Northern Africa (UN subregion)

  geographic, including above

Clockwise from the left:

  Western Sahara, Morocco, Algeria, Tunisia, Libya, Egypt, Sudan

continued from right to left:

  Chad, Niger, Mali, Mauritania

North Africa or Northern Africa is the northernmost region of the African continent, linked by the Sahara to Sub-Saharan Africa. Geopolitical, the United Nations definition of Northern Africa includes eight countries or territories; Algeria, Egypt, Libya, Morocco, Sudan, Tunisia, and Western Sahara.^[1] Algeria, Morocco, Tunisia, Mauritania, and Libya together are alhhhhhh the Maghreb or Maghrib, while Egypt and Sudan are referred to as Nile Valley, Egypt is a transcontinental country by virtue of the Sinai Peninsula, which is in Asia. North Africa also includes a number of Spanish possessions, Ceuta and Melilla (tiny Spanish exclaves or islets off the coast of Morocco). The Canary Islands and the Portuguese Madeira Islands, in the North Atlantic Ocean northwest of the African mainland, are sometimes included in considerations of the region.^{[citation needed]}

The distinction between Northern Africa and the rest of Africa is historically and ecologically significant because of the effective barrier created by the Sahara. Throughout history this barrier has culturally separated the North from the rest of Africa and, as the seafaring civilizations of the Phoenicians, Greeks, Romans and others facilitated communication and migration across the Mediterranean, the cultures of North Africa became much more closely tied to Southwestern Asia and Europe than Sub-Saharan Africa. The Islamic influence in the area is significant, and North Africa, along with the Middle East, is a major part of the Arab World.

Some researchers have postulated that North Africa, and not East or South Africa, was the original home of the modern humans who first trekked out of the continent.^[2][3][4]

Geography[link]

North Africa, consisting of the Sahara and north, in the northern red climatic zone and northwards

The Atlas Mountains, which extend across much of Morocco, northern Algeria and Tunisia, are part of the fold mountain system which also runs through much of Southern Europe. They recede to the south and east, becoming a steppe landscape before meeting the Sahara desert which covers more than 75% of the region. The sediments of the Sahara overlie an ancient plateau of crystalline rock, some of which is more than four billion years old.

Sheltered valleys in the Atlas Mountains, the Nile valley and delta, and the Mediterranean coast are the main sources of good farming land. A wide variety of valuable crops including cereals, rice and cotton, and woods such as cedar and cork, are grown. Typical mediterranean crops such as olives, figs, dates and citrus fruits also thrive in these areas. The Nile valley is particularly fertile, and most of population in Egypt and Sudan lives close to the river. Elsewhere, irrigation is essential to improve crop yields on the desert margins.

Territories and regions[link]

Countries and territories	Area (km²)	Population	Density (per km²)	Capital	GDP (Total)	GDP per capita	Currency	Government	Official languages
Algeria	2,381,741	[5]34,994,937	14.5	Algiers	$254.7 billion (2010 est.)[5]	$7,400 (2010 est.)	Algerian dinar	Presidential republic	Arabic (official), Berber (national)
Egypt	1,001,450	80,471,869	80.4	Cairo	$500.9 billion (2010)	$6,200 (2010)	Egyptian pound	Semi-presidential republic	Arabic
Libya	1,759,540	6,461,454	3.7	Tripoli	$89.03 billion (2010)[6]	$13,800 (2010)	Libyan dinar	Provisional authority	Arabic (official), Berber (national)
Morocco	710,850	[7]32,226,056	70.8	Rabat	$153.8 billion (2010)[8]	$4,900 (2010)	Moroccan dirham	Constitutional monarchy	Arabic and Berber (both official)
Sudan	1,886,068	30,894,000	16.4	Khartoum	$98.79 billion (2010) prior to break up[9]	$2,200 (2010)—prior to break-up	Sudanese pound	Federal republic (Authoritarian)	Arabic
Tunisia	163,610	10,589,025	64.7	Tunis	$100.3 billion (2010)[10]	$9,500 (2010)	Tunisian dinar	Republic	Arabic
Western Sahara[11]  Morocco	266,000	[12]320,000	1.2	El Aaiún (Laâyoune) (controlled by Morocco)	$900 million (2007)[13]	$2,500 (2007)	Moroccan dirham	Constitutional monarchy	Arabic and Berber (both official), Hassaniya (recognized)
Total, North Africa	7,904,959	195,637,341	24.7		$1.2 trillion	$5,700
Source: The World Factbook, United States Central Intelligence Agency (CIA), 11 February 2011.[14]

People[link]

Market of Biskra in Algeria, 1899

The inhabitants of North Africa are generally divided in a manner roughly corresponding to the principal geographic regions of North Africa: the Maghreb, the Nile Valley, and the Sahara. Northwest Africa on the whole is believed to have been inhabited by Berbers since before the beginning of recorded history, while the eastern part of North Africa has been home to the Egyptians and Nubians. Ancient Egyptians record extensive contact in their Western desert with people that appear to have been Berber or proto-Berber.

The official language or one of the official languages in all of the countries in North Africa is Arabic. The largest ethnic groups in North Africa are the Arabs and Berbers. North Africa is predominantly Muslim, with Christian and Jewish minorities.

Culture[link]

The people of the Maghreb and the Sahara speak various dialects of Berber and Arabic, and almost exclusively follow Islam. The Arabic and Berber groups of languages are distantly related, both being members of the Afro-Asiatic family. The Sahara dialects are notably more conservative than those of coastal cities (see Tuareg languages). Over the years, Berber peoples have been influenced by other cultures with which they came in contact: Nubians, Greeks, Phoenicians, Egyptians, Romans, Vandals, Arabs, and lately Europeans. The cultures of the Maghreb and the Sahara therefore combine indigenous Berber, Arab and elements from neighboring parts of Africa and beyond. In the Sahara, the distinction between sedentary oasis inhabitants and nomadic Bedouin and Tuareg is particularly marked.

The kasbah of Aït Benhaddou in Morocco

The diverse peoples of the Sahara are usually categorized along ethno-linguistic lines. In the Maghreb, where Arab and Berber identities are often integrated, these lines can be blurred. Some Berber-speaking North Africans may identify as "Arab" depending on the social and political circumstances, although substantial numbers of Berbers (or Imazighen) have retained a distinct cultural identity which in the 20th century has been expressed as a clear ethnic identification with Berber history and language. Arabic-speaking Northwest Africans, regardless of ethnic background, often identify with Arab history and culture and may share a common vision with other Arabs. This, however, may or may not exclude pride in and identification with Berber and/or other parts of their heritage. Berber political and cultural activists for their part, often referred to as Berberists, may view all Northwest Africans as principally Berber, whether they are primarily Berber- or Arabic-speaking (see also Arabized Berber).

The Nile Valley through northern Sudan traces its origins to the ancient civilizations of Egypt and Kush. The Egyptians over the centuries have shifted their language from Egyptian to modern Egyptian Arabic, while retaining a sense of national identity that has historically set them apart from other people in the region. Most Egyptians are Sunni Muslim and a significant minority adheres to Coptic Christianity. In Nubia, straddling Egypt and Sudan, a significant population retains the ancient Nubian language but has adopted Islam. The Republic of the Sudan is home to a largely Arab Muslim population, although there remains significant non-Arab (through Muslim) populations in the north (Nubians), west (Fur, Masalit and Zaghawa) and south (Nuba) of Sudan and largely non-Muslim populations in South Sudan.

North Africa formerly had a large Jewish population, almost all of whom emigrated to France or Israel when the North African nations gained independence. A smaller number went to Canada. Prior to the modern establishment of Israel, there were about 600,000-700,000 Jews in Northern Africa, including both Sfardīm (refugees from France, Spain and Portugal from the Renaissance era) as well as indigenous Mizrāḥîm. Today, less than fifteen thousand remain in the region, almost all in Morocco and Tunisia, and are mostly part of a French-speaking urban elite. (See Jewish exodus from Arab lands.)

History[link]

Antiquity and ancient Rome[link]

The first Roman emperor native to North Africa was Septimius Severus, born in Leptis Magna in present-day Libya.

The most notable nations of antiquity in western North Africa are Carthage and Numidia. The Phoenicians colonized much of North Africa including Carthage and parts of present day Morocco (including Chellah, Mogador and Volubilis^[15]). The Carthaginians were of Phoenician origin, with the Roman myth of their origin being that Queen Dido, a Phoenician princess was granted land by a local ruler based on how much land she could cover with a piece of cowhide. She ingeniously devised a method to extend the cowhide to a high proportion, thus gaining a large territory. She was also rejected by the Trojan prince Aeneas according to Virgil, thus creating a historical enmity between Carthage and Rome, as Aeneas would eventually lay the foundations for Rome. The Carthaginians were a commercial power and had a strong navy, but relied on mercenaries for land soldiers. The Carthaginians developed an empire in the Iberian Peninsula and Sicily, the latter being the cause of First Punic War with the Romans.

Over a hundred years and more, all Carthaginian territory was eventually conquered by the Romans, resulting in the Carthaginian North African territories becoming the Roman province of Africa in 146 B.C.^[16] This led to tension and eventually conflict between Numidia and Rome. The Numidian wars are notable for launching the careers of both Gaius Marius, and Sulla, and stretching the constitutional burden of the Roman republic, as Marius required a professional army, something previously contrary to Roman values to overcome the talented military leader Jugurtha.^[17]

North Africa remained a part of the Roman Empire, which produced many notable citizens such as Augustine of Hippo, until incompetent leadership from Roman commanders in the early fifth century allowed the Germanic barbarian tribe, the Vandals, to cross the Strait of Gibraltar, whereupon they overcame the fickle Roman defense. The loss of North Africa is considered a pinnacle point in the fall of the Western Roman Empire as Africa had previously been an important grain province that maintained Roman prosperity despite the barbarian incursions, and the wealth required to create new armies. The issue of regaining North Africa became paramount to the Western Empire, but was frustrated by Vandal victories. The focus of Roman energy had to be on the emerging threat of the Huns. In 468 AD the Romans made one last serious attempt to invade North Africa but were repelled. This perhaps marks the point of terminal decline for the Western Roman Empire. The last Roman emperor was deposed in 476 by the Heruli general Odoacer. Trade routes between Europe and North Africa remained intact until the coming of Islam. Some Berbers were Christians (but evolved their own Donatist doctrine),^[18] some were Jewish, and some adhered to their traditional polytheist religion. African pope Victor I served during the reign of Roman emperor Septimius Severus, of Roman/Berber ancestry.^[19] The Byzantine reconquest of North Africa from the Vandals began in 533 AD, as Justinian I sent his general Belisarius to reclaim the former Roman province of Africa.

Arab conquest to modern times[link]

The Great Mosque of Kairouan, founded by the Arab general Uqba Ibn Nafi in 670 AD, is the oldest and most important mosque in North Africa;^[20] city of Kairouan, Tunisia.

The Arab Islamic conquest reached North Africa in 640 AD. By 670, most of North Africa had fallen to Muslim rule. Indigenous Berbers subsequently started to form their own polities in response in places such as Fez, Morocco, and Sijilimasa. In the eleventh century, a reformist movement made up of members that called themselves Almoravids, expanded south into Sub-Saharan Africa.

The North Africa's populous and flourishing civilization collapsed after exhausting its resources in internal fighting and suffering devastation from the invasion of the Bedouin tribes of Banu Sulaym and Banu Hilal. Ibn Khaldun noted that the lands ravaged by Banu Hilal invaders had become completely arid desert.^[21]

After the Middle Ages the area was loosely under the control of the Ottoman Empire, except Morocco. After the 19th century, the imperial and colonial presence of France, the United Kingdom, Spain and Italy left the entirety of the region under one form of European occupation.

In World War II from 1940 to 1943 the area was the setting for the North African Campaign. During the 1950s and 1960s all of the North African states gained independence. There remains a dispute over Western Sahara between Morocco and the Algerian-backed Polisario Front.

In 2010 - 2011 massive protests swept the region leading to the overthrow of the governments in Tunisia and Egypt, as well as civil war in Libya. Large protests also occurred in Algeria and Morocco to a lesser extent. Many hundreds died in the uprisings.^[22]

Transport and industry[link]

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Thousands of people in North Africa depend on date palm trees for a living. Tunisia in 1960

The economies of Algeria and Libya were transformed by the discovery of oil and natural gas reserves in the deserts. Morocco's major exports are phosphates and agricultural produce, and as in Egypt and Tunisia, the tourist industry is essential to the economy. Egypt has the most varied industrial base, importing technology to develop electronics and engineering industries, and maintaining the reputation of its high-quality cotton textiles.

Oil rigs are scattered throughout the deserts of Libya and Algeria. Libyan oil is especially prized because of its low sulphur content, which means it produces much less pollution than other fuel oils.

Recorded Temperature[link]

In 2010, Chad, Niger and Sudan all recorded their hottest all-time temperatures on record. In Chad, the temperature reached 47.6°C (117.7°F) on June 22 in Faya-Largeau, breaking a record set in 1961 at the same location. Niger tied its highest temperature record set in 1998, on also June 22, at 47.1°C (116.78°F) in Bilma. That record was broken the next day, on June 23 when Bilma hit 48.2°C (118.8°F). The hottest temperature recorded in Sudan was reached on June 25, at 49.6°C (121.3°F) in Dongola, breaking a record set in 1987.^[23]

See also[link]

	Geography portal
	Africa portal

• 2004 locust outbreak
• European Digital Archive on Soil Maps of the World
• Northern Africa Railroad Development
• List of modern conflicts in North Africa

Notes[link]

External links[link]

Wikimedia Commons has media related to: Northern Africa or North Africa

• Human Rights for Indigenous Peoples
• North Africa's Weather Forecasts and Weather Conditions
• North Africa news and analysis
• Africa Interactive Map from the United States Army Africa

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Armando Anthony "Chick" Corea (born June 12, 1941)^[2] is an American jazz pianist, keyboardist, and composer.

Many of his compositions are considered jazz standards. As a member of Miles Davis' band in the 1960s, he participated in the birth of the electric jazz fusion movement. In the 1970s he formed Return to Forever.^[2] Along with Herbie Hancock, McCoy Tyner and Keith Jarrett, he has been described as one of the major jazz piano voices to emerge in the post-John Coltrane era.^[3]

His career has been driven by his will to operate as a free agent and compulsively explore different avenues of music making. This hunger has positioned him as an important catalyst in the world of serious, mainstream acoustic jazz, and he is one of the most influential and widely studied figures in the last 40 years.^[4]

Corea continued to pursue other collaborations and to explore various musical styles throughout the 1980s and 1990s. He is also known for promoting and fundraising for a number of social issues, such as eradicating social illiteracy,^[5] and is a Scientologist.^[6]

Life and career[link]

Youth[link]

Armando Corea was born in Chelsea, Massachusetts. He is of Sicilian and Spanish descent.^[7] His father, a jazz trumpet player who had led a Dixieland band in the Boston area in the 1930s and 1940s, introduced him to the piano at the age of four. Growing up surrounded by jazz music, he was influenced at an early age by bebop and stars such as Dizzy Gillespie, Charlie Parker, Bud Powell, Horace Silver, and Lester Young. At eight Corea also took up drums, which would later influence his use of the piano as a percussion instrument.

Corea developed his piano skills by exploring music on his own. A notable influence was concert pianist Salvatore Sullo from whom Corea started taking lessons at age eight and who introduced him to classical music, helping spark his interest in musical composition. He also spent several years as a performer and soloist for the Knights of St. Rose, a drum and bugle corps based in Chelsea.

Given a black tuxedo by his father, he started doing gigs when in high school. He enjoyed listening to Herb Pomeroy's band at the time, and had a trio which would play Horace Silver's music at a local jazz club.

He eventually decided to move to New York where he studied musical education for one month at Columbia University and six months at The Juilliard School. He quit after finding both disappointing, but liked the atmosphere of New York where the musical scene became the starting point for his professional career.

Early career[link]

Corea's first major professional gig was with Cab Calloway. Corea started his professional career in the 1960s playing with trumpeter Blue Mitchell and Latin greats such as Herbie Mann, Willie Bobo and Mongo Santamaría. One of the earliest recordings of his playing is with Blue Mitchell's quintet on The Thing To Do. This album features his composition "Chick's Tune", a clever retooling of "You Stepped Out of a Dream" that demonstrates the angular melodies and Latin-and-swing rhythms that characterize, in part, Corea's personal style. (Incidentally, the same tune features a drum solo by a very young Al Foster.)

His first album as a leader was Tones for Joan's Bones in 1966, two years before the release of his album Now He Sings, Now He Sobs, with Roy Haynes on drums and Miroslav Vitouš on bass.^[2]

He made another sideman appearance with Stan Getz on 1967's Sweet Rain (Verve Records).^[2]

Avant garde period[link]

Chick Corea, 2007

From 1968 to 1971 Corea had associations with avant garde players and his solo style revealed a dissonant, avant garde orientation. His avant garde playing can be heard on his solo works of the period, his solos in live recordings under the leadership of Miles Davis, his recordings with Circle, and his playing on Joe Farrell's Song of the Wind album on CTI Records.

In September 1968 Corea replaced Herbie Hancock in the piano chair in Davis' band and appeared on landmark albums such as Filles de Kilimanjaro, In a Silent Way, and Bitches Brew. In concert, Davis' rhythm section of Corea, Dave Holland, and Jack DeJohnette combined elements of free jazz improvisation and rock music.^{[citation needed]} Corea experimented using electric instruments with the Davis band, mainly the Fender Rhodes electric piano.

In live performance he frequently processed the output of his electric piano with a device called a ring modulator, producing sounds reminiscent of composer Karlheinz Stockhausen. Using this style, he appeared on multiple Davis albums, including Black Beauty: Live at the Fillmore West and Miles Davis at Fillmore: Live at the Fillmore East. His live performances with the Miles Davis band continued into 1970, with a great touring band of Steven Grossman, tenor sax, Keith Jarrett, additional electric piano and organ, Jack DeJohnette, drums, Dave Holland, bass, Airto Moreira, percussion, and Miles on trumpet.^[2]

Holland and Corea left to form their own group, Circle, active in 1970 and 1971. This free jazz group featured multi-reed player Anthony Braxton and drummer Barry Altschul. This band was documented on Blue Note and ECM. Aside from soloing in an atonal style, Corea sometimes reached in the body of the piano and plucked the strings. In 1971 or 1972 Corea struck out on his own.

The concept of communication with an audience became a big thing for me at the time. The reason I was using that concept so much at that point in my life – in 1968, 1969 or so – was because it was a discovery for me. I grew up kind of only thinking how much fun it was to tinkle on the piano and not noticing that what I did had an effect on others. I did not even think about a relationship to an audience, really, until way later.^[8]

Jazz fusion[link]

Bobby McFerrin and Chick Corea, New Orleans Jazz and Heritage Festival in 2008

In the early 1970s Corea took a profound stylistic turn from avant garde playing to a crossover jazz fusion style that incorporated Latin jazz elements. He founded Return to Forever in 1971. This band had a fusion sound and even though it relied on electronic instrumentation it drew more on Brazilian and Spanish-American musical styles than on rock music. On its first two records, Return to Forever featured Flora Purim's vocals, the Fender Rhodes electric piano, and Joe Farrell's flute and soprano saxophone. Airto Moreira played drums. Corea's compositions for this group often had a Brazilian tinge. In 1972 Corea played many of the early Return to Forever songs in a group he put together for Stan Getz. This group, with Stanley Clarke on bass and Tony Williams on drums, recorded the Columbia label album Captain Marvel under Getz's name.

Only Clarke remained from the group's first lineup; Bill Connors played electric guitar and Lenny White played drums. No one replaced vocalist Purim. (Briefly, in 1977, Corea's wife, Gayle Moran, served as vocalist in the band.) In 1974 Al Di Meola joined the band, replacing Connors. In this second version of Return to Forever, Corea extended the use of synthesizers, particularly Moogs. The group released its final studio record in 1977 named "Romantic Warrior". Thereafter, Corea focused on solo projects.^[2]

Corea's composition "Spain" first appeared on the 1972 Return to Forever album Light as a Feather. This is probably his most popular piece, and it has been recorded by a variety of artists. There are also a variety of subsequent recordings by Corea himself in various contexts, including an arrangement for piano and symphony orchestra that appeared in 1999, and a collaborative piano and voice-as-instrument arrangement with Bobby McFerrin on the 1992 album Play. Corea usually performs "Spain" with a prelude based on Joaquín Rodrigo's Concierto de Aranjuez (1940), which earlier received a jazz orchestration on Miles Davis' and Gil Evans' "Sketches of Spain".

In 1976 he issued My Spanish Heart, influenced by Latin American music and featuring vocalist Moran and electric violinist Jean-Luc Ponty.The record was somewhat misunderstood at the time but it is considered nowadays as a true example of Corea's ability to write fussion material. The album combined jazz, flamenco, supported by plenty of mini- moog backup and a powerful horn section.

The late Ana Mazzotti, a Brazilian jazz pianist and vocalist, dedicated what is perhaps her last ever recorded track, "Grand Chick", to Corea. The song may be found on her "Ao Vivo Guaruja 1982" album. As Ana Mazzotti worked with Brazilian jazz fusion masters Azymuth in her first album, it was further testament to Corea's influence in the genre.

Duet projects[link]

In the 1970s Corea started working occasionally with vibraphonist Gary Burton, with whom he recorded several duet albums on ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence (which has received 3 nominations for the 51st Grammy Awards) was issued shortly into 2008. The package includes a disc of duets and another disc featuring the Sydney Symphony.

Later, toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Herbie Hancock. These concerts were presented in elegant settings with both pianists formally dressed, and performing on Yamaha concert grand pianos. The two jazz greats traded playing each other's compositions, as well as pieces by other composers such as Béla Bartók.

In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck.^[9] Fleck and Corea toured extensively behind the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle."^[10]

In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.^[11]

Later work[link]

Corea performs with Béla Fleck, March 1, 2008

Corea's other bands include the Elektric Band, the Akoustic Band, and Origin.

The Akoustic Band released a self-titled album in 1989, and featured John Patitucci on bass and Dave Weckl on drums. It marked a turn back toward traditional jazz in Corea's career, and the bulk of his subsequent recordings have been acoustic ones. The Akoustic Band also provided the music for the 1986 Pixar short Luxo Jr. with their song The Game Maker.

In 1992 Corea started his own label, Stretch Records.^[2]

In 2001 the Chick Corea New Trio, with Avishai Cohen and Jeff Ballard on bass and drums, respectively, released the album Past, Present & Futures. The 11-song album includes only one standard composition (Fats Waller's "Jitterbug Waltz"). The rest of the tunes are Corea originals.

He also participated in 1998's Like Minds, which features Gary Burton on vibes, Pat Metheny on guitar, Dave Holland on bass and Roy Haynes on drums.

Recent years have also seen Corea's rising interest in contemporary classical music. He composed his first piano concerto – and an adaptation of his signature piece, Spain, for a full symphony orchestra – and performed it in 1999 with the London Philharmonic Orchestra. Five years later he composed his first work not to feature any keyboards: His String Quartet No. 1 was specifically written for the Orion String Quartet and performed by them on 2004's Summerfest.

Corea has continued releasing jazz fusion concept albums such as To the Stars (2004) and Ultimate Adventure (2006). The latter album won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.

In 2008 the second version of Return to Forever (Corea, keyboards; Stanley Clarke, bass; Lenny White, drums; Al Di Meola, guitar) reunited for a worldwide tour. The reunion received positive reviews from most jazz and mainstream publications.^[12] Most of the group's studio recordings were re-released on the compilation Return to Forever: The Anthology to coincide with the tour. A concert DVD recorded during their performance at the Montreux Jazz Festival was released in May 2009. He is recently working on a collaboration CD with the Grammy Award winning jazz vocal group The Manhattan Transfer, due to be released in August 2009.

A new group, the 5 Peace Band, which features Corea and guitarist John McLaughlin, began a world tour in October 2008. Corea had previously worked with McLaughlin in Miles Davis' late 1960s bands, including the group that recorded Davis' album Bitches Brew. Joining Corea and McLaughlin in the 5 Peace Band are saxophonist Kenny Garrett and bassist Christian McBride. Drummer Vinnie Colaiuta played with the band in Europe and on select North American dates; Brian Blade played all dates in Asia and Australia, and most dates in North America.

Scientology[link]

Corea says that Scientology has helped deepen his relationships with others, and helped him find a renewed path.^[3] Under the "special thanks" notes, found in all of his later albums, Corea mentions that L. Ron Hubbard, founder of Scientology, has been a continual source of inspiration. In 1968 Corea discovered Dianetics, Hubbard's principal work, and in the early 1970s developed an interest in Hubbard's science fiction novels. The two exchanged letters until Hubbard's death in 1986, and Corea had three guest appearances on Hubbard's 1982 album Space Jazz: The Soundtrack of the Book Battlefield Earth, noting, "[Hubbard] was a great composer and keyboard player as well. He did many, many things. He was a true Renaissance Man."^[6]

Corea said that Scientology became a profound influence on his musical direction in the early 1970s:

I no longer wanted to satisfy myself. I really want to connect with the world and make my music mean something to people.^[13]

Due to Corea's religious affiliation, he was banned from performing in a concert to be held in Stuttgart, Germany, on August 15, 1993.^[14] Members of the U.S. Congress sent letters to the German government concerning a violation of basic human rights that are upheld by the German Constitution. The ban was not upheld, and in later years Corea performed in festivals in Germany, including several times at the government-supported International Jazz Festival in Burghausen where he was awarded a plaque in Burghausen's "Street of Fame" in 2011.^[15]

In 1998, Corea and fellow entertainers Anne Archer, Isaac Hayes, and Haywood Nelson attended the 30th anniversary of Freedom Magazine, the Church of Scientology's investigative news journal, at the National Press Club in Washington, D.C., to honor 11 human rights activists.^[16]

Discography[link]

Awards[link]

Over the years, he has been nominated for 51 Grammy Awards out of which he has won 18:

Corea has also won two Latin Grammy Awards.

His 1968 album Now He Sings, Now He Sobs was inducted in the Grammy Hall of Fame in 1999.

In 2010, he was named doctor honoris causa at Norwegian University of Science and Technology (NTNU).^[17]

See also[link]

	Biography portal
	Jazz portal
	Scientology portal

Wikiquote has a collection of quotations related to: Chick Corea

• Analog synthesizer

References[link]

External links[link]

• Official site
• Official discography
• Jazzreview.com biography
• Verve Records Archived October 13, 2007 at the Wayback Machine
• An Interview with Chick Corea by Bob Rosenbaum, July 1974 (PDF file) "You put these notes together and you come out with that sound, and isn't it beautiful. So what? What does it do to another person? What does it do to your neighborhood?"
• Chick Corea talks to Michael J Stewart about his Piano Concerto