Eric Rohmer

Thursday, 29 November 2012

Eric Rohmer - Conte d'été (1996) - scene

Eric Rohmer Selling the Painting Part 1 of 3 English Subtitles

Reinette & Mirabelle: The waiter (1987) Eric Rohmer (Subtitles - Subtitulos)

ERIC ROHMER EST MORT REPORTAGE FRANCE3 BLOGPARFAIT

My Night at Maud's (1969) trailer with subtitles

Éric Rohmer sur le tournage de Conte d'été

La Collezionista, Adrien e Haydee - Eric Rohmer

Este, el tercero de los Cuentos de las cuatro estaciones de Eric Rohmer, es uno de sus más bellos trabajos, como realizador y guionista. Es un recuento de las desventuras amorosas, uniones y rupturas de un puñado de veinteañeros franceses.

Il raggio verde - Eric Rohmer - Le rayon vert

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Cannes Film Festival
The Cannes International Film Festival (French: Le Festival International du Film de Cannes or just Festival de Cannes), is an annual film festival held in Cannes, France, which previews new films of all genres including documentaries from around the world. Founded in 1946, it is the world's most prestigious and publicized film festival. The invitation-only festival is held annually (usually in May) at the Palais des Festivals et des Congrès.
The 2012 Cannes Film Festival took place from May 16 to May 27, 2012. The President of the Jury was the Italian film director Nanni Moretti.
The Cannes Film Festival has its origins in the late 1930s when Jean Zay, the French Minister of National Education, on the proposal of Philippe Erlanger and with the support of the British and Americans,^{[clarification needed]} set up an international cinematographic festival. In 1947, the festival was held as the "Festival du film de Cannes", where films from sixteen countries were presented. Moreover, the principle of equality was introduced, so that the jury was to be made up only of one representative per country. Also, this year the festival was held at the made-for-the-occasion Palais des Festivals, although the roof was unfinished and blew off during a storm. The festival was not held in 1948 and 1950 on account of budgetary problems. In 1951, owing to better relations between France and Italy, the Cannes Festival was moved to Spring, while the Mostra remained in Autumn.

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Corrèze
Corrèze (French pronunciation: [kɔ.ʁɛːz]; Occitan: Corresa) is a department in south central France, named after the Corrèze River.
The inhabitants of the department are called Corréziens or Corréziennes according to gender.
Corrèze is one of the original 83 departments created during the French Revolution on 4 March 1790. It includes part of the former province of Limousin (the Bas-Limousin).
The 1851 census recorded a population of 320,866: this remained relatively constant for the rest of the nineteenth century. During the twentieth century, however, Corrèze shared the experience of many of the country's rural departments as the population fell steadily.
Within Corrèze the nineteenth-century railway planners, influenced in part by the department's topography, endowed Brive-la-Gaillarde with good connections and a major junction from which railway lines fanned out in six different directions. The railways arrived in 1860, at an opportune moment, directly after phylloxera had destroyed the local wine industry. The new railways enabled the farms in the area surrounding Brive to specialise in fruits and vegetables which they could now transport rapidly to the larger population centres of central and southern France. Locally, the new agriculture triggered the development, in the Brive basin, of related businesses and industries such as the manufacture of jams and liquors, as well as timber/paper-based packaging businesses.

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France
France (English ⁱ/ˈfræns/ FRANSS or /ˈfrɑːns/ FRAHNSS; French: [fʁɑ̃s] ( listen)), officially the French Republic (French: République française [ʁepyblik fʁɑ̃sɛz]), is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France extends from the Mediterranean Sea to the English Channel and the North Sea, and from the Rhine to the Atlantic Ocean. It is often referred to as l’Hexagone ("The Hexagon") because of the geometric shape of its territory. It is the largest western European country and it possesses the second-largest exclusive economic zone in the world, covering 11,035,000 km² (4,260,000 sq mi), just behind that of the United States (11,351,000 km² / 4,383,000 sq mi).
Over the past 500 years, France has been a major power with strong cultural, economic, military and political influence in Europe and around the world. During the 17th and 18th centuries, France colonised great parts of North America and Southeast Asia; during the 19th and early 20th centuries, France built the second largest colonial empire of the time, including large portions of North, West and Central Africa, Southeast Asia, and many Caribbean and Pacific Islands.

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Venice Film Festival
The Venice International Film Festival (Italian Mostra Internazionale d'Arte Cinematografica della Biennale di Venezia) is the oldest international film festival in the world. Founded by Count Giuseppe Volpi in 1932 as the "Esposizione Internazionale d'Arte Cinematografica", the festival has since taken place every year in late August or early September on the island of the Lido, Venice, Italy. Screenings take place in the historic Palazzo del Cinema on the Lungomare Marconi and in other venues nearby. It is one of the world's most prestigious film festivals and is part of the Venice Biennale (Italian Biennale di Venezia), for over a century one of the most prestigious cultural institutions in the world (founded in 1895). It is known world-wide for the International Film Festival, the International Art Exhibition and the International Architecture Exhibition, and continues the great tradition of the Festival of Contemporary Music, the Theatre Festival, now flanked by the Festival of Contemporary Dance.

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Agnès Varda
Agnès Varda (born 30 May 1928) is a French film director and professor at the European Graduate School. Her movies, photographs, and art installations focus on documentary realism, feminist issues, and social commentary — with a distinct experimental style.
The career of Agnès Varda is an important and often overlooked voice in the modern French cinema. Her career pre-dates the start of the Nouvelle Vague (French New Wave) , andLa Pointe Courte contains many elements specific to that movement that make it famous.
Varda was born Arlette Varda in Brussels, Belgium, the daughter of Christiane (née Pasquet) and Eugene Jean Varda, an engineer. Her mother was French and her father's family were Greek refugees from Asia Minor.

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Alain Resnais
Alain Resnais (French pronunciation: [alɛ̃ ʁɛnɛ]; born 3 June 1922) is a French film director whose career has extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included Nuit et Brouillard (Night and Fog) (1955), an influential documentary about the Nazi concentration camps.
He began making feature films in the late 1950s and consolidated his early reputation with Hiroshima mon amour (1959), L'Année dernière à Marienbad (Last Year in Marienbad) (1961), and Muriel (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave or nouvelle vague, though Resnais did not regard himself as being fully part of that movement. He had closer links to the 'Left Bank group' of authors and filmmakers who shared a commitment to modernism and an interest in left-wing politics. He also established a regular practice of working on his films in collaboration with writers usually unconnected with the cinema, such as Marguerite Duras, Alain Robbe-Grillet and Jorge Semprún.

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Alexandre Astruc
Alexandre Astruc is a French film critic and film director born 13 July 1923, in Paris (France).
Before becoming a film director he was a journalist, novelist and film critic. His role in the auteur theory is his notion of the caméra-stylo or "camera-pen" and the idea that a director should wield his camera like a writer uses his pen and that he need not be hindered by traditional storytelling.
In 1994 he was awarded the René Clair Award for his whole body of film work.
(s) indicates films also co-scripted by Astruc

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Alfred Hitchcock
Sir Alfred Joseph Hitchcock, KBE (13 August 1899 – 29 April 1980) was an English film director and producer. He pioneered many techniques in the suspense and psychological thriller genres. After a successful career in British cinema in both silent films and early talkies, Hitchcock moved to Hollywood. On 19 April 1955, he became an American citizen while remaining a British subject.
Over a career spanning more than half a century, Hitchcock fashioned for himself a distinctive and recognisable directorial style. He pioneered the use of a camera made to move in a way that mimics a person's gaze, forcing viewers to engage in a form of voyeurism. He framed shots to maximise anxiety, fear, or empathy, and used innovative film editing. His stories frequently feature fugitives on the run from the law alongside "icy blonde" female characters. Many of Hitchcock's films have twist endings and thrilling plots featuring depictions of violence, murder, and crime, although many of the mysteries function as decoys or "MacGuffins" meant only to serve thematic elements in the film and the extremely complex psychological examinations of the characters. Hitchcock's films also borrow many themes from psychoanalysis and feature strong sexual undertones. Through his cameo appearances in his own films, interviews, film trailers, and the television program Alfred Hitchcock Presents, he became a cultural icon. Hitchocks reputation as a filmmaker is offset by claims that he engaged in obsessive and controlling behaviour towards many of his leading ladies, and that in some cases this extended to physical abuse and sexual harrassment.

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André Bazin
André Bazin (18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist.
Bazin was born in Angers, France, in 1918. He died in 1958, age 40, due to leukemia.
Bazin started to write about film in 1943 and was a co-founder of the film magazine Cahiers du cinéma in 1951, along with Jacques Doniol-Valcroze and Lo Duca. Bazin was a major force in post-World War II film studies and criticism. In addition to editing Cahiers until his death, a four-volume collection of his writings was published posthumously from 1958 to 1962 and titled Qu'est-ce que le cinéma? (What is Cinema?). A selection from this collection was translated into English and published in two volumes in the late 1960s and early 1970s. They became mainstays of film courses in the English-speaking world, but were never updated or revised. In 2009, the Canadian publisher caboose, taking advantage of more favourable Canadian copyright laws, compiled fresh translations of some of the key essays from the collection in a single-volume edition. With annotations by translator Timothy Barnard, this became the only corrected and annotated edition of these writings in any language.

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Barbet Schroeder
Barbet Schroeder (born 26 August 1941) is a Franco-Swiss film director and producer who started his career in French cinema in the 1960s, working together with directors such as Jean-Luc Godard and Jacques Rivette.
Schroeder was born in Tehran, Iran, the son of Ursula, a German-born physician, and Jean-William Schroeder, a Swiss geologist.
Schroeder's production company "Les Films du Losange", founded by him at age 23, produced some of the best-known films of the French New Wave. His directorial debut, More (1969), about heroin addiction, became a hit in Europe. Pink Floyd wrote music for this movie and released the album, Soundtrack from the Film More. They also wrote the soundtrack for his 1972 film La Vallée, released as the album Obscured by Clouds.
He later went on to direct more mainstream Hollywood fare, such as Barfly (1987) starring Mickey Rourke, Single White Female (1992), and Reversal of Fortune (1990), for which Jeremy Irons as Claus von Bülow received an Academy Award. Despite his many commercially successful films, Schroeder continues to be interested in making smaller films with a more limited audience, such as the adaptation of Colombian writer Fernando Vallejo's controversial novel La virgen de los sicarios (2000) or the documentary General Idi Amin Dada: A Self Portrait (1974), featuring extensive interviews with the Ugandan dictator and Terror's advocate (2007) about terrorism in the last 50 years seen through the eyes of a lawyer, Jacques Vergès, and his clients.

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Chris Marker
Chris Marker (born 29 July 1921) is a French writer, photographer, documentary film director, multimedia artist and film essayist. His best known films are La jetée (1962), A Grin Without a Cat (1977), Sans Soleil (1983) and AK (1985), an essay film on the Japanese filmmaker Akira Kurosawa. Marker is often associated with the Left Bank Cinema movement that occurred in the late 1950s and included such other filmmakers as Alain Resnais, Agnès Varda, Henri Colpi and Armand Gatti.
His friend and sometime collaborator Alain Resnais has called him "the prototype of the twenty-first-century man." Film theorist Roy Armes has said of him: "Marker is unclassifiable because he is unique...The French Cinema has its dramatists and its poets, its technicians, and its autobiographers, but only has one true essayist: Chris Marker."
Marker was born Christian François Bouche-Villeneuve on July 29, 1921. Always elusive about his past and known to refuse interviews and not allow photographs to be taken of him, his place of birth is highly disputed. Some sources and Marker himself claim that he was born in Ulan Bator, Mongolia. Other sources say he was born in Belleville, Paris, and others, in Neuilly-sur-Seine. The 1949 edition of Le Cœur Net specifies his birthday as July 22. Film critic David Thomson has stated: "Marker told me himself that Mongolia is correct. I have since concluded that Belleville is correct- but that does not spoil the spiritual truth of Ulan Bator." When asked about his secretive nature, Marker has said "My films are enough for them (the audience)."

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Claude Chabrol
Claude Chabrol (French: [klod ʃaˈbʁɔl]; 1930–2010) was a French film director, a member of the French New Wave (nouvelle vague) group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Godard, Truffaut, Rohmer and Rivette, Chabrol was a critic for the influential film magazine Cahiers du cinéma before beginning his career as a film maker.
Chabrol's career began with Le Beau Serge (1958), inspired by Hitchcock's Shadow of a Doubt (1943). Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. This is especially apparent in Les Biches (1968), La Femme Infidèle (1969) and Le Boucher (1970) — all featuring his then-wife, Stéphane Audran.
Sometimes characterized as a "mainstream" New Wave director, Chabrol remained prolific and popular throughout his half-century career. In 1978, he cast Isabelle Huppert as the lead in Violette Nozière. On the strength of that effort, the pair went on to others including the successful Madame Bovary (1991) and La Ceremonie (1996).

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Erich von Stroheim
Erich von Stroheim (September 22, 1885 – May 12, 1957) was an Austrian-born film star of the silent era, subsequently noted as an auteur for his directorial work.
Stroheim's most recent biographers, such as Richard Koszarski, say that he was born in Vienna, Austria in 1885 as Erich Oswald Stroheim, the son of Benno Stroheim, a middle-class hat-maker, and Johanna Bondy, both of whom were practicing Jews.
Stroheim emigrated to America at the end of 1909. On arrival at Ellis Island he claimed to be Count Erich Oswald Hans Carl Maria von Stroheim und Nordenwall, the son of Austrian nobility like the characters he played in his films, but both Billy Wilder and Stroheim's agent Paul Kohner claimed that he spoke with a decidedly lower-class Austrian accent. However Jean Renoir writes in his memoirs: “Stroheim spoke hardly any German. He had to study his lines like a schoolboy learning a foreign language.” Later, while living in Europe, Stroheim claimed in published remarks to have "forgotten" his native tongue.

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F. W. Murnau
Friedrich Wilhelm "F. W." Murnau (born Friedrich Wilhelm Plumpe, December 28, 1888 – March 11, 1931) was one of the most influential German film directors of the silent era, and a prominent figure in the expressionist movement in German cinema during the 1920s. Although some of Murnau's films have been lost, most still survive.
He was born in Bielefeld, Province of Westphalia. He attended the University of Heidelberg and studied art history. He took the name "Murnau" from the town in Germany named Murnau am Staffelsee. Openly gay, the 6'11 (210 cm) director was said to have an icy, imperious disposition and an obsession with film. He was a combat pilot during World War I and directed his first film Der Knabe in Blau ('The Boy in Blue') in 1919.
Murnau's most famous film is Nosferatu, a 1922 adaptation of Bram Stoker's Dracula for which Stoker's widow sued for copyright infringement. Murnau lost the lawsuit and all prints of the film were ordered to be destroyed, but bootleg prints survived. The vampire, played by German stage actor Max Schreck, resembled a rat which was known to carry the plague. The origins of the word are from Stoker's novel, where it is used by the Romanian townsfolk to refer to Count Dracula and presumably, other undead.

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Fabrice Luchini
Fabrice Luchini (born 1 November 1951) is a French stage and film actor.
Fabrice Luchini was born in Île-de-France, Paris, into an Italian immigrant family, who were fruit and vegetable vendors. He grew up around the neighbourhood of Goutte d'Or in Paris's 18th arrondissement. When he was 13, his mother apprenticed him to a hairdresser in a trendy parlor on Avenue Matignon, where he would take the name of the hairdresser's son, Fabrice, in place of his real name, Robert. At the same time he developed a great interest for literature (Balzac, Flaubert, Proust). His passion for soul music (James Brown) made him a regular of discothèques. This is where he met Philippe Labro, who gave him his first role in Tout peut arriver in 1969. He then studied acting under Jean-Laurent Cochet. However, it was his collaboration with Éric Rohmer that would make him popular for Le Genou de Claire in 1970, in which he played a small role as an adolescent. He appeared in Rohmer's Perceval le Gallois, and Les Nuits de la pleine lune, and in films directed by Nagisa Oshima, Pierre Zucca, Claude Lelouch, Cedric Klapisch, Édouard Molinaro.

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Francois Truffaut
François Roland Truffaut (6 February 1932 – 21 October 1984) was an influential film critic and filmmaker, one of the founders of the French New Wave. In a film career lasting over a quarter of a century, he remains an icon of the French film industry. He was also a screenwriter, producer, and actor working on over twenty-five films.
Truffaut was born in Paris on 6 February 1932. His mother was Janine de Montferrand. His mother's future husband, Roland Truffaut, accepted him as an adopted son and gave him his surname. He was passed around to live with various nannies and his grandmother for a number of years. It was his grandmother who instilled in him her love of books and music. He lived with his grandmother until her death when Truffaut was ten years old. It was only after his grandmother's death that he lived with his parents for the first time. The identity of Truffaut's biological father was unknown, though a private detective agency in 1968 revealed that their enquiry into the matter led to a Roland Levy, a Jewish dentist from Bayonne. Truffaut's mother's family disputed the findings but Truffaut himself believed and embraced them.

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François Truffaut
François Roland Truffaut (6 February 1932 – 21 October 1984) was an influential film critic and filmmaker, one of the founders of the French New Wave. In a film career lasting over a quarter of a century, he remains an icon of the French film industry. He was also a screenwriter, producer, and actor working on over twenty-five films.
Truffaut was born in Paris on 6 February 1932. His mother was Janine de Montferrand. His mother's future husband, Roland Truffaut, accepted him as an adopted son and gave him his surname. He was passed around to live with various nannies and his grandmother for a number of years. It was his grandmother who instilled in him her love of books and music. He lived with his grandmother until her death when Truffaut was ten years old. It was only after his grandmother's death that he lived with his parents for the first time. The identity of Truffaut's biological father was unknown, though a private detective agency in 1968 revealed that their enquiry into the matter led to a Roland Levy, a Jewish dentist from Bayonne. Truffaut's mother's family disputed the findings but Truffaut himself believed and embraced them.

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Fu Manchu
Dr. Fu Manchu is a fictional character introduced in a series of novels by British author Sax Rohmer during the first half of the 20th century. The character was also featured extensively in cinema, television, radio, comic strips and comic books for over 90 years, and has become an archetype of the evil criminal genius while lending the name to the Fu Manchu moustache.
"Imagine a person, tall, lean and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, ... one giant intellect, with all the resources of science past and present ... Imagine that awful being, and you have a mental picture of Dr. Fu-Manchu, the yellow peril incarnate in one man."
–The Insidious Dr. Fu Manchu
A master criminal, Fu Manchu's murderous plots are marked by the extensive use of arcane methods; he disdains guns or explosives, preferring dacoits, Thuggee, and members of other secret societies as his agents armed with knives, or using "pythons and cobras... fungi and my tiny allies, the bacilli... my black spiders" and other peculiar animals or natural chemical weapons.

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Gene Hackman
Eugene Allen "Gene" Hackman (born January 30, 1930) is a retired American actor and novelist.
Nominated for five Academy Awards, winning two, Hackman has also won three Golden Globes and two BAFTAs in a career that spanned five decades. He first came to fame in 1967 with his performance as Buck Barrow in Bonnie and Clyde. His major subsequent films include The French Connection (1971), in which he played Jimmy "Popeye" Doyle; The Poseidon Adventure (1972); The Conversation (1974); Superman (1978), in which he played arch-villain Lex Luthor; Hoosiers (1986); Mississippi Burning (1987); Unforgiven (1992); The Firm (1993); Crimson Tide (1995); Get Shorty (1995); The Birdcage (1996); Enemy of the State (1998); and The Royal Tenenbaums (2001).
Hackman was born in San Bernardino, California, the son of Lyda (née Gray) and Eugene Ezra Hackman. He has a brother, Richard. His family moved frequently, finally settling in Danville, Illinois, where they lived in the house of his English-born maternal grandmother, Beatrice. Hackman's father operated the printing press for the Commercial-News, a local paper. Hackman's parents divorced in 1943 and his father subsequently left the family.

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Heinrich von Kleist
Bernd Heinrich Wilhelm von Kleist (18 October 1777 – 21 November 1811) was a poet, dramatist, novelist and short story writer. The Kleist Prize, a prestigious prize for German literature, is named after him.
Kleist was born into the von Kleist family in Frankfurt an der Oder in the Margraviate of Brandenburg. After a scanty education, he entered the Prussian Army in 1792, served in the Rhine campaign of 1796, and retired from the service in 1799 with the rank of lieutenant. He studied law and philosophy at the Viadrina University and in 1800 received a subordinate post in the Ministry of Finance at Berlin.
In the following year, Kleist's roving, restless spirit got the better of him, and procuring a lengthened leave of absence he visited Paris and then settled in Switzerland. Here he found congenial friends in Heinrich Zschokke and Ludwig Friedrich August Wieland (d. 1819), son of the poet Christoph Martin Wieland; and to them he read his first drama, a gloomy tragedy, The Schroffenstein Family (1803, originally entitled The Ghonorez Family).

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Henri Colpi
Henri Colpi (15 July 1921, Brigue, Switzerland – 14 January 2006, Menton, France) was a French film editor and film director.
Colpi directed the 1961 film Une aussi longue absence, which is well-known for sharing the Palme d'Or at the 1961 Cannes Film Festival with Viridiana, which was directed by Luis Buñuel.Une aussi longue absence was written by Marguerite Duras, featured Alida Valli in a major role, and included music by Georges Delerue. It also won the Louis Delluc Prize in 1960. His second feature Codine was also screening in competition at the 1963 Cannes Film Festival, where Colpi won the prize for Best Screenplay.
Colpi is also noted as a film editor with about 20 credits, including Alain Resnais' films Hiroshima mon amour (1961) and L'Année dernière à Marienbad (1963).
In addition to directing, editing, acting, sound recording, and a variety of functions in the post-War years, he was featured in a French television series, Histoire du cinéma français par ceux qui l'ont fait (The History of French Cinema By Those Who Made It) in 1974, and he continued to work into the 1990s.

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Henri Langlois
Henri Langlois (13 November 1914, İzmir, Ottoman Empire – 13 January 1977) was a French film archivist and cinephile. A pioneer of film preservation, Langlois was an influential figure in the history of cinema. His film screenings in Paris in the 1950s are often credited with providing the ideas that led to the development of the auteur theory.
Langlois was co-founder of the Cinémathèque Française with Georges Franju and Jean Mitry and also co-founder of the International Federation of Film Archives (FIAF) in 1938. Through close collaboration with the Cinémathèque's longtime Chief Archivist, Lotte Eisner, he worked to preserve films and film history in the post-war era. An eccentric who was often at the center of controversy for his methods, he also served as a key influence on the generation of young cinephiles and critics who would become the French New Wave.
In 1974, Langlois received an honorary Academy Award for "his devotion to the art of film, his massive contributions in preserving its past and his unswerving faith in its future."

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Jacques Demy
Jacques Demy (5 June 1931 – 27 October 1990) was one of the most approachable filmmakers to appear in the wake of the French New Wave. Uninterested in the formal experimentation of Alain Resnais, or the political agitation of Jean-Luc Godard, Demy instead created a self-contained fantasy world closer to that of François Truffaut, drawing on musicals, fairytales and the golden age of Hollywood.
After working with the animator Paul Grimault and the filmmaker Georges Rouquier, Demy directed his first feature film, Lola, in 1961, with Anouk Aimée playing the eponymous cabaret singer. The Demy universe here emerges full-fledged. Characters burst into song (courtesy of composer and lifelong Demy-collaborator Michel Legrand); iconic Hollywood imagery is lovingly appropriated as in the opening scene with the man in a white Stetson in the Cadillac, daringly set to Beethoven's "Seventh Symphony"); plot is dictated by the director's fascination with fate, and stock themes of chance encounters and long-lost love; and the setting, as with so many of Demy's films, is the French Atlantic coast of his childhood, specifically the seaport town of Nantes.

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Jacques Rivette
Jacques Rivette (French pronunciation: [ʒak ʁivɛt]; born 1 March 1928) is a French film director, screenwriter and film critic. His best-known films include Celine and Julie Go Boating, La Belle Noiseuse and the cult film Out 1.
He was a member of the French New Wave, a group that included François Truffaut, Jean-Luc Godard, Éric Rohmer and Claude Chabrol, who all began their careers as film critics at Cahiers du Cinéma in the 1950s and gained international recognition as film directors in the 1960s (though Rivette perhaps had greater success and recognition as a filmmaker in the 1970s). As a film critic, he expressed his admiration for popular American cinema, especially genre directors such as Robert Aldrich, Otto Preminger, Alfred Hitchcock and Frank Tashlin. As a film director, he is known for using extending running times and loose narratives to explore the symbiosis and clash between one's reality and one's imagination (a space that frequently occurs when characters voluntarily extend the logic/rules of game boards or theatrical stages into their everyday existence). His films often combine the paranoid and conspiratorial crime stories from films by Louis Feuillade and Fritz Lang with the more carefree characters from the films of Jean Renoir and Howard Hawks.

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Jean Cocteau
Jean Maurice Eugène Clément Cocteau (French pronunciation: [ʒɑ̃ kɔkto]; 5 July 1889 – 11 October 1963) was a French poet, novelist, dramatist, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants terribles (1929), and the films Blood of a Poet (1930), Les Parents terribles (1948), Beauty and the Beast (1946), and Orpheus (1949). His circle of associates, friends and lovers included Kenneth Anger, Pablo Picasso, Jean Hugo, Jean Marais, Henri Bernstein, Marlene Dietrich, Coco Chanel, Erik Satie, María Félix, Édith Piaf and Raymond Radiguet.
Cocteau was born in Maisons-Laffitte, Yvelines, a village near Paris, to Georges Cocteau and his wife, Eugénie Lecomte; a socially prominent Parisian family. His father was a lawyer and amateur painter who committed suicide when Cocteau was nine. He left home at fifteen. He published his first volume of poems, Aladdin's Lamp, at nineteen. Cocteau soon became known in Bohemian artistic circles as The Frivolous Prince, the title of a volume he published at twenty-two. Edith Wharton described him as a man "to whom every great line of poetry was a sunrise, every sunset the foundation of the Heavenly City..."

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Jean Eustache
Jean Eustache (November 30, 1938 – November 3, 1981) was a French filmmaker. During his short career, he completed numerous shorts, in addition to a pair of highly regarded features, of which the first, The Mother and the Whore, is considered a key work of post-Nouvelle Vague French cinema.
In his obituary for Eustache, the influential critic Serge Daney wrote:
"In the thread of the desolate 70s, his films succeeded one another, always unforeseen, without a system, without a gap: film-rivers, short films, TV programs, hyperreal fiction. Each film went to the end of its material, from real to fictional sorrow. It was impossible for him to go against it, to calculate, to take cultural success into account, impossible for this theoretician of seduction to seduce an audience."
Jim Jarmusch dedicated his 2005 film Broken Flowers to Eustache.
Eustache was born in Pessac, Gironde, France into a working class family. Relatively little information exists about Eustache’s life prior to the time he became a member of the Cahiers du cinéma coterie in the late fifties, though it is known that he was largely self-educated and worked in the railroad service prior to becoming a filmmaker. Information suggests that the mystery surrounding his youth was intentional, with sources stating that "during his lifetime Eustache published little information about his early years, indicating that he felt no nostalgia for an unhappy childhood.".

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Jean-Luc Godard
Jean-Luc Godard (French pronunciation: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He is often identified with the 1960s French film movement La Nouvelle Vague, or "New Wave".
Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." To challenge this tradition, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema.^{[citation needed]} He is often considered the most radical French filmmaker of the 1960s and 1970s. Several of his films express his political views.His films express his knowledge of film history through their references to earlier films. In addition, Godard's films often cite existentialism, as he was an avid reader of existential and Marxist philosophy.^{[citation needed]} His radical approach in film conventions, politics and philosophies made him an influential filmmaker of the French New Wave.

wn.com/Jean-Luc_Godard
Jean-Pierre Melville
Jean-Pierre Melville, born Jean-Pierre Grumbach (October 20, 1917 – August 2, 1973), was a French filmmaker. While with the French Resistance during World War II, he adopted the nom de guerre Melville as a tribute to his favorite American author, Herman Melville. He kept it as his stage name once the war was over.
Jean-Pierre Grumbach was born in Paris, France, to an ethnic Jewish Alsatian family.
After the fall of France in 1940 during World War II, Grumbach entered the French Resistance to oppose the German Nazis who occupied the country. He adopted the nom de guerre Melville, after the American author Herman Melville, a favorite of his. Melville fought in Operation Dragoon.
When he returned from the war, he applied for a license to become an assistant director, but was refused. Without this support, he decided to direct his films by his own means, and continued to use Melville as his stage name. He became an independent film-maker and owned his own studio.
He became well known for his tragic, minimalist film noir crime dramas, such as Le Doulos (1962), Le Samouraï (1967) and Le Cercle rouge (1969), starring major actors such as Alain Delon (probably the definitive 'Melvillian' actor), Jean-Paul Belmondo and Lino Ventura. Influenced by American cinema, especially gangster films of the 1930s and '40s, he used accessories such as weapons, clothes (trench coats), and fedora hats, to shape a characteristic look in his movies.

wn.com/Jean-Pierre_Melville
Joseph-Marie Lo Duca
Joseph-Marie Lo Duca (born 18 November 1910 in Milan; 6 August 2004 in Samois-sur-Seine, near Fontainebleau) was an Italian-born writer and critic. He was based in Paris and was one of the founders of Cahiers du cinéma.

wn.com/Joseph-Marie_Lo_Duca
Jules Verne
Jules Gabriel Verne (French pronunciation: [ʒyl vɛʁn]; February 8, 1828 – March 24, 1905) was a French author who pioneered the science fiction genre. He is best known for his novels Twenty Thousand Leagues Under the Sea (1870), A Journey to the Center of the Earth (1864), and Around the World in Eighty Days (1873). Verne wrote about space, air, and underwater travel before air travel and practical submarines were invented, and before practical means of space travel had been devised. He is the second most translated author in the world (after Agatha Christie). Some of his books have also been made into live-action and animated films and television shows. Verne is often referred to as the "Father of Science Fiction", a title sometimes shared with Hugo Gernsback and H. G. Wells.
Jules Verne was born in Nantes, in France, to Pierre Verne, an attorney, and his wife, Sophie Allote de la Fuÿe. Jules spent his early years at home with his parents in the bustling harbor city of Nantes. The family spent summers in a country house just outside the city, in Brains on the banks of the Loire River. Here Jules and his brother Paul would often rent a boat for one franc a day. The sight of the many ships navigating the river sparked Jules's imagination, as he describes in the autobiographical short story "Souvenirs d'Enfance et de Jeunesse". At the age of nine, Jules and Paul, of whom he was very fond, were sent to boarding school at the Saint Donatien College (Petit séminaire de Saint-Donatien). As a child, he developed a great interest in travel and exploration, a passion he showed as a writer of adventure stories and science fiction. His interest in writing often cost him progress in other subjects.

wn.com/Jules_Verne
Louis Malle
Louis Malle (30 October 1932 – 23 November 1995) was an award-winning French film director, screenwriter, and producer. His film, Le Monde du silence, won the Palme d'Or and Academy Award for Best Documentary in 1956. He was also nominated multiple times for Academy Awards later in his career.
Malle worked in both French cinema and Hollywood, and he produced both French and English language films. His most famous films include Ascenseur pour l'échafaud (1958), Atlantic City (1981), and Au revoir, les enfants (1987).
Malle was born into a wealthy industrialist family in Thumeries, Nord, France. He initially studied political science at the Sciences-Po before turning to film studies at IDHEC instead.
He worked as the co-director and cameraman to Jacques Cousteau on the Oscar and Palme d'Or-winning (at the 1956 Academy Awards and Cannes Film Festival respectively) documentary The Silent World (1956) and assisted Robert Bresson on A Man Escaped (French title: Un condamné à mort s'est échappé ou Le vent souffle où il veut, 1956) before making his first feature, Ascenseur pour l'échafaud (released in the U.K. as Lift to the Scaffold and in the U.S. originally as Frantic, later as Elevator to the Gallows) in 1957. A taut thriller featuring an original score by Miles Davis, the film made an international film star of Jeanne Moreau, at the time a leading stage actress of the state Comédie-Française. Malle was 24 years old.

wn.com/Louis_Malle
Luc Moullet
Luc Moullet (b. 14 October 1937 in Paris) is a French film critic and filmmaker, and a member of the Nouvelle Vague or French New Wave. Moullet's films are known for their humor, anti-authoritarian leanings and rigorously primitive aesthetic, which is heavily influenced by his love of American B-movies.
Though such influential filmmakers and critics as Jean-Luc Godard, Jean-Marie Straub, Jacques Rivette and Jonathan Rosenbaum have consistently praised his work, he has never found commercial success, even in his native France.
Moullet is known to frequently act in his movies.
Moullet began writing for Cahiers du cinéma at the age of eighteen, where he was an early champion of the films of Samuel Fuller. Though reportedly initially disliked by François Truffaut, the brash critic found a defender in a young Jean-Luc Godard. In one of his articles for the Cahiers (published in the March 1959) Moullet stated that "Morality is a question of tracking shots", a phrase which, along with Jean-Luc Godard's alternative, formulated shortly afterwards ("Traveling shots are a question of morality"), has since become well-known in French cinema studies.

wn.com/Luc_Moullet
Marguerite Duras
Marguerite Donnadieu, known as Marguerite Duras (pronounced: [maʁ.ɡə.ʁit dy.ʁas]) (4 April 1914 – 3 March 1996) was a French writer and film director.
She was born in Gia-Dinh (a former name for Saigon), French Indochina (now Vietnam), after her parents responded to a campaign by the French government encouraging people to work in the colony.
Marguerite's father fell ill soon after their arrival, and returned to France, where he died. After his death, her mother, a teacher, remained in Indochina with her ten children. The family lived in relative poverty after her mother made a bad investment in an isolated property and area of farmland in Cambodia. The difficult life that the family experienced during this period was highly influential on Marguerite's later work. An affair between the teenaged Marguerite and a Chinese man was to be treated several times (described in quite contrasting ways) in her subsequent memoirs and fiction. She also reported being beaten by both her mother and her older brother during this period.

wn.com/Marguerite_Duras
Pierre Braunberger
Pierre Braunberger (29 July 1905, Paris – 17 November 1990) was a French producer, executive producer, and actor.
Born into a family of doctors, Braunberger at the age of seven was already determined not have the same life as his father, and not to take up medicine as a career. He saw a screening of Fantômas at the Gaumont Théâtre, the first cinema to open in Paris, and decided to work in the cinema.
After the First World War, at the age of 15, he produced and directed his first film: Frankfurt in Germany. He left for successive adventures in Berlin, London at Brocklis establishments, where he worked.
In 1923, he left for New York (U.S.A.), where he worked for a few weeks at Fox Film Corporation, and became a director of production along with Ferdinand H. Adam where he also worked on films with Frank Merrill.
In the course of his films in Los Angeles, he came to know Irving Thalberg who employed him at Metro-Goldwyn-Mayer as one of his assistants. He stayed there for eighteen months, and established contacts with one the greatest directors of the time.

wn.com/Pierre_Braunberger
Robert Bresson
Robert Bresson (pronounced [ʁɔbɛʁ bʁɛˈsɔ̃] in French; 25 September 1901 – 18 December 1999) was a French film director known for his spiritual, ascetic style. He contributed notably to the art of film and influenced the French New Wave. He is often referred to as the most highly regarded French filmmaker after Jean Renoir. As Jean-Luc Godard said, "Robert Bresson is French cinema, as Dostoevsky is the Russian novel and Mozart is the German music."
Bresson was born at Bromont-Lamothe, Puy-de-Dôme, the son of Marie-Élisabeth (née Clausels) and Léon Bresson. Little is known of his early life, and the year of his birth – 1901 or 1907 – varies depending on the source. He was educated at Lycée Lakanal in Sceaux, Hauts-de-Seine, close to Paris, and turned to painting after graduating. Three formative influences in his early life seem to have a mark on his films - Catholicism, art and his experiences as a prisoner of war.
Initially also a photographer, Bresson made his first short film, Les affaires publiques (Public Affairs) in 1934. During World War II, he spent over a year in a prisoner-of-war camp - an experience which informs Un condamné à mort s'est échappé ou Le vent souffle où il veut (A Man Escaped). In a career that spanned fifty years, Bresson made only 13 feature-length films. This reflects his meticulous approach to the filmmaking process and his non-commercial preoccupations.^{[citation needed]} Difficulty finding funding for his projects was also a factor.

wn.com/Robert_Bresson
Roger Vadim
Roger Vadim (26 January 1928 – 11 February 2000) was a French screenwriter, director, and producer as well as a journalist, author and sometime actor, best known for launching the career of his first wife, Brigitte Bardot, with his 1956 film And God Created Woman.
Vadim was born as Roger Vladimir Plemiannikov in Paris. His Russian father, Igor Nikolaevich Plemiannikov (Russian: И́горь Никола́евич Племя́нников), had immigrated from Ukraine and became a naturalized French citizen, and was a vice consul of France to Egypt. His mother, Marie-Antoinette Ardilouze, was a French actress. Although Vadim lived in luxury in his early youth, the death of his father, in front of Vadim when he was nine, caused the family to return to France, where his mother found work running a hostel in the French Alps which served as a way-station for Jews and other fugitives fleeing Nazi Germany.
Vadim became a stage actor at the age of sixteen, after studying journalism and writing at the University of Paris, from which he did not graduate. In 1947, he became assistant to film director Marc Allégret, whom he met while working at the Theatre Sarah Bernhardt, and for whom he worked on several screenplays. Vadim then raised the funds to produce and direct his first film, And God Created Woman, starring Bardot, the profits from which made him wealthy. They went on to make two more films together, both of which featured Bardot as a sexpot.

wn.com/Roger_Vadim
Sax Rohmer
Arthur Henry Sarsfield Ward (15 February 1883 – 1 June 1959), better known as Sax Rohmer, was a prolific English novelist. He is best remembered for his series of novels featuring the master criminal Dr. Fu Manchu.
Born in Birmingham to a working class family, he had an entirely working class education and early career before beginning to write. Rohmer initially pursued a career as a civil servant before concentrating on writing full-time.
He worked as a poet, songwriter, and comedy sketch writer in Music Hall before creating the Sax Rohmer persona and pursuing a career writing weird fiction.
Like his contemporaries Algernon Blackwood and Arthur Machen, Rohmer claimed membership to one of the factions of the qabbalistic Hermetic Order of the Golden Dawn. Rohmer also claimed ties to the Rosicrucians, but the validity of his claims has been questioned. His physician and family friend, Dr. R. Watson Councell may have been his only legitimate connection to such organizations. It is believed that Rohmer may have exaggerated his association in order to boost his literary reputation as an occult writer.

wn.com/Sax_Rohmer
William Shakespeare
William Shakespeare (baptised 26 April 1564; died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.
Shakespeare was born and brought up in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613 at age 49, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his physical appearance, sexuality, religious beliefs, and whether the works attributed to him were written by others.

wn.com/William_Shakespeare
Éric Rohmer
Éric Rohmer (French: [eʁik ʁomɛʁ]; 1920–2010) was a French film director, film critic, journalist, novelist, screenwriter and teacher. A figure in the post-war New Wave cinema, he was a former editor of Cahiers du cinéma.
Rohmer was the last of the French New Wave directors to become established. He worked as the editor of the Cahiers du cinéma periodical from 1957 to 1963, while most of his Cahiers colleagues – among them Jean-Luc Godard and François Truffaut – were beginning their careers and gaining international attention. René Schérer, a philosopher, is his brother and René Monzat, a journalist, is his son.
Rohmer came to international attention around 1969 when his film Ma nuit chez Maud (My Night at Maud's) was nominated at the Academy Awards. He won the San Sebastián International Film Festival with Claire's Knee in 1971. In 2001, Rohmer received the Golden Lion at the Venice Film Festival. His works were viewed by audiences around the world. He died of unspecified causes on 11 January 2010. In his obituary in The Daily Telegraph he was described as "the most durable film-maker of the French New Wave", outlasting his peers and "still making movies the public wanted to see" late in his career.

wn.com/Éric_Rohmer

Eric Rohmer - Conte d'été (1996) - scene

A scene from "A Summer's Tale" - part of Rohmer's Four Seasons cycle....

published: 18 Apr 2010

author: mellowfiable

Eric Rohmer. The cinema of filmmakers.

Extracts from an interview to Claude-Jean Philippe for "The cinema of filmmakers" (Le ciné...

published: 18 Apr 2011

author: 5oclockcoffees

Claire's Knee Pt. 1/11 (1970)

Eric Rohmer...

published: 23 Jun 2010

author: marcolopolis555

Eric Rohmer Selling the Painting Part 1 of 3 English Subtitles

Part 2 here: www.youtube.com This is the last of the 4 adventures of Reinette and Mirabell...

published: 01 Mar 2010

author: Geffers58

Reinette & Mirabelle: The waiter (1987) Eric Rohmer (Subtitles - Subtitulos)

published: 23 Apr 2010

author: DYLAND27

ERIC ROHMER EST MORT REPORTAGE FRANCE3 BLOGPARFAIT

ERIC ROHMER EST MORT REPORTAGE FRANCE3 BLOGPARFAIT...

published: 11 Jan 2010

author: MENATWORK0

My Night at Maud's (1969) trailer with subtitles

French trailer for Eric Rohmer's Ma nuit chez Maud....

published: 28 Apr 2009

author: lachambreverte

Pauline à la Plage (Eric Rohmer, 1983)

published: 01 Feb 2010

author: EssBeeEee

Éric Rohmer sur le tournage de Conte d'été

Extrait du film sur le tournage de "Conte d'été", "La fabrique du conte d'été", de Françoi...

published: 11 Jan 2010

author: syltosa

La Collezionista, Adrien e Haydee - Eric Rohmer

La Collezionista [1967], Eric Rohmer. Conversazione tra Adrien e Haydee in uno dei raccont...

published: 05 Feb 2011

author: Alessandro Lazzarini

"Conte d'Eté" Eric Rohmer (1996) INICIO subtitulado

Este, el tercero de los Cuentos de las cuatro estaciones de Eric Rohmer, es uno de sus más...

published: 30 Apr 2010

author: elultimotruco

Il raggio verde - Eric Rohmer - Le rayon vert

Scena del 21 luglio. Marie Rivière....

published: 16 Jun 2010

author: Antenor81

Chloe/Love in the Afternoon (1972) Pt. 11/11

Eric Rohmer...

published: 09 Jul 2010

author: marcolopolis555

L'amour l'apres-midi (1972) - reverie

by Eric Rohmer. The sixth and last of the moral tales. Note that the women from the dream ...

published: 12 Mar 2010

author: rive5gauche

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photo: AP / Sepahnews

This photo released on Thursday, Dec. 8, 2011, by the Iranian Revolutionary Guards, claims to show US RQ-170 Sentinel drone which Tehran says its forces downed earlier this week, as an unidentified colonel, right, talks to the chief of the aerospace division of Iran's Revolutionary Guards, Gen. Amir Ali Hajizadeh, in an undisclosed location, Iran

American Drones Ignite New Arms Race From Gaza To Iran To China

Huffington Post

27 Nov 2012

WASHINGTON -- The drone wars are here. While President Obama ponders new legal and moral guidelines to govern America's growing use of armed robot aircraft, the world outside the White House is engaged in a revolutionary frenzy of building, arming and flying killer drones ... More than 50 countries operate surveillance drones and, increasingly, are fitting them with weapons. The U.S ... spy drone was shot down last December ... On Oct ... 988 miles ... ....(size: 8.4Kb)

photo: AP / Jerome Delay

Congolese government soldiers (FARDC) patrol the streets of Minova under their control Sunday Nov. 25, 2012.

DR Congo rebels dispute deal on Goma pullout

Al Jazeera

27 Nov 2012

M23 rebels controlling the eastern city of Goma in the DR Congo have said they are not about to withdraw as demanded by regional leaders. The rebels said on Tuesday there were still in charge of Goma, just hours after General Aronda Nyakairima, the head of the Ugandan military, was quoted by the Reuters news agency as saying that their leader, Sultani Makenga, had told him he would pull out of Goma and Sake ... 276 Source . ... Share ... News ... ;">....(size: 17.7Kb)

photo: UN / Jan Golinski

UN: methane released from melting ice could push climate past tipping point

The Guardian

27 Nov 2012

Doha conference is warned that climate models do not yet take account of methane in thawing permafrost. Frozen ground in Siberia. Permafrost covers nearly a quarter of the northern hemisphere. Photograph. Francis Latreille/Corbis. The United Nations sounded a stark warning on the threat to the climate from methane in the thawing permafrost as governments met for the second day of climate change negotiations in Doha, Qatar ... ....(size: 5.3Kb)

photo: UN / Rick Bajornas

The Security Council held a meeting on the situation in the Middle East, including the Palestinian question. Riyad H. Mansour (left), Permanent Observer of Palestine to the UN, at the meeting, 27 November, 2012.

Palestinian "state" vote a crisis moments

Asia Times

28 Nov 2012

By Victor Kotsev. Thursday is shaping up as a big day in Palestinian history. Exactly 65 years after the United Nations resolution partitioning British Mandatory Palestine was adopted (and rejected at the time by the Arabs), the General Assembly will vote on Palestinian President Mahmoud Abbas's proposal for non-member state status for Palestine within the borders of the period between the 1948 and the 1967 wars ... Â. Palestinian horizon....(size: 16.8Kb)

photo: AP

Thousands of Turks demonstrate to condemn terrorism and Kurdish rebels in Ankara, Turkey, Sunday, Sept. 2, 2012. Mostly nationalist Turks shouted: "We don't want The PKK (Kurdistan Workers Party) at the parliament."

Turkey confronts a resurgent Kurdish threat

The Independent

26 Nov 2012

This town of 19,000 nestled in an idyllic mountain pass of impossibly green pastures and golden autumn trees is on the front lines of Turkey's rapidly escalating guerrilla war. In a struggle for autonomy as well as independent language and education rights, the outlawed Kurdistan Workers' Party (PKK) has waged a low-grade conflict in Turkey for decades ... 4 just as a Turkish army tank rolled by ... "The violence is getting worse....(size: 8.8Kb)

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Cheap Eric Clapton Tickets: Famous Guitarist Announces Major 2013 Tour. Eric Clapton Concert Tickets Go ...

Yahoo Daily News

29 Nov 2012

November 30 is the big day that Eric Clapton tickets go on sale to the general public for 2013 concerts that have recently been announced ... Eric Clapton concert tickets may range greatly in price at many locations ... Cheap Eric Clapton tickets are easy to find on the website and even easier to order ... Cheap Eric Clapton tickets may be hard to locate, but they will be available on November 30 and beyond....(size: 3.2Kb)

Giggs: Eric was just cool (Manchester United plc)

noodls

29 Nov 2012

In 1994, Ryan Giggs released a book, My Story, in which he delivered this insider take on Eric Cantona's influence on United's 1994 Double winners…. "Eric Cantona is known by Brucie and some of the others simply as Ooh-Aah, after his chant. Everything about Eric is cool ... Eric is the extra dimension in our team ... When Eric gets the ball he is brilliant at putting it out on to the wing ... He's such a strong personality, Eric....(size: 2.7Kb)

Eric and Me: Pete Boyle (Manchester United plc)

noodls

29 Nov 2012

Terrace songsmith Pete Boyle on the magic of Eric, on and off the pitch…. A lot of footballers spend their nights out at trendy bars and clubs in Manchester, but that was never really Eric's thing ... The first time I met Eric was in that very pub back in 1994 ... songs and I actually had the lyrics for 'Eric the King' in my hand....(size: 1.9Kb)

'I'm a Celebrity': Eric Bristow manager 'calls lawyers over bad edit'

Digital Spy

29 Nov 2012

Eric Bristow's family have complained about how he is being portrayed in I'm a Celebrity ... Eric Bristow's spokesman Steve Mottershead has said that the producers appear to have improved their portrayal in recent days ... They saw it was strange what was happening in the way they were portraying Eric ... "We haven't heard from Eric's lawyers ... 'I'd be upset if Eric won'. > 'I'm a Celebrity' Eric comments on Rosemary's weight....(size: 9.6Kb)

'I'm a Celeb' Rosemary Shrager interview: 'I'd be upset if Eric won'

Digital Spy

29 Nov 2012

Eric Bristow gave you a lot of grief in the jungle ... "I didn't like the way Eric kept going on about my weight ... I thought to myself, 'You are so stupid, Eric ... What do you think of Eric Bristow?. "I think Eric is a funny man, but what he missed was the fact that we all had needs in the jungle ... Did Eric's jibes ever stop? ... Does Eric think he can win?. "Eric thinks he can get right to the end ... 'I'm a Celeb' Eric on Rosemary's weight 3....(size: 13.8Kb)

Cantona: The showman (Manchester United plc)

noodls

29 Nov 2012

FEATURES ... Eric Cantona's starring role in Looking For Eric, appeared written in the stars having played to the crowed so brilliantly as a player… ... Very few have the nerve to stare back. Back straight, chest puffed, Eric Cantona would peacock strut around the field, unashamedly flaunting his plumage ... Hence Eric fronting numerous Nike advertising campaigns, even long after his retirement ... distributed by ... (noodl. 16776896) ....(size: 2.8Kb)

'I'm a Celebrity' Hugo Taylor: 'I was devastated to leave'

Digital Spy

29 Nov 2012

Eliminated I'm a Celebrity ... Taylor added that the person he will miss most is darts player Eric Bristow, who he claimed to "love... more than anything" ... Eric Bristow manager 'calls lawyers over bad edit' ... 'I'd be upset if Eric won'. > 'I'm a Celebrity' Eric comments on Rosemary's weight. More ... Previous ... Eric Bristow manager 'calls lawyers over bad edit' ... 'I'm a Celeb' Rosemary not backing Eric. 'I'm a Celeb' Eric on Rosemary's weight 7 ... 1....(size: 8.8Kb)

Trajectory Branding+Marketing Takes Time Out To Nurture The Next Generation of Branding and Marketing Professionals

Yahoo Daily News

29 Nov 2012

Trajectory President Eric Brody gives a series of guest lectures at Emory University's Goizueta Business School to enlighten students about the world of healthcare branding and healthcare marketing. Morristown, NJ (PRWEB) November 29, 2012 Trajectory President Eric Brody topped off his Thanksgiving vacation break by doing a series of healthcare branding and marketing guest lectures at Emory University Goizueta Business School....(size: 3.0Kb)

Affidavit: Mom admits leaving kids to meet ‘male friend’

Grand Junction Sentinel

29 Nov 2012

The investigation comes in the wake of the death of Jensen’s husband, Eric, 26, who died in a two-car accident Oct ... Eric Jensen was driving north on Garfield County Road 319 around 6.26 a.m ... Heather Jensen had been serving a deferred judgment and probation stemming from a domestic violence arrest on March 13 in which Eric Jensen was the named victim, according to court records....(size: 5.4Kb)

Crossword blog: Meet the Setter - Qaos

The Guardian

29 Nov 2012

I must give a special thanks to Eric Westbrook, whose good work for the RNIB you've discussed here. In a funny way, I very much have Eric to thank for getting my setting career rolling ... Eric sent me a nice email asking for a puzzle for his 3D Crossword Calendar 2009, addressed "Dear Mr James (Brummie) … "! One of the links on my website was to "Eddie James' Crossword Showcase", and Eric had used my email address by accident....(size: 10.2Kb)

Cameron Scott Tucker Actor Eric Stonestreet Shines At AMAs

Yahoo Daily News

29 Nov 2012

The music website musicloversblog.com recently helped clear up any confusion regarding actor Eric Stonestreet's appearance at the American Music Awards show. While presenting the 2012 American Music Award (AMA) for Favorite Country Female Artist, actor Eric Stonestreet, who stars as Cameron Scott Tucker in the ABC comedy "Modern Family", appeared to be drunk....(size: 3.5Kb)

Cantona interview: Dec 94 (Manchester United plc)

noodls

29 Nov 2012

FEATURES. 29/11/2012 11.08,. In part two of this interview with Eric Cantona from December 1994, Le Roi discusses his fiery nature. Missed part one? Read it here.. Eric Cantona has a passionate sense of football's history, which he ascribes to his father's influence ... It was his father who communicated the beauty of the sport to the young Eric, and who inststed on his following the hard route of endless self-questioning and hard work....(size: 3.0Kb)

Lawsuit holds CIA accountable for death of U.S. bio-weapons scientist

The Examiner

29 Nov 2012

Eric and Nils Olson, the victim's sons, claim that their father had a crisis of conscience about continuing his research into the use of biological weapons and mind control techniques after witnessing extreme interrogations in which the CIA committed murder using the biological agents that he had helped to develop ... In 1995, Eric and Nils Olson had their father's body exhumed and an autopsy performed....(size: 2.7Kb)

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Éric Rohmer
Rohmer at the Cinémathèque Française in 2004
Born	Maurice Henri Joseph Schérer or Jean Marie Maurice Schérer (1920-03-20)20 March 1920 Tulle, Corrèze, France
Died	11 January 2010(2010-01-11) (aged 89) Paris, France
Occupation	Film Director
Years active	1950–2010

Éric Rohmer (French: [eʁik ʁomɛʁ]; 1920–2010) was a French film director, film critic, journalist, novelist, screenwriter and teacher. A figure in the post-war New Wave cinema, he was a former editor of Cahiers du cinéma.

Rohmer was the last of the French New Wave directors to become established. He worked as the editor of the Cahiers du cinéma periodical from 1957 to 1963, while most of his Cahiers colleagues – among them Jean-Luc Godard and François Truffaut – were beginning their careers and gaining international attention. René Schérer, a philosopher, is his brother and René Monzat, a journalist, is his son.

Rohmer came to international attention around 1969 when his film Ma nuit chez Maud (My Night at Maud's) was nominated at the Academy Awards.^[1] He won the San Sebastián International Film Festival with Claire's Knee in 1971. In 2001, Rohmer received the Golden Lion at the Venice Film Festival. His works were viewed by audiences around the world. He died of unspecified causes on 11 January 2010. In his obituary in The Daily Telegraph he was described as "the most durable film-maker of the French New Wave", outlasting his peers and "still making movies the public wanted to see" late in his career.^[2]

1 Biography
2 Rohmer's style
3 Awards and nominations
4 Filmography
- 4.1 Features
5 References
6 Bibliography
7 External links

Biography [link]

Early life [link]

Rohmer was born Maurice Henri Joseph Schérer (or Jean-Marie Maurice Schérer)^[3] in Tulle in south central France, the son of Mathilde (née Bucher) and Lucien Scherer.^[4] Rohmer was a Roman Catholic.^[2]^[5] He fashioned his pseudonym from the names of two famous artists: actor and director Erich von Stroheim and writer Sax Rohmer, author of the Fu Manchu series.^[6]

Career [link]

Rohmer originally began his career as a teacher,^[7] while also working as a newspaper journalist.^[6] Under the pseudonym Gilbert Cordier, he published a novel, Elisabeth, in 1946.^[6]

In 1950, he co-founded La Gazette du Cinéma. In 1951, Rohmer shot the short film Présentation ou Charlotte et son steak, co-starring a young Jean-Luc Godard (however, the film was not completed until 1961). Soon thereafter, Rohmer joined the staff of the newly founded film magazine Cahiers du Cinema, of which he would eventually become the editor.^[7]^[8] There, Rohmer established himself as a critic with a distinctive voice; fellow Cahiers du Cinema contributor and French New Wave filmmaker Luc Moullet later remarked that, unlike the more aggressive and personal writings of younger critics like Francois Truffaut and Jean-Luc Godard, Rohmer favored a rhetorical style that made extensive use of questions and rarely used the first person singular.^[9]

With Claude Chabrol, Rohmer co-wrote a study of Alfred Hitchcock, Hitchcock (Paris: Éditions Universitaires, 1957), which focused on Hitchcock's Roman Catholic background and is described as "one of the most influential film books since the Second World War, casting new light on a film-maker hitherto considered a mere entertainer".^[2]

In 1957, Rohmer was married to Thérèse Barbet.^[2] The couple had two sons.^[2]

Chabrol produced Rohmer's directorial debut, Le signe du lion in 1959 to little notice. In 1963 Barbet Schroeder founded the production company Les Films du Losange which produced all of Rohmer's work (except his last three features produced by La Compagnie Eric Rohmer).^[10] Rohmer's career began to gain momentum with his cycle of films Six Moral Tales. Each tale follows the same story, inspired by F. W. Murnau's Sunrise (1927) — a man, married or otherwise committed to a woman is tempted by a second woman but resists. The first La boulangère de Monceau lasts 23 minutes, the second La Carrière de Suzanne 55 minutes, the remainder are feature-length. The third (Ma nuit chez Maud) and the fifth (Le Genou de Claire) films in the series brought him international recognition. The third (the fourth to be shot), Ma nuit chez Maud (1969), received Oscar nominations for best screenplay and best foreign film,^[6]^[7]^[11] while the following film Le Genou de Claire (Claire's Knee, 1971) won the San Sebastián International Film Festival.^[7]

Later professional life [link]

Following the Moral Tales Rohmer made two period films — La Marquise d'O... (1976) from a novella by Heinrich von Kleist and Perceval le Gallois (1978), based on a 12th century manuscript by Chrétien de Troyes. Rohmer was a highly literary man. His films frequently refer to ideas and themes in plays and novels, such as references to Jules Verne (in The Green Ray), William Shakespeare (in A Winter's Tale) and Pascal's Wager (in Ma nuit chez Maud).

Rohmer embarked on a second series, the Comedies and Proverbs, each based on a proverb. He followed these with a third series in the 1990s: Tales of the Four Seasons. Conte d’Automne or Autumn Tale was a critically acclaimed release in 1999 when Rohmer was 79.^[7]

Beginning in the 2000s, Rohmer, in his eighties returned to period drama with The Lady and the Duke and Triple Agent. The Lady and the Duke caused considerable controversy in France, where its negative portrayal of the French Revolution led some critics to label it monarchist propaganda. Its innovative cinematic style and strong acting performances led it to be well received elsewhere.

In 2001, his life's work was recognised when he received the Golden Lion at the Venice Film Festival.^[12]^[13]

In 2007, Rohmer's final film, The Romance of Astrea and Celadon, was shown during the Venice Film Festival,^[12] at which he spoke of retiring.^[7]^[12]

Death [link]

Rohmer died on the morning of 11 January 2010 at the age of 89.^[7]^[12]^[13] His cause of death is unknown.^[12]^[13] He had been admitted to hospital the previous week.^[11]

The former Culture Minister Jack Lang said he was "one of the masters of French cinema".^[12] Director Thierry Fremaux described his work as "unique".^[12]

The grave of Eric Rohmer (Maurice Scherer) is located at the 13 district of Montparnasse Cemetery in Paris.

During the 2010 César Awards, actor Fabrice Luchini presented a special tribute to him:

I’m gonna read a remarkable text written by Jacques Fieschi: "Writer, director; creator of “the cinematographe”, challenger of "Les cahiers du cinema", which recently published a special edition on Eric Rohmer. Truffaut once said he was one of the greatest directors of the 20th century, Godard was his brother, Chabrol admired him, Wenders couldn’t stop taking photos of him. Rohmer is a tremendous international star. The one and only French director who was in coherence with the money spent on his films and the money that his films made. I remember a phrase by Daniel Toscan Du Plantier the day “Les Visiteurs” opened, which eventually sold 15 million tickets: “Yes but there is this incredible film called "L'arbre, le maire et la médiathèque" that sold 100,000 tickets, which may sound ridiculous in comparison, but no, because but it was only playing in one theater for an entire year." A happy time for cinema when this kind of thing could happen. Rohmer." Here is a tribute from Jacques Fieschi: "We are all connected with the cinema, at least for a short time. The cinema has its economical laws, its artistic laws, a craft that once in a while rewards us or forgets us. Eric Rohmer seems to have escaped from this reality by inventing his own laws, his own rules of the game. One could say his own economy of the cinema that served his own purpose, which could skip the others, or to be more accurate that couldn’t skip the audience with its originality. He had a very unique point of view on the different levels of language and on desire that is at work in the heart of each and every human being, on youth, on seasons, on literature, of course, and one could say on history. Eric Rohmer, this sensual intellectual, with his silhouette of a teacher and a walker. As an outsider he made luminous and candid films in which he deliberately forgot his perfect knowledge of the cinema in a very direct link with the beauty of the world." The text was by Jacques Fieschi and it was a tribute to Eric Rohmer, Thank You.

On February 8, 2010 the Cinémathèque Française held a special tribute to Rohmer which included a screening of Claire's Knee and a short video tribute to Rohmer by Jean-Luc Godard.^[14]

Rohmer's style [link]

Rohmer's films concentrate on intelligent, articulate protagonists who frequently fail to own up to their desires. The contrast between what they say and what they do fuels much of the drama in his films.

Rohmer saw the full-face closeup as a device which does not reflect how we see each other and avoided its use. He avoids extradiegetic music (not coming from onscreen sound sources), seeing it as a violation of the fourth wall. He has on occasion departed from this rule, inserting soundtrack music in places in The Green Ray (1986) (released as Summer in the United States). Rohmer also tends to spend considerable time in his films showing his characters going from place to place, walking, driving, bicycling or commuting on a train, engaging the viewer in the idea that part of the day of each individual involves quotidian travel. This was most evident in Le Beau mariage (1982), which had the female protagonist constantly traveling, particularly between Paris and Le Mans.

Rohmer typically populates his movies with people in their twenties and the settings are often on beautiful beaches and resorts, notably in La Collectionneuse (1967), Pauline at the Beach (1983), The Green Ray (1986) and A Summer's Tale (1996). These films are immersed in an environment of bright sunlight, blue skies, green grass, sandy beaches, and clear waters.

The director's characters engage in long conversations—mostly talking about man-woman relationships but also on mundane issues like trying to find a vacation spot. There are also occasional digressions by the characters on literature and philosophy as most of Rohmer's characters are middle class and university educated.

A Summer's Tale (1996) has most of the elements of a typical Rohmer film: no soundtrack music, no closeups, a seaside resort, long conversations between beautiful young people (who are middle class and educated) and discussions involving the characters' interests from songwriting to ethnology.

He described his work as follows:

“

You can say that my work is closer to the novel - to a certain classic style of novel which the cinema is now taking over - than to other forms of entertainment, like the theatre.^[7]

”

Rohmer said he wanted to look at "thoughts rather than actions", dealing "less with what people do than what is going on in their minds while they are doing it."

His style was famously criticised by Gene Hackman's character in the 1975 film Night Moves who describes viewing Rohmer's films as "kind of like watching paint dry".^[7]

Awards and nominations [link]

The Venice Film Festival awarded Éric Rohmer the Career Golden Lion in 2001.

La Collectionneuse (1967)
- Berlin Film Festival Silver Bear Winner - Special Prize of the Jury^[15]
- Berlin Film Festival Youth Award Film Winner

Ma nuit chez Maud (1969)
- Cannes Film Festival Official Selection^[16]
- 42nd Academy Awards Best Foreign Language Film Nominee^[1]
- 43rd Academy Awards Best Original Screenplay Nominee

Le Genou de Claire (1970)
- Louis Delluc Prize

La Marquise d'O... (1976)
- Cannes Film Festival Grand Prize of the Jury Winner

Pauline à la plage (1983)
- Berlin Film Festival Silver Bear for Best Director^[17]
- Berlin Film Festival OCIC Award Winner - Honorable Mention
- Berlin Film Festival FIPRESCI Prize Winner - Competition

Le Rayon vert (1986)
- Venice Film Festival Golden Lion Winner
- Venice Film Festival FIPRESCI Prize Winner

Conte d'hiver (1992)
- Berlin Film Festival^[18] FIPRESCI Prize Winner - Competition
- Berlin Film Festival Prize of the Ecumenical Jury Winner - Special Mention - Competition

Conte d'automne (1998)
- Venice Film Festival Golden Osella Winner - Best Original Screenplay
- Venice Film Festival Sergio Trasatti Award - Special Mention

Triple Agent (2004)
- Berlin Film Festival Official Selection

Filmography [link]

Main article: Filmography of Éric Rohmer

References [link]

^ ^a ^b "The 42nd Academy Awards (1970) Nominees and Winners". oscars.org. http://www.oscars.org/awards/academyawards/legacy/ceremony/42nd-winners.html. Retrieved 2011-11-16.
^ ^a ^b ^c ^d ^e "Eric Rohmer". The Daily Telegraph. 2010-01-11. http://www.telegraph.co.uk/news/obituaries/culture-obituaries/film-obituaries/6969166/Eric-Rohmer.html. Retrieved 2010-01-11.
^ Dave Kehr "Eric Rohmer, a Leading Filmmaker of the French New Wave, Dies at 89", New York Times, 11 January 2010
^ Eric Rohmer Biography (1920?-), Film Reference
^ The religion of director Eric Rohmer, Adherents.com
^ ^a ^b ^c ^d "French filmmaker Eric Rohmer dies at 89". CBC News. 2010-01-11. http://www.cbc.ca/arts/film/story/2010/01/11/eric-rohmer-obit.html. Retrieved 2010-01-11.
^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ Ruadhán Mac Cormaic (2010-01-11). "Film-maker Rohmer dies in Paris". The Irish Times. http://www.irishtimes.com/newspaper/breaking/2010/0111/breaking76.htm. Retrieved 2010-01-11.
^ Neupert, Richard John (19 February 2007). A history of the French new wave cinema. Univ of Wisconsin Press. p. 29. ISBN 978-0-299-21704-4. http://books.google.com/books?id=feDyNCFtJloC&pg=PA29. Retrieved 3 June 2011. "Eric Rohmer, who began writing for Cahiers at age thirty-one"
^ Moullet, Luc. The Mask and the Role of God. Mubi Notebook.
^ Agnès Poirier "Eric Rohmer: un hommage", The Guardian, 12 January 2010
^ ^a ^b "French film maker Rohmer dies at 89". Philippine Daily Enquirer. 2010-01-12. http://showbizandstyle.inquirer.net/breakingnews/breakingnews/view/20100112-246832/French-film-maker-Rohmer-dies-at-89. Retrieved 2010-01-11.
^ ^a ^b ^c ^d ^e ^f ^g "French film-maker Eric Rohmer dies". BBC. 2010-01-11. http://news.bbc.co.uk/2/hi/entertainment/8452993.stm. Retrieved 2010-01-11.
^ ^a ^b ^c "French director Eric Rohmer dies". The New Zealand Herald. 2010-01-12. http://www.nzherald.co.nz/entertainment/news/article.cfm?c_id=1501119&objectid=10619694. Retrieved 2010-01-11. ^{[dead link]}
^ Godard on the Death of Róhmer, Cinemasparagus blog
^ "Berlinale 1967: Prize Winners". berlinale.de. http://www.berlinale.de/en/archiv/jahresarchive/1967/03_preistr_ger_1967/03_Preistraeger_1967.html. Retrieved 2010-02-27.
^ "Festival de Cannes: My Night at Maud's". festival-cannes.com. http://www.festival-cannes.com/en/archives/ficheFilm/id/2524/year/1969.html. Retrieved 2009-04-07.
^ "Berlinale: 1983 Prize Winners". berlinale.de. http://www.berlinale.de/en/archiv/jahresarchive/1983/03_preistr_ger_1983/03_Preistraeger_1983.html. Retrieved 2010-11-20.
^ "Berlinale: 1992 Programme". berlinale.de. http://www.berlinale.de/en/archiv/jahresarchive/1992/02_programm_1992/02_Programm_1992.html. Retrieved 2011-05-22.

Bibliography [link]

Montero, José Francisco & Paredes, Israel. Imágenes de la Revolución. La inglesa y el duque/La commune (París, 1871). 2011. Shangrila Ediciones. http://shangrilaedicionesblog.blogspot.com/2011/10/imagenes-de-la-revolucion-intertextos.html

External links [link]

Éric Rohmer at the Internet Movie Database
extensive biography of Eric Rohmer
Éric Rohmer at AlloCiné (French)
Éric Rohmer — critical essay at Kamera
Interview with 'The French Revolutionary - Eric Rohmer
Tom Milne Obituary: Eric Rohmer, The Guardian, 11 January 2010
Christopher Hawtree "Eric Rohmer: Prolific film-maker, critic and novelist whose pioneering work homed in on romantic tangles", The Independent, 13 January 2010
"Eric Rohmer: director whose films included Le genou de Claire", The Times, 12 January 2010
"On Eric Rohmer" in memoriam from n+1
"The Grave of Eric Rohmer (Maurice Scherer), Montparnasse Cemetery, Paris.",.

v t e Films by Éric Rohmer

1950s	The Sign of Leo (1959)

1960s	The Bakery Girl of Monceau (1963) Suzanne's Career (1963) Paris vu par (segment "Place de l'Étoile") (1965) La Collectionneuse (1967) My Night at Maud's (1969)

1970s	Claire's Knee (1970) Love in the Afternoon (1972) L'enfance d'une ville (1975) The Marquise of O (1976) Perceval le Gallois (1978)

1980s	Catherine de Heilbronn (1980) The Aviator's Wife (1981) Le Beau Mariage (1982) Pauline at the Beach (1983) Full Moon in Paris (1984) The Green Ray (1986) Four Adventures of Reinette and Mirabelle (1987) Boyfriends and Girlfriends (1987) Les Jeux de société (1989)

1990s	A Tale of Springtime (1990) A Tale of Winter (1992) L'Arbre, le maire et la médiathèque (1993) Le trio en si bémol (1993) Les Rendez-vous de Paris (1995) A Summer's Tale (1996) Autumn Tale (1998)

2000s	The Lady and the Duke (2001) Triple Agent (2004) Romance of Astree and Celadon (2007)

Shorts	Véronique et son cancre (1958) The Bakery Girl of Monceau (1963) Les métamorphoses du paysage : l'ère industrielle (1964) Les cabinets de physique : la vie de société au 18e siècle (1964) Les caractères de La Bruyère (1965) Les histoires extraordinaires d'Edgar Poe (1965) Entretien sur Pascal (1965) Victor Hugo architecte (1969)

Les films du losange

v t e French New Wave

Directors	François Truffaut Jean-Luc Godard Éric Rohmer Claude Chabrol Jacques Rivette

Left Bank	Henri Colpi Marguerite Duras Armand Gatti Chris Marker Alain Resnais Agnès Varda

Other filmmakers	Jacques Demy Jean Eustache Louis Malle Jean-Pierre Melville Luc Moullet Jacques Rozier Roger Vadim

Influences	Alexandre Astruc André Bazin Robert Bresson Jacques Doniol-Valcroze Henri Langlois Joseph-Marie Lo Duca Jean Vigo Pierre Braunberger Jean Cocteau

Key films	Le Beau Serge (1958) The 400 Blows (1959) Hiroshima mon amour (1959) Breathless (1960) Cléo from 5 to 7 (1962) Adieu Philippine (1962)

Related topics	Auteur theory Cahiers du cinéma Cinémathèque Française Jump cut

Persondata
Name	Rohmer, Éric
Alternative names	Schérer, Maurice Henri Joseph
Short description	Film director
Date of birth	1920-4-4
Place of birth	Tulle, Corrèze, France
Date of death	2010-1-11
Place of death	Paris, France

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Contents

Biography [link]

Early life [link]

Career [link]

Later professional life [link]

Death [link]

Rohmer's style [link]

Awards and nominations [link]

Filmography [link]

Features [link]

References [link]

Bibliography [link]

External links [link]

http://wn.com/Éric_Rohmer

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