Look up minority in Wiktionary, the free dictionary.

Minority may refer to:

Law[link]

• The age of a person before legal age or adulthood. In that sense see: Minor (law), Age of majority, Legal age, Infancy

Politics[link]

• Minority government
• Minority group (sub-group of the total population). See also Dominant minority
• Minority leader
• Minority Party (disambiguation)
• Minority rights
• Opposition (disambiguation), The political-official minority in a democratically-organised entity
• Two-party system

Anthropology and language[link]

• Ethnic group
• Minority language

Economy[link]

• Minority business enterprise
• Minority interest, in business, ownership of less than 50% of stock

Sociology[link]

• Minority influence
• Sexual minority
• Visible minority

Statistics[link]

• Majority minority district
• Minority-majority state

Education[link]

• Minority Serving Institution

Philosophy[link]

• Minority (philosophy), concept coined by philosopher Gilles Deleuze

Films[link]

• Minority Report (film)

Music[link]

• "Minority", by punk rock band Green Day
• Minority, hardcore punk group from Katowice, Poland
• "Minority", by the English anarcho-punk band the Subhumans from their debut album The Day the Country Died (1983).

See also[link]

• Majority

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Julian Edwin "Cannonball" Adderley (September 15, 1928 – August 8, 1975)^[2] was a jazz alto saxophonist of the hard bop era of the 1950s and 1960s.

Adderley is remembered for his 1966 single "Mercy Mercy Mercy", a crossover hit on the pop charts, and for his work with trumpeter Miles Davis, including on the epochal album Kind of Blue (1959). He was the brother of jazz cornetist Nat Adderley, a longtime member of his band.^[3]

Early life and career[link]

Originally from Tampa, Florida, Adderley moved to New York in the mid-1950s.^[3] His nickname derived originally from "cannibal," an honorific title imposed on him by high school colleagues as a tribute to his fast eating capacity.^[4]

His educational career was long established prior to teaching applied instrumental music classes at Dillard High School in Fort Lauderdale, Florida. Cannonball moved to Tallahassee, Florida when his parents obtained teaching positions at Florida A&M University.^[5] Both Cannonball and brother Nat played with Ray Charles when Charles lived in Tallahassee during the early 1940s.^[6] Cannonball was a local legend in Florida until he moved to New York City in 1955, where he lived in Corona, Queens.^[3][7]

It was in New York during this time that Adderley's prolific career began. Adderley visited the Cafe Bohemia (Oscar Pettiford's group was playing that night) where he brought his saxophone into the club with him, primarily because he feared that it would be stolen. He was asked to sit in as the saxophone player was late, and in true Cannonball style, he soared through the changes, and became a sensation in the following weeks.

Prior to joining the Miles Davis band, Adderley formed his own group with his brother Nat after signing onto the Savoy jazz label in 1957. He was noticed by Miles Davis, and it was because of his blues-rooted alto saxophone that Davis asked him to play with his group.^[3]

Adderley joined the Miles Davis sextet in October 1957, three months prior to John Coltrane's return to the group. Adderley played on the seminal Davis records Milestones and Kind of Blue. This period also overlapped with pianist Bill Evans's time with the sextet, an association that led to recording Portrait of Cannonball and Know What I Mean?.^[3]

His interest as an educator carried over to his recordings. In 1961, Cannonball narrated The Child's Introduction to Jazz, released on Riverside Records.^[3]

Band leader[link]

The Cannonball Adderley Quintet featured Cannonball on alto sax and his brother Nat Adderley on cornet. Adderley's first quintet was not very successful; however, after leaving Davis' group, he formed another, again with his brother, which enjoyed more success.^{[citation needed]}

The new quintet (which later became the Cannonball Adderley Sextet), and Cannonball's other combos and groups, included such noted musicians as:

• pianists Bobby Timmons, Victor Feldman, Joe Zawinul, Hal Galper, Michael Wolff, George Duke, Wynton Kelly, Bill Evans
• bassists Ray Brown, Sam Jones, Walter Booker, Victor Gaskin
• drummers Louis Hayes, Roy McCurdy
• saxophonists Charles Lloyd, Yusef Lateef.

The sextet was noteworthy towards the end of the 1960s for achieving crossover success with pop audiences, but doing it without making artistic concessions.^{[citation needed]}

Later life[link]

By the end of 1960s, Adderley's playing began to reflect the influence of the electric jazz avant-garde, and Miles Davis' experiments on the album Bitches Brew.^{[citation needed]} On his albums from this period, such as Accent on Africa (1968) and The Price You Got to Pay to Be Free (1970), he began doubling on soprano saxophone, showing the influence of John Coltrane and Wayne Shorter.^{[citation needed]} In that same year, his quintet appeared at the Monterey Jazz Festival in California, and a brief scene of that performance was featured in the 1971 psychological thriller Play Misty for Me, starring Clint Eastwood.^{[citation needed]} In 1975 he also appeared (in an acting role alongside Jose Feliciano and David Carradine) in the episode "Battle Hymn" in the third season of the TV series Kung Fu.^[8]

Joe Zawinul's composition "Cannon Ball" (recorded on Weather Report's album Black Market) is a tribute to his former leader.^[3]

Songs made famous by Adderley and his bands include "This Here" (written by Bobby Timmons), "The Jive Samba," "Work Song" (written by Nat Adderley), "Mercy, Mercy, Mercy" (written by Joe Zawinul) and "Walk Tall" (written by Zawinul, Marrow and Rein). A cover version of Pops Staples' "Why (Am I Treated So Bad)?" also entered the charts.

Adderley was initiated as an honorary member of Phi Mu Alpha Sinfonia fraternity (Gamma Theta chapter, University of North Texas, '60, & Xi Omega chapter, Frostburg State University, '70) and Alpha Phi Alpha (Beta Nu chapter, Florida A&M University).^[9]

Adderley died of a stroke in 1975. He was buried in the Southside Cemetery, Tallahassee, Florida. Later that year he was inducted into the Down Beat Jazz Hall of Fame.^[3]

Discography[link]

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Cannonball Adderley

• The Cannonball Adderley Rendez-vous
• Cannonball Adderley Discography at Jazzdisco.org
• Podcast with clip of Cannonball Adderley's duet with the Nutty Squirrels
• History with link to mp3 of Nutty Squirrels/Cannonball Adderley session
• Cannonball Adderley at Allmusic
• Cannonball Adderley at NPR Music

Bill Evans
Bill Evans performing at the Montreux Jazz Festival (Switzerland) with his trio consisting of Marc Johnson, bass & Philly Joe Jones, drums, July 13, 1978. (Photo by Brian McMillen)
Background information
Birth name	William John Evans
Also known as	Bill Evans
Born	(1929-08-16)August 16, 1929 Plainfield, New Jersey, United States
Died	September 15, 1980(1980-09-15) (aged 51) Fort Lee, New Jersey, United States
Genres	Jazz, modal jazz, third stream, cool jazz, post-bop
Occupations	Pianist Composer Arranger
Instruments	Piano
Years active	1950s–1980[1]
Labels	Riverside, Verve, Fantasy
Associated acts	George Russell, Miles Davis, Cannonball Adderley, Philly Joe Jones, Scott LaFaro, Paul Motian, Eddie Gomez, Marty Morell, Tony Bennett, Jim Hall, Monica Zetterlund

William John Evans, known as Bill Evans (August 16, 1929–September 15, 1980) was an American jazz pianist. His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, and trademark rhythmically independent, "singing" melodic lines influenced a generation of pianists. He is considered by some to be the most influential post-World War II jazz pianist.^[2] Evans had a distinct playing posture in which his neck would often be stooped very low, and his face parallel to the piano.

Evans is an inductee of the Down Beat Jazz Hall of Fame.^[3]

Biography[link]

Early life[link]

Bill Evans was born in Plainfield, New Jersey, United States, to a mother of Rusyn ancestry and a father of Welsh descent.^[4] He received his first musical training at his mother's church. Evans' mother was an amateur pianist with an interest in modern classical composers, and Evans began classical piano lessons at age six. He also became a proficient flautist by age 13 and could play the violin.

At age 12, Evans filled in for his older brother Harry in Buddy Valentino's band.^[5] At this age he was able to interpret classical music, but he couldn't improvise. In the beginning, he played exactly what was written in the sheet, but soon started trying to improvise, while learning about harmonies in the songs and how to alter them. Meanwhile, he was playing dance music (and jazz) at home, in a recording studio he built in his family's basement..^[6] In the late 1940s, Evans played boogie woogie in various New Jersey clubs. He attended Southeastern Louisiana University on a music scholarship, and in 1950 performed Beethoven's Third Piano Concerto on his senior recital there, graduating with a degree in piano performance and teaching. He was also among the founding members of SLU's Delta Omega Chapter of Phi Mu Alpha Sinfonia, and played quarterback for the fraternity's football team, helping them win the school's 1949 intramural tournament.^[6]

Evans's first professional job was with sax player Herbie Fields's band, based in Chicago. During the summer of 1950, the band did a three-month tour backing Billie Holiday, including East Coast appearances at Harlem's Apollo Theater and shows in Philadelphia, Baltimore, and at Washington D.C.'s Howard Theater. In addition to Fields and Evans, the band included trumpeter Jimmy Nottingham, trombonist Frank Rosolino and bassist Jim Aton. Upon its return to Chicago, Evans and Aton worked as a duo in Chicago clubs, often backing singer Lurlean Hunter. Shortly thereafter, Evans received his draft notice and entered the U.S. Army.

After his army service, Evans returned to New York and worked at nightclubs with jazz clarinetist Tony Scott and other leading players. Later, he took postgraduate studies in composition at the Mannes College of Music, where he also mentored younger music students.

1950s[link]

Working in New York in the 1950s, Evans gained recognition as a sideman in traditional and so-called Third Stream jazz groups. During this period he had the opportunity to record in many different contexts with some of the best jazz musicians of the time. Seminal recordings made with composer/theoretician George Russell, including "Concerto for Billy the Kid" and "All About Rosie," are notable for Evans's solo work. Evans also appeared on notable albums by Charles Mingus, Oliver Nelson, Tony Scott, and Art Farmer. In 1956, he made his debut album, New Jazz Conceptions, featuring the original version of "Waltz for Debby," for Riverside Records. Producer Orrin Keepnews was convinced to record the reluctant Evans by a demo tape guitarist Mundell Lowe played to him over the phone.

In 1958, Evans was hired by Miles Davis, becoming the only white member of Davis's famed sextet. Though his time with the band was brief (no more than eight months), it was one of the most fruitful collaborations in the history of jazz, as Evans's introspective approach to improvisation deeply influenced Davis's style. Davis wrote in his autobiography, "Bill had this quiet fire that I loved on piano. The way he approached it, the sound he got, was like crystal notes or sparkling water cascading down from some clear waterfall." Additionally, Davis said, "I've sure learned a lot from Bill Evans. He plays the piano the way it should be played."

Evans's desire to pursue his own projects as a leader (and increasing problems with drug use) led him to leave the Davis sextet in late 1958. Shortly after, he recorded Everybody Digs Bill Evans, documenting the wholly original meditative sound he was exploring at the time. But Evans came back to the sextet at Davis's request to record the jazz classic Kind of Blue in early 1959. Evans's contribution to the album was overlooked for years; in addition to cowriting the song "Blue in Green,"^[7] he had also already developed the ostinato figure from the track "Flamenco Sketches" on the 1958 solo recording "Peace Piece" from his album Everybody Digs Bill Evans. Evans also penned the heralded liner notes for Kind of Blue comparing jazz improvisation to Japanese visual art.^[8] By the fall of 1959, he had started his own trio.

1960s[link]

At the turn of the decade, Evans led a trio with bassist Scott LaFaro and drummer Paul Motian. This group was to become one of the most acclaimed piano trios — and jazz bands in general — of all time. With this group, Evans's focus settled on traditional jazz standards and original compositions, with an added emphasis on interplay among the band members that often bordered on collective improvisation, blurring the line between soloist and accompanist. The collaboration between Evans and the young LaFaro was particularly fruitful, as the two achieved a remarkable level of musical empathy. The trio recorded four albums: Portrait in Jazz (1959); and Explorations, Sunday at the Village Vanguard, and Waltz for Debby, all recorded in 1961. The last two albums are live recordings from the same recording date, and are routinely named among the greatest jazz recordings of all time. In 2005, the full sets were collected on the three-CD set The Complete Village Vanguard Recordings, 1961. There is also a lesser-known recording of this trio, Live at Birdland, taken from radio broadcasts in early 1960, though the sound quality is poor.

In addition to introducing a new freedom of interplay within the piano trio, Evans began (in performances such as "My Foolish Heart" from the Vanguard sessions) to explore extremely slow ballad tempos and quiet volume levels, which had been virtually unknown in jazz. His chordal voicings became more impressionistic, reminiscent of classical composers such as Debussy, Ravel, Scriabin, and Satie, and he moved away from the thick block chords he had often used with Davis. His sparse left-hand voicings supported his lyrical right-hand lines, reflecting the influence of jazz pianist Bud Powell.

Like Davis, Evans was a pioneer of modal jazz, favoring harmonies that helped avoid some of the idioms of bebop and other earlier jazz. In tunes like Time Remembered, the chord changes more or less absorbed the derivative styles of bebop and instead relied on unexpected shifts in color. It was still possible (and desirable) to make these changes swing, and a certain spontaneity appeared in expert solos that were played over the new sound. Most composers refer to the style of Time Remembered as "plateau modal," because of its frequent juxtaposition of harmony.

LaFaro's death at age 25 in a car accident, ten days after the Vanguard performances, devastated Evans. He did not record or perform in public again for several months. His first recording after LaFaro's death was the duet album Undercurrent, with guitarist Jim Hall, released on United Artist Jazz records in 1963. Recorded in two sessions on April 24 and May 14, 1962, it is now widely regarded as a classic jazz piano-guitar duet recording. The album is also notable for its striking cover image, "Weeki Wachee Spring, Florida" by photographer Toni Frissell. The original LP and the first CD reissue featured a cropped, blue-tinted version, overlaid with the title and the Blue Note logo; but for the most recent (24-bit remastered) CD reissue, the image has been restored to its original black-and-white coloration and size, without lettering.

When he re-formed his trio in 1962, Evans replaced LaFaro with bassist Chuck Israels, initially keeping Motian on the drums. Two albums, Moon Beams and How My Heart Sings!, resulted. In 1963, after having switched from Riverside to the much more widely distributed Verve, he recorded Conversations With Myself, an innovative album on which he employed overdubbing, layering up to three individual tracks of piano for each song. The album won him his first Grammy award, for Best Instrumental Jazz Performance — Soloist or Small Group.

Though his time with Verve was prolific in terms of recording, his artistic output was uneven. Despite Israels's fast development and the creativity of new drummer Grady Tate, they were ill-represented by the rather perfunctory album Bill Evans Trio with Symphony Orchestra, with the piece Pavane by Gabriel Fauré remarkably reinvented with improvisations by Evans. Some unique contexts were attempted, such as a big-band live album at Town Hall, recorded but never issued due to Evans's dissatisfaction with it (although the jazz trio portion of the Pavane concert was made into its own somewhat successful release), and an album with a symphony orchestra, not warmly received by critics.

During this time, Helen Keane, Evans's manager, began having an important influence. One of the first women in her field, she significantly helped to maintain the progress (or prevent the deterioration) of Evans's career in spite of his self-destructive lifestyle.

In 1966, Evans discovered the remarkable young Puerto Rican bass player Eddie Gomez. In what turned out to be an eleven-year stay, the sensitive and creative Gomez sparked new developments in both Evans's playing and his trio conception. One of the most significant releases during this period is Bill Evans at the Montreux Jazz Festival, from 1968. Although it was the only album Evans made with drummer Jack DeJohnette, it has remained a critical and fan favorite, due to the trio's remarkable energy and interplay.

Other highlights from this period include "Solo — In Memory of His Father" from Bill Evans at Town Hall (1966), which introduced the famous theme "Turn Out the Stars," a second successful pairing with guitarist Jim Hall; Intermodulation (1966); and the subdued, crystalline solo album Alone (1968), featuring a 14-minute-plus version of "Never Let Me Go." In 1969, Evans visited Ilkka Kuusisto's home in Helsinki and was interviewed about jazz before performing.

1970s[link]

In 1968, Marty Morell joined the trio on drums and remained until 1975, when he retired to family life. This was Evans's most stable, longest-lasting group. Evans had kicked his heroin habit and was entering a period of personal stability as well. The group made several albums, including From Left to Right (1970), which features Evans's first use of electric piano; The Bill Evans Album (1971), which won two Grammies; The Tokyo Concert (1973); Since We Met (1974); and But Beautiful (1974), featuring the trio plus legendary tenor saxophonist Stan Getz in live performances from Holland and Belgium, released posthumously in 1996. Morell was an energetic, straight-ahead drummer, unlike many of the trio's former percussionists, and many critics feel that this was a period of little growth for Evans. After Morell left, Evans and Gomez recorded two duo albums, Intuition and Montreux III.

In 1974, Bill Evans recorded a multimovement jazz concerto specifically written for him by Claus Ogerman entitled Symbiosis, originally released on the MPS Records label. The 1970s also saw Evans collaborate with the singer Tony Bennett on 1975's The Tony Bennett/Bill Evans Album and 1977's Together Again.

On September 13, 1975, Evans's son, Evan, was born. Evan Evans did not often see his always-touring father. A child prodigy, he embarked on a career in film scoring, ambitiously attending college courses in 20th-century composition, instrumentation, and electronic composition at the age of ten. He also studied with many of his father's contemporaries, including Lalo Schifrin and harmony specialist Bernard Maury.

In 1976, Marty Morell was replaced on drums by Eliot Zigmund. Several interesting collaborations followed, and it was not until 1977 that the trio was able to record an album together. Both I Will Say Goodbye (Evans's last album for Fantasy Records) and You Must Believe in Spring (for Warner Bros., released posthumously) highlighted changes that would become significant in the last stage of Evans's career. A greater emphasis was placed on group improvisation and interaction, Evans was reaching new expressive heights in his soloing, and new experiments with harmony and keys were attempted.

Gomez and Zigmund left Evans in 1978. Evans then asked Philly Joe Jones, the drummer he considered his "all-time favorite drummer" and with whom he had recorded his second album in 1957, to fill in. Several bassists were tried, with Michael Moore staying the longest. Evans finally settled on Marc Johnson on bass and Joe LaBarbera on drums. This trio was Evans's last.

Death[link]

Evans was a heroin addict for much of his career, his health was generally poor, and his financial situation worse, for much of the 1960s. By the end of that decade, he appeared to have succeeded in overcoming his addiction to heroin. However, in the late 1970s, cocaine use became a serious problem for Evans. On September 15, 1980, Bill Evans was accompanied by Joe LaBarbera and his partner Laurie Verchomin, to the Mount Sinai Hospital in New York, where he died that afternoon. ^[9] Evans's friend Gene Lees bleakly summarized Evans's struggle with drugs to Peter Pettinger as "the longest suicide in history.".^[6] Bill Evans is buried at Roselawn Memorial Park and Mausoleum, Baton Rouge, East Baton Rouge Parish, Louisiana (Section #161, Plot K), next to his brother Harry Evans, who died the previous year.

Legacy and influence[link]

Music critic Richard S. Ginell noted, “With the passage of time, Bill Evans has become an entire school unto himself for pianists and a singular mood unto himself for listeners. There is no more influential jazz-oriented pianist—only McCoy Tyner exerts nearly as much pull among younger players and journeymen—and Evans has left his mark on such noted players as: Chick Corea, Herbie Hancock, John McLaughlin, John Taylor, Steve Kuhn, Don Friedman, Marian McPartland, Denny Zeitlin, Bobo Stenson, Warren Bernhardt, Michel Petrucciani and Keith Jarrett, as well as many other musicians worldwide. The music of Bill Evans continues to inspire younger pianists like Fred Hersch, Bill Charlap, Lyle Mays, Eliane Elias^[10] and arguably Brad Mehldau ^[11] early in his career.

Conversations with Myself and Further Conversations with Myself were innovative solo performances involving multiple overdubs of Evans.

Many of his tunes, such as "Waltz for Debby," "Turn Out the Stars," "Very Early," and "Funkallero," have become often-recorded jazz standards. Many tribute recordings featuring his compositions and favorite tunes have been released in the years following his passing as well as tribute compositions. Pat Metheny's "September 15th" is one such recording.

During his lifetime, Evans was honored with 31 Grammy nominations and seven Awards. In 1994, he was posthumously honored with the Grammy Lifetime Achievement Award.

Tribute albums[link]

The embedded lists in this article may contain items that are not encyclopedic. Please help out by removing such elements and incorporating appropriate items into the main body of the article. (October 2011)

• 1981: Elegy For Bill Evans by Richie Beirach
• 1986: Music of Bill Evans by the Kronos Quartet with Eddie Gomez and Jim Hall.
• 1990: Bill Evans by Paul Motian
• 1991: Bill Evans: A Tribute by Jimmy Rowles, McCoy Tyner, Herbie Hancock, John Lewis, and Dave McKenna (Palo Alto Records)
• 1992: Then Along Came Bill: A Tribute to Bill Evans by Sylvia Syms
• 1993: Time Remembered: John Mclaughlin Plays Bill Evans by John Mclaughlin
• 1994: Now & Then: A Tribute to Bill Evans by Mitchel Forman
• 1994: Your Story: The Music of Bill Evans by Howard Alden
• 1996: Turn Out The Stars - The Songs Of Bill Evans by Dominic Alldis
• 1997: Conversations with Bill Evans by Jean-Yves Thibaudet
• 1998: Evanessence: Tribute to Bill Evans by Fred Hersch
• 1998: I Remember Bill: A Tribute to Bill Evans by Don Sebesky and Larry Coryell
• 2000: Conviction: Thoughts Of Bill Evans by Roseanna Vitro
• 2002: Homage To Bill Evans And Jim Hall by Luigi Tessarollo with Stefano Bollani
• 2002: Play Bill Evans by the Danish Radio Jazz Orchestra & Jim McNeely
• 2003: Bill Evans: Tribute to the Great Post-Bop Pianist by Paul Motian
• 2006: Paz - Niño Josele and the music of Bill Evans by Niño Josele
• 2008: Something for you - Eliane Elias Sings and Plays Bill Evans by Eliane Elias
• 2009: Bill Evans Compositions Vol. 1 & Vol. 2 by Stefano Battaglia

Discography[link]

References[link]

Further reading[link]

• Shadwick, Keith (2002) [2002]. Bill Evans Everything Happens To Me - a musical biography (Paperback ed.). Backbeat Books. ISBN 0-87930-708-0. 
• Verchomin, Laurie (2011) [2010]. The Big Love ~ Life & Death with Bill Evans (Paperback ed.). Amazon. ISBN 978-1-4565-6309-7. 

• Bill Evans - How My Heart Sings (Paperback ed.). 

External links[link]

Wikiquote has a collection of quotations related to: Bill Evans

• Bill Evans at Find A Grave
• Bill Evans entry — Jazz Discography Project
• The Bill Evans Webpages
• Bill Evans: Time Remembered
• "Remembering Bill Evans" by Ted Gioia, Jazz.com, January, 2008.
• Letter From Evans edited by Win Hinkle — newsletter dedicated solely to the music and the life of Bill Evans, published 1989–94. Link is to all issues.
• "Bill Evans: Twelve Essential Recordings by Ted Gioia"
• The Bill Evans Memorial Library
• Jazz wax-Interview with Laurie Verchomin

Tom Cruise
Cruise on MTV Live in December 2008
Born	Thomas Cruise Mapother IV (1962-07-03) July 3, 1962 (age 49) Syracuse, New York, U.S.
Occupation	Actor, producer, writer, director
Years active	1981–present
Height	5 ft 7 in
Religion	Scientology
Spouse	Mimi Rogers (1987–1990) Nicole Kidman (1990–2001) Katie Holmes (2006–present)
Children	Isabella, Connor Cruise and Suri Cruise
Website
TomCruise.com Tom Cruise Facebook Tom Cruise Twitter

Thomas Cruise Mapother IV ( /ˈtɒməs ˈkruːz ˈmeɪpɒθər/; born July 3, 1962), widely known as Tom Cruise, is an American film actor and producer. He has been nominated for three Academy Awards and has won three Golden Globe Awards for the same movies: Born on the Fourth of July (1989), Jerry Maguire (1996), Magnolia (1999). He started his career with the movie Endless Love. Cruise's first appearance in a major film was in 1981's Taps. His first leading role was in the film Risky Business,^[1] released in August 1983. Cruise played the role of a heroic naval pilot in the popular and successful 1986 film Top Gun, and also secret agent Ethan Hunt in the series of Mission: Impossible action films.

He has starred in a variety of other successful films, including: Rain Man (1988), Days of Thunder (1990), A Few Good Men (1992), Vanilla Sky (2001), Minority Report (2002), The Last Samurai (2003), Collateral (2004), and War of the Worlds (2005).

Since 2005, Cruise and Paula Wagner have been in charge of the United Artists film studio,^[2] with Cruise as producer and star and Wagner as the chief executive. Cruise is also known for his support of and adherence to the Church of Scientology.^[3]

Early life[link]

Cruise was born in Syracuse, New York,^[4] the son of Mary Lee (née Pfeiffer), a special education teacher, and Thomas Cruise Mapother III (died 1984),^[5] an electrical engineer.^[6] Cruise's surname originates from his great-grandfather, Thomas Cruise O'Mara, who was adopted by a Welsh immigrant and renamed "Thomas Cruise Mapother".^[7][8][9] Cruise is of German, Irish, and English ancestry.^[10] He grew up in near poverty, in a Catholic family dominated by an abusive father whom Cruise has described as "a merchant of chaos".^[11] He was beaten by his father, who Cruise has said was a bully and coward.

He was the kind of person where, if something goes wrong, they kick you. It was a great lesson in my life—how he’d lull you in, make you feel safe and then, bang! For me, it was like, 'There's something wrong with this guy. Don't trust him. Be careful around him.'^[11]

Cruise's family spent part of his childhood in Canada, and Cruise attended Robert Hopkins Public School in Ottawa, Ontario, for grades three, four, and five. The Mapother family then moved to the suburb of Beacon Hill, so Cruise's father could take a position as a defense consultant with the Canadian Armed Forces.^[12] There, Cruise completed grade six at Henry Munro Middle School, part of the Carleton Board of Education,^[13] where he was active in athletics, playing floor hockey almost every night, showing himself to be a ruthless player, and eventually chipping his front tooth. In the game British bulldogs, he then lost his newly capped tooth and hurt his knee.^[14] Henry Munro was also where Cruise became involved in drama, under the tutelage of George Steinburg.^[15] The first play he participated in was called IT, in which Cruise won the co-lead with Michael de Waal, one playing "Evil", the other playing "Good". The play met much acclaim, and toured with five other classmates to various schools around the Ottawa area, even being filmed at the local Ottawa TV station.^[16] Cruise was bullied regularly in the 15 different schools he attended in 12 years.^[11] When Cruise was twelve, his mother left his father, taking Cruise and his sister Lee Anne with her.^[11]

He briefly attended a Franciscan seminary in Cincinnati (on a church scholarship) and aspired to become a Catholic priest.^[17] In his senior year, he played football for the varsity team as a linebacker, but he was cut from the squad after getting caught drinking beer before a game.^{[18] [19]}

Career[link]

Acting[link]

1980s[link]

Cruise in 1989

Cruise first appeared in supporting roles the 1981 films Endless Love and Taps, the latter in which he played a crazed military school student. His first starring role was in the 1983 comedy Losin' It. That same year he appeared in All the Right Moves and Risky Business, which has been described as "A Generation-X classic, and a career-maker for Tom Cruise",^[20] and which along with 1986's Top Gun, cemented his status as a Superstar.

Cruise followed up Top Gun with The Color of Money, which came out the same year, and which paired him with Academy Award-winner Paul Newman. 1988 saw him star in Cocktail, which earned him a nomination for the Razzie Award for Worst Actor. Later that year he starred with Academy Award-winner Dustin Hoffman in Rain Man, which won the Academy Award for Best Film and Cruise the Kansas City Film Critics Circle Award for Best Supporting Actor. Cruise finished the decade by portraying real-life paralyzed Vietnam War veteran Ron Kovic in 1989's Born on the Fourth of July, which earned him a Golden Globe Award for Best Actor - Motion Picture Drama, the Chicago Film Critics Association Award for Best Actor, the People's Choice Award for Favorite Motion Picture Actor, a nomination for BAFTA Award for Best Actor in a Leading Role, and Cruise's first Best Actor Academy Award nomination.

1990s[link]

In 1994, Cruise starred along with Brad Pitt, Antonio Banderas and Christian Slater in Neil Jordan's Interview with the Vampire, a gothic drama/horror film that was based on Anne Rice's best-selling novel. The film was well received, although Rice was initially quite outspoken in her criticism of Cruise having been cast in the film, as Julian Sands was her first choice. Upon seeing the film however, she paid $7,740 for a two-page ad in Daily Variety praising his performance and apologizing for her previous doubts about him.^[21]

In 1996, Cruise appeared as superspy Ethan Hunt in the reboot of Mission: Impossible, which he produced. In 1996, he took on the title role in Jerry Maguire, for which he earned a Golden Globe and his second nomination for an Academy Award. In 1999, Cruise costarred with wife Nicole Kidman in the erotic Stanley Kubrick film Eyes Wide Shut, and played motivational speaker Frank T.J. Mackey in the ensemble film Magnolia, for which he received another Golden Globe and nomination for an Academy Award.

2000s[link]

In 2000, Cruise returned as Ethan Hunt in the second installment of the Mission Impossible films, releasing Mission: Impossible II. The film was directed by Hong Kong director John Woo and branded with his gun fu style, and it continued the series' blockbuster success at the box office, taking in almost $547M in worldwide figures, like its predecessor, being the third highest grossing film of the year. Cruise received an MTV Movie Award as Best Male Performance for this film.^[22] His next five films were major critical and commercial successes.^{[23] [24]} The following year Cruise starred in the romantic thriller Vanilla Sky (2001) with Cameron Diaz and Penélope Cruz. In 2002, Cruise starred in the dystopian science fiction thriller, Minority Report which was directed by Steven Spielberg and based on the science fiction short story by Philip K. Dick.

In 2003, he starred in the Edward Zwick's historical drama The Last Samurai, for which he received a Golden Globe nomination as best actor.^[22] In 2005, Cruise worked again with Steven Spielberg in War of the Worlds, which became the fourth highest grossing film of the year with US$591.4 million worldwide. Also in 2005, he won the People's Choice Award for Favorite Male Movie Star, and the MTV Generation Award.^[22] Cruise was nominated for seven Saturn Awards between 2002 and 2009, winning once.^[22] Nine of the ten films he starred in during the decade made over $100 million at the box office.^[23]

Cruise in 2006

In 2006, he reprised his role as Ethan Hunt in the third installment of the Mission Impossible film series, Mission: Impossible III. The film was more positively received by critics than its predecessor, and grossed nearly $400 million at the box office.^[25] Cruise's 2007 film Lions for Lambs was a rare commercial disappointment. In 2008, Cruise appeared in the hit comedy Tropic Thunder with Ben Stiller and Jack Black. This performance earned Cruise a Golden Globe nomination. Cruise's role in the historical thriller Valkyrie released on December 25, 2008 to box office success.^[26] As of 2009, Cruise's films have grossed over $6.5 billion worldwide.^[27]

2010s[link]

In March 2010, Cruise completed filming the action-comedy Knight and Day, in which he re-teamed with former costar Cameron Diaz; the film was released on June 23, 2010.^[28] On February 9, 2010, Cruise confirmed that he would star in Mission: Impossible – Ghost Protocol, the fourth Mission:Impossible film, which was released in December 2011.^[29]

On May 6, 2011, Cruise was awarded a humanitarian award from the Simon Wiesenthal Centre and Museum of Tolerance for his work as a dedicated philanthropist.^[30].

In mid-2011 Cruise started shooting the movie Rock of Ages, in which he plays the character Stacee Jaxx. The film is scheduled to be released in June 2012.^[31]

Producing[link]

Cruise partnered with his former talent agent Paula Wagner to form Cruise/Wagner Productions in 1993,^[2] and the company has since co-produced several of Cruise's films,^[32] the first being Mission: Impossible in 1996 which was also Cruise's first project as a producer.

Cruise is noted as having negotiated some of the most lucrative film deals in Hollywood, and was described in 2005 by Hollywood economist Edward Jay Epstein as "one of the most powerful – and richest – forces in Hollywood". Epstein argues that Cruise is one of the few producers (the others being George Lucas, Steven Spielberg and Jerry Bruckheimer) who are regarded as able to guarantee the success of a billion-dollar film franchise. Epstein also contends that the public obsession with Cruise's tabloid controversies obscures full appreciation of Cruise's exceptional commercial prowess.^[33]

Cruise/Wagner Productions, Cruise's film production company, is said to be developing a screenplay based on Erik Larson's New York Times bestseller, The Devil in the White City about a real life serial killer, H. H. Holmes, at Chicago's World's Columbian Exposition. Kathryn Bigelow is attached to the project to produce and helm. Meanwhile, Leonardo DiCaprio's production company, Appian Way, is also developing a film about Holmes and the World's Fair, in which DiCaprio will star.^[34]

Breakup with Paramount[link]

On August 22, 2006, Paramount Pictures announced it was ending its 14-year relationship with Cruise. In the Wall Street Journal, chairman of Viacom (Paramount's parent company) Sumner Redstone cited the economic damage to Cruise's value as an actor and producer from his controversial public behavior and views.^[35][36] Cruise/Wagner Productions responded that Paramount's announcement was a face-saving move after the production company had successfully sought alternative financing from private equity firms.^[37] Industry analysts such as Edward Jay Epstein commented that the real reason for the split was most likely Paramount's discontent over Cruise/Wagner's exceptionally large share of DVD sales from the Mission: Impossible franchise.^[38][39]

Management of United Artists[link]

In November 2006, Cruise and Paula Wagner announced that they had taken over United Artists film studio.^[2] Cruise acts as a producer and star in films for United Artists, while Wagner serves as UA's chief executive. Production began in 2007 of Valkyrie, a thriller based on the July 20, 1944 assassination attempt against Adolf Hitler. The film was acquired in March 2007 by United Artists. On March 21, 2007 Cruise signed on to play Claus von Stauffenberg, the protagonist. This project marks the second production to be greenlighted since Cruise and Wagner took control of United Artists. The first was its inaugural film, Lions for Lambs, directed by Robert Redford and starring Redford, Meryl Streep and Cruise. Lambs was released on November 9, 2007,^[40] opening to unimpressive box office revenue and critical reception. In August 2008, Wagner stepped down from her position at United Artists; she retains her stake in UA, which combined with Cruise's share amounts to 30 percent of the studio.^[41]

Relationships and personal life[link]

Cruise had a relationship with his Risky Business co-star Rebecca De Mornay; they cohabited in New York from 1983–85.^{[42][43][44][45]}

With Katie Holmes in May 2009

Cruise married actress Mimi Rogers on May 9, 1987; they divorced on February 4, 1990.^[1] Rogers is generally believed to have introduced Cruise to Scientology.^[46] He met his second wife, Nicole Kidman, on the set of their film Days of Thunder. The couple married on December 24, 1990. He and Kidman adopted two children, Isabella Jane (born December 1992) and Connor Antony (born January 1995).^[1] They separated in February 2001 when Kidman was three months pregnant; she later miscarried.^[47]

Cruise was next romantically linked with Penélope Cruz, his co-star in Vanilla Sky. That relationship ended in 2004.^[48] In April 2005, Cruise began dating actress Katie Holmes. On April 27 that year, Cruise and Holmes, dubbed "TomKat" by the media, made their first public appearance together in Rome.^[49] A month later, Cruise declared his love for Holmes on The Oprah Winfrey Show famously jumping up and down on Winfrey's couch during the show.^[50] On October 6, 2005, Cruise and Holmes announced they were expecting a child,^[51] and their daughter, Suri, was born in April 2006. On November 18, 2006, Holmes and Cruise were married at the 15th-century Odescalchi Castle in Bracciano, Italy, in a Scientology ceremony attended by many Hollywood stars.^[52][53] The actors' publicist said the couple had "officialized" their marriage in Los Angeles the day before the Italian ceremony.^[54] David Miscavige served as Cruise's best man.^[55]

Popularity[link]

Tom Cruise and Katie Holmes interacting with fans in 2006

In 1990, 1991 and 1997, People magazine rated him among the 50 most beautiful people in the world. In 1995, Empire magazine ranked him among the 100 sexiest stars in film history. Two years later, it ranked him among the top 5 film stars of all time. In 2002 and 2003, he was rated by Premiere among the top 20 in its annual Power 100 list.^[1]

In 2006, Premiere ranked Cruise as Hollywood's most powerful actor,^[56] as Cruise came in at number 13 on the magazine's 2006 Power List, being the highest ranked actor.^[57] The same year, Forbes magazine ranked him as the world's most powerful celebrity.^[58]

In August 2006, "a USA Today/Gallup poll in which half of those surveyed registered an 'unfavorable' opinion of the actor" was cited as a reason in addition to "unacceptable behavior"^[59] for Paramount's non-renewal of their production contract with Cruise. In addition, Marketing Evaluations reports that Cruise's Q score (which is a measure of the popularity of celebrities), had fallen 40 percent. It was also revealed that Cruise is the celebrity people would least like as their best friend.

October 10, 2006 was declared "Tom Cruise Day" in Japan; the Japan Memorial Day Association said that he was awarded with a special day because he has made more trips to Japan than any other Hollywood star.^[60]

Controversy[link]

Litigation[link]

During Cruise's marriage to Nicole Kidman, the couple endured public speculation about their sex life and rumors that Cruise was gay. In 1998, he successfully sued the Daily Express, a British tabloid which alleged that his marriage to Kidman was a sham designed to cover up his homosexuality.^[61] In May 2001 he filed a lawsuit against gay porn actor Chad Slater. Slater had allegedly told the celebrity magazine Actustar that he had had an affair with Cruise. Both Slater and Cruise denied this^{[clarification needed]}, and in August 2001, Slater was ordered to pay $10 million to Cruise in damages after Slater declared he could not afford to defend himself against the suit and would therefore default.^[62] Cruise also sued Michael Davis, publisher of Bold Magazine, who alleged but never confirmed that he had video that would prove Cruise was gay. The suit was dropped in exchange for a public statement by Davis that the video was not of Cruise, and that Cruise was heterosexual.^[63]

After The Beast's publication of their 50 Most Loathsome People of 2004, which included Cruise, Cruise's lawyer Bertram Fields threatened to sue. Seeing the opportunity for nationwide exposure, The Beast actively encouraged the lawsuit. No lawsuit was ever filed and Cruise was included more prominently in the 2005 list.^[64] In 2006, Cruise sued cybersquatter Jeff Burgar to obtain control of the TomCruise.com domain name. When owned by Burgar, the domain redirected to information about Cruise on Celebrity1000.com. The decision to turn TomCruise.com over to Cruise was handed down by the World Intellectual Property Organization (WIPO) on July 5, 2006.^[65]

[edit] Oprah Winfrey Show

Cruise has made several expressions of his feelings for Holmes to the media, most notably the "couch incident" which took place on the popular The Oprah Winfrey Show of May 23, 2005. Cruise "jumped around the set, hopped onto a couch, fell to one knee and repeatedly professed his love for his new girlfriend".^[66] The phrase "jumping the couch", fashioned after "jumping the shark", is used to describe someone "going off the deep end" in public in a manner extreme enough to tarnish his or her reputation.^[67] It enjoyed a short-lived popularity, being chosen by the editors of the Historical Dictionary of American Slang as the "slang term of the year" in 2005^[68] and by the nonprofit group Global Language Monitor as one of its top phrases for the year.^[69]

The "couch incident" was voted No.1 of 2005's "Most Surprising Television Moments" on a countdown on E!^{[citation needed]} and No.5 at BoxOfficeProphets.com.^[70] and was the subject of numerous parodies, including the epilogue of Scary Movie 4, an episode of South Park, a short on Sesame Street,^[71] and an episode of Family Guy. Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "Lesson learned: Tell, don't show".^[72]

In early May 2008, Cruise reappeared on The Oprah Winfrey Show to celebrate 25 years in the film business. The feature was a two hour special, the first hour was Oprah spending the day with Cruise at his house in Telluride, Colorado on May 2.

Scientology[link]

Cruise is an outspoken advocate for the Church of Scientology. He became involved with Scientology in 1990 through his first wife, Mimi Rogers.^[73] He has said that Scientology, specifically the L. Ron Hubbard Study Tech, helped him overcome dyslexia.^[74] In addition to promoting various programs that introduce people to Scientology, Cruise has campaigned for Scientology to be recognized as a religion in Europe. In 2005, the Paris city council revealed that Cruise had lobbied officials Nicolas Sarkozy and Jean-Claude Gaudin, described him as a spokesman and militant for Scientology, and barred any further dealings with him.^[75][76] Cruise co-founded and raised donations for Downtown Medical to offer New York City 9/11 rescue workers detoxification therapy based on the works of L. Ron Hubbard. This drew criticism from the medical profession,^[77] as well as firefighters.^[78] For these activities and others, David Miscavige awarded Cruise Scientology's Freedom Medal of Valor in late 2004.^{[citation needed]}

In January 2004, Tom Cruise said: "I think psychiatry should be outlawed."^[79] A controversy erupted in 2005 after he openly criticized actress Brooke Shields for using the drug Paxil (paroxetine), an anti-depressant to which Shields attributes her recovery from postpartum depression after the birth of her first daughter in 2003. Cruise asserted that there is no such thing as a chemical imbalance, and that psychiatry is a form of pseudoscience. Shields responded that Cruise "should stick to saving the world from aliens and let women who are experiencing postpartum depression decide what treatment options are best for them".^[80] This led to a heated argument between Matt Lauer and Cruise on NBC's Today on June 24, 2005.^[81] Medical authorities view Cruise's comments as furthering the social stigma of mental illness.^[82][83] Shields herself called Cruise's comments "a disservice to mothers everywhere".^[84] In late August 2006, Cruise apologized in person to Shields for his comments.^[85] Scientology is well known for its opposition to mainstream psychiatry.

On January 15, 2008, a video produced by the Church of Scientology featuring an interview with Cruise was posted on YouTube, showing Cruise discussing what being a Scientologist means to him.^[86][87] The Church of Scientology said the video had been "pirated and edited", and was taken from a three-hour video produced for members of Scientology.^[87][88] YouTube removed the Cruise video from their site under threat of litigation.^[89]

Cruise's more open attitude to Scientology has been attributed to the March 2004 departure of his publicist of 14 years, Pat Kingsley. He replaced her with his sister, fellow Scientologist Lee Anne DeVette, who served in that role until November 2005.^[90] DeVette was replaced with Paul Bloch from the publicity firm Rogers and Cowan.^[91] Such restructuring is seen as a move to curtail publicity of his views on Scientology, as well as the hard-sell of his relationship with Katie Holmes backfiring with the public.^[92][93]

Filmography[link]

As producer[link]

See also[link]

Brat Pack (actors) List of people from Syracuse, New York List of Scientologists Rock of Ages (2012 film)

Biography portal Film portal Scientology portal Supercouple Tom Cruise (disambiguation) Tom Cruise: Unauthorized (1998) Tom Cruise: All the World's a Stage (2006)

References[link]