Look up chic in Wiktionary, the free dictionary.

Chic may refer to:

• Chic (style), chic meaning stylish or smart
  • Related: List of chics
• Chic (horse), a thoroughbred racehorse
• Chic (band), an American music group popular in the disco era
  • Chic (album), the 1977 debut album of the band Chic
• CHIC (electronics), a modular verifier for behavioral compatibility checking of hardware and software systems
• Chic Magazine, a pornographic magazine
• the Cooking and Hospitality Institute of Chicago (CHIC)
• The former call sign of two Canadian radio stations now known as CIAO and CFNY
• The Chic automobile manufactured by Clarence Chick in Adelaide, South Australia in the 1920's

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (June 2010)

Nile Rodgers
Nile Rodgers at his Le Crib Studios. (1999)
Background information
Birth name	Nile Gregory Rodgers
Born	(1952-09-19) September 19, 1952 (age 59) New York City, United States
Origin	New York City
Genres	Pop, rock, R&B, disco
Occupations	Producer, song-writer, musician, composer, arranger, guitarist
Instruments	Guitar
Years active	1970–present
Labels	Sumthing Else Musicworks
Associated acts	Chic, Sister Sledge, Madonna, Diana Ross, Duran Duran, David Bowie, Adam Lambert
Website	nilerodgers.com (Official Website) Official Facebook Artist Page

Nile Gregory Rodgers (born September 19, 1952, New York City) is an American musician, producer, composer, arranger, and guitarist.

Biography[link]

Rodgers began his career as a session guitarist in New York, touring with the Sesame Street band in his teens, and then working in the house band at Harlem's world famous Apollo Theater, playing behind Screaming Jay Hawkins, Maxine Brown, Aretha Franklin, Ben E. King, Betty Wright, Earl Lewis and the Channels, Parliament Funkadelic, and many other legendary R&B artists.

1970s[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (April 2012)

Nile met bassist Bernard Edwards in 1970. Together they formed The Big Apple Band that backed R&B act New York City ("I’m Doing Fine Now"). The band’s one hit allowed them to tour extensively, even opening for The Jackson 5 on the American leg of their first world tour in 1973. The band dissolved after their second album failed to yield a hit, but Nile and Bernard joined forces with drummer Tony Thompson, and worked and recorded as a Funk Rock band called The Boys, which played numerous gigs up and down the East Coast. Despite major label interest in their demos, they could not get a record deal when the record companies discovered they were black, as they thought that black rock artists would be too hard to promote. The band continued playing mostly local bars.

Formation of Chic[link]

As The Big Apple Band, Rodgers and Edwards worked with Ashford & Simpson, Luther Vandross and many others. Since another New York artist, Walter Murphy, had a band also called The Big Apple Band, Rodgers and Edwards were forced to change their band’s name to avoid confusion. Thus, in 1977 the band was renamed as Chic. Rodgers has stated that a major inspiration was a Roxy Music gig he saw in London: "It was a totally immersive artistic experience – the crowd were fly, the band were fly, the music was textual, they were saying 'come into my world'."^[1]

Between gigs they recorded their first album with then-boss Luther Vandross, who provided background vocals on the group’s early recordings. The band scored numerous top ten hits and helped propel disco to new levels of popularity. Chic’s chart-topping songs "Le Freak", "I Want Your Love", "Everybody Dance", "Dance, Dance, Dance", "My Forbidden Lover", and "Good Times" became club/pop/R&B standards. "Le Freak" is Atlantic Records’ only triple platinum selling single and "Good Times" shot to the No. 1 spot in spite of the "Disco Sucks" backlash in 1979.

The success of Chic's first singles led Atlantic to offer Rodgers and Edwards the opportunity to produce any act on its roster. They chose Sister Sledge, whose 1978 album, We Are Family, peaked at No. 3 and remained on the charts well into 1979. The first two singles, "He's the Greatest Dancer" and the title cut "We Are Family" both reached No. 1 on the R&B chart, and No. 6 and No. 2, respectively on the Pop chart. "He’s the Greatest Dancer" was sampled in 1998 on Will Smith’s "Gettin' Jiggy Wit It".

As the Chic Organization’s tight sound became increasingly sought-after, Rodgers and Edwards began record production with numerous artists, together or individually.

1980s[link]

In 1980 Rodgers and Edwards wrote and produced the album Diana for Diana Ross, yielding the smash hits "Upside Down" and "I'm Coming Out". Chic’s song "Good Times" played a pivotal role in the explosion of hip hop music, as an interpolation of the song's bass line and the record’s string-section sample was the bedrock of The Sugarhill Gang's "Rapper's Delight", the first multiple-platinum Hip Hop single. The Chic Organization produced the smash hit "Spacer" for French disco act Sheila and B. Devotion and Deborah Harry’s 1981 solo album Koo Koo.

Chic dissolved in 1983 after its final contractual Atlantic album, Believer and Soup For One (a film soundtrack). At that time Rodgers began a solo career producing his first album Adventures in the Land of the Good Groove.

Rodgers produced the 1983 album Talkback, by Canadian New Wave/New Romantic band Spoons, which included the hits "Old Emotions" and "The Rhythm".

Rodgers produced David Bowie's biggest selling album Let's Dance with several hit singles including "China Girl", "Modern Love" and the title track, "Let’s Dance". He produced the single "Original Sin" by INXS. Duran Duran worked extensively with Rodgers after he co-produced their largest selling hit single, "The Reflex" in 1983 and followed up with "The Wild Boys" on their 1984 live album Arena.

That same year he produced Madonna's blockbuster album Like a Virgin, spawning her two signature hits "Material Girl" and the album's title track, "Like a Virgin". He also joined Robert Plant’s platinum selling studio band The Honeydrippers, on the album The Honeydrippers: Volume One. This period sparked Rodgers’ interest in soundtracks, the first of which were Alphabet City, Gremlins ("Out Out" – Peter Gabriel) Against All Odds ("Walk Through the Fire" – Peter Gabriel), That's Dancing ("Invitation to Dance" – Kim Carnes), White Nights (numerous songs) and The Fly ("Help Me" – Bryan Ferry).

In 1985 Rodgers produced albums for Sheena Easton, Jeff Beck, The Thompson Twins, Mick Jagger, and many others, while still finding time to perform at Live Aid. He was awarded No. 1 Singles Producer In the World in Billboard magazine to close out the year.

In 1986, he produced Duran Duran's Notorious album, which yielded a No. 2 title track hit, "Notorious". During a live set, Simon Le Bon introduced Rodgers by saying, "Well, this band went through a difficult time and it might not have made it if it weren't for this gentleman." Rodgers contributed to numerous other projects and appearances with members of the band throughout the 1980s. He also produced albums for Grace Jones, Earth Wind and Fire’s vocalist Phillip Bailey, and Al Jarreau. Rodgers performed on "Higher Love" with Steve Winwood, and records for Cyndi Lauper, Howard Jones, and David Sanborn. He then worked with Peter Gabriel on yet another soundtrack project, Laurie Anderson’s Home of the Brave.

Rodgers formed the short-lived experimental band Outloud in 1987, with David Letterman’s guitarist, composer and vocalist, Felicia Collins, and acclaimed French session musician, producer, composer and keyboardist, Philippe Saisse; they released a single album, Outloud, on Warner Brothers.

In 1988 Rodgers composed his first orchestral soundtrack for the film Coming to America (the second highest grossing film of the year) starring Eddie Murphy. Rodgers followed this with soundtracks for White Hot (the world’s first Hi-Def feature motion picture), and Earth Girls Are Easy. The latter would pair him with The B-52’s. In 1989 he co-produced their comeback multi-platinum album Cosmic Thing, which had the hit singles "Love Shack", "Roam", "Cosmic Thing" and "Deadbeat Club". That year he also produced Workin' Overtime, Diana Ross’ return to Motown, a deal that scored her an executive position at the label, along with releases by the Dan Reed Network, Slam, and Duran Duran’s compilation, Decade, which was appropriately titled. It was the most successful decade for Rodgers and also for many of the artists he worked with.

1990s[link]

In September 1990, Epic Records released the Rodgers produced Vaughan Brothers album, Family Style, shortly after the untimely death of guitar virtuoso Stevie Ray Vaughan. Early in this decade he also produced projects for David Bowie, Eric Clapton, The B-52s, David Lee Roth, Ric Ocasek, The Dan Reed Network, Cathy Dennis, Patty Griffin,^[2] Jimmy Vaughan, The Stray Cats and many other artists, along with continuing soundtrack work on Thelma and Louise, Cool World and The Beavis and Butt-head Experience (co-writer of “Come to Butt-head”). After a 1992 birthday party where Rodgers, Bernard Edwards, Paul Shaffer and Anton Fig played old Chic hits to rapturous response. Rodgers and Edwards reformed a new version of Chic. They recorded a fresh crop of material for the album Chic-Ism and performed live worldwide.

In 1996, Rodgers was honored as the JT Super Producer of the year. He performed with Edwards, Sister Sledge, Steve Winwood, Simon Le Bon and Slash in a series of commemorative concerts in Japan, which provided a career retrospective. Unfortunately, his longtime musical partner and close friend Bernard Edwards died of pneumonia during the trip, a blow that Rodgers took very hard. A year later Rodgers returned to Japan to pay homage to his fallen partner.

He started playing live concerts again while composing and producing music for film soundtracks: Beverly Hills Cop III, Blue Chips, The Flintstones and Feeling Minnesota (working with Bob Dylan) to name but a few.

In 1998, Rodgers founded Sumthing Else Music Works record label and Sumthing Distribution, an independent music label distributor. Sumthing focuses on distributing a fast-growing new genre: video game soundtracks. Its titles include the complete Halo and Resident Evil franchises and other well-known Triple-A game soundtracks like Gears of War and Borderlands.

2000s[link]

Rodgers focused on many soundtrack projects, film and video games alike. Among them were: Rush Hour 2, Snow Dogs and Semi-Pro starring Will Ferrell, who co-wrote the title song “Love Me Sexy” with Rodgers. In 2002–2003 he co-produced Astronaut, with the original five members of Duran Duran.

Also in 2002, Rodgers appeared on the Red Hot Organization's compilation CD, Red Hot and Riot. The CD, a tribute to the music and positive social message of afropop pioneer, Fela Kuti, featured Rodgers on remakes of Kuti songs, "Water No Get Enemy" and "Zombie (Part Two)." He appeared on "Water No Get Enemy" alongside influential hip hop and R&B artists, D'Angelo, Macy Gray, and The Soultronics and on "Zombie (Part Two)" with famous jazz trumpeteer, Roy Hargrove. All proceeds of the CD were donated to charities working towards greater AIDS awareness.

The September 11 attacks prompted Rodgers to create the We Are Family Foundation (WAFF) to help promote the healing process. To begin, he organized a re-recording of the song he and Edwards wrote for Sister Sledge called "We Are Family" with more than 200 musicians, celebrities, and personalities. Director Spike Lee filmed the "We Are Family" music video and director Danny Schechter filmed a documentary depicting the recording sessions called The Making and Meaning of We Are Family. The film was chosen as a Sundance Film Festival Special Selection in 2002. Rodgers then produced another "We Are Family" music video involving more than 100 beloved children's television characters. The children's music video airs as a public service announcement on Disney Channel, Nickelodeon, and PBS stations promoting a common humanity and celebrating the vision of a global family.

Rodgers received the National Academy of Recording Arts and Sciences (NARAS) NY Chapter's Governor's Lifetime Achievement Award and the Heroes Award. On September 19, 2005, he was honored at the Dance Music Hall of Fame in New York when he was inducted for his many outstanding achievements as a producer, along with former bandmate Bernard Edwards.

Chic has been nominated to the Rock & Roll Hall of Fame four times – 2003, 2006, 2007 and 2008. Rodgers served as co-musical director for the tribute concert to Ahmet Ertegün at the Montreux Jazz Festival in the summer of 2006. The concert included performances by Chic, Robert Plant, Steve Winwood, Stevie Nicks, Kid Rock, Ben E. King, Chaka Khan, George Duke (co-music director), Paolo Nutini and many other artists who were signed to Ertegün's Atlantic Records. A PBS documentary, Atlantic Records: The House That Ahmet Built, uses footage from this show, as it was one of the last times Ertegün would be captured on video.

2010s[link]

Rodgers autobiography Le Freak: An Upside Down Story of Family, Disco, and Destiny was published in late 2011.^[3]

He continues to tour and produce live events since the reunion of The Chic Organization.

In October 2011, Rodgers worked with singer Adam Lambert in New York on a song entitled "Shady" for Lambert's sophomore album, Trespassing. Both Rodgers and Lambert tweeted enthusiastically about the collaboration, and Rodgers also mentioned it on his blog Planet C.^[4]

In February 2012, Rodgers announced that he is collaborating with electronic band Daft Punk for their latest album, "teasing out their R&B influences".^[5]

Health Issues[link]

In January 2011, Rodgers revealed on his website he is fighting cancer, which was diagnosed in October 2010.^[6]

Selected discography[link]

Chic[link]

• Chic (1977)
• C'est Chic (1978)
• Risqué (1979)
• Real People (1980)
• Take It Off (1981)
• Soup For One (soundtrack, Chic/various artists) (1982)
• Tongue in Chic (1982)
• Believer (1983)
• Chic-Ism (1992)
• Live at the Budokan (1999)

Solo[link]

• Adventures in the Land of the Good Groove (1983)
• B-Movie Matinee (1985)
• Outloud (1987)
• Chic Freak and More Treats (1996)

Official production (partial)[link]

Soundtracks[link]

• Soup For One (1982)
• Alphabet City (1984)
• Coming to America (1988)
• Earth Girls Are Easy (1989)
• White Hot (1989)
• Beverly Hills Cop III (1994)
• Blue Chips (1994)
• Public Enemy (1999)
• Rise of Nations (2003) Game
• Halo 2 (2004) Game
• Perfect Dark Zero (2005) Game
• Halo 3 Soundtrack (2007) Game

References[link]

Biographical reference work[link]

• Everybody Dance: Chic and the Politics of Disco, by Daryl Easlea, Helter Skelter Publishing (Oct 24, 2004), ISBN 1-900924-56-0

External links[link]

Wikimedia Commons has media related to: Nile Rodgers

• Official Site
• Sumthing Distribution
• We Are Family Foundation
• chictribute.com
• Collected Facts

This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (October 2007)

Bernard Edwards (October 31, 1952 – April 18, 1996) was a bass player and record producer, both as a member of the Funk/Disco band Chic and on his own. He died of pneumonia while touring in Japan.

History[link]

Edwards, who was born in Greenville, North Carolina, and grew up in Brooklyn, New York City, met Nile Rodgers in the early 1970s. The two formed the Big Apple Band (active 1972–1976) and then united with drummer Tony Thompson to eventually form Chic together with singer Norma Jean Wright.

With Chic (active 1976–1983), Edwards created era-defining hits such as "Dance, Dance, Dance", "Everybody Dance", "Le Freak", "I Want Your Love" and "Good Times". Edwards also worked with Nile Rodgers to produce and write for other artists, using Chic to perform everything musically and vocally except lead vocals. Those productions with Norma Jean Wright, Sister Sledge, Sheila and B. Devotion, Diana Ross, Johnny Mathis, Debbie Harry and Fonzi Thornton led to more hits such as "Saturday", "He's The Greatest Dancer", "We Are Family", "Spacer", "Upside Down", "I'm Coming Out" and "Backfired" to name a few. (In the song "We Are Family," Kathy Sledge gives Edwards a brief shout-out, singing "Yeah, come on Bernard, play...play your funky bass, boy!")

Chic split in 1983 due to personal and artistic differences between Edwards and Rodgers.

Edwards released a solo album the same year, and in 1985 he was instrumental in the formation of the supergroup Power Station. The band's first album was produced by Edwards and featured Chic drummer Tony Thompson, and Duran Duran members John and Andy Taylor as well as singer Robert Palmer. Edwards followed this by producing Robert Palmer's hit album Riptide. He continued to produce artists throughout the 1980s and 90s. Among others, he worked with Diana Ross, Adam Ant, Rod Stewart, Air Supply, ABC and Duran Duran.

Edwards was the father of multi-platinum record producer Bernard "Focus..." Edwards, Jr. who has produced songs for Jennifer Lopez, Beyoncé Knowles, Busta Rhymes, Bishop Lamont, Tony Yayo and more.

Edwards teamed up with Nile Rodgers again for the Chic reunion in the early 1990s and released the album Chic-Ism in 1992.

In 1996 Nile Rodgers was named JT Superproducer of the Year in Japan, and was invited to perform there with Chic in April of that year. Just before the concert at the Budokan Arena in Tokyo, Edwards fell ill, but despite Rodgers' insistence, he refused to cancel the gig. He managed to perform but had to be helped at times. After the concert he retired to his hotel room where he was later found dead by Rodgers. The cause of death was ruled to be pneumonia.

Basses[link]

Edwards played a Music Man StingRay (bequeathed to Duran Duran's John Taylor after his death), a Fender Precision Bass, and a B.C. Rich "Eagle" bass during the prime of Chic. Later he would also use a Spector NS. He also was known to play a G&L L-1000 and a Sadowsky standard.

Influence[link]

Bernard Edwards is considered one of the most important bass players of the 20th century. His bass line from Chic hit "Good Times" has become one of the most copied pieces of music in history, and had a huge influence on musicians of many genres when released and was the inspiration for "Another One Bites the Dust" by Rock group Queen.

The Chic song "Good Times" was credited on Sugarhill Gang's "Rappers Delight" in 1979 ("based on the music from the song 'Good Times' N.Rogers/B Edwards", is on the vinyl label)- the first rap song to become a mainstream hit. The following twenty-odd years has seen it sampled by artists of diverse genres, from Rap to Punk and Techno to Pop. Duran Duran bassist John Taylor often played the song in homage during his solo performances, and cited Edwards as his primary influence.

On September 19, 2005 Edwards was honored posthumously for his outstanding achievement as a producer, when he was inducted into the Dance Music Hall of Fame at a ceremony held in New York.

Selected discography[link]

Chic[link]

• Chic (1977)
• C'est Chic (1978)
• Risqué (1979)
• Real People (1980)
• Take It Off (1981)
• Tongue in Chic (1982)
• Believer (1983)
• Dance, Dance, Dance: The Best of Chic (1991)
• Chic-Ism (1992)
• The Best of Chic, Volume 2 (1992)
• Live at the Budokan (1999)

Solo[link]

• Glad To Be Here (1983)

Production[link]

• Norma Jean, Norma Jean Wright (1978)
• We Are Family, Sister Sledge (1979)
• King of the World, Sheila and B. Devotion (1980)
• Love Somebody Today, Sister Sledge (1980)
• diana, Diana Ross (1980)
• I Love My Lady, Johnny Mathis (1981) (Unreleased)
• Koo Koo, Debbie Harry (1981)
• unknown title, Fonzi Thornton (1982) (Unreleased)
• Swept Away, Diana Ross (1984)
• Power Station, Power Station (1985)
• "A View To A Kill" (single), Duran Duran (1985)
• Heat, Nona Hendryx (1985)
• Riptide, Robert Palmer (1985)
• Cocker, Joe Cocker (1986)
• Color In Your Life, Missing Persons (1986)
• Hearts In Motion, Air Supply (1986)
• Alphabet City, ABC (1987)
• If, Hollywood Beyond (1987)
• Contact, Platinum Blonde (1987)
• Jody Watley, Jody Watley (1987)
• Out of Order, Rod Stewart (1988)
• Under The One Sky, Distance (1989)
• YUI Orta, Ian Hunter/The Hunter Ronson Band (1990)
• Break The Silence, The Triplets (1990)
• Vagabond Heart, Rod Stewart (1991)
• Persuasion, Adam Ant (1991) (Unreleased)
• Living in Fear, Power Station (1996)

External links[link]

• chictribute.com

References[link]

Kelly Key
Background information
Birth name	Kelly de Almeida Afonso
Born	(1983-03-03) March 3, 1983 (age 29)
Origin	Rio de Janeiro, Brazil
Genres	Pop, Dance-pop, Teen Pop, R&B
Occupations	Singer
Years active	2001–present
Labels	Som Livre
Website	Kelly Keys

Kelly de Almeida Afonso (born March 3, 1983 in Rio de Janeiro), better known as Kelly Key, is a Brazilian pop singer. Key has had great success with the LGBT people in Brazil, and she supports same-sex marriage in the country. In the span of a ten year career, Kelly has sold 2 million albums.

Biography[link]

2001–04: Debut album, Do Meu Jeito and live album[link]

Key in 2002.

Of Portuguese descent,^[1] Key released her first, self-titled album in 2001 at the age of 17. Her first single was the song "Escondido" ("Hidden") in which she sang the suggestive lyics 'We went out to make out and to make love'. The song received lots of airplay thanks to her then-boyfriend, Brazilian pop singer Latino, who she would later marry and divorce, and the risqué lyrics.

Her big breakthrough was the song "Baba" ("Drool") which was one of the biggest hits in the country during 2001. In the controversial song and music video, Kelly provokes an older man that ignored her when she was young and infatuated with him, but now that she's older, is sexually attracted to her. Thanks to the success of the song, the album went double platinum in Brazil and selling 500.000 copies sold. The and was released to international markets in Portugal and Chile. Furthermore, Key's first two singles comprised highly explicit sexual content; although, the albums appealed predominantly to minors. The album would later tender two more successful singles: Cachorrinho ("Little Dog"), about a petulant man and his eventual apprehension of the reality of his relationship with his female boss, and "Anjo" ("Angel"), a sad ballad. Both songs received major airplay and were big radio hits.

She spawned a doll, a shoes line and lots of other products targeted at young girls during her early years. In the same year, Kelly received substantial exposure after appearing on the covers of various gossip magazines due to her divorce with Latino, which did not end amicably, and participation in a recent Playboy exposé. In 2002 was released Kelly Key en Español, a Spanish version of the debut album only in Latin America, selling 200,000 copies, and also was released Remix Hits, a remix album for the LBGT clubs, selling 100,000 copies. On 2003 saw the release of Key's second album Do Meu Jeito (en: My Way). Following "Baba"'s legacy, the album's first single, "Adoleta", recited Key's difficult relationship with a younger man. Key also released "Chic Chic", song about the fame and "A Loirinha, o Playboy e o Negão" ("The Blonde Girl, the Playboy and the Nigga"), song anti racial discrimination. The album selling 300,000 copies.

2005–09:Teen pop, change of label and compilation[link]

In 2005, after firing the writers and producers of the first works, Key goes through a transformation her second self titled album, changing the dance pop and R&B songs for teen pop songs. The album featured the hits "Escuta Aqui Rapaz" ("Listen Here Boy") and a remake of Aqua's 1998 hit "Barbie Girl", selling about 100,000 copies. In 2006 released her last album on the label Warner Music, Por Que Não? (en: Why Not?), selling 40,000 copies. The album released the hits "Pegue e Puxe" ("Reach and Pull"), "Shake Boom" and "Analista" ("Analyst").

In 2007 Key released her first compilation, 100% Kelly Key, by Som Livre Records, her new label, selling 50,000 copies. The album released the smash "Você é o Cara" ("You're the Dude"), reaching her seventh number one single in Brazil. In 2008 Key released her third self-titled album, also known as To Shine, rescuing adult themes and selling 38,000 copies. In 2009 Key leaves Som Livre Record to become a presenter.

2010–present:Television carrer and LGBT era[link]

Key with LGBT flag.

In 2009 becomes host of the Rede Record's TV show Hoje em Dia with other presenters. In 2010 becomes host of her own TV show, the Game Show de Verão. Em 2011 returns to music and releases her first house music single, "O Problema é Meu" ("The Problem is Mine"), featured DJ and producer Mister Jam. On November 15, release her debut English single, "Shaking (Party People) for the LBGT charts. Currently, Brown was recording tracks for 2012 album, produced by Mister Jam and totally inspired by the LGBT songs.

Philanthropy and other activities[link]

Key has a great success with the LGBT people in Brazil, and she supports the same-sex marriage in the country. Also was a spokesperson to highschool age young adults in a campaign in which she said, "Show how you've grown up. This Carnaval, use condoms."^[2]

Discography[link]

• 2001: Kelly Key
• 2002: Kelly Key en Español
• 2003: Do Meu Jeito
• 2004: Kelly Key - Ao Vivo
• 2005: Kelly Key
• 2006: Por Que Não?
• 2008: Kelly Key
• 2011: Studio K

Tours[link]

• 2001: Kelly Key in Tour
• 2003: Ao Vivo e do Meu Jeito Tour
• 2005: O Filme Já Começou Tour
• 2006: Por que Não? Tour
• 2008: 100% Tour
• 2010: Holiday Tour
• 2011: In The Night Tour

Filmography[link]

References[link]

1. ^ Kelly Key Ask Men
2. ^ Okie, Susan (May 11, 2006). "Fighting HIV - Lessons from Brazil". The New England Journal of Medicine (Massachusetts Medical Society) (354): 1977–1981. DOI:10.1056/NEJMp068069. http://www.nejm.org/doi/full/10.1056/NEJMp068069. Retrieved 24 October 2011. 

External links[link]

Wikimedia Commons has media related to: Kelly Key

• Official Website
• Her Blog