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- published: 05 Dec 2012
- views: 410780
- author: thewayofthemaster
I've got a bitter pot of je ne sais quoi
Guess what? I'm stirring it with a monkey's paw
Since I saw you coming out of my barber's shop
In that skimpy little halter top
Did you light the candles? Did you put on 'Kind of Blue'?
Did you use that Ivy League voodoo on him, too?
He thinks he'll be alright but he doesn't know for sure
Like every other unindicted co conspirator
Mata Hari had a house in France
Where she worked on all her secret plans
Men were falling for her sight unseen
She was a genius
There's a face in every window of the Songwriters' Neighborhood
Everybody's your best friend when you're doing well, I mean good
The poet who lived next door when you were young and poor
Grew up to be a backstabbing entrepreneur
Albert Einstein was a ladies' man
While he was working on his universal plan
He was making out like Charlie Sheen
He was a genius
When you dropped me and you staked your claim
On a V.I.P. who could make your name
You latched on to him and I became
Minor inconvenience
Your protégé don't care about art
I'm the one, who always told you, you were smart
You broke my heart into smithereens
And that took genius
You and the barber make a handsome pair
Guess what? I never liked the way he cut your hair
I didn't like the way he turned your head
But there's nothing I can do or say I haven't done or said
Everybody needs a place to stand
And a method for their schemes and scams
If I could only get my record clean
(I'll tape it, you'll buy, buy, buy, buy, buy, buy, OOH!)
Can't you? aaaaah!
Tell the difference? mmmm,
Right how, aaaaah!
Little do you know, mmmm
I made me solo,
Love made me so low,
Life made me so low
Hey, like this, like this, like this,
Like this...like this, like this, like this, this
Can't you? aaaaah!
Tell the difference? mmmm,
Right how, aaaaah!
Little do you know, mmmm
Why why wallabye, na na na na alibi,
Sigh, sigh, what the fay,
Yuh uh uh uh uh uh bay,
Why why wallabye, na na na na alibi,
Sigh, sigh, what the fay,
Yuh uh uh uh uh uh bay
(I'll tape it, you'll buy, buy, buy, buy, buy, buy, buy WOO!)
It's okay, dislocate, I won't stop talking,
Put together, put together,
Poppy's time for jail beta,
Don't you see I never end, a non-stop comatic?
Put together, put together,
All of y'all can't tell the difference
Can't you? aaaaah!
Tell the difference? mmmm,
Right how, aaaaah!
Little do you know, mmmm
I made me solo,
Love made me so low,
Life made me so low
Can't you? aaaaah!
Tell the difference? mmmm,
Right how, aaaaah!
Little do you know, mmmm
Why why wallabye, na na na na alibi,
Sigh, sigh, what the fay,
Yuh uh uh uh uh uh bay,
Why why wallabye, na na na na alibi,
Sigh, sigh, what the fay,
If only they knew what we're doing
Who knows, we might have a chance
If only they'd hear what I'm saying
God knows, we might have a chance
To make a contribution
A standing Institution
I remember the dream
Who can see where we're going?
Maybe there's room for a change
Time slips like sand through my fingers
Sometime I feel so old
Is it worth the mind games?
Am I going insane?
Oh, come in from the cold
I wanna make it in my own time
For absent friends and faces
I wanna stay when the lights go up
The show it wasn't wasted
I wanna make it in my own time
For absent friends and faces
I wanna stay when the lights go up
In a sea of faces
Why am I always the loser?
God knows I'm not like the rest
You can survive on the surface
I wish I could too
Always walking the same road
Always carrying the same load
Come in from the cold
I wanna make it in my own time
For absent friends and faces
I wanna stay when the lights go up
The show it wasn't wasted
I wanna make it in my own time
For absent friends and faces
I wanna stay when the lights go up
Genio!
You would have to be a genius to work out what it is with us
And I'm no budding genius so what would I know?
You would have to have a first degree to understand the history
Or study anthropology, so what would I know?
I know that in South America, they're burning down the trees
Stoking up the fires of Western industries
And you would have to be a genius to work out what
it is with us, and I'm no budding genius, but some things
I know, I know, I know, I know, I know,
I know, I know, I know, I know, I know,
I know, I know, I know!
Voca teria que ser un genio
Para saber o que se passa com a gente
Mas eu nao sou em genio
Entao o que sei eu?
Voce tem que ter un diploma
Para entender a historia
Ou estudar anthropologia
Entao o que sei eu?
I know that in South America, they're burning down the trees
Stoking up the fires of Western industries
And you would have to be a genius to work out what
it is with us, and I'm no budding genius, but some things
I know, I know, I know, I know, I know,
I know, I know, I know, I know, I know,
I know, I know, I know, I know, I know...
Everybody wants to be a showman
Yeah they all got another one
Everybody thinks they got a genius
Everybody got me on the run
Sometimes I think they come here
Just so you can say that you can
And I can't get alone in my bathroom
I need to give myself a hand
Ya'll cuh-cuh-cuh-creepin'
Creepin' underneath my skin
Fuck you and your flashbulbs
Snappin' my picture again
You drank all my whiskey
You stole all my smoke
And you're crowded all around me
Like I got nowhere to go
Eyes are gonna roll back
I'm here to kill
Time for you to go
I'm-a-gon' spill
It ain't yo fast train
I'll be the king runnin' near the wheel
I ain't lookin' to make no deals here no
You keep stickin' to me like a prickly porcupine
You're gettin' your information from the grocery checkout line
Are you through confessin' of your little girl obsession
I'll take the blame
If I ever want to
For what my little brain
Has been through
I know to say
Things I never meant to
To seem a little sane
'cause that's what it takes
If I ever could win
If I ever could see
If I just could ever remember
To think about anything.
Darling, ya give me a rope and I'll hang myself
It doesn't take a genius to figure it out
Don't have to be fucking brilliant to see
I'm not as smart as I seem to be
I'm not as bright as I used to be
I'm not as sharp as I think I am.
I'm not as smart as I seem.
I'm not as bright as I seem.
Darling,
Darling
Darling
Darling, you give me a rope I'll hang myself
It doesn't take a genius to figure it out
Don't have to be fucking brilliant to see
I'm not as smart as I seem to be.
I'm not as bright as I used to be.
I'm not as sharp as I think I am.
I'm not as smart as I seem.
if dysfunction is our function (and if we learn by our mistakes) then I must
I'll Take The Blame
If I Ever Want To
For What My Little Brain
Has Been Through
I Know I Say
Things I Never Meant To
To Seem A Little More Sane
Cause Thats What It Takes
If I Ever Could Win
If I Ever Could See
If I Just Could Ever
Remember To Think
About Anything
Darling, Give Me A Rope
I'll Hang My Self
It Doesnt Take A Genius
To Figure It Out
Dont Have To Be Fucking Brilliant To See
Im Not As Smart As I Seem To Be
Im Not As Bright As I Used To Be
Im Not As Sharp As I Think I Am
Im Not As Smart As I Seem
Im Not As Bright As I Seem
Darling Darling Darling
Darling, Give Me A Rope
I'll Hang My Self
It Doesnt Take A Genius
To Figure It Out
Dont Have To Be Fucking Brilliant To See
Im Not As Smart As I Seem To Be
Im Not As Bright As I Used To Be
Im Not As Sharp As I Think I Am
Im Not As Smart As I Seem
Im Not As Bright As I Seem
Chorus: GZA and RZA
I gotcha back, but you best to watch your front
Cause it's the niggaz that front, they be pullin stunts
I gotcha back, but you best to watch your front
Cause it's the niggaz who front (they be pullin stunts)
Lyrics:
I was always taught my do's and don'ts
For do's I did, and for don'ts, I said I won't
I'm from Brooklyn, a place where stars are born
Streets are shot up, apartment buildings are torn
and ripped up, stripped up, shacked up and backed up
from fiends, cause the bosses on the scene, they got it cracked up
Kids are slingin in my lobby
Little Steve and Bobby
Gettin paid but it's a life-threatening hobby
Yeah, they still play hide and seek
The fiends seek for the crack, and they hide and let the cops peep
Grown folks say they should be out on their own
Before the gangs come and blow up their mom's home
Because they lifestyle is hectic, so fuckin hectic
Blaow! Blaow! Blaow! Bullets are ejected
My lifestyle was so far from well
Coulda wrote a book with a title ";Age 12 and Goin through Hell";
Then I realized the plan
I'm trapped in a deadly video game, with just one man
So I don't only watch my back, I watch my front
Cause it's the niggaz who front, they be pullin stunts
Back on the Ave of Lavonia and Bristol with a pistol
Stickin up Pamela and Crystal
You know your town is dangerous when you see the strangest
kid come home from doin the bid and nuthin changes
What is the meaning of CRIME (what?)
Is it Criminals Robbin Innocent Motherfuckers Everytime?
Little shorties take walks to the schoolyard
Tryin to solve the puzzles to why is life so hard
Then as soon as they reached the playground, blaow!
Shots ring off and now one of them lay down
It's so hard to escape the gunfire
I wish I could rule it out like an umpire
But it's an everlasting game, and it never cease to exist
Only the players change, so...
Chorus 3X
RZA - I gotcha back (8X)
I gotcha back so you best to watch your front
Cause it's the niggaz who front, that be pullin stunts
I gotcha back but you best to watch your front
It's the niggaz who front, that be pullin stunts
Outro: (LP version only)
*old man*
Your, tech, nique, is, mag-ni-ficent
When cut across the neck
A sound like wailing winter winds is heard, they say
I'd always hoped to cut someone like that someday
To hear that sound
But to have it happen to my own neck is... ridiculous
*man gasps for air*
The Basic Instructions Before Leaving Earth (3X)
Chorus: repeat 2X
Life is a test many quest the universe
And through my research, I felt the joy and the hurt
The first shall be last and the last shall be first
The basic instructions before leaving earth
Verse One:
Knowledge this wisdom, this goes back when I was twelve
I loved doing right but I was trapped in hell
Had mad ideas, sad eyes and tears
Years of fears, but yo my foes couldn't bear
I searched for the truth since my youth
And went to church since birth, but it wasn't worth the loot
that I was paying, plus the praying
I didn't like staying cuz of busy-bodies and dizzy hotties
That the preacher had souped up with lies
Had me cooped up lookin at loot, butt, and thighs
Durin the service, he swallowed up the poor
And after they heard this, they wallowed on the floor
But I ignored, and explored my history that was untold
And watched mysteries unfold
And dropped a jewel like Solomon, but never followed men
cause if you do your brain is more hollow than
Space oblivia, or the abyss
With no trace of trivia, left with the hiss
Does it pay to be deaf, dumb and blind?
From a slave we was kept from the mind
And from the caves he crept from behind
And what he gave, was the sect of the swine
When the bible, it condemned the pig
I don't mean to pull your hems or flip your wigs
But we used to wear a turban, but now we're in the urban
No more wearing beanies and dress like a genie
No hocus pocus cause I focus on the facts
And put it on the tracks and brought it through the wax
I speak on Jacob, it might take up some time
And too much knowledge, it might break up the ryhme
I did it anyway just to wake up the mind
of those who kiss stones or prays on the carpet
Those who sit home, or sell books by the market
Need to chill and get their mind revived
For years religion did nothing but divide
The basic instructions before leaving earth
Chorus
Verse Two:
I strolled through the books of Job to unfold
And open bibles, instead of hoping on revivals
Calling on His name and screaming hallelujah
when he hardly knew ya, that's how the devil's fooled ya
See look into my eyes brethren, that's the lies of a Reverend
Why should you die to go to heaven?
The Earth is already in space, the bible I embrace
A difficult task I had to take
I studied till my eyes was swollen, and only arose when
I found out that we were the chosen
I deal with the truth, and build with the youth
And teach my son as he kneels on the stoop
Son, life is a pool of sin, corrupted wth foolish men
and women with wicked minds, who build picket signs
to legalize abortion, the evil eye distortion
I quiz Son with my wisdom
Before I converted, I was perverted, and knowledge was asserted
The study of wisdom, I perferred it
The understanding, it gave me mental freedom
I even learnt Caucasians were really the Tribe of Edam
The white image, of Christ, is really Cesare Borgia
and uhh, the second son of Pope Alexander
The Sixth of Rome, and once the picture was shown
That's how the devils tricked my dome
I prophesized to save a man, but no one gave a damn
for my nation - the seed of Abraham
Blessed with the tongue of Hebrew
Now we're strung on needles, and some are plungin evils
So study and be wise in these days of darkness
Peace to my nephew Marcus
The basic instructions before leaving earth
Chorus: repeat to fade
[GZA]
I wiped the chrome off wit the dust cloth
'Fore I bust off
What's the cause, life loss, high price to pay
For a small reward, kill for that Bushwick and Horsely broad
I provided the jump cables, through to boost the mini-pack
Based on the drama unfolding in a track
I dont' hold back, I spare no one
Swords swing like shogun, now who want it?
You see the truth, then act upon it
Or feel the fire's fore view
Ain't a MC that I hit can pull through
That niggas are like kid, flashin plastic tools
Unaware of the most-year dynastic rule, what stupid!
[Masta Killa]
Without a doubt, it's in the heart where the best darts were written
Sittin at the window of the grand old earths
Youths thirst for knowledge, I teach but hold heat
Cuz some savage niggas are lost beyond reach
Broken homes breed seeds of no guidance
Left to wonder the streets and experiment wit devilish men
Violent, felon offenders, supreme folders
One-twenty bomb holders let em off and explode
The battefield haunting the daunting
Wu-Tang dance deadly emits six pence
Spiral rifle, barrel pointed, elastic noose
Plastic head wrapped stifle, survival
Tribal, title secret rival
?Archual? subliminal message throwin
Bitch niggas holdin on labels
Mic cables, capable of slowin down jets on deck
Fuckin you straight through continuously
Justice, wit more of the critical penital
Some long overdue, now served by the chiefs on cheat
Drummer bills is the street prophecies fulfilled
Better chill, currents to the invited
Bang for the 'phones, live niggas on they way home
Snatch poems from clones, we got it sewn
[RZA]
Eh yo...
Turn my shit up son too
Yo
[GZA]
You know exactly what i'm talking about,
Y'know?
[Ol' Dirty Bastard]
I'm gonna crash your crew (x8)
[GZA]
Left drink wine, from the purist grapevine
An' rhyme out the mutherfucking mind
Metal shine, light blind, cut the mic line
Catch juice from the ?land fo?
15 twenty inch woofers blow the manhole
Made the street crack, master feedback
?Allah masters the beat back?
The crowd look, while the stage shook
Carpenters made errors
Craftsmen had his head severed
Pyroclastic flow, heavy like tonnes of snow
Broke this rhymin' video
Verbal assassin, blastin
Exploit your break through explosively
Echo chamber ate that rap up ferociously
Game controlled, optimize the input channel
I set it relatively high for those on a panel
CD with the durable, long-life cover
Very similar to no other
I seen a million tryin' to set a flow
Thousands that show
Observe with the patience of watching a flower grow
But one individual thing forgot the ?fri show?
Now his pursuit is not for digress
A special note, thanks for being flank
While journalist's stay runnin' in front of tanks
Blew out first class, came back close cash
Ruff class, surfaces with no math
Military campaign, while shots cause information of the brain
Beat Crazy Eddie insane
*cra-cra-cra-cra-cra-cra...*
Filled with pain -- niggaz reign
[ODB]
I'm gonna crash your crew (x16)
I'm gonna crash your crew
I'm gonna crash your crew
";You never use those shoes, you cant have platinum authority inject me,
bitch I inject you, with the shit that made you say, yo dirt dogg
chew-chew-chew....";
I'm gonna crash your crew
Verse one:
The amplified sample, will trample, the leading cancel
That vacate your vessel
Guide this, strenuous as an arm wrestle
Move swift as light, a thousand years in one night
Then flight with insight
Everything i thought of, I saw it happen
Then I rose from the soil to sun blacken
Then came rao czars, left tracks and scarred
A pair of brightness of exploding stars
Gave me goods to taste
No ingredients to traced
And remained stuffed trying to figure the shape of space
No edge or boundary, released 2 rounds or 3
Intimidate my razor scrape, phony clown MC
The physical shatter from the blast
Pierclastic flow sets of a tower of ash
Through ignorance and misplaced trust your world's crushed
Too late to activate hyperspace of thrust
Even wearing camoflauge the analog at war
He seen his high beems
The father came in accompianed by deadly rain and when
Mentally indowed when lighting hit the crowd
The warm side crushed the barrier
The storm side destroyed your area
Repeat verse
The amplified sample, will trample, the leading cancel
That vacate your vessel
The amplified sample, the amplified sample, the amplified sample
Will trample
The amplified sample, will trample, the leading cancel
That vacate your vessel
The amplified, the amplified sample
The amplified sample, the amplified
The amplified sample, will trample, the leading cancel
The amplified
The amplified sample, will trample, the leading cancel
The amplified, the amplified
The amplified sample (fade out)
[GZA]
I was born, with the mic in my hand
Then I took it from Medina, to the S.I. land
I pulled up on the block, go out the truck, tt was the first of pit stops
The era of the spinnin' tops, the birth of hip hop
That was somethin', I had identified with
So I, made it my point to exploit this fly gift then
Myself and RZA, made trips to the B.X.
A mass of ferocious M.C.'s and talent T-Rex
Giants in every ways, rap flows for every day
We knew we would get a reward for the price we'll pay
The basic training was beyond entertainment
Just the caters of the verbal expressions, self explainin'
Were my boots out in constant walks across the borough
Tore the troops out the frame when they challenge the most thorough
From well concealed firing positions we let off the most
Dangerous with that, slang that just shatter the coast
They say I rhyme like the bank that stop
Cause M.C.'s be more shook then the dice that drop
Especially if I'm rollin', then the point is definitely proven
Cause with the GZA holdin', that keep a nigga movin'
I walk Broadway, from Quincy to Myrtle
Back to Quincy, cut careers whatever the expense be
They heard the Legend, run to the reverend
With headaches and blackouts, worse then severe seven
[Chorus: GZA]
And when my job is done
And it's time to get those that's comin' up some runs
So you can see where they from, from, from...
They say the product is good
We gonna sling it from the slums of the hills of the hood
'Til it's understood
[GZA]
We still search through the crates of songs that just breaks
At times we play legendary battles on tapes
Unlikely confrontation with a clash of swords
In a G that was stored, be rain that just poured
On cats and dogs, water that, flooded the stance
The violence and nature had trigged the violence of man
That was bloodshed, from which said, audible threats
Publicize regrets, wanted alive or dead
A hand full recovered from the dramatic plunge
While the rest kept babblin' and speakin' in tongues
Since the competition already slaked them in a scrimmage
He continued tarnish that, already faded image
Any sport, when they come short, majors don't need 'em
Then they broke, lose they homes, lively hood and freedom
The rhyme could be a blunt object that make you choke
Like too many tokes, that'll recharge in growth
This Witty Unpredictable Talent or Natural Game
With non added of slang, it's all actual fact
The high roller knock the chip off the shoulder
Strike like the perfect bowler, with catastrophic damage
My other's hard to vanish, punishment, swift to sudden
Unparalleled advantage, brought to a level where you froze and can't speak
Trapped in the frigid temperatures of that peak
[Chorus]
[Verse 1]
They was told not to ride in Patty's +Hearse+
and stay out of Charles' +Manson+
Took Abraham's +Lincoln+ through the Todd +Bridges+ espansion
Willis +Reid+s a map that marks the spot showin
On his left George +Burns+ a blunt William's holdin
Tara +Bank+ed the money that Chaka +Khan+ed the poor
Alicia +Key+ed his car for givin Melbourne +Moore+
For the Redd +Foxx+ who bought off the block, but though twice
As Debora +Cox+ the gun cuz she beat Kelly's +Price+
When Rosa +Park+ed the truck on the farm that Kim +Fields+
Linda +Tripp+ed for tryna to walk in Lauryn's +Hills+
Water dripped outta Farrah's +Fawcett+ in the glass
She was "Superfly", Curtis +Mayfield+ her ass
Chris +Tucker+ to a show, Ted +Turner+ to a hoe
Robert +Diggs+ the beat, but ain't feelin the flow
But he signed it fast, for half of Johnny's +Cash+
+Nia Long+ed for the album to drop, cameras flashed
Tom +Sawyer+ at the Lucielle +Ball+ up at the foyer
He confronted Richard +Pryor+ to hiring his lawyer
Suge's +Knight+ removed the rook off the board
Donna +King+ was checked and Al +Sharpton+ the sword
"Wettin cream, I aint wettin fame"
"Fame is the measure"
"Rap celebs"
"The place where stars are born"
[Verse 2]
The saints marched in, Kurtis +Blow+ing his horn
Tom +Cruise+d the boulevard, Chris +Rock+ed the song
For the hundredth time, they pressed rewind to the beginning
They toast to the rhyme, the juice spilt from John's +Lennon+
They took her to Elizabeth +Taylor+ to dry clean
The lone seamstress, who was schemin on Al's +Green+
You know they shoot for the stars and buckwild
Like the kids in the yard who play with +Jane's Child+
A beautician laced Erykah's +Badu+
Sean +Comb+ed through the evidence, just to get a clue
The needle in the haystack, from outta earth this kid
The tiger would kill him once thrown in Brad's +Pitt+
Jesse +Owen+ the money from the weed Bubba +Sparxxx+
They was journeys seen far as he walked in Dick's +Clark+
Jeffery +Lyons+ stuck with a thorn from George's +Bush+
Paul +Pierce+d in the heart as the crowd pushed
Acting alone... Drew +Barrymore+ bones
of the victims, three blocks from Jim's +Brownstone+
They shared the same bowl, he caught Natalie's +Cole+d
The producer, threw the butter on Esther's +Rolle+
Dempsey +Russel+ed him down, got his jaw wide
In a instant, Brooke +Shields+ him from the gunfire
Angie +Stone+d him to death, with those vocals
Keith +Sweat+ from the workout, just from runnin local
"With CREAM I ain't with the fame"
"Fame is the measure"
"Rap celebs"
"The place where stars are born"
[Verse 3]
Larry's +Bird+ flew outta Nicholas' +Cage+
Joe +Tex+ messages from Satchel's +Paige+
Betty +Wright+ letters with ink from Sean's +Penn+
Infinite bars, you couldn't tell where the song end
Glenn +Close+ enough to quickly duck the tapes
Richard +Gere+ ripped while he was climbin Bill +Gates+
He was a southerner, posing as a, native New Yorker
The Jason +Kidd+ took his first steps in Jimmy's +Walker+
He stayed on line chattin with rap celebs
Used Bernie's +Mack+ to search Veronica's +Webb+
It cost them their life for the advice you gave
Now Pete +Rose+ lay on Vanessa's +Redgrave+
"With CREAM I ain't with the fame"
"Fame is the measure"
"Rap celebs"
"The place where stars are born"
"With CREAM I ain't with the fame"
"Fame is the measure"
"Rap celebs"
"The place where stars are born"
[RZA]
Yo, yea check it...yo, yo yo yo
Yo, if you think you can fuck wit the Wu Clan
Get ya nose swolled up like Toucan
If you think you can fuck wit the Wu Clan
You get ya nose swolen up like Toucan
If you think you can fuck wit the wu clan
you get ya nose swolen up like Toucan
Sam, and we don't give a damn
Bullets soaked in oil so the Tec can't jam
Sippin on Carribean RUM, coconut juice
Smokin on that chocolate stick
Open up two bottles of that brass monkey on some drunkie shit
You R&B; fake rappers suck a monkey dick
I'm from back in the days
with the Christmas for haze
on my back, stripped out black
You like that?
Seven braids in my head
My girl stays in the bed and she love to lay the eggs
[Masta Killa]
Prepare for the mic onslaught swift with the sword
Slick Lord, holdin my weight homing abroad
The crowd roared for the peeps playing for the streets
I reeped and sewed, scriptures weeved and woved
Behold gold for the people equal
Fresh on the weekend
Wu-Tang, Biggie smalls live at the beacon
Backstage drinks on the house the show was bangin
Brothers Grey Goosin, Wu was Tanquerayin
Allah teaching schools in session
The Gods speakin
I'm just knowledging
Snake handshakes and fake hugs
Waiting for the hour to devour
and splatter ya heads of powder
I'm a slave to the rhythm
but never to a mental deaf and power
The hour has come
We got y'all eleven to one son
You done off, too late to break off
Tactics are hazardous to the health, bomb stealth
Rifle stay M-16, know what I mean?
Know what I mean?
[Break: Masta Killa (both)]
Yo just what we (stand for?) Loyalty
What we strive for? Righteousness
What we live and (die for?)
Strictly fam members only
Yo (strictly fam members only)
Yo, yo just what we (stand for?) Loyalty
What we strive for? Righteousness
what we live and (die for?)
(Strictly fam members only)
(Strictly fam members only)
[RZA]
Ayo ayo
Great minds think alike
We used to drink all night
Think about things thats wrong and how to make it right
Ice cold bottles of brass, time flashes
A hundred blunts passes
Before the God asked us
What's the square miles of the planet?
Why is the axis slanted?
How much is covered by water?
How much is granite?
True-I-Master-Equality
God body be flowing like the chi energy inside your artery
Faithful as a polished rock against a tank
The force of my wheel still kill shooting blanks
Just from the sound alone ya heads blown
Still scorin in the red zone you best of head home
or get thrown to the dead zone
Son we need to ill, interupt the Grammy show and teach the kids
[Break: RZA]
Yo Just', what we stand for?
What we strive for?
What we live for?
What we give for?
What we die for?
Strictly fam members only
Strictly fam members only
[GZA]
I grew up around block parties ready to rock
Behind a roll nigga wit my rhyme on cock
First shot first nigga who had shit to pop
My bad weather blew the feathers off a hundred flocks
Seventy precent goose, thirty duck
Get stuck if each link in ya chain is truck
Can't come in this rhyme cypha wit nine snipers
Charged off the juice from the pied pipers
Walk around B-Boys, DJ's, MC's
Through rap, never thinkin their ways of TV
It was strictly all about about magnificent rhyme clout
The R.E.C. Room, two dollars with the flyer, three without
Now his wigs pushed back, name's removed off the plaque
Too wild to reanact, with tax
Thats the price to pay, my goal is to aim and spray
My night is the same as day
[Chorus x2: RZA]
Yo Just', what we stand for?
What we strive for?
What we live for?
What we give for?
What we die for?
Strictly fam members only
Strictly fam members only
[small boy]
It was the summer of '77.
NewYork was just recovering from the raves due to the blackout.
HipHop was young and growing rapidly, it was during that time when my father would oftent make journeys accross waters. From [not clear?] on his [not clear?] to where many say this art form started. The ferry, or the boat, as most called it, was a floatin' forum, for talent especially MC's, who would often battle while in route to the city. It was on the boat, where he would sharpen his sword on neighborhood MC's, preparing for the battles that were soon to come...
Chorus:
What are silly girls made of made of
What are silly girls made of
A neck full of gold, material things huh
That's what silly girls are made of
Verse One:
On a scale of one to ten I seen a girl about a nine
A slave of mental death of only she was divine
Walking down my ex-block, the block Munroe
I said, peace to her, the girl said hello
Well hell is low and the lowest you can go
Is thirty-two degrees, below zero
So I started to rain on this young girl's brain
Causin her a great mass of physical pain
She said, ";Tit for tat, step off my bra strap.
No diamonds, no gold, you cannot get a rap.";
Then I said, ";So what?";, as I grabbed her butt
She smiled for a while but her mouth kept shut
The girl is eighteen, just birthed a child
You're young in the brain and your thoughts are wild
You're on welfare, yo but you don't care
You say, ";FTF is always there.";
Yes FTF meaning face-to-face
The main headquarters of your local place
Where you collect your bi-weekly pay
To support the foolish habits you abuse everyday
Chorus:
What are silly girls made of made of
What are silly girls made of
";Yeah that's right, I'm juicin em, I'm juicin em dry!";
Is that what silly girls are made of?
Verse Two:
There has never been a dame in my entire life
My girlie, my ex, my next or my wife
There has never been one who tried to disrespect
Especially a member of the opposite sex
Yo bust it, there's somethin that I gotta let out
But I don't want to be known as Ralph the Blabbermouth
Silly girls, they think guys are soft
But all they wanna do, is knock their boots off
And just from obtaining the common sense
You can tell that the girlies seem rather quite dense
Other than dense they play slightly bold
But from the statements I made they could not uphold theyself
They break down, and they start to cry and said
";Oh! I don't believe this guy!";
Chorus:
Now what are silly girls made of made of
What are silly girls made of
";It's all about the finances"; ";Forget the romance";
Is that what silly girls are made of?
What are silly girls made of made of
What are silly girls made of
";Guys with cash"; ";can rock my big a--";
Is that what silly girls are made of?
Verse Three:
Silly girls on a strip, struttin back and forth
Watchin cars, thinkin of G'n off
Lookin for gentlemen, who they might swing
And attitudes, like you can get anything
You wear tight bodysuits under long coats
But ain't satisfied until a pervert slice your throat
You're young you're dumb and you used to be innocent
when young, now take a look at what you've become
A bloodsucker, trying to get all you can
Out the pocket of thenext girl's man
Just to clothe yourself in gold and jewelry
You wear tight jeans with attempts to lure me
Into your web, cause you're livin like a spider
And playin it off, like everything's Oreida
You come out late at night and roam the streets
like thiefs, stalkin a piece of flesh meat
Is that what you do for a living get paid?
C'mon, there's plenty of ways to get paid
But instead of living the life that's clean and sturdy
You'd rather go out and get your knees dirty
Chorus:
What are silly girls made of made of
What are silly girls made of
";He better buy me some gold bamboozles"; ";And some Fendi too";
Is that what silly girls are made of?
What are silly girls made of made of
What are silly girls made of
First of all, don't leave home without it
Without what?
The gold card
I'm tryin to tell you now
I don't lay on my back for free
You know as they say
If you wanna Taney
Ya gots ta pay
Yo what's up gorgeous, what's your name?
Baby let's talk about your assets first
Alright baby, well let's go for a ride in my new car
What kind of car you drivin baby?
I got a new Yugo
A Yugo? C'mere
You go, get in your Yugo
and get on out of here!
Girlfriend, tell him about hisself
I don't believe him, he got champagne thoughts and Bud Light money
Bud Light money? A Yugo? A thirty-five hundred dollar car?
And you steppin to this? I take only Benz's and better love
Forget about the love it's all about the money
So let's go put on our silk suits and step to the club tonight
That's where it's at
Yeah, money
[Chorus: Joan Davis]
Just another victim of the... victim of the ghetto
Just Another victim, that's how it goes, ooh
[GZA]
Heavy foot traffic jam the hallway all day
Adolescence workin for small pay
World so little, he could never leave his block
His home full of riddle, so he always need his glock
He coast with his eye open, keep his metal smokin
Young wasted minds, fiendin on dimes, cokin
Forgot kids quick to break rules, and known to make fools
out of many, down the streets be more safe than school
There's no diploma, that can break him from the coma
A bloody war in the country, the youth hungry
On the corner, hyenas amongst me
Yabbin bout the stories, they be hearin, always swearin
Can't even spell the shit that he be wearin
Caught up in the silk web of material
Superficial stains ya brain tissue, that's the issue
The young is lost at their own cost, dreamin
Screamin how we never hold positions, that's the meanin
Brothers of murder victims share the same grief
The elderly shake their head in disbelief
and no relief came till I aimed
and blast one shot and left my name
The GZA... *echos*
[Chorus]
[Njeri]
My residence is a city where army veterans smoke rocks
on torn down blocks, drug spots set out their shops
and cops watch, innocent niggaz roam in flocks
Romanism in tops, papers and knots
Churches and liquor stores on every corner, plot to get money not
some funny niggaz act like they could pop glocks and those who can't cop
Sisters givin up ass a lot, brothers givin up cash a lot
They be strugglin to become someone because their parents not
Just another victim of the ghetto, where lost minds settle
When the devil uncivils society and die free
With double 'W' followed by J-D around the necks
and wrists the God is now a dog, the earth is called a bitch
and all my people wish to get rich in this wilderness
To push a lexus, ice on everythin from rings and braclets to the necklaces
Children molested within these pest infested buildins
Thieves uneducated in these schools, paint on the ceilins
Peelin off, but all I see is lost black babies callin
";Please somebody save me, please somebody save me";
[Chorus x2]
[Outro: Joan Davis]
Just another... just another... victim of the ghetto
[GZA]
Designer and most of man
stands the front-end loader
hold enough weight that'll compensate the share-holders
Powerful motor controls are mad stable
No room for error, injury proves fatal
Hundred ton air-jack, quickly raise the steel
After blowin' out the belt drive, Math' change the wheels
Bust ya, slash ya, we still thick like plaster
There's always potential full-on scale disasters
In the rec' [?] narrowly missin'
My camp be forced into periless proposition
We must come see ya, despite imminent danger
Was short on fuel, before he flew out the hangar
From the cold dirt, rocks and all, rap galore
Watch the river flow backwards once we storm the shore
Nigga, mark with razor-sharp eyes of the scope
On the ropes, hanging from the towel and cliffs and slopes
The magnitude of the devastation untold
The collective laws of countless souls lay in the road
[Inspectah Deck]
Insane flower, vein blower
Aim and it's game over
You know the name, flame-thrower
Got the code to the game and I hold the main controller
Soldiers from the jump, and today the same soldier
I stay low, play close to bank rolls
Parly with the greatest who walk the same road
Oh you ain't hear? Ain't nuttin' new but the gear
The crew of the year, kid too much to bear
Find out what I'm about, know the legend
The slight disrespect, of his name provoke tension
No threat, bringin' the force like Bobo-fet'
The old vet' WHOSE PRESENCE alone control the set
I'm next level, ya best settle, bless Rebel
I shine like a vessel, with strength to bend metal
Guns, head first in the grunge, become emerged the drums
The verse is murder one
[GZA]
We rhyme back-to-back, deangerous emcees
Move on track-to-track 100 bar measure
Lost treasure, those crews who never gave us much pleasure
Agreed the sound was good, shoppin' in the state, city, town and hood
eventually they would
Lay down the trademark with god that built wealth
To dip-dive in the beehive was on self
For the power struggle, never clown but did juggle
The heavy load made it explode to mad rubble
I thought of this tune on a blackout guided by the light of the moon
on a camp-out, the kerosine lamp out, so we walked the road we paved
with trails that left vinyl foot-steps engraved
[Intro: Ghostface Killah]
Yeah, six o'clock in the morning
That's right, you gotta get your darts right
Spray ya'll niggas on some marksman shit]
[Ghostface Killah]
I got ready to graze
Took my hat off and the crowd went crazy
Bitches threw their panties, the sound man was fannin' me
The whole place was standin', G
What they chant, we was family
Jumped in the crowd and I swam to sea
Threw me to the back, surprise, I still had my chains on me
Dana Dane, front row bitches, I bang all three
Say, yo, Meth, fuck it, throw a Jim Brownski
Versace, banana color robes and my socks be
Them Billie Jean shits and they real Rocky
The fans can't knock me
I bench Coliseums while Genius spot me
Plus I'm cocky, bitch
[Streetlife]
Once I, took off the hoodie, revealed the face
Cop patrol couldn't control the place
I got groupies backstage, lined up at the gate
The signs up, yellin', "We love your tape!"
I'm sorry I took so long, didn't mean to make ya'll wait
But good things take time to create
You can find me, in your studio
Half baked, eatin' ganja cake
Tryin' to make my next release date
With Ghost, Street, GZA, great minds relate
You know a brother bond is hard to break
When we perform we cause the Earth to shake
Ain't nuthin' change, it's still those same niggas you love to hate
GZA...
[GZA]
I set examples over amplified samples
That's scratched in the club, ducks begin to trample
On those fell victim, body loss they souls
These beats when I picked 'em
Jones played the role, soldiers brave and bold
RZA paid the roll, GZA buries the scrolls
Then months later it was, then years later it was
Written on loose leaf, that old formula
That was stolen by new thieves
The journalist watched it, critics couldn't knock it
A piece of history that they carried in they pocket
With the time factor, speed was the order of the day
What a delay, they were able to, what he would say
Why waste the slot time, of the ridiculous rhyme
That's only excused by a generous mind
I kept 'em stored in the shelters like the goods in cans
'Til I turned rap villes into harvested lands
[Intro: Armel]
Uh-huh, GZA, uh, RZA, uh
[Armel]
Listen, if ya'll can spit, we can spit, please get it together
Cuz anything you can do, I can do better
Your imagine material looks, hotter behind looks
Raise the fear, no one, but self, who's shook?
Bring the plague like the revelations in the holy book
Who's spot you took? Duke off the hook
I'm from the land of the crook, life quit the end
Better known as the Brook, rather tape then lend
There's a lot of wack records, but this ain't one of them
DJ's off the books, go 'head put the gun at them
All groupie M.C.'s, I'm bout to start stunnin' 'em
Don't matter what crew, every last one of 'em
It's gettin' crowded in here, some acts got to go
Let's start by eliminatin' groups that can't flow
I better meal my deal, my career with no fear
That none of ya'll group can touch what's over here
[Chorus: GZA]
These rough cut metal tapes
Quick to break your label mates, won't hesitate
Negotiate your table stakes, you can't flow right
Or fuck with me on no night
Fuck the slow light, you need to get your show right
[Prodigal Sunn]
Yo Justice, how many M.C.'s must get pistol whipped?
Crack faces with bottles of Crys', hollow tips gobble lips
That's the penalty for poppin' that shit
Vanish in a colorless whip, bags of grip
Doo-rags and clips, tag the strip
You had the chance to advance, I'm sorry for the holes in
your hip
Son, It's the way of the street merchant, live by the laws,
die by the rules
My gleam play the part of a fool
Now hear these jewels from a wise king, see what my eyes seen
Ten year supreme, the theme, we sizzle-line and triple CREAM
My grip'll off that digital bream, visual scene
Roll footage on your video screen
Globe patrol, Two On The Road, we never fold
Snub react, GZA mack eliminate tracks
Stimulate phat, Sunzini, nigga, gifted and black
Now watch me mack to the kingdom of rap
[12 O'Clock]
Give me a beat, nigga dealin' battles like a thief
Done killed more niggas than Jason in part 3
Stay Wu, on the graveyard and this label
Dum dums, that battle 12 O'Clock, now it's able
So what, looked up and made the bitches clap
That was because my style's clothes, not the raps
Ain't that shit, props for the clothing
Should of brought a mirror, cuz lyric wasn't rollin'
My rhymes is all that and yours ain't shit
And at a party, your bitch takin' crazy flicks of me
She said I was nigga celebrity
But I'm from the slums, with the bums drinkin' Hennesey
Take a sip of some Jamaican rum
Put fire to my lung, tongue, teeth and gums
When it comes out my mouth, shit's hot and it burns
Make fools out of bitches like I'm Howard Stern
[Chorus 2X]
Intro: Method Man/Johnny Blaze
[special technique] Fuck that
[special technique of shadowboxing] God damn
(The GZA, god damn!)
(The GZA, god damn!) Pledge allegiance to the hip-hop!
(Method, god damn!) I pledge allegiance to the hip-hop
(Maximilli-on, Maximilli-on)
(Uh, yeah, ahh, uh) Johnny Blaze
I pledge allegiance to the hip-hop
(Johnny Blaze) Maximilli-on
Maximilli-on
Verse One: Method Man/Johnny Blaze
I breaks it down to the bone gristle
Ill speaking Scud missle heat seeking
Johnny Blazing, nightmares like Wes Craven
Niggaz gunnin, my third eye seen it coming
Before it happen
You know about them fucking Staten
Kids they smashin
Everything huh, in any shape form or fashion
Now everybody talking bout they blastin, hmmm
Is you bustin steel or is you flashin? Hmmm
Talkin out your assHOLE
You shoulda learnt about the flow and peasy afro
Ticallion stallion, chinky eye and snot nosed
From my naps to the bunion on my big toe
I keeps it movin, know just what the fuck I'm doin
Rap insomniac, fiend to catch a nigga snoozing
Slip the cardiac arrest me, excorcist hip-hop posess me
Crunch a nigga like a Nestle, you know my STEEZ
burning to the third degree, sneaky ass alley cat top pedigree
The head toucher, industry party bum rusher
You don't like it dick up in ya fuck ya
(allow me to demonstrate) That's right, you corny-ass
(the skill of Shaolin) rap motherfuckers
(The special technique) Better go back and check
(of shadowboxing) your fuckin stacks
(Shadowboxing) Cause your naps ain't nappy enough
And your reefs ain't rugged enough
Bitch
Verse Two: The Genius/Maximillion
I slayed MC's back in the rec room era
My style broke motherfuckin backs like Ken Patera
Most rap niggaz came loud but unheard
Once I pulled ut, round em off to the nearest third
Check these non visual niggaz, with tapes and a portrait
Flood the seminar, tryin to orbit this corporate
indsutry, but what them niggaz can't see
must break through like the Wu, unexpectedly
Protect Ya Neck, my sword still remain imperial
Before I blast the mic, RZA scratch off the serial
We reign all year round from June to June
While niggaz bite immediately if not soon
Set the lynchin, and form the execution date
As this two thousand beyond slang suffocate
Amplify sample through vacumn tubes compressions
cause RZA, to charge niggaz twenty G's a session
Verse Three: Method Man/Johnny Blaze
When my mind start to clickin, and the strategy
is mastered the plot thickens, this be that Wu shit
I don't give a cotten-pickin FUCK
about a brother tryin to size a nigga up, I hold my own
Hard-hat protect your dome
Look at mama baby boy actin like he grown
No time for sleep, I gets deep as a baritone
Killa bee, that be holdin down his honeycomb, loungin son
Wu brother number one, protect your neck
Flying guillotines here they come, bloody bastards
Hard times and killer tactics, spittin words plus
semi-automatic slurs, peep the graphic
novel from the genie bottle, hit the clutch
shift the gear now, full throttle, time to bungee
To the next episode, I keeps it grungy
Hand on my nutsac, and spittin lung-ghies
At a wack nigga dat, don't understand the fact
When it come to RZA tra-cks I don't know how to act
Real rap from the Stat, killa hill projects
How to be exact, break it down
All and together now
Things are getting good looking better now
(Allow me to demonstrate the skill of Shaolin)
(Sha-shadowboxing, the special technique of shadowboxing)
(Shadowboxing)
[Genius/GZA]
Who be first to catch this Beat Down?
My RapPages be The Source
Ego Trip remain victory, and no loss
Rap Sheet show you Details of wars in streets
Where the most live, catch Vibe and Blaze heat
Double XL [XXL] kings who rush through, got Right On
Quick to Stress ya, sound crew to get a mic on
Math lets the plates Spin
Consecutive hits, promoters' face grin
The dawn catch fist, keep the paper direct wire
See them jake be tire
unlike the story that Echoes out with chronic liars
Like those who feast on hogs, eat Murder Dogs
A Village Voice kid with his heart and soul calm
Killa bees produce the honey, that fortify the platinum
plus the DJ claws fiend to scratch them
Thus street team takes shots of criticism
Promotional vehicles wiffin wit mad rhythm
With the lockout of one of our Source Sports
We spice the stand and launch the stage on the ball court
During the first half, number one draft
Rap lords, swing swords, slam microphone, shatter Billboards
Forty-eight in sight, after inhalin the herb
Vision impaired, when the silhouette emerged
One nut out the Clan
Get your whole click banned from radio
PD's cut your raps man
Forcin me to move on from one world to another
on the gulf, from the fuel Jet to hover
Take cover wit the radical, Urban Latino
No Hip-Hop Connection wit Us and Janet Reno
I do an interview and they aim to trace my Essence
To know more than is necessary blunts your weapon
My group's Nova, remain unsober
And serve High Times wit king cobras
I shoulder low-post MC's, your whole style ?lafeast?
Second to get your Word Up, then the troops unleash
Creative ?low fling?, to the grand opening
Wit my ray gun scoping, you're hoping
Uniforms be fridged when they walk the Black Beat
in the heat, of razors exposin fresh meat
In Bedrock and Gambling - Rolling Stone, out of zone
Where they can't monitor my 'xact poem
Collide wit the Tiger Beat, rappin raga
Ebony eyes, folks see the saga
[Chorus: GZA]
What you know about emceein? (I know a lot)
Can you demonstrate something? (Why not?)
I'm speaking about stacks, GZA (That's all I got)
The raw un-cut material (That's all I drop)
[GZA]
The nucleus of hip hop, rap's hallmark
They had a citywide effort to keep us in the dark
To the new details, distant wisp of light
Evidence of a terrifying threats on microphone
Rhyme stone, numerous parts combine
Strands of heavy metal form the steel arch design
Fit together seamlessly, everlasting rap
Heat-pressure generated by a blasted cap
The chamber when ya rollin' the dice everything count
Clan royalty where the loyalty is paramount
Couldn't be more wrong prior to your perusings
When ya spoke of us, you understated the influence
As I bury my motor-action, implode a fraction
Of ya investigation when ya askin
Aware about in ya suit and tie, cruising by
The intrepid workmen that sharpen ya shooting eye
[Chorus 2x]
[GZA]
Like a child I have infinite patience when I write
The victim's dental records showed they loved to bite
The under like removed off a charged battery
Someone had his ear stuffed wit the sweets of flattery
A live wire, fired the shot in the booth
It wasn't even in the shooting distance of truth
Who broke the barrier causing mass hysteria?
At the darkest hour in the most densed area
In a stocking cap, undercover, while disguising
I'm rapidly advancing our horizons
This path of trade with the sharp blade, open to all across the globe
They simply heard my call
We hit up, the remote and primitive land
Left walking reminders that saw it first-hand
The music was a secure link we all think
On the same page as holding the ink, now whatchu think?
[Chorus 2x]
[GZA]
Throw down ya mic son, ya gauge is empty
Plus the wack shit in the game might tempt me
Quickly drop non-stop rec shot
What I took on the road on the lap and desktop
A mixture from up-tempo to slow grooves
8-Track figure that's mixed wit Pro Tool
I rhyme wit sense the paragraph was intense
Area's dense with the flow from the sentence
Engine powered by five hundred horses
Press by a threat of joint forces
For emcee's who spit rap to cause beef
Cause they depend on wild kill for fresh meat
On the board, you're just a piece that's captured
Weak as the lamb that's laying in the pasture
The plug that gave ya juice, I might pull it
Can't escape these endless waves of rap bullets
[Chorus: Santi White (GZA)]
They got no place for me
In my life can't you see?
I must not push or bite it tell me
Stay in line, Stay in line (Stay in line)
Stay in line, Stay in line (Stay in line son)
Stay in line, Stay in line (Stay in line kid)
Stay in line
[GZA]
I'm not insane in fact I'm kinda rational
Chrome-plated serrated swords slashing you
I shine light to the mic
That's filled with the unspoiled water that sprits with light
But um, you get high of the wealth and livin' large
We rely of the stealth of camouflage
Cut supply lines, flood ya mans market
From high altitude cover the land target
Lost in the desert, the journey is stressful
Where the rescues are unsuccessful
They perish while they search for it, intriguing treasures
Should of taken precautionary measures
The rhyme with the shank in the yard that kept stabbing ya
A shakedown from Alcatraz to Attica
Because we rock the jails
Wit it and mase write the verse on the walls of cells
[Chorus]
[GZA]
Ya out cold, ya styles old
Allah just rolled, attack his skull wit a plan less bone
Hit ya king with a Check that caused directly damage ya disco tech
Shoulda' Protect ya Neck
[Santi White]
And do they think they got me? I don't know
They seen ya picture baby? Don't think so
Now do your mission and while you were thinking
Ain't no collision that'll stop me from screaming
[GZA]
Involving movements, controlling the squares that's closed in
Wit impact, in fact ya zone is frozen
Submerged in deep blocks of ice
Sceaming a wise by the high-tech devise
The slightest fame can bring pain and torture
The author, who came with a burning offer
Published by whoever made it must own it
Is just symatomic for one chaotic moment
[Chorus]
Those were the days, back in Junior High
For an 8th grader, my style was kinda fly
And just to prove I was an MC Pro
I often sponsored a classroom show
And the hype part of my imagination
Was making my homeroom a hip hop station
Minutes before the late bell would ring
I would greet the audience and then I'll swing
A lyric or two as the students barked
Beacuse my rhymes had sparked
Off somethign causing the class to mingle
To a rhythm which is now a 12"; single
Letting off many styles of hip hop
Holding the mic that I made in wood shop
Forget gold, my key chain was a cable
Two math textbooks were turntables
And for a mixer, something much cooler
A penny being cross faded on a ruler
Measuring dope beats that were flexed
From hands that played a drum roll on a desk
From my home girl, her name, fly as Emory
Sweet memory
I remember sitting in my art class
Drawing up lyrics kinda fast
The outcome, a masterpiece
Live shows with hyped up rhymes released
As if lyrics were flowing from the heavens above
I'll grab a mic and provoke a push to a shove
From boys and girls who broke necks to see
The lyrics G.O.D.
Those were the days
Now it's high school, lunch room's the scene
And I'm ready to flip the routing
In the cafeteria, period three
And here I come with the JVC
I go in my pocket and pull out a mic
Plug it in, check one-two...alright
Now who wanna show and prove their MC skills?
A brother stepped forward and tried to get ill
But when it came time to live out his name
He kicked rhymes that all sounded the same
But I did him in with a matter of time
And he was done with one victorious rhyme
He was shocked because he knew he was rocked
Along with his classmates from off his block
YO!, I'm telling you, I flipped his whole crew
One against one or one against two
Or three or four brothers who swore they can rhyme
Battled me and got taken out every time
From my style and my dope profile
Plus the period of time that I rocked for awhile
As a motivated, dominated supreme force
Cultivated, activated cream and source
The wise educated and born to be
The one who would flip an MC
Those were the days
What I'm about to flow on is so dope
The average hip hop fiend couldn't cope
Or explain my style because it's hard to define
So the fiend scratch and think and nod to the rhyme
That I lay down in a straight narrow path
While beats are just flowin' off a modern phonograph
Bass loud, high hats crisp and clear
That'll never let a weak MC interfere
Or bring about some technical difficulties
So I got prepared and I wrote these
Rhymes That just broke loose from the brain
Searching for dope beats on the same plane
For you to write new rhymes it is a must
But I come off with rhymes old as dust
Even as a speck of dust it existed
Ya got that?
Forget it, ya missed it
CHORUS:
I'm slammin'
The Genius is slammin'
You flip me on the mic, no way
That's me being played in April on the 1st day
Now who's a fool? What do you strive for?
Prime time juice on the box and fans galore
Forget it, cause you're not hype as they want you
With a maximum of 200 your rhymin' IQ
Is 10, meaning thin, you'll never win
So erase that, I'm not gonna lose friend
I know you're gassed, ya charged, and kinda stuck up
But I define your challenge, a total fuck up
And it's critical, a crying shame
How many MC's challenge me, and die in vain
But you should've came with ya whole rap
Community, now where's your unity
Cause what I see right now is you and I
And you're too weak to stop me from doin' my
Damage, you know, type of body and fender
NAH!, not the same way I did Brenda
But you had the audacity to step to me
Thinking you was Butch Cassidy and you could do me
How can you do me when you don't know me
And out of the hip hop styles ya couldn't show me
One style that may have damaged me
But that's something you'll never see
CHORUS
M.C. means mic constructor I build
That have suckers running like what track and field
When I conduct please don't interrupt
With ya if's or and's or but's keep ya mouth shut
The hip hop style that I own is highly known
To bury MC's like a dog bury bones
And in this field, yo, I'm extraordinary
And in my back yard there's a cemetary
Of meek MC's who try to speak
And off preak technique that's soft and very weak
Yet they still have the heart to ask me to duel
And like Mr. T, I pity the fool
The shining chrome microphone is the device
That makes me stand out like men amongst mice
So respond to the stimuli then fly
Straight to the sky on a natural high
Cause I'm the transmitter buck wild and bitter
Thinking about tryingme then reconsider
Cause if it sounds tempting boy, I'll Double Dare you
And speaking of your low life, I won't spare you
Cause you're not worthy of the mercy
Anyway The Genius is just blood thirsty
So take a lickin' as the plot thickens
While ya head is took, ya be pumping like a chicken
How can you ever say my style was played
When my rhymes be chopping shit like a switchblade
CHORUS
I hopped on the train and cold clocked a chick
Who looked good as hell but she appeared to be sick
I would say she had to look as if she swallowed a worm
Then again she could've swallowed several ounces of sperm
Giving me the eye as if I was the right antidote
So I decided to swing a smooth episode
While the train stopped at Grand Central turn
Before I knew her name I was massaging her perm
I said, ";My you look drunk, have you been drinkin alcohol?";
You got a fever here's an Extra Strength Tylenol
She said, ";Great a comedian, comic";
She leaned on me, I said, ";Please don't vomit!";
She said, ";I'm not I just need some rest";
I said, ";A few more stops, The Genius house is best";
Got to my rest, her whole attitude change
But deep inside, she seemed sexually strange
Went in the room and she flopped on the bed
With wild-ass thoughts inside her headachish head
I went in the kitchen to prepare some food
When I came back in she was completely nude
I know it sounds weak but believe it or not
That the fever in her head ran straight to her twat
She was burning! Burning up out
It took more, than firemen, to put that out
And yo, I was hard, just as hard as a rock
That I can hit a home run, with my cock
She said, ";Let me show you what we do uptown
I huff and I puff till I blow your balls down";
Wild as a wolf from off Wilderness Ave
She said, ";My what a great big ahhh! you have";
I started dripping and dripping in consecutive terms
I know we must save water but that does not include sperm
Did you ever know a girlie who just loves to switch
From a Part Time Lover to a Part Time Bitch
While she's loving part time, she's riding on mine
She says, ";I love you long as you keep making me feel fine!";
In her behind, vagina, or heated climax
That I would sew, control, finger then wax
Now she's swingin so low yo she flex like wrecks
Cuz she can set records on oral sex
There's no lie what I said, she lives in the bed
If she got married, she'd be a worn out newlywed
And if she heard these words yo she would not cry
Because sperm, the only damn tears in her eye
Her drip-drop face is the one I painted
Just stared in her eyes while she damn near fainted
As she choked, goggled, then spit up
Cuz cream, was flowing, all over her cup
On the bathroom floor cuz her parents were home
And I just could-n't tolerate her moans and groans
";Genius, oh Genius, oh rock me so hard!
Cuz I don't want to stop, I love you God!";
But there's one thing she could never erase
That the thing she really wanted just sprayed in her face
So she regret, she ever swung low before
But this little hot bitch comes swingin for more
It used to be one, now it's five fingers of death
That rips her insides, as she gasp for breath
To say, ";I love you! I love you! Forever so!
I'm getting hot getting hot let me blow let me blow";
What she thought was love, turned out to be lust
That made her live by the laws, in sex we trust
I see youngsters little teenagers
Walking around with beepers and pagers
And who's beeping them? Oh it's the boss
Making sure no one is taking a loss
On his multi-thousand dollar operation
But how does he thank them for their participation
Whatever the pay, it's still not enough
Cause what they got into is some serious stuff
Hours a day back and forth on the strip
Sending customers far on a trip
And this roots of all evil brings about war
Cause you wanna open up another crack store
Children can't play in the parks and things
Because a stray bullet might be headed for the swings
You never though about that, oh I guess not
All you thought about was owning your own spot
To putting more and more people to sleep
But ya heading for a pothole six feet deep
You see the problem has gotten more serious
and the community is getting more furious
Get it deep in your head I told you so
It goes way beyond just saying no
Chorus: Stop the nonsense
Remember Steve with the blue Jag?
They found him cut up and stuffed in a bag
He had his own operation uptown
And there was plenty other drug dealers he would cut down
In other words he was living foul
Shootin up neighborhoods acting wild
He said he had to protect his drug trade
Which we manufactured throughout arcades
He made sure his enemies felt the pain
WHoever he felt was a threat, got slain
Like Donna, who was only sixteen
And she was employed on another drug scene
She try to set up a hit on Steve
But he sliced her throat until she could not breathe
This is what happens when you deal
You don't care on who you got to kill
I might walk outside and get shot
Because I live next door to a drug spot
And I don't need this stuff in my vicinity
Of me being shot for mistaken identity
This is the stuff that Steve was on
Now he's dead long and gone
Chorus: With his old nonsense
Yo, check this shit out
Hangin out in bars can become no joke
When you start to drinkin gin rum bacardi and coke
Or Martini and Rossi, Asti Spumante
Even forties being shared throughout the posse
Jukebox is slamming throughout the bright moon
With the melody, of a soft Barry White tune
I sit back, like I got it made in the shade
Holding my dick as I talk to the barmaid
Excuse me miss, ";Alright here I come
May I help you?"; Yeah, double shot of rum
";On the rocks sir?"; Mm-mmm, not at all
Who the fucks need ice inside of burning alcohol
I reach in my pockets to tip the whore
But I'm clumsy, my change start falling on the floor
I play macho, and say leave it for the sweeper
BEEP BEEP BEEP BEEP BEEP my fucking beeper
I start stumbling to the phone booth
Revealing all symptoms of drinking ninety proof
The phone booth door is closed, the light is on
The girlie just dialed nine-seven-zero porn
She sit back, with her legs cocked in the air
While her fingers do the walking through her knotty pubic hair
Her eyes are shut tight, she moans and groan
I hit the glass, ";Get the fuck off the phone!";
She jumped up and said, ";You just had to be the one
to interrupt me when I was having so much fun";
I said, ";Hold up, yo, bitch you think it's cute
To be perverted let alone a sleazy prostitute";
She said, ";How can you try to disrespect any female
Or me and my homegirls just because we sell";
I said, ";Pussy? That's what you call it?";
She screamed out, ";You're god damn right you alcoholic!";
She said, ";This is a public phone and you do not run it";
I said, ";So is your pussy but can I use it when I want it?";
Stay out of bars (2X)
I was in Times Square, loungin hard
Me and the Prince Rakeem, you know the God
Watchin females posin for a flick
Thinking of who would be the first to turn a trick
";Yo Genius you see that?"; ";Yeah"; ";So what you think?";
";Let's swing em to the nearest spot to have a drink";
I winked at one she said, ";Hi"; in a low pitch
Rakeem started flowing and bagged the other hoe bitch
Now we searchin for a zebra lounge
to settle down, right in the heart of midtown
Went to this place, called the Sting Pit
Got inside and seen all types of shit
Men who looked soft but acting wild
Dancing to the beat, Ten City style
Females who wore jeans that were tight
With faces resembling transvestites
Everyone in the bar gave my girlies mean looks
As if they were fugitive crooks
They smiled at me and the God, showin all thirty-two
That's when I caught the clue
As this red-bone, who thought she looked fly
Rolled up on me, and she said ";Hi";
That one little word fucked up the whole night
Her voice was deeper, than Barry White
I jumped up, and boy did I flip
I pull out a nine and I empty the clip
The place was flowin with crazy blood
A little midtown massacre type flood
And as we stepped off from the scene
Here's the message I got from Rakeem
Stay out of bars (4X)
[Method Man]
Uh, and it goes like this
Uh uh uh uh, it goes like that
Now let me tell you who I am
Up early in the morning, dressed in black
Who dat? *echoes*
[Genius/GZA]
Yo yo
Marvel this theatrical, drama on stage
Broadway classical, led men to rage
Like currents, the beat change and now a flow is strange
You in the arctic wit wolves that viciously main
Thugs that roam clubs, in the dark wit fireworks that spark
Saltwater vibrations comin from sharks
Blood-thirsty kids bite just as well as I write
You're like secretaries who can't type, you're no use
Broke down vessels who want a boost, there's no jokes
Quick fast you, get stumped cuz you played, your organ pump
Kool-Aid, from Indiana wit the Jones of a Lost Crusade
Hip-hop done hit the church, choir girls rockin mini skirts
The b-side kept plenty hurt
Push like the shovels in snow storms
And stack piles of foul, the shit you must GROW ON! *echoes*
Chorus [Method Man] 4x
Uh and it goes like this
Uh uh uh uh, it goes like that
[Method Man]
Pay no attention to the evil they speak
You caught the beef wit the equal eye, poisonous beats from underneath
Crack the concrete wit two left feet
Head on my meat
Ain't no games here we playin for keeps (WE PLAY FOR KEEPS!)
Introducing, the crowd seducing man on the street
Penitentiaries is either half-dead or too sweet
Back to basic, condition-al god, plus I can take it
Wagin war within the matrix, it's hard to see
Touch, hear, smell or even taste it, take your places
We runnin in these human races, bucking naked
Back-slappin kid yappin, actin villian catchin feelin like we cap peelin
As if we killin every brick in every project building
From Cabrini Green to Tildens, sincerely yours
Mista Meth and Maximilion (da millions, da millions)
(Ka ka ka ka ka ka ka KAAA!) (da millions ha!)
Chorus 5x
[Method Man]
Uh uh uh uh
Uh uh uh uh
Wu-Tang Killa Bees on the swarm (WE PLAY FOR KEEPS!)
(WE PLAY FOR KEEPS!)
Wu-Tang Killa Bees on the swarm
And it goes like this
[Intro: GZA]
This is a tale of a town with the population
Of approximately two thousand people
They small close in their community with crime
And murder, we're virtually unheard of
With front doors, were always left unlocked
A place where mayhem only happens in your wildest dreams
Boy...
[GZA]
For some, the sun will never come out tomorrow
Like those in this heart pounding tale of random horror
Of a body count, after trashin' it, they done with it
Victims inflicted with passionate punishment
Specific offers of horrific torture
That left crime scenes, that retired law enforcers
This ruthlessness knew no bounds, as he beat him down
Shot him while gagged and bound, kept the whole town
Shocked, with they doors locked, fire arms cocked
Major roads blocked, no one knows when he knocks
As a kid he killed three pets of an attorney
So his child passion became a life long journey
Grew into a world of destruction, abduction
Left many body parts flowin' on the Hudson
Whether fountain or ditch, after the ride you hitched
Screams is high pitched from scars you can't stitch
Mutilated and decapitated, white collar chicks
Just from his involvement in local politics
His outfit stained with the blood of the slain
While his backyard full of skeletal remains
His goal in life, was preparation for death
An autopsy showed affixation, loss of breath
Was it his fascination, for strangulation
The lynchings in the '20's was his inspiration
Unspeakable acts that made front page
Motivated by an unexplainable rage
[Interlude: samples]
"A suspected killer plaguing this community
Has once again eluded police and detectives"
"We have no leads, no photos, no suspects"
"This nameless, faceless murderer
Has killed a couple, execution style, in their own home
Smashed a 12-year old Little League ball player skull, with a baseball bat"
"We have no leads, no photos, no suspects"
[GZA]
The State psychologist, forensic pathologist
Warned the detective to search beyond the obvious
They ruled out the possibility that the killa be
Physically fit with athletic ability
Talley and murder, on his agenda
There was no word, and it's code for "surrender"
So when the headlines had announced the arrest, the repercussion
Was his trial became a lightning rod for discussion
Compellin' evidence, statements from residents
Validated guilt as he maintained his innocence
From the hair to the fiber, broke the bondage wire
The stains on the carpet consisted with saliva
DNA directly linked to the psycho
Luminal made it glow, was test to Type 0
For many years, a lot of murders went unsolved
A lot of blood resolve as guns still revolve
The bullets had names that made the frames shatter
Most savage massacre that made the brains scatter
Detectives astounded by the scope of the crime
Made a hard discovery from one of many signs
While questionin' a man he picked up on a scanner
He reacted in a loud and agitated matter
And once they tried to read him his rights
He turned cold as ice
[Verse 1: GZA]
Who won the covenant role, based on a nationwide poll?
For the grip tells told and rap scrolls
Perfect pitch for language that's built within
Where half the rap ink couldn't hold my pen
Meanin' When Emcees Came, To Live Out The Name
They signed the documents with the, blood of the slain
Far removed from this hip hop life off course
But the confidence and resilience was never lost
In the think tank and research labs I laid tracks
Seen work rule my life but it never broke my back
Destiny forever shake from the events to come
From the (?) and the chemical contents of the sun
A solid gold figure with a verse that glitters
Until the platinum beat comes increasingly bitter
They joined in a likely alliance with the rest
Schemin' with unsuccessful in a zealous Quest
We all see, with a degree of certainty
Who the fake, cowardly cats behind the curtains be,
(Yeah, yeah...)
They hunt, for the skin, flesh, the blood, and bones
In front, want to impress with studdes stones
[Chorus: Anthony Allen]
Now who's the man who brought you the Legend of the Liquid Sword?
Rap critics say "Damn" you're sick with your's
4th Chamber and the Shadowboxin' too
That Nigga be the GZA from Wu
And if you odn't know
About the piroclastic flow
Hotter than the spark that made it blow
You better recognize, recognize....
[Verse Two: GZA]
Why U-N-I-verse run like clock works forever?
Words pulled together, sudden change in the weather
The nature and the scale of events don't make sense
A story with no warnin' you're drawn in, environments
Gravity that's gone mad, clouds of dust and debree
Moving at colossal speeds, they crush an emcee
Since this rap region is heavily packed with stars
Internal mirror in the telescope, noticed the Czar
From far away, they blink as the lightnin' strolled
Great distance of space between precise globes
That travel in a circle of order
Like the tape in your cassette recorder filled with cult for slaughter
(Yeah, yeah...)
Meaning the con-tracts manifestly work
The hitman for hire, weapon in his hand he lurks
Inspite of the strange appearance he laid a clearance
on his target through a crowded market
No interference
The microphone left on the scene without a serial
Evidence consistent with organic material (Well)
Surprisingly, as we marched lively with great size and degree
Till it spread widely
[Chorus]
I'm the outscene slang kicker with no parental sticker
Risin y'all that wise words is much slicker
Under circumstances label advances
Ample opportunity, infinite chances
The rhyme, the unrelated beef I don't stress
I seen many killed for inifinte-e-less
Ya raps need a clips that packed with lies
Cowardlessly ya shot up those innocently wise
In extra long verses hundred bars the lim'
The percentage of the truth in the rhyme is one tenth
A solid mass of minerals, easily broke down
Hard rock MC's ya nothin but compound
Sparked by the endless greed of CEO's
in the videos with those questionable flows
Take it twenty-six, cut it down to four bars, make it a hook
if it's not I'm sure to send a book
Knock Knock
Who the fuck is bangin at my door?
Is it abstract commercial or hardcore?
Better know who the fuck they lookin for
Cuz they don't want more
Yo Knock Knock
Who the fuck is bangin at my door?
Is it abstract commercial or hardcore?
Better know who the fuck they lookin for
They don't want more
The CREAM of the crop we run circles that remain symmetrical
with lightnin victories that's highly electrical
My microphone is just too hot to handle
plus I don't fill ya ears with the, Pennister's scandal
I gift wrap the sawed-off, the DeeJay pump it
March to the sounds of Armstrong's trumpet
Great things satisfied great minds
You want me to paint scenes describe it in eight lines
Check it
Conceptional breakthrough, incomprehensible
Rap that make you, convinced it's invincible
Lease up my words, powerful hazardous
The most dedicated research the data; this
Info tempo, is gatherin momentum
A thousand rounds of ammo one of them was spentin
Applied science to, vocals we flyin through
Victorious always because I am who?
Knock Knock
Who the fuck is bangin at my door?
Is it abstract commercial or hardcore?
Better know who the fuck they lookin for
Cuz they don't want more
Yo Knock Knock
Who the fuck is bangin at my door?
Is it abstract commercial or hardcore?
Better know who the fuck they lookin for
They don't want more
I wrote this rhyme with a Sharpie
You see this dark key ignition's for those with keys
who wanna start me up
That's where nature and nightmare come merge
Put ya hole in so much inside ya gotta splurge
on these snakes with the things that, poke through your denim
When ya move it accelerates the action of the venom
But the purity and sacrifice gettin stung twice
from those who know dikes to cars that deep right
Cuz rhyme travelers are light years beyond
The Clan had a bomb that made the world respond
Considering my own future, I'm used ta
Damaging MC's then pollyin with producers
Whose main makin cereal from two tracks of serial
Hold! That song's playin weak ass material
We all peak at a singular point in time
'Till you see the sign, decide
Knock Knock
Who the fuck is bangin at my door?
Is it abstract commercial or hardcore?
Better know who the fuck they lookin for
Cuz they don't want more
Yo Knock Knock
Who the fuck is bangin at my door?
Is it abstract commercial or hardcore?
Better know who the fuck they lookin for
They don't want more
[GZA]
An MC stepped to me, lying about one
Kid that rolled with him who died in the outcome
Thinking he could get with me, gain victory
When the season's all on his beef was hickory
The situation at hand still remained critical
The check analytical, reaction was pitiful
He pushed his pawn up, yo that's a wrong move
A hog move, some rap cat on dog food
Microphone competition we devour
You pull plugs but take no source of power
Cause then in MCing, the contours of the land
Intricate architects that's linked to a plan
The W U hyphen T A N G
My rap flow automatic and never empty
Don't tempt me, quick to bust off another
Flee in that direction you could get it from my brother
At least then you know that you up against G-O-D
So when we throw those grenades you better be
Ready, not iced out and petty
Neckful couldn't match one oil drop from Getty
That's ran by the icon who just left Exxon
And spilled oil so he could cash checks on
The strength cause local niggas be hating
But the sound still travels from state to state and
No dress code, boot, hats and all metal
Strictly hip hop underground and all ghetto
So catch it, throw it on your plate and scratch it
Mix that [shit], y'all niggas can't do [shit]
[Chorus 2X: Governor Two's]
Stick it up like it's a highway robbery
True gangstas we run New York City
We come fi takeover the industry
Cause you know them have fi too 'fraid of we
[GZA]
How come so much rap [shit] sound so similar
Is it confusing for you to remember the
Originator, paint sprayer, crafts innovators
Quick close ups of the artform's life savors
From tapes to decks, beats with raps, streets with gats
Speaking of tracks, I've ran plenty laps
The crates were packed, Farms were Phat
Thieves would chat to stab my back, detect many traps
Hazardous enterprise, the youths energized
Not seeing the truth till it's in your eyes
Burning, you learning to power your rhyme
Exert maximum damage in minimum time
Road L's are lit, my spears start to hit
Strange translation of words of wit
Through the cable transmit' and once the shoe fit
Unlock the secret of prophecies and that's it
Stay submerged deep as we cruise the seas
Beneath the Surface just like Adidas and Lee's
Or a croke head that used to walked the length
From Brooklyn to get a beat on 43rd and 10th
And that's just a short trip to flip without a whip
Tried to shop this most extravagant gift
To a cat who wasn't hemped and never opened doors
Till he accidently seen it on the shelves of stores
That's more frightning than strikes of lightning
Tearing up the storm in your average college dorm
So think about it when you trying to flow
When you wanna step to us I think you should know
[Chorus 4X]
Such a shame, such a shame
Critical...
You're living foul, things are getting wild
It's difficult to raise a child
Cause growin up in a lost environment
Every day becomes a new experiment
Now we are faced with problems
But if we come together we can solve them
Before we start to solving, here's a sample
Who's coming foward to set the example
Inflation, starvation
Surviving takes a strong nation
Those who like to bring about static
Be aware of the true Asiatic
What you see was predicted before
We were already warned of this bloody drug war
Wherever you sell it wherever you go
Ya still being clocked by the cops, ya know
You're paid by the hours, they see time flies
While your brain's being showered by a bunch of lies
You say I'm no slave where's the lock and chain
Hmmm, on your ignorant brain
Skip to ya loo with your High Pro Glow
Ya not stim off life, ya stimulated off blow
Or the new improved, ask beaming Jack
Criza, criza, crack
Chorus: You're living foul, living foul
My people you were forced then brought
Stripped from your jewels brainwashed and then taught
To hate, deceive and dislike each other
Separating themselves, you're not my brother
Sit up at home for a mystery
Face-valuing things that you can't see
Can't taste can't smell, hear or feel
But senses prove everything is real
I'm here to present a positive way
If strong you'll accord if weak you'll stray
Drug users are stuck in the mud
Another 20th century modern day chud
These cannibal humanoid undernourished dwellers
Just took your check to the heroin cellar
Dope addicts, that walk and roam
Might have Acquired Immune Deficiency Syndrome
AIDS, doesn't come from me
Cause I've studied and learned my history
It had to be something evil to bring that about
This is showing and proving beyond a shadow of a doubt
Chorus: You're living foul, living foul
When you wake up, to a brand new day
And you think about your salary or your pay
You think of negative things, should I get involved
Caught in crime, serving time, that's problems to solve
So you think about it, say that you must quit
Smoke a blunt, then you do the same old shhhh
And while ya high you don't truly know why
You spent your cash so that you can buy
Some herb (word) and some Old E (yeah)
A fifty cent Philly so the herb can be
Rolled up modern style to what we call a blunt
Know the facts is true don't try to front
Or stray away from the positive message in the song
That's only showing and proving you're not strong
And the strong is what we need today
Why? They go the opposite way
Chorus: Of living foul, you're living foul
The words right now flowing off my tongue
Is for the old, the young, the one's that's strong
Those who are worshippers of diamonds and gold
You should not be bought and you should not be sold
Those who always want but does not need
is slightly controlled by the hands of greed
If you rob, steal, backstab and abduct
Sooner or later you will self-destruct
Chorus: You're living foul
There's a rumor that an old lady heard a
Kingpin hiring a hitman to murder
A federal prosecuting drug-dealing witness
But that's how it is in the business
And I'm in it, physically gaining power
Constantly counting up cash by the hour
And it feels good to be paid
Regardless of how many victims get slayed
Accomplices of mine drop like flies
But in this everyday a homeboy dies
Whether shot in the body or cyanide in ya Bacardi
'Cause it's a cutthroat party
Now it's up to me to retaliate
And if I score, I'll increase the murder rate
I move on ones who double-cross
Set them up, now they suffer the loss
Of he or she who's ever on the agenda
Most likely a family member
Informants, rattle-tattle-telling snakes
Get shot up, brutalized and thrown in lakes
The parts of a body is found days later
The other half was done by an amputator
I'm undefeated in plenty fights
My enemies are beaten with many stripes
I'll shoot up funerals, firebomb wakes
Vehicular homicides, whatever it takes
Just to keep control of my empire
I'll set ya own mother on fire
'Cause when it comes down just to me and my money
Ain't a fucking thing funny
All those who pose a threat I'll stick them
Ya friends, ya family and innocent victims
Get caught in the midst when I'm busting of nines
But they was in the wrong place, the wrong time
Decapitated bodies found in lots
While I'm still cooking up kilos in pots
The kilos becomes bricks and the bricks becomes rocks
Then retailed on the blocks
I drive around in expensive cars
And get women who fuck like porno stars
I get them high, you know, like powder they nose
Then put 'em in the streets as my high-class hoes
I'm wild, living foul and I'm ruthless
I leave muthafuckers toothless
I had a worker who stepped on the scene lively
Then started selling my customers Ivory
Soap, counterfeit vials of cracks
I stuck 'em to death with a thousand thumbtacks
You've seen my resume, that's just the half
I'm a bad muthafucker, just like Shaft
A character played by who? Richard Roundtree
The only difference, my guns are sound-free
Silencers ring off then wisp by
Then all you hear is a last minute cry
Of those who triedto control my territory
Not the West Side but the Bed-Stuy story
Police be giving me eye-to-eye contact
But I smile 'cause I'm putting out contracts
Now a G-note is placed upon ya head
You say picture that alright, bang ya dead
This is the life of a drug dealer
Intro: RZA
Yo [yeah] Check it out son, check it out son
Yo, [Wu, can I get a soo] live in the place to be
You got the capital G
G to the A-M-C
Givin a mad shout out to the Ranch Crew from the old school
And we gonna take y'all back, knowhatI'msayin?
Lyrical sorcerors right here, the fathers, the cream of the crop son
[Yo check it]
Chorus: The Genius
Well if you livin in the world today
You be hearin the slang that the Wu-Tang say
Niggaz that front we don't handle em
So we blast em, alright, well OK
Well if you like the way it sound then clap man
And if the women love it too well then raise your hands
But only raise your hands if you're Sure
[Meth] Punk niggaz shatter like a glass jaw, break it
Verse One: The Genius
My rhyme gross weight vehicle combination
was too heavy for the Chevy's is chased out the station
Double-edged was the guillotine that beheaded it
gassed up, fuckin with some regular unleaded shit
Heads roll on hillsides behind ropes that
bind-in, X marks the spot on the scope
Heavily armed military is necessary, it's a gamble
MC's bet they best at every
Powerful parable ditties might harm
if tampered with, set off and strike like pipe bombs
Flashbacks to the Duel of the Iron Mic
Look out for these fatal flying spikes, of massive
sleep-holds, put strangle on commercial angle
Microphone cords tangled from being Star Spangled
Now who could ever say they heard of this?
My motherfuckin style is mad murderous
Chorus: (in reverse verse)
Interlude: Method Man, Genius
Well what you know about MCin?
Yo, I know a lot
Well can you demonstrate somethin nigga?
Huh, I'd rather not
I'm talkin bout stacks cousin
Nigga that's what I got
Cash Rules the world
Well Cash Rules the spot
Verse Two: The Genius
My preliminary attack keep cemetaries packed
of niggaz who think it ain't like that
MC's are gunned down like being run down with mad trucks
Them God struck, religious niggaz call it bad luck
Rap celeb, you got caught up in the web
now bees are stingin, yo that niggaz em-singin
I'm just swingin swords strictly based on keyboards
Unbalanced like elephants and ants on see-saws
I throw raps that attack like the Japs on Pearl Harbor
MC's be out like bank robbers
Fleeing the scene, to be a sole survivor
DJ the getaway driver
Tried to dip but he dive I socialize on vocal vibes
On tracks stabbed up with razor sharp knives
Criminal subliminal minded rappers find it
Hard to define it, when narrow is the gate
for fat tapes and then played out and out of date
Then I construct my thoughts on site to renovate
And from that point, the God made a statement
Draftin tracements, replacements in basements
materials in sheet-rock, to sound proof the beat box
and microscopic optics received through the boxes
obnoxious topic, major labels, flavor tropical
Punchlines, that's unstoppable
Ring like shots from glocks that attract cops
around the clubs and try to shut down the hip-hop
But we only increase if everything is peace
Father U C King the police
Chorus
Chorus
Intro One: (not included on 7";)
When I was little... my father was famous.
He was the greatest sam-urai in the empire;
and he was the Shogun's decapitator.
He cut off the heads of a hundred and thirty-one lords.
It was a bad time for the empire.
The Shogun just stayed inside his castle -- and he never came out.
People said his brain was infected by DEVILS.
My father would come home -- he would forget about the killings.
He wasn't scared of the Shogun, but the Shogun was scared of him.
Maybe that was the problem.
Then, one night... the Shogun sent his ninja spies to our house.
They were supposed to kill my father... but they didn't.
*woman screams*
That was the night everything changed *voice fades*
Intro Two: RZA
See, sometimes...
You gotta flash em back
See niggaz don't know where this shit started
Y'all know where it came from
I'm sayin we gonna take y'all back to the source
We bounce, yo
Chorus: RZA, GZA
When the MC's came, to live our their name
And to perform (forrrrm)
Some had, to snort cocaine (caiiinnne) to act insane (sannne)
with before Pete Rock-ed it on, now gone
that the mental plane (plaaanne) to spark the brain (brainnn)
with the building to be born
Yo RZA flip the track with the what to gut
Check em check chicka icka etta UHH
Verse One:
Fake niggaz get flipped
In mic fights I swing swords and cut clown
Shit is too swift to bite you record and write it down
I flow like the blood on a murder scene, like a syringe
on some wild out shit, to insert a fiend
But it was yo out the shop stolen art
Catch a swollen heart from not rollin smart
I put mad pressure, on phony wack rhymes that get hurt
Shit's played, like zodiac signs on sweatshirt
That's minimum, and feminine like sandals
My minimum table stacks a verse on a gamble
Energy is felt once the cards are dealt
With the impact of roundhouse kicks from black belts
that attack, the mic-fones like cyclones or typhoon
I represent from midnight to high noon
I don't waste ink, nigga I think
I drop megaton BOMBS more faster than you blink
Cause rhyme thoughts travel at a tremendous speed
Clouds of smoke, of natural blends of weed
Only under one circumstance is if I'm blunted
Turn that shit up, my ";Clan in Da Front"; want it
Chorus
Verse Two:
I'm on a Mission, that niggaz say is Impossible
But when I swing my swords they all choppable
I be the body dropper, the heartbeat stopper
Child educator, plus head amputator
Cause niggaz styles are old like Mark 5 sneakers
Lyrics are weak, like clock radio speakers
Don't even stop in my station and attack
while your plan failed, hit the rail, like Amtrak
What the fuck for? Down by low, I make law
I be justice, I sentence that ass two to four
round the clock, that state pen time check it
With the pens I be stickin but you can't stick to crime
Came through with the Wu, slid off on the DL
I'm low-key like seashells, I rock these bells
(when the MC's..) Now come aboard, it's Medina bound
Enter the chamber, and it's a whole different sound
It's a wide entrance, small exit like a funnel
So deep it's picked up on radios in tunnels
Niggaz are fascinated how the shit begin
Get vaccinated, my logo is branded in your skin
Chorus
Intro: RZA
Lot of people, you know what I'm sayin, they be gettin misinformed
thinkin everything is everything, that you could just get yourself
a little deal, whatever, youknowhatI'msayin you gonna get on you
gonna get rich. And all these labels be trying to lure us in like
spiders, into the web, knowhatI'msaying. So sometimes people gotta
come out and speak up, and let people understand, that you know you
gotta read the label you gotta read the label if you don't read the
label you might get poisoned...
Lyrics: Genius
TOMMY ain't my motherfuckin' BOY
When he fake moves on a nigga you employ
Well I'll EMIRGE off ya set, now ya know God damn
I show LIVIN LARGE niggaz how to flip a DEF JAM
And RUFF up the motherfuckin' HOUSE
Cause I smother you COLD CHILLIN' mother fuckers are still WARNER BROTHERS
I'm RUTHLESS my clan don't have to act wild
That shit is JIVE, an old SLEEPING BAG/PROFILE
This soft comedian rap shit ain't the rough witty
On the reel to reel it wasn't from a TUFF CITY
Niggas be game, thinking that they lyrical surgeons
They know their mics are formed at VIRGIN
And if you ain't boned a mic you couldn't hurt a bee
That's like going to Venus driving a MERCURY
The CAPITOL of this rugged slang, is WU-TANG
Witty Unpredictable Talent And Natural Game
I DEATH ROW an MC with mic cables
The EPIC is at a RUSH ASSOCIATED LABELS
From EASTWEST to ATCO, I bring it to a NEXT PLATEAU
But I keep it phat though
Yo, I'm hittin' batters up with the WILD PITCH style
I even show an UPTOWN/MCA style
Who thought he saw me on 4TH & BROADWAY
But I was out on the ISLAND, bombing MC's all day
My PRIORITY is that I'm FIRST PRIORITY
I bone the secret out a bitch in a sorority
So look out for A&M;, the abbot and the master
Breakin' down your PENDULUM
As I fiend MC's out with a blow that'll numb the
a-ppendix, I'm holdin more more weight than COLUMBIA
Index INTERSCOPE, we RCA. clan
That's comin' with a plan to free a
slave of a mental death MC don't panic
Throw that A&R; nigga off the boat in the ATLANTIC
Now who's the BAD BOY character, not from ARISTA
But firin' weapons released on GEFFEN
So duck as I struck with the soul of MOTOWN
While CENTRAL BROADCASTING SYSTEMS are slowed down
You're Dirty, like that Bastard
It's gettin drastic
Read the label and say it loud
Another Wu banger
Thirty-six chambers, to your area
Yeah, the RZA, phat tracks on a disc
Rza razor rza razor sharp
Another Wu-Tang production kid, comin at ya
[Killah Hills intro features RZA, Ol Dirty Bastard, and ";Grey Ghost";]
(...the skill of Shaolin)
RZA: Yes the good life, you know *clinks glass*
GZA: What the fuck is that, hell's angels?
*Ol Dirty singing in the background*
[Ahh Mr. Bobby Steels, Tony Starks on line one for Mr. Bobby Steels]
RZA: Steels over here, Steels over here
Peace, Starks what's going on baby?
Yeah everything is lovely over here.
GZA: No shoes and no shirt on, sure the hills is where it's at?
RZA: Yeah the, the Maximillion is sure here
I'm over here with Noodles and I got Lucky Hands with me
GZA: You got soul, R&B;, classics? All that shit right?
RZA: Yeah... Grey Ghost right in front of me right now
Grey Ghost standing right here.
Yeah he has a briefcase; ohh, OK, OK I got you.
Aight thanks. *phone clicks*
GGh: Bobby Steels.
GZA: Huh?
RZA: Mr. Grey Ghost, good to see you good to see you good to see you.
GGh: A pleasure.
RZA: So is everything OK, is everything working as we planned?
GGh: Everything is working out, very nicely.
Do you have the cash, twenty-thousand dollars?
GZA: Be nice to have a little breeze.
Breeze on by fuck the cops.
RZA: Do we have the cash? We don't have to talk that, hey hey
GZA: Get the fuck outta here with that hell's angels bullshit!
RZA: We got the cash we know Cash Rules Everything Around this Motherfucker
Umm, let me ask you...
GZA: The fuck outta here!
GGh: Do you have the full amount? Twenty thousand as we agreed upon?
GZA: Fucking hell's bastards.
RZA: Let me ask you a question Mr. Grey Ghost --
Do you know a a Don Rodriguez?
GGh: I know no such person.
RZA: Don Rodriguez from the Bronx? Don Rodriguez?
GGh: I don't know who you're talking about.
RZA: I think you do know him cause your fuckin friend Don
is down at one-twenty precinct right now singing
his fuckin ass like a fuckin bird.
GZA: Life of a drug dealer
RZA: The fuckin guys is comin
GGh: Do you believe him?
Killah hills 10304
Restaurants on a stake-out
So order the food to take out
Chaos, outside a spark steakhouse
Maintain the power, I feel the deal's gone sour
Nigga Mr. Wedding, late a fuckin half hour
And his man who bought land from Tony Starks
While he was contractin bricklayin jobs in city parks
he's a loan shark, bitches raise a grand to a finger
In a garment that's stretched, got it sewn like Singer
Cause all that talk blasphemy this kid after me
for the heist, in a Burlington Coat Factory
Fuck it, he turned snake so my nigga Cash stole his copilot
who used to drive like sacks of blow on this remote
area, we label Dead Man's Island
Two hundred miles South from Thailand
Right off the docks, I got the various custom made yachts
Burial plots, for my niggaz hit with fatal shots
There's no need for us to spray up the scene
I use less men, more powerful shit for my team
Like my man Muhammad from Afghanistan
Grew up in Iran, the nigga runs a neighborhood newsstand
A wild Middle Eastern, bomb specialist
Intiated, at eleven to be a terrorist
He set bombs in bottles of champagne
And when niggaz popped the cork, niggaz lost half they brains
Like this ex-worker, tried to smuggle a half a key
in his left leg, even underwent surgery
They say his pirate limp gave him away
As the feds rushed him, comin through U.S. Customs
Now look whose on the witness stand singin, a well known soprano
A smash hit from Sammy Gravano
here's the plan minimum for the hit, two hundred grand
Half time at the game blastin niggaz out the stands
The sharp-shooters hit the prosecutor, judges are sent
Photographs of they wives takin baths
Along with briefcase filled with one point five, that's the bribe
Take it or commit suicide
First rule, anyone who schemes on the gold in Syria
I want they small intestines ripped from the interior
I got a price for those jewels, ship em freight cargo
Don't forget to launder the cream through Wells Fargo
Reconstruct those processin plants for the call of Costa Rica
Four hundred barrels of ether
Two hundred pounds of reefer
and fifty immigrants with fake Visas
Life of a drug dealer
Killah hills, 10304
The saga continues
Intro/Outro: U-God
[here we go, come on]
[A, A battle was fought, in Brooklyn...]
[Hessian Soldiers killed 3,000 men; much of the fighting
took place in what is now Prospect Park in Greenwood cemetary,
as well as the Park Slope and Gowanas neighborhoods.]
[This was the first battle, of America.]
Rugged rhymsters, crooked crimesters
Dime droppers, Twenty-five-to-lifers
Backstabbers, low blowers
Illegal... cocaine growers
Starvation, profanity
Anxiety, brothers tryin me
Gun slingers, dead ringers
Verse One: Raekwon the Chef
Yo, my slang's out of this world
Mix collaboration man, little man and his girl
Way of life got me thinkin, plus I'm analyzing young
youths on roofs, you know, three time felony brutes
Roll together, tropical trees puff, whatever
Yo, we could go run up on kids for leathers
What drug? Faculties bubble keys for G's
Cream flow like seven seas, hit chicks Guayanese
Word up, hold your head before you fall out
The morgue route, the devil want that
Let's get my niggaz locked all out
Change for better, that be my only vendetta
in life, feed your seed right, it's breathin indeed right
Chef, remarkable, sparkable, raps and tackable gats
Never get jacked, see ya then move, black
Paradise trife, plush with much ice
gettin nice, layin back, sleep all my life
Word up!
Chorus: U-God
[The battle of Brooklyn depicted was the bloodiest
clash of the American revolution. Soldiers killed
3,000 men, much of the fighting took place in what is now...]
Crack patients, dime smokers
Vial carriers, mocha tokers
Burnt buildings, brothers building
Save yo' children, investigative reports!
Verse Two: GZA
Callin all cars, callin all cars! Ghetto
Psychos, armed and dangerous, leavin mad scars on those
Who are found bound, gagged and shot when they blast the spot
Victims took off like astronauts
Get with this, even your best can't
come on down, you're the next contestant!
Get your pockets dug from all your Chemical Bank-ins
Caught him at the red light - on Putnam Avenue and Franklin
They used to heat up the cipher with a shot that was hyper
than your average JFK sniper
He just came home to spark it
Rolling like Kaufman, and lay that ass out like carpet
Stop the stuttering boy, save the planes for the five-oh
Then praise the God - chk-a-chk POW!
They be lick shots and premeditate to grab...
...and then they jet back to the lab
And then remain in Shaolin
An endangered island
Shorties lose blood by the gallon
Chorus
[Have integrate a number of corrupt cops, judges...
...into high-level positions, to insure the continued
success of the drug smuggling and money laundering operations]
Verse Three: Ghost Face Killer
Yo, I grab the pen for revenge and let loose, see
Like Muslims, standing on the block, rocking a khufi
The hundred-dollar kick rockin kid's back for more
startin gold wars, with black Reeboks and Velours
Jungle royal life, livin villain
Packed with visions, copywritten
Throwin bread to pigeons, Christ has risen, King Elegant
Slang-Master jackets, expensive noodle hats
In sixty-nine, old times was time that brothers shot craps
The baggy blue Guess jeans, pull strings off of callin springs
I'm locked in the thing, Rocky ring labelled rap king
The corner emperor - the golden thieves play the benches
Rednecks be hanging big niggaz down in Memphis
Back in Now-Y, hit the bull's eye with loaded nines
Life is like Tarzan, swingin from a thin vine
Shatter dreams, then mirrors don't need a press spirals
Aim at the white shadows with big barrels
of Moet-ahs, the bald headers, milk and Amarett-ahs
Who fear none, question all personal vendettas, yo
They use guns, while we angrily shot arrows
You better keep your eye on the sparrow!
Intro/Outro
[Have integrated a number of corrupt cops, judges and lawyers
into high-level positions -- to insure the continued success
of the drug smuggling and money laundering opertaions.]
Intro: Method Man
Aiyyo Shorty, yo that's my word
Oh, y'all smellin y'all piss now y'all think y'all gold
Yo anybody get caught playin
Over here, I'm returnin em that's my word that they be blasted
Anything from two-twenty to one-forty, that's mine
Y'all need to step the fuck off
Y'all niggaz ain't crazy for real
Chorus: Genius
Yo, the fiends ain't comin fast enough
There is no cut that's pure enough
I can't fold, I need gold, I re-up and reload
Product must be sold to YOU
Verse One: Genius
I'm deep down in the back streets - in the heart of Medina
About to set off something more deep than a misdemeanor
Under the subway, waiting for the train to make noise
So I can blast a nigga and his boys - for what?
He pushed up on the block and made the dope sales drop
Like the crashin of Dow Jones stock
I had to connect to cross seals, to catch more mil's
Than ho-bitches got birth control pills
I'm in the park, settin up a deal over blunt fire
Bum niggaz sleepin on the bench, they had em wired
Peeped my convo, the address of my condo
And how I changed a nigga name to John Doe
And while we set up camp, we got Vamp
Put the stake through his heart, I ripped his fucking fangs apart
Snake got smoked on the set like Brandon Lee
Blown out the frame, like Pan Am flight 103
He got swung on, his lungs was torn, the
kingpin just castled with his rook and lost a pawn
A regular on the block, and played look-out
For playing predator with a glock, he should have took out
Chorus:
No neighborhood is rough enough
There is no clip that's full enough
I can't fold, I need gold, I re-up and reload
Product must be sold to YOU.. yo
Fiends ain't comin fast enough
There is no cut that's pure enough
I can't fold, I need gold, I re-up and reload
Product must be sold to YOU
Verse Two: Genius
It's mandatory that
I supply all my troops with mega firearms
Big apes, and spread em out like crops on a farm
to get CREAM, sometimes they repaint the scene
Like the last episode on gates and other niggaz
plant bombs til the smoke from the blast becomes thick
and flows through all they knew, he's gun sick
His glock clicks, like high-heeled shoes on parquay floors
Mad sick, stand on hills and invade wars
Filthy foul, shoveling dirt, he's out to hurt
For instance, chop off hands, attack worth
His idols would lock down airports and extort
some import, catchin ten percent of what the fiends snort
Up in the ski resorts, up in hills
They move keys and had skis making drops on snowmobiles
The plan was to expand, catch seven figures, release triggers
And live large and bigger than my nigga
Who promised his moms a mansion with mad rooms
She died, and he still put a hundred grand in her tomb
Open wounds, he hid behind closed doors
And still organized his crime and drug wars
Chorus:
Fiends ain't comin fast enough
There is no cut that's full enough
I can't fold, I need gold, I re-up and reload
Product must be sold to YOU
No neighborhood is rough enough
There is no clips that's full enough
I can't fold, I need gold, I re-up and reload
Product must be sold to YOU
The peers that come is tight enough
There is no niggaz that's fuckin up
I can't fold, I need gold, I re-up and reload
Product must be sold, to YOU
* this exception is permitted due to actual rap lyrics in the Outro
[La the Darkman]
Yeah, killa, The GZA, La
Live, yeah, what yo
My clan is like USA the way we conquer
Lay back, grow more chocolate than Willy Wonka
Stomp ya, till your head bleed, your mouth bleed
Runnin wit the heart of slave that's been freed
Triple Darkness, wild like a killer from Sparfit
Heartless, trained to hit movin targets
Profit, .357 cocked it
Killed you, leave you wit your money in your pocket
My logic, money bitches layin the lessons
Allah blesses, me wit automatic weapons
Scholastic, geographic, stay jurassic
Runnin through Medina wit the glock blastin
Rotten fruit, Black Je-sus, I got juice
Darkman move swift as a mongoose
[Timbo King]
Yo, niggas caught plaque from bitin off the platinum
Dumb MC's caught the gum disease, ask them
Who style they took, two wild rooks
Tried to take a page when I'm the author of the book
At twenty-seven years young, y'all some old timers
I write wit invisible ink, y'all use eye liners
Define rhymers, the question and the answer
The DJ and the dancers, check
[Genius]
Mic trippin, from rock skipping
Off the local brooks, not knowing
Heavy weight, throwin vocal hooks
Ryming off Apache, the Rza scratch thee
Records borrowed from Home Alone kid known as latchkey
Break beat fanatic, crates deep in attics
Forty-fives marked up, looped with static
Rap ring heavy, each link in my chain, trucks Chevy
Flare ripped from the magic lair, of medley
But deadly I merge foward, with a sharp spear
He must return now his flight departs here
Like Sittin Bull, I lay with my bow pulled
Arrow poisonous cos my enemy clip's full
Stay in the venue, with the party promoters, life parolers
Half the crowd wild, 9 m&m; holders
Apply boulders, smash your allied soldiers
Intimate footage roll off the cameraman's shoulder
Many-a-die for fame movin like Leroy
Can't be one and the same, nah it ain't b-boy
The decoy, scan this with high tech radar
Til my mic strike, leave a state-size crater
I came into this with the writer's block
To prevent a sudden shock, on a large flock
Clips are uncut episode, invinciable armor
I blaze one, once I struck the match off my bomber
Adjust this, til its EQ'ed like never
Watch a mega watt bang spot, raise the lever
Its operation cobra, its over
Control the globe slowly, the bold soldier
[Genius]
My rough cut metal tapes, quick to break labelmates
Won't hesitate to negotiate your table stake
First lesson came from the session, room one
From the longest awaited, but the strongest made it
Complex, complicated, compressed elongated
Homicidial sub-title, Wu claw banga off the ocean shore
Kid jaw, cut with the jig-saw
Intern engineer, vest on the youth
Make the mic booth bulletproof from sparked wires
From autofire, rapid from the verbalist slangster's gat
Two hit Tucker she labeled it gangstar rap
Unseen heard, struck the vital nerves
of some sort, courts got papers to serve
Still bang em in the head, just lead no eraser
One shot, no chaser, who gonna replace her
You punch-drunk swingin your keys on your index
Showin off your Rolex
Didnt see the joe text, you filmed it on bolex
Smashed with the largest full finger name ringer,life clinger
Chorus- Rza
You crunchy chump crabs get crumbled up like crack rock
fuck wit the Wu we bustin ya whole snot box
Throw ya right ear and ya bitch up in a zip lock
Spazzola to ya fury form of hip hop
Verse 1- Hell Razah
Here's something to advertise, promote it keep the fan satisfied
Load data for the disc drive, ghetto citywide
Leave em paralyzed,they stolen every word i provide
Without no clearence, i nurture this track like Amish parents
Got requests from retail stores, for my appearence
First we target it, then they market it, to kill ya artist wit
The hungry shark, contra hit, whoevers starting shit
Got as many rap soldiers, for how much this record ships
Fuck them niggaz you record with,I make them forfit
Send a bomb rap fed ex into ya office, son we buil and deliver
Came to build with the Gza,
check the chorus from the Rza, the real album spitta
Me and my street team be holding congress meetings
Audio visual video treatments internationally speaking
Got managers scared to shop you, ready to drop you
Its the comming of the newest hip hop christ
Pop you, try the BDS and soundskins from war fans
Ya whole roster cant take on, one Sun of Man
Get ya street team,get ya sickest out, put ya posters up
Boost ya bucket up, still Razah gonna fuck it up!
Chorus- Rza
You crunchy chump crabs get crumbled up like crack rock
fuck wit the Wu we bustin ya whole snot box
Throw ya right ear and ya bitch up in a zip lock
Spazzola to ya fury form of hip hop
Verse 2- Gza
Industrialize niggaz change soon as ya get in
Throw em on a auction block, CEOs bidding
Highest price paid, for them wack rhymes made
It's over rated, cut off, never reinstated
I be fruitful, and multiply with marvelous tales
Feed the hungry MCs and be starving as hell
I laid the first verse and quenched a dry ass niggaz thirst
Who drank my wisdom up like water, till his stomach burst
Full tank, with the premium quallity raps
Mickey mouse niggaz get caught on the trap
Ya cottonelle kids from scottsdale cleanex
Looking like rockwell wearing Vnecks
Ya learn from this earn from this
Niggaz getting tossed and turned for this, burned for this
Extort from a thousands degrees of live MCs
I melt ya niggaz down to the size of fleas
Verse 3-Timbo King
The microphonus, collect the bonus, aiyo we on this
House niggaz verse the homeless
Ten to one, Tim's the one
Royal famous,the verbal painless
The dark gallery, million dollar pictures
Import from poor to riches, leanin on doors
We move across the broklynn bridge doing 60
Illegal driving, from dusk to red dawn
The Gza/Genius, Wu-tang we live long
Verse 4- Dreddy Kruger
True indeed, I hook tracks like my seed
Persona, wack MCs do me notta
King solomon the great,came to evaporate the fake
Yeah you, you know your power-U
Ya reconize the voice, it's that nigga from the Wu
Every dart i spit gets mastered and promoted
ya just been demoted, cause ya sweet and sugar coated
Ya folded, ya style is half stale and molded
So mold it
Chrous- Rza
You crunchy chump crabs get crumbled up like crack rock
fuck wit the Wu we bustin ya whole snot box
Throw ya right ear and ya bitch up in a zip lock
Spazzola to ya fury form of hip hop
Talkin bout drama
I met a young brother, how young about eight
He seemed intelligent and rather quite straight
I greeted him, and struck a conversation
To see if the youngster had some self-motivation
Peace brother, what's your name, and how ya be
He said I be soon coming off the currency
I said gettin paid, he said yeah like my man's brother
Who has a condo he shares with his baby's mother
He said a condo beats my apartment
With no lights and no gas and much backed up rent
No hot water or heat, and invaded by plenty rats
That'll eat up the average alleycat
He said yeeahhhh boyyyeee, that's poverty
I said word, I know and it bothers me
Cuz we are the victims, of a situation
How wicked man, seperated
a nation and got us cold-killin off one another
(Word-word, to the mother)
It's getting hot, how hot, hotter than July
Cuz the murder and crime rate is rising very high
For example, in my neighborhood, it's so hot
I'm often woke up, from the alarming sound of a shot
So I'm thinking what, is my neighborhood a trap
Could this be the place marked X on the map?
Now I'm spotted like a target, in the shooting gallery
So I start to seek for a better salary
So I can escape from where, from this ghetto life area
Cause everyday you're getting scarier
*blam blam* and scarier and scarier
Causing mass hysteria, it's drama
Talkin bout drama
Not to be bold and disrespect the homeless
Cuz I can see that they suffer from a long list
From not having shelter, and out on the street
without a job and days without a bite to eat
Yo I feel for those, but here's another side
about some more people that's living on the outside
Because of the fact that they chose the wrong way
And it took em on a trip for a long day
Got to the point you started stealing from your house
Stalking the rooms late at night like a mouse
Your family's upset and you've got to go
When it's, five, below and we're ex-pecting snow
And then you're on the train with a cup in your hand
Kicking dirt, and making it look like sand
Then after you run that game for a while
You start sucking up tokens from out the turnstile
Are you that desperate, just to get a hit
Is it so effective that you won't quit, and yo
Why do you come to me crying the blues?
About you can't get a job well go sell some street news
Then you can get straight and be real
But you'd rather rob and steal
And that's drama
Talkin bout drama
Not wonderama
But I'm talkin bout drama
Here what I'm sayin?
I'm not talkin bout your mama
Nahhhh, but I'm talkin bout drama
Shaolin fist versus the llama
Talkin bout drama
Intro:
Ohh mad one
We see your trap
You can never escape, your fate
Submit with honor to a duel, with my son
I agree
I see you using an old style, I wondered where you had learned it from
You know very well, it's yours too
[Yo God, it's a duel, it's a duel] Heh, by the Gods, will you show me?
[buck buck buck buck buck buck ] And where do you come for?
[Duel of the Iron Mic ] You come here, since you're so interested
[Duel of the Iron Mic ] Fight me
[In the moonlight niggaz I will strike]
[What, what? Bring it!]
Verse One: The Genius
Yo
Picture bloodbaths and elevator shafts
Like these murderous rhymes tight from genuine craft
Check the print, it's where veterans spark the letterings
Slow moving MC's is waitin for the editin
The liquid soluble that made up the chemistry
A gaseous element, that burned down your ministry
Herbal vapors, and biblical papers
Smokin Exodus, every square yard is plush
Fuck the screw-faced photo sessions facial expression
leaves impressions, try to keep a shark nigga guessin
Give crazy shouts Son here's the outcome
Cut across the semi-gloss rhymes you floss
Shit is outdated, just like neckloads of Sterlings
Suede-fronts, bell-bottoms, and tri-colored Shearlings
I ain't particular, I bang like vehicular homicides
on July 4th in Bed-Stuy
Where money don't grown on trees and there's thievin MC's
Who cut-throat to rake leaves
They can't breathe, blood splash, rushin fast
like runnin rivers, I be that whiskey in your liver
Chorus: Ol Dirty Bastard
Duel of the Iron Mic!
It's the fifty-two fatal strikes!
Verse Two: Master Killer
This is not a eighty-five affair, made clear
when the Gods get on to perform storms blew up
Wu's up, causin the crowd to self-destruct
Killer bees are stingin somethin while I reveal
Science, that's heavily guarded by the culprit
Bombin your barracks, with aerodynamic
swordplay, poison darts by the doorway
Minds that's laced with explosive doses
Damagin lyrical launcher
Lunge at the youthful offender then injure
any contender, testin the murderous Master
could lead to disaster, dynamite thoughts
explode through your barrier, rips the retina
Who can withstand the astonishing punishing
Stings to the sternum, shocked in the hip-hop livestock
Seekin for a serum, to cure em
Verse Three: Inspector Deck
Adults kill for drugs plus the young bucks bust
Duckin handcuffs, throats get cut when dough rush
Out of town foes look shook but still pose
We move lioke real pros through the streets we stroll
Bullet holes lace the windows in one-six oh
So control the avenues that's the dream that's sold
Bulding lobbies are graveyards for small-timers
Bitches caught in airports, keys in they vaginas
No peace, yo the police mad corrupt
You get bagged up, dependin if you're passin the cut
Plus shorty's not a shorty no more, he's livin heartless
Regardless of the charges, claims to be the hardest
individual, critical thoughts, criminal minded
Blinded by illusion, findin it confusin
Outro: Ol Dirty Bastard
Duel of the iron mics [The master, he must be dreaming, heh]
It's that fifty-two fatal strikes [Well, if he is dreaming...]
Duel of the iron mics [...then he must be asleep]
It's that fifty-two fatal strikes, NUH [And if he is asleep]
[then I will wake him up!]
[WeahhhHAAH-HAH-HAH!]
At the height of their fame and glory, they turned on one another
Each struggling in vain for ultimate supremacy
In the passion and depth of their struggle
They very art, that had raised them through such rapiant heights was lost
Their techniques, vanished
Intro: (first three lines LP only)
I had a bad dream
Don't be afraid, bad dreams are only dreams
What a time you chose to be born in...
Babies crying brothers dying and brothers getting knocked
Shit is deep on the block and you got me locked down
in this cold, cold world...
Verse One: The GZA
It was the night before New Year's, and all through the fuckin projects
Not a handgun was silent, not even a Tec
Outside as I'm stuck, by enemies who put fear
and blasted on the spot before the pigs were dere
You know hoods robbers snipers new in sight fuck blue and white
They escape before them flash the fuckin lights
Gunshots, shatter first floor window panes
Shells hit the ground and blood stained the dice game
Whether broke callisthetic, any style you set it
Beat niggaz toothless, physically cut up like gooses
But with iron on the sides thugs took no excuses
Therefore, your fifty-two handblocks was useless
Links was snatched off necks, scars on throats
Jackets took, after bullet rips through coats
Against those who felt the cold from the steel made em fold
and squeal, once the metal hit the temple of his grill
Destruction worker, who was caught for his bomber
No time to swing the hammer that was hangin from his Farmer's
And it's bugged how some niggaz catch slugs
and pockets dug from everything except check stubs
and it does, sound ill like wars in Brownsville
Or fatal robberies in Red Hook where feds look
For fugitives to shoot cops, niggaz layin on roof tops
for his CREAM he stashed in a shoebox
But he was hot, and the strip was filled with young killers
you don't suspect, so cops creep like caterpillars
And born thieves stay hooded with extra bullets
those who try to flee they hit the vertebrae, increase the murder rate
Similar to hit men who pull out Tecs and then
drop those who act like thai flows from Mexican
Rabbit, like recipients cashin checks again
Back to the motherfuckin spot on Lexington
Chorus:
Babies crying brothers dying and brothers getting knocked
Shit is deep on the block and you got me locked down
in this cold, cold world...
We be runnin from the cops, bustin off shots
Shit is deep on the block and you got me locked down
in this cold, cold world...
Verse Two: Inspectah Deck
Yo
No time to freeze, undercovers ease up in Grand Prixs
and seize packages and pocket the currency
Clicks control strips full clips are sprayed
Yellow tape barricades sidewalks where bodies lay
Madness strikes at twelve o'clock midnight
Stick up kids on the ground broke the staircase light
And I stays harassed, scramblin for petty cash
Jakes on my ass young bucks is learnin fast
357's and 44's
Bought inside corner stores, their fire sparks the wars
Hospital floors surrounded by the law
Homicide questioning while the Jakes guard the door
My hood stay tense, loyalty puts strength in my team
Cause niggaz main concern is CREAM
Some niggaz in the jet black Gallant
Shot up the Chinese resteraunt, for this kid named Lamont
I thought he was dead but instead he missed a kid
and hit a twelve year old girl in the head and then fled
Tactical narcotic, task force, back off fast
Cause the crime boss is passin off cash
Extortions, for portions of streets, causes beef
Havin followers of Indians trying to play Chief
You witness the saga, casualties and drama
Life is a script, I'm not a actor but the author
of a modern day opera, where the main character
is presidential paper, the dominant, factor
Chorus
[Hell Razah]
Yeah, yeah yo
I'm like a whirlwind spinnin wit words of wisdom
In the ghetto only promised a hearse and system
We complete like the solar system
Play your space, I get hungry off of treble and bass and beat breaks
Everyday be a court date recorded on tape
Hell Raizah grab the mic and send your show to a wake
Cut off a snakehead the same way I cut off dead weight
We negotiate wit .38's in a ?nor? face
GZA came wit the Liquid Swords killin you all
I'm the virus in the street that'll get in your paws
See me jumpin outta four-doors wit my road dogs
All you soldiers want wars when you don't know laws
You be a rap fraud, knock you off the top of Billboard
Besides keyboards, only thing I love is the Lord
G-G Maccabee, K-P-P rapidly
Aiyyo Prodical, niggas is charged wit blasphemy
Chorus [Hell Razah]
AND ALL THAT HARD ROCK SHIT (charged wit blasphemy)
AND IF YOU'RE FEELIN LIKE AN ENEMY (come after me)
[Killah Priest]
I heard the sweet words from sour tongues
Vent poison in the ears of the ?grown-z's? dead head for years
Shed a tear for the underwear under the stairs
Left naked in the shame from hunger and fear
Shots were fired in the darkest moments
Niggas missed they targets, hit the homeless when the chrome spit
Sacreligious, days of atonement
Sing a praise wit a peace pipe for niggas I zone wit
Priest I blow bread amongst twelve thugs
Drunk a cup of blood
We trained the same time Peter sprayed a slug
We all trapped in this dream scared to wake up
I seen a phantom whisper, grim shadows, shows a blurry picture
Streets are filled wit goons and bloody niggas
I seen my friend fall, clutchin holdin his stomach
Caught him off-guard, foldin his hundred
It's like a life never ends, never know when it's comin
[Trigga]
Vocal imbalance, a code of silence converses violent
Live from medalion, ?nometry? dealin equality
You could stop to see profiles of me
Mic styles of me, lifestyles of me
Parallel prophecy, three-sixty degree
Complete the formation, salute the salvation
A Wu nation, do the knowledge no hatin
No misbehavin, lyrical affiliation
Artist in occupation together maintainin
Brain stainin, metaphor mutilatin
This generation, a misleading calculation
No elevation, time wastin and live chasin
[Prodigal Sun]
A day and night crime scene, livin in the time machine
Blaze a lime green, six on the spleen over some green
Surrounded by crooks, a life wit jux and bloody heist
It's a deadly price but the gun fiend for ice price
In this hell puzzle filled wit bitches, money and trouble
Stitches, for dummy knuckles crummy fuckin up the hustle
It's a struggle, in jungle wit sin we fondle men
Plus a prison, ain't no division and no religion
And inner city chronicle, thugs get caught up astronomical
Cash phenomenal, blast at your abdominal
Niggas is comical, fuckin wit the abominal
Son, I promise you, you won't live to see tomorrow
Catch a slug in the back of your head at the Apollo
I'm a hard act to follow, rugged Smith like Rollo
(Let's mark that ass nigga)
Chorus 3x
[Chorus: GZA]
Breaker, breaker, one nine, clear the line
Can you read me? Extorted your rhymes
MC's should expect the worst
I stay alert and shoot first
[GZA]
This is not a test, it's difficulty
Picture closely, the ignorant mostly
Blind, deaf, dumb, your mind left numb
Lost soul who failed to hear the roll of the drum
In the bottom of your bomb shelter, still felt the
heavy blast that blew off the masks of twelve welders
The math of an elder, praise the Lord - thank you Genius
Operation: Project English
Commander-n-chief of flight style, check the aircraft
Glide like the frisbee, Digi look Disney
To check fault in oneself is pure loveliness
You break the mirror that remind you of your ugliness
So when I bust, no one is untouched
Some returning with the mic clutched, like such
who plan but never execute
He had the heat in his hand, but yo he didn't shoot
Therefore; your mechanism of material better be sickly
or let your lead spread incredibly quickly
I move bravely, travellin on a horse
on the battlefield, surrounded by the lost
of those who plotted with the brains of animals
My high molecular structure be untangible
The name ring a bell, killable two syllable
The Wu is comin through, the outcome is critical
To be blunt, the beef was cooked up like coke goods
The rhyme first came to me in the oak woods
Up to no good, rap icon
";Milk"; the industry like the Wall Street junk bond
You see the bright stone, I got your height sewn
Direct current, that move through the mic-phone
Key contributor, well known major factor
Rhyme distributor, the drive of a tractor
who run ya down if you don't wanna move or wanna linger {*echoes*}
Chorus: repeat 2X
[GZA]
The immortality of my fame is the measure of other's torture
Burnt offer, from a flamin author
The falconer who flies enough birds for the chase
Strictly excel in what is excellence with grace
The significance was not the vulgar applause of interest
but the feelin that exit, completion of a sentence
With age and experience, my reason ripens
I strike on you Vikings, slash like a hyphen
If you enter the house of fortune by the gate of pleasure
You will leave by sorrow, the flow measures
everything fails with the unfortunate
Learned that recordin it, so my mind broaden it
Track records, ranks us, with the exceptional
Extreme complex physics, high technical
The truth is usually seen and rarely heard
What's more dangerous than hatred, is the word
You wild cards, Jack of all trades
Those who parade their positions, show their Spades
A large flock of MC's, they figure to be taught
It ain't hard to see why I'm vigorously saught
Chorus: repeat 2X
[Outro: GZA]
Breaker, breaker, one nine
Breaker, breaker, one nine
[GZA]
On a man-made lake, there's a sheet of thin ice
Where unskilled skaters, couldn't figure-8 twice
At 16, uncut, direct from the cult
Head on assault, the result, death by the bolt
In a vote, it spoke aboat the average loss commission
That was seen by a king in a prophetic vision
Like a plane crash from a bomb blast
Special broadcast, slot time with con cash
It kept the jury quiet, and now a riot will form
While satanic man, now hang in his dorm
I swing, on you fake, radio personalities
Boost ya ratings, but hypes behind casualties
Fire shots, for low-pressure water gun play
Instantly, slap ya fire like it's Palm Sunday
I fashion the first tool, from the elements
The earth use, and built it to a complex
Network, of communications, you're up against a hopeless, situation
I screen every vehicle, through enemy observation
Swarmin unpredictably, we spread terror
Increase the force significantly, change the error
Check my wind pattern, it's headin west
Success is freedom, failure could mean death
Humans sweat, aim shovels
Dig up the debris and rubbel
Permanent, damage caused by the double-
U, Now who, cowardly urge you to merge through
And think the workers'll serve you
Signin marvel, who just dropped the next novel
Worldwide, practically marred in marble
His accountless, amount of MC's I saved
And those same niggas wanna squander those gifts I gave
[Chorus: RES sample]
Scratch underneath the surface, where does your purpose lie?
It seems our world is worthless, like we're pawns beneath the sky
Change the race by reason, and ashes just the wind
The left is so our we're breathin, keep ourself from givin in
[Killah Priest of Sunz Of Man]
Love and hatred, home is most sacred
Both species, they lay naked in the tombs of oasis
Think back on niggas I ate with, spent the day with
Guns we played with, niggas I relate with
We broke bread, I heard through a vine niggas workin for the Feds
Sent out secretly to take my head
I lay back and meditate to the words they say
Skip town for a mutten goofy dred
Had a friend tell my family I was dead
Return at the last fall of the autumn leaves
Operate the plan accordingly, in case the Feds are recordin me
Sign all documents, usin forgery, cuz just a near thought of me
Like Solomon, spoke bluntly
Told the word I'm black and calmly
Howls from the grave haunt me
The smell of death's upon me, I dwell in the hills like Gandhi
Been in the presence of mad peasants, and old kings
Who sold everything, on a quest for god's divine
Slept in caves to get a clear mind
Who prayed 3 times, when the moon lit and the sun rise
I met dwellers in the desert, talked to shepherds
Been in the mouth of many leopards
Felt the death kiss, of Satan's mistress
Walked the vacant districts, for 4 religions, studied Pagan scriptures
True philosophers and physicians, on a cure missions
Who harden their hearts, to ward the weak, sick and ifflicted
Candles lit, gamble with a bitch
Who made me love her, when I touch her, soft cause hide claws
Bees with sweet honey in they mouth
Have bitter stingers at they tail
Walk through the chambers of death, take a hold on to hell
Embracing her was like embracing a 3rd world
[Chorus]
[Outro: RES sample]
Scratch underneath the surface
[GZA]
Welcome to the Jungle where the cat loves to scratch
The rat squeals
And the polar bear feasts on the blubber of seals
The pack of wolves be scheming on a bunch of gazelles
Where the leopards grab the wilderbeast down by it's tail
You see the chimps they grow *hemp* they hustle and sling in trees
Elephants for security that move tons of leaves
The bluebirds arrest parrots that love to talk
of eagles that stalk fresh-water trout under the wing of the hawk
You see the vultures pick the pocket of whatever remain
In the brain we watch but a shadow of the lion's mane
Whose roar is loud enough to take the stripes from a zebra
He camouflage his bets in the spots of a cheetah
Shouldn't gamble with a cheetah and not expect to get beat
You silly goose you know he move fast on his feet
Now you're neck deep in depth with a bunch of lone sharks
So you move on a colony of ants with aardvarks, you see
Most of the everglades was controlled by the gators
It was crashed by the crocs who came years later
See the locusts had swarmed with the bees
the tick moved with the fleas
The dragonflies and the wasps shared with the seas
The crab and the leeches sucked your blood flow
And they laugh like hyenas when they out to catch dough
See a million mosquitos from the West Nile
Carrying the virus that made the boars less wild
[Hook x4 : GZA]
It's like the jungle sometimes
[GZA]
Out of fear of the deer watch for the eye of the tiger
The Clutch from the Cobra and the venomous viper
Boa-constrictors that cut your circulation
Mosts of their prey die from broke bones and suffocation
The owls are private eyes that watch from the bark
Black panthers are the militant who strike in the dark
Porcupines had a rep' for sticking everything that moved
In areas that the rhinos and hippos approved
And the giraffe was a look-out for gorillas in the mist
And the bats use their sonar to guide and assist
Those pelicans who smuggle contraband for the whale
While the skunks spray the scent to keep the dogs off the trail
The scorpion set up a sting for sly foxes
that use stool pigeons just to keep them in the boxes
While the black widow laid a web for the bachelor
like daddy-long-leg and his hype man, tarantula
They both prey on grasshoppers beetles and flies
And they all become instant meals the moment it dies
What costs little, is a little worth
so some lose they lives wandering on the wrong turf
From birth they grow up walking the thin line
It's like the jungle sometimes
[Hook x4 : GZA]
It's like the jungle sometimes
Intro: (LP version only)
Choose the sword, and you will join me
Choose the ball, and you join your mother... in death
You don't understand my words, but you must choose
*baby gurgling*
So... come boy, choose life or death
Verse One: Ghostface Killah
The only man I hold wake for
Is the sky-blue Bally kid, in eighty-three, rocked Taylor's
My Memorex performed tape decks, my own phone sex
Watch out for Haiti bitches, I heard they throw hex
Yo, Wu whole platoon is filled with rac-coons
Corner sittin wine niggaz sippin Apple Boone, this ain't no white cartoon
Cuz I be duckin crazy spades
The kid hold white shit, like blacks rock ashy legs
Why is the sky blue? Why is water wet?
Why did Judas rat to Romans while Jesus slept? Stand up
You're out of luck like two dogs stuck
Iron Man be sippin rum, out of Stanley Cups, unflammable
Noriega, aimin knives which stay windy in Chicago
spine-tingle, mind boggles
Kangols in rainbow colors, promoters try to hold dough
Give me mine before Po, wrap you up in so-and-so
I ran the Dark Ages, Constantine and great Henry the Eighth
Built with Ghengis Khan, the wreck suede wiley Don
Verse Two: Killah Priest
I judge wisely, as if nothin ever surprise me
Loungin, between two pillars of ivory
I'm lively, my dome piece, is like buildin stones in Greece
my poems are deep from ancient thrones I speak
I'm overwhelmed, as my mind, roams the realm
My eye's the vision, memory is the film
Others act sub-tile, but they fragile above clouds
They act wild and couldn't budge a crowd
No matter how loud they get, though they growl and spit
Clutch they fists, and throw up signs like a Crip
And throw all types of fits
I leave em split, like ass cheeks and ragged pussy lips
Verse Three: The RZA
Aiyyo, camoflouge chameleon, ninjas scalin your buildin
No time to grab the gun they already got your wife and children
A hit was sent, from the President, to rage your residence
Because you had secret evidence, and documents
On how they raped the continents, and it's the prominent
dominant Islamic, Asiatic black hebrew
The year two thousand and two, the battle's filled with the Wu
Six million devils just died from the Bubonic Flu
Or the Ebola Virus, under the reign of King Cyrus
You can see the weakness of a man right through his iris
Un-loyal snakes get thrown in boilin lakes
of hot oil, it boils your skin, chickenheads gettin slim
like Olive Oyl, only plant the seed deep inside fertile soil
Fortified with essential, vitamin and mineral
use the sky for a blanket, stuffin clouds inside my pillow
Rollin with the Lands, the tribe's a hundred and forty four thousand chosen
Protons Electrons Always Cause Explosions
Verse Four: The Genius/GZA (Maximillion)
The banks of G, all CREAM downs a vet
Money feed good, opposites off the set
It ain't hard to see, my seeds need God-degree
I got mouths to feed, unnecessary beef is more cows to breed
I'm on some tax free shit by any means
Whether bound to hit scheme or some counterfeit CREAM
I learned much from such with cons who run scams
Veterans got the game spiced like hams
And from that, sons are born and guns are drawn
Clips are fully loaded, and then blood floods the lawn
Disciplinary action was a fraction of strength
that made me truncate the limp on temp
with the stump, treat his hips like air pumps
RZA shaped the track, niggaz caught razor bumps
Scarred tryin to figure who invented
this unprecented, opium-scented, dark-tinted
Now watch me blow him out his shoes without clues
Cuz I won't hesitate to detonate, I'm short fuse
[GZA]
Bobby said, ";Fuck spendin 50 on a whip, buy a clip";
Mental flip, got a thousand tracks thought on a chip
Said he had mad toys to make noise
You split and separate drums like asteroids
The concerned producer sampled this question
Hit him with the beat for the answer, with extra compression
When sound travel, it quickly grab you
and equalizes the pitch up, until it have you
Bugged out, tryin to think you can match this
The portrait's too graphic
Panaramic view for you, stamp Wu
The feature gothic, the outcome will be catastrophic
We wrote block-tic checkpoints on your next joint
and who the nigga you annoint?
700 volts on the track to slay
Murderous wordplay displayed, for killin cascades
Throwin bullets in the air to test wind
and which way the cyclone spins
Counter on clockwise, still civilized
Kill spies on the wall, that still flies all dies
[Masta Killa]
Give no extension on the lynchin
It's tension if the name of the Clan is mentioned
It's the aura that's felt, that causes one to flash his gun
and reveal how he really feel, confirmed
He'll never live after the show, see the promoted for the dough
I'm takin, breakin his wax
Throw my shit on to perform my selection from the Swarm
Day 2 breaks, it's a stormy Monday
My ninjas lay in revines and ditches
Underneath shrubs and leaves
They breathed thru underwater reeds
The enemy walks above, Clan remain subterranean mud
Off shore banks, tanks approach the location
Bombarded by the circle of death formation
Telecom lines are sniped from these low altitude strikes
Shatterin bulletproof helmets with scrap nail fragments
of cell, inhale these venomous thoughs that I propel
thru the north facility, the city must suffer at the hand
of the Chief's command, volts is in
At 3 minute intervals the heat intenses
deadenin the power from electrical fences
Defences are down, shake a nigga up, bounce him off the sound
[Interlude: Killah Priest of Sunz Of Man]
You know what I'm sayin?
The God ca-diver, in the streets of Iris.
We talk about sex, money and drugs.
(Ruled by power.) And y'all cats don't know
what it's about. (Love and power.)
It goes deeper than what you see on TV.
Killah Priest, come on.
[Killah Priest of Sunz Of Man]
Burnin desire, ebony eyes
Painted toe nails, legacys die
Drivin by the well, egyption queens, arabian shieks
are paid to knock off rich kings, for the joy some sing
Graveyards filled with scarlet widows, who stabbed they husbands
Sleepin on silk pillows, blood on they robes
Disguised as beggar in cheap wool clothes
Lambs and wolfs in black hoods, pull out they gats
like magic wands, castin spells, sendin niggaz to Hell
Trappin they souls in realms, baptize em with holy water
Springin on the heads of plenty witches' daughters
Interviews with the richest reporters
Silent nights over the dividers, a 1000 muslim bibles
for the cobler, hebrews flee to the hills of Masada
for the love of God, guns make a loud sound
I'ma show you how thugs get down
Shoot outs, bullets turn into bloodhounds and hunt you down
Cursed nation, lost generation
X-Files, describe them in the future as cosmic rulers
Fallen angels from space intruders
Dyin saints, blood spilled on the floor like wet paint
See it in the pictures, read it like the lost scriptures
Dissolve it with your 100 proof liqour
[Njeri]
Ha, I shot the sheriff and the deputy secondly
Threatenin the lives of those who threaten me
Lessenin my chances of defeat by predeterminin the victory
As taught by Sun Tzu in the chapter, after the third one
I heard my words shall be bombed, regardless to anything or anyone
I die by the gun, my life has just begun
Thought I was livin all along, but I was wrong
This long road I have to travel in countless battles
These filthy snakes with poison fangs and rattles
Kings, queens and pharoahs change to cattle
I'm able to subtract the devil's arrow
Singin at his eyes on the sparrow, mind narrow
2 positions, horoscopes and tarots
Hark harolds, angels and Christmas carols
Raven images hang from the mantels
Man made slaves and modern day babbles
Raw from Africa and golden ropes and sandles
by wicked thieves and vandals
who man-handled us with leather whips and burnin candles
and rambled thru our castle, leavin niggaz shambles
Stole our golden sodas like some arab camels
We gazed, amazed and baffled as he loaded his ammo
with to the barrel and blasted out our bone marrow
We went to Gretal and the Hansel, tricked by this wicked jackel
Children of my grand old daddy, have me
In mind were they lost in this wilderness blind?
Intro:
One two one two check one two
The Genius in the place to be
Verse One:
I make the mic pump my mic makes the party jump
And poison beats make hip-hoppers stump
their feet kinda wild, to give off sparks
But I'll still light it up when the place is pitch dark
Now that you witnessed me this get this correct, rap wreck
when I'm speaking it's the God projecting
facts into brains of those unaware
Now you're afacing the truth in the square
Bitties like biting, then yo you should chew this
Your man wants to beef, then we can do this
Then when it's time for you to face the God
I'll be giving you the whole nine yards
With lyrics that breaks the laws of gravity
So sweet to biters it gives them cavities
And can't be healer from the strongest toothpaste
So keep biting to see how the truth taste
You need guidance and self-assistance
Cause you lack the training to go the distance
But I'll rhyme, to the fullest length
And this is just a fraction of the strength
Chorus:
of the Genius
Words from a Genius
Verse Two:
I'll never sweat an MC then say I wanna be him
Cause he makes a hit records and flips a coliseum
I learn to lead myself, not be a follower
I'm not a biter, stupid rhyme swallower
I created something funky fresh funky new
Brothers started playing money see and monkey do
Should I explain hip-hop, okay I love it
Simple definition but ya still don't know the half of it
All I need is a mic, a beat, then I'll step free
And flip like I'm bugging off Bacardi and Pepsi
Dancers on stage like Alvin Ailey
While I'm deep into the roots like Alex Haley
You wanna try me, and be worn and torn
Step forward, I'll get on and start to born
A pumpin self explanator rap
Make a sucker MC like you clap
your hands, while you clap the sound's intact
You react like an infant respons to Similac
Or then again, could have been Enfamil
But for your information the rhyme is real
MC's wonder what's hip-hop thunder
Tell you the truth it's just One Nation Under
A Groove, getting down for the funk of it
Like Fred Sanford in the business for the junk of it
When I'm premitted to break down a poem
I'm like knotty hair rippin out teeth from a comb
One by one so who you calling your troops on
Ya couldn't even bust a grape, with spike boots on
Biters are crooks and try to steal the stage
I read em like books, flip em and turn the page
I'm The Genius, you're living in deep fear
Go home and write and come try me next year
With stacks of rhymes or you'll be feelin ill troop
You being stuck in the ice cream and didn't know the scoop
Chorus (2X)
Verse Three:
Some say The Genius, has a style of his own
And his hands are like Vise-Grips holdin a microphone
Flowin smooth, with rhymes that are rough
Because I can't get enough
So I practice not what I preach but what I teach
In which the critics say is improper speech
But it's proper, only to those who understand
Why I walk on stage with a mic in my hand
As brothers look on, label me as a psycho
Just because I'll jump on stage and grab a micro-phone
From a so-called said to be MC
Who admires me with jealousy and envy
My rhymes are delivered with style and potential
Words are flowin smoothly in a sequential
Order, revealin hidden tape records
Stuffed inside pockets and those I'll slaughter
But I don't get upset, when you bite and steal
I go home and write some ill
Stacks of poetry, page after page
Imagining the scen-ery onstage
I catch flash-backs of the seminar
As I crush the dreams of a wannabe star
Self-explanatory words are shifted
In a unbitten style cause I'm gifted
and talented, with the lyrical ability
Bound to fuck up a hip-hop facility
Damaging MC's who dare to enter
The center, then challenge the inventor
Of an impartial rhymin status
Followed a relevant apparatus
The way I come off on the mic is attractive
I can make a quadriplegic hyperactive
With lyrics of friction causing mics to spark
My style couldn't be bitten by a shark
MC's don't understand the way I be bombin em
Roll up and ask me what's the phenomenon
First of all homeboy when I'm battlin
I'm like a doctor shootin deadly insulin
Into MC's like that of a syringe
And dare you to seek for revenge
Chorus (2X)_
Who's your rhymin' hero
I use lyrics versatile, beat up, on any style
Treat em like stepchilds and smile
I grab the mic then I check one two
Brother's look, yo what he's gonna do
Hmm, you know I don't get too hyped
I just fully load up the brain and cock the mic
And blast off rhymes, within a matter of time
I'm like a mirror of organized crime
For slaying an MC who think that he might be
The first brother who could come up and fight me
Start running like you're looking for P.C.
Protective... custody
Cuz I'm blowing off, just for going off
You may think I'm showing off, cuz every rhyme is flowing off
A dope beat that is so sweet to the eardrum
Gets the crowd prepared to hear some
Super, high-powered lyrics, specially chosen
The battle's a snowstorm and brothers are frozen
Thirty-two degrees below zero
Now who's your rhymin' hero (3X)
The Genius, is a rap professor
Casual dresser, you may dress fresher
But the way I speak is so poetic
Describe me on the mic, I'm energetic
Even if you roll up strapped with an uzi
Still your wack lyrics couldn't [Do Me!!]
Yo, I'm not the type of guy
Cuz my lyrics are high powered, meaning fly
I'm not barn, I'm building hard
You thought that I was weak, well let me speak
With me being frozen this MC weather come to
all linked together
See I got wreck, wrapping things in check
You got germs, worms, plus a lack of respect
I'll be teachin, you couldn't handle
A style like mine, I dismantle
Just by pickin up the mic, and start showin
I cold turn it out, and yo then
I get super serious strong and then furious
Give an MC something to make them curious
on, professors, in college
I stomp em out just with supreme knowledge
Bustin up witches, yo I give stitches
Super-suckin-fuckin-lickin-some-sexy-scali bitches
I go off, and off men often
See the December's Primateen mist coughin
Cuz I'm the God building hard never barred
Bringin crazy static to your attic
Now I'm known to flip a show
Now who's your rhyming hero (4X)
You have some MC's who get too hyped
From a ten word rhyme it took em hours to type
That's not MCing, just an MC being
weak on his words and never thinkin bout freeing
Poitive thoughts that I let come out
I'm The Genius of this, I know what it's about
Cuz on the mic I'm a leader, school I am a reader
When it comes to sex, a strong good breeder
MC's max but every one I wax
and collect the cash money without being taxed
Now that I have your attention, I'd like to mention
Don't battle me at any rap convention
If so I'll show all who wants to know
To detemine who's an amateur and who is a pro
Don't mean to get ill, cuz I know how you feel
You lack words like mines, talent and skill
Now I'm known to flip a show
Now who's your rhyming hero (4X)
CHORUS:
I rock the mic at any party
And in the place to be
I'm a true, true fresh MC
I'm a true fresh MC
I work real hard to achieve my goal
From building and bringing out my true inner soul
Which was once on a downfall and then uplifted
So why live life foul when you're talented and gifted
I've changed, rearranged my total direction
Searchin' for happiness, seeking for perfection
Living the true life, a real story
To make you realize the truth, not scream Glory
Glory, hallelujah, not here to fool ya
But to replenish your souls as I school ya
With a greeting of Purified Education
Always Correcting Errors which stops the temptation
Of you doing wrong singing the same sad song
Renewing bad histories for how long
A Long long time ago
Going fo rmind made The Genius a pro
And as you see who I be
I be The Genius and thus a true M.C.
CHORUS
Brothers need to study some lessons
They are the blessings to keep you from guessing
the questions that is asked by the seeker
Put on the beat and let me born it through the speaker
Peace, a lot of MC's like to say it
And some that advocate it they just spray it
Out and scream and shout, beyond the shadow of a doubt
They don't know what it's about
Just to keep you informed with the significance
How can I prove this through true evidence
Some make me laugh, think they droppin' math
Show and proven is a difficult path
Within teh five percent, I am the live percent
Those who perpetrate are the jive percent
I be the universal, the Biochemical
Arm, Leg, Leg, Arm, Head is the physical
That keeps rhymin' until it's unbearable
No individual is comparable
You have aproblem inform the technician
But he's not dealing with those of superstition
Those who like dealing with it superstitiously
Cross your fingers when you steppin' to me
I don't nee beefs and problems, riffs and static
Debates and arguments that snot dramatic
I need action, it speaks louder than a word
Especially when the word is loud and unheard
Word is what? My word is bond, your word is bull
Now it's your card I'm gonna pull
When I hold a mic in my hand, it's devotion
Then I began flowing in a smooth steady motion
Cause I'mcontended to know that I've invented
Poetry which has been highly complimented
Thus how I rhyme is what I feel on stage
And from a fraction of a thought I can write a whole page
I'll just pull a notebook from off the shelf
And like Salt-N-Pepa I express myself
To make most of you know me, and some of you don't
But when it comes to cold challenging, I bet none of you won't
Arrange a battle, improve your style
Against a brother with a totally different profile
Most of you flake cold front ya flex
And hesitate on rhymes that should've been Memorex
But you forgot I remember you're an amateur
Mystery worshipper, nowI prefer
ThatI remind you or tease ya on who's the boss
Cause you suffer amnesia, that's memory loss
Well get this just as quiet as it's kept
MC's on the chart from teh start has slept
Let's shake them,wake them, they should be woke
For what? They take MC'ing for a practical joke
You don't have what it takes to be an MC
Ya just as phony as ya wanna be
You present yourself to be the quiet storm
You're a sneaky littlesnake in a devilish form
But as they say, yo, to each its own
And to each one who plays with a microphone
Abbreviate microphone and M.I.C.
Meaning what, Myself, I, you see
I invite those to battle me then they're through
Bust it, i'mnot prejudiced you're invited too
The rap convention or the MC show
I have rhymes to block those who hit below
The belt, that means biting a rhyme
Yes, I'll wax you, tax you and plus save time
Now who is known to uphold his own
And words are heard like a strong baritone
Freestyle techniques that's wild and bold
That'll smile in your face and still come so cold
That I'll freeze you to the point of non-defrost
Now you're trapped in the Land Of The Lost
Should I, could I, would I lose
When it's a selfish sore loser like you I choose
To roll your big eyes and suck your buck teeth
Because you're upset that you ever caused beef
Yo homeboy, I never meant to tease
But it's a slaughter, can someone help him please
Feeling uncomfortable, then loosen your belt
Once The Genius gets heated up, suckers will melt
Then after ya melt, ya start dripping like water
Then you can say this was a Goddamn slaughter
You don't have what it takes to be an MC
Ya just phony as ya wanna be
Ain't no rhymes like the one I got
They put competitors in a trance, y'all
Radio stations ran them a lot
They made children play and dance y'all
How dare ya mention you're an MC
When the crowd disagrees on who claim to be
Cause your battle piece are the rhymes you release
And that only make the crowd boos increase
Hey, may I say I'll stay a DJ
MC who try to defeat me or portray
One who claims he gain much respect
But in a battle, straight up and down ya getting wrecked
Cauise getting with me is definitely a slaughter
Or diving in a pool head first without water
So don't set yourself up to get brutalized
That only happens when you're not energized
Bit I'm so damn energized, I'm energetic
That I can wreck a microphone 'til it's pathetic
Oka, got it in your head, correct
That I'm victoriouson any subect
You disbelieve, then huh, call the title
Then after one rhyme you'll be calling me your idol
It's like..zap...another one on my jock strap
Now you walk around praising my name
Cause i'm slamming and I make you feel the pain
You don't have what it takes to be an MC
Ya just phony as ya wanna be
No stems no seeds that you don't need
Acupulco Gold is *inhales* *deep voice* BAD ASS WEED
Intro: Genius, Rakeem
Yo this is the Gka-gka-Genius
and I got the brotha Prince Rakeem on the side
You know we got the sess bones in the house
And yo God I'ma pass you the bone
Pass the bone kid, pass the bone
Pass the bone kid, pass the bone
Pass the bone kid, pass the bone
Pass the bone, so I can rule the micraphone
Verse One: Prince Rakeem
Rakeem is feelin lovely, word a pocket full of dough
A little drunk, reaction's mad slow
Thinkin, should I go to the club scene
And do what? And bag a rub-a-dub queen
Another thing, beyond the cream, I wanted to get ripped
Put my lips on a blunt tip
It's been two weeks, since I last sparked it
Went down to the club floors
Five dollar fee, plus ID
But a brother like me, gassed his way in for free
Word, took a bar seat
Got a tall glass, of sex on the beach
Turned to my left, saw this girl she was slammin sir
Oooh, what ya do kid? I examined her
Pushed up, I tried to bag her, for her name
What happened? I didn't have the game
Overwhelmed, by a scent in the air
Could it be? Yes, yeah, a potent bag of sess there
It was Raekwon and Loud Jerome
They had a bone, you mean a blunt? A palmetto
I said pass the bone, pass the bone
Pass the bone kid, pass the bone
They passed it, took one pull I was blasted
Felt kind of stimulated, fan-tastic
We approached the weak cypher
Did you surprise her? I tranquilized her
Bagged her, for her name and address
Slid to her rest, acheived mad success
But did you bone her? Did I bone her?
Did I bone her; you shoulda heard her moan
Pass the bone, pass the bone
Pass the bone kid, pass the bone
Pass the bone kid, pass the bone
Yo Genius, flip the micraphone
Verse Two: Genius
Yo, pass the bone, kid pass the bone
Pass the bone, kid pass the bone
Pass the bone, kid pass the bone
Pass the bone so I control the micraphone
Yo check it
Outside a nightclub what? We shine some young bloods
Drinkin forties right down to the suds
Ready to flow inside and rip the mic phone
Hmm, and all I needed was a sess bone
And guess who come down the block stumbling drunk
Ason, with two bags of skunk
Pull out the blunt put the weed inside
Roll it up tight, then the flame was applied
Inhale, but not pertaining to cough
Exhale, you know like two pulls and off
Stimulated kind of toxie
Seen a girl who was foxy, yo but she needed
OxyWash, oh my gosh, yo not to disrespect
But back to the subject
The brothers rolled up on the scene that I had known
Smelled the skunk and said ";Yo pass the bone!";
I said, ";Lounge G"; there's not enough to pass around
So go get a bag from Uptown
I gave a pound to the brothers who was sweatin
What about the Wisdoms? Yo they was stressin me
";Hey Genius, Genius, when ya Come Do Me
Step to me, you know screw me";
Just another red bone, that I had bagged in the red zone
And took home to get my head flown
Forget about the weak cypher, so I slid to the back
Leavin tracks of smoke stacks
that originated from the sess crops
Give me the mic and watch me get props
Pass the bone, yo, kid pass the bone
Pass the bone, kid pass the bone (6X)
Pass the bone, so I control the microphone
I feel I'm a threat to high powered MC's
Cause when I roll up on their live shows they kinda freeze
From being approached by The Genius of rap
Whose poetry makes hands on a clock clap
You see, I be coming with strong rhymes galore
That even a stubborn MC can't ignore
That trying to defeat me brings about danger
Like a child speaking to a stranger
Soft MC's, I see more and more
With an ancient style, the prehistoric bore
Yes, they scream and roar until their throat get sore
Now they're running to the neighborhood drug store
To buy the cough drop for what? The wrong hip hop
Now they swear they're on the good ship lollipop
But it's a sweet trip to the candy shop
POW!, now it's a six feet drop
For stealin' rhymes which is incorrect
Of those who speak on how others are weak
You wanna sneak peek of the hype technique?
Don't make me run up on start flipping like
I'm insane, or you'll feel the pain
I appreciate your comments of my creation
Your standing up followed by your standing ovation
Your kindliness to listen to the true MC
Those who know me make me #1 cause they agree
I rock on and on past the break of dawn
Ask Rakeem, Unique Ason, or even Melquan
Cause I be flowing at the same time showing
Hard headed individuals who don't be knowing
That I wreck it, cause my style was perfected
And injected into a drop beat selected
By who? Easy-Mo-Bee, the engineer
But don't forget the hypest in the Northern Hemisphere
The G, the, The G, the, The Genius
From Earth, not Mercury or Venus
Or Mars, cause then I'll be martian
But even in that world I'll still be squashin'
Brothers who feel they have the heart
To battle me, then I'll just trip them apart
Don't make me run up and start flippin' like I'm
Insane, or you'll feel the pain
Chorus:
When a motherfucker steps out his place
And gets slapped in his motherfuckin face
Just because the motherfucker tried to base
The G.O.D., the G.O.D.
And while I see his whole click passes by
Motherfuckers think they qualify
And for those niggaz want to try
The G.O.D., the G.O.D.
Verse One:
Yo
I'm not caught up in politics
I'm no black activist on a so-called scholar's dick
I come through with the Wu and drop math
And versatile freestyles bombs and phonographs
and deliver, all things and other in weight
searched to death, on how living things relate
Cause at a young age, I was molded in a religion I relied on
and got caught up in superstition
Scared to split pole, duck black cats
Once in a while, threw salt over my back
But with knowledge of self from off the shelf
Made things seemed complicated now small like elves
So turn off the lights light a candle, and have a seance
Pull the lid off the Dean Martin scandal
Witches warlocks spooks and holy ghosts
RZA lets defraud the host
Chorus
Verse Two:
We were on the same ship when the slaves were checked
I had to pull your card you was on the top deck
So I plotted my escape, I saw the Thin Line Between Love and Hate
And fast from the hog on the plate
I suffered brutal pains, from whips and chains
Punishments that were set to wash the brain
So look listen observe and also respect this jewel
drawed up, di-tect and reflect this
light I shine, that cause my power to be find
through the truth, which manifest through eternal minds
Purified gases and masses the same elements
that helped spark civilization classes
I see brothers quote math plus degrees
Look at professor ass niggaz can't feed they own seeds
Chorus 2X
She's a wonderful wonder
And she crashed down like a thunder
She arrives at the moment I leave
A battle-ground for an eye
I love my evil genius
I love my evil genius
Nothing can come between us
I'm in love with a genius
I love this feelin'
Tempted by storm, weak me
Strung out on a beautiful charm
She's the middle in my eye
I love my evil genius
I love my evil genius
Nothing can come between us
I'm in love with a genius
God knows she's a genius
She's goin' make she's goin' make make the world go
I can't ecscape I can't ecscape so I find hope
She's goin' make she's goin' make make the world go
I can't ecscape I can't ecscape so I find hope
She's goin' make she's goin' make make the world go
She's goin' make she's goin' make make the world go
(Round) My evil genius
(Makes my world go round) My evil genius
(Make, make my world go)
Ohhh Ohhh Ohhh Ohhh
[Verse 1:]
1-9-74 was the year mommy and daddy had created a monster
The funny looking kid from the suburbs, and refurbished genius 'cause nobody wants to
Cook up a musical recipe - left it to me so I 1'ma have to give it what I got left of me
'Cause if I left it up to (ya-'all)
Most of ya'll would probably drop the (ba-all)
I be raping these records lately, and ya'll ain't trying
You say celibate, but I ain't buying
No we can't baby baby
That crazy world maybe maybe
And don't be caring they hate me
And if you staring it maybe-be-be
Blinding, 'cause I'm a supernova, I'm shining
The tippy-top is where I'm residing
So if I gotta Rescue Ranger it, picture painter it
Whoops! I left my stain in it (I AM!)
[Chorus:]
Genius!
Genius! (I am!)
Genius! (Don't you know my nigga)
Genius! (Don't you know my nigga)
[Bridge 1:]
Take this session, as a blessing
His confession, keep 'em guessing
He's the best in, his profession
He's professin', learn the lesson
[Verse 2:]
IF E equals mc (squared)
I'm an MC (squared)
No comparison (stare)
I'm a therapist
Dare you to listen
Now pay attention
How can I mention, your music paralysis!?
Beckon 'em, (Come here!)
Lyrically I'm checkin' 'em
Tellin' 'em: (Get over here!)
Way too far too left on 'em
The best since my conception,
Put ya antennas in my direction!
Give me an inch and a lead and it's over
I've been a sidekick, now I'm taking over
Never believed that a team, me could lead 'em
Now they salute when they see 'em (I AM!)
[Chorus:]
Genius!
Genius! (I am!)
Genius! (Don't you know my nigga)
Genius! (Don't you know my nigga)
[Bridge 2:]
I've been different all my life for a reason
Waiting to attack in my season
And I'm a be here, never leavin'
This is the reason I'm breathing
[Bridge 1:]
Take this session, as a blessing
His confession, keep 'em guessing
He's the best in, his profession
He's professin', learn the lesson
[Chorus:]
Genius!
Genius! (I am!)
Genius! (Don't you know my nigga)
If dysfunction is our function (and if we learn by our mistakes) then I must
You don't need to be a Genius
To get where you want
Take a word frome me, philosophy self-designed
You just put your fine ass on the line everyday
Got to stick it out get a life make your way
You can't live through me, reality's up to you
you can't look around can't look down
If you do you won't make the race
Can't set the pace lookin back
I can't choose for you induce or move
One damn thing!!
Hell can't you see all of the hopes
Gone out of you
You think of me...I'm the lucky one
I say to you it's not what you think
It's what you do
Don't befriend a doubt,it burns you out
Guard your faith
You'll learn how to know when to
Let go or hang on
Sometimes you sit tight some times you fight
Ride the storm
It's the answer to differnce between me
And you...
Hell can't you see all of the hopes
Gone out of you
You think of me..I'm the lucky one
I say to you it's not what you think
It's what you do
Damn!Wish I knew why you can't see it through
Hell can't you see all of the hopes
Gone out of you
You think of me..I'm the lucky one
I say to you it's not what you think
It's what you do
Damn!Wish I knew why you can't see it through
Everybody wants to be a genius
You?re not the only one
With all things that you might do
Which one of them will you get to?
Tomorrow when you wake up
Then you?ll show them
Nobody wants to break your heart
You do it on your own
There?s nothing wrong with you today
Nothing you had that they took away
But all the time you?ve waited
For what is owed to you
You want to fight, they fight you blue
You want to lie, who will lie with you
You?re the only one, waiting for a sign
So you?re the only one
So you?re the only one
Everyone?s had some situation
Keep it to yourself
There?s no need to answer questions
Your lies have spoiled two confessions
And all the time you waited
Won?t come back to you
You want to fight, they fight you blue
You want to lie, who will lie with you
You?re the only one, waiting for a sign
So you?re the only one
So you?re the only one
She's got something to say to the world
She wants to know if she could tie it up
So it can't move, she is feeling inspired
She said it's too cool for it's own good
She's kinda freaky
She's kinda weird
She's kinda freaky
But I don't know
I think she's a genius
If she could only just slow it up
Then she could get out really quickly
She thinks the chances are
Pretty high, pretty high, pretty high
She's kinda freaky
She's kinda weird
She's kinda freaky
But I don't know
I think she's a genius
She had that slow motion thing happen
And she wants to tell you about it
But you know, you know, you know
She does not trust you
She knows all you are is lucky
She's kinda freaky
She's kinda weird
She's kinda freaky...
But I don't know
I think she's a genius
Human intelligence |
---|
Abilities, traits and constructs |
Models and theories |
Fields of study |
A genius is someone embodying exceptional intellectual ability, creativity, or originality, typically to a degree that is associated with the achievement of unprecedented insight.
There is no scientifically precise definition of genius, and indeed the question of whether the notion itself has any real meaning has long been a subject of debate. The term is used in various ways: to refer to a particular aspect of an individual, or the individual in their entirety; to a scholar in many subjects (e.g. Isaac Newton or Leonardo da Vinci) [1] or a scholar in a single subject (e.g. Nikola Tesla, Albert Einstein or Stephen Hawking). Research into what causes genius and mastery is still in its early stages, but psychology already offers relevant insights.
Contents |
In ancient Rome, the genius (plural in Latin genii) was the guiding spirit or tutelary deity of a person, family (gens), or place (genius loci).[2] The noun is related to the Latin verb gigno, genui, genitus, "to bring into being, create, produce." Because the achievements of exceptional individuals seemed to indicate the presence of a particularly powerful genius, by the time of Augustus the word began to acquire its secondary meaning of "inspiration, talent."[3]
The assessing of intelligence was initiated by Francis Galton and James McKeen Cattell. They had advocated the analysing of reaction time and sensory acuity as measures of "neurophysiological efficiency" and the analysing of sensory acuity as a measure of intelligence.[4]
Galton is regarded as the founder of psychometry (among other kinds of assessing, such as fingerprinting). He studied the work of Charles Darwin. Charles Darwin showed that traits must be inherited before evolution can occur. Reasoning that eminence is caused by genetic traits he did a study of their heritability, publishing it in 1869 as Hereditary Genius. His method was to count and assess the eminent relatives of eminent men. He found that the number of eminent relatives is greater with closer degree of kinship, indicating to him that a genetic trait is present in an eminent line of descent that is not present in other lines.[citation needed] This work is considered the first example of historiometry, an analytical study of historical human progress.
Galton's theories were elaborated from the work of two early 19th-century pioneers in statistics: Karl Friedrich Gauss and Adolphe Quetelet. Gauss discovered the normal distribution (bell-shaped curve): Given a large number of measurements of the same variable under the same conditions, they vary at random from a most frequent value, the "average," to two least frequent values at maximum differences greater and less than the most frequent value. Quetelet discovered that the bell-shaped curve applied to social statistics gathered by the French government in the course of its normal processes on large numbers of people passing through the courts and the military. His initial work in criminology led him to observe "the greater the number of individuals observed the more do peculiarities become effaced..." This ideal from which the peculiarities were effaced became "the average man."[5]
Himself a child prodigy, Galton was inspired by Quetelet to define the average man as "an entire normal scheme"; that is, if one combines the normal curves of every measurable human characteristic, one will in theory perceive a syndrome straddled by "the average man" and flanked by persons that are different. In contrast to Quetelet, Galton's average man was not statistical, but was theoretical only. There was no measure of general averageness, only a large number of very specific averages. Setting out to discover a general measure of the average, Galton looked at educational statistics and found bell-curves in test results of all sorts; initially in mathematics grades for the final honors examination and in entrance examination scores for Sandhurst.
Galton now departed from Gauss in a way that became crucially significant to the history of the 20th century AD. The bell-shaped curve was not random, he concluded. The differences between the average and the upper end were due to a non-random factor, "natural ability," which he defined as "those qualities of intellect and disposition, which urge and qualify men to perform acts that lead to reputation ... a nature which, when left to itself, will, urged by an inherent stimulus, climb the path that leads to eminence."[6] The apparent randomness of the scores was due to the randomness of this natural ability in the population as a whole, in theory.
Galton was looking for a combination of differences that would reveal "the existence of grand human animals, of natures preeminently noble, of individuals born to be kings of men." Galton's selection of terms influenced Binet: geniuses for those born to be kings of men and "idiots and imbeciles", two English pejoratives, for those at the other extreme of the "normal scheme."[7] Darwin read and espoused Galton's work. Galton went on to develop the field of eugenics.
Genius is expressed in a variety of forms (e.g., mathematical, literary, performance). Genius may show itself in early childhood, as a prodigy with particular gifts (e.g., understanding), or later in life. Geniuses are often deemed as such after demonstrating great originality. They tend to have strong intuitions about their domains, and they build on these insights with tremendous energy. There is a cited link between creativity of genius and genetic mutations linked to psychosis.[8]
A hypothesis called multiple intelligences put forth by Harvard University professor Howard Gardner in his 1983 book Frames of Mind states there are at least seven types of intelligences, each with its own type of genius.
Malcolm Gladwell's book Outliers popularized a great deal of research into geniuses and mastery. Gladwell mentions the work of psychologist Anders Ericsson, who is an expert on expertise. As a result of his research, Ericsson suggests that it takes approximately 10,000 hours of deliberate practice to master something — what he calls the "10,000 rule." Outliers spends a great deal of time discussing other elements of chance that play a role in the creation of a genius, including Robert K. Merton's Matthew Effect (e.g. the rich get richer).
According to Ericsson, mentors play an important role in attaining mastery. Only so much can be taught, however, since many of a genius' skills may be implicit, meaning it is difficult for them to explain in words (i.e., make explicit) how they do what they do.[9]
One usage of the noun "genius" is closely related to the general concept of intelligence. One currently accepted way of attempting to measure one's intelligence is with an IQ test. The label of "genius" for persons of high IQ was popularized by Lewis Terman. He and his colleague Leta Hollingworth suggested different scores as a cut-off for genius in psychometric terms. Terman considered it to be an IQ of 140, while Hollingworth put it at an IQ of 180.[10][11]
In addition to the fundamental criticism that intelligence measured in this way is an example of reification and ranking fallacies,[12] the IQ test has also been criticized as having a "cultural bias" in its interpretation despite assurances that these tests are designed to eliminate test bias.
Anders Ericsson argues that generally (with highly demanding fields like theoretical physics as the exception), after a person's IQ surpasses 120, success is determined more by other qualities. In other words, there may be general decreasing return on raw mental power. Ericsson proposes social skills as an example of other qualities that are then more relevant to success. He also warns that IQ does not measure what many would consider "creativity" — sometimes measured by looking at an individual's Latent inhibition instead of IQ.[9]
Various philosophers have proposed definitions of what genius is and what that implies in the context of their philosophical theories.
In the philosophy of David Hume, the way society perceives genius is similar to the way society perceives the ignorant. Hume states that a person with the characteristics of a genius is looked at as a person disconnected from society, as well as a person who works remotely, at a distance, away from the rest of the world. "On the other hand, the mere ignorant is still more despised; nor is any thing deemed a surer sign of an illiberal genius in an age and nation where the sciences flourish, than to be entirely destitute of all relish for those noble entertainments. The most perfect character is supposed to lie between those extremes; retaining an equal ability and taste for books, company, and business; preserving in conversation that discernment and delicacy which arise from polite letters; and in business, that probity and accuracy which are the natural result of a just philosophy."[citation needed]
In the philosophy of Immanuel Kant, genius is the ability to independently arrive at and understand concepts that would normally have to be taught by another person. For Kant, originality was the essential character of genius.[13] This genius is a talent for producing ideas which can be described as non-imitative. Kant's discussion of the characteristics of genius is largely contained within the Critique of Judgement and was well received by the Romantics of the early 19th century. In addition, much of Schopenhauer's theory of genius, particularly regarding talent and the "disinterestedness" (i.e. "free play") of aesthetic contemplation, is directly derived from paragraphs of Part I of Kant's Critique of Judgment.[14]
“ | "Genius is a talent for producing something for which no determinate rule can be given, not a predisposition consisting of a skill for something that can be learned by following some rule or other." | ” |
In the philosophy of Arthur Schopenhauer, a genius is someone in whom intellect predominates over "will" much more than within the average person. In Schopenhauer's aesthetics, this predominance of the intellect over the will allows the genius to create artistic or academic works that are objects of pure, disinterested contemplation, the chief criterion of the aesthetic experience for Schopenhauer. Their remoteness from mundane concerns means that Schopenhauer's geniuses often display maladaptive traits in more mundane concerns; in Schopenhauer's words, they fall into the mire while gazing at the stars, an allusion to Plato's dialogue Theætetus, in which Socrates tells of Thales (the first philosopher) being ridiculed for falling in such circumstances.
“ | Talent hits a target no one else can hit; Genius hits a target no one else can see. | ” |
In the philosophy of Nietzsche, genius is merely the context which leads us to consider someone a genius. In Twilight of the Idols, Nietzsche writes, "Great men, like great epochs, are explosive material in whom tremendous energy has been accumulated; their prerequisite has always been, historically and physiologically, that a protracted assembling, accumulating, economizing and preserving has preceded them – that there has been no explosion for a long time." In this way, Nietzsche follows in the line of German Idealism.
In the philosophy of Bertrand Russell, genius entails that an individual possesses unique qualities and talents that make the genius especially valuable to the society in which he or she operates. However, Russell's philosophy further maintains that it's possible for such a genius to be crushed by an unsympathetic environment during his or her youth. Russell rejected the notion he believed was popular during his lifetime that, "genius will out." [15]
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Daniel Tammet | |
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![]() Tammet speaking at Reykjavík University in 2007. |
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Born | (1979-01-31) 31 January 1979 (age 33) London, England |
Occupation | Writer, educator |
Daniel Tammet (born on 31 January 1979) is a British writer and autistic savant. His best selling 2006 memoir, Born on a Blue Day, about his life with high-functioning autism and savant syndrome, was named a "Best Book for Young Adults" in 2008 by the American Library Association.[1]
Tammet's second book, Embracing the Wide Sky, was named one of France's best selling books of 2009 by L'Express magazine in its March 2010 edition.[2]
Tammet's books have been published in 20 languages.[3]
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Tammet was born Daniel Paul Corney[4] and raised in East London, England, the eldest of nine children. He suffered epileptic seizures as a young child, which he subsequently outgrew following medical treatment. At age twenty-five, he would eventually be diagnosed with Asperger syndrome by Professor Simon Baron-Cohen of the Autism (Spectrum) Research Centre at Cambridge University[5]. Tammet is one of fewer than a hundred "prodigious savants" according to Dr. Darold Treffert, the world's leading researcher in the study of savant syndrome.[6]
Tammet finished school with nine GCSEs (an 'A*' in History, 'A' grades in English, English Literature, French, and German, two 'B' grades in the Sciences, a 'B' in Maths, having obtained an 'A' in his preliminary Maths exam, and a 'C' in Woodwork)[7] and three A-Levels in History, French and German, all at grade 'B'.[8]
Preferring travel to university, Tammet taught English for a year in Lithuania.
Tammet twice participated in the World Memory Championships in London under his birth name, placing 12th in 1999 and 4th in 2000.[4][9]
He changed his birth name by deed poll because "it didn't fit with the way he saw himself."[8]
In 2002 Tammet launched his website, Optimnem.[10] The site offers language courses (currently French and Spanish) and has been an approved member of the U.K.'s National Grid for Learning since 2006.[7]
Tammet was the subject of a documentary film entitled (in the UK) The Boy with the Incredible Brain, first broadcast on the British television station Channel Five on 23 May 2005.[11]
Tammet has been "studied repeatedly" [12] by researchers in Britain and the United States, and has been the subject of several peer-reviewed scientific papers.[13] Professor Allan Snyder at the Australian National University has said of Tammet: "Savants can't usually tell us how they do what they do. It just comes to them. Daniel can describe what he sees in his head. That's why he's exciting. He could be the 'Rosetta Stone'."[8]
In his mind, he says, each positive integer up to 10,000 has its own unique shape, colour, texture and feel. He has described his visual image of 289 as particularly ugly, 333 as particularly attractive, and pi as beautiful. The number 6 apparently has no distinct image yet what he describes as an almost small nothingness, opposite to the number 9 which he calls large and towering.[7][14] Tammet has described 25 as energetic and the "kind of number you would invite to a party".[15] In his memoir, Tammet states experiencing a synaesthetic and emotional response for words and numbers, but not letters in algebraic contexts.[16]
Tammet holds the European record for reciting pi from memory to 22,514 digits in five hours and nine minutes on 14 March 2004.[17]
Tammet has reportedly learned 10 languages, including Romanian, Gaelic, Welsh, and Icelandic which he learned in a week for a TV documentary.[18]
Born on a Blue Day, Tammet's memoir of a life with Asperger's syndrome, received international media attention and critical praise. Booklist's Ray Olson stated that Tammet's autobiography was "as fascinating as Benjamin Franklin's and John Stuart Mill's" and that Tammet wrote "some of the clearest prose this side of Hemingway". Kirkus stated that the book "transcends the disability memoir genre". Other reviewers praised Tammet for his "elegant," "eloquent," and "engaging" style.
For his U.S. book tour, he appeared on several television and radio talk shows and specials, including 60 Minutes and Late Show with David Letterman.[7]
In February 2007 Born on a Blue Day was serialised as BBC Radio 4's Book of the Week in the United Kingdom.
Tammet's second book, Embracing the Wide Sky was published in 2009.[13] Professor Allan Snyder, director of Sydney University's Centre for the Mind, called the work 'an extraordinary and monumental achievement'. [19] Tammet argues that savant abilities should not be seen as "supernatural" or computer-like but as "an outgrowth" of normal brain functioning and "natural, instinctive ways of thinking about numbers and words", which suggests that affected brains might be at least partially retrained and that normal brains might be taught to develop or retain some savant abilities.[19]
In other people blue is connected with sadness for example, but when you think about it sadness is an abstract concept so why is it blue, why not green or yellow? It makes no more logical sense for sadness to be blue than for four to be blue. So there are certain connections, certain concepts in everyone's brain that are connected that way and mine just takes it to a whole other level.
After the World Memory Championships, Tammet participated in a group study of several superior memorisers later published in the New Year 2003 edition of Nature Neuroscience.[20] The researchers investigated the reasons for the memorisers' superior performance. They reported that the superior memorisers used "strategies for encoding information with the sole purpose of making it more memorable", and concluded that superior memory was not driven by exceptional intellectual ability or differences in brain structure.[21]
In another study, Simon Baron-Cohen and others at the Autism Research Centre at the University of Cambridge tested Tammet's abilities in around 2005.[22] He was found to have synaesthesia according to the "Test of Genuineness-Revised" which tests the subjects' consistency in reporting descriptions of their synaesthesia. He performed well on tests of short term memory (with a digit span of 11.5, where 6.5 is typical). Conversely, test results showed his memory for faces appeared to be impaired, and he scored at the level expected of a 6–8 year old child in this task. The authors speculated that Tammet's savant memory could be a result of synaesthesia combined with Asperger syndrome, while noting that mnemonic strategies (such as the method of loci) could also explain savant memory abilities.
Baron-Cohen, Bor and Billington investigated whether his synaesthesia and Aspergers syndrome explained his savant memory abilities in a further study published in Neurocase in 2008. The authors state that the memory training used by other experts does not explain his abilities, as he had not had explicit training. They concluded that his abilities might be explained by hyperactivity in one brain region (the left prefrontal cortex), which results from his Aspergers syndrome and synaesthesia.[23] On the Navon task, relative to non-autistic controls, Tammet was found to be faster at finding a target at the local level and to be less distracted by interference from the global level.[23] In an fMRI scan, "Tammet did not activate extra-striate regions of the brain normally associated with synaesthesia, suggesting that he has an unusual and more abstract and conceptual form of synaesthesia".[23] Published in Cerebral Cortex (2011), an fMRI study lead by Professor Jean-Michel Hupé at the University of Toulouse (France) observed no activation of colour areas in ten synaesthetes.[24] Hupé suggests that synaesthetic colour experience lies not in the brain's colour system, but instead results from "a complex construction of meaning in the brain, involving not only perception, but language, memory and emotion".[25]
In his book Moonwalking with Einstein (2011), former US Memory Champion Joshua Foer speculates that study of conventional mnemonic approaches has played a role in Tammet's feats of memory, while accepting that Tammet meets the standard definition of a prodigious savant [26]. In a review of his book for The New York Times, psychologist Alexandra Horowitz described Foer's speculation as among the book's few "missteps" and his decision to devote space to the case of a "renowned savant" such as Tammet "inexplicable," questioning whether it would matter if he had used such strategies or not.[27]
Tammet met his first partner, software engineer Neil Mitchell, in 2000. Tammet lived with him in Kent, where they had a quiet regimented life at home with their cats, preparing meals from their garden.[6][28] Tammet and Mitchell operated the online e-learning company Optimnem, where they created and published language courses.
Tammet now lives with a new partner, Jérôme Tabet, a French photographer whom he met while promoting his autobiography. Although he has said that he did not think he would be here if it were not for the love and support of Mitchell, more recently he noted that he used to live a rigid existence aimed at calming his many anxieties — "I was very happy, but it was a small happiness" — whereas now, as the subtitle of Embracing the Wide Sky: A tour across the horizons of the mind asserts, he believes that we ought to seek to liberate our brains – a belief reflected in his new life:[29]
My life used to be very simple and regimented but since then I have travelled constantly and given lots of lectures and it just changed me... It made me much more open, much more interested in, I guess, the full potential of what my mind could do... Because of that change I grew and in a sense I grew apart from my long-term partner, so we parted amicably in 2007, and a short while later I met my current partner, who is from France so I decided to go and live with him in Avignon.
Persondata | |
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Name | Tammet, Daniel |
Alternative names | |
Short description | Writer |
Date of birth | 31 January 1979 |
Place of birth | London, England, UK |
Date of death | |
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Richard Phillips Feynman ( /ˈfaɪnmən/; May 11, 1918 – February 15, 1988)[2] was an American physicist known for his work in the path integral formulation of quantum mechanics, the theory of quantum electrodynamics, and the physics of the superfluidity of supercooled liquid helium, as well as in particle physics (he proposed the parton model). For his contributions to the development of quantum electrodynamics, Feynman, jointly with Julian Schwinger and Sin-Itiro Tomonaga, received the Nobel Prize in Physics in 1965. He developed a widely used pictorial representation scheme for the mathematical expressions governing the behavior of subatomic particles, which later became known as Feynman diagrams. During his lifetime, Feynman became one of the best-known scientists in the world. In a 1999 poll of 130 leading physicists worldwide by the British journal Physics World he was ranked as one of the ten greatest physicists of all time.[3]
He assisted in the development of the atomic bomb and was a member of the panel that investigated the Space Shuttle Challenger disaster. In addition to his work in theoretical physics, Feynman has been credited with pioneering the field of quantum computing,[4][5] and introducing the concept of nanotechnology.[6] He held the Richard Chace Tolman professorship in theoretical physics at the California Institute of Technology.
Feynman was a keen popularizer of physics through both books and lectures, notably a 1959 talk on top-down nanotechnology called There’s Plenty of Room at the Bottom and the three volume publication of his undergraduate lectures, The Feynman Lectures on Physics. Feynman also became known through his semi-autobiographical books (Surely You’re Joking, Mr. Feynman! and What Do You Care What Other People Think?) and books written about him, such as Tuva or Bust!.
He also had a deep interest in biology, and was a friend of the geneticist and microbiologist Esther Lederberg, who developed replica plating and discovered bacteriophage lambda.[7] They had several mutual physicist friends who, after beginning their careers in nuclear research, moved into genetics, among them Max Delbrück and Aaron Novick.
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Richard Phillips Feynman was born on May 11, 1918,[8] in Far Rockaway, Queens, New York.[9] His family originated from Russia and Poland; both of his parents were Ashkenazi Jewish.[10] They were not religious and by his youth Feynman described himself as an “avowed atheist”.[11] Feynman (in common with the famous physicist Edward Teller) was a late talker; by his third birthday he had yet to utter a single word. The young Feynman was heavily influenced by his father, Melville, who encouraged him to ask questions to challenge orthodox thinking. From his mother, Lucille, he gained the sense of humor that he had throughout his life. As a child, he had a talent for engineering, maintained an experimental laboratory in his home, and delighted in repairing radios. His younger sister Joan also became a professional physicist.[12][13]
In high school, his IQ was determined to be 125—high, but “merely respectable” according to biographer James Gleick.[14] Feynman later scoffed at psychometric testing. In the year 1933, in which he turned 15, he taught himself trigonometry, advanced algebra, infinite series, analytic geometry, and differential and integral calculus.[15] Before entering college, he was experimenting with and re-creating mathematical topics, such as the half-derivative, using his own notation. In high school, he was developing the mathematical intuition behind his Taylor series of mathematical operators.[16]
His habit of direct characterization sometimes rattled more conventional thinkers; for example, one of his questions, when learning feline anatomy, was “Do you have a map of the cat?” (referring to an anatomical chart).
Feynman attended Far Rockaway High School, a school also attended by fellow laureates Burton Richter and Baruch Samuel Blumberg.[17] A member of the Arista Honor Society, in his last year in high school, Feynman won the New York University Math Championship; the large difference between his score and those of his closest competitors shocked the judges.[18]
He applied to Columbia University, but was not accepted.[19][20] Instead he attended the Massachusetts Institute of Technology, where he received a bachelor’s degree in 1939, and in the same year was named a Putnam Fellow. While there, Feynman took every physics course offered, including a graduate course on theoretical physics while only in his second year.
He obtained a perfect score on the graduate school entrance exams to Princeton University in mathematics and physics—an unprecedented feat—but did rather poorly on the history and English portions.[18] Attendees at Feynman’s first seminar included Albert Einstein, Wolfgang Pauli, and John von Neumann. He received a Ph.D. from Princeton in 1942; his thesis advisor was John Archibald Wheeler. Feynman’s thesis applied the principle of stationary action to problems of quantum mechanics, inspired by a desire to quantize the Wheeler–Feynman absorber theory of electrodynamics, laying the groundwork for the “path integral” approach and Feynman diagrams, and was titled “The Principle of Least Action in Quantum Mechanics”.
This was Richard Feynman nearing the crest of his powers. At twenty-three … there was no physicist on earth who could match his exuberant command over the native materials of theoretical science. It was not just a facility at mathematics (though it had become clear … that the mathematical machinery emerging from the Wheeler–Feynman collaboration was beyond Wheeler’s own ability). Feynman seemed to possess a frightening ease with the substance behind the equations, like Albert Einstein at the same age, like the Soviet physicist Lev Landau—but few others.
— James Gleick, Genius: The Life and Science of Richard Feynman
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At Princeton, the physicist Robert R. Wilson encouraged Feynman to participate in the Manhattan Project—the wartime U.S. Army project at Los Alamos developing the atomic bomb. Feynman said he was persuaded to join this effort to build it before Nazi Germany developed their own bomb.
He was assigned to Hans Bethe’s theoretical division, and impressed Bethe enough to be made a group leader. He and Bethe developed the Bethe–Feynman formula for calculating the yield of a fission bomb, which built upon previous work by Robert Serber.
He immersed himself in work on the project, and was present at the Trinity bomb test. Feynman claimed to be the only person to see the explosion without the very dark glasses or welder’s lenses provided, reasoning that it was safe to look through a truck windshield, as it would screen out the harmful ultraviolet radiation.
As a junior physicist, he was not central to the project. The greater part of his work was administering the computation group of human computers in the Theoretical division (one of his students there, John G. Kemeny, later went on to co-design and co-specify the programming language BASIC). Later, with Nicholas Metropolis, he assisted in establishing the system for using IBM punched cards for computation. Feynman succeeded in solving one of the equations for the project that were posted on the blackboards. However, they did not “do the physics right” and Feynman’s solution was not used.
Feynman’s other work at Los Alamos included calculating neutron equations for the Los Alamos “Water Boiler”, a small nuclear reactor, to measure how close an assembly of fissile material was to criticality. On completing this work he was transferred to the Oak Ridge facility, where he aided engineers in devising safety procedures for material storage so that criticality accidents (for example, due to sub-critical amounts of fissile material inadvertently stored in proximity on opposite sides of a wall) could be avoided. He also did theoretical work and calculations on the proposed uranium hydride bomb, which later proved not to be feasible.
Feynman was sought out by physicist Niels Bohr for one-on-one discussions. He later discovered the reason: most physicists were too in awe of Bohr to argue with him. Feynman had no such inhibitions, vigorously pointing out anything he considered to be flawed in Bohr’s thinking. Feynman said he felt as much respect for Bohr as anyone else, but once anyone got him talking about physics, he would become so focused he forgot about social niceties.
Due to the top secret nature of the work, Los Alamos was isolated. In Feynman’s own words, “There wasn’t anything to do there”. Bored, he indulged his curiosity by learning to pick the combination locks on cabinets and desks used to secure papers. Feynman played many jokes on colleagues. In one case he found the combination to a locked filing cabinet by trying the numbers a physicist would use (it proved to be 27–18–28 after the base of natural logarithms, e = 2.71828…), and found that the three filing cabinets where a colleague kept a set of atomic bomb research notes all had the same combination. He left a series of notes as a prank, which initially spooked his colleague, Frederic de Hoffmann, into thinking a spy or saboteur had gained access to atomic bomb secrets. On several occasions, Feynman drove to Albuquerque to see his ailing wife in a car borrowed from Klaus Fuchs, who was later discovered to be a real spy for the Soviets, transporting nuclear secrets in his car to Santa Fe.
On occasion, Feynman would find an isolated section of the mesa to drum in the style of American natives; “and maybe I would dance and chant, a little”. These antics did not go unnoticed, and rumors spread about a mysterious Indian drummer called “Injun Joe”. He also became a friend of laboratory head J. Robert Oppenheimer, who unsuccessfully tried to court him away from his other commitments after the war to work at the University of California, Berkeley.
Feynman alludes to his thoughts on the justification for getting involved in the Manhattan project in The Pleasure of Finding Things Out. As mentioned earlier, he felt the possibility of Nazi Germany developing the bomb before the Allies was a compelling reason to help with its development for the US. However, he goes on to say that it was an error on his part not to reconsider the situation when Germany was defeated. In the same publication, Feynman also talks about his worries in the atomic bomb age, feeling for some considerable time that there was a high risk that the bomb would be used again soon so that it was pointless to build for the future. Later he describes this period as a “depression.”
Following the completion of his Ph.D. in 1942, Feynman held an appointment at the University of Wisconsin–Madison as an assistant professor of physics. The appointment was spent on leave for his involvement in the Manhattan project. In 1945, he received a letter from Dean Mark Ingraham of the College of Letters and Science requesting his return to UW to teach in the coming academic year. His appointment was not extended when he did not commit to return. In a talk given several years later at UW, Feynman quipped, “It’s great to be back at the only university that ever had the good sense to fire me”.[21]
After the war, Feynman declined an offer from the Institute for Advanced Study in Princeton, New Jersey, despite the presence there of such distinguished faculty members as Albert Einstein, Kurt Gödel, and John von Neumann. Feynman followed Hans Bethe, instead, to Cornell University, where Feynman taught theoretical physics from 1945 to 1950.[16] During a temporary depression following the destruction of Hiroshima by the bomb produced by the Manhattan Project, he focused on complex physics problems, not for utility, but for self-satisfaction. One of these was analyzing the physics of a twirling, nutating dish as it is moving through the air. His work during this period, which used equations of rotation to express various spinning speeds, soon proved important to his Nobel Prize-winning work. Yet because he felt burned out, and had turned his attention to less immediately practical but more entertaining problems, he felt surprised by the offers of professorships from other renowned universities.[16]
Despite yet another offer from the Institute for Advanced Study, Feynman rejected the Institute on the grounds that there were no teaching duties: Feynman felt that students were a source of inspiration and teaching a diversion during uncreative spells. Because of this, the Institute for Advanced study and Princeton University jointly offered him a package whereby he could teach at the university and also be at the Institute. That he also turned this down suggests the effects of his depression[not in citation given]. (see Surely You’re Joking Mr. Feynman!). Somewhat later, feeling better, Feynman accepted an offer from the California Institute of Technology (Caltech) — and as he says in his book Surely You’re Joking Mr. Feynman! — because a desire to live in a mild climate had firmly fixed itself in his mind while installing tire chains on his car in the middle of a snowstorm in Ithaca.
Feynman has been called the “Great Explainer”.[22] He gained a reputation for taking great care when giving explanations to his students and for making it a moral duty to make the topic accessible. His guiding principle was that if a topic could not be explained in a freshman lecture, it was not yet fully understood. Feynman gained great pleasure[23] from coming up with such a “freshman-level” explanation, for example, of the connection between spin and statistics. What he said was that groups of particles with spin ½ “repel”, whereas groups with integer spin “clump.” This was a brilliantly simplified way of demonstrating how Fermi–Dirac statistics and Bose–Einstein statistics evolved as a consequence of studying how fermions and bosons behave under a rotation of 360°. This was also a question he pondered in his more advanced lectures and to which he demonstrated the solution in the 1986 Dirac memorial lecture.[24] In the same lecture, he further explained that antiparticles must exist, for if particles only had positive energies, they would not be restricted to a so-called “light cone.”
He opposed rote learning or unthinking memorization and other teaching methods that emphasized form over function. He put these opinions into action whenever he could, from a conference on education in Brazil to a State Commission on school textbook selection. Clear thinking and clear presentation were fundamental prerequisites for his attention. It could be perilous even to approach him when unprepared, and he did not forget the fools or pretenders.[25]
During one sabbatical year, he returned to Newton’s Principia Mathematica to study it anew; what he learned from Newton, he passed along to his students, such as Newton’s attempted explanation of diffraction.[citation needed]
Feynman did significant work while at Caltech, including research in:
He also developed Feynman diagrams, a bookkeeping device which helps in conceptualizing and calculating interactions between particles in spacetime, notably the interactions between electrons and their antimatter counterparts, positrons. This device allowed him, and later others, to approach time reversibility and other fundamental processes. Feynman’s mental picture for these diagrams started with the hard sphere approximation, and the interactions could be thought of as collisions at first. It was not until decades later that physicists thought of analyzing the nodes of the Feynman diagrams more closely. Feynman famously painted Feynman diagrams on the exterior of his van.[30]
From his diagrams of a small number of particles interacting in spacetime, Feynman could then model all of physics in terms of those particles’ spins and the range of coupling of the fundamental forces.[31] Feynman attempted an explanation of the strong interactions governing nucleons scattering called the parton model. The parton model emerged as a complement to the quark model developed by his Caltech colleague Murray Gell-Mann. The relationship between the two models was murky; Gell-Mann referred to Feynman’s partons derisively as “put-ons”. In the mid 1960s, physicists believed that quarks were just a bookkeeping device for symmetry numbers, not real particles, as the statistics of the Omega-minus particle, if it were interpreted as three identical strange quarks bound together, seemed impossible if quarks were real. The Stanford linear accelerator deep inelastic scattering experiments of the late 1960s showed, analogously to Ernest Rutherford’s experiment of scattering alpha particles on gold nuclei in 1911, that nucleons (protons and neutrons) contained point-like particles which scattered electrons. It was natural to identify these with quarks, but Feynman’s parton model attempted to interpret the experimental data in a way which did not introduce additional hypotheses. For example, the data showed that some 45% of the energy momentum was carried by electrically neutral particles in the nucleon. These electrically neutral particles are now seen to be the gluons which carry the forces between the quarks and carry also the three-valued color quantum number which solves the Omega-minus problem. Feynman did not dispute the quark model; for example, when the fifth quark was discovered in 1977, Feynman immediately pointed out to his students that the discovery implied the existence of a sixth quark, which was duly discovered in the decade after his death.
After the success of quantum electrodynamics, Feynman turned to quantum gravity. By analogy with the photon, which has spin 1, he investigated the consequences of a free massless spin 2 field, and was able to derive the Einstein field equation of general relativity, but little more.[32] However, the computational device that Feynman discovered then for gravity, “ghosts”, which are “particles” in the interior of his diagrams which have the “wrong” connection between spin and statistics, have proved invaluable in explaining the quantum particle behavior of the Yang–Mills theories, for example QCD and the electro-weak theory.
In 1965, Feynman was appointed a foreign member of the Royal Society.[33] At this time in the early 1960s, Feynman exhausted himself by working on multiple major projects at the same time, including a request, while at Caltech, to “spruce up” the teaching of undergraduates. After three years devoted to the task, he produced a series of lectures that eventually became the Feynman Lectures on Physics, one reason that Feynman is still regarded as one of the greatest teachers of physics. He wanted a picture of a drumhead sprinkled with powder to show the modes of vibration at the beginning of the book. Outraged by many rock and roll and drug connections that could be made from the image, the publishers changed the cover to plain red, though they included a picture of him playing drums in the foreword. Feynman later won the Oersted Medal for teaching, of which he seemed especially proud.[34]
His students competed keenly for his attention; he was once awakened when a student solved a problem and dropped it in his mailbox; glimpsing the student sneaking across his lawn, he could not go back to sleep, and he read the student’s solution. The next morning his breakfast was interrupted by another triumphant student, but Feynman informed him that he was too late.
Partly as a way to bring publicity to progress in physics, Feynman offered $1000 prizes for two of his challenges in nanotechnology, claimed by William McLellan and Tom Newman, respectively.[35] He was also one of the first scientists to conceive the possibility of quantum computers.
Many of his lectures and other miscellaneous talks were turned into books, including The Character of Physical Law and QED: The Strange Theory of Light and Matter. He gave lectures which his students annotated into books, such as Statistical Mechanics and Lectures on Gravity. The Feynman Lectures on Physics[36] occupied two physicists, Robert B. Leighton and Matthew Sands as part-time co-authors for several years. Even though they were not adopted by most universities as textbooks, the books continue to be bestsellers because they provide a deep understanding of physics. As of 2005, The Feynman Lectures on Physics has sold over 1.5 million copies in English, an estimated 1 million copies in Russian, and an estimated half million copies in other languages.[citation needed]
In 1974, Feynman delivered the Caltech commencement address on the topic of cargo cult science, which has the semblance of science but is only pseudoscience due to a lack of “a kind of scientific integrity, a principle of scientific thought that corresponds to a kind of utter honesty” on the part of the scientist. He instructed the graduating class that “The first principle is that you must not fool yourself—and you are the easiest person to fool. So you have to be very careful about that. After you’ve not fooled yourself, it’s easy not to fool other scientists. You just have to be honest in a conventional way after that.”[37]
In 1984–86, he developed a variational method for the approximate calculation of path integrals which has led to a powerful method of converting divergent perturbation expansions into convergent strong-coupling expansions (variational perturbation theory) and, as a consequence, to the most accurate determination[38] of critical exponents measured in satellite experiments.[39]
In the late 1980s, according to “Richard Feynman and the Connection Machine”, Feynman played a crucial role in developing the first massively parallel computer, and in finding innovative uses for it in numerical computations, in building neural networks, as well as physical simulations using cellular automata (such as turbulent fluid flow), working with Stephen Wolfram at Caltech.[40] His son Carl also played a role in the development of the original Connection Machine engineering; Feynman influencing the interconnects while his son worked on the software.
Feynman diagrams are now fundamental for string theory and M-theory, and have even been extended topologically.[citation needed] The world-lines of the diagrams have developed to become tubes to allow better modeling of more complicated objects such as strings and membranes. However, shortly before his death, Feynman criticized string theory in an interview: “I don’t like that they’re not calculating anything,” he said. “I don’t like that they don’t check their ideas. I don’t like that for anything that disagrees with an experiment, they cook up an explanation—a fix-up to say, ‘Well, it still might be true.’” These words have since been much-quoted by opponents of the string-theoretic direction for particle physics.[41]
Feynman played an important role on the Presidential Rogers Commission, which investigated the Challenger disaster. During a televised hearing, Feynman demonstrated that the material used in the shuttle's O-rings became less resilient in cold weather by immersing a sample of the material in ice-cold water. The Commission ultimately determined that the disaster was caused by the primary O-ring not properly sealing due to extremely cold weather at Cape Canaveral.[42]
Feynman devoted the latter half of his book What Do You Care What Other People Think? to his experience on the Rogers Commission, straying from his usual convention of brief, light-hearted anecdotes to deliver an extended and sober narrative. Feynman’s account reveals a disconnect between NASA’s engineers and executives that was far more striking than he expected. His interviews of NASA’s high-ranking managers revealed startling misunderstandings of elementary concepts. For instance, NASA managers claimed that there was a 1 in 100,000 chance of a catastrophic failure aboard the shuttle, but Feynman discovered that NASA's own engineers estimated the chance of a catastrophe at closer to 1 in 100. He concluded that the NASA management’s space shuttle reliability estimate was fantastically unrealistic, and was particularly angered that NASA used these figures to recruit Christa McAuliffe into the Teacher-in-Space program. He warned in his appendix to the commission’s report (which was included after he threatened not to sign the report), “For a successful technology, reality must take precedence over public relations, for nature cannot be fooled.”[43] He also rebuked some mathematicians for their exclusivity, saying “I have great suspicion that [mathematicians] don’t know that this stuff is wrong and that they’re intimidating people.”[44]
Though raised Jewish and born to Ashkenazi parents, Feynman himself was not only atheist, but distanced himself from being labelled Jewish even on ethnic grounds. He routinely refused to be included in lists or books that classified people by race. He asked to not be included in Tina Levitan’s, The Laureates: Jewish Winners of the Nobel Prize, writing, "To select, for approbation the peculiar elements that come from some supposedly Jewish heredity is to open the door to all kinds of nonsense on racial theory," and adding "…at thirteen I was not only converted to other religious views but I also stopped believing that the Jewish people are in any way 'the chosen people'".[45][46]
While researching for his Ph.D., Feynman married his first wife, Arline Greenbaum (often spelled Arlene). She was diagnosed with tuberculosis, but she and Feynman were careful, and he never contracted it. She succumbed to the disease in 1945. In 1946 Feynman wrote a letter to her but kept it sealed until after his death.[47] This portion of Feynman’s life was portrayed in the 1996 film Infinity, which featured Feynman’s daughter Michelle in a cameo role.
He was married a second time in June 1952, to Mary Louise Bell of Neodesha, Kansas; this marriage was brief and unsuccessful:
He begins working calculus problems in his head as soon as he awakens. He did calculus while driving in his car, while sitting in the living room, and while lying in bed at night.—Mary Louise Bell divorce complaint[48]p.168
He later married Gweneth Howarth from Ripponden, Yorkshire, who shared his enthusiasm for life and spirited adventure.[49] Besides their home in Altadena, California, they had a beach house in Baja California, purchased with the prize money from Feynman’s Nobel Prize, his one third share of $55,000. They remained married until Feynman’s death. They had a son, Carl, in 1962, and adopted a daughter, Michelle, in 1968.[49]
Feynman had a great deal of success teaching Carl, using discussions about ants and Martians as a device for gaining perspective on problems and issues; he was surprised to learn that the same teaching devices were not useful with Michelle.[50] Mathematics was a common interest for father and son; they both entered the computer field as consultants and were involved in advancing a new method of using multiple computers to solve complex problems—later known as parallel computing. The Jet Propulsion Laboratory retained Feynman as a computational consultant during critical missions. One co-worker characterized Feynman as akin to Don Quixote at his desk, rather than at a computer workstation, ready to do battle with the windmills.
Feynman traveled widely, notably to Brazil, where he gave courses at the CBPF (Brazilian Center for Physics Research) and near the end of his life schemed to visit the Russian land of Tuva, a dream that, because of Cold War bureaucratic problems, never became reality.[51] The day after he died, a letter arrived for him from the Soviet government giving him authorization to travel to Tuva. Out of his enthusiastic interest in reaching Tuva came the phrase “Tuva or Bust” (also the title of a book about his efforts to get there), which was tossed about frequently amongst his circle of friends in hope that they, one day, could see it firsthand. The documentary movie Genghis Blues mentions some of his attempts to communicate with Tuva, and chronicles the successful journey there by his friends.
Responding to Hubert Humphrey’s congratulation for his Nobel Prize, Feynman admitted to a long admiration for the then vice president.[52] In a letter to an MIT professor dated December 6, 1966, Feynman expressed interest in running for the governor of California.[53]
Feynman took up drawing at one time and enjoyed some success under the pseudonym “Ofey”, culminating in an exhibition dedicated to his work. He learned to play a metal percussion instrument (frigideira) in a samba style in Brazil, and participated in a samba school.
In addition, he had some degree of synesthesia for equations, explaining that the letters in certain mathematical functions appeared in color for him, even though invariably printed in standard black-and-white.[54]
According to Genius, the James Gleick–authored biography, Feynman tried LSD during his professorship at Caltech.[18] Somewhat embarrassed by his actions, Feynman largely sidestepped the issue when dictating his anecdotes; he mentions it in passing in the “O Americano, Outra Vez” section, while the “Altered States” chapter in Surely You’re Joking, Mr. Feynman! describes only marijuana and ketamine experiences at John Lilly’s famed sensory deprivation tanks, as a way of studying consciousness.[16] Feynman gave up alcohol when he began to show early signs of alcoholism, as he did not want to do anything that could damage his brain—the same reason given in “O Americano, Outra Vez” for his reluctance to experiment with LSD.[16]
In Surely You’re Joking, Mr. Feynman!, he gives advice on the best way to pick up a girl in a hostess bar. At Caltech, he used a nude/topless bar as an office away from his usual office, making sketches or writing physics equations on paper placemats. When the county officials tried to close the place, all visitors except Feynman refused to testify in favor of the bar, fearing that their families or patrons would learn about their visits. Only Feynman accepted, and in court, he affirmed that the bar was a public need, stating that craftsmen, technicians, engineers, common workers “and a physics professor” frequented the establishment. While the bar lost the court case, it was allowed to remain open as a similar case was pending appeal.[16]
Feynman has a minor acting role in the film Anti-Clock. He is credited as “The Professor.”[55]
Feynman developed two rare forms of cancer, Liposarcoma and Waldenström's macroglobulinemia, dying shortly after a final attempt at surgery for the former on February 15, 1988, aged 69.[18] His last recorded words are noted as “I’d hate to die twice. It’s so boring.”[18][56]
Alan Alda, the stage, screen and television actor, studied writings about Richard Feynman’s life during the 1990s in preparation for playing the role of Feynman on stage in a yet-to-be developed play. Playwright Peter Parnell was commissioned by Alda to write a two-character play about a fictional day in the life of Feynman set two years prior to Feynman’s death from cancer, based upon Alda’s biographical research. The play, entitled QED, premiered at the Mark Taper Forum in Los Angeles, CA in 2001. The play was then presented at the Vivian Beaumont Theatre on Broadway; with both presentations starring Alan Alda as the scientist, Richard Feynman.
On May 4, 2005, the United States Postal Service issued the American Scientists commemorative set of four 37-cent self-adhesive stamps in several configurations. The scientists depicted were Richard Feynman, John von Neumann, Barbara McClintock and Josiah Willard Gibbs. Feynman’s stamp, sepia-toned, features a photograph of a 30-something Feynman and eight small Feynman diagrams.[57] The stamps were designed by artist Victor Stabin under the direction of U.S. Postal Service art director Carl T. Herrman.[58]
The main building for the Computing Division at Fermilab is named the “Feynman Computing Center” in his honor.[59]
The principal character in Thomas A. McMahon’s 1970 novel, Principles of American Nuclear Chemistry: A Novel, is modeled on Feynman.[citation needed]
Real Time Opera premiered its opera Feynman at the Norfolk (CT) Chamber Music Festival in June 2005.[60]
On the 20th anniversary of Feynman’s death, composer Edward Manukyan dedicated a piece for solo clarinet to his memory.[61] It was premiered by Doug Storey, the principal clarinetist of the Amarillo Symphony.
In 2009–11, clips of an interview with Feynman were used by composer John Boswell as part of the Symphony of Science project in the second, fifth, seventh, and eleventh installments of his videos, “We Are All Connected”, “The Poetry of Reality”, “A Wave of Reason”, and “The Quantum World”.[62]
In 1998, a photo of Richard Feynman giving a lecture was part of the poster series commissioned by Apple Computer for their “Think Different” advertising campaign.[63]
In 2011 Feynman was the subject of a biographical graphic novel titled simply Feynman, written by Jim Ottaviani and illustrated by Leland Myrick.[64]
The Feynman Lectures on Physics is perhaps his most accessible work for anyone with an interest in physics, compiled from lectures to Caltech undergraduates in 1961–64. As news of the lectures’ lucidity grew, a number of professional physicists and graduate students began to drop in to listen. Co-authors Robert B. Leighton and Matthew Sands, colleagues of Feynman, edited and illustrated them into book form. The work has endured, and is useful to this day. They were edited and supplemented in 2005 with “Feynman’s Tips on Physics: A Problem-Solving Supplement to the Feynman Lectures on Physics” by Michael Gottlieb and Ralph Leighton (Robert Leighton’s son), with support from Kip Thorne and other physicists.
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Persondata | |
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Name | Feynman, Richard Phillips |
Alternative names | |
Short description | Nobel Prize-winning physicist and science educator |
Date of birth | May 11, 1918 |
Place of birth | Queens, New York |
Date of death | February 15, 1988 |
Place of death | Los Angeles, California |
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Roger Federer (German pronunciation: [ˈfeːdəʁɐ]) (born 8 August 1981) is a Swiss professional tennis player who held the ATP No. 1 position for a record 237 consecutive weeks from 2 February 2004 to 18 August 2008.[2] Federer has occupied the #1 ranking for 285 overall weeks, one week short of the record 286 weeks held by Pete Sampras. As of 28 May 2012, he is ranked World No. 3. Federer has won a men's record 16 Grand Slam singles titles. He is one of seven male players to capture the career Grand Slam and one of three (with Andre Agassi and Rafael Nadal) to do so on three different surfaces (clay, grass, and hard courts). He is the only male player in tennis history to have reached the title match of each Grand Slam tournament at least five times and also the final at each of the nine ATP Masters 1000 Tournaments. Many sports analysts, tennis critics, and former and current players consider Federer to be the greatest tennis player of all time.[3][4][5][6][7][8][9]
Federer has appeared in an unprecedented 23 career Grand Slam tournament finals, including a men's record ten in a row, and appeared in 18 of 19 finals from the 2005 Wimbledon Championships through the 2010 Australian Open, the lone exception being the 2008 Australian Open. He holds the record of reaching the semifinals or better of 23 consecutive Grand Slam tournaments over five and a half years, from the 2004 Wimbledon Championships through the 2010 Australian Open.[10] At the 2012 Australian Open, he reached a record 31st consecutive Grand Slam quarterfinal. During the course of his run at the 2012 French Open in Roland Garros, Federer eclipsed Jimmy Connors long standing record of 233 match wins in Grand Slam tournaments when he defeated Adrian Ungur in a second round match.
Federer has won a record six ATP World Tour Finals and 20 ATP World Tour Masters 1000 tournaments. He also won the Olympic gold medal in doubles with his compatriot Stanislas Wawrinka at the 2008 Summer Olympic Games. He spent eight years (2003–2010) continuously in the top 2 in the year-end rankings and nine (2003–2011) in the Top 3, also a record among male players. His rivalry with Rafael Nadal is considered one of the greatest of all time in the sport. Federer is greatly respected by fans and by fellow players alike as shown by the fact that he has won the ATPWorldTour.com Fans' Favorite Award a record nine consecutive times (2003–2011) and the Stefan Edberg Sportsmanship Award (which is voted for by the players themselves) a record seven times overall and six times consecutively (2004–2009, 2011). Federer also won the Arthur Ashe Humanitarian of the Year Award in 2006. In 2011, he was voted the second most trusted and respected person in the world, second only to Nelson Mandela.[11][12]
As a result of Federer's successes in tennis, he was named the Laureus World Sportsman of the Year for a record four consecutive years (2005–2008)[13] and in 2012 he topped a list of the "100 greatest tennis players of all time" (male or female) by Tennis Channel.[14] He is often referred to as the Federer Express[15] or abbreviated to Fed Express, or FedEx, the Swiss Maestro,[15] or simply Maestro.[15][16][17][18]
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Federer was born in Binningen, Arlesheim near Basel, to Swiss national Robert Federer and South African-born Lynette Durand.[19] He holds both Swiss and South African citizenships.[20] He grew up in nearby Münchenstein, close to the French and German borders and speaks Swiss German, German, French and English fluently, Swiss German being his native language.[19][21][22] He was raised as a Roman Catholic and met Pope Benedict XVI while playing the 2006 Internazionali BNL d'Italia tournament in Rome.[23] Like all male Swiss citizens, Federer was subject to compulsory military service in the Swiss Armed Forces. However, in 2003 he was deemed unfit due to a long-standing back problem and was subsequently not required to fulfill his military obligation.[24] Federer himself also credits the range of sports he played as a child—he also played badminton and basketball—for his hand-eye coordination. "I was always very much more interested if a ball was involved," he says. Most tennis prodigies, by contrast, play tennis to the exclusion of all other sports.[25]
Federer is married to former Women's Tennis Association player Mirka Vavrinec. He met her while both were competing for Switzerland in the 2000 Sydney Olympics. Vavrinec retired from the tour in 2002 because of a foot injury and has since been working as Federer's public relations manager.[26] They were married in Basel on 11 April 2009, surrounded by a small group of close friends and family at Wenkenhof Villa (municipality of Riehen).[27] On 23 July 2009, Mirka gave birth to twin girls, Myla Rose and Charlene Riva.[28]
Federer supports a number of charities. He established the Roger Federer Foundation in 2003 to help disadvantaged people and to promote sports.[29][30] In 2005, he auctioned his racquet from his US Open championship to aid victims of Hurricane Katrina.[31] He was appointed a Goodwill Ambassador by UNICEF in 2006.[32] At the 2005 Pacific Life Open in Indian Wells, Federer arranged an exhibition involving several top players from the ATP tour and WTA tour called Rally for Relief. The proceeds from the event went to the victims of the tsunami caused by the 2004 Indian Ocean earthquake. Since then, he has visited South Africa and Tamil Nadu, one of the areas in India most affected by the tsunami.[33] He has also appeared in UNICEF public messages to raise public awareness of AIDS. In response to the 2010 Haiti earthquake, Federer arranged a collaboration with fellow top tennis players Rafael Nadal, Novak Djokovic, Andy Roddick, Kim Clijsters, Serena Williams, Lleyton Hewitt, and Sam Stosur to forgo their final day of preparation for the 2010 Australian Open to form a special charity event called Hit for Haiti, in which all proceeds went to Haiti earthquake victims.[34] He was named a 2010 Young Global Leader by the World Economic Forum in recognition of his leadership, accomplishments, and contributions to society.[35]
Similar to the 2010 event, Hit for Haiti, Federer organized and participated in a charity match called Rally for Relief on 16 January 2011, to benefit those that were affected by the 2010–2011 Queensland floods.
Federer is currently number 31 on Forbes top 100 celebrities as of May 2012. [36]
Federer's main accomplishments as a junior player came at Wimbledon in 1998, where he won both the boys' singles tournament over Irakli Labadze,[37] and in doubles teamed up with Olivier Rochus, defeating the team of Michaël Llodra and Andy Ram.[38] In addition, Federer lost the US Open Junior tournament in 1998 to David Nalbandian. He won four ITF junior singles tournaments in his career, including the prestigious Orange Bowl, where he defeated Guillermo Coria, in the finals.[39] He ended 1998 as the junior world no. 1.
Federer's first tournament as a professional was Gstaad in 1998 (12th grade), where he faced Lucas Arnold Ker in the round of 32 and lost.[40] Federer's first final came at the Marseille Open in 2000, where he lost to fellow Swiss Marc Rosset.[41] Federer won the 2001 Hopman Cup representing Switzerland along with Martina Hingis. The duo defeated the American pair of Monica Seles and Jan-Michael Gambill in the finals. Federer's first win was at the 2001 Milan Indoor tournament, where he defeated Julien Boutter.[41] Although he won his first ever title already in 1999 on the challenger tour, winning the doubles event in Segovia, Spain together with Dutchman Sander Groen, the finals was played on Federer´s 18th birthday. In 2001, Federer made his first Grand Slam quarterfinal at the French Open, and at Wimbledon that same year defeated four-time defending champion Pete Sampras to reach the quarterfinals. The most prestigious event final he reached during this period was the 2002 Miami Masters event, where he lost to Andre Agassi, on hard court.[42] In addition, Federer won his first Master Series event at the 2002 Hamburg Masters on clay, over Marat Safin; the victory made him a top-10 player for the first time.[42] Federer made 10 singles finals between 1998 and 2002, of which he won four and lost six.[40][41][42][43][44] He also made six finals in doubles. Of note are Federer and partner Max Mirnyi's defeat in the final of the Indian Wells Masters in 2002, and their victory in the same year in the final of the Rotterdam 500 series event. Federer had won the latter a year earlier with partner Jonas Björkman.[42][44]
In 2003, Federer won his first Grand Slam singles title at Wimbledon, beating Mark Philippoussis.[45] Federer won his first and only doubles Masters Series 1000 event in Miami with Max Mirnyi,[46] and made it to one singles Masters Series 1000 event in Rome on clay, which he lost.[45] Federer made it to nine finals on the ATP Tour and won seven of them, including the 500 series events at Dubai and Vienna.[45] Lastly, Federer won the year-end championships over Andre Agassi.[45]
During 2004, Federer won three Grand Slam singles titles for the first time in his career and became the first person to do so since Mats Wilander in 1988. His first Grand Slam hard-court title came at the Australian Open over Marat Safin. He then won his second Wimbledon crown over Andy Roddick.[47] Federer defeated the 2001 US Open champion, Lleyton Hewitt, at the US Open for his first title there.[47] Federer won three ATP Masters Series 1000 events. One was on clay in Hamburg, and the other two were on hard surfaces at Indian Wells and in Canada.[47] Federer took the ATP 500 series event at Dubai and wrapped up the year by winning the year-end championships for the second time.[47]
In 2005, Federer failed to reach the finals of the first two Grand Slam tournaments, losing the Australian Open semifinal to eventual champion Safin and the French Open semifinal to eventual champion Rafael Nadal.[48] However, Federer quickly reestablished his dominance on grass, winning the Wimbledon Championships over Andy Roddick. At the US Open, Federer defeated Andre Agassi in the latter's last Grand Slam final.[48] Federer also took four ATP Masters Series 1000 wins: Indian Wells, Miami, and Cincinnati on hard court, and Hamburg on clay.[48] Furthermore, Federer won two ATP 500 series events at Rotterdam and Dubai.[48] Federer lost the year-end championships to David Nalbandian in the final.[48]
In 2006, Federer won three Grand Slam singles titles and reached the final of the other, with the only loss coming against Nadal in the French Open. This was the two men's first meeting in a Grand Slam final.[49] Federer defeated Nadal in the Wimbledon Championships final. In the Australian Open, Federer defeated Marcos Baghdatis,[49] and at the US Open, Federer defeated Roddick (2003 champion).[49] In addition, Federer made it to six ATP Masters Series 1000 finals, winning four on hard surfaces and losing two on clay to Nadal. Federer won one ATP 500 series event in Tokyo and captured the year-end championships for the third time in his career.[49]
In 2007, Federer reached all four Grand Slam singles finals, winning three of them. He won the Australian Open over Fernando González, Wimbledon over Rafael Nadal for the second time, and the US Open over Novak Djokovic. Federer lost the French Open to Nadal.[50] Federer made five ATP Masters Series 1000 finals in 2007, winning the Hamburg and Cincinnati titles.[50] Federer won one 500 series event in Dubai and won the year-end championships.[50]
In 2008, Federer won one Grand Slam singles title, which came at the US Open over Briton Andy Murray.[51] Federer was defeated by Nadal in two Grand Slam finals, at the French Open, and at Wimbledon, when he was going for six straight wins to break Björn Borg's record.[51] At the Australian Open, Federer lost in the semifinals to Djokovic, which ended his record of 10 consecutive finals.[51] Federer lost twice in Master Series 1000 finals on clay to Nadal, at Monte Carlo and Hamburg.[51] However, Federer captured two titles in 250-level events at Estoril and Halle and one title in a 500 level event in Basel. In doubles, Federer and Stanislas Wawrinka won the gold medal at the Olympic Games.[52]
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Federer on the Cover of Sports Illustrated After 2009 French Open Victory |
In 2009, Federer won two Grand Slam singles titles, the French Open over Robin Söderling, and Wimbledon over Andy Roddick.[53] Federer reached two other Grand Slam finals, losing to Nadal at the Australian Open, and to Juan Martín del Potro at the US Open.[53] Federer won two more events, the first at the Madrid Masters over Nadal in the final on clay.[53] The second was in Cincinnati over Djokovic, although Federer lost to Djokovic in Basel, later in the year.[53] Federer completed a career Grand Slam by winning his first French Open title and won a men's record fifteenth Grand Slam singles title, surpassing Pete Sampras's mark of fourteen.[53]
In 2010, Federer slowed down in his milestones and achievements. The year started with a win at the Australian Open,[54] where he defeated Andy Murray in the final and improved his Grand Slam singles record to sixteen titles.[51] But at the French Open, Federer failed to reach a Grand Slam semifinal for the first time since the 2004 French Open, losing to Söderling, in the quarterfinals, and losing his no. 1 ranking.[54] At the French Open, Federer won his 700th tour match and 150th tour match on clay.[54][55] Federer was just one week away from equaling Pete Sampras's record of 286 weeks as world no. 1. In a big surprise at Wimbledon, Federer lost in the quarterfinal to Tomáš Berdych, and fell to world no. 3 in the rankings.[54][56][57] At the 2010 US Open, Federer reached the semifinals, avenging his French Open loss to Söderling in the quarterfinals, but then lost a five-set match to third seed Novak Djokovic.[54] Federer made it to four Masters 1000 finals, losing three of them (the Madrid Open, the Canadian Masters, and the Shanghai Masters) while winning the Cincinnati Masters against Mardy Fish.[58] In 2010 Federer equaled Agassi for the number of Masters wins at 17 and tied Bjorn Borg's mark for number of total titles won, moving to just one behind Sampras. Towards the middle of July, Federer hired Pete Sampras' old coach Paul Annacone to put his tennis game and career on the right path on a trial basis.[59] Federer won two lesser titles at the Stockholm Open and the Davidoff Swiss Indoors which brought his tally to 65 career titles. Lastly, Federer won the year-end championships by beating rival Rafael Nadal, for his fifth title at the event. He showed much of his old form, beating all contenders except Nadal in straight sets. Since Wimbledon 2010, Federer had a win-loss record of 34–4 and had multiple match points in two of his losses: to Novak Djokovic in the semifinal of the US Open, and to Gaël Monfils in the semifinal of the Paris Masters. Federer did not play in the 2010 Davis Cup.
The year 2011, although great by most players' standards, was a lean year for Federer. He was defeated in straight sets in the semifinals of the 2011 Australian Open by eventual champion Novak Djokovic, marking the first time since July 2003 that he did not hold any of the four Major titles. In the French Open semifinal, Federer ended Djokovic's undefeated streak of 43 consecutive wins with a stunning four-set victory. However, Federer then lost in the final to Rafael Nadal. At Wimbledon, Federer advanced to his 29th consecutive Grand Slam quarterfinal, but lost to Jo-Wilfried Tsonga. It marked the first time in his career that he had lost a Grand Slam match after winning the first two sets. At the US Open, Federer lost a much-anticipated semifinal match with Novak Djokovic, after squandering two match points in the fifth set which repeated his previous year's result against Djokovic and added a second loss from two sets up in Grand Slam play to his record. The loss at Flushing Meadows meant that Federer did not win any of the four Majors in 2011, the first time this has happened since 2002.
During this 2011 season, Federer won the Qatar Open, defeating Nikolay Davydenko in the final. However, he lost the final in Dubai to Djokovic and lost in the Miami Masters and Madrid Open semifinals to Rafael Nadal. In pulling out of the 2011 Shanghai Masters, Federer dropped out of the top 3 for the first time since June 2003.[60] Later in the season, things picked up for Federer. He ended a 10-month title drought and won the Swiss Indoors for the fifth time, defeating youngster Kei Nishikori, who had defeated an ailing Djokovic in the semifinals. Federer followed this up with his first win at the Paris Masters, where he reached his first final at the event and defeated Jo-Wilfried Tsonga. At the 2011 ATP World Tour Finals, Federer crushed Rafael Nadal in exactly one hour en route to the semifinals,[61] where he defeated David Ferrer to reach the final at the year-end championships for the seventh time, his 100th tour-level final overall. As a result of this win, Federer also regained the world no. 3 ranking from Andy Murray. In the final, he defeated Jo-Wilfried Tsonga for the third consecutive Sunday and, in doing so, claimed his record sixth ATP World Tour Finals title.[62]
Federer began his 2012 season with the Qatar Open, where he withdrew in the semifinals. He then played in the 2012 Australian Open, where he reached the semifinals, setting up a 27th career meeting with Nadal, a match he lost in four tight sets. He then participated in the Davis Cup representing Switzerland in the 2012 Davis Cup World Group, but Switzerland was eliminated in a home tie against the United States played on indoor clay in Fribourg. The loss included a four-set defeat for Federer at the hands of John Isner as well as a tight four-set loss with Stanislas Wawrinka in the doubles rubber against Mardy Fish and Mike Bryan. He then played the ABN AMRO World Tennis Tournament for the first time since winning the title in 2005. He beat del Potro in the final to clinch his second title in Rotterdam. Federer then played in the Dubai Duty Free Tennis Championships where he defeated Andy Murray in the final, improved his record against him to 7–8, and won the championship title for the fifth time in his career. Federer then moved on to the BNP Paribas Open in Indian Wells, where he defeated Rafael Nadal in the semifinal, and defeated John Isner in the final. Federer won the title for a record fourth time, and, in doing so, equalled Rafael Nadal's record of 19 ATP Masters 1000 titles. Federer then lost in the third round of the Sony Ericsson Open to Andy Roddick in three sets. Federer went on to compete at the Madrid Masters on new blue clay, where he beat Milos Raonic, Richard Gasquet, David Ferrer, Janko Tipsarevic and Tomáš Berdych in the final and regained the world no. 2 ranking from Rafael Nadal in the process. Federer then participated in the Internazionali BNL d'Italia tournament in Rome where he won over Carlos Berlocq, Juan Carlos Ferrero and Andreas Seppi en route to the semifinal, where he was defeated in straight sets by the defending champion and 2012 runner up Novak Djokovic.
Federer and Nadal have been playing each other since 2004, and their rivalry is a significant part of both men's careers.[63][64][65][66][67]
They held the top two rankings on the ATP Tour from July 2005 until 14 September 2009, when Nadal fell to World No. 3 (Andy Murray became the new No. 2).[68] They are the only pair of men to have ever finished four consecutive calendar years at the top. Federer was ranked number 1 for a record 237 consecutive weeks beginning in February 2004. Nadal, who is five years younger, ascended to No. 2 in July 2005 and held this spot for a record 160 consecutive weeks before surpassing Federer in August 2008.[69]
Nadal leads their head-to-head 18–10. However, most of their matches have been on clay. Federer has a winning record on grass (2–1) and indoor hard courts (4–0) while Nadal leads the outdoor hard courts by 5–2 and clay by 12–2.[70] Because tournament seedings are based on rankings, 19 of their matches have been in tournament finals, including an all-time record 8 Grand Slam finals.[71] From 2006 to 2008 they played in every French Open and Wimbledon final, and then they met in the 2009 Australian Open final and the 2011 French Open final. Nadal won six of the eight, losing the first two Wimbledons. Three of these matches were five set-matches (2007 and 2008 Wimbledon, 2009 Australian Open), and the 2008 Wimbledon final has been lauded as the greatest match ever by many long-time tennis analysts.[72][73][74][75] They have also played in a record 9 Masters Series finals, including their lone five hour match at the 2006 Rome Masters which Nadal won in a fifth-set tie-break having saved two match points.
The two have met 25 times with Federer leading 14–11, and 5–4 in Grand Slam events. Djokovic is the only player besides Nadal to have defeated Federer more than once in a Grand Slam tournament since 2004, the only player besides Nadal to defeat Federer in consecutive grand slam tournaments (2010 US Open and 2011 Australian Open) and the only player besides Nadal who has "double figure" career wins over Federer. Djokovic is one of two players (the other again being Nadal) currently on tour to have defeated Federer in straight sets at a Grand Slam (2008 Australian Open and 2011 Australian Open) and the only player to do it two times.
Because of the continuously improving game and general rise of Djokovic in the last 3 years, many experts include Djokovic when talking about Nadal and Federer (all 3 have played each other at least 25 times) and Federer has cited his rivalry with Djokovic as his second favorite after his rivalry with Nadal. Experts such as John McEnroe have said that this is the beginning of a new change in tennis. Djokovic's recent back-to-back-to-back wins against Federer at the Australian Open, Dubai and Indian Wells tournament have made this rivalry even more intense. During that span, Djokovic had gone on a 43–0 winning streak dating back to the Davis Cup final the previous year. Federer ended Djokovic's perfect 41–0 season defeating him in the semifinals of the 2011 French Open, but Djokovic was able to avenge his loss at the 2011 US Open, and Federer lost with a score of 6–7, 4–6, 6–3, 6–2, 7–5.[76] Federer cited this as one of the greatest losses in his career, as he had 2 consecutive match points in set five, with his serve, and was 2 sets up before Djokovic came back in what has become one of the greatest comebacks in tennis history (according to John McEnroe). McEnroe claimed that Djokovic's crosscourt forehand return was "one of the great all-time shots in tennis history" and that the semifinal was one of the greatest matches in history. Djokovic contributed to ending Federer's eight-year streak of winning at least one Grand Slam title per year and Djokovic became the second male tennis player to have at least 10 wins against Federer (the other being Nadal).
Many experts have included the rivalry between Federer and Djokovic as one of the best hard-court rivalries in the Open Era.[77]
Federer and Murray have met 15 times, all hard courts, with Murray leading 8–7.[78] Federer has won each of their Grand Slam matches (both were in the final) in straight sets at the 2008 US Open[79] and 2010 Australian Open,[80] but Murray leads 5–1 in ATP 1000 tournaments. They have met three times in the ATP World Tour Finals, with Murray winning in Shanghai in 2008[81] and Federer in London in 2009 and 2010.[82] Their most recent encounter was in the 2012 Dubai final where Federer was victorious. Apart from Nadal, Murray is the only other active player to have a positive head to head record against Federer.
Federer and Lleyton Hewitt have played each other on 26 occasions. Early in their careers, Hewitt dominated Federer, winning seven of their first nine meetings, including a victory from two sets down in the 2003 Davis Cup semifinal which allowed Australia to defeat Switzerland. However, from 2004 onward, Federer has dominated the rivalry, winning 16 of the last 17 meetings to emerge with a 18–8 overall head-to-head record.[83] This is Federer's longest rivalry as these two first played each other as juniors in 1996. They have met in one Grand Slam final, the 2004 US Open final, where Federer won to win his first US Open title. Federer is 9–0 against Hewitt in Grand Slams, and has won six of the Grand Slams in which he has defeated Hewitt.
One of Federer's longstanding rivalries is with American Andy Roddick. Federer and Roddick have met on many occasions, including in four Grand Slam finals (three at Wimbledon and one at the US Open). Federer leads 21–3, making Roddick the ATP player with the most tournament losses to Federer. Roddick lost his World No. 1 ranking to Federer after Federer won his first Australian Open in 2004.
In the 2009 Wimbledon final, Roddick lost to Federer in five sets. It included a fifth set made up of 30 games (a Grand Slam final record) and a match that was over 4 hours long. With that victory, Federer broke Pete Sampras' record of 14 Grand Slam titles.
David Nalbandian was Federer's biggest rival earlier in his career. Both players had an outstanding junior career, Federer won the Wimbledon junior title and Nalbandian won the US Open junior title (beating Federer). Even though Federer has a narrow advantage against Nalbandian, leading their meetings 11–8, Nalbandian beat Federer in their first five meetings after turning professional, including the fourth round of both the Australian Open and US Open in 2003. Their most impressive match was in the 2005 Shanghai Tennis Master Cup, where Nalbandian came back from being two sets to love down against Federer and ultimately prevailed in a fifth set tiebreak. The loss prevented Federer from tying John McEnroe's 82–3 all-time single year record, set in 1984. Nalbandian, Lleyton Hewitt and Andy Murray have beaten Federer 8 times, with only Rafael Nadal and Novak Djokovic recording more victories over Federer.
Federer's versatility was summarised by Jimmy Connors: "In an era of specialists, you're either a clay court specialist, a grass court specialist, or a hard court specialist...or you're Roger Federer."[84]
Federer is an all-court, all-round player known for his speed, fluid style of play, and exceptional shot making. Federer mainly plays from the baseline but is also comfortable at the net, being one of the best volleyers in the game today. He has a powerful, accurate smash and very effectively performs rare elements in today's tennis, such as backhand smash, half-volley and jump smash (slam dunk). David Foster Wallace compared the brute force of Federer's forehand motion with that of "a great liquid whip,"[85] while John McEnroe has referred to Federer's forehand as "the greatest shot in our sport."[86] Federer is also known for his efficient movement around the court and excellent footwork, which enables him to run around shots directed to his backhand and instead hit a powerful inside-out or inside-in forehand, one of his best shots. Though Federer plays with a single-handed backhand which gives him great variety. Federer's forehand and backhand slice are both known as the best ever to enter the game. He employs the slice, occasionally using it to lure the opponent to the net and pass him. Federer can also fire topspin winners and possesses a 'flick' backhand where he can generate pace with his wrist; this is usually used to pass the opponent at the net.[85] His serve is difficult to read because he always uses a similar ball toss regardless of what type of serve he is going to hit and where he aims to hit it, and turns his back to his opponents during his motion. He is often able to produce big serves on key points during a match. His first serve is typically around 200 km/h (125 mph);[87][88][89] however, he is capable of serving at 220 km/h (137 mph).[87][88] Federer is also accomplished at serve and volleying,[90] and employed this tactic especially frequently in his early career.[91] His speciality is a half-volley from the baseline which enables him to play close to the baseline and to pick up even the deeper shots very early after they bounce, giving his opponents less time to react.[citation needed] Later in his career Federer added the drop shot to his arsenal, and can perform a well-disguised one off both wings. He sometimes uses a between-the-legs shot, which is colloquially referred to as a "tweener." His most notable use of the tweener was in the semifinals of the 2009 US Open against Novak Djokovic, bringing him triple match point, on which he capitalised for a straight-set victory over the Serb.[92]
Federer currently plays with a customised Wilson Pro Staff Six.One 90 BLX tennis racquet,[93] which is characterised by its smaller hitting area of 90 square inches, heavy strung weight of 357.2 grams, and thin beam of 17.5 millimeters. His grip size is 4 3/8 inches (sometimes referred to as L3).[94] Federer strings his racquets at 21.5 kg mains/20 kg crosses pre stretched 20%, utilizing Wilson Natural Gut 16 gauge for his main strings and Luxilon Big Banger ALU Power Rough 16L gauge (polyester) for his cross strings.[94] When asked about string tensions, Federer stated "this depends on how warm the days are and with what kind of balls I play and against who I play. So you can see – it depends on several factors and not just the surface; the feeling I have is most important."[95]
Federer is one of the highest-earning athletes in the world. He has a contract with Nike footwear and apparel.[96] For the 2006 championships at Wimbledon, Nike designed a jacket emblazoned with a crest of three tennis racquets, symbolising the three Wimbledon Championships he had previously won, and which was updated the next year with four racquets after he won the Championship in 2006.[97] In Wimbledon 2008 and again in 2009, Nike continued this trend by making him a personalised cardigan.[98] He also has his own logo, an R and F joined together.[99] Federer endorses Gillette,[100] Jura, a Swiss-based coffee machine company,[101] as well as Mercedes-Benz and NetJets. Federer also endorses Rolex watches,[102] although he was previously an ambassador for Maurice Lacroix.[103] Also in 2009 Federer became brand ambassador for Swiss chocolate makers Lindt.[104] In 2010 his endorsement by Mercedes-Benz China was extended into a global Mercedes-Benz partnership deal.[105]
Information in these tables is updated only once the player's participation in the tournament has concluded.
Tournament | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | SR | W–L | Win % |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Australian Open | A | LQ | 3R | 3R | 4R | 4R | W | SF | W | W | SF | F | W | SF | SF | 4 / 13 | 63–9 | 87.50 |
French Open | A | 1R | 4R | QF | 1R | 1R | 3R | SF | F | F | F | W | QF | F | 1 / 14 | 52–12 | 81.25 | |
Wimbledon | A | 1R | 1R | QF | 1R | W | W | W | W | W | F | W | QF | QF | 6 / 13 | 59–7 | 89.39 | |
US Open | A | LQ | 3R | 4R | 4R | 4R | W | W | W | W | W | F | SF | SF | 5 / 12 | 61–7 | 89.71 | |
Win–Loss | 0–0 | 0–2 | 7–4 | 13–4 | 6–4 | 13–3 | 22–1 | 24–2 | 27–1 | 26–1 | 24–3 | 26–2 | 20–3 | 20–4 | 7–1 | 16 / 52 | 235–35 | 87.04 |
Outcome | Year | Championship | Surface | Opponent | Score |
---|---|---|---|---|---|
Winner | 2003 | Wimbledon (1) | Grass | ![]() |
7–6(7–5), 6–2, 7–6(7–3) |
Winner | 2004 | Australian Open (1) | Hard | ![]() |
7–6(7–3), 6–4, 6–2 |
Winner | 2004 | Wimbledon (2) | Grass | ![]() |
4–6, 7–5, 7–6(7–3), 6–4 |
Winner | 2004 | US Open (1) | Hard | ![]() |
6–0, 7–6(7–3), 6–0 |
Winner | 2005 | Wimbledon (3) | Grass | ![]() |
6–2, 7–6(7–2), 6–4 |
Winner | 2005 | US Open (2) | Hard | ![]() |
6–3, 2–6, 7–6(7–1), 6–1 |
Winner | 2006 | Australian Open (2) | Hard | ![]() |
5–7, 7–5, 6–0, 6–2 |
Runner-up | 2006 | French Open (1) | Clay | ![]() |
6–1, 1–6, 4–6, 6–7(4–7) |
Winner | 2006 | Wimbledon (4) | Grass | ![]() |
6–0, 7–6(7–5), 6–7(2–7), 6–3 |
Winner | 2006 | US Open (3) | Hard | ![]() |
6–2, 4–6, 7–5, 6–1 |
Winner | 2007 | Australian Open (3) | Hard | ![]() |
7–6(7–2), 6–4, 6–4 |
Runner-up | 2007 | French Open (2) | Clay | ![]() |
3–6, 6–4, 3–6, 4–6 |
Winner | 2007 | Wimbledon (5) | Grass | ![]() |
7–6(9–7), 4–6, 7–6(7–3), 2–6, 6–2 |
Winner | 2007 | US Open (4) | Hard | ![]() |
7–6(7–4), 7–6(7–2), 6–4 |
Runner-up | 2008 | French Open (3) | Clay | ![]() |
1–6, 3–6, 0–6 |
Runner-up | 2008 | Wimbledon (1) | Grass | ![]() |
4–6, 4–6, 7–6(7–5), 7–6(10–8), 7–9 |
Winner | 2008 | US Open (5) | Hard | ![]() |
6–2, 7–5, 6–2 |
Runner-up | 2009 | Australian Open (1) | Hard | ![]() |
5–7, 6–3, 6–7(3–7), 6–3, 2–6 |
Winner | 2009 | French Open (1) | Clay | ![]() |
6–1, 7–6(7–1), 6–4 |
Winner | 2009 | Wimbledon (6) | Grass | ![]() |
5–7, 7–6(8–6), 7–6(7–5), 3–6, 16–14 |
Runner-up | 2009 | US Open (1) | Hard | ![]() |
6–3, 6–7(5–7), 6–4, 6–7(4–7), 2–6 |
Winner | 2010 | Australian Open (4) | Hard | ![]() |
6–3, 6–4, 7–6(13–11) |
Runner-up | 2011 | French Open (4) | Clay | ![]() |
5–7, 6–7(3–7), 7–5, 1–6 |
Tournament | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | SR | W–L | Win % |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
YEC | NQ | NQ | NQ | NQ | SF | W | W | F | W | W | RR | SF | W | W | 6 / 10 | 39–7 | 84.78 | |
Win–Loss | 0–0 | 0–0 | 0–0 | 0–0 | 3–1 | 5–0 | 5–0 | 4–1 | 5–0 | 4–1 | 1–2 | 2–2 | 5–0 | 5–0 |
Outcome | Year | Championship | Surface | Opponent | Score |
---|---|---|---|---|---|
Winner | 2003 | ![]() |
Hard | ![]() |
6–3, 6–0, 6–4 |
Winner | 2004 | ![]() |
Hard | ![]() |
6–3, 6–2 |
Runner-up | 2005 | ![]() |
Carpet (i) | ![]() |
7–6(7–4), 7–6(13–11), 2–6, 1–6, 6–7(3–7) |
Winner | 2006 | ![]() |
Hard (i) | ![]() |
6–0, 6–3, 6–4 |
Winner | 2007 | ![]() |
Hard (i) | ![]() |
6–2, 6–3, 6–2 |
Winner | 2010 | ![]() |
Hard (i) | ![]() |
6–3, 3–6, 6–1 |
Winner | 2011 | ![]() |
Hard (i) | ![]() |
6–3, 6–7(6–8), 6–3 |
Outcome | Year | Championship | Surface | Partner | Opponents | Score |
---|---|---|---|---|---|---|
Winner | 2008 | ![]() |
Hard | ![]() |
![]() ![]() |
6–3, 6–4, 6–7(4–7), 6–3 |
Time span | Selected Grand Slam tournament records | Players matched |
---|---|---|
2003 Wimbledon — 2009 French Open |
Career Grand Slam | Rod Laver Andre Agassi Rafael Nadal |
2003 Wimbledon — 2010 Australian Open |
16 titles | Stands alone |
2003 Wimbledon — 2011 French Open |
23 finals | Stands alone |
2005 Wimbledon — 2007 US Open |
10 consecutive finals | Stands alone |
2004 Wimbledon — 2010 Australian Open |
23 consecutive semifinals[106][107] | Stands alone |
2004 Wimbledon — 2012 Australian Open |
31 consecutive quarterfinals | Stands alone |
2004 & 2006–2007 | 3 years winning 3+ titles | Stands alone |
2004–2007 & 2009 | 5 years winning 2+ titles | Stands alone |
2006–2007 | 2 consecutive years winning 3+ titles | Stands alone |
2004–2007 | 4 consecutive years winning 2+ titles | Stands alone |
2003–2010 | 8 consecutive years winning 1+ title[107] | Björn Borg Pete Sampras |
2004 Australian Open — 2011 US Open |
8 consecutive years winning 20+ matches | Stands alone |
2003 Wimbledon — 2010 Australian Open |
4+ titles at 3 different Majors | Stands alone |
2003 Wimbledon — 2011 French Open |
5+ finals at all 4 Majors | Stands alone |
2003 Wimbledon — 2011 French Open |
6+ semifinals at all 4 Majors | Stands alone |
2001 French Open — 2011 US Open |
8+ quarterfinals at all 4 Majors | Stands alone |
2003 Wimbledon — 2008 US Open |
5 consecutive titles at 2 different Majors[107] | Stands alone |
2003 Wimbledon — 2007 French Open |
2+ consecutive finals at all 4 Majors | Ivan Lendl |
2003 Wimbledon — 2009 French Open |
5+ consecutive semifinals at all 4 Majors | Stands alone |
2003 Wimbledon — 2011 US Open |
7+ consecutive quarterfinals at all 4 Majors | Stands alone |
2003 Wimbledon — 2006 Australian Open |
First 7 finals won | Stands alone |
2004 Australian Open — 2010 Australian Open |
9 hard-court titles | Stands alone |
2006–2007 & 2009 | All 4 Major finals in 1 season | Rod Laver |
2006 French Open — 2009 US Open |
Runner-up finishes at all 4 Majors | Ivan Lendl |
2000 Australian Open — 2012 French Open |
235 match wins overall[108] | Stands alone |
2000 Australian Open — 2012 French Open |
50+ match wins at all 4 Majors[109] | Stands alone |
2006 | 27 match wins in 1 season | Stands alone |
2004 French Open — 2008 Wimbledon |
18 consecutive No. 1 seeds | Stands alone |
2006 US Open — 2007 French Open |
36 consecutive sets won | Stands alone |
2007 US Open | 35 consecutive service points won | Stands alone |
2009 Wimbledon | 50 aces in a final | Stands alone |
2007 US Open | $2.4 million earned at one event | Stands alone |
2005 Wimbledon — 2007 French Open |
2 winning streaks of 25+ matches | Stands alone |
2005 Wimbledon — 2009 US Open |
3 winning streaks of 20+ matches | Stands alone |
2004 Wimbledon — 2009 US Open |
5 winning streaks of 15+ matches | Stands alone |
Grand Slam tournaments | Time Span | Records at each Grand Slam tournament | Players matched |
---|---|---|---|
Australian Open | 2004–2010 | 4 titles overall | Andre Agassi |
Australian Open | 2006–2007 | 2 consecutive titles | Ken Rosewall Guillermo Vilas Johan Kriek Mats Wilander Stefan Edberg Ivan Lendl Jim Courier Andre Agassi Novak Djokovic |
Australian Open | 2004–2007 | 3 titles in 4 years | Andre Agassi |
Australian Open | 2004–2010 | 5 finals overall | Stefan Edberg |
Australian Open | 2004–2012 | 9 consecutive semifinals | Stands alone |
Australian Open | 2007 | Won without dropping a set[110] | Ken Rosewall |
Australian Open | 2000–2012 | 63 match wins overall[110] | Stands alone |
French Open | 2006–2009 | 4 consecutive finals | Björn Borg Ivan Lendl Rafael Nadal |
French Open | 2006–2008, 2011 | 4 runner-ups[111] | Stands alone |
French Open | 2006–2008 | 3 consecutive runner-ups | Stands alone |
French Open | 2005–2009 | 5 consecutive semifinals | Stands alone |
French Open—Wimbledon | 2009 | Accomplished a "Channel Slam": Winning both tournaments in the same year | Rod Laver Björn Borg Rafael Nadal |
Wimbledon | 2003–2007 | 5 consecutive titles[112] | Björn Borg |
Wimbledon | 2003–2009 | 7 finals overall | Boris Becker Pete Sampras |
Wimbledon | 2003–2009 | 7 consecutive finals | Stands alone |
Wimbledon | 2003–2009 | 7 consecutive semifinals | Stands alone |
US Open | 2004–2008 | 5 titles overall | Jimmy Connors Pete Sampras |
US Open | 2004–2008 | 5 consecutive titles | Stands alone |
US Open | 2004–2009 | 40 consecutive match wins[113] | Stands alone |
US Open | 1999–2011 | 89.71% (61–7) match winning percentage | Stands alone |
Time span | Other selected records | Players matched |
---|---|---|
2 February 2004 — 17 August 2008 |
237 consecutive weeks at No. 1[107] | Stands alone |
2003–2005 | 26 consecutive match victories vs. top 10 opponents | Stands alone |
2005–2006 | 56 consecutive hard court match victories | Stands alone |
2003–2008 | 65 consecutive grass court match victories[107] | Stands alone |
2003–2005 | 24 consecutive tournament finals won[107] | Stands alone |
2001–2012 | 10+ titles on grass, clay and hard courts | Stands alone |
2003–2009 | 11 grass court titles | Stands alone |
2002–2012 | 51 hard court titles | Stands alone |
2006 | 9 hard court titles in 1 season | Jimmy Connors |
1998–2012 | 315 tiebreaks won[114] | Stands alone |
1999–2011 | 87.18% (102–15) grass court match winning percentage[115] | Stands alone |
1998–2012 | 83.20% (515–104) hard court match winning percentage[116] | Stands alone |
2006 | 94.12% of tournament finals reached in 1 season | Stands alone |
2003–2011 | 6 ATP World Tour Finals titles overall[117] | Stands alone |
2002–2011 | 39 ATP World Tour Finals match wins[117] | Ivan Lendl |
2002–2012 | 32 combined Championship Masters Series finals | Stands alone |
2002–2012 | 44 Masters 1000 semifinals | Stands alone |
2000–2012 | 261 Masters 1000 match wins | Stands alone |
2004–2012 | 14 Masters 1000 hard court titles | Andre Agassi |
2004–2012 | 4 Indian Wells Masters titles[118] | Stands alone |
2004–2008 | 2 consecutive Olympic games as wire-to-wire No. 1 | Stands alone |
2005–2007 | 3 consecutive calendar years as wire-to-wire No. 1 | Stands alone |
2005–2007 | 3 calendar years as wire-to-wire No. 1 | Jimmy Connors |
2003–2010 | Ended 8 years ranked inside the top 2 | Jimmy Connors |
2007 | $10 million prize money earned in a season | Rafael Nadal Novak Djokovic |
2005–2007 | 2 winning streaks of 35+ matches | Björn Borg |
2004–2012 | 7 winning streaks of 20+ matches | Stands alone |
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Persondata | |
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Name | Federer, Roger |
Alternative names | |
Short description | Swiss tennis professional |
Date of birth | 8 August 1981 |
Place of birth | Binningen (near Basel), Switzerland) |
Date of death | |
Place of death |
Albert Einstein | |
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![]() Albert Einstein in 1921 |
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Born | (1879-03-14)14 March 1879 Ulm, Kingdom of Württemberg, German Empire |
Died | 18 April 1955(1955-04-18) (aged 76) Princeton, New Jersey, United States |
Residence | Germany, Italy, Switzerland, Austria, Belgium, United Kingdom, United States |
Citizenship |
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Fields | Physics |
Institutions | |
Alma mater | |
Doctoral advisor | Alfred Kleiner |
Other academic advisors | Heinrich Friedrich Weber |
Notable students | |
Known for | |
Notable awards |
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Spouse | Mileva Marić (1903–1919) Elsa Löwenthal, née Einstein, (1919–1936) |
Signature![]() |
Albert Einstein ( /ˈælbərt ˈaɪnstaɪn/; German: [ˈalbɐt ˈaɪnʃtaɪn] (
listen); 14 March 1879 – 18 April 1955) was a German theoretical physicist who developed the theory of general relativity, effecting a revolution in physics. For this achievement, Einstein is often regarded as the father of modern physics.[2][3] While best known for his mass–energy equivalence formula E = mc2 (which has been dubbed "the world's most famous equation"),[4] he received the 1921 Nobel Prize in Physics "for his services to theoretical physics, and especially for his discovery of the law of the photoelectric effect".[5] The latter was pivotal in establishing quantum theory within physics.
Near the beginning of his career, Einstein thought that Newtonian mechanics was no longer enough to reconcile the laws of classical mechanics with the laws of the electromagnetic field. This led to the development of his special theory of relativity. He realized, however, that the principle of relativity could also be extended to gravitational fields, and with his subsequent theory of gravitation in 1916, he published a paper on the general theory of relativity. He continued to deal with problems of statistical mechanics and quantum theory, which led to his explanations of particle theory and the motion of molecules. He also investigated the thermal properties of light which laid the foundation of the photon theory of light. In 1917, Einstein applied the general theory of relativity to model the structure of the universe as a whole.[6]
He was visiting the United States when Adolf Hitler came to power in 1933, and did not go back to Germany, where he had been a professor at the Berlin Academy of Sciences. He settled in the U.S., becoming a citizen in 1940.[7] On the eve of World War II, he helped alert President Franklin D. Roosevelt that Germany might be developing an atomic weapon, and recommended that the U.S. begin similar research; this eventually led to what would become the Manhattan Project. Einstein was in support of defending the Allied forces, but largely denounced using the new discovery of nuclear fission as a weapon. Later, together with Bertrand Russell, Einstein signed the Russell–Einstein Manifesto, which highlighted the danger of nuclear weapons. Einstein was affiliated with the Institute for Advanced Study in Princeton, New Jersey, until his death in 1955.
Einstein published more than 300 scientific papers along with over 150 non-scientific works.[6][8] His great intelligence and originality have made the word "Einstein" synonymous with genius.[9]
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Albert Einstein was born in Ulm, in the Kingdom of Württemberg in the German Empire on 14 March 1879.[10] His father was Hermann Einstein, a salesman and engineer. His mother was Pauline Einstein (née Koch). In 1880, the family moved to Munich, where his father and his uncle founded Elektrotechnische Fabrik J. Einstein & Cie, a company that manufactured electrical equipment based on direct current.[10]
The Einsteins were non-observant Jews. Albert attended a Catholic elementary school from the age of five for three years. Later, at the age of eight, Einstein was transferred to the Luitpold Gymnasium where he received advanced primary and secondary school education until he left Germany seven years later.[11] Although it has been thought that Einstein had early speech difficulties, this is disputed by the Albert Einstein Archives, and he excelled at the first school that he attended.[12]
His father once showed him a pocket compass; Einstein realized that there must be something causing the needle to move, despite the apparent "empty space".[13] As he grew, Einstein built models and mechanical devices for fun and began to show a talent for mathematics.[10] When Einstein was ten years old Max Talmud (later changed to Max Talmey), a poor Jewish medical student from Poland, was introduced to the Einstein family by his brother, and during weekly visits over the next five years he gave the boy popular books on science, mathematical texts and philosophical writings. These included Immanuel Kant's Critique of Pure Reason and Euclid's Elements (which Einstein called the "holy little geometry book").[14][15][fn 1]
In 1894, his father's company failed: direct current (DC) lost the War of Currents to alternating current (AC). In search of business, the Einstein family moved to Italy, first to Milan and then, a few months later, to Pavia. When the family moved to Pavia, Einstein stayed in Munich to finish his studies at the Luitpold Gymnasium. His father intended for him to pursue electrical engineering, but Einstein clashed with authorities and resented the school's regimen and teaching method. He later wrote that the spirit of learning and creative thought were lost in strict rote learning. At the end of December 1894 he travelled to Italy to join his family in Pavia, convincing the school to let him go by using a doctor's note.[17] It was during his time in Italy that he wrote a short essay with the title "On the Investigation of the State of the Ether in a Magnetic Field."[18][19]
In late summer 1895, at the age of sixteen, Einstein sat the entrance examinations for the Swiss Federal Polytechnic in Zurich (later the Eidgenössische Polytechnische Schule). He failed to reach the required standard in several subjects, but obtained exceptional grades in physics and mathematics.[20] On the advice of the Principal of the Polytechnic, he attended the Aargau Cantonal School in Aarau, Switzerland, in 1895-96 to complete his secondary schooling. While lodging with the family of Professor Jost Winteler, he fell in love with Winteler's daughter, Marie. (His sister Maja later married the Wintelers' son, Paul.)[21] In January 1896, with his father's approval, he renounced his citizenship in the German Kingdom of Württemberg to avoid military service.[22] In September 1896 he passed the Swiss Matura with mostly good grades (gaining maximum grade 6 in physics and mathematical subjects, on a scale 1-6),[23] and though still only seventeen he enrolled in the four year mathematics and physics teaching diploma program at the ETH Zurich. Marie Winteler moved to Olsberg, Switzerland for a teaching post.
Einstein's future wife, Mileva Marić, also enrolled at the Polytechnic that same year, the only woman among the six students in the mathematics and physics section of the teaching diploma course. Over the next few years, Einstein and Marić's friendship developed into romance, and they read books together on extra-curricular physics in which Einstein was taking an increasing interest. In 1900 Einstein was awarded the Zurich Polytechnic teaching diploma, but Marić failed the examination with a poor grade in the mathematics component, theory of functions.[24] There have been claims that Marić collaborated with Einstein on his celebrated 1905 papers,[25][26] but historians of physics who have studied the issue find no evidence that she made any substantive contributions.[27][28][29][30]
In early 1902, Einstein and Mileva Marić (Милева Марић) had a daughter they named Lieserl in their correspondence, who was born in Novi Sad where Marić's parents lived.[31] Her full name is not known, and her fate is uncertain after 1903.[32]
Einstein and Marić married in January 1903. In May 1904, the couple's first son, Hans Albert Einstein, was born in Bern, Switzerland. Their second son, Eduard, was born in Zurich in July 1910. In 1914, Einstein moved to Berlin, while his wife remained in Zurich with their sons. Marić and Einstein divorced on 14 February 1919, having lived apart for five years.
Einstein married Elsa Löwenthal (née Einstein) on 2 June 1919, after having had a relationship with her since 1912. She was his first cousin maternally and his second cousin paternally. In 1933, they emigrated permanently to the United States. In 1935, Elsa Einstein was diagnosed with heart and kidney problems and died in December 1936.[33]
After graduating, Einstein spent almost two frustrating years searching for a teaching post, but a former classmate's father helped him secure a job in Bern, at the Federal Office for Intellectual Property, the patent office, as an assistant examiner.[34] He evaluated patent applications for electromagnetic devices. In 1903, Einstein's position at the Swiss Patent Office became permanent, although he was passed over for promotion until he "fully mastered machine technology".[35]
Much of his work at the patent office related to questions about transmission of electric signals and electrical-mechanical synchronization of time, two technical problems that show up conspicuously in the thought experiments that eventually led Einstein to his radical conclusions about the nature of light and the fundamental connection between space and time.[36]
With a few friends he met in Bern, Einstein started a small discussion group, self-mockingly named "The Olympia Academy", which met regularly to discuss science and philosophy. Their readings included the works of Henri Poincaré, Ernst Mach, and David Hume, which influenced his scientific and philosophical outlook.
During 1901, the paper "Folgerungen aus den Kapillarität Erscheinungen" ("Conclusions from the Capillarity Phenomena") was published in the prestigious Annalen der Physik.[37] On 30 April 1905, Einstein completed his thesis, with Alfred Kleiner, Professor of Experimental Physics, serving as pro-forma advisor. Einstein was awarded a PhD by the University of Zurich. His dissertation was entitled "A New Determination of Molecular Dimensions".[38][39] That same year, which has been called Einstein's annus mirabilis (miracle year), he published four groundbreaking papers, on the photoelectric effect, Brownian motion, special relativity, and the equivalence of matter and energy, which were to bring him to the notice of the academic world.
By 1908, he was recognized as a leading scientist, and he was appointed lecturer at the University of Bern. The following year, he quit the patent office and the lectureship to take the position of physics docent [40] at the University of Zurich. He became a full professor at Karl-Ferdinand University in Prague in 1911. In 1914, he returned to Germany after being appointed director of the Kaiser Wilhelm Institute for Physics (1914–1932)[41] and a professor at the Humboldt University of Berlin, with a special clause in his contract that freed him from most teaching obligations. He became a member of the Prussian Academy of Sciences. In 1916, Einstein was appointed president of the German Physical Society (1916–1918).[42][43]
During 1911, he had calculated that, based on his new theory of general relativity, light from another star would be bent by the Sun's gravity. That prediction was claimed confirmed by observations made by a British expedition led by Sir Arthur Eddington during the solar eclipse of 29 May 1919. International media reports of this made Einstein world famous. On 7 November 1919, the leading British newspaper The Times printed a banner headline that read: "Revolution in Science – New Theory of the Universe – Newtonian Ideas Overthrown".[44] (Much later, questions were raised whether the measurements had been accurate enough to support Einstein's theory).
In 1921, Einstein was awarded the Nobel Prize in Physics for his explanation of the photoelectric effect, as relativity was considered still somewhat controversial. He also received the Copley Medal from the Royal Society in 1925.
Einstein visited New York City for the first time on 2 April 1921, where he received an official welcome by the Mayor, followed by three weeks of lectures and receptions. He went on to deliver several lectures at Columbia University and Princeton University, and in Washington he accompanied representatives of the National Academy of Science on a visit to the White House. On his return to Europe he was the guest of the British statesman and philosopher Viscount Haldane in London, where he met several renowned scientific, intellectual and political figures, and delivered a lecture at Kings College.[45]
In 1922, he traveled throughout Asia and later to Palestine, as part of a six-month excursion and speaking tour. His travels included Singapore, Ceylon, and Japan, where he gave a series of lectures to thousands of Japanese. His first lecture in Tokyo lasted four hours, after which he met the emperor and empress at the Imperial Palace where thousands came to watch. Einstein later gave his impressions of the Japanese in a letter to his sons:[46]:307 "Of all the people I have met, I like the Japanese most, as they are modest, intelligent, considerate, and have a feel for art."[46]:308
On his return voyage, he also visited Palestine for 12 days in what would become his only visit to that region. "He was greeted with great British pomp, as if he were a head of state rather than a theoretical physicist", writes Isaacson. This included a cannon salute upon his arrival at the residence of the British high commissioner, Sir Herbert Samuel. During one reception given to him, the building was "stormed by throngs who wanted to hear him". In Einstein's talk to the audience, he expressed his happiness over the event:
I consider this the greatest day of my life. Before, I have always found something to regret in the Jewish soul, and that is the forgetfulness of its own people. Today, I have been made happy by the sight of the Jewish people learning to recognize themselves and to make themselves recognized as a force in the world.[47]:308.
Einstein developed an appreciation of music at an early age. His mother played the piano reasonably well and wanted her son to learn the violin, not only to instill in him a love of music but also to help him assimilate within German culture. According to conductor Leon Botstein, Einstein is said to have begun playing when he was five, but didn't enjoy trying to learn it at that age.[48]
When he turned thirteen, however, he discovered the violin sonatas of Mozart. "Einstein fell in love" with Mozart's music, notes Botstein, and learned to play music more willingly. According to Einstein, he taught himself to play by "ever practicing systematically," adding that "Love is a better teacher than a sense of duty."[48] At age seventeen, he was heard by a school examiner in Aarau as he played Beethoven's violin sonatas, the examiner stating afterward that his playing was "remarkable and revealing of 'great insight.'" What struck the examiner, writes Botstein, was that Einstein "displayed a deep love of the music, a quality that was and remains in short supply. Music possessed an unusual meaning for this student."[48]
Botstein notes that music assumed a pivotal and permanent role in Einstein's life from that period on. Although the idea of becoming a professional was not on his mind at any time, he did play chamber music with others, and performed for private audiences and friends. Chamber music also became a regular part of his social life while living in Bern, Zurich, and Berlin, where he played with Max Planck and his son, among others. Near the end of his life, while living in Princeton, the young Juilliard Quartet visited him and he joined them playing his violin, although they slowed the tempo to accommodate his lesser abilities. However, notes Botstein, the quartet was "impressed by Einstein's level of coordination and intonation."[48]
In 1933, Einstein decided to emigrate to the United States due to the rise to power of the Nazis under Germany's new chancellor, Adolf Hitler.[49] While visiting American universities in April, 1933, he learned that the new German government had passed a law barring Jews from holding any official positions, including teaching at universities. A month later, the Nazi book burnings occurred, with Einstein's works being among those burnt, and Nazi propaganda minister Joseph Goebbels proclaimed, "Jewish intellectualism is dead."[47] Einstein also learned that his name was on a list of assassination targets, with a "$5,000 bounty on his head." One German magazine included him in a list of enemies of the German regime with the phrase, "not yet hanged".[47]
Einstein was undertaking his third two-month visiting professorship at the California Institute of Technology when Hitler came to power in Germany. On his return to Europe in March 1933 he resided in Belgium for some months, before temporarily moving to England.[50]
He took up a position at the Institute for Advanced Study at Princeton, New Jersey,[51] an affiliation that lasted until his death in 1955. He was one of the four first selected (two of the others being John von Neumann and Kurt Gödel). At the institute, he soon developed a close friendship with Gödel. The two would take long walks together discussing their work. His last assistant was Bruria Kaufman, who later became a renowned physicist. During this period, Einstein tried to develop a unified field theory and to refute the accepted interpretation of quantum physics, both unsuccessfully.
Other scientists also fled to America. Among them were Nobel laureates and professors of theoretical physics. With so many other Jewish scientists now forced by circumstances to live in America, often working side by side, Einstein wrote to a friend, "For me the most beautiful thing is to be in contact with a few fine Jews—a few millennia of a civilized past do mean something after all." In another letter he writes, "In my whole life I have never felt so Jewish as now."[47]
In 1939, a group of Hungarian scientists that included emigre physicist Leó Szilárd attempted to alert Washington of ongoing Nazi atomic bomb research. The group's warnings were discounted.[52] Einstein and Szilárd, along with other refugees such as Edward Teller and Eugene Wigner, "regarded it as their responsibility to alert Americans to the possibility that German scientists might win the race to build an atomic bomb, and to warn that Hitler would be more than willing to resort to such a weapon."[46]:630[53] In the summer of 1939, a few months before the beginning of World War II in Europe, Einstein was persuaded to lend his prestige by writing a letter with Szilárd to President Franklin D. Roosevelt to alert him of the possibility. The letter also recommended that the U.S. government pay attention to and become directly involved in uranium research and associated chain reaction research.
The letter is believed to be "arguably the key stimulus for the U.S. adoption of serious investigations into nuclear weapons on the eve of the U.S. entry into World War II".[54] President Roosevelt could not take the risk of allowing Hitler to possess atomic bombs first. As a result of Einstein's letter and his meetings with Roosevelt, the U.S. entered the "race" to develop the bomb, drawing on its "immense material, financial, and scientific resources" to initiate the Manhattan Project. It became the only country to successfully develop an atomic bomb during World War II.
For Einstein, "war was a disease . . . [and] he called for resistance to war." But in 1933, after Hitler assumed full power in Germany, "he renounced pacifism altogether . . . In fact, he urged the Western powers to prepare themselves against another German onslaught."[55]:110 In 1954, a year before his death, Einstein said to his old friend, Linus Pauling, "I made one great mistake in my life — when I signed the letter to President Roosevelt recommending that atom bombs be made; but there was some justification — the danger that the Germans would make them..."[56]
Einstein became an American citizen in 1940. Not long after settling into his career at Princeton, he expressed his appreciation of the "meritocracy" in American culture when compared to Europe. According to Isaacson, he recognized the "right of individuals to say and think what they pleased", without social barriers, and as result, the individual was "encouraged" to be more creative, a trait he valued from his own early education. Einstein writes:
What makes the new arrival devoted to this country is the democratic trait among the people. No one humbles himself before another person or class. . . American youth has the good fortune not to have its outlook troubled by outworn traditions.[47]:432
As a member of the National Association for the Advancement of Colored People (NAACP) at Princeton who campaigned for the civil rights of African Americans, Einstein corresponded with civil rights activist W. E. B. Du Bois, and in 1946 Einstein called racism America's "worst disease".[57] He later stated, "Race prejudice has unfortunately become an American tradition which is uncritically handed down from one generation to the next. The only remedies are enlightenment and education".[58]
After the death of Israel's first president, Chaim Weizmann, in November 1952, Prime Minister David Ben-Gurion offered Einstein the position of President of Israel, a mostly ceremonial post.[59] The offer was presented by Israel's ambassador in Washington, Abba Eban, who explained that the offer "embodies the deepest respect which the Jewish people can repose in any of its sons".[46]:522 However, Einstein declined, and wrote in his response that he was "deeply moved", and "at once saddened and ashamed" that he could not accept it:
All my life I have dealt with objective matters, hence I lack both the natural aptitude and the experience to deal properly with people and to exercise official function. I am the more distressed over these circumstances because my relationship with the Jewish people became my strongest human tie once I achieved complete clarity about our precarious position among the nations of the world.[46]:522[59][60]
On 17 April 1955, Albert Einstein experienced internal bleeding caused by the rupture of an abdominal aortic aneurysm, which had previously been reinforced surgically by Dr. Rudolph Nissen in 1948.[61] He took the draft of a speech he was preparing for a television appearance commemorating the State of Israel's seventh anniversary with him to the hospital, but he did not live long enough to complete it.[62] Einstein refused surgery, saying: "I want to go when I want. It is tasteless to prolong life artificially. I have done my share, it is time to go. I will do it elegantly."[63] He died in Princeton Hospital early the next morning at the age of 76, having continued to work until near the end.
During the autopsy, the pathologist of Princeton Hospital, Thomas Stoltz Harvey, removed Einstein's brain for preservation without the permission of his family, in the hope that the neuroscience of the future would be able to discover what made Einstein so intelligent.[64] Einstein's remains were cremated and his ashes were scattered at an undisclosed location.[65][66]
In his lecture at Einstein's memorial, nuclear physicist Robert Oppenheimer summarized his impression of him as a person: "He was almost wholly without sophistication and wholly without worldliness . . . There was always with him a wonderful purity at once childlike and profoundly stubborn."[55]
Throughout his life, Einstein published hundreds of books and articles.[8][10] In addition to the work he did by himself he also collaborated with other scientists on additional projects including the Bose–Einstein statistics, the Einstein refrigerator and others.[67]
The Annus Mirabilis papers are four articles pertaining to the photoelectric effect (which gave rise to quantum theory), Brownian motion, the special theory of relativity, and E = mc2 that Albert Einstein published in the Annalen der Physik scientific journal in 1905. These four works contributed substantially to the foundation of modern physics and changed views on space, time, and matter. The four papers are:
Title (translated) | Area of focus | Received | Published | Significance |
---|---|---|---|---|
On a Heuristic Viewpoint Concerning the Production and Transformation of Light | Photoelectric effect | 18 March | 9 June | Resolved an unsolved puzzle by suggesting that energy is exchanged only in discrete amounts (quanta).[68] This idea was pivotal to the early development of quantum theory.[69] |
On the Motion of Small Particles Suspended in a Stationary Liquid, as Required by the Molecular Kinetic Theory of Heat | Brownian motion | 11 May | 18 July | Explained empirical evidence for the atomic theory, supporting the application of statistical physics. |
On the Electrodynamics of Moving Bodies | Special relativity | 30 June | 26 Sept | Reconciled Maxwell's equations for electricity and magnetism with the laws of mechanics by introducing major changes to mechanics close to the speed of light, resulting from analysis based on empirical evidence that the speed of light is independent of the motion of the observer.[70] Discredited the concept of an "luminiferous ether."[71] |
Does the Inertia of a Body Depend Upon Its Energy Content? | Matter–energy equivalence | 27 Sept | 21 Nov | Equivalence of matter and energy, E = mc2 (and by implication, the ability of gravity to "bend" light), the existence of "rest energy", and the basis of nuclear energy. |
Albert Einstein's first paper[72] submitted in 1900 to Annalen der Physik was on capillary attraction. It was published in 1901 with the title "Folgerungen aus den Kapillarität Erscheinungen," which translates as "Conclusions from the capillarity phenomena". Two papers he published in 1902–1903 (thermodynamics) attempted to interpret atomic phenomena from a statistical point of view. These papers were the foundation for the 1905 paper on Brownian motion, which showed that Brownian movement can be construed as firm evidence that molecules exist. His research in 1903 and 1904 was mainly concerned with the effect of finite atomic size on diffusion phenomena.[72]
He articulated the principle of relativity. This was understood by Hermann Minkowski to be a generalization of rotational invariance from space to space-time. Other principles postulated by Einstein and later vindicated are the principle of equivalence and the principle of adiabatic invariance of the quantum number.
Einstein's "Zur Elektrodynamik bewegter Körper" ("On the Electrodynamics of Moving Bodies") was received on 30 June 1905 and published 26 September of that same year. It reconciles Maxwell's equations for electricity and magnetism with the laws of mechanics, by introducing major changes to mechanics close to the speed of light. This later became known as Einstein's special theory of relativity.
Consequences of this include the time-space frame of a moving body appearing to slow down and contract (in the direction of motion) when measured in the frame of the observer. This paper also argued that the idea of a luminiferous aether – one of the leading theoretical entities in physics at the time – was superfluous.[73]
In his paper on mass–energy equivalence Einstein produced E = mc2 from his special relativity equations.[74] Einstein's 1905 work on relativity remained controversial for many years, but was accepted by leading physicists, starting with Max Planck.[75][76]
In a 1905 paper,[77] Einstein postulated that light itself consists of localized particles (quanta). Einstein's light quanta were nearly universally rejected by all physicists, including Max Planck and Niels Bohr. This idea only became universally accepted in 1919, with Robert Millikan's detailed experiments on the photoelectric effect, and with the measurement of Compton scattering.
Einstein concluded that each wave of frequency f is associated with a collection of photons with energy hf each, where h is Planck's constant. He does not say much more, because he is not sure how the particles are related to the wave. But he does suggest that this idea would explain certain experimental results, notably the photoelectric effect.[78]
In 1907 Einstein proposed a model of matter where each atom in a lattice structure is an independent harmonic oscillator. In the Einstein model, each atom oscillates independently – a series of equally spaced quantized states for each oscillator. Einstein was aware that getting the frequency of the actual oscillations would be different, but he nevertheless proposed this theory because it was a particularly clear demonstration that quantum mechanics could solve the specific heat problem in classical mechanics. Peter Debye refined this model.[79]
Throughout the 1910s, quantum mechanics expanded in scope to cover many different systems. After Ernest Rutherford discovered the nucleus and proposed that electrons orbit like planets, Niels Bohr was able to show that the same quantum mechanical postulates introduced by Planck and developed by Einstein would explain the discrete motion of electrons in atoms, and the periodic table of the elements.
Einstein contributed to these developments by linking them with the 1898 arguments Wilhelm Wien had made. Wien had shown that the hypothesis of adiabatic invariance of a thermal equilibrium state allows all the blackbody curves at different temperature to be derived from one another by a simple shifting process. Einstein noted in 1911 that the same adiabatic principle shows that the quantity which is quantized in any mechanical motion must be an adiabatic invariant. Arnold Sommerfeld identified this adiabatic invariant as the action variable of classical mechanics. The law that the action variable is quantized was a basic principle of the quantum theory as it was known between 1900 and 1925.[citation needed]
Although the patent office promoted Einstein to Technical Examiner Second Class in 1906, he had not given up on academia. In 1908, he became a privatdozent at the University of Bern.[80] In "über die Entwicklung unserer Anschauungen über das Wesen und die Konstitution der Strahlung" ("The Development of Our Views on the Composition and Essence of Radiation"), on the quantization of light, and in an earlier 1909 paper, Einstein showed that Max Planck's energy quanta must have well-defined momenta and act in some respects as independent, point-like particles. This paper introduced the photon concept (although the name photon was introduced later by Gilbert N. Lewis in 1926) and inspired the notion of wave–particle duality in quantum mechanics.
Einstein returned to the problem of thermodynamic fluctuations, giving a treatment of the density variations in a fluid at its critical point. Ordinarily the density fluctuations are controlled by the second derivative of the free energy with respect to the density. At the critical point, this derivative is zero, leading to large fluctuations. The effect of density fluctuations is that light of all wavelengths is scattered, making the fluid look milky white. Einstein relates this to Raleigh scattering, which is what happens when the fluctuation size is much smaller than the wavelength, and which explains why the sky is blue.[81] Einstein quantitatively derived critical opalescence from a treatment of density fluctuations, and demonstrated how both the effect and Rayleigh scattering originate from the atomistic constitution of matter.
Einstein's physical intuition led him to note that Planck's oscillator energies had an incorrect zero point. He modified Planck's hypothesis by stating that the lowest energy state of an oscillator is equal to 1⁄2hf, to half the energy spacing between levels. This argument, which was made in 1913 in collaboration with Otto Stern, was based on the thermodynamics of a diatomic molecule which can split apart into two free atoms.
General relativity (GR) is a theory of gravitation that was developed by Albert Einstein between 1907 and 1915. According to general relativity, the observed gravitational attraction between masses results from the warping of space and time by those masses. General relativity has developed into an essential tool in modern astrophysics. It provides the foundation for the current understanding of black holes, regions of space where gravitational attraction is so strong that not even light can escape.
As Albert Einstein later said, the reason for the development of general relativity was that the preference of inertial motions within special relativity was unsatisfactory, while a theory which from the outset prefers no state of motion (even accelerated ones) should appear more satisfactory.[82] So in 1908 he published an article on acceleration under special relativity. In that article, he argued that free fall is really inertial motion, and that for a freefalling observer the rules of special relativity must apply. This argument is called the Equivalence principle. In the same article, Einstein also predicted the phenomenon of gravitational time dilation. In 1911, Einstein published another article expanding on the 1907 article, in which additional effects such as the deflection of light by massive bodies were predicted.
While developing general relativity, Einstein became confused about the gauge invariance in the theory. He formulated an argument that led him to conclude that a general relativistic field theory is impossible. He gave up looking for fully generally covariant tensor equations, and searched for equations that would be invariant under general linear transformations only.
In June, 1913 the Entwurf ("draft") theory was the result of these investigations. As its name suggests, it was a sketch of a theory, with the equations of motion supplemented by additional gauge fixing conditions. Simultaneously less elegant and more difficult than general relativity, after more than two years of intensive work Einstein abandoned the theory in November, 1915 after realizing that the hole argument was mistaken.[83]
In 1917, Einstein applied the General theory of relativity to model the structure of the universe as a whole. He wanted the universe to be eternal and unchanging, but this type of universe is not consistent with relativity. To fix this, Einstein modified the general theory by introducing a new notion, the cosmological constant. With a positive cosmological constant, the universe could be an eternal static sphere.[84]
Einstein believed a spherical static universe is philosophically preferred, because it would obey Mach's principle. He had shown that general relativity incorporates Mach's principle to a certain extent in frame dragging by gravitomagnetic fields, but he knew that Mach's idea would not work if space goes on forever. In a closed universe, he believed that Mach's principle would hold. Mach's principle has generated much controversy over the years.
Einstein was displeased with quantum theory and mechanics, despite its acceptance by other physicists, stating "God doesn't play with dice." As Einstein passed away at the age of 76 he still would not accept quantum theory. [85] In 1917, at the height of his work on relativity, Einstein published an article in Physikalische Zeitschrift that proposed the possibility of stimulated emission, the physical process that makes possible the maser and the laser.[86] This article showed that the statistics of absorption and emission of light would only be consistent with Planck's distribution law if the emission of light into a mode with n photons would be enhanced statistically compared to the emission of light into an empty mode. This paper was enormously influential in the later development of quantum mechanics, because it was the first paper to show that the statistics of atomic transitions had simple laws. Einstein discovered Louis de Broglie's work, and supported his ideas, which were received skeptically at first. In another major paper from this era, Einstein gave a wave equation for de Broglie waves, which Einstein suggested was the Hamilton–Jacobi equation of mechanics. This paper would inspire Schrödinger's work of 1926.
In 1924, Einstein received a description of a statistical model from Indian physicist Satyendra Nath Bose, based on a counting method that assumed that light could be understood as a gas of indistinguishable particles. Einstein noted that Bose's statistics applied to some atoms as well as to the proposed light particles, and submitted his translation of Bose's paper to the Zeitschrift für Physik. Einstein also published his own articles describing the model and its implications, among them the Bose–Einstein condensate phenomenon that some particulates should appear at very low temperatures.[87] It was not until 1995 that the first such condensate was produced experimentally by Eric Allin Cornell and Carl Wieman using ultra-cooling equipment built at the NIST–JILA laboratory at the University of Colorado at Boulder.[88] Bose–Einstein statistics are now used to describe the behaviors of any assembly of bosons. Einstein's sketches for this project may be seen in the Einstein Archive in the library of the Leiden University.[67]
General relativity includes a dynamical spacetime, so it is difficult to see how to identify the conserved energy and momentum. Noether's theorem allows these quantities to be determined from a Lagrangian with translation invariance, but general covariance makes translation invariance into something of a gauge symmetry. The energy and momentum derived within general relativity by Noether's presecriptions do not make a real tensor for this reason.
Einstein argued that this is true for fundamental reasons, because the gravitational field could be made to vanish by a choice of coordinates. He maintained that the non-covariant energy momentum pseudotensor was in fact the best description of the energy momentum distribution in a gravitational field. This approach has been echoed by Lev Landau and Evgeny Lifshitz, and others, and has become standard.
The use of non-covariant objects like pseudotensors was heavily criticized in 1917 by Erwin Schrödinger and others.
Following his research on general relativity, Einstein entered into a series of attempts to generalize his geometric theory of gravitation to include electromagnetism as another aspect of a single entity. In 1950, he described his "unified field theory" in a Scientific American article entitled "On the Generalized Theory of Gravitation".[89] Although he continued to be lauded for his work, Einstein became increasingly isolated in his research, and his efforts were ultimately unsuccessful. In his pursuit of a unification of the fundamental forces, Einstein ignored some mainstream developments in physics, most notably the strong and weak nuclear forces, which were not well understood until many years after his death. Mainstream physics, in turn, largely ignored Einstein's approaches to unification. Einstein's dream of unifying other laws of physics with gravity motivates modern quests for a theory of everything and in particular string theory, where geometrical fields emerge in a unified quantum-mechanical setting.
Einstein collaborated with others to produce a model of a wormhole. His motivation was to model elementary particles with charge as a solution of gravitational field equations, in line with the program outlined in the paper "Do Gravitational Fields play an Important Role in the Constitution of the Elementary Particles?". These solutions cut and pasted Schwarzschild black holes to make a bridge between two patches.
If one end of a wormhole was positively charged, the other end would be negatively charged. These properties led Einstein to believe that pairs of particles and antiparticles could be described in this way.
In order to incorporate spinning point particles into general relativity, the affine connection needed to be generalized to include an antisymmetric part, called the torsion. This modification was made by Einstein and Cartan in the 1920s.
The theory of general relativity has a fundamental law – the Einstein equations which describe how space curves, the geodesic equation which describes how particles move may be derived from the Einstein equations.
Since the equations of general relativity are non-linear, a lump of energy made out of pure gravitational fields, like a black hole, would move on a trajectory which is determined by the Einstein equations themselves, not by a new law. So Einstein proposed that the path of a singular solution, like a black hole, would be determined to be a geodesic from general relativity itself.
This was established by Einstein, Infeld, and Hoffmann for pointlike objects without angular momentum, and by Roy Kerr for spinning objects.
Einstein conducted other investigations that were unsuccessful and abandoned. These pertain to force, superconductivity, gravitational waves, and other research. Please see the main article for details.
In addition to long time collaborators Leopold Infeld, Nathan Rosen, Peter Bergmann and others, Einstein also had some one-shot collaborations with various scientists.
Einstein and De Haas demonstrated that magnetization is due to the motion of electrons, nowadays known to be the spin. In order to show this, they reversed the magnetization in an iron bar suspended on a torsion pendulum. They confirmed that this leads the bar to rotate, because the electron's angular momentum changes as the magnetization changes. This experiment needed to be sensitive, because the angular momentum associated with electrons is small, but it definitively established that electron motion of some kind is responsible for magnetization.
Einstein suggested to Erwin Schrödinger that he might be able to reproduce the statistics of a Bose–Einstein gas by considering a box. Then to each possible quantum motion of a particle in a box associate an independent harmonic oscillator. Quantizing these oscillators, each level will have an integer occupation number, which will be the number of particles in it.
This formulation is a form of second quantization, but it predates modern quantum mechanics. Erwin Schrödinger applied this to derive the thermodynamic properties of a semiclassical ideal gas. Schrödinger urged Einstein to add his name as co-author, although Einstein declined the invitation.[90]
In 1926, Einstein and his former student Leó Szilárd co-invented (and in 1930, patented) the Einstein refrigerator. This absorption refrigerator was then revolutionary for having no moving parts and using only heat as an input.[91] On 11 November 1930, U.S. Patent 1,781,541 was awarded to Albert Einstein and Leó Szilárd for the refrigerator. Their invention was not immediately put into commercial production, as the most promising of their patents were quickly bought up by the Swedish company Electrolux to protect its refrigeration technology from competition.[92]
The Bohr–Einstein debates were a series of public disputes about quantum mechanics between Albert Einstein and Niels Bohr who were two of its founders. Their debates are remembered because of their importance to the philosophy of science.[93][94][95]
In 1935, Einstein returned to the question of quantum mechanics. He considered how a measurement on one of two entangled particles would affect the other. He noted, along with his collaborators, that by performing different measurements on the distant particle, either of position or momentum, different properties of the entangled partner could be discovered without disturbing it in any way.
He then used a hypothesis of local realism to conclude that the other particle had these properties already determined. The principle he proposed is that if it is possible to determine what the answer to a position or momentum measurement would be, without in any way disturbing the particle, then the particle actually has values of position or momentum.
This principle distilled the essence of Einstein's objection to quantum mechanics. As a physical principle, it was shown to be incorrect when the Aspect experiment of 1982 confirmed Bell's theorem, which had been promulgated in 1964.
Albert Einstein's political views emerged publicly in the middle of the 20th century due to his fame and reputation for genius. Einstein offered to and was called on to give judgments and opinions on matters often unrelated to theoretical physics or mathematics (see main article).
Einstein's views about religious belief have been collected from interviews and original writings. These views covered Judaism, theological determinism, agnosticism, and humanism. He also wrote much about ethical culture, opting for Spinoza's god over belief in a personal god.
While travelling, Einstein wrote daily to his wife Elsa and adopted stepdaughters Margot and Ilse. The letters were included in the papers bequeathed to The Hebrew University. Margot Einstein permitted the personal letters to be made available to the public, but requested that it not be done until twenty years after her death (she died in 1986[96]). Barbara Wolff, of The Hebrew University's Albert Einstein Archives, told the BBC that there are about 3,500 pages of private correspondence written between 1912 and 1955.[97]
Einstein bequeathed the royalties from use of his image to The Hebrew University of Jerusalem. Corbis, successor to The Roger Richman Agency, licenses the use of his name and associated imagery, as agent for the university.[98]
In the period before World War II, Einstein was so well known in America that he would be stopped on the street by people wanting him to explain "that theory". He finally figured out a way to handle the incessant inquiries. He told his inquirers "Pardon me, sorry! Always I am mistaken for Professor Einstein."[99]
Einstein has been the subject of or inspiration for many novels, films, plays, and works of music.[100] He is a favorite model for depictions of mad scientists and absent-minded professors; his expressive face and distinctive hairstyle have been widely copied and exaggerated. Time magazine's Frederic Golden wrote that Einstein was "a cartoonist's dream come true".[101]
Einstein received numerous awards and honors, including the Nobel Prize in Physics.
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Name | Einstein, Albert |
Alternative names | |
Short description | Physicist |
Date of birth | 1879-03-14 |
Place of birth | Ulm, Baden-Württemberg, German Empire |
Date of death | 1955-04-18 |
Place of death | Princeton, New Jersey, USA |