Ostara (1884) by Johannes Gehrts. The goddess flies through the heavens surrounded by Roman-inspired putti, beams of light, and animals. Germanic people look up at the goddess from the realm below.

Ēostre or Ostara (Northumbrian Old English: Ēostre; West Saxon Old English: Ēastre; Old High German: *Ôstara) is a goddess in Germanic paganism who, by way of the Germanic month bearing her name (Northumbrian: Ēosturmōnaþ; West Saxon: Ēastermōnaþ; Old High German: Ôstarmânoth), is the namesake of the festival of Easter. Ēostre is attested by Bede in his 8th-century work De temporum ratione, where Bede states that during Ēosturmōnaþ (the equivalent to the month of April) feasts were held in Eostre's honor among the pagan Anglo-Saxons, but had died out by the time of his writing, replaced by the Christian "Paschal month" (a celebration of the resurrection of Jesus).

By way of linguistic reconstruction, the matter of a Proto-Germanic goddess called *Austrō has been examined in detail since the foundation of Germanic philology in the 19th century by scholar Jacob Grimm and others. As the Germanic languages descend from Proto-Indo-European (PIE), linguists have traced the name to a Proto-Indo-European goddess of the dawn *H₂ewsṓs (→ *Ausṓs), from which descends the common Germanic goddess that Ēostre and Ostara are held to descend. Scholars have linked the goddess' name to a variety of Germanic personal names, a series of location names in England, over 150 2nd century BCE Matronae (the matronae Austriahenea) inscriptions discovered in Germany, and have debated whether or not Eostre is an invention of Bede's, and theories connecting Ēostre with records of Germanic Easter customs (including hares and eggs) have been proposed. Ēostre and Ostara are sometimes referenced in modern popular culture, and are venerated in some forms of Germanic Neopaganism.

Etymology[link]

This section may need to be rewritten entirely to comply with Wikipedia's quality standards. You can help. The discussion page may contain suggestions. (April 2012)

Ēostre derives from Proto-Germanic *Austrō, ultimately from a PIE root *h₂ewes- (→ *awes-), "to shine", and therefore closely related to a reconstructed name of *h₂ewsṓs, the dawn goddess, which would account for Greek "Eos", Roman "Aurora", and Indian "Ushas".^[1] The modern English term "Easter" is the direct continuation of Old English Ēastre, whose role as a goddess is attested solely by Bede in the 8th century.^[2] Ēostre is the Northumbrian form, while Ēastre is more common West Saxon.^[3]

[edit] De temporum ratione

Eástre (1909) by Jacques Reich. Directly derived from Gehrts' image (above), with the addition of Germanic worshipers replaced by a picturesque landscape

In chapter 15 of his 8th-century work De temporum ratione, Bede describes the indigenous month names of the English people. After describing the worship of the goddess Rheda during the Anglo-Saxon month of Hrethmonath, Bede writes about Eosturmonath, the month of the goddess Ēostre:

Original Latin: Eostur-monath, qui nunc Paschalis mensis interpretatur, quondam a Dea illorum quæ Eostre vocabatur, et cui in illo festa celebrabant nomen habuit: a cujus nomine nunc Paschale tempus cognominant, consueto antiquæ observationis vocabulo gaudia novæ solemnitatis vocantes.[4]

Modern English translation: Eosturmonath has a name which is now translated "Paschal month", and which was once called after a goddess of theirs named Eostre, in whose honour feasts were celebrated in that month. Now they designate that Paschal season by her name, calling the joys of the new rite by the time-honoured name of the old observance."[5]

Jacob Grimm, *Ostara, and Easter customs[link]

In his 1835 Deutsche Mythologie, Jacob Grimm cites comparative evidence to reconstruct a potential continental Germanic goddess whose name would have been preserved in the Old High German name of Easter, *Ostara. Addressing skepticism towards goddesses mentioned by Bede, Grimm comments that "there is nothing improbable in them, nay the first of them is justified by clear traces in the vocabularies of Germanic tribes."^[6] Specifically regarding Ēostre, Grimm continues that:

We Germans to this day call April ostermonat, and ôstarmânoth is found as early as Eginhart (temp. Car. Mag.). The great christian festival, which usually falls in April or the end of March, bears in the oldest of OHG remains the name ôstarâ ... it is mostly found in the plural, because two days ... were kept at Easter. This Ostarâ, like the [Anglo-Saxon] Eástre, must in heathen religion have denoted a higher being, whose worship was so firmly rooted, that the christian teachers tolerated the name, and applied it to one of their own grandest anniversaries.^[7]

Grimm notes that "all of the nations bordering on us have retained the Biblical pascha; even Ulphilas writes paska, not áustrô, though he must have known the word" Grimm details that the Old High German adverb ôstar "expresses movement towards the rising sun", as did the Old Norse term austr, and potentially also Anglo-Saxon ēastor and Gothic áustr. Grimm compares these terms to the identical Latin term auster. Grimm says that the cult of the goddess may have worshiped an Old Norse form, Austra, or that her cult may have already been extinct by the time of Christianization.^[8]

Grimm notes that in the Old Norse Prose Edda book Gylfaginning, a male being by the name of Austri is attested, who Grimm describes as a "spirit of light." Grimm comments that a female version would have been *Austra, yet that the High German and Saxon peoples seem to have only formed Ostarâ and Eástre, feminine, and not Ostaro and Eástra, masculine. Grimm additionally speculates on the nature of the goddess and surviving folk customs that may have been associated with her in Germany:

Ostara, Eástre seems therefore to have been the divinity of the radiant dawn, of upspringing light, a spectacle that brings joy and blessing, whose meaning could be easily adapted by the resurrection-day of the christian's God. Bonfires were lighted at Easter and according to popular belief of long standing, the moment the sun rises on Easter Sunday morning, he gives three joyful leaps, he dances for joy ... Water drawn on the Easter morning is, like that at Christmas, holy and healing ... here also heathen notions seems to have grafted themselves on great christian festivals. Maidens clothed in white, who at Easter, at the season of returning spring, show themselves in clefts of the rock and on mountains, are suggestive of the ancient goddess.^[9]

In the second volume of Deutsche Mythologie, Grimm picks up the subject of Ostara again, connecting the goddess to various German Easter festivities, including Easter eggs:

But if we admit, goddesses, then, in addition to Nerthus, Ostara has the strongest claim to consideration. To what we said on p. 290 I can add some significant facts. The heathen Easter had much in common with May-feast and the reception of spring, particularly in matter of bonfires. Then, through long ages there seem to have lingered among the people Easter-games so-called, which the church itself had to tolerate : I allude especially to the custom of Easter eggs, and to the Easter tale which preachers told from the pulpit for the people's amusement, connecting it with Christian reminiscences.^[10]

Grimm comments on further Easter time customs, including unique sword dances and particular baked goods ("pastry of heathenish form"). In addition, Grimm weights a potential connection to the Slavic spring goddess Vesna and the Lithuanian Vasara.^[10]

[edit] Locations, personal names, and the matronae Austriahenea

A cluster of place names in England contain and a variety of English and continental Germanic names include the element*ēoster, an early Old English word reconstructed by linguists and potentially an earlier form of the goddess name Ēostre. These locations include Eastry (Eastrgena, 788 CE) in Kent, Eastrea (Estrey, 966 CE) in Cambridgeshire, and Eastrington (Eastringatun, 959 CE) in East Riding of Yorkshire.^[11]

The element *ēoster also appears in the Old English name Easterwine, a name borne by Bede's monastery abbot in Wearmouth-Jarrow and which appears an additional three times in the Durham Liber Vitae. The name Aestorhild also appears in the Liber Vitae, and is likely the ancestor of the Middle English name Estrild. Various continental Germanic names include the element, including Austrechild, Austrighysel, Austrovald, and Ostrulf.^[12]

Over 150 Romano-Germanic votive inscriptions to the matron Austriahenea were discovered in 1958 near Morken-Harff, Germany. Most of these inscriptions are in an incomplete state, yet many are in a complete enough for reasonable clarity of the inscriptions. Some of these inscriptions refer to the Austriates, evidently the name of a social group.^[13]

Theories and interpretations[link]

[edit] Dea ex Machina debate

This section requires expansion.

Some debate has occurred over whether or not the goddess was an invention of Bede's, particularly in the 19th century prior and prior to more widespread reconstructions of the Proto-Indo-European dawn goddess. Writing in the late 19th century, Charles J. Billson notes that scholars prior to his writing were divided about the existence of Bede's account of Ēostre, stating that "among authorities who have no doubt as to her existence are W. Grimm, Wackernagel, Sinrock [sic], and Wolf. On the other hand, Weinhold rejects the idea on philological grounds, and so do Heinrich Leo and Hermann Oesre. Kuhn says, 'The Anglo-Saxon Eostre looks like an invention of Bede;' and Mannhardt also dismisses her as an etymological dea ex machina." Billson says that "the whole question turns [...], upon Bede's credibility", and that "one is inclined to agree with Grimm, that it would be uncritical to saddle this eminent Father of the Church, who keeps Heathendom at arms' length and tells us less of than he knows, with the invention of this goddess." Billson points out that the Christianization of England started at the end of the 6th century, and, by the 7th, was completed. Billson argues that, as Bede was born in 672, Bede must have had opportunities to learn the names of the native goddesses of the Anglo-Saxons, "who were hardly extinct in his lifetime."^[14]

Writing in the late 20th century, Rudolf Simek says that, despite expressions of doubts, Bede's account of Eostre should not be disregarded. Simek opines that a "Spring-like fertility goddess" must be assumed rather than a "goddess of sunrise" regardless of the name, reasoning that "otherwise the Germanic goddesses (and matrons) are mostly connected with prosperity and growth". Simek points to a comparison with the goddess Rheda, also attested by Bede.^[15]

Scholar Philip A. Shaw (2011) writes that the subject has seen "a lengthy history of arguments for and against Bede's goddess Eostre, with some scholars taking fairly extreme positions on either side" and that some theories against the goddess have gained popular cultural prominence. Shaw, however, notes that "much of this debate, however, was conducted in ignorance of a key piece of evidence, as it was not discovered until 1958. This evidence is furnished by over 150 Romano-Germanic votive inscriptions to deities named the matron Austriahenea, found near Morken-Harff and datable to around 150-250 AD". Most of these inscriptions are in an incomplete state, yet most are in a complete enough for reasonable clarity of the inscriptions. As early as 1966 scholars have linked these names etymologically with Eostre and an element found in Germanic personal names.^[16] Shaw argues against a functional interpretation from the available evidence and concludes that "the etymological connections of her name suggests that her worshippers saw her geographical and social relationship with them as more central than any functions she may have had".^[17]

Hares and Freyja[link]

An Easter postcard from 1907 depicting a rabbit

In Northern Europe, Easter imagery often involves hares and rabbits. Citing folk Easter customs in Leicestershire, England where "the profits of the land called Harecrop Leys were applied to providing a meal which was thrown on the ground at the 'Hare-pie Bank'", late 19th-century scholar Charles Isaac Elton theorizes a connection between these customs and the worship of Ēostre.^[18] In his late 19th-century study of the hare in folk custom and mythology, Charles J. Billson cites numerous incidents of folk custom involving the hare around the period of Easter in Northern Europe. Billson says that "whether there was a goddess named Eostre, or not, and whatever connection the hare may have had with the ritual of Saxon or British worship, there are good grounds for believing that the sacredness of this animal reaches back into an age still more remote, where it is probably a very important part of the great Spring Festival of the prehistoric inhabitants of this island."^[14]

Some scholars have linked customs and imagery involving hares to Ēostre and the Norse goddess Freyja. Writing in 1972, John Andrew Boyle cites commentary contained within an etymology dictionary by A. Ernout and A. Meillet, where the authors write that "Little else [...] is known about [Ēostre], but it has been suggested that her lights, as goddess of the dawn, were carried by hares. And she certainly represented spring fecundity, and love and carnal pleasure that leads to fecundity." Boyle responds that nothing is known about Ēostre outside of Bede's single passage, that the authors had seemingly accepted the identification of Ēostre with the Norse goddess Freyja, yet that the hare is not associated with Freyja either. Boyle writes that "her carriage, we are told by Snorri, was drawn by a pair of cats — animals, it is true, which like hares were the familiars of witches, with whom Freyja seems to have much in common." However, Boyle adds that "on the other hand, when the authors speak of the hare as the 'companion of Aphrodite and of satyrs and cupids' and point out that 'in the Middle Ages it appears beside the figure of Luxuria', they are on much surer ground and can adduce the evidence of their illustrations."^[19]

Modern popular culture and modern veneration[link]

Jacob Grimm's reconstructed *Ostara has had some influence in popular culture since. The name has been adapted as an asteroid (343 Ostara, 1892 by Max Wolf),^[20] a Mödling, Austria-based German nationalist book series and publishing house (1905, Ostara),^[21] and a date on the Wiccan Wheel of the Year (Ostara, 21 March).^[22] In music, the name Ostara has been adopted as a name by the musical group Ostara,^[23] and as the names of albums by :zoviet*france: (Eostre, 1984) and The Wishing Tree (Ostara, 2009). Eostre appears in Neil Gaiman's novel, American Gods.

In some forms of Germanic Neopaganism, Eostre (or Ostara) is venerated. Regarding this veneration, Carole M. Cusack comments that, among adherents, Eostre is "associated with the coming of spring and the dawn, and her festival is celebrated at the spring equinox. Because she brings renewal, rebirth from the death of winter, some Heathens associate Eostre with Idunn, keeper of the apples of youth in Scandinavian mythology".^[24]

See also[link]

• Aurvandil, a Germanic being associated with stars, the first element of whose name is cognate to Ēostre
• Mōdraniht, the Anglo-Saxon "Mothers night," also attested by Bede
• Old High German lullaby, a lullaby in Old High German that mentions Ostara, generally held to be a literary forgery

Notes[link]

References[link]