No Doubt from Return of Saturn
• New, an EP from Australian alternative rock band Regurgitator

Acronyms[link]

• Network of enlightened Women, a conservative university women's organization
• Net economic welfare, a proposed macroeconomic indicator
• Net explosive weight, also known as net explosive quantity

Identification codes[link]

• Nepal Bhasa language ISO 639 language code
• New Century Financial Corporation (NYSE stock abbreviation)
• New Orleans Lakefront Airport (IATA airport code: NEW)
• Newcraighall railway station (National Rail station code: NEW), in Scotland

Other uses[link]

• New (surname), an English family name
• new (C++), a built-in operator in the C++ programming language
• NEW (TV station), the callsign of Network Ten's station in Perth, Western Australia
• New River (disambiguation), various rivers

See also[link]

• GNU (disambiguation)
• Neo (disambiguation)
• News (disambiguation)
• Nu (disambiguation)
• All pages beginning with "New"

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Plato, one of the first philosophers to discuss ideas in detail.

An idea is a concept or mental impression. ^[1] Very often, ideas are construed as representational images; i.e. images of some object. In other contexts, ideas are taken to be concepts, although abstract concepts do not necessarily appear as images.^[2] Many philosophers consider ideas to be a fundamental ontological category of being. The capacity to create and understand the meaning of ideas is considered to be an essential and defining feature of human beings. In a popular sense, an idea arises in a reflex, spontaneous manner, even without thinking or serious reflection, for example, when we talk about the idea of a person or a place.

Innate and adventitious ideas[link]

One view on the nature of ideas is that there exist some ideas (called innate ideas) which are so general and abstract, that they could not have arisen as a representation of any object of our perception, but rather were, in some sense, always in the mind before we could learn them. These are distinguished from adventitious ideas which are images or concepts which are accompanied by the judgment that they are caused by some object outside of the mind.^[2]

Another view holds that we only discover ideas in the same way that we discover the real world, from personal experiences. The view that humans acquire all or almost all their behavioral traits from nurture (life experiences) is known as tabula rasa ("blank slate"). Most of the confusions in the way of ideas arise at least in part from the use of the term "idea" to cover both the representation percept and the object of conceptual thought. This can be illustrated in terms of the doctrines of innate ideas, "concrete ideas versus abstract ideas", as well as "simple ideas versus complex ideas".^[3]

Philosophy[link]

Plato[link]

Plato was one of the earliest philosophers to provide a detailed discussion of ideas. He considered the concept of idea in the realm of metaphysics and its implications for epistemology. He asserted that there is a realm of Forms or Ideas, which exist independently of anyone who may have thought of these ideas. Material things are then imperfect and transient reflections or instantiations of the perfect and unchanging ideas. From this it follows that these Ideas are the principal reality (see also idealism). In contrast to the individual objects of sense experience, which undergo constant change and flux, Plato held that ideas are perfect, eternal, and immutable. Consequently, Plato considered that knowledge of material things is not really knowledge; real knowledge can only be had of unchanging ideas.

René Descartes[link]

Descartes often wrote of the meaning of idea as an image or representation, often but not necessarily "in the mind", which was well known in the vernacular. Despite that Descartes is usually credited with the invention of the non-Platonic use of the term, he at first followed this vernacular use.^b In his Meditations on First Philosophy he says, "Some of my thoughts are like images of things, and it is to these alone that the name 'idea' properly belongs." He sometimes maintained that ideas were innate^[4] and uses of the term idea diverge from the original primary scholastic use. He provides multiple non-equivalent definitions of the term, uses it to refer to as many as six distinct kinds of entities, and divides ideas inconsistently into various genetic categories. [1] For him knowledge took the form of ideas and philosophical investigation is the deep consideration of these entities. Many times however his thoughts of knowledge and ideas were like those of Plotinus and the Neoplatonists. In Neoplatonism, the Intelligence (Nous) is the true first principle—the determinate, referential "foundation" (arkhe)—of all existents; for it is not a self-sufficient entity like the One, but rather possesses the ability or capacity to contemplate both the One, as its prior, as well as its own thoughts, which Plotinus identifies with the Platonic Ideas or Forms (eide)[2]. A non-philosophical definition of Nous is good sense (a.k.a. "common sense"). Descartes is quoted as saying, "Of all things, good sense is the most fairly distributed: everyone thinks he is so well supplied with it that even those who are the hardest to satisfy in every other respect never desire more of it than they already have."q:René Descartes

John Locke[link]

In striking contrast to Plato's use of idea^[5] is that of John Locke. In his Introduction to An Essay Concerning Human Understanding, Locke defines idea as "that term which, I think, serves best to stand for whatsoever is the object of the understanding when a man thinks, I have used it to express whatever is meant by phantasm, notion, species, or whatever it is which the mind can be employed about in thinking; and I could not avoid frequently using it." He said he regarded the book necessary to examine our own abilities and see what objects our understandings were, or were not, fitted to deal with. In his philosophy other outstanding figures followed in his footsteps—Hume and Kant in the 18th century, Arthur Schopenhauer in the 19th century, and Bertrand Russell, Ludwig Wittgenstein, and Karl Popper in the 20th century. Locke always believed in good sense—not pushing things to extremes and on taking fully into account the plain facts of the matter. He considered his common sense ideas "good-tempered, moderate, and down-to-earth."^c

David Hume[link]

Hume differs from Locke by limiting idea to the more or less vague mental reconstructions of perceptions, the perceptual process being described as an "impression."^[6] Hume shared with Locke the basic empiricist premise that it is only from life experiences (whether their own or others') that humans' knowledge of the existence of anything outside of themselves can be ultimately derived, that they shall carry on doing what they are prompted to do by their emotional drives of varying kinds. In choosing the means to those ends, they shall follow their accustomed associations of ideas.^d Hume has contended and defended the notion that "reason alone is merely the 'slave of the passions'."^[7][8]

Immanuel Kant[link]

"Modern Book Printing" from the Walk of Ideas

Immanuel Kant defines an idea as opposed to a concept. "Regulator ideas" are ideals that one must tend towards, but by definition may not be completely realized. Liberty, according to Kant, is an idea. The autonomy of the rational and universal subject is opposed to the determinism of the empirical subject.^[9] Kant felt that it is precisely in knowing its limits that philosophy exists. The business of philosophy he thought was not to give rules, but to analyze the private judgements of good common sense.^e

Rudolf Steiner[link]

Whereas Kant declares limits to knowledge ("we can never know the thing in itself"), in his epistemological work, Rudolf Steiner sees ideas as "objects of experience" which the mind apprehends, much as the eye apprehends light. In Goethean Science (1883), he declares, "Thinking ... is no more and no less an organ of perception than the eye or ear. Just as the eye perceives colors and the ear sounds, so thinking perceives ideas." He holds this to be the premise upon which Goethe made his natural-scientific observations.

Wilhelm Wundt[link]

Wundt widens the term from Kant's usage to include conscious representation of some object or process of the external world. In so doing, he includes not only ideas of memory and imagination, but also perceptual processes, whereas other psychologists confine the term to the first two groups. One of Wundt's main concerns was to investigate conscious processes in their own context by experiment and introspection. He regarded both of these as exact methods, interrelated in that experimentation created optimal conditions for introspection. Where the experimental method failed, he turned to other objectively valuable aids, specifically to those products of cultural communal life which lead one to infer particular mental motives. Outstanding among these are speech, myth, and social custom. Wundt designed the basic mental activity apperception—a unifying function which should be understood as an activity of the will. Many aspects of his empirical physiological psychology are used today. One is his principles of mutually enhanced contrasts and of assimilation and dissimilation (i.e. in color and form perception and his advocacy of objective methods of expression and of recording results, especially in language. Another is the principle of heterogony of ends—that multiply motivated acts lead to unintended side effects which in turn become motives for new actions.^[10]

Charles Sanders Peirce[link]

C.S. Peirce published the first full statement of pragmatism in his important works "How to Make Our Ideas Clear" (1878) and "The Fixation of Belief" (1877).^[11] In "How to Make Our Ideas Clear" he proposed that a clear idea (in his study he uses concept and idea as synonymic) is defined as one, when it is apprehended such as it will be recognized wherever it is met, and no other will be mistaken for it. If it fails of this clearness, it is said to be obscure. He argued that to understand an idea clearly we should ask ourselves what difference its application would make to our evaluation of a proposed solution to the problem at hand. Pragmatism (a term he appropriated for use in this context), he defended, was a method for ascertaining the meaning of terms (as a theory of meaning). The originality of his ideas is in their rejection of what was accepted as a view and understanding of knowledge by scientists for some 250 years, i.e. that, he pointed, knowledge was an impersonal fact. Peirce contended that we acquire knowledge as participants, not as spectators. He felt "the real" is which, sooner or later, information acquired through ideas and knowledge with the application of logical reasoning would finally result in. He also published many papers on logic in relation to ideas.

G.F. Stout and J.M. Baldwin[link]

G.F. Stout and J.M. Baldwin, in the Dictionary of Philosophy and Psychology [3], define idea as "the reproduction with a more or less adequate image, of an object not actually present to the senses." They point out that an idea and a perception are by various authorities contrasted in various ways. "Difference in degree of intensity", "comparative absence of bodily movement on the part of the subject", "comparative dependence on mental activity", are suggested by psychologists as characteristic of an idea as compared with a perception.

It should be observed that an idea, in the narrower and generally accepted sense of a mental reproduction, is frequently composite. That is, as in the example given above of the idea of chair, a great many objects, differing materially in detail, all call a single idea. When a man, for example, has obtained an idea of chairs in general by comparison with which he can say "This is a chair, that is a stool", he has what is known as an "abstract idea" distinct from the reproduction in his mind of any particular chair (see abstraction). Furthermore a complex idea may not have any corresponding physical object, though its particular constituent elements may severally be the reproductions of actual perceptions. Thus the idea of a centaur is a complex mental picture composed of the ideas of man and horse, that of a mermaid of a woman and a fish.

In anthropology and the social sciences[link]

Diffusion studies explore the spread of ideas from culture to culture. Some anthropological theories hold that all cultures imitate ideas from one or a few original cultures, the Adam of the Bible or several cultural circles that overlap. Evolutionary diffusion theory holds that cultures are influenced by one another, but that similar ideas can be developed in isolation.

In mid-20th century, social scientists began to study how and why ideas spread from one person or culture to another. Everett Rogers pioneered diffusion of innovations studies, using research to prove factors in adoption and profiles of adopters of ideas. In 1976, in his book The Selfish Gene, Richard Dawkins suggested applying biological evolutionary theories to the spread of ideas. He coined the term meme to dibe an abstract unit of selection, equivalent to the gene in evolutionary biology.

Semantics[link]

Dr. Samuel Johnson[link]

James Boswell recorded Dr.Samuel Johnson's opinion about ideas. Johnson claimed that they are mental images or internal visual pictures. As such, they have no relation to words or the concepts which are designated by verbal names.

He was particularly indignant against the almost universal use of the word idea in the sense of notion or opinion, when it is clear that idea can only signify something of which an image can be formed in the mind. We may have an idea or image of a mountain, a tree, a building; but we cannot surely have an idea or image of an argument or proposition. Yet we hear the sages of the law 'delivering their ideas upon the question under consideration;' and the first speakers in parliament 'entirely coinciding in the idea which has been ably stated by an honourable member;' — or 'reprobating an idea unconstitutional, and fraught with the most dangerous consequences to a great and free country.' Johnson called this 'modern cant.'

— Boswell's Life of Johnson, Tuesday, 23 September 1777

Relationship of ideas to modern legal time- and scope-limited monopolies[link]

Relationship between ideas and patents[link]

On Susceptibility to Exclusive Property[link]

Thomas Jefferson, letter to Isaac McPherson, 13 August 1813

It has been pretended by some, (and in England especially,) that inventors have a natural and exclusive right to their inventions, and not merely for their own lives, but inheritable to their heirs. But while it is a moot question whether the origin of any kind of property is derived from nature at all, it would be singular to admit a natural and even an hereditary right to inventors. It is agreed by those who have seriously considered the subject, that no individual has, of natural right, a separate property in an acre of land, for instance.

By a universal law, indeed, whatever, whether fixed or movable, belongs to all men equally and in common, is the property for the moment of him who occupies it, but when he relinquishes the occupation, the property goes with it. Stable ownership is the gift of social law, and is given late in the progress of society. It would be curious then, if an idea, the fugitive fermentation of an individual brain, could, of natural right, be claimed in exclusive and stable property.

If nature has made any one thing less susceptible than all others of exclusive property, it is the action of the thinking power called an idea, which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of every one, and the receiver cannot dispossess himself of it. Its peculiar character, too, is that no one possesses the less, because every other possesses the whole of it. He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.

That ideas should freely spread from one to another over the globe, for the moral and mutual instruction of man, and improvement of his condition, seems to have been peculiarly and benevolently designed by nature, when she made them, like fire, expansible over all space, without lessening their density in any point, and like the air in which we breathe, move, and have our physical being, incapable of confinement or exclusive appropriation. Inventions then cannot, in nature, be a subject of property.

Society may give an exclusive right to the profits arising from them, as an encouragement to men to pursue ideas which may produce utility, but this may or may not be done, according to the will and convenience of the society, without claim or complaint from anybody. Accordingly, it is a fact, as far as I am informed, that England was, until we copied her, the only country on earth which ever, by a general law, gave a legal right to the exclusive use of an idea. In some other countries it is sometimes done, in a great case, and by a special and personal act, but, generally speaking, other nations have thought that these monopolies produce more embarrassment than advantage to society; and it may be observed that the nations which refuse monopolies of invention, are as fruitful as England in new and useful devices.

To protect the cause of invention and innovation, the legal constructions of Copyrights and Patents was established. Patent law regulates various aspects related to the functional manifestation of inventions based on new ideas or incremental improvements to existing ones. Thus, patents have a direct relationship to ideas.

Relationship between ideas and copyrights[link]

A picture of a lightbulb is often used to represent a person having a bright idea

In some cases, authors can be granted limited legal monopolies on the manner in which certain works are expressed. This is known colloquially as copyright, although the term intellectual property is used mistakenly in place of copyright. Copyright law regulating the aforementioned monopolies generally does not cover the actual ideas. The law does not bestow the legal status of property upon ideas per se. Instead, laws purport to regulate events related to the usage, copying, production, sale and other forms of exploitation of the fundamental expression of a work, that may or may not carry ideas. Copyright law is fundamentally different to patent law in this respect: patents do grant monopolies on ideas (more on this below).

A copyright is meant to regulate some aspects of the usage of expressions of a work, not an idea. Thus, copyrights have a negative relationship to ideas.

Work means a tangible medium of expression. It may be an original or derivative work of art, be it literary, dramatic, musical recitation, artistic, related to sound recording, etc. In (at least) countries adhering to the Berne Convention, copyright automatically starts covering the work upon the original creation and fixation thereof, without any extra steps. While creation usually involves an idea, the idea in itself does not suffice for the purposes of claiming copyright.

Relationship of ideas to confidentiality agreements[link]

Confidentiality and nondisclosure agreements are legal instruments that assist corporations and individuals in keeping ideas from escaping to the general public. Generally, these instruments are covered by contract law.

See also[link]

	Thinking portal
	Philosophy portal
	Religion portal

Look up idea in Wiktionary, the free dictionary.

Wikiquote has a collection of quotations related to: ideas

• Idealism
• Brainstorming
• Creativity techniques
• Diffusion of innovations
• Form
• Ideology
• List of perception-related topics
• Notion (philosophy)
• Object of the mind
• Think tank
• Thought experiment

Publications[link]

• Paul Natorp, Platons Ideenlehre (Leipzig 1930)
• W.D. Ross, Plato's Theory of Ideas (Oxford 1951)
• M.H. Carre, Realists and Nominalists (Oxford 1946)
• Lawrence Lessig, The Future of Ideas (New York 2001)
• J.W. Yolton, John Lock and the Way of Ideas (Oxford 1956)
• Eugenio Garin, La Theorie de I'idee suivant I'ecole thomiste (Paris 1932)
• Peter Watson, Ideas: A History from Fire to Freud, Weidenfeld & Nicolson (London 2005).
• A.G. Balz, Idea and Essence in the Philosophy of Hobbes and Spinoza (New York 1918)
• William Rose Benet, The Reader's Encyclopedia 1965, Library of Congress Card No. 65-12510
• Melchert, Norman (2002). The Great Conversation: A Historical Introduction to Philosophy. McGraw Hill. ISBN 0-19-517510-7. 

Notes[link]

References[link]

• The Encyclopedia of Philosophy, MacMillian Publishing Company, New York, 1973 ISBN 0-02-894950-1 ISBN 978-0-02-894950-5
• Dictionary of the History of Ideas Charles Scribner's Sons, New York 1973-74, Library of Congress Catalog Card Number 72-7943 ISBN 684-16425-6

- Nous

¹ Volume IV 1a, 3a

² Volume IV 4a, 5a

³ Volume IV 32 - 37

Ideas

Ideology

Authority

Education

Liberalism

Idea of God

Pragmatism

Chain of Being

• The Story of Thought, DK Publishing, Bryan Magee, London, 1998, ISBN 0-7894-4455-0

aka The Story of Philosophy, Dorling Kindersley Publishing, 2001, ISBN 0-7894-7994-X

(subtitled on cover: The Essential Guide to the History of Western Philosophy)

^a Plato, pages 11 - 17, 24 - 31, 42, 50, 59, 77, 142, 144, 150

^b Descartes, pages 78, 84 - 89, 91, 95, 102, 136 - 137, 190, 191

^c Locke, pages 59 - 61, 102 - 109, 122 - 124, 142, 185

^d Hume, pages 61, 103, 112 - 117, 142 - 143, 155, 185

^e Kant, pages 9, 38, 57, 87, 103, 119, 131 - 137, 149, 182

^f Peirce, pages 61, How to Make Our Ideas Clear 186 - 187 and 189

^g Saint Augustine, pages 30, 144; City of God 51, 52, 53 and The Confessions 50, 51, 52

- additional in the Dictionary of the History of Ideas for Saint Augustine and Neo-Platonism

^h Stoics, pages 22, 40, 44; The governing philosophy of the Roman Empire on pages 46 - 47.

- additional in Dictionary of the History of Ideas for Stoics, also here, and here, and here.

• The Reader's Encyclopedia, 2nd Edition 1965, Thomas Y. Crowell Company, Library of Congress No. 65-12510

An Encyclopedia of World Literature

^¹apage 774 Plato (c.427-348 BC)

^²apage 779 Francesco Petrarca

^³apage 770 Charles Sanders Peirce

^¹bpage 849 the Renaissance

• This article incorporates text from the old Catholic Encyclopedia of 1914, a publication now in the public domain.
• This article incorporates text from the Schaff-Herzog Encyclopedia of Religious Knowledge, a publication now in the public domain.
•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

Freddie Mercury
Mercury performing in New Haven, Connecticut, in 1978 with Queen
Background information
Birth name	Farrokh Bulsara
Born	(1946-09-05)5 September 1946 Stone Town, Zanzibar
Origin	London, England, UK[1]
Died	24 November 1991(1991-11-24) (aged 45) Kensington, London, England, United Kingdom
Genres	Rock, hard rock, glam rock
Occupations	Musician, singer-songwriter, record producer
Instruments	Multi-instrumentalist Vocals, piano, keyboards, guitar
Years active	1969–1991
Labels	Columbia, Polydor, EMI, Parlophone, Hollywood Records
Associated acts	Queen, Wreckage/Ibex, Montserrat Caballé Freddie Mercury's Signature

Freddie Mercury (born Farrokh Bulsara (Gujarati: ફારોખ બલ્સારા‌), 5 September 1946 – 24 November 1991)^[2][3] was a British musician, singer and songwriter, best known as the lead vocalist and lyricist of the rock band Queen. As a performer, he was known for his flamboyant stage persona and powerful vocals over a four-octave range.^[4][5][6] As a songwriter, Mercury composed many hits for Queen, including "Bohemian Rhapsody", "Killer Queen", "Somebody to Love", "Don't Stop Me Now", "Crazy Little Thing Called Love" and "We Are the Champions". In addition to his work with Queen, he led a solo career, and also occasionally served as a producer and guest musician (piano or vocals) for other artists. He died of bronchopneumonia brought on by AIDS on 24 November 1991, only one day after publicly acknowledging he had the disease.

Mercury was a Parsi born in Zanzibar and grew up there and in India until his mid-teens. He has been referred to as "Britain's first Asian rock star".^[7] In 2002, Mercury was placed at number 58 in the BBC's poll of the 100 Greatest Britons, in 2006, Time Asia named him one of the most influential Asian heroes of the past 60 years,^[8] and he continues to be voted one of the greatest singers in the history of popular music. In 2005, a poll organised by Blender and MTV2 saw Mercury voted the greatest male singer of all time.^[9] In 2008, Rolling Stone editors ranked him number 18 on their list of the 100 greatest singers of all time.^[6] In 2009, a Classic Rock poll saw him voted the greatest rock singer of all time.^[10] Allmusic has characterised Mercury as "one of rock's greatest all-time entertainers", who possessed "one of the greatest voices in all of music".^[11]

Early life[link]

Mercury was born in the British protectorate of Zanzibar, East Africa (now part of Tanzania). His parents, Bomi and Jer Bulsara,^[a] were Parsis from the Gujarat region of the then province of Bombay Presidency in British India.^[12][b] The family surname is derived from the town of Bulsar (also known as Valsad) in southern Gujarat. As Parsis, Mercury and his family practised the Zoroastrian religion.^[13] The Bulsara family had moved to Zanzibar so that his father could continue his job as a cashier at the British Colonial Office. He had a younger sister, Kashmira.^[14]

The house in Zanzibar where Mercury lived in his early years

Mercury spent the bulk of his childhood in India and began taking piano lessons at the age of seven.^[15] In 1954, at the age of eight, Mercury was sent to study at St. Peter's School, a British-style boarding school for boys in Panchgani near Bombay (now Mumbai), India.^[16] One of his formative musical influences at the time was Bollywood singer Lata Mangeshkar.^[17] Aged 12, he formed a school band, The Hectics, and covered rock and roll artists such as Cliff Richard and Little Richard.^[18] A friend from the time recalls that he had "an uncanny ability to listen to the radio and replay what he heard on piano".^[19] It was also at St. Peter's where he began to call himself "Freddie". Mercury remained in India, living with his grandmother and aunt until he completed his education at St. Mary's School, Bombay.^[20]

At the age of 17, Mercury and his family fled from Zanzibar for safety reasons due to the 1964 Zanzibar Revolution,^[7] in which thousands of Arabs and Indians were killed.^[21] The family moved into a small house in Feltham, Middlesex, England. Mercury enrolled at Isleworth Polytechnic (now West Thames College) in West London where he studied art. He ultimately earned a Diploma in Art and Graphic Design at Ealing Art College, later using these skills to design the Queen crest. Mercury remained a British citizen for the rest of his life.

Following graduation, Mercury joined a series of bands and sold second-hand clothes in the Kensington Market in London. He also held a job at Heathrow Airport. Friends from the time remember him as a quiet and shy young man who showed a great deal of interest in music.^[22] In 1969 he joined the band Ibex, later renamed Wreckage. When this band failed to take off, he joined a second band called Sour Milk Sea. However, by early 1970 this group broke up as well.^[23]

In April 1970, Mercury joined guitarist Brian May and drummer Roger Taylor who had previously been in a band called Smile. Despite reservations from the other members, Mercury chose the name "Queen" for the new band. He later said about the band's name, "I was certainly aware of the gay connotations, but that was just one facet of it".^[1] At about the same time, he changed his surname, Bulsara, to Mercury.^[24]

Career[link]

Singer[link]

Freddie Mercury in 1978

Freddie Mercury's vocal range

Although Mercury's speaking voice naturally fell in the baritone range, he delivered most songs in the tenor range.^[25] His vocal range extended from an F (F2) to an F (F6).^[26] He could belt up to a high F (F5).^[26] Biographer David Bret described his voice as "escalating within a few bars from a deep, throaty rock-growl to tender, vibrant tenor, then on to a high-pitched, perfect coloratura, pure and crystalline in the upper reaches".^[27] Spanish soprano Montserrat Caballé, with whom Mercury recorded an album, expressed her opinion that "the difference between Freddie and almost all the other rock stars was that he was selling the voice".^[28] She adds, "His technique was astonishing. No problem of tempo, he sung with an incisive sense of rhythm, his vocal placement was very good and he was able to glide effortlessly from a register to another. He also had a great musicality. His phrasing was subtle, delicate and sweet or energetic and slamming. He was able to find the right colouring or expressive nuance for each word."^[26] As Queen's career progressed, he would increasingly alter the highest notes of their songs when live, often harmonising with seconds, thirds or fifths instead. Mercury was said to have "the rawest vocal fold nodules" and claimed never to have had any formal vocal training.^[29]

Songwriter[link]

Mercury wrote 10 of the 17 songs on Queen's Greatest Hits album: "Bohemian Rhapsody", "Seven Seas of Rhye", "Killer Queen", "Somebody to Love", "Good Old-Fashioned Lover Boy", "We Are the Champions", "Bicycle Race", "Don't Stop Me Now", "Crazy Little Thing Called Love" and "Play the Game".^[30]

The most notable aspect of his songwriting involved the wide range of genres that he used, which included, among other styles, rockabilly, progressive rock, heavy metal, gospel and disco. As he explained in a 1986 interview, "I hate doing the same thing again and again and again. I like to see what's happening now in music, film and theatre and incorporate all of those things."^[31] Compared to many popular songwriters, Mercury also tended to write musically complex material. For example, "Bohemian Rhapsody" is acyclic in structure and comprises dozens of chords.^[32][33] He also wrote six songs from Queen II which deal with multiple key changes and complex material. "Crazy Little Thing Called Love", on the other hand, contains only a few chords. Despite the fact that Mercury often wrote very intricate harmonies, he also claimed that he could barely read music.^[34] He wrote most of his songs on the piano and used a wide variety of different key signatures.^[32]

Live performer[link]

Mercury, performing live in 1979, with his bottomless microphone stand

Mercury performing live in 1984

Mercury was noted for his live performances, which were often delivered to stadium audiences around the world. He displayed a highly theatrical style that often evoked a great deal of participation from the crowd. A writer for The Spectator described him as "a performer out to tease, shock and ultimately charm his audience with various extravagant versions of himself".^[35] David Bowie, who performed at the Freddie Mercury Tribute Concert and recorded the song "Under Pressure" with Queen, praised Mercury's performance style, saying: "Of all the more theatrical rock performers, Freddie took it further than the rest... he took it over the edge. And of course, I always admired a man who wears tights. I only saw him in concert once and as they say, he was definitely a man who could hold an audience in the palm of his hand."^[36] Queen guitarist Brian May wrote that Mercury could make "the last person at the back of the furthest stand in a stadium feel that he was connected."^[37]

One of Mercury's most notable performances with Queen took place at Live Aid in 1985, during which the entire stadium audience of 72,000 people clapped, sang and swayed in unison. Queen's performance at the event has since been voted by a group of music executives as the greatest live performance in the history of rock music. The results were aired on a television program called "The World's Greatest Gigs".^[38][39] In reviewing Live Aid in 2005, one critic wrote, "Those who compile lists of Great Rock Frontmen and award the top spots to Mick Jagger, Robert Plant, etc all are guilty of a terrible oversight. Freddie, as evidenced by his Dionysian Live Aid performance, was easily the most godlike of them all."^[40]

Over the course of his career, Mercury performed an estimated 700 concerts in countries around the world with Queen. A notable aspect of Queen concerts was the large scale involved.^[31] He once explained, "We're the Cecil B. DeMille of rock and roll, always wanting to do things bigger and better."^[31] The band was the first ever to play in South American stadiums, breaking worldwide records for concert attendance in the Morumbi Stadium in São Paulo in 1981.^[41] In 1986, Queen also played behind the Iron Curtain when they performed to a crowd of 80,000 in Budapest, in what was one of the biggest rock concerts ever held in Eastern Europe.^[42] Mercury's final live performance with Queen took place on 9 August 1986 at Knebworth Park in England and drew an attendance estimated as high as 300,000.^[43]

Instrumentalist[link]

Freddie Mercury playing guitar during a live concert with Queen in Frankfurt, Germany, 1984.

As a young boy in India, Mercury received formal piano training up to the age of nine. Later on, while living in London, he learned guitar. Much of the music he liked was guitar-oriented: his favourite artists at the time were The Who, The Beatles, Jimi Hendrix, David Bowie, and Led Zeppelin. He was often self-deprecating about his own skills on both instruments and from the early 1980s onward began extensively using guest keyboardists for both Queen and his solo career. Most notably, he enlisted Fred Mandel (a Canadian musician who also worked for Pink Floyd, Elton John and Supertramp) for his first solo project, and from 1985 onward collaborated with Mike Moran (in the studio) and Spike Edney (in concert), leaving most of the keyboard work exclusively to them.

Mercury played the piano in many of Queen's most popular songs, including "Killer Queen", "Bohemian Rhapsody", "Good Old Fashioned Lover Boy", "We Are the Champions", "Somebody To Love" and "Don't Stop Me Now". He used concert grand pianos and, occasionally, other keyboard instruments such as the harpsichord. From 1980 onward, he also made frequent use of synthesisers in the studio. Queen guitarist Brian May claims that Mercury was unimpressed with his own abilities at the piano and used the instrument less over time because he wanted to walk around onstage and entertain the audience.^[44] Although he wrote many lines for the guitar, Mercury possessed only rudimentary skills on the instrument. Songs like "Ogre Battle" and "Crazy Little Thing Called Love" were composed on the guitar; the latter featured Mercury playing acoustic guitar both on stage and in the studio.^[45]

Solo career[link]

In addition to his work with Queen, Mercury put out two solo albums and several singles. Although his solo work was not as commercially successful as most Queen albums, the two off-Queen albums and several of the singles debuted in the top 10 of the UK Album Charts. His first solo effort involved his contribution to the Richard "Wolfie" Wolf mix of Love Kills on the 1984 album (the song also used as the end title theme for National Lampoon's "Loaded Weapon") and new soundtrack to the 1926 Fritz Lang film Metropolis. The song, produced by Giorgio Moroder, debuted at the number 10 position in the UK charts.^[46]

Mercury's two full albums outside the band were Mr. Bad Guy (1985) and Barcelona (1988). The former is a pop-oriented album that emphasises disco and dance music. "Barcelona" was recorded and performed with the opera singer Montserrat Caballé, whom he had long admired. Mr. Bad Guy debuted in the top ten of the UK Album Charts.^[46] In 1993, a remix of "Living on My Own", a single from the album, reached the No.1 position on the UK Singles Charts.^[47] The song also garnered Mercury a posthumous Ivor Novello Award. Allmusic critic Eduardo Rivadavia describes Mr. Bad Guy as "outstanding from start to finish" and expressed his view that Mercury "did a commendable job of stretching into uncharted territory".^[48] In particular, the album is heavily synthesiser-driven in a way that is not characteristic of previous Queen albums.

Barcelona, recorded with Spanish soprano Montserrat Caballé, combines elements of popular music and opera. Many critics were uncertain what to make of the album; one referred to it as "the most bizarre CD of the year".^[49] The album was a commercial success,^[50] and the album's title track debuted at the No.8 position in the UK charts and was a hit in Spain.^[51] The title track received massive air play as the official hymn of the 1992 Summer Olympics (held in Barcelona one year after Mercury's death). Caballé sang it live at the opening of the Olympics with Mercury's part played on a screen, and again prior to the start of the 1999 UEFA Champions League Final in Barcelona.^[52]

In addition to the two solo albums, Mercury released several singles, including his own version of the hit The Great Pretender by The Platters, which debuted at number five in the UK in 1987.^[46] In September 2006, a compilation album featuring Mercury's solo work was released in the UK in honour of what would have been his 60th birthday. The album debuted in the top 10 of the UK Album Charts.^[53]

In 1981–1983, Mercury recorded several tracks with Michael Jackson, including a demo of "State of Shock", "Victory" and "There Must Be More to Life Than This".^[54] None of these collaborations were officially released, although bootleg recordings exist. Jackson went on to record the single "State of Shock" with Mick Jagger for The Jacksons's album Victory.^[55] Mercury included the solo version of "There Must Be More To Life Than This" on his Mr. Bad Guy album.^[56] In November 2011, Brian May announced that a series of duets that Mercury recorded with Jackson are to be released in 2012.^[57][58]

Personal life[link]

Queen in New Haven, Connecticut, US in November 1978.

Relationships[link]

In the early 1970s Mercury had a long-term relationship with Mary Austin, whom he had met through guitarist Brian May. He lived with Austin for several years in West Kensington. By the mid-1970s, however, the singer had begun an affair with a male American record executive at Elektra Records, which ultimately resulted in the end of his relationship with Austin.^[59] Mercury and Austin nevertheless remained close friends through the years, with Mercury often referring to her as his only true friend. In a 1985 interview, Mercury said of Austin, "All my lovers asked me why they couldn't replace Mary [Austin], but it's simply impossible. The only friend I've got is Mary and I don't want anybody else. To me, she was my common-law wife. To me, it was a marriage. We believe in each other, that's enough for me."^[60] He also wrote several songs about Austin, the most notable of which is "Love of My Life". In his will, Mercury left his London home to Austin, rather than his then partner Jim Hutton, saying, "You would have been my wife and it would have been yours anyway".^[61] Mercury was also the godfather of Mary's oldest son, Richard.^[44]

During the early to mid 80s, he was romantically involved with Barbara Valentin, an Austrian actress,^[62] who is featured in the video for "It's a Hard Life".^[63] By 1985, he began another long-term relationship with a hairdresser named Jim Hutton. Hutton, who himself was tested HIV-positive in 1990,^[64] lived with Mercury for the last six years of his life, nursed him during his illness, and was present at his bedside when he died. Hutton claimed that Mercury died wearing a wedding band that Hutton had given him.^[64] Hutton died from cancer on 1 January 2010.^[65]

Sexual orientation[link]

Mercury was an acknowledged bisexual.^[18][66][67] While some critics claimed he hid his sexual orientation from the public,^[7][28][68] others claimed he was "openly gay".^[8][69] In December 1974, when asked directly, "So how about being bent?" by the New Musical Express, Mercury replied, "You're a crafty cow. Let's put it this way; there were times when I was young and green. It's a thing schoolboys go through. I've had my share of schoolboy pranks. I'm not going to elaborate further." Homosexuality was legalised in the United Kingdom in 1967, only seven years earlier. In the 1980s, he would often distance himself from his partner, Jim Hutton, during public events.^[64]

In 1992, John Marshall of Gay Times expressed the following opinion: "[Mercury] was a 'scene-queen', not afraid to publicly express his gayness but unwilling to analyse or justify his 'lifestyle' ... It was as if Freddie Mercury was saying to the world, 'I am what I am. So what?' And that in itself for some was a statement."^[70] A writer for a gay online newspaper felt that audiences may have been overly naïve about the matter: "While in many respects he was overtly queer his whole career ("I am as gay as a daffodil, my dear" being one of his most famous quotes), his sexual orientation seemed to pass over the heads of scrutinising audiences and pundits (both gay and straight) for decades".^[71]

Personality[link]

Although he cultivated a flamboyant stage personality, Mercury was a very shy and retiring man in person, particularly around people he did not know well.^[19][28][72] He also granted very few interviews. Mercury once said of himself: "When I'm performing I'm an extrovert, yet inside I'm a completely different man."^[73] While on stage, Mercury basked in the love from the audience, which was famously noted by Kurt Cobain, in his suicide note, when he wrote of how he both admired and envied Mercury for being able to do so.^[74]

Criticism and controversy[link]

HIV[link]

Mercury did not disclose his HIV status to the public for several years, and it has been suggested that he could have made a contribution to AIDS awareness by speaking earlier about his situation and his fight against the disease.^[75][76]

Other controversies[link]

Queen were widely criticised when they broke a United Nations cultural boycott in 1984 by performing a series of shows at Sun City, an entertainment complex in Bophuthatswana, a homeland of (then) apartheid South Africa. As a result of these shows, Queen was placed on a United Nations list of artists who broke the boycott and was widely criticised in magazines such as the NME.^[40]

A further controversy ensued in August 2006, when an organisation calling itself the Islamic Mobilization and Propagation petitioned the Zanzibar government's culture ministry, demanding that a large-scale celebration of what would have been Mercury's sixtieth birthday be cancelled. The organisation issued several complaints about the planned celebrations, including that Mercury was not a true Zanzibari and that he was gay, which is not in accordance with their interpretation of sharia. The organisation claimed that "associating Mercury with Zanzibar degrades our island as a place of Islam".^[69] The planned celebration was cancelled.

Illness and death[link]

According to his partner Jim Hutton, Mercury was diagnosed with AIDS shortly after Easter of 1987.^[77] Around that time, Mercury claimed in an interview to have tested negative for HIV.^[28] Despite the denials, the British press pursued the rampant rumours over the next few years, fuelled by Mercury's increasingly gaunt appearance, Queen's absence from touring, and reports from former lovers to various tabloid journals – by 1990 the rumours about Mercury's health were rife.^[78] At the 1990 Brit Awards held at the Dominion Theatre, London on 18 February, Mercury made his final public appearance on stage when he joined the rest of Queen to collect the Brit Award for Outstanding Contribution to Music.^[79][80] Towards the end of his life, he was routinely stalked by photographers, while the daily tabloid newspaper The Sun featured a series of articles claiming that he was seriously ill; notably in an article from November 1990 which featured an image of a haggard looking Mercury on the front page accompanied by the headline "It's official – Freddie is seriously ill".^[81]

However, Mercury and his inner circle of colleagues and friends, whom he felt he could trust, continually denied the stories, even after one front page article published on 29 April 1991, which showed Mercury appearing very haggard in what was by then a rare public appearance.^[82] Brian May confirmed in a 1993 interview that Mercury had informed the band of his illness much earlier.^[83] Filmed in May 1991, the music video for "These Are the Days of Our Lives" features a painfully thin Mercury, which are his final scenes in front of the camera.^[84]

After the conclusion of his work with Queen in June 1991, Mercury retired to his home in Kensington. His former partner, Mary Austin, had been a particular comfort in his final years, and in the last few weeks of his life made regular visits to his home to look after him.^[85] Near the end of his life, Mercury was starting to lose his sight, and his deterioration was so overpowering he couldn't get out of bed.^[85] Due to his worsening condition, Mercury decided to hasten his death by refusing to take his medication, and just continued taking pain killers.^[85]

On 22 November 1991, Mercury called Queen's manager Jim Beach over to his Kensington home, to discuss a public statement. The next day, 23 November, the following announcement was made to the international press on behalf of Mercury:^[86]

A little over 24 hours after issuing that statement, Mercury died on the evening of 24 November 1991 at the age of 45, at his home in Kensington.^[66] The official cause of death was bronchial pneumonia resulting from AIDS.^[87] The news of his death had reached newspaper and television crews by the early hours of 25 November.^[88]

On 27 November, Mercury's funeral service was conducted by a Zoroastrian priest. An intensely private man, Mercury's service was for 35 of his close friends and family, with Elton John and the remaining members of Queen among those in attendance.^[89][90] Mercury was cremated at Kensal Green Cemetery, West London, with the whereabouts of his ashes believed to be known only to Mary Austin.^[91]

In his will, Mercury left the vast majority of his wealth, including his home and recording royalties, to Mary Austin, and the remainder to his parents and sister. He further left £500,000 to his chef Joe Fanelli, £500,000 to his personal assistant Peter Freestone, £100,000 to his driver Terry Giddings, and £500,000 to Jim Hutton.^[92] Mary Austin continues to live at Mercury's home, Garden Lodge, Kensington, with her family.^[92] Hutton was involved in a 2000 biography of Mercury, Freddie Mercury, the Untold Story, and also gave an interview for The Times for what would have been Mercury's 60th birthday.^[77]

Legacy[link]

Continued popularity[link]

The extent to which Mercury's death may have enhanced Queen's popularity is not clear. In the United States, where Queen's popularity had lagged in the 1980s, sales of Queen albums went up dramatically in 1992, the year following his death.^[93] In 1992 one American critic noted, "What cynics call the 'dead star' factor had come into play—Queen is in the middle of a major resurgence".^[94] The movie Wayne's World, which featured "Bohemian Rhapsody", also came out in 1992. According to the Recording Industry Association of America, Queen have sold 32.5 million albums in the United States, about half of which have been sold since Mercury's death in 1991.^[95]

Estimates of Queen's total worldwide record sales to date have been set as high as 300 million.^[96] In the UK, Queen have now spent more collective weeks on the UK Album Charts than any other musical act (including The Beatles),^[97] and Queen's Greatest Hits is the highest selling album of all time in the UK.^[98] Two of Mercury's songs, "We Are the Champions" and "Bohemian Rhapsody", have also each been voted as the greatest song of all time in major polls by Sony Ericsson^[99] and Guinness World Records,^[100] respectively. The former poll was an attempt to determine the world's favourite song, while the Guinness poll took place in the UK. In October 2007, the video for "Bohemian Rhapsody" was voted the greatest of all time by readers of Q magazine.^[101] Consistently rated as one of the greatest singers in the history of popular music, Mercury was voted second to Mariah Carey in MTV's 22 Greatest Voices in Music.^[8] Additionally, in January 2009, Mercury was voted second to Robert Plant in a poll of the greatest voices in rock, on the digital radio station Planet Rock.^[102] In May 2009, Classic Rock magazine voted Freddie Mercury as the greatest singer in rock.^[10] In 2011, NME magazine readers voted Mercury second to Michael Jackson in the Greatest Singers Ever poll.^[103] In 2011, a Rolling Stone readers' pick placed Mercury in second place of the magazine's "Best Lead Singers of All Time".^[74]

[edit] Posthumous Queen album

In November 1995, Queen released Made in Heaven, an album featuring Freddie Mercury's previously unreleased final recordings from 1991—as well as outtakes from previous years and reworked versions of solo works by the surviving members.^[104] The album cover features the Freddie Mercury statue that overlooks Lake Geneva in Montreux, Switzerland, where he had written and recorded his last songs at Mountain Studios.^[104] The sleeve of the album contains the words; "Dedicated to the immortal spirit of Freddie Mercury".^[104]

Tributes[link]

Statue of Freddie Mercury overlooking Lake Geneva in Montreux, Switzerland.

A statue in Montreux, Switzerland (by sculptor Irena Sedlecka) was erected as a tribute to Mercury.^[105] It stands almost 10 feet (3 metres) high overlooking Lake Geneva and was unveiled on 25 November 1996 by Freddie's father and Montserrat Caballé, with bandmates Brian May and Roger Taylor also in attendance.^[106] Beginning in 2003, fans from around the world gather in Switzerland annually to pay tribute to the singer as part of the "Freddie Mercury Montreux Memorial Day" on the first weekend of September and the Bearpark And Esh Colliery Band played at the Freddie Mercury statue on 1 June 2010.^[107] In 1999, a Royal Mail stamp with the image of Mercury on stage was issued in his honour as part of the Millennium Stamp series.^[108][109]

In 2009, a plaque was unveiled in Feltham where Mercury and his family moved upon arriving in England in 1964. The star in memory of Mercury's achievements was unveiled in Feltham High Street by his mother Jer Bulsara and Queen bandmate Brian May.^[110] A tribute to Queen has been on display at the Fremont Street Experience in downtown Las Vegas throughout 2009 on its video canopy.^[111] In December 2009 a large model of Mercury wearing tartan was put on display in the centre of Edinburgh as publicity for the run of We Will Rock You at the Playhouse Theatre.^[112]

A statue of Mercury stands over the entrance to the Dominion Theatre in London's West End since May 2002, where the main show has been Queen and Ben Elton's musical We Will Rock You.^[113][114]

For Mercury's 65th birthday, Google dedicated their Google Doodle to him.^[115] It included an animation set to the Mercury penned song, "Don't Stop Me Now".^[116]

Importance in AIDS history[link]

As the first major rock star to die of AIDS, Mercury's death represented a very important event in the disease's history.^[117] In April 1992, the remaining members of Queen founded The Mercury Phoenix Trust and organised The Freddie Mercury Tribute Concert for AIDS Awareness to celebrate the life and legacy of Mercury and raise money for AIDS research, which took place on Easter Monday, 20 April 1992.^[118] The Mercury Phoenix Trust has since raised millions of pounds for various AIDS charities. The tribute concert, which took place at Wembley Stadium for an audience of 72,000, featured a wide variety of guests including; Robert Plant (of Led Zeppelin), Roger Daltrey (of The Who), Extreme, Elton John, Metallica, David Bowie, Annie Lennox, Tony Iommi (of Black Sabbath), Guns N' Roses, Elizabeth Taylor, George Michael, Def Leppard, Seal, Liza Minnelli (and also U2 via Satellite). Elizabeth Taylor spoke of Mercury as "an extraordinary rock star who rushed across our cultural landscape like a comet shooting across the sky".^[119] The concert was broadcast live to 76 countries and had an estimated viewing audience of 1 billion people.^[120]

Appearances in lists of influential individuals[link]

Several popularity polls conducted over the past decade indicate that Freddie Mercury's reputation may in fact have been enhanced since his death. For instance, in a 2002 vote to determine whom the UK public considers the greatest British people in history, Mercury was ranked number 58 in the list of the "100 Greatest Britons", broadcast by the BBC.^[121] He was further listed at the 52nd spot in a 2007 Japanese national survey of the 100 most "influential heroes".^[122] Despite the fact that he had been criticised by gay activists for hiding his HIV status, author Paul Russell included Mercury in his book "The Gay 100: A Ranking of the Most Influential Gay Men and Lesbians, Past and Present."^[123] Other entertainers on Russell's list included Liberace and Rock Hudson. In 2006, Time Asia magazine named him as one of the most influential Asian heroes of the past 60 years: The article credited Mercury with having "duplicated in popular music what other Indians—such as Salman Rushdie and Vikram Seth – have done in literature: taking the coloniser's art form and representing it in a manner richer and more dazzling than many Anglophones thought possible."^[8] In 2008, Rolling Stone' magazine ranked Mercury No.18 in its list of the "Top 100 Singers Of All Time".^[6]

Portrayal on stage[link]

On 24 November 1997, a monodrama about Freddie Mercury's life titled Mercury: The Afterlife and Times of a Rock God opened in New York City.^[124] It presented Freddie Mercury in the hereafter; examining his life, seeking redemption and searching for his true self^[125] The play was written and directed by Charles Messina and the part of Mercury was played by Khalid Gonçalves (né Paul Gonçalves) and then later, Amir Darvish.^[126] Billy Squier opened one of the shows with an acoustic performance of a song he had written about Mercury titled "I Have Watched You Fly".^[127]

Portrayal in film[link]

Brian May announced in a September 2010 BBC interview^[128] that Sacha Baron Cohen, previously best known for his comedic characters Borat, Ali G and Brüno, had been chosen to play Mercury in a film about his life. TIME commented with approval on his singing ability and resemblance to Mercury.^[129] The motion picture is being written by Peter Morgan, who had been nominated for Oscars for his screenplays The Queen and Frost/Nixon. The film, which is being co-produced by Robert De Niro's TriBeCa Productions, will focus on Queen's formative years and the period leading up to the celebrated performance at the 1985 Live Aid concert. Filming was planned to begin sometime in 2011.^[130]

In April 2011, Brian May confirmed that a lot of work was still being done in preparation for the film. He said that after holding back for a long time due to mixed feelings, the band had approved a team to start filming later in 2011, and Baron Cohen's eagerness had been the key to progress.^[131] The film is currently in development and is tentatively scheduled for a release sometime in 2014.^[132]

Discography[link]

See also[link]

• Adi Bulsara, a cousin
• Zubin Mehta, a relative

Notes[link]

References[link]