- published: 30 Sep 2015
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Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
http://en.wikipedia.org/wiki/Our_Miss_Brooks
- published: 29 Oct 2012
- views: 217266
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954.
Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. After the two met in the first episode, they lived together in an apartment rented from their Irish landlady, Mrs. O'Reilly (Jane Morgan, Gloria Gordon).
Irma's boyfriend Al (John Brown) was a deadbeat, barely on the right side of the law, who had not held a job in years. Only someone like Irma could love Al, whose nickname for Irma was "Chicken". Al had many crazy get-rich-quick schemes, which never worked. Al planned to marry Irma at some future date so she could support him. Professor Kropotkin (Hans Conried), the Russian violinist at the Princess Burlesque theater, lived upstairs. He greeted Jane and Irma with remarks like, "My two little bunnies with one being an Easter bunny and the other being Bugs Bunny." The Professor insulted Mrs. O'Reilly, complained about his room and reluctantly became O'Reilly's love interest in an effort to make her forget his back rent.
Irma worked for the lawyer, Mr. Clyde (Alan Reed). She had such an odd filing system that once when Clyde fired her, he had to hire her back again because he couldn't find anything. Useless at dictation, Irma mangled whatever Clyde dictated. Asked how long she had been with Clyde, Irma said, "When I first went to work with him he had curly black hair, then it got grey, and now it's snow white. I guess I've been with him about six months."
Irma became less bright as the program evolved. She also developed a tendency to whine or cry whenever something went wrong, which was at least once every show. Jane had a romantic inclination for her boss, millionaire Richard Rhinelander (Leif Erickson), but he had no real interest in her. Another actor in the show was Bea Benaderet.
http://en.wikipedia.org/wiki/My_Friend_Irma_%28radio-TV%29
Katherine Elisabeth Wilson (August 19, 1916 -- November 23, 1972), better known by her stage name, Marie Wilson, was an American radio, film, and television actress. She may be best remembered as the title character in My Friend Irma.
Born in Anaheim, California, Wilson began her career in New York City as a dancer on the Broadway stage. She gained national prominence with My Friend Irma on radio, television and film. The show made her a star but typecast her almost interminably as the quintessential dumb blonde, which she played in numerous comedies and in Ken Murray's famous Hollywood "Blackouts". During World War II, she was a volunteer performer at the Hollywood Canteen. She was also a popular wartime pin-up.
Wilson's performance in Satan Met a Lady, the second film adaptation of Dashiell Hammett's detective novel The Maltese Falcon, is a virtual template for Marilyn Monroe's later onscreen persona. Wilson appeared in more than 40 films and was a guest on The Ed Sullivan Show on four occasions. She was a television performer during the 1960s, working until her untimely death.
Wilson's talents have been recognized with three stars on the Hollywood Walk of Fame: for radio at 6301 Hollywood Boulevard, for television at 6765 Hollywood Boulevard and for movies at 6601 Hollywood Boulevard.
Wilson married four times: Nick Grinde (early 1930s), LA golf pro Bob Stevens (1938--39), Allan Nixon (1942--50) and Robert Fallon (1951--72).
She died of cancer in 1972 at age 56 and was interred in the Columbarium of Remembrance at Forest Lawn Cemetery in Hollywood Hills.
http://en.wikipedia.org/wiki/Marie_Wilson_%28American_actress%29
- published: 06 Sep 2012
- views: 491099
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
http://en.wikipedia.org/wiki/Great_Gildersleeve
- published: 19 Sep 2012
- views: 190276
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode "The Big Sorrow"), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode "The Big Donation"); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) "Underplaying is still acting", Webb told Time. "We try to make it as real as a guy pouring a cup of coffee." (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled "The Big _____", where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in "The Big Streetcar" the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode "James Vickers", the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at "the road to San Pedro", clearly indicate that it still retained much the character of a country highway at that time.
http://en.wikipedia.org/wiki/Dragnet_(series)
- published: 03 Nov 2012
- views: 106090
This content has been digitally remastered and is available here: https://www.youtube.com/playlist?list=PL5t4xK5rRlAHCUB5ffNC75sEPNHTN5vRQ
Luke 21:25 speaks of these last days, in predicting "anxiety of nations, in perplexity."
I don't think a better description would be possible to describe the mood of the nations or their people right now.
For example, 'anxiety' and 'perplexity' arise from the dangers of ISIS infiltrating the nations of the West, gaining entry with the waves of Islamic refugees flooding into Europe, and soon, America. Recent ISIS terror attacks in Paris, the US and other places have shaken the world with these concerns.
While many citizens are near panic, feeling insecure and unprotected by their respective governments, some governmental leaders continue to push through more immigration, with little or no viable screening. Indeed, one of the most basic responsibilities of any federal government is to protect citizens from foreigners who would do the citizens harm. Yet, it seems like the freedoms of citizens are reduced more and more while a real threat, such as ISIS, is hardly considered when allowing millions of unknown immigrants into normally stable countries. All of this certainly seems crazy to the man on the street, causing both 'anxiety' and 'perplexity' to millions.
It is as if there is some larger hand deliberately orchestrating unrest and social upheaval in the developed countries - but that would be crazy - right? Or could it be part of UN Agenda 2030 with the goal of softening up the population to make way for world government? At what point will people be so weary of turmoil and trouble that they will capitulate? I would say, just about 2030. Until then we can expect nothing but more and worse of the same.
After that, instead of the "peace and safety" that is promised, the world will sink into the most critical time period of all history - the Great Tribulation. The Man of Sin and the Mark of the Beast will soon follow. No one will be able to buy or sell without the Mark. Yet, taking the Mark is to share the eternal fate of the Beast. The whole world will be confronted with this.
The only way of dealing with this is to take the Mark, accept martyrdom, or somehow escape before it happens!
Millions of Christians think they will escape in a pre-trib rapture of "the Church." Many of them are so sure about this that they are unconcerned about the Tribulation or the Mark.
There is a way of escape - but a Pre-Tribulation Rapture isn't it.
This video presents facts of history proving that the underlying assumptions on which the Pre-Trib Rapture teaching are based are entirely false - meaning the doctrine that millions of Christians are counting on for protection is nothing more than a theological mistake.
See this entire Remnant Exodus Seminar free for a limited time.
For a limited time see all of this Remnant Exodus Seminar for FREE!
Because Escape is Still Possible... https://RemnantExodus.Org
- published: 07 Jan 2016
- views: 12460
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach.
http://en.wikipedia.org/wiki/LAPD
- published: 24 Dec 2012
- views: 53032
Second in a nine part series examining the life and rituals of a vampire as told by Bill Schnoebelen of withoneccordministries.com
Vlad the Impaler had red hair and light skin. People think that vampires started with his legend. But even the ancient Egyptians wrote about vampires thousands of years before Vlad.
In fact, in every language in the world there is a word for vampire and each culture has its own legends.
Free Truth Productions
Truth = Waaaay stranger than fiction...
www.freetruthproductions.com
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- published: 14 Jan 2019
- views: 28335
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
http://en.wikipedia.org/wiki/Great_Gildersleeve
- published: 16 Sep 2012
- views: 99460
John Henry Faulk (August 21, 1913--April 9, 1990) from Austin, Texas was a storyteller and radio show host. His successful lawsuit against blacklisters of the entertainment industry helped to bring an end to the Hollywood blacklist. More Faulk: https://www.amazon.com/gp/search?ie=UTF8&tag;=tra0c7-20&linkCode;=ur2&linkId;=40f706fb18cc385c993db61f44f55b9a&camp;=1789&creative;=9325&index;=books&keywords;=john%20henry%20faulk
While a soldier at Camp Swift, Faulk began writing his own radio scripts. An acquaintance facilitated an interview for him at WCBS in New York City. The network executives were sufficiently impressed to offer him his own radio show. Upon his 1946 discharge from the Army, Faulk began his Johnny's Front Porch radio show for WCBS. The show featured Faulk's characterizations that he had been developing since his university years. Faulk eventually went to another radio station, but returned to WCBS for a four-hour morning talk show. The John Henry Faulk Show ran for six years. His radio successes provided opportunity for him to appear as himself on television, in shows like the 1951 Mark Goodson and William Todman game show It's News to Me, hosted by John Charles Daly. He also appeared on Leave It to the Girls in 1953 and The Name's the Same in 1955.
Cactus Pryor met Faulk in the studios of KLBJ (then KTBC) where Faulk stopped by to thank Pryor for letting his mother hear his New York show. Pryor had been "accidentally" broadcasting Faulk's radio show in Texas where Faulk was not otherwise heard. Although the broadcast happened repeatedly, Pryor always claimed he just hit the wrong button in the studio. Pryor visited Faulk at a Manhattan apartment he shared with Alan Lomax, and became introduced to the movers and shakers of the east coast celebrity scene of that era. When Pryor stood by Faulk during the blacklisting and tried to find him work, Pryor's children were harassed; a prominent Austin physician circulated a letter questioning Pryor's patriotism; an Austin attorney tried to convince Lyndon Johnson to discharge Pryor from the airwaves. The Pryor family and the Faulk family remained close and supportive of each other for the rest of Faulk's life.
In December 1955, Faulk was elected second vice president of the American Federation of Television and Radio Artists, to Orson Bean's first vice president position and Charles Collingwood as the president of the union. Collingswood, Bean and Faulk were part of a middle-of-the-road slate of non-communist, anti-AWARE organization candidates that Faulk had helped draft. Twenty-seven of thirty-five vacant seats on the board went to the middle-of-the-road slate. Faulk's public position during the campaign had been that the union should be focused on jobs and security, not blacklisting of members.
In the 1970s in Austin, he was also befriended by the young co-editor of the Texas Observer, Molly Ivins, and became an early supporter of hers.
Film
All the Way Home (1963), as Walter Starr
The Best Man (1964), as Governor T.T. Claypoole
Lovin' Molly (1974), as Mr. Grinsom
The Texas Chain Saw Massacre (1974), as Storyteller
Leadbelly (1976). as Governor Neff
Trespasses (1986), as Doctor Silver
Television
It's News to Me (1951--1954), Self
Leave It to the Girls (3 Oct 1953), Self
The Name's the Same (21 Feb 1955), Self
For the People (1965), Episode "Seized, Confined and Detained", as Reynolds
Fear on Trial (1975), Writer, Biopic of John Henry Faulk
Hee Haw (1975--1982), Self
Adam (1983), as as Strom Thurmond
Cronkite Remembers (1997), Uncredited archive footage
http://en.wikipedia.org/wiki/John_Henry_Faulk
- published: 06 Jul 2012
- views: 79365
Common methods and themes in crime thrillers are mainly ransoms, captivities, heists, revenge, kidnappings. More common in mystery thrillers are investigations and the whodunit technique. Common elements in psychological thrillers are mind games, psychological themes, stalking, confinement/deathtraps, horror-of-personality, and obsession. Elements such as fringe theories, false accusations and paranoia are common in paranoid thrillers. Threats to entire countries, spies, espionage, conspiracies, assassins and electronic surveillance are common in spy thrillers[11]
The primary elements of the thriller genre:
The protagonist(s) faces death, either their own or somebody else's.
The force(s) of antagonism must initially be cleverer and/or stronger than the protagonist's.
The main storyline for the protagonist is either a quest or a character who cannot be put down.
The main plotline focuses on a mystery that must be solved.
The film's narrative construction is dominated by the protagonist's point of view.
All action and characters must be credibly realistic/natural in their representation on screen.
The two major themes that underpin the thriller genre are the desire for justice and the morality of individuals.
One small, but significant, aspect of a thriller is the presence of innocence in what is seen as an essentially corrupt world.
The protagonist(s) and antagonist(s) may battle, themselves and each other, not just on a physical level, but on a mental one as well.
Either by accident or their own curiousness, characters are dragged into a dangerous conflict or situation that they are not prepared to resolve.
Characters include criminals, stalkers, assassins, innocent victims (often on the run), menaced women, characters with deep dark pasts, psychotic individuals, spree killers, sociopaths, agents, terrorists, cops and escaped cons, private eyes, people involved in twisted relationships, world-weary men and women, psycho-fiends, and more. The themes frequently include terrorism, political conspiracy, pursuit, or romantic triangles leading to murder.[12]
The protagonists are frequently ordinary citizens unaccustomed to danger, although commonly in crime thrillers, they may also be "hard men" accustomed to danger such as police officers and detectives. While protagonists of thrillers have traditionally been men, women lead characters are increasingly common.[13] In psychological thrillers, the protagonists are reliant on their mental resources, whether it be by battling wits with the antagonist or by battling for equilibrium in the character's own mind. The suspense often comes from two or more characters preying upon one another's minds, either by playing deceptive games with the other or by merely trying to demolish the other's mental state.
http://en.wikipedia.org/wiki/Thriller_%28genre%29
- published: 12 Mar 2013
- views: 49580
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter "Bronco" Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed "Ha!!!" or "What a character!" Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.
http://en.wikipedia.org/wiki/Great_Gildersleeve
- published: 26 Sep 2012
- views: 105155
developed with YouTube
Blou
Blou is a commune in the Maine-et-Loire department in western France.
Population
See also
References
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Blou
Blou (band)
Blou is an artist from Meteghan, Nova Scotia. Blou claims a unique style of music which they call "Acadico" – a mix of Acadian, Cajun and Zydeco styles. Blou takes his name from the street where he resides: "L’Allée des Blou" was named after an aboriginal man purported to have lived at the end of that street 100 years ago or more.
History
From Marc Escarbot Theatre in Church Point, Nova Scotia to the International Festival of Shanghai, Blou does not cease sowing its unique style of music. We had to invent a word to describe it - "Acadio". Blou was born in Nova Scotia in 1994. The Acadian people fell in love with the sound right away. The origin of the name BLOU comes from an aboriginal man who lived at the end of the street where BLOU resides, "L'Allée des Blou".
BLOU's history started in 1994 with LE GALA DE LA CHANSON DE LA NOUVELLE-ÉCOSSE where BLOU won three prizes; Chanson primée pour LA FOLIE (Best Song), singer-songwriter award and the peoples choice award. The first challenge for BLOU was a show designed for the acadian young people. The show was called 'VOYAGE THRU ACADIE' and was applauded by more than 12 000 students of the Atlantic provinces.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Blou_(band)
Radio Stations - Blou
SEARCH FOR RADIOS
Blou
ALBUMS
- Rythm'n Blou released: 2000
- Blou Blanc Rouge released:
- Pied-a-terre released:
- Acadico released:
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Bidplek
Provided to YouTube by The Orchard Enterprises Bidplek · Prophet Dis Gospel ℗ 2014 Next Music Released on: 2014-06-16 Auto-generated by YouTube.
published: 30 Sep 2015 -
Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so tha...
published: 29 Oct 2012 -
My Friend Irma: Memoirs / Cub Scout Speech / The Burglar
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954. Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. Afte...
published: 06 Sep 2012 -
The Great Gildersleeve: House Hunting / Leroy's Job / Gildy Makes a Will
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given sev...
published: 19 Sep 2012 -
Dragnet: Big Escape / Big Man Part 1 / Big Man Part 2
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Bart...
published: 03 Nov 2012 -
No Rapture, No Escape? (Video 3 of 7)
This content has been digitally remastered and is available here: https://www.youtube.com/playlist?list=PL5t4xK5rRlAHCUB5ffNC75sEPNHTN5vRQ Luke 21:25 speaks of these last days, in predicting "anxiety of nations, in perplexity." I don't think a better description would be possible to describe the mood of the nations or their people right now. For example, 'anxiety' and 'perplexity' arise from the dangers of ISIS infiltrating the nations of the West, gaining entry with the waves of Islamic refugees flooding into Europe, and soon, America. Recent ISIS terror attacks in Paris, the US and other places have shaken the world with these concerns. While many citizens are near panic, feeling insecure and unprotected by their respective governments, some governmental leaders continue to push thr...
published: 07 Jan 2016 -
Calling All Cars: Hit and Run Driver / Trial by Talkie / Double Cross
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker...
published: 24 Dec 2012 -
Bill Schnoebelen - Interview With an Ex Vampire (2 of 9)
Second in a nine part series examining the life and rituals of a vampire as told by Bill Schnoebelen of withoneccordministries.com Vlad the Impaler had red hair and light skin. People think that vampires started with his legend. But even the ancient Egyptians wrote about vampires thousands of years before Vlad. In fact, in every language in the world there is a word for vampire and each culture has its own legends. Free Truth Productions Truth = Waaaay stranger than fiction... www.freetruthproductions.com Languages Afrikaans አማርኛ العربية Azərbaycanca / آذربايجان Boarisch Беларуская Български বাংলা བོད་ཡིག / Bod skad Bosanski Català Нохчийн Sinugboanong Binisaya ᏣᎳᎩ Corsu Nehiyaw Česky словѣньскъ / slověnĭskŭ Cymraeg Dansk Deutsch Ελληνικά Esperanto Español Eesti Euskara فارسی ...
published: 14 Jan 2019 -
The Great Gildersleeve: Leroy Smokes a Cigar / Canary Won't Sing / Cousin Octavia Visits
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given sev...
published: 16 Sep 2012 -
John Henry Faulk Interview: Education, Career, and the Hollywood Blacklist
John Henry Faulk (August 21, 1913--April 9, 1990) from Austin, Texas was a storyteller and radio show host. His successful lawsuit against blacklisters of the entertainment industry helped to bring an end to the Hollywood blacklist. More Faulk: https://www.amazon.com/gp/search?ie=UTF8&tag;=tra0c7-20&linkCode;=ur2&linkId;=40f706fb18cc385c993db61f44f55b9a&camp;=1789&creative;=9325&index;=books&keywords;=john%20henry%20faulk While a soldier at Camp Swift, Faulk began writing his own radio scripts. An acquaintance facilitated an interview for him at WCBS in New York City. The network executives were sufficiently impressed to offer him his own radio show. Upon his 1946 discharge from the Army, Faulk began his Johnny's Front Porch radio show for WCBS. The show featured Faulk's characterizations that h...
published: 06 Jul 2012 -
Suspense: Loves Lovely Counterfeit
Common methods and themes in crime thrillers are mainly ransoms, captivities, heists, revenge, kidnappings. More common in mystery thrillers are investigations and the whodunit technique. Common elements in psychological thrillers are mind games, psychological themes, stalking, confinement/deathtraps, horror-of-personality, and obsession. Elements such as fringe theories, false accusations and paranoia are common in paranoid thrillers. Threats to entire countries, spies, espionage, conspiracies, assassins and electronic surveillance are common in spy thrillers[11] The primary elements of the thriller genre: The protagonist(s) faces death, either their own or somebody else's. The force(s) of antagonism must initially be cleverer and/or stronger than the protagonist's. The main...
published: 12 Mar 2013 -
The Great Gildersleeve: The Bank Robber / The Petition / Leroy's Horse
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children. By the late 1940s, Marjorie slowly matures to a young woman of marr...
published: 26 Sep 2012 -
NYSTV - Midnight Ride Halloween Mystery and Origins w David Carrico and Gary Wayne - Multi Language
Halloween has been made to seem like a harmless children's holiday but the origins and symbolism are very much satanic. But it really isn't. Like really. For example, victims were given a choice as to be sacrificed or dip their heads in boiling oil to bob for an apple. Join Gary Wayne and David Carrico on this Midnight ride exposing the Illuminati, Luciferian holiday. I'm trying to translate videos as fast as possible so please be patient. I'll have more videos soon. Don't forget to subscribe here: http://www.youtube.com/c/FreeTruthProductions www.freetruthproductions.com Languages: Afrikaans አማርኛ العربية Azərbaycanca / آذربايجان Boarisch Беларуская Български বাংলা བོད་ཡིག / Bod skad Bosanski Català Нохчийн Sinugboanong Binisaya ᏣᎳᎩ (Burmese) but It doesn't load correctly)...
published: 29 Dec 2018
developed with YouTube
6:08
Bidplek
- Order: Reorder
- Duration: 6:08
- Uploaded Date: 30 Sep 2015
- views: 71
Provided to YouTube by The Orchard Enterprises
Bidplek · Prophet
Dis Gospel
℗ 2014 Next Music
Released on: 2014-06-16
Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises
Bidplek · Prophet
Dis Gospel
℗ 2014 Next Music
Released on: 2014-06-16
Auto-generated by YouTube.
https://wn.com/Bidplek
Provided to YouTube by The Orchard Enterprises
Bidplek · Prophet
Dis Gospel
℗ 2014 Next Music
Released on: 2014-06-16
Auto-generated by YouTube.
- published: 30 Sep 2015
- views: 71
1:35:28
Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies
- Order: Reorder
- Duration: 1:35:28
- Uploaded Date: 29 Oct 2012
- views: 217266
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 19...
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
http://en.wikipedia.org/wiki/Our_Miss_Brooks
https://wn.com/Our_Miss_Brooks_Conklin_The_Bachelor_Christmas_Gift_Mix_Up_Writes_About_A_Hobo_Hobbies
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
http://en.wikipedia.org/wiki/Our_Miss_Brooks
- published: 29 Oct 2012
- views: 217266
1:29:58
My Friend Irma: Memoirs / Cub Scout Speech / The Burglar
- Order: Reorder
- Duration: 1:29:58
- Uploaded Date: 06 Sep 2012
- views: 491099
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success es...
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954.
Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. After the two met in the first episode, they lived together in an apartment rented from their Irish landlady, Mrs. O'Reilly (Jane Morgan, Gloria Gordon).
Irma's boyfriend Al (John Brown) was a deadbeat, barely on the right side of the law, who had not held a job in years. Only someone like Irma could love Al, whose nickname for Irma was "Chicken". Al had many crazy get-rich-quick schemes, which never worked. Al planned to marry Irma at some future date so she could support him. Professor Kropotkin (Hans Conried), the Russian violinist at the Princess Burlesque theater, lived upstairs. He greeted Jane and Irma with remarks like, "My two little bunnies with one being an Easter bunny and the other being Bugs Bunny." The Professor insulted Mrs. O'Reilly, complained about his room and reluctantly became O'Reilly's love interest in an effort to make her forget his back rent.
Irma worked for the lawyer, Mr. Clyde (Alan Reed). She had such an odd filing system that once when Clyde fired her, he had to hire her back again because he couldn't find anything. Useless at dictation, Irma mangled whatever Clyde dictated. Asked how long she had been with Clyde, Irma said, "When I first went to work with him he had curly black hair, then it got grey, and now it's snow white. I guess I've been with him about six months."
Irma became less bright as the program evolved. She also developed a tendency to whine or cry whenever something went wrong, which was at least once every show. Jane had a romantic inclination for her boss, millionaire Richard Rhinelander (Leif Erickson), but he had no real interest in her. Another actor in the show was Bea Benaderet.
http://en.wikipedia.org/wiki/My_Friend_Irma_%28radio-TV%29
Katherine Elisabeth Wilson (August 19, 1916 -- November 23, 1972), better known by her stage name, Marie Wilson, was an American radio, film, and television actress. She may be best remembered as the title character in My Friend Irma.
Born in Anaheim, California, Wilson began her career in New York City as a dancer on the Broadway stage. She gained national prominence with My Friend Irma on radio, television and film. The show made her a star but typecast her almost interminably as the quintessential dumb blonde, which she played in numerous comedies and in Ken Murray's famous Hollywood "Blackouts". During World War II, she was a volunteer performer at the Hollywood Canteen. She was also a popular wartime pin-up.
Wilson's performance in Satan Met a Lady, the second film adaptation of Dashiell Hammett's detective novel The Maltese Falcon, is a virtual template for Marilyn Monroe's later onscreen persona. Wilson appeared in more than 40 films and was a guest on The Ed Sullivan Show on four occasions. She was a television performer during the 1960s, working until her untimely death.
Wilson's talents have been recognized with three stars on the Hollywood Walk of Fame: for radio at 6301 Hollywood Boulevard, for television at 6765 Hollywood Boulevard and for movies at 6601 Hollywood Boulevard.
Wilson married four times: Nick Grinde (early 1930s), LA golf pro Bob Stevens (1938--39), Allan Nixon (1942--50) and Robert Fallon (1951--72).
She died of cancer in 1972 at age 56 and was interred in the Columbarium of Remembrance at Forest Lawn Cemetery in Hollywood Hills.
http://en.wikipedia.org/wiki/Marie_Wilson_%28American_actress%29
https://wn.com/My_Friend_Irma_Memoirs_Cub_Scout_Speech_The_Burglar
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954.
Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. After the two met in the first episode, they lived together in an apartment rented from their Irish landlady, Mrs. O'Reilly (Jane Morgan, Gloria Gordon).
Irma's boyfriend Al (John Brown) was a deadbeat, barely on the right side of the law, who had not held a job in years. Only someone like Irma could love Al, whose nickname for Irma was "Chicken". Al had many crazy get-rich-quick schemes, which never worked. Al planned to marry Irma at some future date so she could support him. Professor Kropotkin (Hans Conried), the Russian violinist at the Princess Burlesque theater, lived upstairs. He greeted Jane and Irma with remarks like, "My two little bunnies with one being an Easter bunny and the other being Bugs Bunny." The Professor insulted Mrs. O'Reilly, complained about his room and reluctantly became O'Reilly's love interest in an effort to make her forget his back rent.
Irma worked for the lawyer, Mr. Clyde (Alan Reed). She had such an odd filing system that once when Clyde fired her, he had to hire her back again because he couldn't find anything. Useless at dictation, Irma mangled whatever Clyde dictated. Asked how long she had been with Clyde, Irma said, "When I first went to work with him he had curly black hair, then it got grey, and now it's snow white. I guess I've been with him about six months."
Irma became less bright as the program evolved. She also developed a tendency to whine or cry whenever something went wrong, which was at least once every show. Jane had a romantic inclination for her boss, millionaire Richard Rhinelander (Leif Erickson), but he had no real interest in her. Another actor in the show was Bea Benaderet.
http://en.wikipedia.org/wiki/My_Friend_Irma_%28radio-TV%29
Katherine Elisabeth Wilson (August 19, 1916 -- November 23, 1972), better known by her stage name, Marie Wilson, was an American radio, film, and television actress. She may be best remembered as the title character in My Friend Irma.
Born in Anaheim, California, Wilson began her career in New York City as a dancer on the Broadway stage. She gained national prominence with My Friend Irma on radio, television and film. The show made her a star but typecast her almost interminably as the quintessential dumb blonde, which she played in numerous comedies and in Ken Murray's famous Hollywood "Blackouts". During World War II, she was a volunteer performer at the Hollywood Canteen. She was also a popular wartime pin-up.
Wilson's performance in Satan Met a Lady, the second film adaptation of Dashiell Hammett's detective novel The Maltese Falcon, is a virtual template for Marilyn Monroe's later onscreen persona. Wilson appeared in more than 40 films and was a guest on The Ed Sullivan Show on four occasions. She was a television performer during the 1960s, working until her untimely death.
Wilson's talents have been recognized with three stars on the Hollywood Walk of Fame: for radio at 6301 Hollywood Boulevard, for television at 6765 Hollywood Boulevard and for movies at 6601 Hollywood Boulevard.
Wilson married four times: Nick Grinde (early 1930s), LA golf pro Bob Stevens (1938--39), Allan Nixon (1942--50) and Robert Fallon (1951--72).
She died of cancer in 1972 at age 56 and was interred in the Columbarium of Remembrance at Forest Lawn Cemetery in Hollywood Hills.
http://en.wikipedia.org/wiki/Marie_Wilson_%28American_actress%29
- published: 06 Sep 2012
- views: 491099
1:29:33
The Great Gildersleeve: House Hunting / Leroy's Job / Gildy Makes a Will
- Order: Reorder
- Duration: 1:29:33
- Uploaded Date: 19 Sep 2012
- views: 190276
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throck...
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
http://en.wikipedia.org/wiki/Great_Gildersleeve
https://wn.com/The_Great_Gildersleeve_House_Hunting_Leroy's_Job_Gildy_Makes_A_Will
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
http://en.wikipedia.org/wiki/Great_Gildersleeve
- published: 19 Sep 2012
- views: 190276
1:28:44
Dragnet: Big Escape / Big Man Part 1 / Big Man Part 2
- Order: Reorder
- Duration: 1:28:44
- Uploaded Date: 03 Nov 2012
- views: 106090
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes...
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode "The Big Sorrow"), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode "The Big Donation"); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) "Underplaying is still acting", Webb told Time. "We try to make it as real as a guy pouring a cup of coffee." (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled "The Big _____", where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in "The Big Streetcar" the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode "James Vickers", the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at "the road to San Pedro", clearly indicate that it still retained much the character of a country highway at that time.
http://en.wikipedia.org/wiki/Dragnet_(series)
https://wn.com/Dragnet_Big_Escape_Big_Man_Part_1_Big_Man_Part_2
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode "The Big Sorrow"), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode "The Big Donation"); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) "Underplaying is still acting", Webb told Time. "We try to make it as real as a guy pouring a cup of coffee." (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled "The Big _____", where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in "The Big Streetcar" the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode "James Vickers", the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at "the road to San Pedro", clearly indicate that it still retained much the character of a country highway at that time.
http://en.wikipedia.org/wiki/Dragnet_(series)
- published: 03 Nov 2012
- views: 106090
1:18:41
No Rapture, No Escape? (Video 3 of 7)
- Order: Reorder
- Duration: 1:18:41
- Uploaded Date: 07 Jan 2016
- views: 12460
This content has been digitally remastered and is available here: https://www.youtube.com/playlist?list=PL5t4xK5rRlAHCUB5ffNC75sEPNHTN5vRQ
Luke 21:25 speaks of...
This content has been digitally remastered and is available here: https://www.youtube.com/playlist?list=PL5t4xK5rRlAHCUB5ffNC75sEPNHTN5vRQ
Luke 21:25 speaks of these last days, in predicting "anxiety of nations, in perplexity."
I don't think a better description would be possible to describe the mood of the nations or their people right now.
For example, 'anxiety' and 'perplexity' arise from the dangers of ISIS infiltrating the nations of the West, gaining entry with the waves of Islamic refugees flooding into Europe, and soon, America. Recent ISIS terror attacks in Paris, the US and other places have shaken the world with these concerns.
While many citizens are near panic, feeling insecure and unprotected by their respective governments, some governmental leaders continue to push through more immigration, with little or no viable screening. Indeed, one of the most basic responsibilities of any federal government is to protect citizens from foreigners who would do the citizens harm. Yet, it seems like the freedoms of citizens are reduced more and more while a real threat, such as ISIS, is hardly considered when allowing millions of unknown immigrants into normally stable countries. All of this certainly seems crazy to the man on the street, causing both 'anxiety' and 'perplexity' to millions.
It is as if there is some larger hand deliberately orchestrating unrest and social upheaval in the developed countries - but that would be crazy - right? Or could it be part of UN Agenda 2030 with the goal of softening up the population to make way for world government? At what point will people be so weary of turmoil and trouble that they will capitulate? I would say, just about 2030. Until then we can expect nothing but more and worse of the same.
After that, instead of the "peace and safety" that is promised, the world will sink into the most critical time period of all history - the Great Tribulation. The Man of Sin and the Mark of the Beast will soon follow. No one will be able to buy or sell without the Mark. Yet, taking the Mark is to share the eternal fate of the Beast. The whole world will be confronted with this.
The only way of dealing with this is to take the Mark, accept martyrdom, or somehow escape before it happens!
Millions of Christians think they will escape in a pre-trib rapture of "the Church." Many of them are so sure about this that they are unconcerned about the Tribulation or the Mark.
There is a way of escape - but a Pre-Tribulation Rapture isn't it.
This video presents facts of history proving that the underlying assumptions on which the Pre-Trib Rapture teaching are based are entirely false - meaning the doctrine that millions of Christians are counting on for protection is nothing more than a theological mistake.
See this entire Remnant Exodus Seminar free for a limited time.
For a limited time see all of this Remnant Exodus Seminar for FREE!
Because Escape is Still Possible... https://RemnantExodus.Org
https://wn.com/No_Rapture,_No_Escape_(Video_3_Of_7)
This content has been digitally remastered and is available here: https://www.youtube.com/playlist?list=PL5t4xK5rRlAHCUB5ffNC75sEPNHTN5vRQ
Luke 21:25 speaks of these last days, in predicting "anxiety of nations, in perplexity."
I don't think a better description would be possible to describe the mood of the nations or their people right now.
For example, 'anxiety' and 'perplexity' arise from the dangers of ISIS infiltrating the nations of the West, gaining entry with the waves of Islamic refugees flooding into Europe, and soon, America. Recent ISIS terror attacks in Paris, the US and other places have shaken the world with these concerns.
While many citizens are near panic, feeling insecure and unprotected by their respective governments, some governmental leaders continue to push through more immigration, with little or no viable screening. Indeed, one of the most basic responsibilities of any federal government is to protect citizens from foreigners who would do the citizens harm. Yet, it seems like the freedoms of citizens are reduced more and more while a real threat, such as ISIS, is hardly considered when allowing millions of unknown immigrants into normally stable countries. All of this certainly seems crazy to the man on the street, causing both 'anxiety' and 'perplexity' to millions.
It is as if there is some larger hand deliberately orchestrating unrest and social upheaval in the developed countries - but that would be crazy - right? Or could it be part of UN Agenda 2030 with the goal of softening up the population to make way for world government? At what point will people be so weary of turmoil and trouble that they will capitulate? I would say, just about 2030. Until then we can expect nothing but more and worse of the same.
After that, instead of the "peace and safety" that is promised, the world will sink into the most critical time period of all history - the Great Tribulation. The Man of Sin and the Mark of the Beast will soon follow. No one will be able to buy or sell without the Mark. Yet, taking the Mark is to share the eternal fate of the Beast. The whole world will be confronted with this.
The only way of dealing with this is to take the Mark, accept martyrdom, or somehow escape before it happens!
Millions of Christians think they will escape in a pre-trib rapture of "the Church." Many of them are so sure about this that they are unconcerned about the Tribulation or the Mark.
There is a way of escape - but a Pre-Tribulation Rapture isn't it.
This video presents facts of history proving that the underlying assumptions on which the Pre-Trib Rapture teaching are based are entirely false - meaning the doctrine that millions of Christians are counting on for protection is nothing more than a theological mistake.
See this entire Remnant Exodus Seminar free for a limited time.
For a limited time see all of this Remnant Exodus Seminar for FREE!
Because Escape is Still Possible... https://RemnantExodus.Org
- published: 07 Jan 2016
- views: 12460
1:25:52
Calling All Cars: Hit and Run Driver / Trial by Talkie / Double Cross
- Order: Reorder
- Duration: 1:25:52
- Uploaded Date: 24 Dec 2012
- views: 53032
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios...
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach.
http://en.wikipedia.org/wiki/LAPD
https://wn.com/Calling_All_Cars_Hit_And_Run_Driver_Trial_By_Talkie_Double_Cross
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach.
http://en.wikipedia.org/wiki/LAPD
- published: 24 Dec 2012
- views: 53032
1:04:14
Bill Schnoebelen - Interview With an Ex Vampire (2 of 9)
- Order: Reorder
- Duration: 1:04:14
- Uploaded Date: 14 Jan 2019
- views: 28335
Second in a nine part series examining the life and rituals of a vampire as told by Bill Schnoebelen of withoneccordministries.com
Vlad the Impaler had red hai...
Second in a nine part series examining the life and rituals of a vampire as told by Bill Schnoebelen of withoneccordministries.com
Vlad the Impaler had red hair and light skin. People think that vampires started with his legend. But even the ancient Egyptians wrote about vampires thousands of years before Vlad.
In fact, in every language in the world there is a word for vampire and each culture has its own legends.
Free Truth Productions
Truth = Waaaay stranger than fiction...
www.freetruthproductions.com
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https://wn.com/Bill_Schnoebelen_Interview_With_An_Ex_Vampire_(2_Of_9)
Second in a nine part series examining the life and rituals of a vampire as told by Bill Schnoebelen of withoneccordministries.com
Vlad the Impaler had red hair and light skin. People think that vampires started with his legend. But even the ancient Egyptians wrote about vampires thousands of years before Vlad.
In fact, in every language in the world there is a word for vampire and each culture has its own legends.
Free Truth Productions
Truth = Waaaay stranger than fiction...
www.freetruthproductions.com
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- published: 14 Jan 2019
- views: 28335
1:27:49
The Great Gildersleeve: Leroy Smokes a Cigar / Canary Won't Sing / Cousin Octavia Visits
- Order: Reorder
- Duration: 1:27:49
- Uploaded Date: 16 Sep 2012
- views: 99460
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throck...
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
http://en.wikipedia.org/wiki/Great_Gildersleeve
https://wn.com/The_Great_Gildersleeve_Leroy_Smokes_A_Cigar_Canary_Won't_Sing_Cousin_Octavia_Visits
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
http://en.wikipedia.org/wiki/Great_Gildersleeve
- published: 16 Sep 2012
- views: 99460
53:30
John Henry Faulk Interview: Education, Career, and the Hollywood Blacklist
- Order: Reorder
- Duration: 53:30
- Uploaded Date: 06 Jul 2012
- views: 79365
John Henry Faulk (August 21, 1913--April 9, 1990) from Austin, Texas was a storyteller and radio show host. His successful lawsuit against blacklisters of the e...
John Henry Faulk (August 21, 1913--April 9, 1990) from Austin, Texas was a storyteller and radio show host. His successful lawsuit against blacklisters of the entertainment industry helped to bring an end to the Hollywood blacklist. More Faulk: https://www.amazon.com/gp/search?ie=UTF8&tag;=tra0c7-20&linkCode;=ur2&linkId;=40f706fb18cc385c993db61f44f55b9a&camp;=1789&creative;=9325&index;=books&keywords;=john%20henry%20faulk
While a soldier at Camp Swift, Faulk began writing his own radio scripts. An acquaintance facilitated an interview for him at WCBS in New York City. The network executives were sufficiently impressed to offer him his own radio show. Upon his 1946 discharge from the Army, Faulk began his Johnny's Front Porch radio show for WCBS. The show featured Faulk's characterizations that he had been developing since his university years. Faulk eventually went to another radio station, but returned to WCBS for a four-hour morning talk show. The John Henry Faulk Show ran for six years. His radio successes provided opportunity for him to appear as himself on television, in shows like the 1951 Mark Goodson and William Todman game show It's News to Me, hosted by John Charles Daly. He also appeared on Leave It to the Girls in 1953 and The Name's the Same in 1955.
Cactus Pryor met Faulk in the studios of KLBJ (then KTBC) where Faulk stopped by to thank Pryor for letting his mother hear his New York show. Pryor had been "accidentally" broadcasting Faulk's radio show in Texas where Faulk was not otherwise heard. Although the broadcast happened repeatedly, Pryor always claimed he just hit the wrong button in the studio. Pryor visited Faulk at a Manhattan apartment he shared with Alan Lomax, and became introduced to the movers and shakers of the east coast celebrity scene of that era. When Pryor stood by Faulk during the blacklisting and tried to find him work, Pryor's children were harassed; a prominent Austin physician circulated a letter questioning Pryor's patriotism; an Austin attorney tried to convince Lyndon Johnson to discharge Pryor from the airwaves. The Pryor family and the Faulk family remained close and supportive of each other for the rest of Faulk's life.
In December 1955, Faulk was elected second vice president of the American Federation of Television and Radio Artists, to Orson Bean's first vice president position and Charles Collingwood as the president of the union. Collingswood, Bean and Faulk were part of a middle-of-the-road slate of non-communist, anti-AWARE organization candidates that Faulk had helped draft. Twenty-seven of thirty-five vacant seats on the board went to the middle-of-the-road slate. Faulk's public position during the campaign had been that the union should be focused on jobs and security, not blacklisting of members.
In the 1970s in Austin, he was also befriended by the young co-editor of the Texas Observer, Molly Ivins, and became an early supporter of hers.
Film
All the Way Home (1963), as Walter Starr
The Best Man (1964), as Governor T.T. Claypoole
Lovin' Molly (1974), as Mr. Grinsom
The Texas Chain Saw Massacre (1974), as Storyteller
Leadbelly (1976). as Governor Neff
Trespasses (1986), as Doctor Silver
Television
It's News to Me (1951--1954), Self
Leave It to the Girls (3 Oct 1953), Self
The Name's the Same (21 Feb 1955), Self
For the People (1965), Episode "Seized, Confined and Detained", as Reynolds
Fear on Trial (1975), Writer, Biopic of John Henry Faulk
Hee Haw (1975--1982), Self
Adam (1983), as as Strom Thurmond
Cronkite Remembers (1997), Uncredited archive footage
http://en.wikipedia.org/wiki/John_Henry_Faulk
https://wn.com/John_Henry_Faulk_Interview_Education,_Career,_And_The_Hollywood_Blacklist
John Henry Faulk (August 21, 1913--April 9, 1990) from Austin, Texas was a storyteller and radio show host. His successful lawsuit against blacklisters of the entertainment industry helped to bring an end to the Hollywood blacklist. More Faulk: https://www.amazon.com/gp/search?ie=UTF8&tag;=tra0c7-20&linkCode;=ur2&linkId;=40f706fb18cc385c993db61f44f55b9a&camp;=1789&creative;=9325&index;=books&keywords;=john%20henry%20faulk
While a soldier at Camp Swift, Faulk began writing his own radio scripts. An acquaintance facilitated an interview for him at WCBS in New York City. The network executives were sufficiently impressed to offer him his own radio show. Upon his 1946 discharge from the Army, Faulk began his Johnny's Front Porch radio show for WCBS. The show featured Faulk's characterizations that he had been developing since his university years. Faulk eventually went to another radio station, but returned to WCBS for a four-hour morning talk show. The John Henry Faulk Show ran for six years. His radio successes provided opportunity for him to appear as himself on television, in shows like the 1951 Mark Goodson and William Todman game show It's News to Me, hosted by John Charles Daly. He also appeared on Leave It to the Girls in 1953 and The Name's the Same in 1955.
Cactus Pryor met Faulk in the studios of KLBJ (then KTBC) where Faulk stopped by to thank Pryor for letting his mother hear his New York show. Pryor had been "accidentally" broadcasting Faulk's radio show in Texas where Faulk was not otherwise heard. Although the broadcast happened repeatedly, Pryor always claimed he just hit the wrong button in the studio. Pryor visited Faulk at a Manhattan apartment he shared with Alan Lomax, and became introduced to the movers and shakers of the east coast celebrity scene of that era. When Pryor stood by Faulk during the blacklisting and tried to find him work, Pryor's children were harassed; a prominent Austin physician circulated a letter questioning Pryor's patriotism; an Austin attorney tried to convince Lyndon Johnson to discharge Pryor from the airwaves. The Pryor family and the Faulk family remained close and supportive of each other for the rest of Faulk's life.
In December 1955, Faulk was elected second vice president of the American Federation of Television and Radio Artists, to Orson Bean's first vice president position and Charles Collingwood as the president of the union. Collingswood, Bean and Faulk were part of a middle-of-the-road slate of non-communist, anti-AWARE organization candidates that Faulk had helped draft. Twenty-seven of thirty-five vacant seats on the board went to the middle-of-the-road slate. Faulk's public position during the campaign had been that the union should be focused on jobs and security, not blacklisting of members.
In the 1970s in Austin, he was also befriended by the young co-editor of the Texas Observer, Molly Ivins, and became an early supporter of hers.
Film
All the Way Home (1963), as Walter Starr
The Best Man (1964), as Governor T.T. Claypoole
Lovin' Molly (1974), as Mr. Grinsom
The Texas Chain Saw Massacre (1974), as Storyteller
Leadbelly (1976). as Governor Neff
Trespasses (1986), as Doctor Silver
Television
It's News to Me (1951--1954), Self
Leave It to the Girls (3 Oct 1953), Self
The Name's the Same (21 Feb 1955), Self
For the People (1965), Episode "Seized, Confined and Detained", as Reynolds
Fear on Trial (1975), Writer, Biopic of John Henry Faulk
Hee Haw (1975--1982), Self
Adam (1983), as as Strom Thurmond
Cronkite Remembers (1997), Uncredited archive footage
http://en.wikipedia.org/wiki/John_Henry_Faulk
- published: 06 Jul 2012
- views: 79365
1:00:40
Suspense: Loves Lovely Counterfeit
- Order: Reorder
- Duration: 1:00:40
- Uploaded Date: 12 Mar 2013
- views: 49580
Common methods and themes in crime thrillers are mainly ransoms, captivities, heists, revenge, kidnappings. More common in mystery thrillers are investigations ...
Common methods and themes in crime thrillers are mainly ransoms, captivities, heists, revenge, kidnappings. More common in mystery thrillers are investigations and the whodunit technique. Common elements in psychological thrillers are mind games, psychological themes, stalking, confinement/deathtraps, horror-of-personality, and obsession. Elements such as fringe theories, false accusations and paranoia are common in paranoid thrillers. Threats to entire countries, spies, espionage, conspiracies, assassins and electronic surveillance are common in spy thrillers[11]
The primary elements of the thriller genre:
The protagonist(s) faces death, either their own or somebody else's.
The force(s) of antagonism must initially be cleverer and/or stronger than the protagonist's.
The main storyline for the protagonist is either a quest or a character who cannot be put down.
The main plotline focuses on a mystery that must be solved.
The film's narrative construction is dominated by the protagonist's point of view.
All action and characters must be credibly realistic/natural in their representation on screen.
The two major themes that underpin the thriller genre are the desire for justice and the morality of individuals.
One small, but significant, aspect of a thriller is the presence of innocence in what is seen as an essentially corrupt world.
The protagonist(s) and antagonist(s) may battle, themselves and each other, not just on a physical level, but on a mental one as well.
Either by accident or their own curiousness, characters are dragged into a dangerous conflict or situation that they are not prepared to resolve.
Characters include criminals, stalkers, assassins, innocent victims (often on the run), menaced women, characters with deep dark pasts, psychotic individuals, spree killers, sociopaths, agents, terrorists, cops and escaped cons, private eyes, people involved in twisted relationships, world-weary men and women, psycho-fiends, and more. The themes frequently include terrorism, political conspiracy, pursuit, or romantic triangles leading to murder.[12]
The protagonists are frequently ordinary citizens unaccustomed to danger, although commonly in crime thrillers, they may also be "hard men" accustomed to danger such as police officers and detectives. While protagonists of thrillers have traditionally been men, women lead characters are increasingly common.[13] In psychological thrillers, the protagonists are reliant on their mental resources, whether it be by battling wits with the antagonist or by battling for equilibrium in the character's own mind. The suspense often comes from two or more characters preying upon one another's minds, either by playing deceptive games with the other or by merely trying to demolish the other's mental state.
http://en.wikipedia.org/wiki/Thriller_%28genre%29
https://wn.com/Suspense_Loves_Lovely_Counterfeit
Common methods and themes in crime thrillers are mainly ransoms, captivities, heists, revenge, kidnappings. More common in mystery thrillers are investigations and the whodunit technique. Common elements in psychological thrillers are mind games, psychological themes, stalking, confinement/deathtraps, horror-of-personality, and obsession. Elements such as fringe theories, false accusations and paranoia are common in paranoid thrillers. Threats to entire countries, spies, espionage, conspiracies, assassins and electronic surveillance are common in spy thrillers[11]
The primary elements of the thriller genre:
The protagonist(s) faces death, either their own or somebody else's.
The force(s) of antagonism must initially be cleverer and/or stronger than the protagonist's.
The main storyline for the protagonist is either a quest or a character who cannot be put down.
The main plotline focuses on a mystery that must be solved.
The film's narrative construction is dominated by the protagonist's point of view.
All action and characters must be credibly realistic/natural in their representation on screen.
The two major themes that underpin the thriller genre are the desire for justice and the morality of individuals.
One small, but significant, aspect of a thriller is the presence of innocence in what is seen as an essentially corrupt world.
The protagonist(s) and antagonist(s) may battle, themselves and each other, not just on a physical level, but on a mental one as well.
Either by accident or their own curiousness, characters are dragged into a dangerous conflict or situation that they are not prepared to resolve.
Characters include criminals, stalkers, assassins, innocent victims (often on the run), menaced women, characters with deep dark pasts, psychotic individuals, spree killers, sociopaths, agents, terrorists, cops and escaped cons, private eyes, people involved in twisted relationships, world-weary men and women, psycho-fiends, and more. The themes frequently include terrorism, political conspiracy, pursuit, or romantic triangles leading to murder.[12]
The protagonists are frequently ordinary citizens unaccustomed to danger, although commonly in crime thrillers, they may also be "hard men" accustomed to danger such as police officers and detectives. While protagonists of thrillers have traditionally been men, women lead characters are increasingly common.[13] In psychological thrillers, the protagonists are reliant on their mental resources, whether it be by battling wits with the antagonist or by battling for equilibrium in the character's own mind. The suspense often comes from two or more characters preying upon one another's minds, either by playing deceptive games with the other or by merely trying to demolish the other's mental state.
http://en.wikipedia.org/wiki/Thriller_%28genre%29
- published: 12 Mar 2013
- views: 49580
1:29:29
The Great Gildersleeve: The Bank Robber / The Petition / Leroy's Horse
- Order: Reorder
- Duration: 1:29:29
- Uploaded Date: 26 Sep 2012
- views: 105155
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in th...
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter "Bronco" Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed "Ha!!!" or "What a character!" Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.
http://en.wikipedia.org/wiki/Great_Gildersleeve
https://wn.com/The_Great_Gildersleeve_The_Bank_Robber_The_Petition_Leroy's_Horse
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter "Bronco" Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed "Ha!!!" or "What a character!" Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.
http://en.wikipedia.org/wiki/Great_Gildersleeve
- published: 26 Sep 2012
- views: 105155
2:07:36
NYSTV - Midnight Ride Halloween Mystery and Origins w David Carrico and Gary Wayne - Multi Language
- Order: Reorder
- Duration: 2:07:36
- Uploaded Date: 29 Dec 2018
- views: 53044
Halloween has been made to seem like a harmless children's holiday but the origins and symbolism are very much satanic.
But it really isn't. Like really.
F...
Halloween has been made to seem like a harmless children's holiday but the origins and symbolism are very much satanic.
But it really isn't. Like really.
For example, victims were given a choice as to be sacrificed or dip their heads in boiling oil to bob for an apple.
Join Gary Wayne and David Carrico on this Midnight ride exposing the Illuminati, Luciferian holiday.
I'm trying to translate videos as fast as possible so please be patient. I'll have more videos soon.
Don't forget to subscribe here: http://www.youtube.com/c/FreeTruthProductions
www.freetruthproductions.com
Languages:
Afrikaans
አማርኛ
العربية
Azərbaycanca / آذربايجان
Boarisch
Беларуская
Български
বাংলা
བོད་ཡིག / Bod skad
Bosanski
Català
Нохчийн
Sinugboanong Binisaya
ᏣᎳᎩ (Burmese) but It doesn't load correctly)
Corsu - coming soon
Nehiyaw - coming soon
Česky - coming soon
словѣньскъ / slověnĭskŭ
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chiShona
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ไทย / Phasa Thai
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tokipona - coming soon
https://wn.com/Nystv_Midnight_Ride_Halloween_Mystery_And_Origins_W_David_Carrico_And_Gary_Wayne_Multi_Language
Halloween has been made to seem like a harmless children's holiday but the origins and symbolism are very much satanic.
But it really isn't. Like really.
For example, victims were given a choice as to be sacrificed or dip their heads in boiling oil to bob for an apple.
Join Gary Wayne and David Carrico on this Midnight ride exposing the Illuminati, Luciferian holiday.
I'm trying to translate videos as fast as possible so please be patient. I'll have more videos soon.
Don't forget to subscribe here: http://www.youtube.com/c/FreeTruthProductions
www.freetruthproductions.com
Languages:
Afrikaans
አማርኛ
العربية
Azərbaycanca / آذربايجان
Boarisch
Беларуская
Български
বাংলা
བོད་ཡིག / Bod skad
Bosanski
Català
Нохчийн
Sinugboanong Binisaya
ᏣᎳᎩ (Burmese) but It doesn't load correctly)
Corsu - coming soon
Nehiyaw - coming soon
Česky - coming soon
словѣньскъ / slověnĭskŭ
Cymraeg
Dansk
Deutsch
Ελληνικά
Esperanto
Español
Eesti
Euskara
فارسی
Suomi
Võro
Français
Frysk
Gàidhlig
Galego
Avañe'ẽ
ગુજરાતી
هَوُسَ
Hawai`i
עברית
हिन्दी
Hrvatski
Krèyol ayisyen
Magyar
Հայերեն
Bahasa Indonesia
Igbo
Ido
Íslenska
Italiano
日本語
Basa Jawa
ქართული
Қазақша
ភាសាខ្មែរ
ಕನ್ನಡ
한국어
Kurdî / كوردی
Коми
Kırgızca / Кыргызча
Latina
Lëtzebuergesch
ລາວ / Pha xa lao
Lazuri / ლაზური
Lietuvių
Latviešu
Malagasy
官話/官话
Māori
Македонски
മലയാളം
Монгол
Moldovenească
मराठी
Bahasa Melayu
bil-Malti
Myanmasa
नेपाली
Nederlands
Norsk (bokmål / riksmål)
Diné bizaad
Chi-Chewa
ਪੰਜਾਬੀ / पंजाबी / پنجابي
Norfuk
Polski
پښتو
Português
Romani / रोमानी
Kirundi
Română
Русский
संस्कृतम्
Sicilianu
सिनधि
Srpskohrvatski / Српскохрватски
සිංහල
Slovenčina
Slovenščina
Gagana Samoa
chiShona
Soomaaliga
Shqip
Српски
Sesotho
Basa Sunda
Svenska
Kiswahili
தமிழ்
తెలుగు
Тоҷикӣ
ไทย / Phasa Thai
Tagalog
Lea Faka-Tonga
Türkçe
Reo Mā`ohi
Українська
اردو
Ўзбек
Việtnam
Хальмг
isiXhosa
ייִדיש
Yorùbá
中文
isiZulu
中文(台灣)
tokipona - coming soon
- published: 29 Dec 2018
- views: 53044
6:08
Bidplek
Provided to YouTube by The Orchard Enterprises
Bidplek · Prophet
Dis Gospel
℗ 2014 Next...
published: 30 Sep 2015
Bidplek
Bidplek
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- published: 30 Sep 2015
- views: 71
Provided to YouTube by The Orchard Enterprises
Bidplek · Prophet
Dis Gospel
℗ 2014 Next Music
Released on: 2014-06-16
Auto-generated by YouTube.
1:35:28
Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high scho...
published: 29 Oct 2012
Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies
Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies
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- published: 29 Oct 2012
- views: 217266
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
http://en.wikipedia.org/wiki/Our_Miss_Brooks
1:29:58
My Friend Irma: Memoirs / Cub Scout Speech / The Burglar
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run ra...
published: 06 Sep 2012
My Friend Irma: Memoirs / Cub Scout Speech / The Burglar
My Friend Irma: Memoirs / Cub Scout Speech / The Burglar
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- published: 06 Sep 2012
- views: 491099
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954.
Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. After the two met in the first episode, they lived together in an apartment rented from their Irish landlady, Mrs. O'Reilly (Jane Morgan, Gloria Gordon).
Irma's boyfriend Al (John Brown) was a deadbeat, barely on the right side of the law, who had not held a job in years. Only someone like Irma could love Al, whose nickname for Irma was "Chicken". Al had many crazy get-rich-quick schemes, which never worked. Al planned to marry Irma at some future date so she could support him. Professor Kropotkin (Hans Conried), the Russian violinist at the Princess Burlesque theater, lived upstairs. He greeted Jane and Irma with remarks like, "My two little bunnies with one being an Easter bunny and the other being Bugs Bunny." The Professor insulted Mrs. O'Reilly, complained about his room and reluctantly became O'Reilly's love interest in an effort to make her forget his back rent.
Irma worked for the lawyer, Mr. Clyde (Alan Reed). She had such an odd filing system that once when Clyde fired her, he had to hire her back again because he couldn't find anything. Useless at dictation, Irma mangled whatever Clyde dictated. Asked how long she had been with Clyde, Irma said, "When I first went to work with him he had curly black hair, then it got grey, and now it's snow white. I guess I've been with him about six months."
Irma became less bright as the program evolved. She also developed a tendency to whine or cry whenever something went wrong, which was at least once every show. Jane had a romantic inclination for her boss, millionaire Richard Rhinelander (Leif Erickson), but he had no real interest in her. Another actor in the show was Bea Benaderet.
http://en.wikipedia.org/wiki/My_Friend_Irma_%28radio-TV%29
Katherine Elisabeth Wilson (August 19, 1916 -- November 23, 1972), better known by her stage name, Marie Wilson, was an American radio, film, and television actress. She may be best remembered as the title character in My Friend Irma.
Born in Anaheim, California, Wilson began her career in New York City as a dancer on the Broadway stage. She gained national prominence with My Friend Irma on radio, television and film. The show made her a star but typecast her almost interminably as the quintessential dumb blonde, which she played in numerous comedies and in Ken Murray's famous Hollywood "Blackouts". During World War II, she was a volunteer performer at the Hollywood Canteen. She was also a popular wartime pin-up.
Wilson's performance in Satan Met a Lady, the second film adaptation of Dashiell Hammett's detective novel The Maltese Falcon, is a virtual template for Marilyn Monroe's later onscreen persona. Wilson appeared in more than 40 films and was a guest on The Ed Sullivan Show on four occasions. She was a television performer during the 1960s, working until her untimely death.
Wilson's talents have been recognized with three stars on the Hollywood Walk of Fame: for radio at 6301 Hollywood Boulevard, for television at 6765 Hollywood Boulevard and for movies at 6601 Hollywood Boulevard.
Wilson married four times: Nick Grinde (early 1930s), LA golf pro Bob Stevens (1938--39), Allan Nixon (1942--50) and Robert Fallon (1951--72).
She died of cancer in 1972 at age 56 and was interred in the Columbarium of Remembrance at Forest Lawn Cemetery in Hollywood Hills.
http://en.wikipedia.org/wiki/Marie_Wilson_%28American_actress%29
1:29:33
The Great Gildersleeve: House Hunting / Leroy's Job / Gildy Makes a Will
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one ...
published: 19 Sep 2012
The Great Gildersleeve: House Hunting / Leroy's Job / Gildy Makes a Will
The Great Gildersleeve: House Hunting / Leroy's Job / Gildy Makes a Will
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- published: 19 Sep 2012
- views: 190276
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
http://en.wikipedia.org/wiki/Great_Gildersleeve
1:28:44
Dragnet: Big Escape / Big Man Part 1 / Big Man Part 2
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles p...
published: 03 Nov 2012
Dragnet: Big Escape / Big Man Part 1 / Big Man Part 2
Dragnet: Big Escape / Big Man Part 1 / Big Man Part 2
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- published: 03 Nov 2012
- views: 106090
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode "The Big Sorrow"), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode "The Big Donation"); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) "Underplaying is still acting", Webb told Time. "We try to make it as real as a guy pouring a cup of coffee." (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled "The Big _____", where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in "The Big Streetcar" the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode "James Vickers", the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at "the road to San Pedro", clearly indicate that it still retained much the character of a country highway at that time.
http://en.wikipedia.org/wiki/Dragnet_(series)
1:18:41
No Rapture, No Escape? (Video 3 of 7)
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published: 07 Jan 2016
No Rapture, No Escape? (Video 3 of 7)
No Rapture, No Escape? (Video 3 of 7)
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- published: 07 Jan 2016
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This content has been digitally remastered and is available here: https://www.youtube.com/playlist?list=PL5t4xK5rRlAHCUB5ffNC75sEPNHTN5vRQ
Luke 21:25 speaks of these last days, in predicting "anxiety of nations, in perplexity."
I don't think a better description would be possible to describe the mood of the nations or their people right now.
For example, 'anxiety' and 'perplexity' arise from the dangers of ISIS infiltrating the nations of the West, gaining entry with the waves of Islamic refugees flooding into Europe, and soon, America. Recent ISIS terror attacks in Paris, the US and other places have shaken the world with these concerns.
While many citizens are near panic, feeling insecure and unprotected by their respective governments, some governmental leaders continue to push through more immigration, with little or no viable screening. Indeed, one of the most basic responsibilities of any federal government is to protect citizens from foreigners who would do the citizens harm. Yet, it seems like the freedoms of citizens are reduced more and more while a real threat, such as ISIS, is hardly considered when allowing millions of unknown immigrants into normally stable countries. All of this certainly seems crazy to the man on the street, causing both 'anxiety' and 'perplexity' to millions.
It is as if there is some larger hand deliberately orchestrating unrest and social upheaval in the developed countries - but that would be crazy - right? Or could it be part of UN Agenda 2030 with the goal of softening up the population to make way for world government? At what point will people be so weary of turmoil and trouble that they will capitulate? I would say, just about 2030. Until then we can expect nothing but more and worse of the same.
After that, instead of the "peace and safety" that is promised, the world will sink into the most critical time period of all history - the Great Tribulation. The Man of Sin and the Mark of the Beast will soon follow. No one will be able to buy or sell without the Mark. Yet, taking the Mark is to share the eternal fate of the Beast. The whole world will be confronted with this.
The only way of dealing with this is to take the Mark, accept martyrdom, or somehow escape before it happens!
Millions of Christians think they will escape in a pre-trib rapture of "the Church." Many of them are so sure about this that they are unconcerned about the Tribulation or the Mark.
There is a way of escape - but a Pre-Tribulation Rapture isn't it.
This video presents facts of history proving that the underlying assumptions on which the Pre-Trib Rapture teaching are based are entirely false - meaning the doctrine that millions of Christians are counting on for protection is nothing more than a theological mistake.
See this entire Remnant Exodus Seminar free for a limited time.
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1:25:52
Calling All Cars: Hit and Run Driver / Trial by Talkie / Double Cross
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voic...
published: 24 Dec 2012
Calling All Cars: Hit and Run Driver / Trial by Talkie / Double Cross
Calling All Cars: Hit and Run Driver / Trial by Talkie / Double Cross
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- published: 24 Dec 2012
- views: 53032
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach.
http://en.wikipedia.org/wiki/LAPD
1:04:14
Bill Schnoebelen - Interview With an Ex Vampire (2 of 9)
Second in a nine part series examining the life and rituals of a vampire as told by Bill S...
published: 14 Jan 2019
Bill Schnoebelen - Interview With an Ex Vampire (2 of 9)
Bill Schnoebelen - Interview With an Ex Vampire (2 of 9)
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- published: 14 Jan 2019
- views: 28335
Second in a nine part series examining the life and rituals of a vampire as told by Bill Schnoebelen of withoneccordministries.com
Vlad the Impaler had red hair and light skin. People think that vampires started with his legend. But even the ancient Egyptians wrote about vampires thousands of years before Vlad.
In fact, in every language in the world there is a word for vampire and each culture has its own legends.
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1:27:49
The Great Gildersleeve: Leroy Smokes a Cigar / Canary Won't Sing / Cousin Octavia Visits
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one ...
published: 16 Sep 2012
The Great Gildersleeve: Leroy Smokes a Cigar / Canary Won't Sing / Cousin Octavia Visits
The Great Gildersleeve: Leroy Smokes a Cigar / Canary Won't Sing / Cousin Octavia Visits
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- published: 16 Sep 2012
- views: 99460
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
http://en.wikipedia.org/wiki/Great_Gildersleeve
53:30
John Henry Faulk Interview: Education, Career, and the Hollywood Blacklist
John Henry Faulk (August 21, 1913--April 9, 1990) from Austin, Texas was a storyteller and...
published: 06 Jul 2012
John Henry Faulk Interview: Education, Career, and the Hollywood Blacklist
John Henry Faulk Interview: Education, Career, and the Hollywood Blacklist
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- published: 06 Jul 2012
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John Henry Faulk (August 21, 1913--April 9, 1990) from Austin, Texas was a storyteller and radio show host. His successful lawsuit against blacklisters of the entertainment industry helped to bring an end to the Hollywood blacklist. More Faulk: https://www.amazon.com/gp/search?ie=UTF8&tag;=tra0c7-20&linkCode;=ur2&linkId;=40f706fb18cc385c993db61f44f55b9a&camp;=1789&creative;=9325&index;=books&keywords;=john%20henry%20faulk
While a soldier at Camp Swift, Faulk began writing his own radio scripts. An acquaintance facilitated an interview for him at WCBS in New York City. The network executives were sufficiently impressed to offer him his own radio show. Upon his 1946 discharge from the Army, Faulk began his Johnny's Front Porch radio show for WCBS. The show featured Faulk's characterizations that he had been developing since his university years. Faulk eventually went to another radio station, but returned to WCBS for a four-hour morning talk show. The John Henry Faulk Show ran for six years. His radio successes provided opportunity for him to appear as himself on television, in shows like the 1951 Mark Goodson and William Todman game show It's News to Me, hosted by John Charles Daly. He also appeared on Leave It to the Girls in 1953 and The Name's the Same in 1955.
Cactus Pryor met Faulk in the studios of KLBJ (then KTBC) where Faulk stopped by to thank Pryor for letting his mother hear his New York show. Pryor had been "accidentally" broadcasting Faulk's radio show in Texas where Faulk was not otherwise heard. Although the broadcast happened repeatedly, Pryor always claimed he just hit the wrong button in the studio. Pryor visited Faulk at a Manhattan apartment he shared with Alan Lomax, and became introduced to the movers and shakers of the east coast celebrity scene of that era. When Pryor stood by Faulk during the blacklisting and tried to find him work, Pryor's children were harassed; a prominent Austin physician circulated a letter questioning Pryor's patriotism; an Austin attorney tried to convince Lyndon Johnson to discharge Pryor from the airwaves. The Pryor family and the Faulk family remained close and supportive of each other for the rest of Faulk's life.
In December 1955, Faulk was elected second vice president of the American Federation of Television and Radio Artists, to Orson Bean's first vice president position and Charles Collingwood as the president of the union. Collingswood, Bean and Faulk were part of a middle-of-the-road slate of non-communist, anti-AWARE organization candidates that Faulk had helped draft. Twenty-seven of thirty-five vacant seats on the board went to the middle-of-the-road slate. Faulk's public position during the campaign had been that the union should be focused on jobs and security, not blacklisting of members.
In the 1970s in Austin, he was also befriended by the young co-editor of the Texas Observer, Molly Ivins, and became an early supporter of hers.
Film
All the Way Home (1963), as Walter Starr
The Best Man (1964), as Governor T.T. Claypoole
Lovin' Molly (1974), as Mr. Grinsom
The Texas Chain Saw Massacre (1974), as Storyteller
Leadbelly (1976). as Governor Neff
Trespasses (1986), as Doctor Silver
Television
It's News to Me (1951--1954), Self
Leave It to the Girls (3 Oct 1953), Self
The Name's the Same (21 Feb 1955), Self
For the People (1965), Episode "Seized, Confined and Detained", as Reynolds
Fear on Trial (1975), Writer, Biopic of John Henry Faulk
Hee Haw (1975--1982), Self
Adam (1983), as as Strom Thurmond
Cronkite Remembers (1997), Uncredited archive footage
http://en.wikipedia.org/wiki/John_Henry_Faulk
1:00:40
Suspense: Loves Lovely Counterfeit
Common methods and themes in crime thrillers are mainly ransoms, captivities, heists, reve...
published: 12 Mar 2013
Suspense: Loves Lovely Counterfeit
Suspense: Loves Lovely Counterfeit
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- published: 12 Mar 2013
- views: 49580
Common methods and themes in crime thrillers are mainly ransoms, captivities, heists, revenge, kidnappings. More common in mystery thrillers are investigations and the whodunit technique. Common elements in psychological thrillers are mind games, psychological themes, stalking, confinement/deathtraps, horror-of-personality, and obsession. Elements such as fringe theories, false accusations and paranoia are common in paranoid thrillers. Threats to entire countries, spies, espionage, conspiracies, assassins and electronic surveillance are common in spy thrillers[11]
The primary elements of the thriller genre:
The protagonist(s) faces death, either their own or somebody else's.
The force(s) of antagonism must initially be cleverer and/or stronger than the protagonist's.
The main storyline for the protagonist is either a quest or a character who cannot be put down.
The main plotline focuses on a mystery that must be solved.
The film's narrative construction is dominated by the protagonist's point of view.
All action and characters must be credibly realistic/natural in their representation on screen.
The two major themes that underpin the thriller genre are the desire for justice and the morality of individuals.
One small, but significant, aspect of a thriller is the presence of innocence in what is seen as an essentially corrupt world.
The protagonist(s) and antagonist(s) may battle, themselves and each other, not just on a physical level, but on a mental one as well.
Either by accident or their own curiousness, characters are dragged into a dangerous conflict or situation that they are not prepared to resolve.
Characters include criminals, stalkers, assassins, innocent victims (often on the run), menaced women, characters with deep dark pasts, psychotic individuals, spree killers, sociopaths, agents, terrorists, cops and escaped cons, private eyes, people involved in twisted relationships, world-weary men and women, psycho-fiends, and more. The themes frequently include terrorism, political conspiracy, pursuit, or romantic triangles leading to murder.[12]
The protagonists are frequently ordinary citizens unaccustomed to danger, although commonly in crime thrillers, they may also be "hard men" accustomed to danger such as police officers and detectives. While protagonists of thrillers have traditionally been men, women lead characters are increasingly common.[13] In psychological thrillers, the protagonists are reliant on their mental resources, whether it be by battling wits with the antagonist or by battling for equilibrium in the character's own mind. The suspense often comes from two or more characters preying upon one another's minds, either by playing deceptive games with the other or by merely trying to demolish the other's mental state.
http://en.wikipedia.org/wiki/Thriller_%28genre%29
1:29:29
The Great Gildersleeve: The Bank Robber / The Petition / Leroy's Horse
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook...
published: 26 Sep 2012
The Great Gildersleeve: The Bank Robber / The Petition / Leroy's Horse
The Great Gildersleeve: The Bank Robber / The Petition / Leroy's Horse
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- published: 26 Sep 2012
- views: 105155
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter "Bronco" Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed "Ha!!!" or "What a character!" Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.
http://en.wikipedia.org/wiki/Great_Gildersleeve
2:07:36
NYSTV - Midnight Ride Halloween Mystery and Origins w David Carrico and Gary Wayne - Multi Language
Halloween has been made to seem like a harmless children's holiday but the origins and sym...
published: 29 Dec 2018
NYSTV - Midnight Ride Halloween Mystery and Origins w David Carrico and Gary Wayne - Multi Language
NYSTV - Midnight Ride Halloween Mystery and Origins w David Carrico and Gary Wayne - Multi Language
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- published: 29 Dec 2018
- views: 53044
Halloween has been made to seem like a harmless children's holiday but the origins and symbolism are very much satanic.
But it really isn't. Like really.
For example, victims were given a choice as to be sacrificed or dip their heads in boiling oil to bob for an apple.
Join Gary Wayne and David Carrico on this Midnight ride exposing the Illuminati, Luciferian holiday.
I'm trying to translate videos as fast as possible so please be patient. I'll have more videos soon.
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Blou
Blou is a commune in the Maine-et-Loire department in western France.
Population
See also
References
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Blou
Related Sites
- hissonreturns.com
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