The chairman is the highest officer of an organized group such as a board, committee, or deliberative assembly. The person holding the office is typically elected or appointed by the members of the group. The chairman presides over meetings of the assembled group and conducts its business in an orderly fashion.^[1] When the group is not in session, the officer's duties often include acting as its head, its representative to the outside world and its spokesperson.

Terminology[link]

Other terms sometimes used for the office and its holder include presiding officer, president, moderator, chair, and convenor.^[2][3][4] The chairman of a parliamentary chamber is often called the speaker.^[5][6] Though chairwoman is sometimes used as a female counterpart to chairman, the terms chair and chairperson are sometimes used to avoid gendered titles altogether.^[7][8] The National Association of Parliamentarians does not approve using "chairperson".^[9] In the United States, the presiding officer of the "lower" house of a legislative body, such as the House of Representatives, is frequently titled the Speaker, while the "upper" house, such as the Senate, is commonly chaired by a President.

A vice-chairman (or deputy chairman), subordinate to the chairman, is sometimes chosen to assist the chairman^[10] and to serve as chairman in the absence of the chairman, or when a motion involving the chairman is being discussed.^[1] In the absence of the chairman and vice chairman, groups sometimes elect a chairman pro tempore to fill the role for a single meeting.^[1]

The word chair can refer to the place from which the holder of the office presides, whether on a chair, at a lectern, or elsewhere. During meetings, the person presiding is said to be “in the chair”, the person is also referred to as “the chair.” Parliamentary procedure requires that members address the “chair” rather than the “chairman,” or by using a person's name. This is one of many customs intended to maintain the presiding officer's impartiality and insuring an objective and impersonal approach.^[1]

Riddick's Rules of Procedure, among others, claim an etymology of chairman as derived from the Latin manus, or "hand", and use this to claim gender-neutrality for the word. Some etymologists consider this to be incorrect,^[11] and many dictionaries claim that the word is from "chair" (a seat or office of authority) and "man", a person.^[7][12][13]

Public corporations[link]

Among public corporations, there are generally two types of chairmen, executive and non-executive. The executive chairman also serves as an executive of the company, usually the chief executive officer (CEO), although it can exist as a separate position. The non-executive chairman holds no executive position with the company, and is usually an outsider with no other current or previous ties to it.

The non-executive Chairman's duties are typically limited to matters directly related to the board, such as:^[14]

• Chairing the meetings of the board.
• Organizing and coordinating the board's activities, such as by setting its annual agenda.
• Reviewing and evaluating the performance of the CEO and the other board members.

Many U.S. companies have an executive chairman, and this method of organization is sometimes called the American model. Having a non-executive chair is common in the United Kingdom and Canada, and is sometimes called the British model. Expert opinion is rather evenly divided over which is the preferable model overall.^[15]

Companies with both an executive chairman and a CEO include Ford,^[16] HSBC,^[17] Google,^[18] and HP.^[19]

See also[link]

Look up chair, chairman, chairwoman, chairperson, or preside in Wiktionary, the free dictionary.

• Board of Directors
• European company law
• Executive director
• German company law
• Non-executive director
• Parliamentary procedure in the corporate world
• UK company law
• US corporate law

Notes[link]

References[link]

• Alice Sturgis; American Institute of Parliamentarians (2001). "19 Officers: The President ...". The standard code of parliamentary procedure (Fourth ed.). New York: McGraw-Hill. pp. 162–165. ISBN 978-0-07-136513-0 

Vincent's Chair by Vincent van Gogh

Five three-legged chairs around a low-legged table from Sliven 19th Century Lifestyle Museum

A chair is a raised surface used to sit on, commonly for use by one person. Chairs are most often supported by four legs and have a back^[1][2]; however, a chair can have three legs or could have a different shape.^[3]

A chair without a back or arm rests is a stool,^[4] or when raised up, a bar stool.^[5] A chair with arms is an armchair^[6] and with folding action and inclining footrest, a recliner. ^[7] A permanently fixed chair in a train or theater is a seat^[8] or airline seat;^[9] when riding, it is a saddle^[10] and bicycle saddle,^[11] and for an automobile, a car seat^[12] or infant car seat.^[13] With wheels it is a wheelchair^[14] and when hung from above, a swing.^[15]

A chair for more than one person is a couch, sofa, settee, or "loveseat";^[16] or a bench.^[17] A separate footrest for a chair is known as an ottoman,^[18] hassock^[19] or pouffe.^[20]

History of the chair[link]

The chair is of extreme antiquity and simplicity, although for many centuries it was an article of state and dignity rather than an article of ordinary use. "The chair" is still extensively used as the emblem of authority in the House of Commons in the United Kingdom^[21] and Canada,^[22] and in many other settings.

Committees, boards of directors, and academic departments all have a 'chairman'.^[23] Endowed professorships are referred to as chairs.^[24]

In fact, it was not until the 16th century that it became common anywhere. Until then the chest, the bench and the stool were the ordinary seats of everyday life, and the number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical or seigneurial origin.^[25] Our knowledge of the chairs of remote antiquity is derived almost entirely from monuments, sculpture and paintings.^[26]

Chairs were in existence since at least the Early Dynasty Period. They were covered with cloth or leather, were made of carved wood and were much lower than today’s chairs, chair seats were sometimes only 25 cm high..^[27] In ancient Egypt chairs appear to have been of great richness and splendor. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives.^[28] Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honor. On state occasions the pharaoh sat on a throne, often with a little footstool in front of it.^[29]

The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor.^[30]

During the Tang dynasty (618 - 907 AD), a higher seat first started to appear amongst the Chinese elite and their usage soon spread to all levels of society. By the 12th century seating on the floor was rare in China, unlike in other Asian countries where the custom continued, and the chair, or more commonly the stool, was used in the vast majority of houses throughout the country.^[31]

In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state, and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. We find almost at once that the chair began to change every few years to reflect the fashions of the day.^[32]

In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears. Roebuck, and o. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available.^[33]

The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,^[34] moulded plastic chairs^[35] and ergonomic chairs.^[36] The recliner became a popular form, at least in part due to radio and television.

The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair),^[37] bean bags,^[38] and the egg-shaped pod chair.^[39] Technological advances led to molded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs.^[40][41]

Materials[link]

The design may be made of porous materials, or be drilled with holes for decoration; a low back or gaps can provide ventilation. The back may extend above the height of the occupant's head, which can optionally contain a headrest. Chairs can also be made from more creative materials, such as recycled materials like cutlery and wooden play bricks, pencils, plumbing tubes, rope and pvc pipe.^[42]

Raimonds Cirulis, a Lativan interior designer, created a Volcanic Hanging Chair that is a 100% handmade piece of furniture and is made out of volcanic rock.^[43] Peter Brenner, a Dutch-born German designer, has created a chair made from lollipop sugar, made from 60 pounds of confectioners' sugar.^[44]

Design and ergonomics[link]

S Chair, Designed by Verner Panton

Chair design considers intended usage, ergonomics (how comfortable it is for the occupant),^[45] as well as non-ergonomic functional requirements such as size, stackability, foldability, weight, durability, stain resistance and artistic design. Intended usage determines the desired seating position. "Task chairs",^[46][47] or any chair intended for people to work at a desk or table, including dining chairs, can only recline very slightly; otherwise the occupant is too far away from the desk or table. Dental chairs are necessarily reclined. Easy chairs for watching television or movies are somewhere in between depending on the height of the screen.

Ergonomic design distributes the weight of the occupant to various parts of the body. A seat that is higher results in dangling feet and increased pressure on the underside of the knees ("popliteal fold"). It may also result in no weight on the feet which means more weight elsewhere. A lower seat may shift too much weight to the "seat bones" ("ischial tuberosities").

A reclining seat and back will shift weight to the occupant's back. This may be more comfortable for some in reducing weight on the seat area, but may be problematic for others who have bad backs. In general, if the occupant is supposed to sit for a long time, weight needs to be taken off the seat area and thus "easy" chairs intended for long periods of sitting are generally at least slightly reclined. However, reclining may not be suitable for chairs intended for work or eating at table.

The back of the chair will support some of the weight of the occupant, reducing the weight on other parts of the body. In general, backrests come in three heights: Lower back backrests support only the lumbar region. Shoulder height backrests support the entire back and shoulders. Headrests support the head as well and are important in vehicles for preventing "whiplash" neck injuries in rear-end collisions where the head is jerked back suddenly. Reclining chairs typically have at least shoulder height backrests to shift weight to the shoulders instead of just the lower back.

The Difference between Leg Room & Seat Pitch

Some chairs have foot rests. A stool or other simple chair may have a simple straight or curved bar near the bottom for the sitter to place his or her feet on.

Some chairs have two curved bands of wood (also known as rockers) attached to the bottom of the legs. They are called rocking chairs.

The type of chair popular in western Hubei, China: with a fairly low seat and the back inclined at about 45 degrees from the vertical

A kneeling chair adds an additional body part, the knees, to support the weight of the body. A sit-stand chair distributes most of the weight of the occupant to the feet. Many chairs are padded or have cushions. Padding can be on the seat of the chair only, on the seat and back, or also on any arm rests and/or foot rest the chair may have. Padding will not shift the weight to different parts of the body (unless the chair is so soft that the shape is altered). However, padding does distribute the weight by increasing the area of contact between the chair and the body. A hard wood chair feels hard because the contact point between the occupant and the chair is small. The same body weight over a smaller area means greater pressure on that area. Spreading the area reduces the pressure at any given point. In lieu of padding, flexible materials, such as wicker, may be used instead with similar effects of distributing the weight. Since most of the body weight is supported in the back of the seat, padding there should be firmer than the front of the seat which only has the weight of the legs to support. Chairs that have padding that is the same density front and back will feel soft in the back area and hard to the underside of the knees.

There may be cases where padding is not desirable. For example, in chairs that are intended primarily for outdoor use. Where padding is not desirable, contouring may be used instead. A contoured seat pan attempts to distribute weight without padding. By matching the shape of the occupant's buttocks, weight is distributed and maximum pressure is reduced.

Churchchairs

Actual chair dimensions are determined by measurements of the human body or anthropometric measurements. The two most relevant anthropometric measurement for chair design is the popliteal height and buttock popliteal length.

For someone seated, the popliteal height is the distance from the underside of the foot to the underside of the thigh at the knees. It is sometimes called the "stool height." The term "sitting height" is reserved for the height to the top of the head when seated. For American men, the median popliteal height is 16.3 inches (410 mm) and for American women it is 15.0 inches (380 mm) [1]. The popliteal height, after adjusting for heels, clothing and other issues is used to determine the height of the chair seat. Mass produced chairs are typically 17 inches (430 mm) high.

For someone seated, the buttock popliteal length is the horizontal distance from the back most part of the buttocks to the back of the lower leg. This anthropometric measurement is used to determine the seat depth. Mass produced chairs are typically 15-17 inches deep.

Additional anthropometric measurements may be relevant to designing a chair. Hip breadth is used for chair width and armrest width. Elbow rest height is used to determine the height of the armrests. The buttock-knee length is used to determine "leg room" between rows of chairs. "Seat pitch" is the distance between rows of seats. In some airplanes and stadiums the leg room (the seat pitch less the thickness of the seat at thigh level) is so small that it is sometimes insufficient for the average person.

For adjustable chairs, such as an office chair, the aforementioned principles are applied in adjusting the chair to the individual occupant.

Caster wheels are attached to the feet of chairs to give more mobility

Gas springs are attached to the body of the chair in order to give height adjustment and more comfort to the user

Armrests[link]

Eames Lounge Chair and ottoman

Art deco club chair.

A chair may or may not have armrests; chairs with armrests are termed armchairs. In French, a distinction is made between fauteuil and chaise, the terms for chairs with and without armrests, respectively. If present, armrests will support part of the body weight through the arms if the arms are resting on the armrests. Armrests further have the function of making entry and exit from the chair easier (but from the side it becomes more difficult). Armrests should support the forearm and not the sensitive elbow area. Hence in some chair designs, the armrest is not continuous to the chair back, but is missing in the elbow area.

A couch, bench, or other arrangement of seats next to each other may have armrest at the sides and/or arm rests in between. The latter may be provided for comfort, but also for privacy e.g. in public transport and other public places, and to prevent lying on the bench. Arm rests reduce both desired and undesired proximity. A loveseat in particular, has no armrest in between.

See also seats in movie theaters, and pictures of benches with and without arm rests.

Chair seats[link]

Polypropylene (molded plastic) seats and stainless steel legs in Rio de Janeiro, Brazil. This type of material is very useful in sea regions

Chair seats vary widely in construction and may or may not match construction of the chair's back (backrest).

Some systems include:

• center seats where a solid material forms the chair seat.
  • Solid wood, may or may not be shaped to human contours.
  • Wood slats, often seen on outdoor chairs
  • Padded leather, generally a flat wood base covered in padding and contained in soft leather
  • Stuffed fabric, similar to padded leather
  • Metal seats of solid or open design
  • Molded plastic
  • Stone, often marble
• Open center seats where a soft material is attached to the tops of chair legs or between stretchers to form the seat.
  • Wicker, woven to provide a surface with give to it
  • Leather, may be tooled with a design
  • Fabric, simple covering without support
  • Tape, wide fabric tape woven into seat, seen in lawn chairs and some old chairs
  • Caning, woven from rush, reed, rawhide, heavy paper, strong grasses, cattails to form the seat, often in elaborate patterns
  • Splint, ash, oak or hickory strips are woven
  • Metal, Metal mesh or wire woven to form seat

Standards and specifications[link]

Highly decorated carved-back chairs in Mexico

Design considerations for chairs have been codified into standards. ISO 9241, "Ergonomic requirements for office work with visual display terminals (VDTs) -- Part 5: Workstation layout and postural requirements" is the most common one for modern chair design.

There are multiple specific standards for different types of chairs. Dental chairs are specified by ISO 6875. Bean bag chairs are specified by ANSI standard ASTM F1912-98 [2]. ISO 7174 specifies stability of rocking and tilting chairs. ASTM F1858-98 specifies plastic lawn chairs. ASTM E1822-02b defines the combustibility of chairs when they are stacked.

The Business and Institutional Furniture Manufacturer's Association (BIFMA)[3] defines BIFMA X5.1 for testing of commercial-grade chairs. It specifies things like [4]:

• chair back strength of 150 pounds (68 kg)
• chair stability if weight is transferred completely to the front or back legs
• leg strength of 75 pounds (34 kg) applied one inch (25 mm) from the bottom of the leg
• seat strength of 225 pounds (102 kg) dropped from six inches (150 mm) above the seat
• seat cycle strength of 100,000 repetitions of 125 pounds (57 kg) dropped from 2 inches (50 mm) above the seat

The specification further defines heavier "proof" loads that chairs must withstand. Under these higher loads, the chair may be damaged, but it must not fail catastrophically.

Large institutions that make bulk purchases will reference these standards within their own even more detailed criteria for purchase. [5] Governments will often issue standards for purchases by government agencies (e.g. Canada's Canadian General Standards Board CAN/CGSB 44.15M [6] on "Straight Stacking Chair, Steel" or CAN/CGSB 44.232-2002 on "Task Chairs for Office Work with Visual Display Terminal").

Chairs may be rated by the length of time that they may be used comfortably — an 8-hour chair, a 24-hour chair, and so on. Such chairs are specified for tasks which require extended periods of sitting, such as for receptionists or supervisors of a control panel.

Accessories[link]

AISI 304 stainless steel laboratory chair with gas springs and caster wheels. A specific type of chair for professional use

In place of a built-in footrest, some chairs come with a matching ottoman. An ottoman is a short stool intended to be used as a footrest but can sometimes be used as a stool. If matched to a glider, the ottoman may be mounted on swing arms so that the ottoman rocks back and forth with the main glider.

A chair cover is a temporary fabric cover for a side chair. They are typically rented for formal events such as wedding receptions to increase the attractiveness of the chairs and decor. The chair covers may come with decorative chair ties, a ribbon to be tied as a bow behind the chair. Covers for sofas and couches are also available for homes with small children and pets. In the second half of 20th century, some people used custom clear plastic covers for expensive sofas and chairs to protect them.

Chair pads are cushions for chairs. They contain cotton or foam for padding. Some are decorative. In cars, they may be used to increase the height of the driver. Orthopedic backrests provide support for the back. Some manufacturers have patents on their designs and are recognized by medical associations as beneficial [7][8][9]. Car seats sometimes have built-in and adjustable lumbar supports. These can also be used on kitchen chairs.

Chair mats are mats meant to cover carpet or hardwood flooring. They are usually made from plastic. This allows chairs on wheels to roll easily over the carpet and/or protects the carpet or floor. They come in various shapes, some specifically sized to fit partially under a desk.

Remote control bags can be draped over the arm of easy chairs or sofas and used to hold remote controls. They are counter-weighted so as to not slide off the arms under the weight of the remote control.

Chair glides are attached to the feet of chairs to prevent them from scratching or snagging on the floor.

The Twelve Chairs monument in Odessa - Deribassovskaya street (Ukraine).

Chairs as sculptural and art forms[link]

In 2001, Steve Mann exhibited a chair sculpture at San Francisco Art Institute. The chair had spikes that retracted when a credit card was inserted to download a seating license.

Chair sculpture by Steve Mann, exhibited at San Francisco Art Institute, 2001, comprises spikes that retract when a credit card is inserted to download a seating license.

Later other museums and galleries were equipped with the Pay to Sit chair, with a global central seating license server located in Toronto. Patrons anywhere in the world could each receive one free seat license. The first seating session was free, with a database of persons who'd already used their free session.

In language[link]

• A film or a story is said to keep you on the edge of your seat, if it is suspenseful or engaging.
• If you nearly fell off your chair, it was because you were very surprised.
• An orchestra awards a musician a chair or seat based on ability. The best player in a particular section will receive "first chair," or the "principal seat." It is also common for this position to be known as 'first stand,' a reference to the portable lectern on which the musicians put their sheet music. However, the person who is first chair in the first violin section is usually referred to as the concertmaster in the USA or leader in the UK.
• Musical chairs is a common party game, and a colloquial expression to describe people shuffling from seat to seat, or around different locations.
• In American slang, to say someone has gotten "the chair" is to say that they have been executed by an electric chair.
• To be on its last leg is an expression that stems from the practice of sawing the ends of chair legs off in previous centuries. It means that it is decrepit and nearing the end of its serviceability.

See also[link]

Look up chair in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Chairs

See List of chairs for an extended list of chair types, such as the bean bag chair, lift chair, papasan chair, sofa, swivel chair and throne.

• Couch
• Cushion
• History of the chair
• Riding-like sitting
• Sitting
• Seating
• Splat, the central vertical element of a wooden chair back

References[link]

• "Guide to Great Chair Design." Guide to Great Chair Design. N.p., n.d. Web. 9 May 2011. <http://greatchairdesign.com/>
• "folding chairs through the ages." designboom. N.p., n.d. Web. 9 May 2011. <http://www.designboom.com/eng/education/foldingchair.html>.
• "chair history — Chair Blog." Chair Blog — Chairs, Chair Designers and Chair Manufacturers. N.p., n.d. Web. 9 May 2011. <http://www.chairblog.eu/category/chair-history/>.

Further reading[link]

de Dampierre, F. (2006). Chairs: A History. Harry N. Abrams. ISBN 0-8109-5484-2

Fiell, C. (2005). 1000 Chairs. (25th ed.). Taschen. ISBN 3-8228-4103-X

Miller, J. (2009). Chairs. Conran. ISBN 1-84091-523-4

An official is someone who holds an office (function or mandate, regardless whether it carries an actual working space with it) in an organization or government and participates in the exercise of authority (either his own or that of his superior and/or employer, public or legally private).

A government official or functionary is an official who is involved in public administration or government, through either election, appointment, selection, or employment. A bureaucrat is a member of the bureaucracy. An elected official is a person who is an official by virtue of an election. Officials may also be appointed ex officio (by virtue of another office, often in a specified capacity, such as presiding, advisory, secretary). Some official positions may be inherited.

A person who currently holds an office is referred to as an incumbent.

The word official as a noun has been recorded since the Middle English period, first seen in 1314.^{[citation needed]} It comes from the Old French official (12th century), from the Latin officialis ("attendant to a magistrate, public official"), the noun use of the original adjective officialis ("of or belonging to duty, service, or office") from officium ("office"). The meaning "person in charge of some public work or duty" was first recorded in 1555. The adjective is first attested in English in 1533, via the Old French oficial.

The informal term officialese, the jargon of "officialdom", was first recorded in 1884.

Roman Antiquity[link]

An officialis (plural officiales) was the official term (somewhat comparable to a modern civil servant) for any member of the officium (staff) of a high dignitary such as a governor.

Ecclesiastical judiciary[link]

In Canon law, the word or its Latin original officialis is used absolutely as the legal title of a diocesan bishop's judicial vicar who shares the bishop's ordinary judicial power over the diocese and presides over the diocesan ecclesiastical court.

The 1983 Code of Canon Law gives precedence to the title Judicial Vicar, rather than that of Officialis (canon 420). The Code of Canons of the Eastern Churches uses only the title Judicial Vicar (canon 191).

In German, the related noun Offizialat was also used for an official bureau in a diocese that did much of its administration, comprising the vicariate-general, an adjoined secretariat, a registry office and a chancery.

The title of official principal, together with that of vicar-general, has in Anglicanism? England been merged in that of Diocesan chancellor of a diocese.

Other[link]

In sports, the term official is used to describe a person enforcing playing rules in the capacity of a linesman, referee and umpire; also specified by the discipline, e.g. American football official, Ice hockey official.

The term officer is close to being a synonym (but has more military connotations). A functionary is someone who carries out a particular role within an organization; this again is quite a close synonym for official, as a noun, but with connotations closer to bureaucrat. Any such person acts in their official capacity, in carrying out the duties of their office; they are also said to officiate, for example in a ceremony. A public official is an official of central or local government.

Max Weber on bureaucratic officials[link]

Max Weber gave as definition of a bureaucratic official :

• he is personally free and appointed to his position on the basis of conduct
• he exercises the authority delegated to him in accordance with impersonal rules, and his loyalty is enlisted on behalf of the faithful execution of his official duties
• his appointment and job placement are dependent upon his technical qualifications
• his administrative work is a full-time occupation
• his work is rewarded by a regular salary and prospects of advancement in a lifetime career.

An official must exercise his judgment and his skills, but his duty is to place these at the service of a higher authority; ultimately he is responsible only for the impartial execution of assigned tasks and must sacrifice his personal judgment if it runs counter to his official duties.

Adjective[link]

As an adjective, official often but not always means pertaining to the government, either as state employee or having state recognition, or to analogous governance, or to formal (especially legally regulated) proceeding as opposed to informal business. Some examples:

• An official holiday is a public holiday, having national (or regional) recognition.
• An official language is a language recognised by a government, for its own use in administration, or for the use of citizens (for example on signposts).
• An official spokesperson would be an individual empowered to speak for the government, or some part of it such as a ministry, on a range of issues and on the record for the media.
• An official statement is issued by an organisation as an expression of its corporate position or opinion; an official apology is an apology similarly issued by an organisation (as opposed to an apology by an individual).
• Official policy is policy publicly acknowledged and defended by an organisation. In these cases unofficial is an antonym, and variously may mean informal, unrecognised, personal or unacknowledged.
• An official strike is a strike organised and recognised by a labour union, as opposed to an unofficial strike at grassroots level.
• An official school is a school administered by the government or by a local authority, as opposite to a private school or religious school.
• An official history, for example of an institution or business, or particularly of a war or military unit, is a history written as a commission, with the assumption of co-operation with access to records and archives; but without necessarily full editorial independence.
• An official biography is usually on the same lines, written with access to private papers and the support of the family of the subject.

See also[link]

Look up official in Wiktionary, the free dictionary.

• Bureaucrat
• Official culture
• official trip

Sources and references[link]

(incomplete)

•  This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed. (1913). Catholic Encyclopedia. Robert Appleton Company. 
•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 
• Etymology OnLine
• Pauly-Wissowa

Regina Spektor
Regina Spektor playing an electronic piano in 2006
Background information
Native name	Реги́нa Ильи́нична Спе́ктор
Born	(1980-02-18) February 18, 1980 (age 32) Moscow, Russian SFSR, Soviet Union
Origin	New York, U.S.
Genres	Anti-folk, indie rock, baroque pop, blues, pop
Occupations	Singer, songwriter, record producer
Instruments	Piano, vocals, guitar, bass guitar
Years active	1999–present
Labels	Sire/Warner Bros. Records
Associated acts	Sondre Lerche, Ben Folds, Kill Kenada, the Strokes, Dufus
Website	http://www.reginaspektor.com
Notable instruments
Steinway & Sons piano Epiphone Wildkat guitar Regina Spektor's Autograph

Regina Ilyinichna Spektor (Russian: Реги́нa Ильи́нична Спе́ктор, IPA: [rʲɪˈɡʲinə ˈspʲɛktər], English: /rɨˈdʒiːnə ˈspɛktər/; born February 18, 1980) is an American singer-songwriter and pianist. Her music is associated with the anti-folk scene centered in New York City's East Village.

Early life[link]

Spektor was born in Moscow, Soviet Union in 1980 to a musical Russian Jewish family. Her father, Ilya Spektor, is a photographer and amateur violinist. Her mother, Bella Spektor, was a music professor in a Soviet college of music and now teaches at a public elementary school in Mount Vernon, New York.^[1] She has a brother Barry (Bear), who was featured in track 7, "* * *", or "Whisper", of her 2004 album, Soviet Kitsch.

She learned how to play piano by practising on a Petrof upright that was given to her mother by her grandfather.^[2] She was also exposed to the music of rock and roll bands such as The Beatles, Queen, and The Moody Blues by her father, who obtained such recordings in Eastern Europe and traded cassettes with friends in the Soviet Union.^[1] The family left the Soviet Union in 1989, when Regina was nine and a half, during the period of Perestroika, when Soviet citizens were permitted to emigrate. Regina had to leave her piano behind.^[3] The seriousness of her piano studies led her parents to consider not leaving the USSR, but they finally decided to emigrate, due to the ethnic and political discrimination that Jews faced.^[4] Spektor is fluent in Russian and reads Hebrew, and has since paid tribute to her Russian heritage, quoting the poem February by the Russian poet Boris Pasternak in her song Après Moi, and stating “I’m very connected to the language and the culture.”^[5]

Traveling first to Austria and then Italy, the family was admitted to the United States as refugees with the assistance of HIAS (the Hebrew Immigrant Aid Society) and settled in The Bronx, where Spektor graduated from the SAR Academy, a Jewish day middle school in the Riverdale section of the Bronx. She then attended high school for two years at the Frisch School, a yeshiva in Paramus, New Jersey, but transferred to a public school, Fair Lawn High School, in Fair Lawn, New Jersey, where she finished the last two years of her high school education.^[6]

Career[link]

In New York, Spektor studied classical piano with Sonia Vargas, a professor at the Manhattan School of Music, until she was 17; Spektor's father had met Vargas through her husband, violinist Samuel Marder.^[7] Although the family had been unable to bring their piano from Russia, Spektor found a piano on which to play in the basement of her synagogue, and also practiced on tabletops and other hard surfaces.

Spektor was originally interested only in classical music, but later became interested in hip hop, rock and punk as well.^[1] Although she had always made up songs around the house, Spektor first became interested in more formal songwriting during a visit to Israel with the Nesiya Institute in her teenage years when she attracted attention from the other children on the trip for the songs she made up while hiking and realized she had an aptitude for songwriting.^[4]

Following this trip, she was exposed to the work of Joni Mitchell, Ani DiFranco, and other singer-songwriters, which encouraged her belief that she could create her own songs.^[4] She wrote her first a cappella songs around the age of 16 and her first songs for voice and piano when she was nearly 18.^[1]

Spektor completed the four-year studio composition program of the Conservatory of Music at Purchase College within three years, graduating with honors in 2001. Around this time, she also worked briefly at a butterfly farm in Luck, Wisconsin,^[8] and studied in Tottenham, ( a suburb of London) for one semester ^[9].

She gradually achieved recognition through performances in the anti-folk scene in downtown New York City, often as a duo with drummer Anders Griffen, and most importantly at the East Village's Sidewalk Cafe, but also at the Living Room, Tonic, Fez, the Knitting Factory, and CB's Gallery.^{[citation needed]} She also performed at local colleges (such as Sarah Lawrence College) with other musicians, including the Trachtenburg Family Slideshow Players. She sold self-published CDs at her performances during this period: 11:11 (2001) and Songs (2002). In 2004, she signed a contract with Warner Brothers' record label Sire Records to publish and distribute her third album Soviet Kitsch, originally self-released in 2003.

Spektor is married to Jack Dishel, guitarist with the band The Moldy Peaches.^[9]

Style[link]

Regina Spektor in concert, April 2007.

Spektor has said that she has created a great number of songs,^[10] but that she rarely writes any of them down. She has also stated that she never aspired to write songs herself, but songs seem to just flow to her.^[11] Spektor's songs are not usually autobiographical, but rather are based on scenarios and characters drawn from her imagination.^[4][12] Her songs show influences from folk,^[13][14] punk, rock, Jewish,^[12][15] Russian,^[12] hip hop,^[13][16][17] jazz,^[13][16] and classical music.^[12][16] Spektor has said that she works hard to ensure that each of her songs has its own musical style, rather than trying to develop a distinctive style for her music as a whole.^[11]

It doesn't feel natural for me to write some diary type song. I want to write a classic like Yesterday but weird songs about meatballs in refrigerators come into my head - I can't help it.^[18]

Spektor has a broad vocal range and uses the full extent of it. She also explores a variety of different and somewhat unorthodox vocal techniques, such as verses composed entirely of buzzing noises made with the lips and beatbox-style flourishes in the middle of ballads, and also makes use of such unusual musical techniques as using a drum stick to tap rhythms on the body of the piano or chair.^[4][19] Part of her style also results from the exaggeration of certain aspects of vocalization, most notably the glottal stop, which is prominent in the single "Fidelity". She also uses a strong New York accent on some words, which she has said is due to her love of New York and its culture.^[1]

Her lyrics are equally eclectic, often taking the form of abstract narratives or first-person character studies, similar to short stories or vignettes put to song.^[1][19] Spektor usually sings in English, though she sometimes includes a few words or verses of Latin, Russian, French, and other languages in her songs. She also plays with pronunciations, which she said on a NPR interview to be a remnant of her early years when she listened to pop in English without understanding the lyrics. Some of Spektor's lyrics include literary allusions,^[4] such as to F. Scott Fitzgerald and Ernest Hemingway in "Poor Little Rich Boy", The Little Prince in "Baobabs", Virginia Woolf and Margaret Atwood in "Paris", Ezra Pound and William Shakespeare in "Pound of Flesh", Shakespeare's Hamlet in "The Virgin Queen", Boris Pasternak in "Après Moi", Samson and Delilah in "Samson", and Oedipus the King in "Oedipus", Billie Holiday in "Lady" and Edith Wharton's Ethan Frome in "2.99 cent blues". She alludes to The Beatles and Paul McCartney in the song "Edit". She also used a line from Joni Mitchell's California in her song "The Devil Came to Bethlehem". Recurring themes and topics in Spektor's lyrics include love, death, religion (particularly Biblical and Jewish references), city life (particularly New York references), and certain key phrases have been known to recur in different songs by Spektor, such as references to gravediggers, the Tree of Knowledge of Good and Evil and the name "Mary Ann". Spektor's use of satire is evident in "Wasteside," which refers to The Twelve Chairs, the classic satirical novel by the Soviet authors Ilf and Petrov, and describes the town in which people are born, get their hair cut, and then are sent to the cemetery.

In Spektor's early albums, many of her tracks had a very dry vocal production, with very little reverb or delay added. However, Spektor's more recent albums, particularly Begin to Hope, have put more emphasis into song production and have relied more on traditional pop and rock instruments.^[3] Spektor says the records that most impact her are those of "bands whose music is really involved",^[20] specifically naming The Beatles, Bob Dylan, Billie Holiday, Radiohead, Tom Waits, and Frédéric Chopin as primary influences.^[20][21]

In her songs, "Eet", "Us" and "Après Moi" the titular sounds are used as the focal point throughout. (In "Dance Anthem of the 80's", the sound "eet" is also used often, on words such as "meat", "street", and "eat").

Performances[link]

Regina Spektor at her first performance in Tel Aviv, Israel on March 3, 2007

Spektor's first nationwide tour was accompanying The Strokes as the opening act on their 2003–2004 Room on Fire tour, during which she and the band performed and recorded "Modern Girls & Old Fashion Men". Kings of Leon were the second opening act on that tour, and they invited Regina to open for them on their own European tour right after The Strokes tour. In June 2005, Spektor was the opening act for the English piano rock band Keane on their North American tour, during which she performed at Radio City Music Hall on June 7, 2005.^[22] During her 2006 headlining tour in support of the Begin to Hope album, Spektor sold out a performance at Messiah College in Grantham, Pennsylvania, and two shows at Town Hall Theater in New York City on September 27 and September 28, 2006.^[23]

Spektor has appeared on The Tonight Show with Conan O'Brien (once), Late Night with Conan O'Brien (three times), The Tonight Show with Jay Leno (twice), Jimmy Kimmel Live (twice), Last Call with Carson Daly (five times), Late Show with David Letterman (twice), Late Night with Jimmy Fallon (twice), CBS News Sunday Morning, Good Morning America (twice), Australia's Rove Live, and The Late Late Show with Craig Ferguson (twice).^[24] On October 10, 2009 she performed on Saturday Night Live.

Since January 2005, Spektor has performed on a bright red Baldwin baby grand piano.^[25] At the present time she uses exclusively Steinway & Sons pianos. She plays a seafoam Epiphone Wildkat archtop hollow-body electric guitar.^[26]

Although she generally only performs original material, Spektor occasionally performs covers. Most famous of these covers were her performances of songs by Leonard Cohen and Madonna, for the 2nd Annual Jewish Music & Heritage Festival at the 92nd Street Y in New York City.^[4] In 2006 and 2007, Spektor embarked on a headlining tour of the U.S. and Europe, selling out numerous clubs and theaters. She covered John Lennon's "Real Love" at the performance arts center of her alma mater, State University of New York at Purchase, on March 28, 2007, at a benefit concert for the Conservatory of Music.^[27] In 2007, Spektor recorded "Real Love" for the Instant Karma: The Amnesty International Campaign to Save Darfur CD, which was released in June of that year. She recorded a version of the song for Triple J's Like a Version radio segment which was shown on jTV.

Regina Spektor performing in Brighton on October 26, 2006.

On March 8, 2007, Spektor appeared on the British ITV network's Loose Women, promoting and performing "Fidelity" live, and on April 20, 2007, she performed on the Late Show with David Letterman. On Saturday, April 28, 2007, she appeared at the Coachella Valley Music and Arts Festival. On Friday, May 18, 2007, she appeared on BBC1's Friday Night with Jonathan Ross. On June 16, 2007, she performed at the Bonnaroo Music Festival and later performed at the 2007 Lollapalooza on August 4, 2007 and Virgin Festival on August 5, 2007 in Baltimore, Maryland. On September 16, 2007, she performed at the Austin City Limits Music Festival and recorded a set for the Austin City Limits TV show the following day. She performed acoustic at the Bridge School Benefit at Shoreline Amphitheatre on October 27 and October 28, 2007.

On November 14, 2007, at her concert at Ryman Auditorium, in Nashville, it was announced that Spektor collapsed during the sound check and was taken to a local emergency room. According to the statement given to the audience, Spektor was fine, but doctors said that she could not perform that night. It was later reported that the cause of the collapse was an inner ear infection which caused intense vertigo. The show was initially rescheduled for December 6, 2007,^[28] but the date was once again rescheduled, and the concert finally occurred on February 29, 2008.^[29] After her initial collapse in Nashville, she was able to perform in concerts at Mountain Stage on November 18, 2007,^{[30][citation needed]} and at Duke University on November 19, 2007.^[31]

In conjunction with the release of her 2009 album Far, Spektor was headlining at Serpentine Sessions, a series of concerts London's Hyde Park on June 29, 2009. Other European performances in 2009 include Glastonbury Festival, Hultsfred Festival, Oxegen 2009, T in the Park, Paradiso (Amsterdam), Latitude Festival, and Rock Werchter. Spektor has invited Brooklyn-based rock band Jupiter One to open concerts on her 2009 North American tour. As a part of that tour, on October 14, 2009 Spektor headlined a concert at the Radio City Music Hall in NYC.

On July 7, 2010, Regina performed at the Montreux Jazz Festival in Montreux, Switzerland.^[32] Her cellist, Dan Cho, drowned the day before while swimming in Lake Geneva near the Chillon Castle.^[33][34] She was described as distraught, shaken, and in tears and took several breaks to regain her composure.^[35]

Media coverage[link]

Spektor performing at the Hammerstein Ballroom on October 16, 2007

Regina Spektor performing in the West London Synagogue, February 2007.

Since 2005, Spektor's music has been used in various television programs and commercials. In late 2005 "Us" (from Soviet Kitsch) was used in a commercial as part of the What Do You Want To Watch? series for the United Kingdom's British Sky Broadcasting. The advert features a clip from a documentary on skateboarder Danny Way. In the summer of 2006, a clip from "Us" was used for the teaser website for Microsoft's Zune project at ComingZune.com, as well as for a promotional campaign for MtvU. The same track is used by Dutch telecom company KPN in a commercial. "Somedays" was used in a 2005 episode of CSI: NY and "Samson" was used in a 2006 episode of the same series. "On the Radio" was used in an episode of ABC's Grey's Anatomy. "Field Below" was used in a 2006 episode titled "The Last Word" of CBS's Criminal Minds. "Fidelity" has also been used in an episode of Grey's Anatomy titled "Six Days, Part 2", Veronica Mars titled "Wichita Linebacker", Brothers & Sisters titled "Sexual Politics", during the end credits of Love and Other Drugs, and in the Brazilian telenovela A Favorita. "Better" is currently being used in a commercial for XM Satellite Radio, an episode of "How I Met Your Mother", and the popular film My Sister's Keeper. Her song "Music Box" is currently being used in a commercial for JC Penney. Spektor also sang the title song "Little Boxes" of Showtime's television series Weeds in the episode "Mile Deep and a Foot Wide" (2006) and her "Ghost of Corporate Future" was used both at the beginning and end of the episode.^[36] On January 21, 2007, she was featured on CBS News Sunday Morning.^[11]

Spektor received increased attention in 2006 when her video for "Fidelity" was viewed over 200,000 times in two days on YouTube. On Sirius Radio's Left of Center channel, her single "Fidelity" was voted by listeners as the #1 song of 2006. Towards the end of 2006, VH1 showcased her as part of their "You Oughta Know: Artists on the Rise" featurettes: they played clips from the "Fidelity" music video and showed parts of an interview with Spektor during commercial breaks on the channel.^[37] Spektor's video for "Fidelity" reached #3 on VH1's Top 20 Countdown.^{[citation needed]}

Peter Gabriel recorded a version of "Après Moi" on his 2010 release Scratch My Back.

In Australia, Spektor's music has rapidly gained popularity in mainstream culture primarily due to Begin to Hope being played on the nation-wide radio station Triple J, where it eventually became a feature album. Prior to Begin to Hope, Spektor had only a small following in Australia in comparison to the US and Europe.

Spektor reached #33 on Blender magazine's top 100 of 2006 and was also listed as one of the "Hottest Women of...Rock!".^[38] "Fidelity" was also used in a 2007 television commercial in New Zealand advertising Yahoo!Xtra, a new partnership between Yahoo! and Telecom's Xtra ISP. Also in 2007, the mobile phone company Vodafone used her lyric, "Come into my world..." from the track, "Hotel Song" on Begin to Hope, in an extensive TV advertising campaign in the UK and Ireland.

On October 1, 2007, Spektor's new video for "Better" was released on VH1 and YouTube, where it was viewed more than 100,000 times within the first 24 hours. "Fidelity" was used in the trailer for the film 27 Dresses, released on October 3, 2007.^[39]

Her song "The Call" appeared prominently in The Chronicles of Narnia: Prince Caspian,^[40] as part of the film's finale sequence. Spektor's song "Better" was used in the movie My Sister's Keeper, loosely based on the novel of the same name by Jodi Picoult. A section of "That Time" was featured in the film In Bruges. Additionally, "Us" and "Hero" are both featured on the soundtrack for the film (500) Days of Summer. Spin magazine profiled Spektor in their July 2009 issue, where she discussed her just-released album Far. The story was released in their digital edition that month, as well.^[41] In August 2009, the song "Two Birds" was used in the 2009 Fall Campaign of the Polish TV station TVN. Also Regina's song "Eet" debuted on the show 90210 in April 2010.

On September 16, 2009, it was announced that Spektor would write the music for the musical Beauty, a modern adaptation of the fairy tale Sleeping Beauty, which is set to open during the 2011–12 Broadway season.^[42]

In May 2010, Spektor performed for President Obama and his wife Michelle along with hundreds of other guests at the White House reception in honor of Jewish Heritage Month. She sang "Us" and "The Sword & the Pen", receiving a standing ovation begun by Michelle Obama.

The song "Human of the Year" featured prominently in the trailer and first episode of the 2011 HBO series Enlightened.

The song "All the Rowboats" was featured on The CW's Ringer in March 2012.

The Song "Hotel Song" was featured in the opening of the movie Friends with Kids.

Philanthropy[link]

In 2007, she covered John Lennon's "Real Love" for Instant Karma: The Amnesty International Campaign to Save Darfur. The following year, she participated in Songs for Tibet, an initiative to support the human rights situation in Tibet and the 14th Dalai Lama. The album was issued on August 5, 2008, via iTunes and on August 19 in music stores around the world.^[43] On January 22, 2009, Spektor performed at the third annual Roe On The Rocks gig at the Bowery Ballroom to raise money for Planned Parenthood New York City.^[44] Also, continuing with her support for Tibet, Regina Spektor played for Tibet House's annual concert at Carnegie Hall on February 26, 2010. Less than one month later, on March 23, 2010, Spektor gave a concert at the Fillmore at Irving Plaza in New York City to raise funds for the work of Doctors Without Borders in Haiti. Also, on April 27, she released a cover of Radiohead's song "No Surprises" with all proceeds going to Doctors Without Borders to help the earthquake victims in Haiti and Chile.

Discography[link]

Albums[link]

• 2001: 11:11
• 2002: Songs
• 2004: Soviet Kitsch
• 2006: Begin to Hope
• 2009: Far
• 2012: What We Saw from the Cheap Seats

Singles[link]

Awards[link]

• Begin to Hope – Shortlist Music Prize (nominated)
• Studio8's Female Voice of August 2009 (won)

References[link]