- published: 07 Mar 2011
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"The Silver Swan" by Scott Joplin is a ragtime composition for piano. It is the only known Joplin composition to be originally released on piano roll instead of in musical notation.
The overall structure of the piece is:
The structure is unusual for a Joplin rag; Edwards characterized it as a rondo. The recapitulation of the A strain at the end is also found in "Magnetic Rag" and "Scott Joplin's New Rag", which appeared about the same time.
The introduction and the A strain are both in B-flat major. At the start of the B strain, the piece modulates to G minor. Edwards describes this section as "well developed".
The C strain is in E-flat major. Jasen and Tichenor wrote that it "sounds as though it consists of three fragments put together".
"Silver Swan Rag" was never copyrighted or published in Joplin's lifetime. Though two companies (QRS Music Roll Company and National) issued piano roll recordings of it in 1914, the piece was neglected for many years.
Silver Swan may refer to:
The Silver Swan is an automaton dating from the 18th Century and is housed in the Bowes Museum, Barnard Castle, Teesdale, County Durham, England. It was acquired by John Bowes, the museum's founder from a Parisian jeweler in 1872.
The swan, which is life size, is a clockwork driven device that includes a music box. The swan sits in a "stream" that is made of glass rods and is surrounded by silver leaves. Small silver fish can be seen "swimming" in the stream.
When the clockwork is wound the music box plays and the glass rods rotate giving the illusion of flowing water. The swan turns its head from side to side and also preens itself. After a few moments the swan notices the swimming fish and bends down to catch and eat one. The swan's head then returns to the upright position and the performance, which has lasted about 32 seconds, is over. To help preserve the mechanism the swan is only operated once each day at 2pm.
The mechanism was designed and built by John Joseph Merlin (1735-1803) in conjunction with the London inventor James Cox (1723–1800) in 1773.
The Silver Swan is a fictional character appearing in DC Comics publications and related media. A major adversary of Wonder Woman, the Swan possesses the superhuman ability to fly, as well as to generate a destructive sonic cry. She first appeared in 1982 in Wonder Woman #288 (volume 1), written by Roy Thomas and illustrated by Gene Colan. Since then, the character has undergone several updates as comic book continuities have evolved and shifted. Indeed, there have been three different Silver Swans since the character's debut, including Helen Alexandros, the original Silver Swan; Valerie Beaudry, the second Silver Swan, debuting in 1988 in Wonder Woman #15 (volume 2); and Vanessa Kapatelis, the third Silver Swan, debuting in 2001 in Wonder Woman #171 (volume 2). The backstories of all three characters are inspired by Hans Christian Andersen's fairy tale The Ugly Duckling; similar to the tale's titular protagonist, Alexandros, Beaudry and Kapetelis all believe they are undesirable or unwanted, only to find themselves transformed into extraordinarily beautiful (and vengeful) super-powered women.
High Definition Video. The silver swan at Bowes Museum has recently been restored. It is operated only once per day, 30 seconds worth of bliss.
Kunjoos & Ponnoos Media https://www.youtube.com/channel/UCrNdv-QGJw8oUg4ZGKYIkjg The Silver Swan is an automaton dating from the 18th Century and is housed in the Bowes Museum, Barnard Castle, Teesdale, County Durham, England. It was acquired by John Bowes, the museum's founder from a Parisian jeweler in 1872.
Are you joining us for the Silver Swan Study Week? Starting on Tuesday 5 October, visitors will be able to watch a group of specialist conservators and curators dismantle the Silver Swan as the Museum explores the mechanical condition of this iconic object, ahead of creating a conservation plan for its preservation. There will be daily Q&As; in the gallery, as well as Zoom panel discussions that you can join in from the comfort of your own home. Find out all the upcoming #SwanStudyWeek events here: http://bit.ly/EventsAtTBM #SilverSwan #SwanStudyWeek #Conservation #MuseumConservation #MuseumObjects #BehindtheScenes #Automaton #18thcenturyrobot #JohnJosephMerlin #AutumnatTheBowesMuseum #EscapeTheEveryday #TheBowesMuseum #VisitTheBowesMuseum #BarnardCastle #Teesdale #CountyDurham #VisitCo...
At the 'Robots' Exhibition, Science Museum, London.
How well do you know the Silver Swan? Our in-house swan doctor Matthew Read has some secrets he'd like to share. Join us each Wednesday at 10.00 to learn more about this beautiful 18th century robot. Do you have any questions? Comment below. Your Support Means Everything: bit.ly/SupportTBM Follow us: Twitter: https://twitter.com/TheBowesMuseum Instagram: https://www.instagram.com/thebowesmus... Facebook: https://www.facebook.com/TheBowesMuse... #SilverSwan #TheBowesMuseum #JohnandJosephineBowes #BowesCollection #18centuryrobot #automaton
in 2021, the Bowes Swan Automaton was subject to a week-long programme of study in order to establish a wider understanding of arguably the world's best operational eighteenth century object of its kind. This documentary was commissioned by The Bowes Museum and made by Howell Film Read our peer-reviewed article here: https://www.tandfonline.com/doi/full/10.1080/19455224.2023.2202411 www.clockmaker-conservator.co.uk www.thebowesmuseum.org.uk www.howellfilm.co.uk #clock #repair #automaton #heritage #film #museum #dynamic #Swan #SilverSwan
In the 'Robots' exhibition in the Science Museum. Only plays once a day at 10.25am. Three separate clockwork mechanisms. Used to be in the Cox's Mechanical Museum in London.
The Silver Swan was bought by the Museum’s founders over 240 years ago – find out more about this remarkable working automaton from specialist Matthew Read here. Do you have any questions? Comment below. Your Support Means Everything: bit.ly/SupportTBM Follow us: Twitter: https://twitter.com/TheBowesMuseum Instagram: https://www.instagram.com/thebowesmus... Facebook: https://www.facebook.com/TheBowesMuse. #SilverSwan #TheBowesMuseum #JohnandJosephineBowes #BowesCollection #18centuryrobot #automaton
Watch a demonstration of Queen Marie Antoinette's Automaton playing one of eight melodies it can perform. Subscribe for new content from the Met: https://www.youtube.com/user/metmuseu... David Roentgen (1743--1807) took his royal patron by surprise when he delivered this beautiful automaton to King Louis XVI for his queen, Marie Antoinette, in 1784. The cabinetry for this piece is very much a neoclassical masterwork, and the mechanism behind it is truly extraordinary: the figure strikes the strings in perfect rhythm with two small metal hammers held in her hands, which move with great precision. This object is from Musée des arts et métiers de Paris and is on view at The Metropolitan Museum of Art in the exhibition Extravagant Inventions: The Princely Furniture of the Roentgens: View ...
"The Silver Swan" by Scott Joplin is a ragtime composition for piano. It is the only known Joplin composition to be originally released on piano roll instead of in musical notation.
The overall structure of the piece is:
The structure is unusual for a Joplin rag; Edwards characterized it as a rondo. The recapitulation of the A strain at the end is also found in "Magnetic Rag" and "Scott Joplin's New Rag", which appeared about the same time.
The introduction and the A strain are both in B-flat major. At the start of the B strain, the piece modulates to G minor. Edwards describes this section as "well developed".
The C strain is in E-flat major. Jasen and Tichenor wrote that it "sounds as though it consists of three fragments put together".
"Silver Swan Rag" was never copyrighted or published in Joplin's lifetime. Though two companies (QRS Music Roll Company and National) issued piano roll recordings of it in 1914, the piece was neglected for many years.
The silver swan, who living had no note,
When death approached
Unlocked her silent throat;
Leaning her breast
Against the ready shore,
Thus sung her first an last,
And sung no more:
Farewell, all joys;
O death, come close mine eyes;
More geese than swan now live,