- published: 20 May 2007
- views: 54424
- author: misternhh
2:55
Built To Last
Check out our new film series American Makeover at www.AmericanMakeover.tv. "Built to Last...
published: 07 May 2009
author: 1standMain
Built To Last
Check out our new film series American Makeover at www.AmericanMakeover.tv. "Built to Last" won first place in The Congress for the New Urbanism CNU 17 video...
- published: 07 May 2009
- views: 189325
- author: 1standMain
53:30
New Urbanism
A presentation by Jeff Speck, entitield " New Urbanism", shot at the Kendall HUB in downto...
published: 01 Oct 2010
author: GRCCtv
New Urbanism
A presentation by Jeff Speck, entitield " New Urbanism", shot at the Kendall HUB in downtown Grand Rapids.
- published: 01 Oct 2010
- views: 13473
- author: GRCCtv
69:29
CNU 20 - Looking Forward: New Urbanism and the New World
As we enter CNU's third decade, economic, political, and environmental conditions pose ser...
published: 30 May 2012
author: Congress4NewUrbanism
CNU 20 - Looking Forward: New Urbanism and the New World
As we enter CNU's third decade, economic, political, and environmental conditions pose serious challenges for the built and natural environment, as well as N...
- published: 30 May 2012
- views: 1904
- author: Congress4NewUrbanism
2:52
New Urbanism vs. Suburbanism
As population and pollution problems continue to develop in our world, new solutions to ex...
published: 06 Dec 2007
author: Max McLaughlin
New Urbanism vs. Suburbanism
As population and pollution problems continue to develop in our world, new solutions to existing obstacles must be cultivated. Instead of expanding roads and...
- published: 06 Dec 2007
- views: 29010
- author: Max McLaughlin
164:01
CNU 20 - The Misunderstood Transect: Theory vs. Practice in New Urbanist Codes
The Rural-to-Urban Transect seems intuitive, commonsense, observable. Even now it is possi...
published: 30 May 2012
author: Congress4NewUrbanism
CNU 20 - The Misunderstood Transect: Theory vs. Practice in New Urbanist Codes
The Rural-to-Urban Transect seems intuitive, commonsense, observable. Even now it is possible to see an American pattern of countryside to suburbs to cities....
- published: 30 May 2012
- views: 1113
- author: Congress4NewUrbanism
9:01
Lecture Part 1 of 9
Part 1: Introduction; Background; Suburban sprawl patterns; the four major components; pub...
published: 01 Nov 2006
author: NuHerbAndIzm
Lecture Part 1 of 9
Part 1: Introduction; Background; Suburban sprawl patterns; the four major components; public realm/private realm.
- published: 01 Nov 2006
- views: 51856
- author: NuHerbAndIzm
7:25
New Urbanism is Communist
Help Stop Communism: http://www.randpac.com Learn More About Agenda 21: http://www.america...
published: 10 Nov 2012
author: CraziesinPolitics
New Urbanism is Communist
Help Stop Communism: http://www.randpac.com Learn More About Agenda 21: http://www.americanthinker.com/2009/10/un_agenda_21_coming_to_a_neigh.html.
- published: 10 Nov 2012
- views: 375
- author: CraziesinPolitics
5:00
New Urbanism in White Flint
The White Flint Partnership Presents Smart Growth and New Urbanism in our Community....
published: 04 Nov 2011
author: WhiteFlintPartnershp
New Urbanism in White Flint
The White Flint Partnership Presents Smart Growth and New Urbanism in our Community.
- published: 04 Nov 2011
- views: 1192
- author: WhiteFlintPartnershp
89:44
CNU 20 - Seminal New Urbanism in the Sunshine State
CNU 20 - Seminal New Urbanism in the Sunshine State: Critique of Florida legacy projects S...
published: 30 May 2012
author: Congress4NewUrbanism
CNU 20 - Seminal New Urbanism in the Sunshine State
CNU 20 - Seminal New Urbanism in the Sunshine State: Critique of Florida legacy projects Seaside, Baldwin Park, and Mizner Park, and how they are shaping dev...
- published: 30 May 2012
- views: 325
- author: Congress4NewUrbanism
1:33
HouseSmarts Green Piece "New Urbanism" Episode 55
Each week, our experts will introduce and explore new, environmentally-friendly ways to im...
published: 22 Feb 2013
author: HouseSmartsTV
HouseSmarts Green Piece "New Urbanism" Episode 55
Each week, our experts will introduce and explore new, environmentally-friendly ways to improve your home while improving the planet. This week, we're learni...
- published: 22 Feb 2013
- views: 10
- author: HouseSmartsTV
95:36
CNU 20 - New Urbanism and Historic Preservation: Collaboration Strategies
While New Urbanism and historic preservation share many values and tools, in practice the ...
published: 30 May 2012
author: Congress4NewUrbanism
CNU 20 - New Urbanism and Historic Preservation: Collaboration Strategies
While New Urbanism and historic preservation share many values and tools, in practice the two fields have typically acted separately and viewed one another w...
- published: 30 May 2012
- views: 588
- author: Congress4NewUrbanism
1:46
Congress for the New Urbanism: New Urbanism @ Street Level with Eric Dumbaugh
Students for the New Urbanism Video Series: New Urbanism @ Street Level with Eric Dumbaugh...
published: 03 Dec 2012
author: Congress4NewUrbanism
Congress for the New Urbanism: New Urbanism @ Street Level with Eric Dumbaugh
Students for the New Urbanism Video Series: New Urbanism @ Street Level with Eric Dumbaugh Associate Professor at Florida Atlantic University, Eric Dumbaugh,...
- published: 03 Dec 2012
- views: 182
- author: Congress4NewUrbanism
Vimeo results:
4:55
JP Auclair Street Segment (from All.I.Can.)
..if you liked this, check the award-winning 70min film, "All.I.Can." by Sherpas Cinema
iT...
published: 29 Nov 2011
author: Sherpas Cinema
JP Auclair Street Segment (from All.I.Can.)
..if you liked this, check the award-winning 70min film, "All.I.Can." by Sherpas Cinema
iTunes Download HD: http://itunes.apple.com/us/movie/all.i.can.-by-sherpas-cinema/id470509338
Blu-ray and DVD: order from http://www.sherpascinema.com
All.I.Can Official Teaser --> vimeo.com/16442800
All.I.Can Teaser 2 --> vimeo.com/29320702
All.I.Can Teaser 3 --> vimeo.com/31835595
The Group Shred --> vimeo.com/54035990
Life Is Born --> vimeo.com/52728056
Segment Awards:
"2012 CINEMATOGRAPHY AWARD" - Dave Mossop, Mountain Film Festival, Telluride CO
"BEST POV" - JP Auclair, Powder Video Awards 2012
"AUDIENCE CHOICE AWARD - BEST ADVENTURE FILM" - Port Townsend Film Festival, 2012
All.I.Can Awards:
"MOVIE OF THE YEAR" - Powder Video Awards 2012
"BEST FILM" - X-Dance Film Festival, SLC 2012
"BEST PICTURE" - International Freeride Film Festival, France 2011
"BEST FEATURE-LENGTH MOUNTAIN FILM" - Banff Mountain Film Festival 2011
"BEST FILM OF THE YEAR" - Adventure Film Festival, Copenhagen 2011
"PEOPLES CHOICE" and "BEST SKI FILM" - Fernie Film Festival, BC 2011
"BEST SKI FILM" - Adventure Film Festival, Boulder 2011
"BEST CINEMATOGRAPHY" - ESPN Fan Favorites 2011
"BEST CINEMATOGRAPHY" - International Freeride Film Festival, France 2011
"BEST CINEMATOGRAPHY" - X-Dance Film Festival, SLC 2012
"BEST DOCUMENTARY" - IF3 Film Festival Montreal 2011
"MOST INNOVATIVE VISUAL FX" - IF3 Film Festival Montreal 2011
"AMBASSADOR OF GREEN" - X-Dance Film Festival, SLC 2012
"FULL THROTTLE AWARD" - Kye Petersen, Powder Video Awards 2012
"BEST NATURAL AIR" - Kye Petersen, Powder Video Awards 2012
"BEST EDITING" - Powder Video Awards 2012
Press reviews:
- "The best movie in skiing." - Jamey Voss, ESPN es.pn/pPxkbQ
- "Like listening to a Zeppelin song." - John Stifter, Powder Magazine: bit.ly/nl0JiT
- "The Sherpas are firmly in the lead of a new wave of filmmakers that are changing the face of ski films for good." - Leslie Anthony, Skier Magazine: bit.ly/mVaYsy
- "Captivating. Fascinating. Life Changing." - Todd Heath, BombSnow Magazine.
...An unparalleled cinematic experience: All.I.Can is a stunning exploratory essay that compares the challenges of big mountain skiing to the challenges of global climate change. Shot on 6 continents over 2 years, the world’s best skiers deliver inspirational performances while ground-breaking cinematography expands our vision of the natural world.
Journey through Morocco’s majestic desert peaks, Greenland’s icy fjords, Chile’s volcanic craters, Alaskan spine walls, and more. Join the revolution and experience one of the most spectacular, captivating, and thought-provoking films ever created in the action sports genre.
This segment directed by Dave Mossop & JP Auclair
Huge thanks to Arno, Joey, Cal's family, Peck, Bone, Bordo, and the Walker and Depster kid posse - thanks for all the help!!
Location: Trail, Rossland, and Nelson, BC.
Notice anything at 0:44?
Read a brilliant article about All.I.Can and the making-of JP's segment. Written by Arno Kopecky and published in The Walrus: http://www.walrusmagazine.com/articles/2011.10-environment-mountain-due/
Music: Dance Yrself Clean, by LCD Soundsystem.
Receive The Sherpas future vids at: http://www.facebook.com/pages/Sherpas-Cinema/215832121796328
http://sherpascinema.com
Thanks for joining us.
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
5:32
In South America - 2012
Early 2012, we started a journey to Argentina, Chile, Bolivia, Uruguay, Paraguay and South...
published: 16 Nov 2012
author: Vincent Urban
In South America - 2012
Early 2012, we started a journey to Argentina, Chile, Bolivia, Uruguay, Paraguay and Southern Brazil in our old and rusty Landrover. Once again, we brought our DSLR cameras and some gear to capture every great moment of this trip. Lots of winds, emptiness, pampas, bustling cities, animals, deserts and waterfalls - all wrapped up in just under 6 min. Enjoy the ride!
Filmed by: Clemens Krüger, Vincent Urban, Stefan Templer
Edited by: Vincent Urban
Filmed with Canon 7D/60D and GoPro.
EF-S 17-55mm f/2.8
EF-S 18-135mm f/3.5-5.6
(some 300 and a fisheye were involved to)
Music by:
Ólafur Arnalds - "3055"
Watch the videos about our trip in Asia last year: https://vimeo.com/22714098
or New York: https://vimeo.com/50631254
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
Youtube results:
2:39
Congress for the New Urbanism: Marcy McInelly
Students for the New Urbanism Video Series: Marcy McInelly on What New Urbanism Means to H...
published: 08 Feb 2013
author: Congress4NewUrbanism
Congress for the New Urbanism: Marcy McInelly
Students for the New Urbanism Video Series: Marcy McInelly on What New Urbanism Means to Her Hey Students! Check out the SNU Resource Page: http://www.cnu.or...
- published: 08 Feb 2013
- views: 88
- author: Congress4NewUrbanism
67:13
Retrofitting the Suburbs: A New Urbanist Perspective
Elizabeth Plater-Zyberk, FAIA, dean of the University of Miami School of Architecture and ...
published: 29 Mar 2012
author: BuildingMuseum
Retrofitting the Suburbs: A New Urbanist Perspective
Elizabeth Plater-Zyberk, FAIA, dean of the University of Miami School of Architecture and partner in Duany Plater-Zyberk & Co., presented examples of des...
- published: 29 Mar 2012
- views: 948
- author: BuildingMuseum
7:15
Congress for the New Urbanism: Karja Hansen Primes Us on New Urbanism
Students for the New Urbanism Video Series: Karja Hansen Primes Us on New Urbanism Princip...
published: 03 Dec 2012
author: Congress4NewUrbanism
Congress for the New Urbanism: Karja Hansen Primes Us on New Urbanism
Students for the New Urbanism Video Series: Karja Hansen Primes Us on New Urbanism Principal at Poliphili and New Urbanist, Karja Hansen, answers the questio...
- published: 03 Dec 2012
- views: 302
- author: Congress4NewUrbanism
70:45
CNU 20 - Why Did We Stop Walking & How Do We Start Again?
CNU 20 - Why Did We Stop Walking & How Do We Start Again? The Dawn of the Motor Age in the...
published: 30 May 2012
author: Congress4NewUrbanism
CNU 20 - Why Did We Stop Walking & How Do We Start Again?
CNU 20 - Why Did We Stop Walking & How Do We Start Again? The Dawn of the Motor Age in the American City The New Urbanist vision for balanced mobility is gre...
- published: 30 May 2012
- views: 1891
- author: Congress4NewUrbanism