This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (January 2009)

Karl Lagerfeld
Lagerfeld at the Red Cross Ball in Monaco, August 2005
Born	(1933-09-10) 10 September 1933 (age 78) Hamburg, Germany
Residence	France
Nationality	German
Occupation	Fashion designer
Labels	Karl Lagerfeld (since 1974,various brands)[1] Chanel (since 1983)[2] Fendi (since 1965),[3] Chloe (1963–1978, 1992–1997),[4] Jean Patou (1958–1963),[1] H&M (2004), Hogan (2011)

Karl Lagerfeld (born Karl Otto Lagerfeldt on 10 September 1933 in Hamburg) is a German fashion designer, artist and photographer based in Paris. He has collaborated on a variety of fashion and art related projects, most notably as head designer and creative director for the fashion house Chanel. Lagerfeld has his own label fashion house, as well as the Italian house Fendi.

Early life[link]

Lagerfeld was born in Hamburg. He has claimed he was born in 1938, by Elisabeth (born Bahlman) and his Swedish father Otto Lagerfeldt.^[5] He is known to insist that no-one knows his real birth date: Interviewed on French television in February 2009, Lagerfeld said that he was "born neither in 1933 nor 1938."^[6] His older sister, Martha Christiane (a.k.a. Christel), was born in 1931. Lagerfeld also has an older half-sister, Thea, from his father's first marriage. His original name was Lagerfeldt (with a "t"), but he later changed it to Lagerfeld as "it sounds more commercial."^[7]

Lagerfeld grew up as the son of a wealthy businessman from Hamburg who was introducing condensed milk (Glücksklee-Milch GmbH) to Germany;^[8][9] his mother is from Berlin.^[10] According to Alicia Drake,^[vague] Lagerfeld's mother, Elisabeth Bahlmann, was a lingerie saleswoman in Berlin when she met her husband and married him in 1930.

After attending a private school, Lagerfield finished his secondary education at the Lycée Montaigne in Paris, where he majored in drawing and history.^[11]

Early career (Balmain and Patou)[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (January 2012)

In 1955, at the age of 22, Lagerfeld was awarded a position as an apprentice at Pierre Balmain after winning second place, behind Yves Saint-Laurent, in a competition for a coat sponsored by the International Wool Secretariat. He told a reporter a few years later, "I won on coats, but actually I like designing coats least of all. What I really love are little black dresses." Yves Saint Laurent also won the contest for a dress award. "Yves was working for Dior. Other young people I knew were working for Balenciaga (Spanish Basque fashion designer and the founder of the Balenciaga fashion house), whom they thought was God, but I wasn't so impressed," he recalled in 1976.^{[citation needed]}

In 1958, after three years at Balmain, he moved to Jean Patou where he designed two haute couture collections a year for five years. His first collection was shown in a two-hour presentation in July 1958, but he used the name Roland Karl, rather than Karl Lagerfeld (although in 1962, reporters began referring to him as Karl Lagerfelt or Karl Logerfeld). The first collection was poorly received. Carrie Donovan wrote that "the press booed the collection"^{[citation needed]}. The UPI noted: "The firm's brand new designer, 25-year old Roland Karl, showed a collection which stressed shape and had no trace of last year's sack." The reporter went on to say that "A couple of short black cocktail dresses were cut so wide open at the front that even some of the women reporters gasped. Other cocktail and evening dresses feature low, low-cut backs." Most interestingly, Karl said that his design silhouette for the season was called by the letter "K" (for Karl), which was translated into a straight line in front, curved in at the waist in the back, with a low fullness to the skirt.

His skirts for the spring 1960 season were the shortest in Paris, and the collection was not well received. Carrie Donovan said it "looked like clever and immensely salable ready-to-wear, not couture." In his late 1960 collection he designed special little hats, pancake shaped circles of satin, which hung on the cheek. He called them "slaps in the face." Karl's collection were said to be well received, but not groundbreaking. "I became bored there, too, and I quit and tried to go back to school, but that didn't work, so I spent two years mostly on beaches – I guess I studied life."

Freelance career (1962–1982)[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (January 2012)

After launching himself as a freelance designer, working with brands such as Mario Valentino, Repetto, and the supermarket chain Monoprix and with financial backing from his family, he set up a small shop in Paris. At this time, he would often consult with Madame Zereakian, Christian Dior's Armenian fortune teller. Lagerfeld later said, "She told me I'd succeed in fashion and perfume."

In 1963, he began designing for Tiziani, a Roman couture house founded that year by Evan Richards (b. 1924) of Jacksboro, Texas. It began as couture and then branched out into ready-to-wear, bearing the label "Tiziani-Roma – Made in England." Lagerfeld and Richards sketched the first collection in 1963 together. "When they wound up with 90 outfits, Tiziani threw caution and invitations to the winds, borrowed Catherine the Great's jewels from Harry Winston, and opened his salon with a three-night wingding," according to one report in 1969. Lagerfeld designed for the company until 1969. Elizabeth Taylor was a fan of the label (she referred to Evan as "Evan Tiziani") and began wearing it in August 1966. Gina Lollobrigida, Doris Duke and Principessa Borghese were also customers while Lagerfeld was designing the line. He was replaced in 1969 with Guy Douvier.

Lagerfeld had begun to freelance for French fashion house Chloe in 1964, at first designing a few pieces a season. As more and more pieces were incorporated, he would soon design the entire collection. In 1970, he also began a brief design collaboration with Roman Haute Couture house Curiel (the designer, a woman named Gigliola Curiel, died in November 1969.) His first collection was described as having a "drippy drapey elegance" designed for a "1930s cinema queen." The Curiel mannequins all wore identical, short-cropped blonde wigs. He also showed black velvet shorts, to be worn under a black velvet ankle-length cape.

His Chloe collection for Spring 1973 (shown in October 1972) garnered headlines for offering something both "high fashion and high camp." He showed loose Spencer jackets and printed silk shirt jackets. He designed something he called a "surprise" skirt, which was ankle-length, pleated silk, so loose that it hid the fact it was actually pants. "It seems that wearing these skirts is an extraordinary sensation," he told a reporter at the time. He also designed a look inspired by Carmen Miranda, which consisted of mini bra dresses with very short skirts, and long dresses with bra tops and scarf shawls.

In 1972, he began to collaborate with Italian fashion house Fendi, designing furs, clothing and accessories.

Starting in the 1970s, Lagerfeld has occasionally worked as a costume designer for theatrical productions. He collaborated with stage directors such as Luca Ronconi and Jürgen Flimm, and designed for theatres like La Scala in Milan (Les Troyens by Hector Berlioz, 1980; directed by Ronconi), the Burgtheater in Vienna (Komödie der Verführung by Arthur Schnitzler, 1980; directed by Horst Zankl), and the Salzburg Festival (Der Schwierige by Hugo von Hofmannsthal, 1990; directed by Flimm).

International fame (1982–present)[link]

Lagerfeld at the 2007 Cannes Film Festival

At the time, he had also been maintaining a design contract with the Japanese firm Isetan, to create collections for both men and women through 30 licenses; had a lingerie line in the US, produced by Eve Stillmann; was designing shoes for Charles Jourdan, sweaters for Ballantyne, and worked with Trevira as a fashion adviser.

In 2002, Karl Lagerfeld asked Renzo Rosso, the founder of Diesel, to collaborate with him on a special denim collection for the Lagerfeld Gallery.^[12] The collection, which was titled Lagerfeld Gallery by Diesel, was co-designed by Lagerfeld and then developed by Diesel's Creative Team, under the supervision of Rosso. It consisted of five pieces that were presented during the designer's catwalk shows during Paris Fashion Week^[13] and then sold in very strict limited editions at the Lagerfeld Galleries in Paris and Monaco, and at the Diesel Denim Galleries in New York and Tokyo. During the first week of sales in New York, more than 90% of the trousers had already been sold out, even though prices ranged from as high as $240 to $1,840.^[14] In a statement after the show in Paris, Rosso said "I am honored to have met this fashion icon of our time. Karl represents creativity, tradition and challenge, and the fact that he thought of Diesel for this collaboration is a great gift and acknowledgement of our reputation as the prêt-à-porter of casual wear."^[13]

Lagerfeld designed the costumes for the Carmen sequences in the 2002 film Callas Forever. In 2004, he designed some outfits for the international music artist Madonna, for her Re-Invention tour, and recently designed outfits for Kylie Minogue's Showgirl tour.

Lagerfeld collaborated with the international Swedish fashion brand H&M. On 12 November 2004, H&M offered a limited range of different Lagerfeld clothes in chosen outlets for both women and men. Only two days after having supplied its outlets, H&M announced that almost all the clothes were sold out. Lagerfeld has expressed some fear that working with lower-end brands will taint his image,^{[citation needed]} although in the past he has worked closely with the hosiery designer Wolford.

Lagerfeld is also a photographer. He produced Visionaire 23: The Emperor's New Clothes, a series of nude pictures of models and celebrities. He also personally photographed Mariah Carey for the cover of V magazine in 2005. In addition to his editorial work for Harper's Bazaar, Numéro and the Russian and German editions of Vogue, Lagerfeld photographs advertising campaigns for the houses under his direction (Chanel, Fendi and his eponymous line) every season.

In the 1980s, the Hans Christian Andersen tale "The Emperor's New Clothes" was published with drawings by Lagerfeld.

The designer was also the subject of a French reality series called Signé Chanel in 2005. The show covered the creation of his Fall/Winter 2004–2005 Chanel couture collection. It aired on Sundance Channel in the United States during the fall of 2006.

He has also supported and encouraged the work of up and coming designers including Philip Colbert of Rodnik.^{[citation needed]}

On 18 December 2006, Lagerfeld announced the launch of a new collection for men and women dubbed K Karl Lagerfeld. The collection includes fitted T-shirts and a wide range of jeans.^[15]

Lagerfeld has signed a deal with Dubai Infinity Holdings (DIH); an investments enterprise that will focus on first of its kind projects in non conventional growth sectors, in line with their mandate^[vague] to fulfil unmet market needs. Lagerfeld is to design limited edition homes^[vague] on Isla Moda, the world’s first dedicated fashion island,^[vague] set in the iconic^[vague] development, The World. This will be a collaboration between Dubai Infinity Holdings and Lagerfeld across the GCC and India.^{[citation needed]}

Lagerfeld is the host of fictional radio station "K109 – The Studio" in the videogame Grand Theft Auto IV.^[16]

In 2008, Lagerfeld created a teddy bear in his likeness produced by Steiff in a limited-edition of 2,500 that sold for $1,500.^[17] Lagerfeld has been immortalized in many forms: pins, shirts, dolls, and more. In 2009, Tra Tutti began selling Karl Lagermouse and Karl Lagerfelt, mini Lagerfelds in the form of mice and finger puppets respectively.^[18]

Lagerfeld with the Prince Albert II and Princess Charlene of Monaco, 2011

On 10 September 2010, the Couture Council of The Museum at the Fashion Institute of Technology presented Lagerfeld with an award created for him, "The Couture Council Fashion Visionary Award", at a benefit luncheon at Avery Fisher Hall, New York.^[19]

On 10 November 2010, Lagerfeld and Swedish crystal manufacturer Orrefors announced a collaboration for designing a crystal art collection.^[20] The first collection was launched in spring 2011 under the name "Orrefors by Karl Lagerfeld".^[21]

Controversies[link]

In 1993, he caused US Vogue editor-in-chief Anna Wintour to walk out of his Milan Fashion Week runway show when he employed strippers and adult film star Moana Pozzi to model his black-and-white collection for Fendi.^[22]

There was much controversy from Lagerfeld's use of a verse from the Qur'an in his spring 1994 couture collection for Chanel, despite apologies from the designer and the fashion house. The controversy erupted after the 1994 couture show in Paris, when the Indonesian Muslim Scholars Council in Jakarta called for a boycott of Chanel and threatened to file formal protests with the government of Mr. Lagerfeld's homeland, Germany. The designer apologized, explaining that he had taken the design from a book about the Taj Mahal, thinking the words came from a love poem.^[23]

Lagerfeld was the target of a pieing by People for the Ethical Treatment of Animals (PETA) in 2001 at a fashion premiere at Lincoln Center in New York City. The tofu pies hurled by animal rights activists in protest of his use of fur within his collections, however went astray and hit Calvin Klein. A PETA spokesperson described the hit on Klein as "friendly fire", calling Klein, who doesn't use fur, "a great friend to the animals", while he called Lagerfeld a "designer dinosaur" who continues to use fur in his collections.^[24]

Lagerfeld defends the fur industry and the use of fur in fashion, although he himself doesn't wear fur and hardly eats meat. In a BBC interview in 2009 he claimed that hunters "make a living having learnt nothing else than hunting, killing those beasts who would kill us if they could", and maintained that "in a meat-eating world, wearing leather for shoes and clothes and even handbags, the discussion of fur is childish." Spokespersons for PETA called Lagerfeld "a fashion dinosaur who is as out of step as his furs are out of style",^[25] and "particularly delusional with his kill-or-be-killed mentality. When was the last time a person's life was threatened by a mink or rabbit?"^[26]

In 2010, PETA quotes Lagerfeld, who used fake fur in his 2010 Chanel collection, on their website as saying: "It's the triumph of fake fur … because fake fur changed so much and became so great now that you can hardly see a difference."^[27]

Lagerfeld in 2009 joined critics of supermodel Heidi Klum. After German designer Wolfgang Joop called Klum, who had posed naked on the cover of the German edition of GQ magazine,^[28] "no runway model. She is simply too heavy and has too big a bust",^[29] Lagerfeld followed suit by saying that neither he nor Claudia Schiffer knew Klum as she has never worked in Paris and is insignificant in the world of high fashion, being "more bling bling and glamorous than current fashion."^[30]

Lagerfeld created an international furore on 9 February 2012, when he called the singer Adele" A little too fat". This caused instant fury throughout the United Kingdom and Lagerfeld responded with a statement of apology. Adele hit back by saying she is like the majority of women, and she is very proud of that fact.^[31][32]

Weight loss[link]

When Lagerfeld lost 42 kg (roughly 92.6 pounds) in 13 months in 2001, his explanation was "...I suddenly wanted to dress differently, to wear clothes designed by Hedi Slimane," he said anxiously. "But these fashions, modeled by very, very slim boys—and not men my age—required me to lose at least 40 kg. It took me exactly thirteen months." The diet was created specially for Lagerfeld by Dr. Jean-Claude Houdret, which led to a book called The Karl Lagerfeld Diet, which he promoted on Larry King Live and other shows.^[7]

References[link]

External links[link]

Wikimedia Commons has media related to: Karl Lagerfeld

• Karl Lagerfeld Official Website
• Karl Lagerfeld designer profile at Fashion Model Directory
• New Yorker: John Colapinto: In The Now. Where Karl Lagerfeld Lives Extensive profile (ca. 10,000 words)
• The Independent: Susannah Frankel: Being Karl Lagerfeld: What's it like being the most powerful man in fashion? 5 November 2011
• "Interactive timeline of couture houses and couturier biographies". Victoria and Albert Museum. http://www.vam.ac.uk/vastatic/microsites/1486_couture/explore.php. 
• Karl Lagerfeld’s twitter
• Karl Lagerfeld on Fashion Net

v t e Chanel Designers Coco Chanel · Karl Lagerfeld Owners Alain Wertheimer · Gerard Wertheimer · Jacques Wertheimer · Pierre Wertheimer Garments Little black dress · Pink Chanel suit of Jacqueline Bouvier Kennedy Perfumes Bois des Îles · Chanel No. 5 · Chanel No. 19 · Chanel No. 22 · Coco Mademoiselle · Cuir de Russie Perfumers Ernest Beaux · Jacques Polge · Henri Robert Handbags Chanel 2.55 Watches Chanel J12 Spokesmodels Carole Bouquet · Catherine Deneuve · Inès de La Fressange · Nicole Kidman · Keira Knightley · Kate Moss · Vanessa Paradis · Audrey Tautou  · Gaspard Ulliel Films Chanel Solitaire · Coco Before Chanel · Coco Chanel · Coco Chanel & Igor Stravinsky

David Hockney, OM, CH, RA, (born 9 July 1937) is an English painter, draughtsman, printmaker, stage designer and photographer, who is based in Bridlington, Yorkshire and Kensington, London.^[1]

An important contributor to the Pop art movement of the 1960s, he is considered one of the most influential British artists of the twentieth century.^[2][3]

Life[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (April 2011)

Hockney was born in Bradford, England on 9 July 1937 to Laura and Kenneth Hockney and was educated first at Wellington Primary School, then Bradford Grammar School, Bradford College of Art and the Royal College of Art in London, where he met R. B. Kitaj. While he was there Hockney said he felt at home, he took pride and success in his work here. While a student at the Royal College of Art, Hockney was featured in the exhibition Young Contemporaries – alongside Peter Blake – that announced the arrival of British Pop art. He was associated with the movement, but his early works also display expressionist elements, not dissimilar to certain works by Francis Bacon. Sometimes, as in We Two Boys Together Clinging (1961), named after a poem by Walt Whitman, these works make reference to his love for men. From 1963, Hockney was represented by the art dealer John Kasmin. In 1963 Hockney visited New York, making contact with Andy Warhol. A subsequent visit to California, where he lived for many years, inspired Hockney to make a series of paintings of swimming pools in Los Angeles, using the comparatively new acrylic medium and rendered in a highly realistic style using vibrant colours. In 1967, his painting, Peter Getting Out Of Nick's Pool, won the John Moores Painting Prize at the Walker Art Gallery in Liverpool. He made prints, portraits of friends, and stage designs for the Royal Court Theatre, Glyndebourne, La Scala and the Metropolitan Opera in New York City.

Hockney's older sister, Margaret, who lives in Yorkshire, is an artist of still life photos.

Hockney was born with synesthesia; he sees synesthetic colours to musical stimuli. In general, this does not show up in his painting or photography artwork very much. However, it is a common underlying principle in his construction of stage sets for various ballets and operas, where he bases the background colours and lighting upon his own seen colours while listening to the music of the theatre piece he is working on.

Works[link]

The "joiners"[link]

David Hockney has also worked with photography, or, more precisely, photocollage. Using varying numbers of Polaroid snaps or photolab-prints of a single subject Hockney arranged a patchwork to make a composite image.^[4] One of his first photomontages was of his mother. Because these photographs are taken from different perspectives and at slightly different times, the result is work that has an affinity with Cubism, which was one of Hockney's major aims – discussing the way human vision works. Some of these pieces are landscapes such as Pearblossom Highway #2,^[2][5] others being portraits, e.g. Kasmin 1982,^[6] and My Mother, Bolton Abbey, 1982.^[7]

Hockney created these photomontage works mostly between 1970 and 1986. He referred to them as "joiners".^[8] He began this style of art by taking Polaroid photographs of one subject and arranging them into a grid layout. The subject would actually move while being photographed so that the piece would show the movements of the subject seen from the photographer's perspective. In later works Hockney changed his technique and moved the camera around the subject instead.

Hockney's creation of the "joiners" occurred accidentally. He noticed in the late sixties that photographers were using cameras with wide-angle lenses to take pictures. He did not like such photographs because they always came out somewhat distorted. He was working on a painting of a living room and terrace in Los Angeles. He took Polaroid shots of the living room and glued them together, not intending for them to be a composition on their own. Upon looking at the final composition, he realized it created a narrative, as if the viewer was moving through the room. He began to work more and more with photography after this discovery and even stopped painting for a period of time to exclusively pursue this new style of photography. Frustrated with the limitations of photography and its 'one eyed' approach,^[9] he later returned to painting.

Later works[link]

In 1974, Hockney was the subject of Jack Hazan's film, A Bigger Splash (named after one of Hockney's swimming pool paintings from 1967).

In 1977 David Hockney authored a book of etchings called The Blue Guitar: Etchings By David Hockney Who Was Inspired By Wallace Stevens Who Was Inspired By Pablo Picasso. The etchings were inspired by and represented the themes of Stevens' poem, "The Man With The Blue Guitar", which accompanied the art. It was published as a portfolio and as a book in spring 1997 by Petersburg Press.^[10]

Hockney was commissioned to design the cover and a series of pages for the December 1985 issue of the French edition of Vogue. Consistent with his interest in cubism and admiration for Pablo Picasso, Hockney chose to paint Celia Birtwell (who appears in several of his works) from different views, as if the eye had scanned her face diagonally.

In December 1985, Hockney was commissioned to draw with the Quantel Paintbox, a computer program that allowed the artist to sketch directly onto the screen. Using this program was similar to drawing on the PET film for prints, with which he'd had much experience. The resulting work was featured in a BBC series profiling a number of artists.

His artwork was used on the front cover of the 1989 British Telecom telephone directory for Bradford.

His A Bigger Grand Canyon, a series of 60 paintings that combined to produce one enormous picture, was bought by the National Gallery of Australia for $4.6 million.

On 21 June 2006, his painting of The Splash fetched £2.6 million – a record for a Hockney painting.^[11]

In October 2006 the National Portrait Gallery in London organized one of the largest ever displays of Hockney's portraiture work, including 150 of his paintings, drawings, prints, sketchbooks and photocollages from over five decades. The collection ranged from his earliest self-portraits to work completed in 2005.^[12] Hockney himself assisted in displaying the works, and the exhibition, which ran until January 2007, proved to be one of the most successful in the gallery's history.

The BMW 'art car' decorated by Hockney in 1995.

In June 2007, Hockney's largest painting, Bigger Trees Near Warter, which measures 15x40', was hung in the Royal Academy's largest gallery in their annual Summer Exhibition.^[13] This work "is a monumental-scale view of a coppice in Hockney's native Yorkshire, between Bridlington and York. It was painted on 50 individual canvases, mostly working in situ, over five weeks last winter."^[14] In 2008, he donated this work to the Tate Gallery in London, saying: "I thought if I'm going to give something to the Tate I want to give them something really good. It's going to be here for a while. I don't want to give things I'm not too proud of...I thought this was a good painting because it's of England...it seems like a good thing to do".^[15]

Since 2009, Hockney has painted hundreds of portraits, still lifes and landscapes using the Brushes iPhone^[16] and iPad^[17] application, often sending them to his friends.^[17] His show Fleurs fraîches (Fresh Flowers) was held at La Fondation Pierre Bergé in Paris. A Fresh-Flowers exhibit opened in 2011 at the Royal Ontario Museum in Toronto, featuring over 100 of Hockney's drawings on 25 iPads and 20 iPods.^[18]

The Royal Academy is showing an exhibition of Hockney's work called 'A Bigger Picture' from 21 January 2012 to 9 April 2012.^[19] The exhibition includes over 150 works by the artist, many of which take entire walls in the gallery's brightly lit rooms. A Bigger Picture is dedicated to landscapes, especially trees, including tree tunnels.^[20] Works include oil paintings and watercolors inspired by Hockney's native Yorkshire. Around 50 drawings were created on an iPad ^[21] and then printed on paper for the exhibition. Hockney stated in a 2012 interview "It’s about big things. You can make paintings bigger. We’re also making photographs bigger, videos bigger, all to do with drawing." ^[22]

Many of Hockney's works are now housed in Salts Mill, in Saltaire, near his home town of Bradford.

The Hockney-Falco thesis[link]

In the 2001 television programme and book, Secret Knowledge, Hockney posited that the Old Masters used camera obscura techniques, utilized with a concave mirror, which allowed the image of the subject to be projected onto the surface of the painting. Hockney argues that this technique migrated gradually to Italy and most of Europe, and is the reason for the photographic style of painting we see in the Renaissance and later periods of art.

Public life[link]

A conscientious objector, Hockney worked as a medical orderly in hospitals as his National Service 1957–59.^[23]

He was made a Companion of Honour in 1997^[24] and is also a Royal Academician.^[25]

Hockney was offered a knighthood in 1990 but he declined the offer before accepting an Order of Merit in January 2012.^[26][27] He was awarded The Royal Photographic Society's Progress medal in 1988^[28] and Centenary medal in 2003.^[29]

Hockney serves on the advisory board of the political magazine Standpoint,^[30] and contributed original sketches for its launch edition, in June 2008.^[31]

He is a staunch pro-tobacco campaigner and was invited to guest-edit the Today programme on 29 December 2009 to air his views on the subject.^[32]

In October 2010, he and a hundred other leading artists signed an open letter to the Secretary of State for Culture, Media and Sport, Jeremy Hunt protesting against cutbacks in the arts.^[33]

In popular culture[link]

David Hockney was the inspiration of artist Billy Pappas in the documentary film Waiting for Hockney, which debuted at the Tribeca Film Festival in 2008.^[34]

A biography of Hockney David Hockney: A Rake's Progress by writer/photographer Christopher Simon Sykes covering the years 1937–1975 appeared in 2012.^[35]

See also[link]

• A Walk Around the Hotel Courtyard, Acatlan
• Mr and Mrs Clark and Percy

References[link]

External links[link]

• Brooklyn Rail: In Conversation David Hockney and William Corwin.
• Hockneypictures.com Official website
• David Hockney in the National Gallery of Australia's Kenneth Tyler collection
• Biography page at LA Louver gallery Example of work from the 60s to the present
• DavidHockney.com tribute site
• Salts Mill in Saltaire, Yorkshire, England, contains a permanent exhibition of Hockney's work.
• David Hockney visits own exhibition at Nottingham Contemporary [BBC Nottingham]
• David Hockney on 'A Bigger Splash' [BBC Nottingham]
• Interview with David Hockney Nov 2009 [BBC Nottingham]
• Peter Getting Out Of Nick's Pool (1966) at The Walker Art Gallery, Liverpool, UK
• New Yorker discussion of Hockney's suggestion that the Old Masters used optical devices to aid drawing
• Hockney leads smoking ban protest BBC article.
• Jonathan Jones, Cooler than Warhol, more enduring than Freud (Interview), The Guardian, 8 September 2006
• A A Gill, The Turner Surprise: David Hockney on Turner, The Times, 17 June 2007
• David Hockney, The Fallen Beech Trees and the Lost Canvas, The Guardian, 27 March 2009
• David Hockney's Long Road From Los Angeles to Yorkshire, The New York Times, 15 October 2009
• David Hockney: Portrait of the Old Master, Tim Adams, The Guardian and Observer, 1 November 2009
• Annely Juda Fine Art, contemporary London art gallery that represents David Hockney
• "David Hockney: A man aflame – and long before the smoking ban" Michael Church, The Independent, 8 August 2010
• Hockney and Hirst feud over assistants
• Hockney Yorkshire Wolds Art Locations

This article is an orphan, as few or no other articles link to it. Please introduce links to this page from related articles; suggestions may be available. (February 2012)

Malala Yousafzai (Urdu: ملالہ یوسفزئی, Pashto: ملالہ يوسفزی; born 1998) is an eighth-grade Pakistani student from the town of Mingora in Swat District, Khyber Pakhtunkhwa, and is known for being a children's rights activist. At 13 years old she gained notability for championing the cause of the people of Swat by blogging for the BBC under a pseudonym about the atrocities of the Tehrik-i-Taliban regime.^[1] The international children's advocacy group KidsRights Foundation included Yousafzai among the nominees for the International Children's Peace Prize, making her the first Pakistani girl nominated for the award. South African Nobel laureate, Desmund Tutu announced the nominations during a 2011 ceremony in Amsterdam, Holland, but Yousafzai did not win the prize^[2]

Yousafzai lived in Mingora Swat, occupied by the Taliban before the military operation in 2009. During this time, education was banned and many townspeople were executed. Schools were destroyed, and girls' schools bore the brunt.^{[citation needed]} She wrote a diary for the BBC under the pseudonym of "Gul Makai" where she related the deeds of the Taliban in Swat.

For her courageous and outstanding services for the promotion of peace under extremely hostile conditions, she was awarded the first National Peace Award by the Pakistani government on 19 December 2011.^[3] Speaking to the media afterwards, she expressed her intent to form a political party focused on education. Effective immediately, the Govt Girls Secondary School, Mission Road, was renamed as Malala Yousufzai Govt Girls Secondary School in her honor.^[4]

She was named after Malalai of Maiwand, a Pashtun poet and warrior woman.^[5]

References[link]

This Pakistani biographical article is a stub. You can help Wikipedia by expanding it. v t e