"Carpetbaggers" redirects here. For the Harold Robbins novel, see The Carpetbaggers. For the film adaptation, see The Carpetbaggers (film).

Look up carpetbagger in Wiktionary, the free dictionary.

1872 cartoon depiction of Carl Schurz as a Carpetbagger

In United States history, carpetbagger was a pejorative term Southerners gave to Northerners (also referred to as Yankees) who moved to the South during the Reconstruction era, between 1865 and 1877.

The term referred to the observation that these newcomers tended to carry "carpet bags," a common form of luggage at the time (sturdy and made from used carpet). It was used as a derogatory term, suggesting opportunism and exploitation by the outsiders. Together with Republicans they are said to have politically manipulated and controlled former Confederate states for varying periods for their own financial and power gains. In sum, carpetbaggers were seen as insidious Northern outsiders with questionable objectives meddling in local politics, buying up plantations at fire-sale prices and taking advantage of Southerners. Carpetbagger is not to be confused with copperhead, which is a term given to a person from the North who sympathized with the Southern claim of right to Secession.

The term carpetbaggers was also used to describe the Republican political appointees who came South, arriving with their travel carpet bags. Southerners considered them ready to loot and plunder the defeated South.^[1]

In modern usage in the U.S., the term is sometimes used derisively to refer to a politician who runs for public office in an area where he or she does not have deep community ties, or has lived only for a short time. In the United Kingdom, the term was adopted to refer informally to those who join a mutual organization, such as a building society, in order to force it to demutualize, that is, to convert into a joint stock company, solely for personal financial gain.

Background information[link]

Reforming impulse[link]

Beginning in 1862 thousands of Northern abolitionists and other reformers moved to areas in the South where secession by the Confederates states had failed.^{[citation needed]} Many schoolteachers and religious missionaries arrived in the South, some sponsored by northern churches. Some were abolitionists who sought to continue the struggle for racial equality; they often became agents of the federal Freedmen's Bureau, which started operations in 1865 to assist the vast numbers of recently emancipated freedmen. The bureau established public schools in rural areas of the South where public schools had not previously existed. Other Northerners who moved to the South participated in establishing railroads where infrastructure was lacking.^[2][3]

During the time African-American families had been enslaved, they were prohibited from education and attaining literacy. Southern states had no public school systems, and the planter elite sent their children to private schools. After the war, thousands of Northern white women moved South; many to teach newly freed African-American children.^[4] While many Northerners went South with reformist impulses, not all Northerners who went South were reformers.^[5]

Economic motives[link]

Many carpetbaggers were businessmen who purchased or leased plantations and became wealthy landowners, hiring freedmen to do the labor. Most were former Union soldiers eager to invest their savings in this promising new frontier, and civilians lured south by press reports of "the fabulous sums of money to be made in the South in raising cotton." Foner notes that "joined with the quest for profit, however, was a reforming spirit, a vision of themselves as agents of sectional reconciliation and the South's "economic regeneration." Accustomed to viewing Southerners—black and white—as devoid of economic initiative and self-discipline, they believed that only "Northern capital and energy" could bring "the blessings of a free labor system to the region."^[6]

Carpetbaggers tended to be well educated and middle class in origin. Some had been lawyers, businessmen, newspaper editors, Union Army members and other pillars of Northern communities. The majority (including 52 of the 60 who served in Congress during Reconstruction) were veterans of the Union Army.^[7]

Leading "black carpetbaggers" believed the interests of capital and labor identical, and the freedmen entitled to little more than an "honest chance in the race of life."^[8]

Many Northern and Southern Republicans shared a modernizing vision of upgrading the Southern economy and society, one that would replace the inefficient Southern plantation regime with railroads, factories and more efficient farming. They actively promoted public schooling and created numerous colleges and universities. The Northerners were especially successful in taking control of Southern railroads, aided by state legislatures. In 1870 Northerners controlled 21% of the South's railroads (by mileage); 19% of the directors were from the North. By 1890 they controlled 88% of the mileage; 47% of the directors were from the North.^[9]

Examples of prominent carpetbaggers in state politics[link]

Mississippi[link]

Union General Adelbert Ames, a native of Massachusetts, was appointed military governor and later was elected as Republican governor of Mississippi during the Reconstruction era. Ames tried unsuccessfully to ensure equal rights for black Mississippians. His political battles with the Southerners and African Americans ripped apart his party.^[10]

The "Black and Tan" (biracial) constitutional convention in Mississippi in 1868 included 29 white Southerners, 17 Southern freedmen and 24 nonsoutherners, nearly all of whom were veterans of the Union Army. They included four men who had lived in the South before the war, two of whom had served in the Confederate States Army. Among the more prominent were Gen. Beroth B. Eggleston, a native of New York; Col. A. T. Morgan, of the Second Wisconsin Volunteers; Gen. W. S. Barry, former commander of a Colored regiment raised in Kentucky; an Illinois general and lawyer who graduated from Knox College; Maj. W. H. Gibbs, of the Fifteenth Illinois infantry; Judge W. B. Cunningham, of Pennsylvania; and Cap. E. J. Castello, of the Seventh Missouri infantry. They were among the founders of the Republican party in Mississippi.

They were prominent in the politics of the state until 1875, but nearly all left Mississippi in 1875 to 1876 under pressure from the Red Shirts and White Liners. These white paramilitary organizations, described as "the military arm of the Democratic Party", worked openly to violently overthrow Republican rule, using intimidation and assassination to turn Republicans out of office and suppress freedmen's voting.^[11][12][13]

Albert T. Morgan, the Republican sheriff of Yazoo, Mississippi, received a brief flurry of national attention when insurgent white Democrats took over the county government and forced him to flee. He later wrote Yazoo; Or, on the Picket Line of Freedom in the South (1884).

On November 6, 1875, Hiram Revels, a Mississippi Republican and the first African-American U.S. Senator, wrote a letter to U.S. President Ulysses S. Grant that was widely reprinted. Revels denounced Ames and Northerners for manipulating the Black vote for personal benefit, and for keeping alive wartime hatreds:

Since reconstruction, the masses of my people have been, as it were, enslaved in mind by unprincipled adventurers, who, caring nothing for country, were willing to stoop to anything no matter how infamous, to secure power to themselves, and perpetuate it..... My people have been told by these schemers, when men have been placed on the ticket who were notoriously corrupt and dishonest, that they must vote for them; that the salvation of the party depended upon it; that the man who scratched a ticket was not a Republican. This is only one of the many means these unprincipled demagogues have devised to perpetuate the intellectual bondage of my people.... The bitterness and hate created by the late civil strife has, in my opinion, been obliterated in this state, except perhaps in some localities, and would have long since been entirely obliterated, were it not for some unprincipled men who would keep alive the bitterness of the past, and inculcate a hatred between the races, in order that they may aggrandize themselves by office, and its emoluments, to control my people, the effect of which is to degrade them.^[14]

Elza Jeffords, a lawyer from Portsmouth, Ohio, who fought with the Army of the Tennessee, remained in Mississippi after the conclusion of the Civil War. He was the last Republican to represent that state in the U.S. House of Representatives, having served from 1883 to 1885. He died in Vicksburg sixteen days after he left Congress. The next Republican congressman from the state came eighty years later, Prentiss Walker of Mize in Smith County, who served a single term from 1965 to 1967.

North Carolina[link]

Corruption was a charge made by Democrats in North Carolina against the Republicans, notes the historian Paul Escott, "because its truth was apparent."^[15] The historians Eric Foner and W. E. B. Du Bois have noted that Democrats as well as Republicans received bribes and participated in decisions about the railroad.^[16] Gen. Milton S. Littlefield, was dubbed the "Prince of Carpetbaggers," and bought votes in the legislature "to support grandiose and fraudulent railroad schemes." Escott concludes that some Democrats were involved, but Republicans "bore the main responsibility for the issue of $28 million in state bonds for railroads and the accompanying corruption. This sum, enormous for the time, aroused great concern." Foner says Littlefield disbursed $200,000 (bribes) to win support in the legislature for state money for his railroads, and Democrats as well as Republicans were guilty of taking the bribes and making the decisions on the railroad.^[16] North Carolina Democrats condemned the legislature's "depraved villains, who take bribes every day;" one local Republican officeholder complained, "I deeply regret the course of some of our friends in the Legislature as well as out of it in regard to financial matters, it is very embarrassing indeed."^[15]

Extravagance and corruption increased taxes and the costs of government in a state that had always favored low expenditure, Escott pointed out. The context was that a planter elite kept taxes low because it benefited them. They used their money toward private ends rather than public investment. None of the states had established public school systems before the Reconstruction state legislatures created them, and they had systematically underinvested in infrastructure such as roads and railroads. Planters whose properties occupied prime riverfront locations relied on river transportation, but smaller farmers in the backcountry suffered.

Escott claimed, "Some money went to very worthy causes— the 1869 legislature, for example, passed a school law that began the rebuilding and expansion of the state's public schools. But far too much was wrongly or unwisely spent" to aid the Republican Party leadership. A Republican county commissioner in Alamance eloquently denounced the situation: "Men are placed in power who instead of carrying out their duties . . . form a kind of school for to graduate Rascals. Yes if you will give them a few Dollars they will liern you for an accomplished Rascal. This is in reference to the taxes that are rung from the labouring class of people. Without a speedy reformation I will have to resign my post."^[15]

Albion W. Tourgée, formerly of Ohio and a friend of President James A. Garfield, moved to North Carolina, where he practiced as a lawyer and was appointed a judge. He once opined that "Jesus Christ was a carpetbagger." Tourgée later wrote A Fool's Errand, a largely autobiographical novel about an idealistic carpetbagger persecuted by the Ku Klux Klan in North Carolina.^{[original research?]}

South Carolina[link]

A politician in South Carolina who was called a carpetbagger was Daniel Henry Chamberlain, a New Englander who had served as an officer of a predominantly black regiment of the United States Colored Troops. He was appointed South Carolina's attorney general from 1868 to 1872 and was elected Republican governor from 1874 to 1877. As a result of the national Compromise of 1877, Chamberlain lost his office. He was narrowly re-elected in a campaign marked by egregious voter fraud and violence against freedmen by Democratic Red Shirts, who succeeded in suppressing the black vote in some majority-black counties.^[17] While serving in South Carolina, Chamberlain was a strong supporter of Negro rights.

Some historians of the early 1930s, who belonged to the Dunning School that believed that the Reconstruction era was fatally flawed claimed that Chamberlain was later influenced by Social Darwinism to become a white supremacist. They also wrote that he supported states' rights and laissez-faire in the economy. They portrayed "liberty" in 1896 as the right to rise above the rising tide of equality. Chamberlain was said to justify white supremacy by arguing that, in evolutionary terms, the Negro obviously belonged to an inferior social order.^[18]

Charles Stearns, also from Massachusetts, wrote an account of his experience in South Carolina: The Black Man of the South, and the Rebels: Or, the Characteristics of the Former and the Recent Outrages of the Latter (1873).

Francis Lewis Cardozo, a black minister from New Haven, Connecticut, served as a delegate to South Carolina's Constitutional Convention (1868). He made eloquent speeches advocating that the plantations be broken up and distributed among the freedmen. They wanted their own land to farm and believed they had already paid for land by their years of uncompensated labor and the trials of slavery.^[18]

Louisiana[link]

Henry C. Warmoth was the Republican governor of Louisiana from 1868 to 1874. As governor, Warmoth was plagued by accusations of corruption, which continued to be a matter of controversy long after his death. He was accused of using his position as governor to trade in state bonds for his personal benefit. In addition, the newspaper company which he owned received a contract from the state government. Warmoth supported the franchise for freedmen.^[19]

He struggled to lead the state during the years when the White League, a white Democratic paramilitary organization, conducted an open campaign of violence and intimidation against Republicans, including freedmen, with the goals of regaining Democratic power and white supremacy. They ran Republicans out of office, were responsible for the Coushatta Massacre, disrupted Republican organizing, and preceded elections with such intimidation and violence that black voting was sharply reduced. Warmoth stayed in Louisiana after Reconstruction and following the white Democrats' regaining political power in the state. He died in 1931 at age 89.^[19]

A cartoon threatening that the Ku Klux Klan would lynch carpetbaggers, Tuscaloosa, Alabama, Independent Monitor, 1868

Algernon Sidney Badger, a Boston, Massachusetts, native, held various appointed federal positions in New Orleans only under Republican national administrations during and after Reconstruction. He first came to New Orleans with the Union Army in 1863 and never left the area. He is interred at Metairie Cemetery there.^[20]

Alabama[link]

George E. Spencer was a prominent Republican U.S. Senator. His 1872 reelection campaign in Alabama opened him to allegations of "political betrayal of colleagues; manipulation of Federal patronage; embezzlement of public funds; purchase of votes; and intimidation of voters by the presence of Federal troops." He was a major speculator in a distressed financial paper.^[21]

Georgia[link]

Tunis Campbell, a black New York businessman, was hired in 1863 by Secretary of War Edwin M. Stanton to help former slaves in Port Royal, South Carolina. When the Civil War ended, Campbell was assigned to the Sea Islands of Georgia, where he engaged in an apparently successful land reform program for the benefit of the freedmen. He eventually became vice-chair of the Georgia Republican Party, a state senator and the head of an African-American militia which he hoped to use against the Ku Klux Klan.^[19]

Arkansas[link]

William Hines Furbush, born a slave in Kentucky in 1839, received an education in Ohio, and migrated to Helena, Arkansas in 1862. Back in Ohio in February 1865, he joined the Forty-second Colored Infantry at Columbus. After the war Furbush migrated to Liberia through the American Colonization Society. He returned to Ohio after 18 months and moved back to Arkansas by 1870.[Wintory 2004] Furbush was elected to two terms in the Arkansas House of Representatives, 1873–74 (Phillips County) and 1879–80 (Lee County).

In 1873 the state passed a civil rights law. Furbush and three other black leaders, including the bill's primary sponsor state Sen. Richard A. Dawson, sued a Little Rock barkeeper for refusing to serve the group service. The suit resulted in the only successful Reconstruction prosecution under the state's civil rights law. In the legislature Furbush worked to create a new county, Lee, from portions of Phillips, Crittenden, Monroe and St. Francis counties.

Following the end of his 1873 legislative term, Furbush was appointed sheriff by Republican Governor Elisha Baxter. Furbush won reelection as sheriff twice and served from 1873 to 1878. During his term, he adopted a policy of "fusion," a post-Reconstruction power-sharing compromise between Democrats and Republicans. Furbush was originally elected as a Republican, but he switched to the Democratic Party at the end of his time as sheriff. In 1878, Furbush was again elected to the Arkansas House. His election is noteworthy because he was elected as a black Democrat in an election season notorious for white intimidation of black and Republican voters in black-majority eastern Arkansas. Furbush is the first known black Democrat elected to the Arkansas General Assembly.

In March 1879 Furbush left Arkansas for Colorado, where he worked as an assayer and barber. In Bonanza, Colorado he avoided a lynch mob after shooting and killing a town constable. At the trial he was acquitted of murder. He returned to Little Rock, Arkansas, by 1888, following another stay in Ohio.

In 1889, he and E. A. Fulton, a fellow black Democrat, announced plans for the National Democrat, a party weekly intended to attract black voters to the Democratic Party. After failing to attract black voters and following white Democrats' passage of the Arkansas 1891 Election Law that disfranchised most black voters, Furbush left the state. He traveled to South Carolina and Georgia, but they soon disfranchised black voters, too.

The last stop of Furbush was in October 1901 at Marion, Indiana's National Home for Disabled Veterans. He died there on September 3, 1902. He was interred at the Marion National Cemetery.^[22]

Texas[link]

Carpetbaggers were least visible in Texas. Republicans were in power from 1867 to January 1874. Only one state official and one justice of the state supreme court were Northerners. About 13% to 21% of district court judges were Northerners, along with about 10% of the delegates who wrote the Reconstruction constitution of 1869. Of the 142 men who served in the 12th Legislature, only 12 to 29 were Northerners. At the county level, they included about 10% of the commissioners, county judges and sheriffs.^[23]

New Yorker George T. Ruby was sent as an agent by the Freedmen's Bureau to Galveston, Texas, where he settled. Later elected a Texas state senator, Ruby was instrumental in various economic development schemes and in efforts to organize African-American dockworkers into the Labor Union of Colored Men. When Reconstruction ended Ruby became a leader of the Exoduster movement, which encouraged Southern blacks to homestead in Kansas to escape white supremacist violence and the oppression of segregation.^[23]

Historiography[link]

The Dunning school of American historians (1900–1950) viewed carpetbaggers unfavorably, arguing that they degraded the political and business culture. The revisionist school in the 1930s called them stooges of Northern business interests. After 1960 the neoabolitionist school emphasized their moral courage.^{[citation needed]}

Modern use[link]

United Kingdom[link]

Carpetbagging was used as a term in Great Britain in the late 1990s during the wave of demutualizations of building societies. It indicated members of the public who joined mutual societies with the hope of making a quick profit from the conversion.^[24] Contemporarily speaking, the term carpetbagger refers to roving financial opportunists, often of modest means, who spot investment opportunities and aim to benefit from a set of circumstances to which they are not ordinarily entitled. In recent years the best opportunities for carpetbaggers have come from opening membership accounts at building societies for as little as £1, to qualify for windfalls running into thousands of pounds from the process of conversion and takeover. The influx of such transitory ‘token’ members as carpetbaggers, took advantage of these nugatory deposit criteria, often to instigate or accelerate the trend towards wholesale demutualisation.

Investors in these mutuals would receive shares in the new public companies, usually distributed at a flat rate, thus equally benefiting small and large investors, and providing a broad incentive for members to vote for conversion-advocating leadership candidates. The word was first used in this context in early 1997 by the chief executive of the Woolwich Building Society, who announced the society's conversion with rules removing the most recent new savers' entitlement to potential windfalls and stated in a media interview, "I have no qualms about disenfranchising carpetbaggers."

Between 1997 and 2002, a group of pro-demutualization supporters “Members for Conversion” operated a website, carpetbagger.com, which highlighted the best ways of opening share accounts with UK building societies, and organized demutualization resolutions.^{[25] [26]} This led many building societies to implement anti-carpetbagging policies, such as not accepting new deposits from customers who lived outside the normal operating area of the society.

World War II[link]

During World War II, the U.S. Office of Strategic Services surreptitiously supplied necessary tools and material to anti-Nazi resistance groups in Europe. The OSS called this effort Operation Carpetbagger, and the modified B-24 aircraft used for the night-time missions were referred to as "carpetbaggers." (Among other special features, they were painted a glossy black to make them less visible to searchlights.) Between January and September 1944, Operation Carpetbagger ran 1,860 sorties between RAF Harrington, England, and various points in occupied Europe. ^[27]

Australia[link]

In Australia, the term "carpetbagger" refers to unscrupulous dealers and business managers in Indigenous Australian art.^{[28][29][30][31]}

The term "carpetbagger" was also used by John Fahey, a former Premier of New South Wales and federal Liberal finance minister, in the context of shoddy "tradespeople" who travelled to Queensland to take advantage of victims following the 2010–2011 Queensland floods.^[32][33]

The United States[link]

The awards season blog of The New York Times is entitled "The Carpetbagger." The blog covers the Golden Globes, the Oscars, and other red-carpet awards events.

Cuisine[link]

A carpetbag steak or carpetbagger steak refers to an end cut of steak that is pocketed and stuffed with, but not limited to, oysters, mushrooms, bacon, blue cheese and/or garlic. The steak is the sutured with toothpicks or thread.^[34] Although its origin is unclear, it may indicate a connection with carpetbaggers or to gluttony.

Notes[link]

References[link]

• Ash, Stephen V. When the Yankees Came: Conflict and Chaos in the Occupied South, 1861–1865 University of North Carolina Press, 1995.
• Barnes, Kenneth C. Who Killed John Clayton. Duke University Press, 1998; violence in Arkansas.
• Brown, Canter, Jr. "Carpetbagger Intrigues, Black Leadership, and a Southern Loyalist Triumph: Florida's Gubernatorial Election of 1872" Florida Historical Quarterly, 1994 72 (3): 275–301. ISSN 0015-4113. Shows how African Americans joined Redeemers to defeat corrupt carpetbagger running for reelection.
• Bryant, Emma Spaulding. Emma Spaulding Bryant: Civil War Bride, Carpetbagger's Wife, Ardent Feminist; Letters and Diaries, 1860–1900 Fordham University Press, 2004. 503 pp.
• Campbell, Randolph B. "Carpetbagger Rule in Reconstruction Texas: an Enduring Myth." Southwestern Historical Quarterly, 1994 97 (4): 587–596. ISSN 0038-478X
• Richard Nelson Current. Those Terrible Carpetbaggers: A Reinterpretation (1988), a favorable view.
• Currie-Mcdaniel, Ruth. Carpetbagger of Conscience: A Biography of John Emory Bryant, Fordham University Press, 1999; religious reformer in South Carolina.
• Davidson, Gienapp, Heyrman, Lytle, Stoff. Nation of Nations: A Concise Narrative of the American Republic. 3rd. New York: McGraw Hill, 2002.
• Durden, Robert Franklin; James Shepherd Pike: Republicanism and the American Negro, 1850–1882 Duke University Press, 1957
• Paul D. Escott; Many Excellent People: Power and Privilege in North Carolina, 1850–1900, University of North Carolina Press, 1985.
• Fleming, Walter L. Documentary History of Reconstruction: Political, Military, Social, Religious, Educational, and Industrial 2 vol 1906. Uses broad collection of primary sources.
• Foner, Eric. Freedom's Lawmakers: A Directory Of Black Officeholders During Reconstruction, Oxford University Press, 1993, Revised, 1996, LSU Press.
• Foner, Eric. Reconstruction: America's Unfinished Revolution, 1863–1877 (1988). Harper & Row, 1988, recent standard history.
• Fowler, Wilton B. "A Carpetbagger's Conversion to White Supremacy." North Carolina Historical Review, 1966 43 (3): 286–304. ISSN 0029-2494
• Garner, James Wilford. Reconstruction in Mississippi (1902)
• Harris, William C. The Day of the Carpetbagger: Republican Reconstruction in Mississippi Louisiana State University Press, 1979.
• Harris, William C. "James Lynch: Black Leader in Southern Reconstruction," Historian 1971 34 (1): 40–61. ISSN 0018-2370; Lynch was Mississippi's first African American secretary of state.
• Klein, Maury. "Southern Railroad Leaders, 1865–1893: Identities and Ideologies" Business History Review, 1968 42 (3): 288–310. ISSN 0007-6805 Fulltext in JSTOR.
• Morrow, Ralph E.; Northern Methodism and Reconstruction Michigan State University Press, 1956.
• Olsen, Otto H. Carpetbagger's Crusade: The Life of Albion Winegar Tourgee (1965)
• Post, Louis F. "A 'Carpetbagger' in South Carolina," The Journal of Negro History Vol. 10, No. 1 (Jan. 1925), pp. 10–79 in JSTOR; autobiography.
• Simkins, Francis Butler, and Robert Hilliard Woody. South Carolina during Reconstruction (1932).
• Tunnell, Ted. Edge of the Sword: The Ordeal of Carpetbagger Marshall H. Twitchell in the Civil War and Reconstruction. LSU Press, 2001, on Louisiana.
• Tunnell, Ted. "Creating 'the Propaganda of History': Southern Editors and the Origins of Carpetbagger and Scalawag," Journal of Southern History, (Nov 2006) 72#4.
• Twitchell, Marshall Harvey. Carpetbagger from Vermont: The Autobiography of Marshall Harvey Twitchell. ed by Ted Tunnell; Louisiana State University Press, 1989. 216 pp.
• Wiggins, Sarah Woolfolk; The Scalawag in Alabama Politics, 1865–1881. University of Alabama Press, 1991
• Wintory, Blake. "William Hines Furbush: African-American Carpetbagger, Republican, Fusionist, and Democrat," Arkansas Historical Quarterly, 2004 63 (2): 107–165. ISSN 0004-1823
• Wintory, Blake. "William Hines Furbush (1839–1902)" Encyclopedia of Arkansas History & Culture (2006).
• Woolfolk, Sarah Van V. "George E. Spencer: a Carpetbagger in Alabama," Alabama Review, 1966 19 (1): 41–52. ISSN 0002-4341

Jenny Lewis
Lewis performing in 2008
Background information
Birth name	Jennifer Diane Lewis
Born	(1976-01-08) January 8, 1976 (age 36)[1] Las Vegas, Nevada, U.S.
Origin	San Fernando Valley, California, U.S.
Genres	Indie rock, alternative country, indie folk
Instruments	Vocals, Keyboards, Guitar, Bass, Harmonica
Years active	1985–present (acting) 1998–present (music)
Labels	Team Love, Warner Bros., Brute/Beaute, Saddle Creek, Barsuk
Associated acts	Rilo Kiley The Postal Service The Watson Twins Jenny and Johnny

Jennifer Diane "Jenny" Lewis (born January 8, 1976)^[1] is an American singer-songwriter musician and actress. She was the primary vocalist of the indie rock band Rilo Kiley,^[2] and has released two solo albums.^[3] She currently performs as part of the duo Jenny & Johnny with boyfriend Johnathan Rice. She was born in Las Vegas, Nevada.

Personal life[link]

Lewis was born in Las Vegas, Nevada. Her mother, Linda, was a professional singer, and her father, Eddie, was a member of the Harmonica Gang.^[4][5] Lewis is Jewish.^[6][7]

Acting career[link]

Lewis made her professional debut in a Jell-O commercial. She was featured in the short-lived 1986 Lucille Ball sitcom Life With Lucy, where she was cast as one of Lucy's grandchildren.^[8] She also had small roles on TV shows, such as The New Twilight Zone, Baywatch, Golden Girls, Growing Pains, Just the Ten of Us, Roseanne, Mr. Belvedere, and Brooklyn Bridge.^[8]

Lewis appeared in over a dozen teen-themed movies, such as Troop Beverly Hills, and in 1989 starred in The Wizard. She was featured in the 1996 made-for-TV movie Talk to Me with Yasmine Bleeth, as well as the films Foxfire, Big Girls Don't Cry... They Get Even, and Pleasantville.^[8] She played the part of Evangeline "Eva" Saint Claire in the 1987 film version of Harriet Beecher Stowe's novel Uncle Tom's Cabin.^[8] She played Beverly D'Angelo's daughter in the 1996 made-for-tv film, Sweet Temptation. She continued acting until 1998, although the last released film – Don's Plum, filmed 1995–6 – was not released until 2001.^[8]

Music[link]

Rilo Kiley[link]

In 1998, Lewis and friends Pierre De Reeder, Dave Rock and then-boyfriend Blake Sennett formed the band Rilo Kiley. (Rock was eventually replaced by Jason Boesel.) In an interview with NPR's All Songs Considered, Lewis remarked that she wanted to name the group Love's Way (after her parents' lounge act in Las Vegas), but Sennett "didn't go for it."^[9]

Beginning with a country sound, Rilo Kiley gravitated toward a downbeat indie rock sound, gaining the attention of Warner Bros., who signed the band for the release (via its own imprint, Brute/Beaute Records) of their 2004 album More Adventurous, which gained the band some success. Critics such as Pitchfork attributed this to the "wise" decision to emphasize Lewis's voice and presence more so than in previous albums.^[10] The song "Portions for Foxes" was a hit. The band opened for Coldplay on its U.S. tour in 2005. Rilo Kiley's 2007 album Under the Blacklight was released directly by Warner Bros.

It was announced on July 14, 2011 that Rilo Kiley had officially split up, with guitarist Blake Sennett attributing "deception, greed and betrayal" as the factors behind the end of the band, while others speculate the loss of Jason Boesel to Bright Eyes and Jenny Lewis' other projects meant the band just fell apart.

Solo career[link]

Lewis in 2006

In 2004, Conor Oberst of Bright Eyes invited Lewis to record a solo record for record label Team Love. Described by Lewis as "a kind of soul record"^{[citation needed]}, Rabbit Fur Coat (released January 24, 2006) features contributions from Oberst, M. Ward, and Maroon 5 guitarist James Valentine. Ben Gibbard of Death Cab for Cutie guests on a cover of The Traveling Wilburys' "Handle With Care." The Watson Twins provide accompaniment on the album, billed as Jenny Lewis with the Watson Twins. Lewis toured with the Watson Twins in support of the album three times in 2006 and appeared with her band on The Late Show With David Letterman, The Late Late Show With Craig Ferguson, Late Night With Conan O'Brien and Later with Jools Holland. They also appeared on a Washington, D.C.-based children's music program called Pancake Mountain, performing the song "Fernando". The album received positive reviews, with Entertainment Weekly writing, "Consider Lewis the Emmylou Harris of the Silverlake set"^{[citation needed]} and Rolling Stone commenting that "her girlishly seductive vocals are more versatile than ever"^{[citation needed]}. The Onion AV Club, Spin^{[citation needed]}, and NPR music critic Meredith Ochs named it among the best albums of the year.^[11][12]

In 2008, Lewis released a second solo album, this time without the Watson Twins, titled Acid Tongue.

Jenny and Johnny[link]

In 2010, Lewis released the song "Scissor Runner" with her boyfriend Johnathan Rice under the moniker Jenny and Johnny. The song was made available for free download from the duo's official website, and is taken from their first studio album I'm Having Fun Now.^[13]

Other musical projects[link]

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Lewis performing in 2007

In 2002, Lewis was asked to contribute vocals for The Postal Service. Lewis performed in the video for the hit "We Will Become Silhouettes", and toured with the band in 2003. Lewis contributed vocals to several tracks on the 2004 Cursive album The Ugly Organ.

In 2005, Lewis contributed to the UNICEF benefit song "Do They Know It's Hallowe'en?", along with Sennett and Jimmy Tamborello.

In 2006, Lewis made a cameo in Episode 25, Season 1 of Bob Dylan's Theme Time Radio Hour, and six of her songs (three with the Watson Twins and three with Rilo Kiley) were featured in various episodes of the show.

In 2007, Lewis contributed vocals to various songs on Johnathan Rice's album Further North, and she appeared in the music video for "We're All Stuck Out In The Desert (And We're Gonna Die)". She provided vocals for a track on Dntel's Dumb Luck LP.

In 2008, Lewis contributed backing vocals to several songs on the Elvis Costello and the Imposters album Momofuku.

In 2008, Lewis voiced the role of the Assistant Director for Walt Disney Pictures Bolt and provided the song "Barking at the Moon." ^[14]

In March and April 2009, Lewis traveled to Australia for the first time, as an act for the V Festival, as well as a supporting act for Snow Patrol and performing one solo Sydney show.

On April 18, 2009, Lewis performed at the Coachella Valley Music and Arts Festival in Indio, California.

On May 5, 2009, Lewis performed on The Late Late Show With Craig Ferguson.^[15]

Lewis makes an appearance on the track "Hard Enough", taken from the 2010 album Flamingo by fellow Las Vegas resident Brandon Flowers.

Filmography[link]

Discography[link]

Rilo Kiley[link]

• The Initial Friend (1999)
• Take-Offs and Landings (2001)
• The Execution of All Things (2002)
• More Adventurous (2004)
• Under the Blacklight (2007)

Solo[link]

• Rabbit Fur Coat (2006) (with The Watson Twins)
• Acid Tongue (2008)

Jenny & Johnny[link]

• I'm Having Fun Now (2010)

Other appearances[link]

• Bright Eyes – Lifted or The Story is in the Soil, Keep Your Ear to the Ground (2002 · Saddle Creek)
• Cursive – The Ugly Organ (2003, Saddle Creek)
• The Postal Service – Give Up (2003, Sub Pop)
• The Good Life – Album of the Year (2004, Saddle Creek)
• The Watson Twins – Southern Manners (2006)
• Dntel – Dumb Luck (2007, Sub Pop)
• Whispertown 2000 – Livin' in a Dream (2007)
• Elvis Costello and the Imposters – Momofuku (2008, Lost Highway Records)
• Whispertown 2000 – Swim (2009)
• Brandon Flowers – Flamingo (2010, Island/Vertigo)

Videography[link]

• Rilo Kiley – "The Frug" (1999)
• Rilo Kiley – "Wires and Waves" (2002, unreleased)
• Rilo Kiley – "Portions for Foxes" (2003)
• The Postal Service – "We Will Become Silhouettes" (2005, directed by Jared Hess)
• Jenny Lewis with the Watson Twins – "Rise Up with Fists" (2006)
• Rilo Kiley – "The Moneymaker" (2007)
• Rilo Kiley – "Silver Lining" (2007)
• Jenny Lewis – "Blacksand" (2009)
• Jenny Lewis – "See Fernando" (2009)

References[link]

This article uses bare URLs for citations. Please consider adding full citations so that the article remains verifiable. Several templates and the Reflinks tool are available to assist in formatting. (Reflinks documentation) (May 2012)

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (May 2012)

Wikiquote has a collection of quotations related to: Jenny Lewis

Wikimedia Commons has media related to: Jenny Lewis

• Official website
• Jenny Lewis at the Internet Movie Database
• Jenny Lewis at TV.com
• Jenny Lewis at NPR Music
• Strangers Almanac Column on Glide Magazine
• October 2008 interview on Bob Edwards Weekend
• "The Magic of the Moment", April 2009 interview in Submerge Magazine

Johnathan Rice (born May 27, 1983) is a Scottish-American singer-songwriter. His first album, Trouble is Real, was released on Reprise Records on April 26, 2005. His follow up, Further North, was released by Reprise on September 11, 2007. He has also worked as a producer on Jenny Lewis' Acid Tongue (2008) and as a session and live musician with Elvis Costello (2008's Momofuku). As of 2010, he performs with Lewis, as Jenny and Johnny.

Early life[link]

Rice was born in Alexandria, Virginia on May 27, 1983. He spent his childhood between there and his parents' native Glasgow, Scotland. He attended two high schools, Washington D.C.'s all-male Jesuit Gonzaga College High School and Glasgow's Turnbull High School in the suburb of Bishopbriggs. He also attended Fairfax Collegiate Middle School in Falls Church, Virginia.

Career[link]

Before graduating from high school in 2001, Rice befriended Chris Keup, a Virginian singer songwriter and self-styled A&R man. Keup produced Rice's first known recordings, the six song Heart and Mind EP, which was recorded in Charlottesville, V.A. with engineer Stewart Myers and then informally^{[citation needed]} released on Keup's own Grantham Dispatch Records.

Rice moved from Virginia to New York City at the age of eighteen with 1,000 copies of the Heart and Mind EP and the intention of launching his career as a singer/songwriter. He arrived in New York two days before the attacks on the World Trade Center on September 11, 2001. Imagery of the attacks and their aftermath appear in the lyrics of several of the songs on Trouble Is Real, including "City on Fire", "Put Me in Your Holy War", and "Salvation Day".

Rice played small folk clubs in Manhattan and Brooklyn, most notably playing regular sets at the Living Room at its original location on Stanton St., and built a live following that lead to headlining performances at its revamped Ludlow St. location. Rice lived in an apartment in Mid-town Manhattan and worked different jobs to pay the rent, all the while writing the songs that would make up his debut album.

Rice's EP caught the attention of A&R man Perry Watts-Russell, who had just left Capitol Records to begin working at Warner Bros. Records. He flew Rice out to Los Angeles, where he auditioned for Watts-Russell and label head Tom Whalley. Rice was subsequently offered a record deal with the company.

After several attempts at making Trouble is Real, Rice enlisted Mike Mogis, the producer of Bright Eyes, Rilo Kiley, and The Faint. The album was recorded over five weeks in Lincoln, Nebraska. The two worked alongside string arranger Nate Walcott to create a rich, diverse sound for the album, with most songs leading into one another as a single work of music. The album was finally released on April 26, 2005.

The album failed to break into the charts but was a favorite of TV music-supervisors, leading to high profile appearances of songs on The OC (Rice's song "So Sweet" is featured on the OC Mix 2) and Grey's Anatomy.

Rice has cited Neil Young, Gram Parsons, Colin Blunstone, Spoon, Pixies, and Pavement among his influences.

Rice toured Trouble Is Real extensively, mostly as a support act for acts such as Jesse Harris, Mason Jennings, Starsailor, Martha Wainwright, Jenny Lewis and REM. The group, introduced to Rice's music through guitarist Peter Buck selected him to support them in London's Hyde Park in July 2005 in front of a crowd of 80,000 people. Rice played the concert with his touring band, Death Valley, a lap steel and harmony group that featured Neal Casal (who would go on to found the Cardinals with Ryan Adams), and "Farmer" Dave Scher of the Beachwood Sparks and All Night Radio.

Rice's appearance at the Hyde Park concert and another performance at the 100 Club are captured on film in the 2005 documentary Johnathan Rice and Death Valley: Live in London.

Motion Picture Roles[link]

Johnathan Rice played Roy Orbison in the Oscar-winning 20th Century Fox movie Walk the Line alongside Joaquin Phoenix and Reese Witherspoon and contributed to its platinum selling, T-Bone Burnett-produced soundtrack.

Collaborations with Jenny Lewis, Elvis Costello, and others[link]

In 2006, Rice joined Jenny Lewis' touring band and played on her debut album Rabbit Fur Coat. This was the beginning of a years-long stint of collaborations with Lewis. During the second leg of the tour, the band began performing a Rice composition, "Carpetbaggers." This song would later be recorded for Lewis' second solo album, 2008's Acid Tongue, with Rice's original vocal part reinterpreted by Elvis Costello. Costello enjoyed the session with Lewis and Rice so much that he decided to bring in his band, the Imposters, to record a full album of new material with Lewis, Rice, Farmer Dave Scher and Jason Lader, resulting in 2008's Momofuku.

In the winter of 2006 Rice enlisted producers Farmer Dave Scher and Jason Lader to make his second album, Further North, at Los Angeles' Sound City Studios. The record was mixed at Hollywood's Sound Factory and mastered in New York City by Greg Calbi. The record was released on September 11, 2007. Seven of the record's eleven songs were co-written with Jenny Lewis.

In the spring of 2007 Rice toured with Ben Gibbard, Jenny Lewis, and David Bazan finishing their tour May 21, 2007 at the Showbox in Seattle.

Rice again toured the record extensively both with a full band and solo acoustic, again mostly as a support act for The Good Life, Rilo Kiley, Matt Costa, and the Redwalls. In 2008 Rice co-headlined a tour with Maria Taylor of Azure Ray, and played Los Angeles' Sunset Junction festival.

In 2008, Rice acted as a producer, musician, and co-songwriter on Jenny Lewis' second solo album, Acid Tongue. The record was recorded back to back with Elvis Costello's Momofuku at Sound City Studios. Rice again joined Lewis' touring band for her 2008 - 2009 world tour, which included memorable performances at the Coachella and Bonnaroo festivals.

This would further lead to the collaboration with girlfriend, Jenny Lewis, as Jenny and Johnny, in 2010. Their first album, I'm Having Fun Now, was released by Warner Brothers on August 31, 2010.

The Emerald Triangle Tour[link]

In October–November 2009, Rice joined Vetiver's Andy Cabic, Farmer Dave Scher, and 60's rock-revivalist Jonathan Wilson for a five date, California-only run of shows dubbed "The Emerald Triangle Tour." The tour took the band through the Emerald Triangle, a three-county area where the vast majority of California's marijuana is grown and harvested. In a press release, the newly formed group said the purpose of the tour was to "have some fun and celebrate the current Green Rush." The tour was profiled in the May 2010 issue of High Times Magazine.

Discography[link]

• Extended Player 24:26 (EP) 2004
• Trouble Is Real 2005
• A Girl Called Miami EP (itunes only) 2007
• Further North 2007

Compilations[link]

• Music from the OC: Mix 2 (2004 · Warner Bros. Records)

Jenny and Johnny[link]

• I'm Having Fun Now (2010, Warner Bros. Records)

Filmography[link]

• Walk the Line (2005) ... Roy Orbison
• Mark 8:36 (2005) ... Desk Attendant 1

References[link]

External links[link]

• JohnathanRice.com
• Johnathan Rice at the Internet Movie Database
• Blender.com interview with Johnathan Rice
• Johnathan Rice interview at StereoSubversion.com

Elvis Costello
Costello at the 2009 International Film Festival, Toronto, Canada.
Background information
Birth name	Declan Patrick MacManus
Also known as	D.P. Costello The Imposter Little Hands of Concrete Napoleon Dynamite D.P.A. MacManus Declan Patrick Aloysius MacManus The Right Reverend Jimmy Quickly
Born	(1954-08-25) 25 August 1954 (age 57) Paddington, London, England
Genres	Punk rock Pub rock New Wave
Occupations	Musician, singer-songwriter, record producer
Instruments	Vocals, guitar, keyboards, bass, drums
Years active	1970–present
Labels	Stiff, Radar, F-Beat, Demon, Columbia, Warner Bros., Mercury, Island, Deutsche Grammophon, Lost Highway, Verve, HearMusic, Rykodisc, Rhino, Hip-O
Associated acts	The Attractions, The Imposters, Diana Krall, Burt Bacharach, Brodsky Quartet, Nick Lowe, Madness, The Strokes,The Specials,Squeeze,
Website	Elvis Costello.com
Notable instruments
Fender Jazzmaster Fender Telecaster

Elvis Costello (born Declan Patrick MacManus, 25 August 1954) is an English singer-songwriter.^[1] He came to prominence as an early participant in London's pub rock scene in the mid-1970s and later became associated with the punk/New Wave genre.^[2][3] Steeped in word play, the vocabulary of Costello's lyrics is broader than that of most popular songs. His music has drawn on many diverse genres; one critic described him as a "pop encyclopaedia", able to "reinvent the past in his own image".^[4]

Costello has won multiple awards in his career, including a Grammy Award, and has twice been nominated for the Brit Award for Best British Male.^[5] In 2003, Elvis Costello & the Attractions were inducted into the Rock and Roll Hall of Fame.^[6] In 2004, Rolling Stone ranked Costello number 80 on their list of the 100 Greatest Artists of All Time.^[7]

Early life[link]

Costello was born Declan Patrick MacManus^[8] in St Mary's Hospital, London, the son of Lilian Alda (née Ablett, b. 1927, Liverpool)^[9] and Ross MacManus (1927–2011), a musician and bandleader.^[10] He is of Irish heritage.^[11] Costello lived in Twickenham, attending Hounslow Secondary Modern School, which is now St Mark's Catholic Secondary School, in neighbouring Hounslow.^[12][13] With a musically inclined father (who was a jazz trumpeter and sang with The Joe Loss Orchestra),^[14] Costello's first broadcast recording was alongside his dad in a television commercial for R. White's Lemonade (I'm a Secret Lemonade Drinker). His father wrote and sang the song; Costello provided backing vocals. The advertisement won a silver award at the 1974 International Advertising Festival.

Costello moved with his Liverpool-born mother to Birkenhead in 1971. There, he formed his first band, a folk duo called Rusty, with Allan Mayes. After completing secondary school at St. Francis Xavier's College, he moved back to London where he next formed a band called Flip City,^[15] which had a style in the pub rock vein. They were active from 1974 through to early 1976. Around this time, Costello adopted the stage name D.P. Costello. His father had performed under the name Day Costello, and Elvis has said in interviews that he took this name as a tribute to his father.

To support himself, he worked at a number of office jobs, most famously at Elizabeth Arden – immortalised in the lyrics of "I'm Not Angry" as the "vanity factory" – where he worked as a data entry clerk. He worked for a short period as a computer operator at the Midland Bank computer centre in Bootle. He continued to write songs, and began actively looking for a solo recording contract. On the basis of a demo tape, he was signed to independent label Stiff Records. His manager at Stiff, Jake Riviera, suggested a name change, combining Elvis Presley's first name and Costello, his father's stage name.^[16]

Career[link]

1970s[link]

Costello's first single for Stiff was "Less Than Zero", released on 25 March 1977. Two months later, his debut album, My Aim Is True (1977), was released to moderate commercial success (No. 14 in the UK and, later, Top 40 in the US) with Costello appearing on the cover in what became his trademark oversize glasses, bearing some resemblance to Buddy Holly. Stiff's records were initially distributed only in the UK, which meant that Costello's first album and singles were initially available in the US as imports only. In an attempt to change this, Costello was arrested for busking outside a London convention of CBS Records executives, protesting that no US record company had yet seen fit to release his records in the United States.^[17] Costello signed to CBS's Columbia Records label in the US a few months later.

The backing for Costello's debut album was provided by American West Coast band Clover, a country outfit living in England whose members would later go on to join Huey Lewis and the News and The Doobie Brothers. Later in 1977, Costello formed his own permanent backing band, The Attractions, consisting of Steve Nieve (born Steve Nason; piano), Bruce Thomas (bass guitar), and Pete Thomas (drums; unrelated to Bruce Thomas). Growing antipathy between Costello and Bruce Thomas contributed to the Attractions' first split in 1986, and the rift was exacerbated by what Costello felt was his unflattering portrayal in Thomas' 1990 roman à clef The Big Wheel. Despite this, the original group reunited for the 1994 album Brutal Youth and toured together over the next two years, but split for good in 1996, although Nieve and Pete Thomas continued to back Costello through various touring and recording line-ups and as of 2011 are still members of his current backing group The Imposters. The split between Costello and Bruce Thomas appears permanent, however; Bruce made a brief appearance with his former bandmates when the group was inducted into the Rock & Roll Hall of Fame in 2003, but when Costello was asked why Bruce did not play with them at the event, he reportedly replied, "I only work with professional musicians."