A martyr (Greek: μάρτυς, mártys, "witness"; stem μάρτυρ-, mártyr-) is somebody who suffers persecution and death for refusing to renounce, or accept, a belief or cause, usually religious.

Meaning[link]

In its original meaning, the word martyr, meaning witness, was used in the secular sphere as well as in the New Testament of the Bible.^[1] The process of bearing witness was not intended to lead to the death of the witness, although it is known from ancient writers (e.g. Josephus) and from the New Testament that witnesses often died for their testimonies.

During the early Christian centuries, the term acquired the extended meaning of a believer who is called to witness for their religious belief, and on account of this witness, endures suffering and/or death. The term, in this later sense, entered the English language as a loanword. The death of a martyr or the value attributed to it is called martyrdom.

The early Christians who first began to use the term martyr in its new sense saw Jesus as the first and greatest martyr, on account of his crucifixion.^[2][3][4] The early Christians appear to have seen Jesus as the archetypical martyr.^[5]

The word martyr is used in English to describe a wide variety of people. However, the following table presents a general outline of common features present in stereotypical martyrdoms.

Judaism[link]

Martyrdom in Judaism is one of the main examples of Kiddush Hashem, meaning "sanctification of God's name" through public dedication to Jewish practice. Religious martyrdom is considered one of the more significant contributions of Hellenistic Judaism to Western Civilization. 1 Maccabees and 2 Maccabees recount numerous martyrdoms suffered by Jews resisting Hellenizing (adoption of Greek ideas or customs of a Hellenistic civilization) by their Seleucid overlords, being executed for such crimes as observing the Sabbath, circumcising their boys or refusing to eat pork or meat sacrificed to foreign gods. According to W. H. C. Frend: “Judaism was itself a religion of martyrdom” and it was this “Jewish psychology of martyrdom” that inspired Christian martyrdom.

Christianity[link]

From the Gallery of 20th Century Martyrs at Westminster Abbey—l. to r. Mother Elizabeth of Russia, Rev. Martin Luther King, Archbishop Oscar Romero and Pastor Dietrich Bonhoeffer

In Christianity, a martyr, in accordance with the meaning of the original Greek martys in the New Testament, is one who brings a testimony, usually written or verbal. In particular, the testimony is that of the Christian Gospel, or more generally, the Word of God. A Christian witness is a biblical witness whether or not death follows.^[7] However over time many Christian testimonies were rejected, and the witnesses put to death, and the word martyr developed its present sense. Where death ensues, the witnesses follow the example of Jesus in offering up their lives for truth.

The concept of Jesus as a martyr has recently received greater attention. Analyses of the Gospel passion narratives have led many scholars to conclude that they are martyrdom accounts in terms of genre and style.^[8][9][10] Several scholars have also concluded that Paul the Apostle understood Jesus' death as a martyrdom.^{[11][12][13][14][15][16]} In light of such conclusions, some have argued that the Christians of the first few centuries would have interpreted the crucifixion of Jesus as a martyrdom.^[5][17]

In the context of church history, from the time of the persecution of early Christians in the Roman Empire, it developed that a martyr was one who was killed for maintaining a religious belief, knowing that this will almost certainly result in imminent death (though without intentionally seeking death). This definition of martyr is not specifically restricted to the Christian faith. The first Christian witness to be killed for his testimony was Saint Stephen (whose name means "crown"), and those who suffer martyrdom are said to have been "crowned." From the time of Constantine Christianity became the religion of the realm and there was less and less persecution. As some wondered how then they could most closely follow Christ there was a development of desert spirituality, desert monks, self mortification, ascetics, (Paul the Hermit, St. Anthony), following Christ by separation from the world. This was a kind of white martyrdom, dying to oneself every day, as opposed to a red martyrdom, the giving of ones life in a violent death.^[18]

Some Christians view death in sectarian persecution, as well as religious persecution, as martyrdom. In Christian history, Foxe's Book of Martyrs recounts religious persecutions during the Protestant Reformation. Yet even more modern day accounts of martyrdom for Christ exist, shown in books such as Jesus Freaks.

The Lollards[link]

Richard II watches Wat Tyler's death and addresses the peasants in the background: taken from the Gruuthuse manuscript of Froissart's Chroniques (c. 1475).

John Ball (c. 1338 – 15 July 1381) was an English Lollard priest who took a prominent part in the Peasants' Revolt of 1381. He gained considerable fame as a roving preacher — a "hedge priest" without a parish or any cure linking him to the established order — by expounding the doctrines of John Wycliffe, and especially by his insistence on social equality. His utterances brought him into conflict with Simon of Sudbury, then Archbishop of Canterbury and Lord Chancellor. Ball was thrown into prison on three occasions. He also appears to have been excommunicated; owing to which, in 1366 it was forbidden to hear him preach. These measures, however, did not moderate his opinions, nor diminish his popularity; his words had a considerable effect in fomenting a riot which broke out in June 1381. Ball was in the archbishop's prison at Maidstone, Kent when the uprising began; he was quickly released by the Kentish rebels.^[19] He preached to them at Blackheath (the insurgents' gathering place near Greenwich) in an open-air sermon that included the following:

When Adam delved and Eve span, Who was then the gentleman? From the beginning all men by nature were created alike, and our bondage or servitude came in by the unjust oppression of naughty men. For if God would have had any bondmen from the beginning, he would have appointed who should be bond, and who free. And therefore I exhort you to consider that now the time is come, appointed to us by God, in which ye may (if ye will) cast off the yoke of bondage, and recover liberty.^[20][21]

When the rebels had dispersed, Ball was taken prisoner at Coventry, given a trial in which, unlike most, he was permitted to speak, and hanged, drawn and quartered in the presence of King Richard II on 15 July 1381, his head subsequently stuck on a pike on London Bridge. Ball, who was called by Froissart "the mad priest of Kent," seems to have possessed eloquence and the gift of rhyme. He voiced the feelings of a section of the discontented lower orders of society at that time,^[19] who chafed at villeinage and the lords' rights of unpaid labour, or corvée.

Islam[link]

In Arabic, a martyr is termed shahid, شهيد. Shaheed appears in the Quran in a variety of contexts, including witnessing to righteousness, witnessing a financial transaction and being killed, even in an accident as long as it doesn't happen with the intention to commit a sin, when they are believed to remain alive making them witnesses over worldly events without taking part in them anymore (Quran 3:140). The word also appears with these various meanings in the hadith, the sayings of Muhammad.

Hinduism[link]

Despite the promotion of ahimsa (non-violence) within Santana Dharma, there is also the concept of righteous (dharma), where violence is used as a last resort after all other means have failed. Examples of this are found in the Mahabharata. Upon completion of their exile, the Pandavas were refused the return of their portion of the kingdom by their cousin Duruyodhana; and following which all means of peace talks by Krishna, Vidura and Sanjaya failed. During the great war which commenced, even Arjuna was brought down with doubts, e.g., attachment, sorrow, fear. This is where Krishna instructs Arjuna how to carry out his duty as a righteous warrior and fight.

Bahá'í faith[link]

In the Bahá'í Faith, a martyr is one who sacrifices their life serving humanity in the name of God.^[22] However, Bahá'u'lláh, the founder of the Bahá'í Faith, discouraged the literal meaning of sacrificing one's life. Instead, he explained that martyrdom is devoting oneself to service to humanity.^[22]

Sikhism[link]

Martyrdom (called shaheed in Punjabi) is a fundamental concept in Sikhism and represents an important institution of the faith. The Sikh Gurus and Sikh with and after them are the biggest examples of martyrs. They fought against Mughal tyranny and oppression hence upholding the fundamentals of Sikhism. And in which their lives were taken. During protesting non-violently or in battles.

Bhagat Singh is usually interpreted in India as a Sikh martyr. Though there were many silent acts of martyrdom during the independence struggle of India against the British. It is usually considered that though being under 2% of India's population, Sikh contribution to Independence struggle against only British was more than 70% of the total figures. For instance, of 120+ people hanged, 90+ were Sikhs, out of 2200+ sent to life imprisonment 1900+ were Sikhs.

A larger contribution had come during the 18th century against Mughals and Afghans.

Chinese culture[link]

Martyrdom was extensively promoted by the Tongmenghui and the Kuomintang party in modern China, revolutionaries who died fighting against the Qing dynasty in the Xinhai Revolution and throughout the Republic of China period, furthering the cause of the revolution, were recognized as martyrs.

Trade Union Martyrs[link]

The Tolpuddle Martyrs were a group of 19th century agricultural labourers in Dorset, England, who were arrested for and convicted of swearing a secret oath as members of the Friendly Society of Agricultural Labourers. The rules of the society showed it was clearly structured as a friendly society, that is, a mutual association for the purposes of insurance, pensions, savings or cooperative banking; and it operated as a trade-specific benefit society. But at the time, friendly societies had strong elements of what are now considered to be the principal role of trade unions, and wages were at issue. The Tolpuddle Martyrs were sentenced to transportation to Australia, a harsh form of exile.^[23]

See also[link]

A communist "martyrs column" in Alappuzha, Kerala, India

• Martyr complex
• Martyrology
• Perpetua and Felicity
• Religious persecution
• Religious views on suicide

References[link]

• "Martyrs", Catholic Encyclopedia
• Foster, Claude R. Jr. (1995). Paul Schneider, the Buchenwald apostle: a Christian martyr in Nazi Germany: A Sourcebook on the German Church Struggle. Westchester, PA: SSI Bookstore, West Chester University. ISBN 978-1-887732-01-7

External links[link]

Look up martyr in Wiktionary, the free dictionary.

Wikiquote has a collection of quotations related to: Martyrdom

• Fox's Book of Martyrs – 16th century classic book, accounts of martyrdoms
• "Martyrdom from the perspective of sociology". Encyclopedia of Politics and Religion.

Immortal Technique
Immortal Technique performing in March 2010.
Background information
Birth name	Felipe Andres Coronel
Born	(1978-02-19) February 19, 1978 (age 34) Lima, Lima Province, Peru[1]
Origin	Harlem, New York, United States
Genres	East Coast hip hop, alternative hip hop, political hip hop, Underground Hip Hop, Hardcore Hip Hop
Occupations	Rapper
Years active	2000–present
Labels	Viper Records
Associated acts	Akir, Diabolic, Lowkey, Chino XL, DJ Green Lantern, La Coka Nostra, Jean Grae, Rockin' Squat, Mos Def, Dead Prez, Ras Kass, Krs-One, Pumpkinhead, Reppin MG
Website	myspace.com/immortaltechnique

Felipe Andres Coronel (born February 19, 1978), better known by the stage name Immortal Technique, is an American rapper of Afro-Peruvian descent as well as an urban activist. He was born in Lima, Peru and raised in Harlem, New York.^[2] Most of his lyrics focus on controversial issues in global politics. The views expressed in his lyrics are largely commentary on issues such as class struggle, poverty, religion, government and institutional racism.

Immortal Technique has voiced a desire to retain control over his production,^[3] and has stated in his music that record companies, not artists themselves, profit the most from mass production and marketing of music. He claimed in an interview to have sold close to 200,000 copies of his three official releases.^[4]

Biography[link]

Early life[link]

Coronel is African-Peruvian and was born in 1978 in a military hospital in Lima.^[1] His family emigrated in 1980 to Harlem.^[5] During his teenage years he was arrested multiple times due in part to what he has said was "selfish and childish" behavior. He attended Hunter College High School on the Upper East Side of Manhattan. Shortly after enrolling in Pennsylvania State University, he was arrested and charged with assault-related offenses due to his involvement in an altercation between fellow students, the charges stemming from this incident led to him being incarcerated for a year.^[1][6] After being paroled, he took political science classes at Baruch College in New York City for two semesters at the behest of his father, who allowed Coronel to live with him on the condition that he go to school.^[7] Honing his rapping skills in jail, and unable to find decent wage-paying employment after his release, Coronel began selling his music on the streets of New York while battling with MCs whenever the opportunity arose.^[8][9][10] This, coupled with his victories in numerous freestyle rap competitions of the New York underground hip hop scene such as Rocksteady Anniversary, Braggin Rites and others, led to his reputation as a ferocious Battle MC.^[11]

Revolutionary Vol.1 and Vol.2[link]

In 2001, Immortal Technique released his first album Revolutionary Vol. 1 without the help of a record label or distribution, instead using money earned from his rap battle triumphs^[11]. He also battled but lost to Posta Boy in 106 & Park's Freestyle Friday. Revolutionary Vol. 1 also contained the underground classic Dance With The Devil. In November 2002, he was listed by The Source in its "Unsigned Hype" column, highlighting artists that are not signed to a record label. The following year, in September 2003, he received the coveted "Hip Hop Quotable" in The Source for a song entitled "Industrial Revolution" from his second album. Immortal Technique is the only rapper in history to have a "Hip Hop Quotable" while being unsigned.^[11] He released his second album Revolutionary Vol. 2 in 2003. In 2004, Viper Records and, in 2005, Babygrande Records re-released Immortal Technique's debut, Revolutionary Vol. 1, to make it available to a wider audience. "Point of No Return" from Revolutionary Vol 2 was used as the entrance theme for Rashad Evans during the UFC 88 Main Event between Chuck Liddell and Rashad Evans.

Revolutionary Vol.3 and The Middle Passage[link]

Immortal Technique (left) at the Roskilde Festival, 2006.

Between 2005 and 2007 Immortal Technique began working on The Middle Passage and The 3rd World, the two albums that would serve a follow up to Revolutionary Vol. 2 and complete the series. He was also featured on several movie soundtracks and video game soundtracks, all the while touring relentlessly and becoming heavily involved in visiting prisons to speak to youth and working with immigrant rights activists and raising tens of thousands of dollars for children’s hospitals overseas. He invested his money not in items that are usually associated with fame but rather in large pieces of farmland in Latin America. He created a writing grant program for high school students as well.^[12]

The Martyr[link]

In October 2011 Immortal Technique released The Martyr, a free compilation album of previously unreleased material and new tracks. ^[13]

Collaborations[link]

The summer of 2005 saw the release of "Bin Laden", a vinyl single 12" featuring Mos Def and DJ Green Lantern. The single also contained a remix of the song featured Chuck D of Public Enemy and KRS-One. In early 2006, the song "Impeach the President", featuring Dead Prez and Saigon turned up in the mixtape "Alive on Arrival" DJ Green Lantern. This is a simple version of The Honeydrippers, 1973, in which Immortal Technique urged fans to organize a vote of censure against George W. Bush. In April 2009, a new song leaked on the internet named "Democratie Fasciste (Article 4)" by Brazilian-French rapper Rockin' Squat which featured Immortal Technique. The official release of the song and Rockin' Squat's album Confessions D'un Enfant Du Siècle Volume 2 was on May 12, 2009. The instrumental from the song was sampled from Wendy Rene's "After Laughter". The song expresses the inequalities of the Third World and revolutionary events throughout history against tyranny and oppression. The song contains lyrics in English (Immortal Technique), French (Rockin' Squat) and brief shout outs in Spanish (Immortal Technique). This song is Immortal Technique's first official international collaboration.^[14] In early 2009, it was announced that there would be a collaboration between Technique and UK underground artist Lowkey, on a single called "Voices of the Voiceless". On September 11, 2009, a "snippet" of the song was released on YouTube.^[15] The preview was released ahead of its September 21 launch on iTunes, as part of a web-campaign that included updates, promotion and links on forums, E-Magazines and several social networking sites. The song's lyrics cover a broad range of issues that are familiar to listeners of both artists – racism, world revolution, war, socialism, government control, rape, famine, colonialism, Classism, self-determination and the war in Iraq.^[16]

Charitable work[link]

Immortal Technique performing in March 2010.

In June 2008, Immortal Technique partnered with Omeid International, a Non–Profit Human Rights Organization, to lend his support. He dubbed the work as "The Green Light Project". With the profits of The 3rd World album, Immortal Technique traveled to Kabul, Afghanistan to help Omeid build an orphanage without any corporate or external funding. The orphanage, having been successfully established, currently houses over 20 orphaned children from Kabul.^[17]

Films[link]

[edit] The (R)evolution of Immortal Technique

A documentary about Immortal Technique was released in September 2011 and premiered at the Harlem Film Festival.^[18]

[edit] This Revolution

Immortal Technique appeared as himself in a docudrama film entitled This Revolution, which was recorded during the 2004 Republican National Convention in New York. The tape contains the protests surrounding the convention in the form of a documentary. It also featured Viper Records affiliates Akir and producer SouthPaw in roles.

Since then Immortal Technique has taken control of Viper Records and has signed a distribution deal with Babygrande Records / E1 Entertainment to vent to their next album. SouthPaw has managed to establish himself as A&R of Viper Records.

Discography[link]

Studio Albums[link]

Compilation Albums[link]

• 2011: The Martyr

Singles[link]

References[link]

External links[link]

Find more about Immortal Technique on Wikipedia's sister projects:
	Images and media from Commons
	Quotations from Wikiquote

• Official website
• Immortal Technique on Twitter
• Immortal Technique on Myspace
• Immortal Technique at Allmusic
• Immortal Technique at MTV
• Immortal Technique at AllRovi
• Immortal Technique at the Internet Movie Database

Joey Jordison
Joey Jordison performing with Slipknot at 2008's Mayhem Festival.
Background information
Birth name	Nathan Jonas Jordison
Also known as	#1, Superball
Born	(1975-04-26) April 26, 1975 (age 37) Des Moines, Iowa
Genres	Heavy metal, alternative metal, nu metal, industrial metal, groove metal, horror punk, thrash metal(while performing with Metallica)
Occupations	Musician, songwriter, Record producer
Instruments	Drums, percussions, guitar, bass, piano, violin, theremin, synthesizer, sampler, vocals
Years active	1994–present
Labels	Roadrunner, Nuclear Blast
Associated acts	Slipknot, Murderdolls, Rob Zombie, System of a Down, The Rejects, Metallica, Ministry, Marilyn Manson, Korn
Notable instruments
Pearl Reference series Paiste ColorCoat cymbals B.C. Rich Bich Gibson Les Paul B.C. Rich Warlock

Joey Jordison (born Nathan Jonas Jordison April 26, 1975 in Des Moines, Iowa), is an American musician, songwriter, and record producer, best known for his work as the drummer for the nu metal band Slipknot. He grew up in Waukee, Iowa with his parents and two sisters, and was given his first drum kit at the age of 8. He performed in several bands until joining in the summer of 1995 the group The Pale Ones, which would later change their name to Slipknot. Of Slipknot's nine members, Joey was the third to join the band.

With Slipknot, Jordison has performed on four studio albums, and produced the live album 9.0: Live. He is also the lead guitarist for the horror punk band Murderdolls. Outside the majority of his projects, Jordison has performed with other heavy metal groups such as Rob Zombie, Metallica, Korn, Ministry Otep and Satyricon. Jordison is also known for his session work which includes performances on many albums for many different artists. Jordison uses several drum brands including Pearl and ddrum.

Biography[link]

Early life[link]

Jordison was born at Mercy Hospital in Des Moines, Iowa on April 26, 1975.^[1] He grew up in a rural area outside of Waukee where he used to play basketball on the street in front of his house. He embraced music at an early age, which he attributes to the influence of his parents: "they always sat me down in front of the radio, rather than the TV."^[1] He played guitar until receiving his first drum kit as a gift from his parents at age eight, and started his first band while in elementary school.^[2] At a young age, Jordison's parents divorced; he and his two younger sisters stayed with their mother.^[3] His mother remarried and set up a funeral parlor where Jordison would occasionally help. Jordison has stated that he felt a sudden responsibility to be the man of the house, and this responsibility turned him odious in which he played drums. He later described them as "total speed-metal thrash".^[4] The band helped Jordison break new ground, playing for live crowds in support of local bands including Atomic Opera, which featured Jim Root, and Heads On The Wall, which featured Shawn Crahan.^[5] After a multitude of line-up changes including the presence of Craig Jones and Josh Brainard - who would later appear in Slipknot — The band released two demos in 1993: Visceral and Mud Fuchia.^[5][6]

After leaving school, Jordison was hired by a local music store called Musicland. In March 1994, after a recommendation from his new friend, he got a job at a Sinclair garage in Urbandale. Jordison worked the night shift, which he preferred, as it left his weekends free and allowed him to spend time with his friends and listen to music while working.^[7] In early 1995, Modifidious disbanded because of a shift in interest from thrash metal to death metal in America. Following this Jordison joined a local band called The Rejects as a guitarist, with whom he only played a couple of shows. Jordison was also involved in a band with Paul Gray, formed mostly as a joke called Anal Blast.^[8] Gray also attempted to recruit him for another band, Body Pit, but he declined the invitation to remain in The Rejects. During the forming period of Slipknot, Paul recruited Joey to join a Punk band called the Have Nots in the Spring of 1996. Joey would leave the Have Nots in February of 1997 to "focus on Slipknot" but instead reformed the Rejects which would play Des Moines up until Slipknot left to record Slipknot's Self Titled album which Paul played in after the Have Nots broke up.^[9]

Music life[link]

Slipknot[link]

On November 28, 1995, Mark Anthony Cadavos approached Jordison while he was working, offering him a position in a new project called The Pale Ones.^[8] Intrigued and at a point where he was "lost",^[10] Jordison attended rehearsals at Anders Colsefni's basement and immediately wanted to be part of this new band. Speaking of this moment he said, "I remember trying so hard not to smile, so I didn't look like I wanted to join, I remained poker-faced, but I thought they ruled."^[11] A lot of Slipknot's early development was discussed by band members while Jordison worked night shifts at Sinclair's garage.^[12] Slipknot would become pioneers to the New Wave of American Heavy Metal.^[13][14] Jordison is accompanied by two custom percussionists,^[15] giving their music a feel that Rolling Stone touted as "suffocating".^[16]

Each member of Slipknot is assigned a number; Joey was assigned "#1".^[17] Joey has produced one album with Slipknot: 2005 live album 9.0: Live.^[18] In August, 2008, Jordison broke his ankle and Slipknot had to cancel some of its England tour dates.^[19] On August 22, 2009, Jordison was taken to the emergency room for a burst appendix,less than an hour before he was to take the stage for Auburn, Washington's KISW Pain in the Grass concert.^[20][21] As a result, Slipknot canceled following shows in August and September, to give Jordison time to recover.^[22]

In August 2010 Jordison was voted the best drummer of the past 25 years by readers of Rhythm magazine. Competitors included Mike Portnoy, Neil Peart, Phil Collins, Dave Grohl etc. When asked to comment he stated "I'm at a loss for words. This is beyond unbelievable. Something like this reminds me every day why I continue to do this."^[23][24]

Murderdolls[link]

While touring Ozzfest in 2001 to support Slipknot's studio album Iowa, Jordison met Tripp Eisen, then of Static-X; the two discussed forming a side project.^[25] In 2002, Jordison revived his band The Rejects, renaming them the Murderdolls.^[26] Jordison became the Murderdoll's guitarist, and he recruited Wednesday 13 of Frankenstein Drag Queens from Planet 13 to play bass. Wednesday eventually became a vocalist, while drummer Ben Graves and bassist Eric Griffin completed the band's lineup.^[27] Murderdolls signed with Roadrunner Records and released an EP entitled Right to Remain Violent in 2002. The band returned in August 2002 with their debut album Beyond the Valley of the Murderdolls.^[28] The band uses horror films, including Friday the 13th and Night of the Living Dead, as an inspiration for their lyrics.^[29] On October 30, 2002, the Murderdolls made an appearance on an episode of Dawson's Creek entitled "Living Dead Girl".^[30] The band reunited in 2010 with only Jordison and Wednesday 13 remaining from the original line-up.^[31] The band release their second studio album Women & Children Last on August 31, 2010.^[32] The band embarked on the extensive Women & Children Last World Tour performing shows alongside many notable acts such as Guns N' Roses and performing around the world. The tour was sparked with many problems including the cancellation of many shows and repeated incidents of Jordison storming off stage, most notably in Bordeaux, France and Perth, Western Australia. The tour finished on April 24, 2011.

Other musical endeavors[link]

Remixing and performances[link]

In 2001, Jordison worked on a remix of "The Fight Song" by Marilyn Manson.^[33] Jordison also appeared in the music video for Manson's cover of "Tainted Love."^[34] Later in the year, Manson revealed that Jordison had been working with him on his new album The Golden Age of Grotesque. Jordison had in fact worked on guitars but the track did not appear on the album.^[34] In 2004, Jordison appeared on OTEP's album House of Secrets, drumming on six tracks for the album.^[35] In 2008, Jordison appeared on Puscifer's album "V" is for Viagra. The Remixes, with a remix of the track "Drunk With Power."^[36] In 2010, Jordison recorded four additional songs with Rob Zombie for the re-release of his latest album Hellbilly Deluxe 2.^[37]

On tour[link]

Jordison has performed with other bands, solely as a touring member. While preparing for the Download Festival in 2004, Metallica drummer Lars Ulrich was hospitalized for an unknown illness.^[38] Metallica's vocalist James Hetfield searched amongst other bands performing at the festival to find a replacement for Ulrich; Jordison and Dave Lombardo of Slayer volunteered. Jordison performed on 9 of the 12 songs that made up the set and was called the band's "hero of the day".^[39] In late 2004, Jordison performed with Satyricon on their tour of the United States when drummer Frost was refused entry into the country.^[40] The tour was cut short after guitarists Steinar Gundersen and Arnt Gronbech—who were also only touring members—were charged with sexually assaulting a fan in Toronto.^[41] In 2006, Jordison joined Ministry for their "MasterBaTour 2006" which consisted of sixty dates across the United States and Canada.^[42] He also appeared in the music video for their single "Lies Lies Lies".^[43] Korn recruited Jordison in 2007 to join them on tour when drummer David Silveria went on hiatus from the band.^[44] He also appeared in the music video for their single "Evolution". While touring with Korn, Jordison set a record by becoming the first musician ever to perform on five different occasions at the Download Festival in England.^[45] Jordison also began touring with Rob Zombie after Tommy Clufetos withdrew from the band. Although the position was initially only meant for a couple of months, Jordison stayed with the band for almost a year until the culmination of Zombie's Australian tour when he announced that he would be leaving to focus his time on the Murderdolls and Slipknot.

Producing[link]

In August 2004, Jordison became involved in Roadrunner United, a celebration of Roadrunner Records' 25th anniversary. As one of four "team captains" who wrote and produced material for the album,^[46] Jordison said of the experience, "I thought it was a great idea and was really excited about it, because it was a chance to work with a lot of artists that I really respected while I was growing up."^[47] In 2007, 3 Inches of Blood recruited Jordison to produce their album Fire Up the Blades. Jordison is a fan of the band and when he heard that Roadrunner wanted to have some demos produced he said; "I was the first one to jump at it, I'm like; 'I want this fucking band'."^[48] From these demos the label commissioned a record. Vocalist Jamie Hopper said of Jordison, "he's an amazing producer".^[49]

Equipment[link]

For playing with Slipknot Jordison plays a Pearl Reference Signature 9-Piece Drum Kit with Birch Shells.

• 22" x 18" Bass Drum (2)
• 8" x 7" Rack Tom
• 10" x 8" Jazz Tom
• 12" x 9" Rack Tom
• 13" x 10" Rack Tom
• 16" x 16" Floor Tom
• 18" x 16" Floor Tom
• 13" x 6.5" Signature Snare Drum
• 14" x 6.5" Signature Snare Drum
• 6" x 12" Octoban
• 6" x 15" Octoban
• 6" x 18" Octoban
• 6" x 21" Octoban
• 20" x 14" Gong Drum

Jordison is endorsed by Paiste Cymbals, and has black custom color coated cymbals.

(From Left to Right)

• 14" 2002 wild hi-hats
• 19" 2002 wild china
• 17" RUDE crash/ride
• 8" signature splash
• 6" signature splash
• 10" signature splash
• 18" RUDE crash/ride
• 19" RUDE crash/ride
• 13" signature heavy hi-hats
• 20" 2002 power ride
• 21" 2002 wild china
• 15" 2002 wild china
• 18" RUDE china
• 13" signature mega cup china

• Hardware - Pearl
• Pedals - Demon Drive double
• Drum-Heads - REMO
• Sticks - AHEAD signature series (old) and Pro-Mark Millenium II Joey Jordison signature bloody sticks (2008)
• Rack - A&S Case Co. 4 Space Shockmount Rack

He also uses a DDrum pad along with: Alesis DM-5 drum triggers (x2), Furman PL-8 Pro 2 power conditioner, Radial Pro-D8 direct box, Akai Z4, Roland 808, and Planet Wave cables.

For playing with Murderdolls Jordison plays:

• B.C. Rich Joey Jordison Signature Warlock

• Marshall amplifiers

^[50]

Discography[link]

Filmography[link]

Notes[link]