- published: 22 Oct 2011
- views: 30527
- author: TheGreatAaliyah
![B.o.B - Airplanes ft. Hayley Williams of Paramore [OFFICIAL VIDEO]](http://web.archive.org./web/20130504042025im_/http://i.ytimg.com/vi/kn6-c223DUU/default.jpg "B.o.B - Airplanes ft. Hayley Williams of Paramore [OFFICIAL VIDEO]")
22:00
Living Single - Mystery Date
the girls find themselves fighting over a new guy who moves into the building played by Mo...
published: 22 Oct 2011
author: TheGreatAaliyah
Living Single - Mystery Date
the girls find themselves fighting over a new guy who moves into the building played by Morris Chestnust.
- published: 22 Oct 2011
- views: 30527
- author: TheGreatAaliyah
13:21
Living Single - Burglar in the House. Part 1of 2
After Regine has her purse snatched on the subway, the girls ask Overton to install better...
published: 08 Jan 2013
author: janet12389
Living Single - Burglar in the House. Part 1of 2
After Regine has her purse snatched on the subway, the girls ask Overton to install better locks in their apartment. A nervous Synclaire and Regine insist on...
- published: 08 Jan 2013
- views: 9123
- author: janet12389
22:16
Living Single - Trick or Trust
When Khadijah drops by Scooter's house on an errand before the Halogen Records Halloween p...
published: 09 Oct 2012
author: HalloweenShowsDotNet
Living Single - Trick or Trust
When Khadijah drops by Scooter's house on an errand before the Halogen Records Halloween party, Regine discovers a fax from a woman telling Scooter how much ...
- published: 09 Oct 2012
- views: 15971
- author: HalloweenShowsDotNet
7:01
Living Single Misleading Lady PART 1
{DISCLAIMER} i DO NOT OWN THE RIGHTS TO THIS VIDEO....
published: 17 Jan 2012
author: baby girlie
Living Single Misleading Lady PART 1
{DISCLAIMER} i DO NOT OWN THE RIGHTS TO THIS VIDEO.
- published: 17 Jan 2012
- views: 30433
- author: baby girlie
10:56
Living Single - Come Back Little Diva Pt. 1
"Come Back Little Diva" Regine invites Synclaire, Overton, Max, and Kyle, while excluding ...
published: 04 Jun 2011
author: jackrabbit1233
Living Single - Come Back Little Diva Pt. 1
"Come Back Little Diva" Regine invites Synclaire, Overton, Max, and Kyle, while excluding Khadijah, to meet her new friends in her new apartment building. Af...
- published: 04 Jun 2011
- views: 111595
- author: jackrabbit1233
8:43
Living Single Judging By The Cover pt1
living single season 1 episode 1....
published: 20 Feb 2013
author: LiveLearn90s
Living Single Judging By The Cover pt1
living single season 1 episode 1.
- published: 20 Feb 2013
- views: 8109
- author: LiveLearn90s
11:00
Living Single - Great Expectations. Part 1of 2
Khadijah is disgusted by the girls' pathetic social life, so she suggests that they go out...
published: 07 Feb 2013
author: janet12389
Living Single - Great Expectations. Part 1of 2
Khadijah is disgusted by the girls' pathetic social life, so she suggests that they go out to a club and meet some men. Regine announces that she can get the...
- published: 07 Feb 2013
- views: 6481
- author: janet12389
2:26
MARRIED BUT LIVING SINGLE
A MUST WATCH FOR EVERY HOME Starring: Funke Akindele, Joke Silva, Benjamin Joseph, Femi Br...
published: 20 Feb 2012
author: harmony8687
MARRIED BUT LIVING SINGLE
A MUST WATCH FOR EVERY HOME Starring: Funke Akindele, Joke Silva, Benjamin Joseph, Femi Brainard,Tina Mba, Kalejaiye Paul & Kiki Omeili. Produced by Kalejaiy...
- published: 20 Feb 2012
- views: 108758
- author: harmony8687
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
9:50
ROSA
ROSA is an epic sci-fi short film that takes place in a post-apocalyptic world where all n...
published: 10 Nov 2011
author: Jesús Orellana
ROSA
ROSA is an epic sci-fi short film that takes place in a post-apocalyptic world where all natural life has disappeared. From the destruction awakes Rosa, a cyborg deployed from the Kernel project, mankind’s last attempt to restore the earth’s ecosystem. Rosa will soon learn that she is not the only entity that has awakened and must fight for her survival.
The short-film was created entirely by young comic-artist Jesús Orellana with no budget during a single year. Since it's world premiere at the Seattle International Film Festival, ROSA has been an official selection at film festivals around the world such as Screamfest, Toronto After Dark, Anima Mundi or Los Angeles Shorts Film Festival. In October ROSA was screened at the opening night of the Sitges International Film Festival, considered the world's best festival specialized in genre films. Following the succesful festival run, the short film has attracted the attention of the major talent-agencies and Hollywood producers. Currently ROSA is in development to be a live-action motion picture.
For more information regarding ROSA, please visit www.rosamovie.com
Become a Fan on www.facebook.com/rosashortfilm
4:04
Gotye- Somebody That I Used To Know (feat. Kimbra)- official film clip
Film clip for the Gotye song Somebody That I Used To Know
Featuring Kimbra from the album ...
published: 05 Jul 2011
author: Gotye
Gotye- Somebody That I Used To Know (feat. Kimbra)- official film clip
Film clip for the Gotye song Somebody That I Used To Know
Featuring Kimbra from the album Making Mirrors
Buy Somebody That I Used To Know here: http://www.smarturl.it/gotyesomebody
Buy Making Mirrors here http://www.smarturl.it/gotye
http://www.gotye.com/
http://www.facebook.com/gotye/
http://www.twitter.com/gotye/
Directed, produced and edited by Natasha Pincus
Body art by Emma Hack
Cinematographer and colourist: Warwick Field
Scenic artist: Howard Clark
Key grip: Rob Hansford
Assistants: Rose Cidoni, Claire Leighton, Rob Murray
Original artwork by Frank De Backer
Music credits:
Produced by Wally De Backer
Mixed by Francois Tetaz, assisted by Wally at Moose Mastering, Richmond, VIC
Bass recorded by Wally in Lucas Taranto's loungeroom, Melbourne, VIC
All other sounds put together by Wally in The Barn, Merricks, VIC
Bass guitar: Lucas Taranto
Lead and backing vocals: Kimbra
Guitar, flutes, percussion and synth samples, lead and backing vocals: Wally
Contains a sample of the recording “Seville” as performed by Luiz Bonfa.
Courtesy of Geffen Records, under license from Universal Music Enterprises.
Used by permission. All rights reserved.
*************
Now and then I think of when we were together
Like when you said you felt so happy you could die
Told myself that you were right for me
But felt so lonely in your company
But that was love and it's an ache I still remember
You can get addicted to a certain kind of sadness
Like resignation to the end
Always the end
So when we found that we could not make sense
Well you said that we would still be friends
But I'll admit that I was glad that it was over
But you didn't have to cut me off
Make out like it never happened
And that we were nothing
And I don't even need your love
But you treat me like a stranger
And that feels so rough
You didn't have to stoop so low
Have your friends collect your records
And then change your number
I guess that I don't need that though
Now you're just somebody that I used to know
Now and then I think of all the times you screwed me over
But had me believing it was always something that I'd done
And I don't wanna live that way
Reading into every word you say
You said that you could let it go
And I wouldn't catch you hung up on somebody that you used to know...
But you didn't have to cut me off
Make out like it never happened
And that we were nothing
And I don't even need your love
But you treat me like a stranger
And that feels so rough
You didn't have to stoop so low
Have your friends collect your records
And then change your number
I guess that I don't need that though
Now you're just somebody that I used to know
I used to know
That I used to know
Somebody...
*************
Somebody That I Used To Know is from the Gotye album Making Mirrors
Single and film clip released by Eleven: A Music Company
Release/catalogue number: ELEVENDIG100
Release date: Jul 11, 2011
Youtube results:
13:02
The Cast Of Living Single On The Arsenio Hall Show 1993
09/20/1993 [ Queen Latifah - Kim Fields - Kim Coles - Erika Alexander ]...
published: 27 May 2012
author: jamdvdz
The Cast Of Living Single On The Arsenio Hall Show 1993
09/20/1993 [ Queen Latifah - Kim Fields - Kim Coles - Erika Alexander ]
- published: 27 May 2012
- views: 22738
- author: jamdvdz
2:26
Living Single Opening Theme Song
This is the Opening Song To Living Single....
published: 13 Oct 2009
author: PoppaStarr98
Living Single Opening Theme Song
This is the Opening Song To Living Single.
- published: 13 Oct 2009
- views: 244385
- author: PoppaStarr98
11:06
Living Single - Great Expectations. Part 2
dKhadijah is disgusted by the girls' pathetic social life, so she suggests that they go ou...
published: 06 Feb 2013
author: janet12389
Living Single - Great Expectations. Part 2
dKhadijah is disgusted by the girls' pathetic social life, so she suggests that they go out to a club and meet some men. Regine announces that she can get th...
- published: 06 Feb 2013
- views: 4194
- author: janet12389
