Acronyms[link]

TEL is a three-letter acronym for:

• Tetra-ethyl lead, a gasoline additive to make leaded gasoline
• Tokyo Electron, a semiconductor equipment manufacturer
• Transporter erector launcher, a mobile missile launch platform
• Technology-Enhanced Learning
• The European Library
• Tax and Expenditure Limitation, a mechanism to limit growth in tax revenues, spending or both
• Test of Economic Literacy
• TEL oncogene
• Telugu language, ISO 639 code
• Thomas Edward Lawrence, also known as Lawrence of Arabia

Other[link]

Tel may also refer to:

• an abbreviation for telephone.
• tel:, a URI scheme used e.g. on the Web to link to telephone numbers
• .tel domain name
• tel parameter in the hCard microformat
• Tel river, a tributary of the river Mahanadi in Orissa, India
• Tel, Azerbaijan, a village in Khachmaz Rayon
• Tel Aviv, major Israeli city
• Tel, alternate name of Tall-e Nemat, a village in Iran
• A tell, a type of archaeological mound created by human occupation

See also[link]

• Tell (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Omer Adam (in Hebrew עומר אדם born in Mishmar HaShiva, Israel on October 22, 1993) is an Israeli singer. His music fuses elements of eastern "Mizrahi" (Oriental- Middle eastern) and western pop instrumentation. In 2009, he participated in the seventh season of Kokhav Nolad (in Hebrew כוכב נולד), a popular Idol series show in Israel, but disqualified because of controversy about his true age at time of application. Despite this, Omer Adam has continued to enjoy great popularity releasing his debut album in 2010 with a number of successful singles as well.

[edit] In Kokhav Nolad

In season 7 of the Kokhav Nolad show, Omer Adam sang the following songs:

• Audition: "Aba" (Father) from Shlomi Shabat^[1]
• Week 1 (29 June 2009): "Isha ne'emana" (A loyal woman) from Yishai Levi
• Week 2 (5 July 2009): "Tza'ir lanetsakh" (Forever young) from Rami Kleinstein
• Week 3 (12–13 June 2009): "Niguna shel hashkhuna" (The neighbhoorhood's song) from Izhar Cohen (as a duo with Moran Mazuz)
• Week 4 (19 July 2009): "Ma hu ose la" (What does he do to her) from HaGashash HaHiver (as a trio with Re'em Cohen and Hovi Sekulets)
• Week 4 (20 July 2009): "Marlene" from Zohar Argov (originally by Enrico Macias)
• Week 5 (26 July 2009): "Yak'had" (Together) from Kobi Peretz & Ishtar) (as a duo with Vladi Blayberg)
• Week 5 (27 July 2009): "Mima'amkim" (From the depths) from Idan Raichel's Project
• Week 6 (2 August 2009): "Aba" (Father) from Shlomi Shabat
• Week 6 (3 August 2009): "At Vaani" (You and I) from Shlomo Artzi

As a result of the performances in week 6, initially the judges classified him as 3rd of 9 for his "Aba" performance and 4th of 8 for his "At Vaani" performance.

However controversy broke, when a blogger Omri Hayon and Ynet online news service revealed that Omer was just 15 years and 7 months when he applied.^[2][3] The minimum age for applying for the show is 16 years. Omer Adam admitted that the allegation was correct and withdrew from the competition mid-way through the season. Zvika Hadar, host of the show responded by saying: "The important thing is that Omer realized his mistake, apologized and took the right decision. Our role is to provide equal admission to all contestant we cannot compromise on this case. Many candidates who came for auditions were rejected because of their age."^[4] Omer Adam's disqualification was announced officially on August 5, 2009, despite him being one of the favorites to reach the final.

Career[link]

Omer Adam enjoyed great popularity and sympathy from the public despite his elimination from Kokhav Nolad particularly as he engaged in a tour all around Israel giving more than 150 performances in less than a year. In late 2009 he released his debut single called "להיאבד ברוח" (Lost spirit). He followed it up in July 2010 "חוזה בנשמה" that became the theme song for the television show "חתונת השנה" (in English "Wedding of the Year") on Israeli Channel 2 station.

The greatly awaited album came in December 2010 entitled נמס ממך ("Melting because of you") including the already released singles in addition to new songs including "נעתי בתוך מעגל" ("I moved in a circle"), "בלילה קר" ("cold night") and "לא תדעי דמעה" ("know a tear"). He also included some remixed versions of his songs.

In 2011, he released his second album "מאושרת" ("Happy"). In March 2011 the first hit from the new album was released entitled ""בניתי עלייך" followed by "קסם" ("Magic") as a duet with Itzik Kalla (in Hebrew איציק קלה). In May 2011 came his hit "מליון נשיקות" ("Million kisses") with immense online success, followed by "קרוב אלייך" ("Close to you").

On 15 June 2011 he appeared in a live show attended by thousands of people in Caesarea Maritima, a venue on the Israeli coast becoming the youngest artist to be featured as a main artist.^[3][5][6]

Discography[link]

Albums[link]

• 2010: Names Mimeh (in Hebrew נמס ממך)

Singles[link]

This section requires expansion with: more singles.

• 2010: "להיאבד ברוח"
• 2010: "חוזה בנשמה"

References[link]

External links[link]

• Page on Shiron.net

A portrait of Antonio Vivaldi in 1725

Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741), nicknamed il Prete Rosso ("The Red Priest") because of his red hair, was an Italian^[1] Baroque composer, priest, and virtuoso violinist, born in Venice. Recognized as one of the greatest Baroque composers, his influence during his lifetime was widespread over Europe. Vivaldi is known mainly for composing instrumental concertos, especially for the violin, as well as sacred choral works and over 40 operas. His best known work is a series of violin concertos known as The Four Seasons.

Many of his compositions were written for the female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi worked from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna hoping for preferment. The Emperor died soon after Vivaldi's arrival, and the composer died a pauper, without a steady source of income.

Though Vivaldi's music was well received during his lifetime, it later declined in popularity until its vigorous revival in the first half of the 20th century. Today, Vivaldi ranks among the most popular and widely recorded Baroque composers.

Childhood[link]

The church where Vivaldi was baptised: San Giovanni Battista in Bragora, Sestiere di Castello, Venice

Antonio Lucio Vivaldi was born in Venice, the capital of the Republic of Venice in 1678. He was baptized immediately after his birth at his home by the midwife, which led to the belief that his life was somehow in danger. Though not known for certain, the immediate baptism was most likely due either to his poor health or to an earthquake that shook the city that day. In the trauma of the earthquake, Vivaldi's mother may have dedicated him to the priesthood.^[2] Vivaldi's official church baptism did not take place until two months later.^[3]

Vivaldi's parents were Giovanni Battista Vivaldi and Camilla Calicchio, as recorded in the register of San Giovanni in Bragora.^[4] Vivaldi had five siblings: Margarita Gabriela, Cecilia Maria, Bonaventura Tomaso, Zanetta Anna, and Francesco Gaetano.^[5] Giovanni Battista, a barber before becoming a professional violinist, taught Antonio to play the violin, and then toured Venice playing the violin with his young son. He probably taught him at an early age, judging by Vivaldi's extensive musical knowledge at the age of 24 when he started working at the Ospedale della Pietà.^[6] Giovanni Battista was one of the founders of the Sovvegno dei musicisti di Santa Cecilia, an association of musicians.^[7]

The president of the Sovvegno was Giovanni Legrenzi, a composer of the early Baroque and maestro di cappella at St. Mark's Basilica. It is possible that Legrenzi gave the young Antonio his first lessons in composition. The Luxembourg scholar Walter Kolneder has discerned in the early liturgical work Laetatus sum (RV Anh 31, written in 1691 at the age of 13) the influence of Legrenzi's style. Vivaldi's father may have been a composer himself: in 1689, an opera titled La Fedeltà sfortunata was composed by a Giovanni Battista Rossi, and this was the name under which Vivaldi's father had joined the Sovvegno di Santa Cecilia:^[8] "Rosso" is Italian for "Red", and would have referred to the colour of his hair, a family trait.

Vivaldi's health was problematic. His symptoms, strettezza di petto ("tightness of the chest"), have been interpreted as a form of asthma.^[3] This did not prevent him from learning to play the violin, composing or taking part in musical activities,^[3] although it did stop him from playing wind instruments. In 1693, at the age of 15, he began studying to become a priest.^[9] He was ordained in 1703, aged 25. He was soon nicknamed il Prete Rosso, "The Red Priest", because of his red hair.^[10] Not long after his ordination, in 1704, he was given a reprieve from celebrating the Holy Mass because of his ill health. Vivaldi only said Mass as a priest a few times. He appears to have withdrawn from priestly duties, but he remained a priest.^{[citation needed]}

[edit] At the Conservatorio dell'Ospedale della Pietà

In September 1703, Vivaldi became maestro di violino (master of violin) at an orphanage called the Pio Ospedale della Pietà (Devout Hospital of Mercy) in Venice.^[1] While Vivaldi is most famous as a composer, he was regarded as an exceptional technical violinist as well. The German architect Johann Friedrich Armand von Uffenbach referred to Vivaldi as "the famous composer and violinist" and said that "Vivaldi played a solo accompaniment excellently, and at the conclusion he added a free fantasy [an improvised cadenza] which absolutely astounded me, for it is hardly possible that anyone has ever played, or ever will play, in such a fashion."^[11]

Vivaldi was only 25 when he started working at the Ospedale della Pietà. Over the next thirty years he composed most of his major works while working there.^[12] There were four similar institutions in Venice; their purpose was to give shelter and education to children who were abandoned or orphaned, or whose families could not support them. They were financed by funds provided by the Republic.^[13] The boys learned a trade and had to leave when they reached 15. The girls received a musical education, and the most talented stayed and became members of the Ospedale's renowned orchestra and choir.

Shortly after Vivaldi's appointment, the orphans began to gain appreciation and esteem abroad, too. Vivaldi wrote concertos, cantatas and sacred vocal music for them.^[14] These sacred works, which number over 60, are varied: they included solo motets and large-scale choral works for soloists, double chorus, and orchestra.^[15] In 1704, the position of teacher of viola all'inglese was added to his duties as violin instructor.^[16] The position of maestro di coro, which was at one time filled by Vivaldi, required a lot of time and work. He had to compose an oratorio or concerto at every feast and teach the orphans both music theory and how to play certain instruments.^[17]

His relationship with the board of directors of the Ospedale was often strained. The board had to take a vote every year on whether to keep a teacher. The vote on Vivaldi was seldom unanimous, and went 7 to 6 against him in 1709.^[18] After a year as a freelance musician, he was recalled by the Ospedale with a unanimous vote in 1711; clearly during his year's absence the board realized the importance of his role.^[18] He became responsible for all of the musical activity of the institution^[19] when he was promoted to maestro di' concerti (music director) in 1716.^[20]

In 1705, the first collection (Connor Cassara) of his works was published by Giuseppe Sala:^[21] his Opus 1 is a collection of 12 sonatas for two violins and basso continuo, in a conventional style.^[16] In 1709, a second collection of 12 sonatas for violin and basso continuo appeared, his Opus 2.^[22] A real breakthrough as a composer came with his first collection of 12 concerti for one, two, and four violins with strings, L'estro armonico Opus 3, which was published in Amsterdam in 1711 by Estienne Roger,^[23] dedicated to Grand Prince Ferdinand of Tuscany. The prince sponsored many musicians including Alessandro Scarlatti and Georg Frideric Handel. He was a musician himself, and Vivaldi probably met him in Venice.^[24] L'estro armonico was a resounding success all over Europe. It was followed in 1714 by La stravaganza Opus 4, a collection of concerti for solo violin and strings,^[25] dedicated to an old violin student of Vivaldi's, the Venetian noble Vettor Dolfin.^[26]

In February 1711, Vivaldi and his father traveled to Brescia, where his setting of the Stabat Mater (RV 621) was played as part of a religious festival. The work seems to have been written in haste: the string parts are simple, the music of the first three movements is repeated in the next three, and not all the text is set. Nevertheless, perhaps in part because of the forced essentiality of the music, the work is one of his early masterpieces.

Despite his frequent travels from 1718, the Pietà paid him 2 sequins to write two concerti a month for the orchestra and to rehearse with them at least five times when in Venice. The Pietà's records show that he was paid for 140 concerti between 1723 and 1733.

Opera impresario[link]

First edition of Juditha triumphans^[27]

In early 18th century Venice, opera was the most popular musical entertainment. It proved most profitable for Vivaldi. There were several theaters competing for the public's attention. Vivaldi started his career as an opera composer as a sideline: his first opera, Ottone in villa (RV 729) was performed not in Venice, but at the Garzerie Theater in Vicenza in 1713.^[28] The following year, Vivaldi became the impresario of the Teatro Sant'Angelo in Venice, where his opera Orlando finto pazzo (RV 727) was performed. The work was not to the public's taste, and it closed after a couple of weeks, being replaced with a repeat of a different work already given the previous year.^[24]

In 1715, he presented Nerone fatto Cesare (RV 724, now lost), with music by seven different composers, of which he was the leader. The opera contained eleven arias, and was a success. In the late season, Vivaldi planned to put on an opera composed entirely by him, Arsilda regina di Ponto (RV 700), but the state censor blocked the performance. The main character, Arsilda, falls in love with another woman, Lisea, who is pretending to be a man.^[24] Vivaldi got the censor to accept the opera the following year, and it was a resounding success.

At this period, the Pietà commissioned several liturgical works. The most important were two oratorios. Moyses Deus Pharaonis, (RV 643) is lost. The second, Juditha triumphans (RV 644), celebrates the victory of the Republic of Venice against the Turks and the recapture of the island of Corfù. Composed in 1716, it is one of his sacred masterpieces. All eleven singing parts were performed by girls of the Pietà, both the female and male roles. Many of the arias include parts for solo instruments—recorders, oboes, clarinets^{[citation needed]}, violas d'amore, and mandolins—that showcased the range of talents of the girls.^[29]

Also in 1716, Vivaldi wrote and produced two more operas, L'incoronazione di Dario (RV 719) and La costanza trionfante degli amori e degli odi (RV 706). The latter was so popular that it performed two years later, re-edited and retitled Artabano re dei Parti (RV 701, now lost). It was also performed in Prague in 1732. In the following years, Vivaldi wrote several operas that were performed all over Italy.

His progressive operatic style caused him some trouble with more conservative musicians, like Benedetto Marcello, a magistrate and amateur musician who wrote a pamphlet denouncing him and his operas. The pamphlet, Il teatro alla moda, attacks Vivaldi without mentioning him directly. The cover drawing shows a boat (the Sant'Angelo), on the left end of which stands a little angel wearing a priest's hat and playing the violin. The Marcello family claimed ownership of the Teatro Sant'Angelo, and a long legal battle had been fought with the management for its restitution, without success. The obscure writing under the picture mentions non-existent places and names: ALDIVIVA is an anagram of A. Vivaldi.

In a letter written by Vivaldi to his patron Marchese Bentivoglio in 1737, he makes reference to his "94 operas". Only around 50 operas by Vivaldi have been discovered, and no other documentation of the remaining operas exists. Although Vivaldi may have exaggerated, in his dual role of composer and impresario it is plausible that he may either have written or been responsible for the production of as many as 94 operas during a career which by then had spanned almost 25 years.^[30] While Vivaldi certainly composed many operas in his time, he never reached the prominence of other great composers like Alessandro Scarlatti, Johann Adolph Hasse, Leonardo Leo, and Baldassare Galuppi, as evidenced by his inability to keep a production running for any extended period of time in any major opera house.^[31]

His most successful operas were La constanza trionfante and Farnace which garnered six revivals each.^[31]

[edit] Mantua and The Four Seasons

Caricature by P.L.Ghezzi, Rome (1723)

	"La primavera" (Spring) – Movement 1: Allegro from The Four Seasons A 2000 live performance by Wichita State University Chamber Players.
Problems listening to this file? See media help.

In 1717 or 1718, Vivaldi was offered a new prestigious position as Maestro di Cappella of the court of prince Philip of Hesse-Darmstadt, governor of Mantua.^[32] He moved there for three years and produced several operas, among which was Tito Manlio (RV 738). In 1721, he was in Milan, where he presented the pastoral drama La Silvia (RV 734, 9 arias survive). He visited Milan again the following year with the oratorio L'adorazione delli tre re magi al bambino Gesù (RV 645, also lost). In 1722 he moved to Rome, where he introduced his operas' new style. The new pope Benedict XIII invited Vivaldi to play for him. In 1725, Vivaldi returned to Venice, where he produced four operas in the same year.

During this period Vivaldi wrote the Four Seasons, four violin concertos depicting scenes appropriate for each season. Three of the concerti are of original conception, while the first, "Spring", borrows motifs from a Sinfonia in the first act of his contemporaneous opera "Il Giustino". The inspiration for the concertos was probably the countryside around Mantua. They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), barking dogs, buzzing mosquitoes, crying shepherds, storms, drunken dancers, silent nights, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, ice-skating children, and warming winter fires. Each concerto is associated with a sonnet, possibly by Vivaldi, describing the scenes depicted in the music. They were published as the first four concertos in a collection of twelve, Il cimento dell'armonia e dell'inventione, Opus 8, published in Amsterdam by Le Cène in 1725.

During his time in Mantua, Vivaldi became acquainted with an aspiring young singer Anna Tessieri Girò who was to become his student, protégée, and favorite prima donna.^[33] Anna, along with her older half-sister Paolina, became part of Vivaldi's entourage and regularly accompanied him on his many travels. There was speculation about the nature of Vivaldi's and Giro's relationship, but no evidence to indicate anything beyond friendship and professional collaboration. Although Vivaldi's relationship with Anna Girò was questioned, he adamantly denied any romantic relationship in a letter to his patron Bentivoglio dated 16 November 1737.^[34]

Later life and death[link]

During the height of his career, Vivaldi received commissions from European nobility and royalty. The wedding cantata Gloria e Imeneo (RV 687) was written for the marriage of Louis XV. Vivaldi's Opus 9, La Cetra, was dedicated to Emperor Charles VI. In 1728, Vivaldi met the emperor while he was visiting Trieste to oversee the construction of a new port. Charles admired the music of the Red Priest so much that he is said to have spoken more with the composer during their one meeting than he spoke to his ministers in over two years. He gave Vivaldi the title of knight, a gold medal and an invitation to Vienna. Vivaldi gave Charles a manuscript copy of La Cetra, a set of concerti almost completely different from the set of the same title published as Opus 9. The printing was probably delayed, forcing Vivaldi to gather an improvised collection for the emperor.

Frontispiece of Il teatro alla moda

Accompanied by his father, Vivaldi traveled to Vienna and Prague in 1730, where his opera Farnace (RV 711) was presented.^[35] Some of his later operas were created in collaboration with two of Italy's major writers of the time. L'Olimpiade and Catone in Utica were written by Pietro Metastasio, the major representative of the Arcadian movement and court poet in Vienna. La Griselda was rewritten by the young Carlo Goldoni from an earlier libretto by Apostolo Zeno.

Like many composers of the time, the final years of Vivaldi's life found him in financial difficulties. His compositions were no longer held in such high esteem as they once were in Venice; changing musical tastes quickly made them outmoded. In response, Vivaldi chose to sell off sizeable numbers of his manuscripts at paltry prices to finance his migration to Vienna.^[36] The reasons for Vivaldi's departure from Venice are unclear, but it seems likely that, after the success of his meeting with Emperor Charles VI, he wished to take up the position of a composer in the imperial court. On his way to Vienna, Vivaldi may have stopped in Graz to see Anna Girò.^[37]

It is also likely that Vivaldi went to Vienna to stage operas, especially since he took up residence near the Kärntnertortheater. Shortly after Vivaldi's arrival in Vienna, Charles VI died, a stroke of bad luck that left the composer without royal protection or a steady source of income. Vivaldi died a pauper^[38][39] not long after the emperor, on the night between 27 and 28 July 1741 at the age of 63,^[40] of "internal infection", in a house owned by the widow of a Viennese saddlemaker. On 28 July he was buried in a simple grave at the Hospital Burial Ground in Vienna. Vivaldi's funeral took place at St. Stephen's Cathedral, where the young Joseph Haydn was then a choir boy. The cost of his funeral included a Kleingeläut (pauper's peal of bells).^[41]

He was buried next to Karlskirche, in an area now part of the site of the Technical Institute. The house Vivaldi lived in while in Vienna was torn down; the Hotel Sacher is built on part of the site. Memorial plaques have been placed at both locations as well as a Vivaldi "star" in the Viennese Musikmeile and a monument at the Rooseveltplatz.

Only three portraits of Vivaldi are known to survive: an engraving, an ink sketch and an oil painting. The engraving, by Francois Morellon La Cave, was made in 1725 and shows Vivaldi holding a sheet of music. The ink sketch was done by Ghezzi in 1723 and shows only Vivaldi's head and shoulders in profile. The oil painting found in the Liceo Musicale of Bologna gives us possibly the most accurate picture and shows Vivaldi's red hair under his blond wig.^[42]

Style and influence[link]

Vivaldi's music was innovative. He brightened the formal and rhythmic structure of the concerto, in which he looked for harmonic contrasts and innovative melodies and themes; many of his compositions are flamboyantly, almost playfully, exuberant.

Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his St John Passion, St Matthew Passion, and cantatas). Bach transcribed six of Vivaldi's concerti for solo keyboard, three for organ, and one for four harpsichords, strings, and basso continuo (BWV 1065) based upon the concerto for four violins, two violas, cello, and basso continuo (RV 580).

Posthumous reputation[link]

During his lifetime, Vivaldi's popularity quickly made him famous in other countries, including France where musical taste was less dictated by fashion than elsewhere.^{[citation needed]} This popularity dwindled. After the Baroque period, Vivaldi's published concerti were relatively unknown, and largely ignored, even after Felix Mendelssohn rekindled interest in Bach. Even Vivaldi's most famous work, The Four Seasons, was unknown in its original edition.

In the early 20th century, Fritz Kreisler's Vivaldi-styled concerto (which he passed off as an original Vivaldi work) helped revive Vivaldi's reputation. This spurred the French scholar Marc Pincherle to begin an academic study of Vivaldi's oeuvre. Many Vivaldi manuscripts were rediscovered, and were acquired by the National University of Turin Library with generous sponsorship of Turinese businessmen Roberto Foa and Filippo Giordano, in memory of their sons. This led to renewed interest in Vivaldi by, among others, Mario Rinaldi, Alfredo Casella, Ezra Pound, Olga Rudge, Desmond Chute, Arturo Toscanini, Arnold Schering, and Louis Kaufman. These figures were instrumental in the Vivaldi revival of the 20th century.

In 1926, in a monastery in Piedmont, researchers discovered 14 folios of Vivaldi's work, previously thought lost during the Napoleonic wars. Some volumes in the numbered set were missing; these turned up in the collections of the descendants of the Grand Duke Durazzo who had acquired the monastery complex in the 18th century. The volumes contained 300 concertos, 19 operas and over 100 vocal-instrumental works.^[43]

The resurrection of Vivaldi's unpublished works in the 20th century is mostly due to the efforts of Alfredo Casella, who in 1939 organised the historic Vivaldi Week, in which the rediscovered Gloria (RV 589) and l'Olimpiade were revived. Since World War II, Vivaldi's compositions have enjoyed wide success. In 1947, the Venetian businessman Antonio Fanna founded the Istituto Italiano Antonio Vivaldi, with the composer Gian Francesco Malipiero as its artistic director, having the purpose of promoting Vivaldi's music and publishing new editions of his works. Historically informed performances seem to have increased Vivaldi's fame further.

Recent rediscoveries of works by Vivaldi include two psalm settings of Nisi Dominus (RV 803, in eight movements) and Dixit Dominus (RV 807, in eleven movements), identified in 2003 and 2005, respectively, by the Australian scholar Janice Stockigt. Vivaldi scholar Michael Talbot called RV 807 "arguably the best nonoperatic work from Vivaldi's pen to come to light since... the 1920s".^[44] Vivaldi's lost 1730 opera Argippo (RV 697) was re-discovered in 2006 by harpsichordist and conductor Ondřej Macek, whose Hofmusici orchestra performed the work at Prague Castle on 3 May 2008, its first performance since 1730.

In popular culture[link]

The movie Vivaldi, a Prince in Venice was completed in 2005 as an Italian-French co-production under the direction of Jean-Louis Guillermou. In 2005, ABC Radio National commissioned a radio play about Vivaldi, which was written by Sean Riley. Entitled The Angel and the Red Pries, the play was later adapted into a stage version and performed at the Adelaide Festival of the Arts.^[45]

The music of Vivaldi, Mozart, Tchaikovsky, and Corelli, has been included in the theories of Alfred Tomatis on the effects of music on human behaviour and used in music therapy.^{[citation needed]}

Works[link]

A Vivaldi work is identified by RV number, which refers to its place in the "Ryom-Verzeichnis" or "Répertoire des oeuvres d'Antonio Vivaldi", a catalog created in the 20th century by musicologist Peter Ryom.

Le quattro stagioni (The Four Seasons) of 1723 is his most famous work. Part of Il cimento dell'armonia e dell'inventione ("The Contest between Harmony and Invention"), it depicts moods and scenes from each of the four seasons. This work has been described as an outstanding instance of pre-19th Century program music.^[46]

Vivaldi wrote more than 500 other concertos. About 350 of these are for solo instrument and strings, of which 230 are for violin, the others being for bassoon, cello, oboe, flute, viola d'amore, recorder, lute, or mandolin. About 40 are for two instruments and strings, and about 30 are for three or more instruments and strings.

As well as about 46 operas, Vivaldi composed a large body of sacred choral music. Other works include sinfonias, about 90 sonatas, and chamber music.

Some sonatas for flute, published as Il Pastor Fido, have been erroneously attributed to Vivaldi, but were composed by Nicolas Chédeville.

Vivaldi's Gloria (a collection of choral pieces for SATB) is a very well known and widely praised piece. The research of Richard Vendome showed that Vivaldi wrote this piece while director of music at a girl's dance school, implying that he intended it to be sung by females - including the tenor and bass parts. While this thesis is controversial, Vendome has proved it possible with his own 'SPAV' choir, dedicated to the works of Vivaldi and his students, in which females sing bass and tenor, along with soprano and alto, all at pitch.^{[citation needed]}

Notes[link]

References and further reading[link]

• Bukofzer, Manfred (1947). Music in the Baroque Era. New York, W. W. Norton & Co. ISBN 0-393-09745-5.
• Cross, Eric (1984). Review of I libretti vivaldiani: recensione e collazione dei testimoni a stampa by Anna Laura Bellina; Bruno Brizi; Maria Grazia Pensa in Music & Letters, Vol. 65, No. 1 (Jan., 1984), pp. 62–64
• Formichetti, Gianfranco Venezia e il prete col violino. Vita di Antonio Vivaldi, Bompiani (2006), ISBN 88-452-5640-5.
• Heller, Karl Antonio Vivaldi: The Red Priest of Venice, Amadeus Press (1997), ISBN 1-57467-015-8
• Kolneder, Walter Antonio Vivaldi: Documents of His Life and Works, C F Peters Corp (1983), ISBN 3-7959-0338-6
• Barbara Quick, Vivaldi's Virgins (novel), HarperCollins (2007), ISBN 978-0-06-089052-0.
• André Romijn. Hidden Harmonies: The Secret Life of Antonio Vivaldi, 2007 ISBN 978-0-9554100-1-7
• Eleanor Selfridge-Field (1994). Venetian Instrumental Music, from Gabrieli to Vivaldi. New York, Dover Publications. ISBN 0-486-28151-5.
• Michael Talbot, Antonio Vivaldi, Insel Verlag (1998), ISBN 3-458-33917-5
• Michael Talbot: "Antonio Vivaldi", Grove Music Online, ed. L. Macy (Accessed 26 August 2006), (subscription access)
• Vivaldi: Voice of the Baroque, H. C. Robbins Landon, 1996 University of Chicago Press, ISBN 0-226-46842-9
• Sarah Bruce Kelly: The Red Priest's Annina, 2009 Bel Canto Press, ISBN 978-0-578-02566-7
• Sarah Bruce Kelly: Vivaldi's Muse, 2011 Bel Canto Press, ISBN 978-0-9836304-0-1

External links[link]

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• Catalog of instrumental works
• Complete works catalog
• Works by or about Antonio Vivaldi in libraries (WorldCat catalog)
• Michael Talbot: Recent Vivaldi Discoveries from the online magazine Goldberg.
• Antonio Vivaldi by Fréderic Délaméa (Translated by Kirk McElhearn) from Goldberg.
• Two Vivaldi biopics may duel at the box office
• Free scores by Antonio Vivaldi at the International Music Score Library Project
• Free scores by Antonio Vivaldi in the Choral Public Domain Library (ChoralWiki)
• Free scores by Antonio Vivaldi in the Werner Icking Music Archive (WIMA)
• The Mutopia Project has compositions by Antonio Vivaldi
• Vivaldi biography. Free English eBooks: 1. Talbot, M. Vivaldi. 1993; 2. Heller, K. Antonio Vivaldi: The Red Priest of Venice. 1997
• project Anima Veneziana (Ryom, Peter. Vivaldi Werkverzeichnis. 1. Auflage. 2007. Breitkopf & Härtel. 664 S., format: JPG)
• The Seasons in interactive hypermedia Allegro, Largo, Allegro (Shockwave required) at the BinAural Collaborative Hypertext
• Allegro molto from 'Winter' by Vivaldi
• Video of ballet to music by Antonio Vivaldi
• Informations about the research project on the Saxon court's instrumental music collection in the Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden, in German (open source online publication of all Vivaldi manuscripts from the Pisendel collection)
• Fata Tiganca by Vivaldi

Alicia Keys
Keys in South Africa for the 2010 FIFA World Cup kick-off concert.
Background information
Birth name	Alicia Augello Cook
Also known as	Lellow
Born	(1981-01-25) January 25, 1981 (age 31)
Origin	New York City, United States
Genres	Soul, R&B, blues, hip hop, jazz, neo soul, electronic
Occupations	singer-songwriter, record producer, actress
Instruments	Vocals, piano, keyboards, cello, synthesizer, vocoder, guitar, bass guitar
Years active	1997–present
Labels	RCA, J, Arista, Columbia
Website	aliciakeys.com

Alicia Augello Cook (born January 25, 1981), better known by her stage name Alicia Keys, is an American R&B singer-songwriter, record producer, and actress. Keys was raised by a single mother in the Hell's Kitchen area of Manhattan in New York City. At age seven, Keys began playing the piano. She attended Professional Performing Arts School and graduated at 16 as valedictorian. Keys released her debut album with J Records, having had previous record deals first with Columbia and then Arista Records.

Keys' debut album, Songs in A Minor, was a commercial success, selling over 12 million copies worldwide.^[1] She became the best-selling new artist and best-selling R&B artist of 2001.^[2] The album earned Keys five Grammy Awards in 2002, including Best New Artist and Song of the Year for "Fallin'".^[3] Her second studio album, The Diary of Alicia Keys, was released in 2003 and was also another success worldwide, selling eight million copies.^[4] The album garnered her an additional four Grammy Awards in 2005.^[5] Later that year, she released her first live album, Unplugged, which debuted at number one in the United States.^[6] She became the first female to have an MTV Unplugged album to debut at number one and the highest since Nirvana in 1994.^[2]

Keys made guest appearances on several television series in the following years, beginning with Charmed. She made her film debut in Smokin' Aces and went on to appear in The Nanny Diaries in 2007. Her third studio album, As I Am, was released in the same year and sold six million copies worldwide, earning Keys an additional three Grammy Awards. The following year, she appeared in The Secret Life of Bees, which earned her a nomination at the NAACP Image Awards. She released her fourth album, The Element of Freedom, in December 2009, which became Keys' first chart-topping album in the United Kingdom. Throughout her career, Keys has won numerous awards and has sold over 30 million albums worldwide and 25 million singles, which makes her one of the best selling artists of all time. Billboard magazine named her the top R&B artist of the 2000–2009 decade, establishing herself as one of the best-selling artists of her time. In 2010, VH1 included Keys on its list of the 100 Greatest Artists of All Time.^[7] Billboard magazine placed her number ten on their list of Top 50 R&B/Hip-Hop Artists of the Past 25 Years.^[8] As of January 2012, Keys has sold 60 million records worldwide.

Life and career[link]

1981–2001: Early life and Career Beginnings[link]

Keys was born Alicia Augello Cook on January 25, 1981, in the Hell's Kitchen area of Manhattan, in New York City.^[9][10][11] She is the only child of Teresa Augello, a paralegal and part-time actress, and Craig Cook, a flight attendant.^{[12][13][14][15]} Keys' mother is of Italian, Scottish, and Irish descent, and her father is African American;^[16] Keys has expressed that she was comfortable with her biracial heritage because she felt she was able to "relate to different cultures".^[10][17] Her parents separated when she was two and she was subsequently raised by her mother during her formative years in Hell's Kitchen, Manhattan.^[18] In 1985, Keys made an appearance on The Cosby Show at the age of four, where she and a group of girls played the parts of Rudy Huxtable's sleepover guests in the episode "Slumber Party".^[19][20] Throughout her childhood, Keys was sent to music and dance classes by her mother.^[21] She began playing the piano when she was seven and learned classical music by composers such as Beethoven, Mozart and Chopin.^[12] Keys enrolled in the Professional Performing Arts School at the age of 12, where she majored in choir and began writing songs at the age of 14.^[13][22] She graduated in four years as valedictorian at the age of 16.^[23]

In 1994 Keys met long-term manager Jeff Robinson after she enrolled in his brother's after-school program.^[24] The following year Robinson introduced Keys to her future A&R at Arista Records, Peter Edge, who later described his first impressions to HitQuarters: "I had never met a young R&B artist with that level of musicianship. So many people were just singing on top of loops and tracks, but she had the ability, not only to be part of hip-hop, but also to go way beyond that."^[25] Edge helped Robinson create a showcase for Keys and also got involved in developing her demo material. He was keen to sign Keys himself but was unable to do so at that time due to being on the verge of leaving his present record company. Keys signed to Columbia Records soon after.^[25] At the same time as signing a recording contract with Columbia Records, Keys was accepted into Columbia University. At first, Keys attempted to manage both but after four weeks dropped out of college to pursue her musical career fulltime.^[23][26]

Keys signed a demo deal with Jermaine Dupri and So So Def Recordings, where she appeared on the label's Christmas album performing "The Little Drummer Girl". She also co-wrote and recorded a song entitled "Dah Dee Dah (Sexy Thing)", which appeared on the soundtrack to the 1997 film, Men in Black.^[26] The song was Keys' first professional recording; however, it was never released as a single and her record contract with Columbia ended after a dispute with the label. Keys was unhappy with the label because her career had stalled during her two years under contract at Columbia due to executive indecision over her direction and major changes within the company.^[25] Keys called Clive Davis, who sensed a "special, unique" artist from her performance and signed her to Arista Records, which later disbanded.^[9][10] Keys almost chose Wilde as her stage name until her manager suggested the name Keys after a dream he had. Keys felt that name represented her both as a performer and person.^[27] Following Davis to his newly formed J Records label, she worked with Kerry "Krucial" Brothers and recorded the songs "Rock wit U" and "Rear View Mirror", which were featured on the soundtracks to the films Shaft (2000) and Dr. Dolittle 2 (2001), respectively.^[28][29]

[edit] 2001–2002: Songs in A Minor

	"Fallin" (2001) noicon "Fallin'" is a gospel-influenced piano ballad.[30] Often considered her signature song, it describes the "ins and outs" of being in a relationship.[31]
Problems listening to this file? See media help.

Keys released her first studio album, Songs in A Minor, in June 2001. It debuted at number one on the Billboard 200 and sold 236,000 copies in its first week.^[32] The album sold over 6.2 million copies in the United States,^[33] where it was certified six times Platinum by the Recording Industry Association of America (RIAA).^[34] It went on to sell over 12 million copies worldwide,^[35] establishing Keys' popularity both inside and outside the United States, where she became the best-selling new artist and best-selling R&B artist of 2001.^[2] The album's lead single, "Fallin'", spent six weeks at number one on the Billboard Hot 100.^[36] The album's second single, "A Woman's Worth", was released in February 2002 and peaked at number 7 on the Billboard Hot 100 and number three on the Hot R&B/Hip-Hop Songs, as her second Top 10 single in both charts.^[37] The album's third single, "How Come You Don't Call Me", was released in June 2002 and peaked at number 59 on the Billboard Hot 100 and number 30 on the Hot R&B/Hip-Hop Songs. The album's fourth single, "Girlfriend", was released in November 2002 in UK and peaked at number 82 on the Hot R&B/Hip-Hop Songs. The following year, the album was reissued as Remixed & Unplugged in A Minor, which included eight remixes and seven unplugged versions of the songs from the original.

Keys performing in Frankfurt, Germany, 2002

Songs in A Minor led Keys to win five awards at the 2002 Grammy Awards: Song of the Year, Best Female R&B Vocal Performance, and Best R&B Song for "Fallin'", Best New Artist, and Best R&B Album; "Fallin'" was also nominated for Record of the Year. Keys became the second female solo artist to win five Grammy Awards in a single night, following Lauryn Hill at the 41st Grammy Awards.^[38] That same year, she collaborated with Christina Aguilera for the latter's upcoming album Stripped on a song entitled "Impossible", which Keys wrote, co-produced, and provided with background vocals.^[39] During the early 2000s, Keys also made small cameos in television series Charmed and American Dreams.^[12]

[edit] 2003–2005: The Diary of Alicia Keys and Unplugged

Keys followed up her debut with The Diary of Alicia Keys, which was released in December 2003. The album debuted at number one on the Billboard 200, selling over 618,000 copies its first week of release, becoming the largest first-week sales for a female artist in 2003.^[40] It sold 4.4 million copies in the United States and was certified four times Platinum by the RIAA.^[34][41] It sold eight million copies worldwide,^[42] becoming the sixth biggest-selling album by a female artist and the second biggest-selling album by a female R&B artist.^[43] The album's lead single, "You Don't Know My Name", peaked at number three on the Billboard Hot 100 and number one on Hot R&B/Hip-Hop Songs for eight consecutive weeks, her first Top 10 single in both charts since 2002's "A Woman's Worth ". The album's second single, "If I Ain't Got You", was released in February 2004 and peaked at number 4 on the Billboard Hot 100 and number one on the Hot R&B/Hip-Hop Songs for six weeks. The album's third single, "Diary", peaked at number 8 on the Billboard Hot 100 and number two on the Hot R&B/Hip-Hop Songs chart, being their third consecutive Top 10 single in both charts. The album's fourth and final single, "Karma", which peaked at number 20 on the Billboard Hot 100 and number 17 on the Hot R&B/Hip-Hop Songs, first release to fail to achieve top ten status on both charts. "If I Ain't Got You" became the first single by a female artist to remain on the Billboard Hot R&B/Hip-Hop Songs chart for over a year.^{[44][45][46][47][48]} Keys also collaborated with recording artist Usher on the song "My Boo" from his 2004 album, Confessions (Special Edition). The song topped the Billboard Hot 100 for six weeks and Hot R&B/Hip-Hop Songs for three weeks, became her first number-one single in Hot 100 since 2001's "Fallin'".

Keys won Best R&B Video for "If I Ain't Got You" at the 2004 MTV Video Music Awards; she performed the song and "Higher Ground" with Lenny Kravitz and Stevie Wonder.^[49][50] Later that year, Keys released her novel Tears for Water: Songbook of Poems and Lyrics, a collection of unreleased poems from her journals and lyrics. The title derived from one of her poems, "Love and Chains" from the line: "I don't mind drinking my tears for water."^[51] She said the title is the foundation of her writing because "everything I have ever written has stemmed from my tears of joy, of pain, of sorrow, of depression, even of question".^[52] The book sold over US$500,000 and Keys made The New York Times bestseller list in 2005.^[53][54] The following year, she won a second consecutive award for Best R&B Video at the MTV Video Music Awards for the video "Karma".^[55] Keys performed "If I Ain't Got You" and then joined Jamie Foxx and Quincy Jones in a rendition of "Georgia on My Mind", the Hoagy Carmichael song made famous by Ray Charles in 1960 at the 2005 Grammy Awards.^[56] That evening, she won four Grammy Awards: Best Female R&B Vocal Performance for "If I Ain't Got You", Best R&B Song for "You Don't Know My Name", Best R&B Album for The Diary of Alicia Keys, and Best R&B Performance by a Duo or Group with Vocals" for "My Boo" with Usher.^[57]

Keys performed and taped her installment of the MTV Unplugged series in July 2005 at the Brooklyn Academy of Music.^[58] During this session, Keys added new arrangements to her original songs and performed a few choice covers.^[59] The session was released on CD and DVD in October 2005. Simply titled Unplugged, the album debuted at number one on the U.S. Billboard 200 chart with 196,000 units sold in its first week of release.^[60] The album sold one million copies in the United States, where it was certified Platinum by the RIAA, and two million copies worldwide.^[12][34][61] The debut of Keys' Unplugged was the highest for an MTV Unplugged album since Nirvana's 1994 MTV Unplugged in New York and the first Unplugged by a female artist to debut at number one.^[2] The album's first single, "Unbreakable", peaked at number 34 on the Billboard Hot 100 and number four on the Hot R&B/Hip-Hop Songs.^[62] It remained at number one on the Billboard Hot Adult R&B Airplay for 11 weeks.^[63] The album's second and final single, "Every Little Bit Hurts", was released in January 2006, it failed to enter the U.S. charts.

Keys opened a recording studio in Long Island, New York, called The Oven Studios, which she co-owns with her production and songwriting partner Kerry "Krucial" Brothers.^[64] The studio was designed by renowned studio architect John Storyk of WSDG, designer of Jimi Hendrix' Electric Lady Studios. Keys and Brothers are the co-founders of KrucialKeys Enterprises, a production and songwriting team who assisted Keys in creating her albums as well as create music for other artists.^[65]

[edit] 2006–2008: Film debut and As I Am

In 2006, Keys won three NAACP Image Awards, including Outstanding Female Artist and Outstanding Song for "Unbreakable".^[66] She also received the Starlight Award by the Songwriters Hall of Fame.^[67] In October 2006, she played the voice of Mommy Martian in the "Mission to Mars" episode of the children's television series The Backyardigans, in which she sang an original song, "Almost Everything Is Boinga Here".^[68] That same year, Keys nearly suffered a mental breakdown. Her grandmother had died and her family was heavily dependent on her. She felt she needed to "escape" and went to Egypt for three weeks. She explained: "That trip was definitely the most crucial thing I've ever done for myself in my life to date. It was a very difficult time that I was dealing with, and it just came to the point where I really needed to—basically, I just needed to run away, honestly. And I needed to get as far away as possible."^[69][70]

Keys made her film debut in early 2007 in the crime film Smokin' Aces, co-starring as an assassin named Georgia Sykes opposite Ben Affleck and Andy García. Keys received much praise from her co-stars in the film; Reynolds said that Keys was "so natural" and that she would "blow everybody away". Smokin' Aces had a hit moderate performance at the box office, earning only $57,103,895 worldwide during its theatrical run.^[71][72] In the same year, Keys earned further praise for her second film, The Nanny Diaries, based on the 2002 novel of the same name, where she co-starred alongside Scarlett Johansson and Chris Evans. The Nanny Diaries had a hit moderate performance at the box office, earning only $44,638,886 worldwide during its theatrical run.^[73] She also guest starred as herself in the "One Man Is an Island" episode of the drama series Cane.^[74]

Keys performing live, March 20, 2008

Keys released her third studio album, As I Am, in November 2007; it debuted at number one on the Billboard 200, selling 742,000 copies in its first week. It gained Keys her largest first week sales of her career and became her fourth consecutive number one album, tying her with Britney Spears for the most consecutive number-one debuts on the Billboard 200 by a female artist.^[75][76] The week became the second largest sales week of 2007 and the largest sales week for a female solo artist since singer Norah Jones' album Feels like Home in 2004.^[77] The album has sold nearly four million copies in the United States and has been certified three times Platinum by the RIAA.^[78][79] It has sold nearly six million copies worldwide.^[80] Keys received five nominations for As I Am at the 2008 American Music Award and ultimately won two.^[81] The album's lead single, "No One", peaked at number one on the Billboard Hot 100 for five consecutive weeks and Hot R&B/Hip-Hop Songs for ten consecutive weeks, became her first number-one single in Hot 100 since 2004's "My Boo" and becoming Keys' third and fifth number-one single on each chart, respectively.^[82] The album's second single, "Like You'll Never See Me Again", was released in late 2007 and peaked at number 12 on the Billboard Hot 100 and number one on the Hot R&B/Hip-Hop Songs for seven consecutive weeks. From October 27, 2007, when "No One" reached No. 1, through February 16, 2008, the last week "Like You'll Never See Me Again" was at No. 1, the Keys was on top of the chart for 17 weeks, more consecutive weeks than any other artist in Hot R&B/Hip/Hop Songs chart.^[83] The album's third single, "Teenage Love Affair", which peaked at number 54 on the 'Billboard Hot 100 and number three on the Hot R&B/Hip-Hop Songs.^[83] The album's fourth and final single, "Superwoman", which peaked at number 82 on the Billboard Hot 100 and number 12 on the Hot R&B/Hip-Hop Songs.^[83][84]

Keys performing at the 2008 Summer Sonic Festival in Tokyo, Japan

"No One" earned Keys the awards for Best Female R&B Vocal Performance and Best R&B Song at the 2008 Grammy Awards.^[85] Keys opened the ceremony singing Frank Sinatra's 1950s song "Learnin' the Blues" as a "duet" with archival footage of Sinatra in video and "No One" with John Mayer later in the show.^[86] Keys also won Best Female R&B Artist during the show.^[87] She starred in "Fresh Takes", a commercial micro-series created by Dove Go Fresh, which premiered during The Hills on MTV from March to April 2008. The premiere celebrated the launch of new Dove Go Fresh.^[88] She also signed a deal as spokesperson with Glacéau's VitaminWater to endorse the product,^[89] and was in an American Express commercial for the "Are you a Cardmember?" campaign.^[90] Keys, along with The White Stripes' guitarist and lead vocalist Jack White, recorded the theme song to Quantum of Solace, the first duet in Bond soundtrack history.^[91] In 2008, Keys was ranked in at number 80 the Billboard Hot 100 All-Time Top Artists.^[92] She also starred in The Secret Life of Bees, a film adaptation of Sue Monk Kidd's acclaimed 2003 bestseller novel of the same name alongside Jennifer Hudson, Dakota Fanning, Paul Bettany and Queen Latifah, released in October 2008 via Fox Searchlight. The Secret Life of Bees had a hit moderate performance at the box office, earning only $39,947,322 worldwide during its theatrical run.^[93] Her role earned her a nomination for Outstanding Supporting Actress in a Motion Picture at the NAACP Image Awards.^[94] She also received three nominations at the 2009 Grammy Awards and won Best Female R&B Vocal Performance for "Superwoman".^[95]

In an interview with Blender magazine, Keys allegedly said "'Gangsta rap' was a ploy to convince black people to kill each other, 'gangsta rap' didn't exist" and went on to say that it was created by "the government". The magazine also claimed she said that Tupac Shakur and The Notorious B.I.G. were "essentially assassinated, their beefs stoked by the government and the media, to stop another great black leader from existing".^[22] Keys later wrote a statement clarifying the issues and saying her words were misinterpreted.^[96] Later that year, Keys was criticized by anti-smoking campaigners after billboard posters for her forthcoming concerts in Indonesia featured a logo for the A Mild cigarette brand sponsored by tobacco firm Philip Morris. She apologized after discovering that the concert was sponsored by the firm and asked for "corrective actions". In response, the company withdrew its sponsorship.^[97]

[edit] 2009–2010 : The Element of Freedom, marriage and motherhood

Keys on the red carpet at the 2009 American Music Awards.

Keys and manager Jeff Robinson signed a film production deal to develop live-action and animated projects with Disney. Their first film will be a remake of the 1958 comedy Bell, Book and Candle and will star Keys as a witch who casts a love spell to lure a rival's fiancé.^[98] Keys and Robinson also formed a television production company called Big Pita.^[99] Keys and Robinson will develop live-action and animated projects from their company, Big Pita and Little Pita, with Keys as producer, thespian, banner spearheading soundtrack and music supervision.^[100]

Keys collaborated with the record producer Swizz Beatz to write and produce "Million Dollar Bill" for Whitney Houston's seventh studio album, I Look to You. Keys had approached Clive Davis for permission to submit a song for the album.^[101] Keys also collaborated with the recording artist Jay-Z on the song "Empire State of Mind" from his 2009 album, The Blueprint 3. The song topped the Billboard Hot 100 and became her fourth number-one single on that chart.^[102] At the 53rd Grammy Awards ceremony, "Empire State of Mind" won Best Rap/Sung Collaboration and Best Rap Song. It had also been one of the five nominees for Record of the Year.^[103]

Keys during the As I Am Tour in Lisbon.

The following month, the American Society of Composers, Authors and Publishers honored Keys with the Golden Note Award, an award given to artists "who have achieved extraordinary career milestones".^[104] She collaborated with Spanish recording artist Alejandro Sanz for "Looking for Paradise", which topped the Hot Latin Songs chart, this was Keys' first number one on all three charts, which also made her the first African-American of non-Hispanic origin to reach #1 on the Hot Latin Tracks.^[105] Keys released her fourth studio album, The Element of Freedom, in December 2009.^[106] It debuted at number two on the Billboard 200, selling 417,000 copies in its first week.^[107] As part of the promotional drive for the album, she performed at the Cayman Island Jazz Festival on December 5, the final night of the three day festival which will be broadcast on Black Entertainment Television (BET).^[108] The album's lead single, "Doesn't Mean Anything", has peaked at number 60 on the Billboard Hot 100 and number 14 on the Hot R&B/Hip-Hop Songs.^[106] Keys was ranked as the top R&B recording artist of the 2000–2009 decade by Billboard magazine and ranked at number five as artist of the decade, while her song, "No One", was ranked at number six on the magazine's songs of the decade.^{[109][110][111]} In the United Kingdom, The Element of Freedom became Keys' first album to top the UK Albums Chart.^[112] The album's second single, "Try Sleeping with a Broken Heart", was released in November 2009 and peaked at number 27 on the Billboard Hot 100 and number two on the Hot R&B/Hip-Hop Songs. The album's third single, "Put It in a Love Song", featuring Grammy-winner Beyoncé, peaked at number 60 on the Hot R&B/Hip-Hop Songs. The music video for the single, which was filmed in Rio de Janeiro, Brazil, has been postponed several times, and later it was confirmed that Alicia Keys' team made a decision not to release the video. The album's fourth single, "Empire State of Mind (Part II) Broken Down", was released in February 2010 and peaked at number 55 on the Billboard Hot 100 and number 76 on the Hot R&B/Hip-Hop Songs. The album's fifth single, "Un-Thinkable (I'm Ready)", was released in May 2010 and peaked at number 21 on the Billboard Hot 100 and number one on the Hot R&B/Hip-Hop Songs, for twelve consecutive weeks and became the album's most successful single, becoming Keys' eighth number-one single on Hot R&B/Hip-Hop Songs chart. The album's sixth and final single, "Wait Til You See My Smile", was released in December 2010 in the U.K only.

Keys at the Walmart Shareholders Meeting 2011.

In May 2009, Swizz Beatz announced that he and Keys were romantically involved, while he was still married to his first wife^[113] and in May 2010, a representative for Keys and Swizz Beatz confirmed that they were engaged and expecting a child together.^[114] During the time of the 2010 FIFA World Cup, the couple took part of a union and had the unborn child blessed in a Zulu ceremony, which took place in the Illovo suburb of Johannesburg, South Africa.^[115] Keys and Beatz were married on the French island of Corsica on July 31, 2010.^[116][117] On October 14, 2010, Keys gave birth to a son, Egypt Daoud Ibarr Dean, in New York City.^[118]

2011–present: Other ventures and upcoming album[link]

In June 2011, Songs in A Minor was re-released as deluxe and collector's editions in commemoration of its 10th anniversary.^[119] To support the release, Keys embarked on a four-city promotional tour, entitled Piano & I: A One Night Only Event With Alicia Keys, featuring only her piano. Keys is also set to co-produce the Broadway premiere of Stick Fly, which will open in December 2011.^[120] On September 26, 2011, was the premiere of Project 5 known as Five, short film that marks the debut of Alicia Keys as a director. It is a documentary of five episodes that tell stories of five women who were victims of breast cancer and how it affected their lives. The production also has co-direction of the actresses Jennifer Aniston, Demi Moore and film director Patty Jenkins.^[121]

on September 23, she performed at iHeart Music Festival and sang her new song "A Place Of My Own", which is present in her fifth studio album.^[122][123] On October 7, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Keys (and all other artists previously signed to these three labels) will release her future material on RCA Records.^[124][125] On Saturday February 18, 2012, Alicia performed "Send Me an Angel" at Whitney Houston's memorial at the New Hope Baptist Church in Newark, New Jersey.^[126]

Artistry[link]

Musical style[link]

	"If I Ain't Got You" (2003) noicon Keys often incorporates piano into her songs
Problems listening to this file? See media help.

An accomplished pianist, Keys incorporates piano into a majority of her songs and often writes about love, heartbreak and female empowerment.^[10][53] She has cited several musicians as her inspirations, including Prince, Nina Simone, Barbra Streisand, Marvin Gaye, Quincy Jones, Donny Hathaway and Stevie Wonder.^{[127][128][129]} Keys' style is rooted in gospel and vintage soul music, supplemented by bass and programmed drumbeats.^[130] She heavily incorporates classical piano with R&B, soul and jazz into her music.^[131][132] She began experimenting with other genres, including pop and rock, in her third studio album, As I Am,^{[130][133][134]} transitioning from neo soul to a 1980s and 1990s R&B sound with her fourth album, The Element of Freedom.^[135][136] Patrick Huguenin of the New York Daily News stated that her incorporation of classical piano riffs contributed to her breakout success.^[44] Jet magazine states she "thrives" by touching her fans with "piano mastery, words and melodious voice".^[137] The Independent described her style as consisting of "crawling blues coupled with a hip-hop backbeat", noting that her lyrics "rarely stray from matters of the heart".^[138] Blender magazine referred to her as "the first new pop artist of the millennium who was capable of changing music."^[139]

Songwriting, voice and achievements[link]

Keys playing the piano while performing, surrounded by three backing vocalists

Keys has a vocal range of a contralto, which spans three octaves.^[44][140] She can sing from B flat over an octave below middle C (B♭₂) to B below soprano C (B₅). Often referred to as the "Princess of Soul",^[30][138] Keys has been commended as having a strong, raw and impassioned voice;^[141][142] others feel that her voice is "emotionally manufactured" at times and that she pushes her voice out of its natural range.^[141][142] Keys' songwriting is often criticized for lack of depth, which has led to her writing abilities being called limited.^[141] Her lyrics have been called generic, clichéd and that her songs revolve around generalities.^[130][141] Greg Kot of the Chicago Tribune feels that she "[pokes] around for multi-format hits rather than trying to project any sort of artistic vision".^[142] Diversely, Jon Pareles of Blender magazine stated that the musical composition of her songs makes up for their lyrical weakness,^[133] while Gregory Stephen Tate of The Village Voice compared Keys' writing and production to 1970s music.^[143]

Throughout her career, Keys has won numerous awards and is listed on the Recording Industry Association of America's best-selling artists in the United States, with 15 million certified albums.^[144] She has sold over 30 million albums worldwide and has established herself as one of the best-selling artists of her time.^{[19][143][145]}

Philanthropy[link]

Keys performing at the Live Earth concert

Keys is the co-founder and Global Ambassador of Keep a Child Alive, a non-profit organization that provides medicine to families with HIV and AIDS in Africa.^[146] Keys and U2 lead singer Bono recorded a cover version of Peter Gabriel and Kate Bush's "Don't Give Up", in recognition of World AIDS Day 2005. Keys and Bono's version of the song was retitled "Don't Give Up (Africa)" to reflect the nature of the charity it was benefiting.^[147][148] She visited African countries such as Uganda, Kenya and South Africa to promote care for children affected by AIDS.^{[149][150][151]} Her work in Africa was documented in the documentary Alicia in Africa: Journey to the Motherland and was available in April 2008.^[152]

Keys has also donated to Frum tha Ground Up, a non-profit organization that aids children and teenagers with scholarships.^[153][154] She performed in Philadelphia, Pennsylvania, as part of the worldwide Live 8 concerts to raise awareness of the poverty in Africa and to pressure the G8 leaders to take action.^[155] In 2005, Keys performed on ReAct Now: Music & Relief and Shelter from the Storm: A Concert for the Gulf Coast, two benefit programs that raised money for those affected by Hurricane Katrina.^[156][157] In July 2007, Keys and Keith Urban performed The Rolling Stones' 1969 song "Gimme Shelter" at Giants Stadium in East Rutherford, New Jersey at the American leg of the Live Earth concerts.^[158][159]

Keys performed Donny Hathaway's 1973 song "Someday We'll All Be Free" at the America: A Tribute to Heroes televised benefit concert following the September 11 attacks.^[160] She participated in the Nobel Peace Prize Concert which took place at the Oslo Spektrum in Oslo, Norway, on December 11, 2007, along with other various artists.^[161] She recorded a theme song for Democratic presidential nominee Barack Obama. She joined Joss Stone and Jay-Z on the effort, which served as a theme song for Obama's campaign.^[162] For her work, Keys was honored at the 2009 BET Awards with the Humanitarian Award.^[163] Keys performed the song "Prelude to a Kiss", retitled "Send Me an Angel", from her 2007 album As I Am for the "Hope for Haiti Now: A Global Benefit for Earthquake Relief" telethon in response to the 2010 Haiti earthquake.^[164]

Discography[link]

• Songs in A Minor (2001)
• The Diary of Alicia Keys (2003)
• As I Am (2007)
• The Element of Freedom (2009)
• TBA (2013)

Live albums

• Unplugged (2005)

Tours[link]

Keys at Tokyo Summer Sonic 2008.

Filmography[link]

See also[link]

• List of artists who reached number one in the United States
• List of awards and nominations received by Alicia Keys
• List of honorific titles in popular music

References[link]