A beekeeper holding a hive, in the Hildesheim district, Lower Saxony, Germany.

A commercial beekeeper working in an apiary.

A beekeeper is a person who keeps honey bees. Honey bees produce commodities such as honey, beeswax, pollen, and royal jelly. Beekeepers also use honeybees to provide pollination services to fruit and vegetable growers; raise queens and bees to sell to other farmers, and to satisfy scientific curiosity. Many people keep bees as a hobby. Others do it for income, either as a sideline to other work, or as a commercial operator—depending mostly on the number of colonies they maintain.

Definition[link]

Beekeeper on an old German stained glass painting. Underneath the refrain of a children's song by Hoffmann von Fallersleben

Beekeepers are also called honey farmers or apiarists (from Latin apis, bee; cf. apiary). The term beekeeper usually refers to a person who keeps honey bees in hives, boxes, or other receptacles. Honey bees are not domesticated and the beekeeper does not control the creatures. The beekeeper owns the hives or boxes and associated equipment. The bees are free to forage or leave (swarm) as they desire. Bees usually return to the beekeeper's hive as the hive presents a clean, dark, sheltered abode.

Classifications of beekeepers[link]

Two beekeepers in Cornwall, UK, checking their hives and using a smoker.

Most beekeepers are hobby beekeepers.^[1] These people typically work or own only a few hives. Their main attraction is an interest in ecology and natural science. Honey is a by-product of this hobby. As it typically costs several hundred American dollars to establish a small apiary and dozens of hours of manipulation and work with hives and honey equipment, hobby beekeeping is seldom profitable outside of Europe, where the lack of organic bee products sometimes causes buoyant demand for privately produced honey.

A sideline beekeeper attempts to make a profit keeping bees, but relies on another source of income. Sideliners may operate up to as many as 300 colonies of bees, producing 10–20 metric tons of honey worth a few tens of thousands of dollars each year.

Commercial beekeepers control hundreds or thousands of colonies of bees. The most extensive own and operate up to 50,000 colonies of bees and produce millions of pounds of honey. The first major commercial beekeeper was probably Petro Prokopovych of Ukraine, operating 6600 colonies in the early 19th century.^[2] Moses Quinby was the first commercial beekeeper in the USA, with 1200 colonies by the 1840s. Later (1960s-1970s), Jim Powers of Idaho, USA, had 30,000 honey producing hives.^[3] Miel Carlota operated by partners Arturo Wulfrath and Juan Speck of Mexico operated at least 50,000 hives of honey bees from 1920 to 1960.^[4] Today, Adee Honey Farm in South Dakota, USA, (80,000 colonies) and Scandia Honey Company in Alberta, Canada (15,000 colonies) are among the world's largest beekeeping enterprises. Worldwide, commercial beekeepers number about 5% of the individuals with bees but produce about 60% of the world's honey crop.

Types of beekeepers[link]

Most beekeepers produce commodities (farm products) for sale. Honey is the most valuable commodity sold by beekeepers. Honey-producer beekeepers try to maintain maximum-strength colonies of bees in areas with dense nectar sources. They produce and sell liquid (extracted) and sometimes comb honey. Beekeepers may sell their commodities retail, as self-brokers, or through commercial packers and distributors. Beeswax, pollen, royal jelly, and propolis may also be significant revenue generators. Taiwanese beekeepers, for example, export tonnes of royal jelly, the high-nutrition food supplement fed to queen honeybees. Modern beekeepers seldom keep honeybees exclusively for beeswax production. Beeswax is harvested along with honey and separated for sale.

Some beekeepers provide a pollination service to other farmers. These beekeepers might not produce any honey for sale. Pollination beekeepers move honey bee hives at night in vast quantities so fruits and vegetables have enough pollinating insects available for maximum levels of production. For the service of maintaining strong colonies of bees and moving them into crops such as almonds, apples, cherries, blueberries, melons, and squash, these beekeepers are usually paid a cash fee.

Queen breeders are specialist beekeepers who raise queen bees for other beekeepers. The breeders maintain select stock with superior qualities and tend to raise their bees in geographic regions with early springs. These beekeepers may also provide extra bees to beekeepers (honey producers, pollinators, or hobby beekeepers) who want to start new operations or expand their farms. Queen breeders use Jenter kits in order to produce large numbers of queen bees quickly and efficiently.

Notable beekeepers[link]

• Brother Adam
• Charles Dadant
• Jan Dzierżon
• Edmund Hillary
• Robert A. Holekamp
• Lorenzo L. Langstroth
• Paul Theroux^[5]
• Bill Turnbull
• Steve Vai
• Bob Maguire
• Barry Gibb

See also[link]

Wikimedia Commons has media related to: Beekeepers

• Agriculture
• Beekeeping
• Gardening
• Organic farming
• Sustainable agriculture
• Federation of Irish Beekeepers' Associations
• British Beekeepers' Association
• Ulster Beekeepers' Association

References and notes[link]

External links[link]

• Canadian Honey Council
• British Beekeepers Association

Franklin A. Lindsay (12 March 1916 – 13 October 2011)^[1][2] was a spy and business executive. Lindsay graduated from Stanford University in 1938 and ended up working for the Office of Strategic Services^[3] during World War II. During the war he parachuted to the Slovene Partisans in 1944 and worked with them to blow up the rail lines in Southern Austria. Later, he became head of the military mission to Tito. He wrote a book about his wartime experiences, Beacons in the Night, and has been awarded Slovenia’s highest decoration.

After the war, he became involved in a wide range of government and private sector activities. In the public sector, he was a member of the US Atomic Energy Commission to the United Nations; he helped set up the European side of the Marshall Plan and helped fellow OSSer Frank Wisner establish OPC,^[4] the precursor of the CIA. In the private sector he sent time at the Ford Foundation,^[5] McKinsey & Co., and as head of ITEK Corp., a high tech company, which, among its products, developed the camera’s for satellites that overflew the Soviet Union and scouted the moon and Mars. He also served on the Senate Intelligence Advisory Committee, chaired the committee for Economic Development’s program and policy committee and chaired the board of the National Bureau of Economic Research.

After his retirement, he started a seven-year stint helping Ukraine’s International Management Institute turn its curriculum towards a market economy. While in Kiev, he also worked with Ukraine’s National Security Council and helped develop a program for Ukraine’s military officers and national security officials at Harvard’s Kennedy School of Government. The program continues today in an expanded form to include not only participants from Ukraine but also from the other countries surrounding the Black Sea.

He is survived by his wife Margot, two children, and three granddaughters.

References[link]

Lady Lamb the Beekeeper is the stage name of musician Aly Spaltro.

The first Lady Lamb recordings were home recordings distributed in handmade packages to the local Bullmoose Record Store in her hometown of Brunswick, Maine.^[1] Portland, Maine, multi-instrumentalist TJ Metcalfe joined Spaltro, and the duo released For Handsome Animals and an award-winning music video^[2]. Lady Lamb the Beekeeper soon rose to prominence as one of Portland's most popular local acts.^[3]

In the fall of 2009 Lady Lamb the Beekeeper reverted to a solo project.^[4]. In 2010 she was named Folk Artist of the Year by the Boston Music Awards.^[5] She is currently residing in Brooklyn, New York.

Discography[link]

• 2007: The Tingly Circus
• 2008: Someday We Will Levitate
• 2009: The World Tour EP
• 2010: Mammoth Swoon

References[link]

This article about a folk singer from the United States is a stub. You can help Wikipedia by expanding it. v t e

Tori Amos
Tori Amos at the 2008 Comic-Con
Background information
Birth name	Myra Ellen Amos
Born	(1963-08-22) August 22, 1963 (age 48) Newton, North Carolina, United States
Genres	Piano rock, art pop, alternative rock, electronica
Occupations	Musician, vocalist, songwriter, record producer
Instruments	Piano, harpsichord, clavichord, Hammond organ, harmonium, Fender Rhodes, Wurlitzer, Kurzweil, clavinet, vocals
Years active	1986–present
Labels	Atlantic Epic Universal Republic Deutsche Grammophon
Associated acts	Y Kant Tori Read
Website	toriamos.com everythingtori.com
Notable instruments
Bösendorfer piano[1]

Tori Amos (born Myra Ellen Amos; August 22, 1963) is an American pianist, singer-songwriter and composer. Amos originally served as the lead singer of 1980s synthpop group Y Kant Tori Read, and as a solo artist was at the forefront of a number of female singer-songwriters in the early 1990s. She was also noteworthy early in her solo career as one of the few alternative rock performers to use a piano as her primary instrument. Some of her charting singles include "Crucify", "Silent All These Years", "God", "Cornflake Girl", "Caught a Lite Sneeze", "Professional Widow", "Spark", "1000 Oceans", and "A Sorta Fairytale", her most commercially successful single in the U.S. to date.^[2]

As of 2005, Amos had sold 12 million albums worldwide.^[3] She has been nominated for 8 Grammy Awards. Amos was also named one of People Magazine's 50 Most Beautiful People in 1996.^[4]

Early life[link]

Amos was born in Newton, North Carolina. When she was two, her family moved to Baltimore, Maryland, where she began to play the piano. By age five, she had begun composing instrumental pieces on piano and, while living in Rockville, Maryland, she won a full scholarship to the Preparatory Division of the Peabody Conservatory of Music.^[5] Her scholarship was discontinued at age 11 and she was asked to leave. Amos has asserted that she lost the scholarship because of her interest in rock and popular music, coupled with her dislike for reading from sheet music.^[5] In 1972, The Amos family moved to Silver Spring, Maryland, where her father, Reverend Edison Amos, became pastor of the Good Shepherd United Methodist church. At the age of 13 she began playing at gay bars and piano bars, chaperoned by her father.^[5][6]

Amos first came to local notice by winning a county teen talent contest in 1977, singing a song called "More Than Just a Friend". As a senior at Richard Montgomery High School, she co-wrote "Baltimore" with her brother Mike Amos for a competition involving the Baltimore Orioles. The song won the contest and became her first single, released as a 7" single pressed locally for family and friends during 1980 with another Amos-penned composition as a B-side, "Walking With You". Prior to this period she performed under her middle name, Ellen, but permanently adopted Tori after a friend's boyfriend told her it suited her.^[7] At age 21, Amos moved to Los Angeles to pursue her music career after several years performing on the piano bar circuit of the D.C. area.^[8]

Atlantic years (1986–2001)[link]

Y Kant Tori Read[link]

In 1986, Amos formed a music group, Y Kant Tori Read, the name of which was a reference to her days at the Peabody Conservatory, where she was able to play songs on her piano by ear, but was never successful at sight reading.^[9] In addition to Amos, the group was composed of Steve Caton (who would later play guitars on all her subsequent albums until 1999), drummer Matt Sorum, bass player Brad Cobb and, for a short time, keyboardist Jim Tauber. Following several phases of writing and recording, during which Amos has since asserted that the band lost their musical edge and direction due to interference from record executives, in July 1988, the Y Kant Tori Read's self-titled debut album was released. Although its producer, Joe Chiccarelli, has stated that Amos was very happy with the album at the time,^[10] it is now out of print and Amos has expressed no interest in reissuing it.^[11] Following the album's commercial failure and the group's subsequent disbanding, Amos began working with other artists (including Stan Ridgway, Sandra Bernhard, and Al Stewart) as a backup vocalist. She also recorded a song called "Distant Storm" for the film China O'Brien; in the credits, the song is attributed to a band called Tess Makes Good.^[12] It was the only song recorded by the band, and its only commercial release was in the film.

Solo career[link]

Despite the disappointing reaction to Y Kant Tori Read, Amos still had to comply with her six-record contract with Atlantic Records, who in 1989 wanted a new record by March 1990. The initial recordings were declined by the label, which Amos felt was because the album had not been properly presented.^[13] The album was reworked and expanded under the guidance of Doug Morris and the musical talents of Steve Caton, Eric Rosse, Will MacGregor, Carlo Nuccio, and Dan Nebenzal, resulting in Little Earthquakes, an album recounting her religious upbringing, sexual awakening, struggle to establish her identity, and sexual assault. This album became her commercial and artistic breakthrough.

Amos traveled to New Mexico with personal and professional partner Eric Rosse in 1993 to write and largely record her second solo record, Under the Pink. The album was received with mostly favorable reviews and sold enough copies to chart at #12 on the Billboard 200, a significantly higher position than the preceding album's position at #54 on the same chart.^[14]

Amos performing on her Dew Drop Inn tour in 1996

Her third solo album, Boys for Pele, was released in January 1996. The album was recorded in an Irish church, in Delgany, County Wicklow, with Amos taking advantage of the church recording setting to create an album ripe with baroque influences, lending it a darker sound and style. She added harpsichord, harmonium, and clavichord to her keyboard repertoire, and also included such anomalies as a gospel choir, bagpipes, church bells, and drum programming. The album garnered mixed reviews upon its release, with some critics praising its intensity and uniqueness while others bemoaned its comparative impenetrability. Despite the album's erratic lyrical content and instrumentation, the latter of which kept it away from mainstream audiences, Boys for Pele is Amos's most successful simultaneous transatlantic release, reaching #2 on both the Billboard 200 and the UK Top 40 upon its release at the height of her fame.^[15][16]

Fueled by the desire to have her own recording studio to distance herself from record company executives,^[17] Amos had the barn of her home in Cornwall converted into a state-of-the-art recording studio, Martian Engineering Studios.

From the Choirgirl Hotel and To Venus and Back, released in May 1998 and September 1999, respectively, differ greatly from previous albums as Amos's trademark acoustic piano-based sound is largely replaced with arrangements that include elements of electronica, dance music, vocal washes and sonic landscapes. The underlying themes of both albums deal with womanhood, and Amos's own miscarriages and marriage. Reviews for From the Choirgirl Hotel were mostly favorable and praised Amos's continued artistic originality. While not her highest chart debut, debut sales for From the Choirgirl Hotel are Amos's best to date, selling 153,000 copies in its first week.^[18] To Venus and Back, a two-disc release of original studio material and live material recorded from the previous world tour, received mostly positive reviews and included the first major-label single available for sale as a digital download.^[19]

Motherhood inspired Amos to produce a cover album, recording songs written by men about women and reversing the gender roles to show a woman's perspective.^[20] That idea grew into Strange Little Girls, released in September 2001, one year after giving birth to her daughter. The album is Amos's first concept album, with artwork featuring Amos photographed in character of the women portrayed in each song. Amos would later reveal that a stimulus for the album was to end her contract with Atlantic without giving them new original songs; Amos felt that since 1998, the label had not been properly promoting her and had trapped her in a contract by refusing to sell her to another label.^[21]

Epic Records years (2002–07)[link]

With her Atlantic contract fulfilled after a 15-year stint, Amos signed to Epic in late 2001. In October 2002, Amos released Scarlet's Walk, another concept album. Described as a "sonic novel", the album explores Amos's alter ego, Scarlet, intertwined with her cross-country concert tour following 9/11. Through the songs, Amos explores such topics as the history of America, American people, Native American history, pornography, masochism, homophobia and misogyny. The album had a strong debut,^[22][23] demonstrating that Amos' fan base remained intact through the label change. However, Scarlet's Walk is Amos' last album to date to reach certified gold status.^[24]

Amos in concert in June, 2005

Not long after Amos was ensconced with her new label, she received unsettling news when Polly Anthony resigned as president of Epic Records in 2003. Anthony had been one of the primary reasons Amos signed with the label and as a result of her resignation, Amos formed the Bridge Entertainment Group. Further trouble for Amos occurred the following year when her label, Epic/Sony Music Entertainment, merged with BMG Entertainment as a result of the industry's decline.^[25] Amos would later hint in interviews that during the creation of her next album, those in charge at the label following the aforementioned merger were interested "only in making money", the effects of which on the album have not been disclosed.^{[citation needed]}

Amos released two more albums with the label, The Beekeeper (2005) and American Doll Posse (2007). Both albums received mixed reviews, some of which stated that the albums suffered from being too long.^[26][27] The Beekeeper was conceptually influenced by the ancient art of beekeeping, which she considered a source of female inspiration and empowerment. Through extensive study, Amos also wove in the stories of the Gnostic gospels and the removal of women from a position of power within the Christian church to create an album based largely on religion and politics. The album debuted at #5 on the Billboard 200,^[28] placing her in an elite group of women who have secured five or more US Top 10 album debuts.^[29] American Doll Posse, another concept album, was fashioned around a group of girls (the "posse") who are used as a theme of alter-egos of Amos's. Musically and stylistically, the album saw Amos return to a more confrontational nature.^[30] Like its predecessor, American Doll Posse debuted at #5 on the Billboard 200.^[14]

During her tenure with Epic Records, Amos also released a retrospective collection titled Tales of a Librarian (2003) through her former label, Atlantic Records; a two-disc DVD set Fade to Red (2006) containing most of Amos's solo music videos, released through the Warner Bros. reissue imprint Rhino; a five disc box set titled A Piano: The Collection (2006), celebrating Amos's 15 year solo career through remastered album tracks, remixes, alternate mixes, demos, and a string of unreleased songs from album recording sessions, also released through Rhino; and numerous official bootlegs from two world tours, The Original Bootlegs (2005) and Legs & Boots (2007) through Epic Records.

Universal Music years (2008–present)[link]

Universal Republic (2008–2011)[link]

In May 2008, Amos announced that, due to creative and financial disagreements with Epic Records, she had negotiated an end to her contract with the record label, and would be operating independently of major record labels on future work.^[31][32] In September of the same year, Amos released a live album and DVD, Live at Montreux 1991/1992, through Eagle Rock Entertainment, of two performances she gave at the Montreux Jazz Festival very early on in her career while promoting her debut solo album, Little Earthquakes. By December, after a chance encounter with chairman and CEO of Universal Music Group, Doug Morris, Amos signed a "joint venture" deal with Universal Republic Records.^{[33][34][35][36]}

Abnormally Attracted to Sin, Amos's tenth solo studio-album and her first album released through Universal Republic, was released in May 2009 to mostly positive reviews. The album debuted in the top 10 of the Billboard 200,^[37] making it the Amos' seventh album to do so.^[38] Abnormally Attracted to Sin, admitted Amos, was a "personal album", not a conceptual one.^[39] Continuing her distribution deal with Universal Republic, Amos released Midwinter Graces, her first seasonal album, in November of the same year. The album features reworked versions of traditional carols, as well as original songs written by Amos.^[40]

During her contract with the label, Amos recorded vocals for two songs for David Byrne's collaboration album with Fatboy Slim, entitled Here Lies Love,^[41] which was released in April 2010. In July of the same year, the DVD Tori Amos- Live from the Artists Den was released exclusively through Barnes & Noble.

After a brief tour from June to September 2010, Amos released the highly exclusive live album From Russia With Love in December the same year, recorded live in Moscow on 3 September 2010. The limited edition set included a signature edition Lomography Diana F+ camera, along with 2 lenses, a roll of film and 1 of 5 photographs taken of Tori during her time in Moscow. The set was released exclusively through toriamos.com and only 2000 were produced. It is currently unknown as to whether the album will receive a mass release.

Deutsche Grammophon (2011–present)[link]

In September 2011, Amos released her first classical music album, Night of Hunters, featuring variations on a theme to pay tribute to such renowned composers as Bach, Chopin, Debussy, Granados, Satie and Schubert, through the Deutsche Grammophon label, a division of Universal Music Group. She is currently writing the music for Samuel Adamson's musical adaptation of the George MacDonald story The Light Princess for the Royal National Theatre, which was originally expected to debut in spring 2012^[42] but has now been deferred.^[43] Amos has, however, confirmed the release of an album in 2012 marking the 20th anniversary of her debut album Little Earthquakes.^[44] The album will consist of songs from her back catalogue rearranged and performed by the Metropole Orchestra.

On May 1st, 2012, Amos announced the formation of her own record label Transmission Galactic, which she intends to use to develop new artists.

In print[link]

Released in conjunction with The Beekeeper, Amos co-authored an autobiography with rock music journalist Ann Powers entitled Piece by Piece (2005). The book's subject is Amos's interest in mythology and religion, exploring her songwriting process, rise to fame, and her relationship with Atlantic Records.

Image Comics released Comic Book Tattoo (2008), a collection of comic stories, each based on or inspired by songs recorded by Amos. Editor Rantz Hoseley worked with Amos to gather 80 different artists for the book, including Pia Guerra, David Mack, and Leah Moore.

Additionally, Amos and her music have been the subject of numerous official and unofficial books, as well as academic critique, including Tori Amos: Lyrics (2001) and an earlier biography, Tori Amos: All These Years (1996).^[45][46][47]

"Tori Amos: In the Studio" (2011) by Jake Brown features an in-depth look at Amos's career, discography and recording process.^[48]

In 2011 Adrienne Trier-Bieniek, a sociology graduate student at Western Michigan University, received her PhD for a dissertation entitled “All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture". Trier-Bieniek focused on Amos' female fans and the emotional support they receive from listening to Amos' music. Along with Patricia Leavy, Trier-Bieniek contributed a chapter to the book "The Art of Social Critique"^[49] which addressed Amos' later albums and songwriting skills.

Personal life[link]

Family[link]

Amos in 1993 Alexandra Palace, London

Amos is the third child of Rev. Dr. Edison and Mary Ellen Amos. She was born at the Old Catawba Hospital in Newton, North Carolina, during a trip from their Georgetown home in Washington, D.C. Her maternal grandparents were of mixed European and Eastern Cherokee ancestry; of particular importance to her as a child was her grandfather, Calvin Clinton Copeland, who was a great source of inspiration and guidance to her as a young child, offering a more pantheistic spiritual alternative to her father and paternal grandmother's traditional Christianity.^[50]

Early in her professional career, Amos befriended author Neil Gaiman, who became a fan after she referenced him in the song "Tear in Your Hand" and also in print interviews.^[51] Although created before the two met, the character Delirium from Gaiman's The Sandman series (or even her sister Death) is inspired by Amos; Gaiman has stated that they "steal shamelessly from each other".^[52] She wrote the foreword to his collection Death: The High Cost of Living; he in turn wrote the introduction to Comic Book Tattoo. Gaiman is godfather to her daughter and a poem written for her birth, Blueberry Girl, was published as a children's book of the same name in 2009.^[53]

Amos married English sound engineer Mark Hawley on February 22, 1998. Their only child, a daughter named Natashya "Tash" Lórien Hawley, was born on September 5, 2000, a few weeks after Tori's 37th birthday. The family divides their time between Sewall's Point in Florida, Kinsale^[54] (County Cork) in Ireland, and Cornwall in England.

Activism[link]

In June 1994, Amos co-founded RAINN, The Rape, Abuse and Incest National Network, a toll-free help line in the US connecting callers with their local rape crisis center. Amos, herself a survivor of sexual assault,^[55] was seen as unlocking the silence of her assault through her music; thus "Unlock the Silence" went on to become a year-long campaign for RAINN when Amos became a national spokesperson for the organization. By the summer of 2006, RAINN had received its one millionth caller^[56] and the organization's success has led to it ranking in "America's 100 Best Charities" by Worth, and one of the "Top 10 Best Charities" by Marie Claire.

Discography[link]

As of 2011, Amos has released 12 solo studio albums during her solo career; all but the first two are self-produced.

• Little Earthquakes (1992)
• Under the Pink (1994)
• Boys for Pele (1996)
• From the Choirgirl Hotel (1998)
• To Venus and Back (1999)
• Strange Little Girls (2001)
• Scarlet's Walk (2002)
• The Beekeeper (2005)
• American Doll Posse (2007)
• Abnormally Attracted to Sin (2009)
• Midwinter Graces (2009)
• Night of Hunters (2011)

Amos has also released more than 30 singles and 60 B-sides, and has contributed original material to nine film soundtracks, including Higher Learning (1995), Twister (1996), Great Expectations (1998) and Mission: Impossible II (2000). Her cover of the 1952 hit "You Belong to Me" appears on the soundtrack to 2003's Mona Lisa Smile.

Tours[link]

Amos, who has been performing in bars and clubs from as early as 1976 and under her professional name as early as 1991 has performed more than 1,000 shows since her first world tour in 1992. In 2003, Amos was voted fifth best touring act by the readers of Rolling Stone magazine. Her concerts are notable for their changing set lists from night to night.

Little Earthquakes Tour 

Amos's first world tour began on January 29, 1992 in London and ended on November 30, 1992 in Auckland. She performed solo with a Yamaha CP-70 unless the venue was able to provide a piano.^[57][58] The tour included 142 concerts around the globe.

Under the Pink Tour 

Amos's second world tour began on February 24, 1994 in Newcastle upon Tyne and ended on December 13, 1994 in Perth, Western Australia. Amos performed solo each night on her iconic Bösendorfer^{[citation needed]} piano, and on a prepared piano during "Bells for Her". The tour included 181 concerts.

Dew Drop Inn Tour 

The third world tour began on February 23, 1996 in Ipswich, England, and ended on November 11, 1996 in Boulder. Amos performed each night on piano, harpsichord, and harmonium, with Steve Caton on guitar on some songs. The tour included 187 concerts.

Plugged '98 Tour 

Amos's first band tour. Amos, on piano and Kurzweil keyboard, was joined by Steve Caton on guitar, Matt Chamberlain on drums, and Jon Evans on bass. The tour began on April 18, 1998 in Fort Lauderdale and ended on December 3, 1998 in East Lansing, Michigan, including 137 concerts.

Five and a Half Weeks Tour / To Dallas and Back 

Amos's fifth tour was North America–only. The first part of the tour was co-headlining with Alanis Morissette and featured the same band and equipment line-up as in 1998. Amos and the band continued for eight shows before Amos embarked on a series of solo shows. The tour began on August 18, 1999 in Fort Lauderdale, Florida and ended on December 9, 1999 in Denver, including 46 concerts.

Strange Little Tour 

This tour was Amos's first since becoming a mother in 2000 and her first tour fully solo since 1994 (Steve Caton was present on some songs in 1996). It saw Amos perform on piano, Rhodes piano, and Wurlitzer electric piano, and though the tour was in support of her covers album, the set lists were not strictly covers-oriented. Having brought her one-year-old daughter on the road with her, this tour was also one of Amos's shortest ventures, lasting just three months. It began on August 30, 2001 in London and ended on December 17, 2001 in Milan, including 55 concerts.

On Scarlet's Walk / Lottapianos Tour 

Amos's seventh tour saw her reunited with Matt Chamberlain and Jon Evans, but not Steve Caton. The first part of the tour, which featured Amos on piano, Rhodes, and Wurlitzer, was six months long and Amos went out again in the summer of 2003 for a tour with Ben Folds opening. The tour began on November 7, 2002 in Tampa and ended on September 4, 2003 in West Palm Beach, featuring 124 concerts. The final show of the tour was filmed and released as part of a DVD/CD set titled Welcome to Sunny Florida (the set also included a studio EP titled Scarlet's Hidden Treasures, an extension of the Scarlet's Walk album).

Original Sinsuality Tour / Summer of Sin 

This tour began on April 1, 2005 in Clearwater, Florida, with Amos on piano, two Hammond B-3 organs, and Rhodes. The tour also encompassed Australia for the first time since 1994. Amos announced at a concert on this tour that she would never stop touring but would scale down the tours. Amos returned to the road in August and September for the Summer of Sin North America leg, ending on September 17, 2005 in Los Angeles. The tour featured "Tori's Piano Bar", where fans could nominate cover songs on Amos's website which she would then choose from to play in a special section of each show. One of the songs chosen was the Kylie Minogue hit "Can't Get You Out of My Head", which Amos dedicated to her the day after Minogue's breast cancer was announced to the public. Other songs performed by Amos include The Doors' "People are Strange", Depeche Mode's "Personal Jesus", Joni Mitchell's "The Circle Game", Madonna's "Live to Tell" and "Like a Prayer", Björk's "Hyperballad", Led Zeppelin's "When the Levee Breaks" (which she debuted in Austin, Texas, just after the events of Hurricane Katrina), Kate Bush's "And Dream of Sheep" and Crowded House's "Don't Dream It's Over", dedicating it to drummer Paul Hester who had died a week before. The entire concert tour featured 82 concerts, and six full-length concerts were released as The Original Bootlegs.

American Doll Posse World Tour 

This was Amos's first tour with a full band since her 1999 Five and a Half Weeks Tour, accompanied by long-time band mates Jon Evans and Matt Chamberlain, with guitarist Dan Phelps rounding out Amos's new band.^[59] Amos's equipment included her piano, a Hammond B-3 organ, and two Yamaha S90 ES keyboards. The tour kicked off with its European leg in Rome, Italy on May 28, 2007, which lasted through July, concluding in Israel; the Australian leg took place during September; the North American leg lasted from October to December 16, 2007, when the tour concluded in Los Angeles. Amos opened each show dressed as one of the four non-Tori personae from the album, then Amos would emerge as herself to perform for the remaining two-thirds of the show. The entire concert tour featured 93 concerts, and 27 full-length concerts of the North American tour were released as official bootlegs in the Legs and Boots series.

Sinful Attraction Tour 

For her tenth tour, Amos returned to the trio format of her 2002 and 2003 tours with bassist Jon Evans and drummer Matt Chamberlain while expanding her lineup of keyboards by adding three M-Audio MIDI controllers to her ensemble of her piano, a Hammond B-3 organ, and a Yamaha S90 ES keyboard. The North American and European band tour began on 10 July 2009 in Seattle, Washington and ended in Warsaw on 10 October 2009. A solo leg through Australia began in Melbourne on 12 November 2009 and ended in Brisbane on 24 November 2009. The entire tour featured 63 concerts.

Night of Hunters tour 

Amos' eleventh tour was her first with a string quartet, Apollon Musagète, (Amos' equipment includes her piano and a Yamaha S90 ES keyboard) and her first time touring in South Africa. It kicked off on 28 September 2011 in Finland, Helsinki Ice Hall and ended on 22 December 2011 in Dallas, Texas.^[60]

Award nominations[link]

Grammy Awards

Note: In 2003 the Tori Amos album Scarlet's Walk (deluxe edition) was nominated in the category "Best Boxed or Special Limited Edition Packaging", this nomination went to the art directors Dave Bett and Sherri Lee. Also in 2003, "Timo on Tori (Don't Make Me Come To Vegas) a remix of the Tori Amos song Don't Make Me Come to Vegas was nominated in the category "Best Remixed Recording, Non Classical" this nomination went to the remixers Mark Buttrich and Timo Maas.

Brit Awards

MTV Video Music Awards

References[link]

External links[link]

Wikimedia Commons has media related to: Tori Amos

Wikiquote has a collection of quotations related to: Tori Amos

• Official website
• Tori Amos discography at MusicBrainz
• Tori Amos at the Internet Movie Database
• Synthesis.net April 2007 podcast interview
• Tori Amos on Synthesis.net
• Tori Amos on Virb.com
• Tori Amos on Advocate.com
• Tori Amos on Allmusic.com
• Y Kant Tori Read on Allmusic.com

Crooked Still
Crooked Still performing at the 2007 Shetland Folk Festival
Background information
Origin	Boston, Massachusetts
Genres	Progressive bluegrass, folk
Years active	2001-present
Labels	Footprint, Signature Sounds Recordings
Associated acts	Wild Band of Snee, Darol Anger's Republic Of Strings, Fiddlers 4, Tornado Rider, Sometymes Why
Members
Aoife O´Donovan Corey DiMario Gregory Liszt Tristan Clarridge Brittany Haas
Past members
Rushad Eggleston

Crooked Still is an alternative bluegrass band consisting of vocalist Aoife O'Donovan, banjo player Dr. Gregory Liszt, bassist Corey DiMario, cellist Tristan Clarridge and fiddler Brittany Haas. They are known for their high energy, technical skill, unusual instrumentation, and innovative acoustic style.^[1]

History[link]

2001-2008[link]

O'Donovan and DiMario met at the New England Conservatory of Music in Boston, Massachusetts in the spring of 2001. Former cellist Rushad Eggleston, who was studying at Berklee College of Music, and Liszt, a graduate student at MIT, were playing music together around the same time, and when the four met that summer, they formed a band that became Crooked Still. While its members finished school, the group played various Boston venues, growing in popularity and collecting favorable reviews from the local press.

In 2004, the group was invited to perform at the Newport Folk Festival and Falcon Ridge Folk Festival, when their debut album, Hop High, was the top-selling album^{[citation needed]}. Following the success of this first festival appearance, Crooked Still went on to appear at concert halls, festivals, coffeehouses, and nightclubs in 23 states and several countries. On August 22, 2006, the group released their second album, Shaken by a Low Sound.

From 2008[link]

Cellist Rushad Eggleston performed his last show with the band on November 18, 2007, at the Iron Horse in Northampton, Massachusetts. He parted ways with Crooked Still to pursue his own music with band Tornado Rider. In January 2008 two new members joined the band: cellist Tristan Clarridge and fiddler Brittany Haas, both of whom have toured in Darol Anger's Republic of Strings. The band released its first album with the new lineup, Still Crooked in 2008, a live album in 2009, and a studio full-length, Some Strange Country, in 2010.

2011 and beyond[link]

In honor of their tenth anniversary together as a band, Crooked Still embarked on a major tour of the Northeast and the Pacific Northwest, and released a 7-song EP called Friends of Fall in October 2011.^[2]

Discography[link]

Albums[link]

Live albums[link]

Music videos[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Crooked Still

• Official website
• Performances and interviews from Mvyradio

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