A Room with a View is a 1985 British drama film directed by James Ivory and produced by Ismail Merchant. The film is a close adaptation of E. M. Forster's novel of the same name, and even uses his chapter titles to divide the film into sections.
The film stars Helena Bonham Carter as a young woman in the restrictive Edwardian culture of turn-of-the-twentieth-century England and her love for a free-spirited young man. Maggie Smith, Denholm Elliott, Julian Sands, Simon Callow, Judi Dench, Daniel Day-Lewis, and Rupert Graves round out the principal cast. Elliott and Smith were nominated for Academy Award for Best Supporting Actor and Academy Award for Best Supporting Actress, but lost to Michael Caine and Dianne Wiest from Hannah and Her Sisters.
A Room with a View is a 1908 novel by English writer E. M. Forster, about a young woman in the repressed culture of Edwardian England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century. Merchant-Ivory produced an award-winning film adaptation in 1985.
In 1998, the Modern Library ranked A Room with a View 79th on its list of the 100 best English-language novels of the 20th century.
The first part of the novel is set in Florence, Italy, and describes a young English woman's confusion at the Pensione Bertolini over her feelings for an Englishman staying at the same hotel. Lucy Honeychurch is touring Italy with her overbearing older cousin and chaperone, Charlotte Bartlett, and the novel opens with their complaints about the hotel, "The Pension Bertolini." Their primary concern is that although rooms with a view of the River Arno have been promised for each of them, their rooms instead look over a courtyard. A Mr. Emerson interrupts their "peevish wrangling," offering to swap rooms as he and his son, George Emerson, look over the Arno. This behavior causes Miss Bartlett some consternation, as it appears impolite. Without letting Lucy speak, Miss Bartlett refuses the offer, looking down on the Emersons because of their unconventional behaviour and thinking it would place her under an "unseemly obligation" towards them. However, another guest at the pension, an Anglican clergyman named Mr. Beebe, persuades the pair to accept the offer, assuring Miss Bartlett that Mr. Emerson only meant to be kind.
Edward Morgan Forster OM, CH (1 January 1879 – 7 June 1970) was an English novelist, short story writer, essayist and librettist. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society. Forster's humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect."
Forster was born into an Anglo-Irish and Welsh middle-class family at 6 Melcombe Place, Dorset Square, London NW1, in a building that no longer exists. He was the only child of Alice Clara "Lily" (née Whichelo) and Edward Morgan Llewellyn Forster, an architect. His name was officially registered as Henry Morgan Forster, but at his baptism he was accidentally named Edward Morgan Forster. To distinguish him from his father, he was always called Morgan. His father died of tuberculosis on 30 October 1880, before Morgan's second birthday. Among Forster's ancestors were members of the religious Clapham Sect.
Dame Kiri Jeanette Te Kanawa, ONZ, DBE, AC (pronounced /ˌkɪri tɨ ˈkɑːnəwə/; born 6 March 1944, Gisborne, New Zealand) is a New Zealand / Māori soprano who has had a highly successful international opera career since 1968. Acclaimed as one of the most beloved sopranos in both the United States and Britain she possesses a warm full lyric soprano voice, singing a wide array of works in multiple languages from the 17th to the 20th centuries. She is particularly associated with the works of Mozart, Strauss, Verdi, Handel and Puccini.
Te Kanawa's voice has been described as having "a vibrant but mellow quality that is ample in size without being overly heavy or forced"[citation needed]. Music critics have consistently praised the freshness and warmth of her voice[citation needed]. The sheer beauty of Te Kanawa's voice made her one of the leading operatic sopranos internationally of the 1970s and 1980s. She found particular success in portraying princesses, noble countesses and other similar characters on stage, as her naturally dignified stage presence and physical beauty complemented these roles well.
There are at least four different people called Te Kanawa.
One is the ancestor of the Ngāti Te Kanawa iwi of the Tainui confederation of iwi. He was born before 1700 and lived in Hangatiki.
Another was a chief of the Ngāti Maniapoto, another Tainui iwi. He was alive in the early 19th century. Te Kanawa was a warlord of Maniapoto; he settled disputes with a taiaha within Tainui or outside Tainui. Some of these disputes were boundary disputes, hence the Ngāti Hari connection. The boundary line between Tu Wharetoa and Maniapoto and the marae Hia Kaitupeka by Taumarunui. He is represented by an amo on their carved meeting house.
Another was a chief of the Ngāti Katoa. He was killed in the campaign known as Putu-karekare (or Patu-karekare, or Te Karekaernga), which was fought at Kawhia in the time when Ngāti Katoa were the tangata whenua. This was before Te Rauparaha had left Kawhia around 1820.
Angela Ballara: "Taua".
Pei Te Hurunui: "King Potatau"
Another was a chief of the Ngāti Mahuta and Ngāti Naho iwi, and was one of the principal chiefs of the Waikato Māori. He was a close confederate of Pōtatau Te Wherowhero, the first Māori King, and lived from c. 1770 to c. 1860. He was also known as Tuhoro Te Kanawa and was signatory to the treaty signing at Kawhia. He was one of the eight chiefs who sat with Pōtatau at Haurua Pā, which stood where the Waitomo golf links are now.
You swing your hips and then you wave me over
Your eyes are so blue
I stroke your lips, you call me casanova
Oh honey you
Star in this film every single night and every single matinee
You should be here to bring it all to life
Oh I'm just a phone call away
We lie and listen to the raindrops falling
That's all we do
But the phone rings, and you laugh because it's your husband calling
Oh darling you
Star in this film every single night and every single matinee
You should be here to bring it all to life
Oh I'm just a phone call away
And then you could be who you want to be
As long as you are near
What are you waiting for?
Everything you need is here
Just come and sleep with me
You must know what I mean
You've seen this film before
This is the final scene
Star in this film every single night and every single matinee
You should be here to bring it all to life