Look up field in Wiktionary, the free dictionary.

Field may refer to:

Expanses of open ground[link]

• Field (agriculture)
• Playing field, used for sports or games
• Lawn, mowed grass field
• Meadow, an untilled field
• Aerodrome, an air field

People[link]

• Field (surname)
• Field Cate, American child actor

Places[link]

• Field, British Columbia, Canada
• Field, Minneapolis, Minnesota, United States
• Field, Ontario, Canada
• Field Island, Nunavut, Canada
• Mount Field (disambiguation)

Science and mathematics[link]

• Field (mathematics), type of algebraic structure
• Field (physics), mathematical construct for analysis of remote effects
• Field (geography), with a definition similar to that of physics but in a different context and using unique models and methods
• Field (computer science), a smaller piece of data from a larger collection (e.g., database fields)
• Field-programmability, an electronic device's capability of being reprogrammed with new logic
• Field of sets, a mathematical structure of sets in an abstract space
• Electric field, term in physics to describe the energy that surrounds electrically charged particles
• Magnetic field, force produced by moving electric charges
• Electromagnetic field, combination of an electric field and magnetic field
• Field winding or field magnet, the stator of an electric motor
• Field of heliostats, an assembly of heliostats acting together

Sociology and politics[link]

• Field (Bourdieu), a sociological term coined by Pierre Bourdieu to describe the system of objective relations constituted by various species of capital
• Field Department, the division of a political campaign tasked with organizing local volunteers and directly contacting voters
• Sexual field, a term that describes systems of objective relations within collective sexual life

Businesses[link]

• Field Enterprises, a defunct private holding company
  • Field Communications, a division of Field Enterprises
• Field Records, a record label

Technical uses[link]

• Field (heraldry), the background of a shield
• Field (video), one half of a frame in an interlaced display
• Field, in flag terminology, the background of a flag

Other[link]

• Field of study, a branch of knowledge
• Field of view, the area of a view imaged by a lens
• Field of use, the subject matter of a patent license limited to some but not all uses of the invention
• Visual field, the part of the field of view which can be perceived by the eye's retina
• Depth of field, in photography, the distance in front of and beyond the subject that appears to be in focus
• Field Museum of Natural History, in Chicago
• FIELD (magazine), a literary magazine published by Oberlin College in Oberlin, Ohio
• Field (sculpture), by Anthony Gormley

See also[link]

• All pages beginning with "Field"
• All pages with titles containing "Field"
• Fields (disambiguation)
• The Field (disambiguation)
• Fielding (disambiguation)
• Feild, surname
• Feld, surname

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The field of view (also field of vision, abbreviated FOV) is the extent of the observable world that is seen at any given moment.

Different animals have different fields of view, depending on the placement of the eyes. Humans have an almost 180-degree forward-facing horizontal field of view, while some birds have a complete or nearly complete 360-degree field of view. In addition, the vertical range of the field of view in humans is typically around 100 degrees.

The range of visual abilities is not uniform across a field of view, and varies from animal to animal. For example, binocular vision, which is important for depth perception, only covers 120 degrees (horizontally) of the field of vision in humans^{[citation needed]}; the remaining peripheral 60 degrees have no binocular vision (because of the lack of overlap in the images from either eye for those parts of the field of view). Some birds have a scant 10 or 20 degrees of binocular vision.

Similarly, color vision and the ability to perceive shape and motion vary across the field of view; in humans the former is concentrated in the center of the visual field, while the latter tends to be much stronger in the periphery. This is due to the much higher concentration of color-sensitive cone cells in the fovea, the central region of the retina, in comparison to the higher concentration of motion-sensitive rod cells in the periphery. Since cone cells require considerably brighter light sources to be activated, the result of this distribution is that peripheral vision is much stronger at night relative to binocular vision.

Conversions[link]

Many optical instruments, particularly binoculars or spotting scopes, are advertised with their field of view specified in one of two ways: angular field of view, and linear field of view. Angular field of view is typically specified in degrees, while linear field of view is a ratio of lengths. For example, binoculars with a 5.8 degree (angular) field of view might be advertised as having a (linear) field of view of 305 ft per 1000 yd or 102 mm per meter. As long as the FOV is less than about 10 degrees or so, the following approximation formulas allow one to convert between linear and angular field of view. Let Failed to parse (Missing texvc executable; please see math/README to configure.): A

be the angular field of view in degrees.  Let Failed to parse (Missing texvc executable; please see math/README to configure.): L
be the linear field of view in feet per 1000 yd.  Let Failed to parse (Missing texvc executable; please see math/README to configure.): M
be the linear field of view in millimeters per meter.  Then, using the small-angle approximation:

Failed to parse (Missing texvc executable; please see math/README to configure.): A \approx {360^{\circ}\over 2 \pi} \cdot {L\over 3000 } \approx 0.0191 \times L

Failed to parse (Missing texvc executable; please see math/README to configure.): A \approx {360^{\circ}\over 2 \pi} \cdot {M\over 1000 } \approx 0.0573 \times M

Failed to parse (Missing texvc executable; please see math/README to configure.): L \approx {2 \pi \cdot 3000 \over 360^{\circ}} \cdot A \approx 52.36 \times A

Failed to parse (Missing texvc executable; please see math/README to configure.): M \approx {2 \pi \cdot 1000 \over 360^{\circ}} \cdot A \approx 17.45 \times A

Machine vision[link]

In machine vision the lens focal length sets up the fixed relationship between the field of view and the working distance. Field of view is the area of the inspection captured on the camera’s imager. The size of the field of view and the size of the camera’s imager directly affect the image resolution (one determining factor in accuracy). Working distance is the distance between the back of the lens and the target object.

Astronomy[link]

In astronomy the field of view is usually expressed as an angular area viewed by the instrument, in square degrees, or for higher magnification instruments, in square arc-minutes. For reference the Wide Field Channel on the Advanced Camera for Surveys on the Hubble Space Telescope has a field of view of 10 sq. arc-minutes, and the High Resolution Channel of the same instrument has a field of view of 0.15 sq. arc-minutes. Ground based survey telescopes have much wider fields of view. The photographic plates used by the UK Schmidt Telescope had a field of view of 30 sq. degrees. The 1.8 m (71 in) Pan-STARRS telescope, with the most advanced digital camera to date has a field of view of 7 sq. degrees. In the near infra-red WFCAM on UKIRT has a field of view of 0.2 sq. degrees and the forthcoming VISTA telescope will have a field of view of 0.6 sq. degrees. Until recently digital cameras could only cover a small field of view compared to photographic plates, although they beat photographic plates in quantum efficiency, linearity and dynamic range, as well as being much easier to process.

Photography[link]

In photography, the field of view is that part of the world that is visible through the camera at a particular position and orientation in space; objects outside the FOV when the picture is taken are not recorded in the photograph. It is most often expressed as the angular size of the view cone, as an angle of view.

Video games[link]

The field of view in video games refers to the part you see of a game world, which is dependent on the scaling method used.

See also[link]

• Perimetry
• Peripheral vision
• Visual perception
• Useful field of view

References[link]

Field Mob is an American Hip-Hop group from Albany, Georgia composed of artists Shawn Timothy Johnson and Darion Crawford better known by their stage names Shawn Jay and Smoke respectively. Field Mob is signed to T-Pain's label Nappy Boy Entertainment.

Biography[link]

Formation[link]

Darion and Shawn grew up on the outskirts of Albany, Georgia a few blocks from each other in a relatively poor neighborhood locally known as "The Field" because of its semi-rural location as compared to the city's public housing.^[1] As teenagers attending Monroe Comprehensive High School, Darion observed Shawn and a group of friends holding rap freestyle battles in the schools courtyard, with Shawn being the "reigning champion." Darion decided to challenge Shawn on the idea that "he was just as good" and won. For four weeks afterward, the informal competition continued daily, with the victor alternating between himself and Shawn, and attracting the attention of many other students who came to spectate. Eventually, Shawn offered to form a rap group with Darion, and Field Mob was born.^[2]

According to Smoke and Shawn Jay, the origins of the duo's name are twofold. Field is a reference not only to the neighborhood where they grew up, but also an allusion to a slang term for the southern United States. Mob signifies the strength the duo represents- "We’re two people but together we make an army. We’re making a strong statement with two people. We’re a two man army.”^[1]

MCA[link]

Late in 1999, after floundering for sometime in the local music scene, Field Mob was signed to Southern House Records, a small independent label, recording the single Project Dreamz. The group then set out on the road to promote their new release during a time when the southern hip hop scene was on the rise. The single eventually drew the attention of MCA Records Benny Pugh and within days Field Mob inked a deal, making them the first southern hip hop act to be signed to a New York based label.^[1]

613: Ashy to Classy[link]

December 2000 saw the release of Field Mob's debut 613: Ashy to Classy. Introduced to much critical acclaim and hailed by some hip hop press outlets, most notably The Source, as one of the best albums of 2001, it reached #35 on the Top R&B/Hip Hop Albums.^[3] Following their debut success, the duo's collaboration was sought after by several well-known regional artists, including Trick Daddy and Big Boi of Outkast, lending further public exposure and notoriety.^[2]

From tha Roota to tha Toota[link]

In October 2002, the group's second album From tha Roota to tha Toota was released. While some reviews were mixed, the album sold well, becoming certified gold and garnering the group their second largest hit to date (as of 9/07) with the Jazze Pha produced single "Sick of Being Lonely." (released July 3, 2003).^[2][3]

Disturbing tha Peace[link]

As Field Mob's career seemed to be accelerating, Universal Music Group, MCA Records parent, began to phase out the label in the spring of 2003, with the former company's rock, pop, and urban catalogs absorbed into Geffen Records. This action left the future of the duo's contract and any subsequent album releases in doubt. It appeared that Field Mob and their deep south influence may fade from the hip hop scene at large.^[4]

However, the situation came to the attention of Disturbing tha Peace CEO Ludacris, who saw untapped potential in the young rappers. After negotiations, which involved relieving them of their old MCA contract, the group was signed to Disturbing tha Peace in August 2005, shortly thereafter appearing on Ludacris Presents: Disturbing tha Peace, a collaboration album showcasing the label's new artists. The duo's track Georgia featuring Ludacris and Jamie Foxx became an instant underground hit and the albums top selling single, eventually reaching #39 on the US Billboard 200 and setting the tone for their third album.^[4][5]

Light Poles and Pine Trees[link]

After a postponed 2005 release date, Light Poles and Pine Trees dropped in June 2006 to high acclaim and much fanfare, owing at least partly from an extensive promotional campaign by Disturbing tha Peace and multiple radio promo tracks. This album garnered the pair their biggest hit^[6] with its first official single, So What, featuring Ciara and coincidentally also produced by Jazze Pha. This release reached #7 on the US Billboard 200 and #2 on Top R&B/Hip Hop Albums.^[3][5]

The groups increased success since signing with Disturbing tha Peace was largely been attributed to better promotion by their new label and, most importantly, the artistic freedom that the group has been allowed in their new home. Darian related this sentiment in an interview for SOHH.com:

"I went free with my creativity [at DTP, unlike when] I was over at MCA, aka rape you records. Ludacris let me say what I wanna say. If I wanna say f**k..., he's cool with it cause he trusts my creativity. I never knew our CEO at MCA Records. I never got to talk to him.... [Ludacris and I] are friends more than business partners, I'd like to say."^[4]

After DTP[link]

The group eventually left Disturbing tha Peace Records when, late 2011, Shawn Jay felt disrespected by a song Ludacris produced for his mixtape 1.21 Gigawatts: Back To The First Time which spawned a dispute between the two former label mates.

Controversy[link]

In April 2006 a controversial video leaked on the internet appeared to feature Smoke and Shawn Jay disrespecting New York hip hop artists and challenging the likes of Jay-Z and Nas to rap battles. This video turned out to have been filmed and produced by a Disturbing tha Peace cameraman who had subsequently been terminated by the label. In attempt to slander Field Mob, he had edited various pieces of footage together, bringing them totally out of context. The most inflammatory footage, of the pair poking fun at New York slang, was confirmed by Smoke to be a friendly joke toward Disturbing tha Peace co-CEO's, executives, and Harlem natives Chaka Zulu and his brother Jeff Dixon. Furthermore, though the footage was edited to cast a negative light, Smoke points out that "[New York artists] do [Southern artists] like that all the time, but nobody says nothing about it..."^[4]

Solo projects[link]

As of spring 2008 Smoke has signed a record deal with the Phoenix Arizona based indie label Mpire Records, under the Chevy P moniker. A new album, Caprice Classics , was scheduled for release in 2009 but has since been shelved. The music video for this album's pre-release single, "So Lonely" produced by Scott Storch, however did receive heavy rotation on BET as well as being featured on several video sharing and hip hop websites.^[7]

Shawn Jay has entered into a solo contract with parent company Universal Music Group.

Discography[link]

Albums[link]

Singles[link]

Featured appearances[link]

• 2001: "Jazzy Hoes Part 2" Jermaine Dupri - Instructions
• 2005: "Georgia" collaboration - Ludacris Presents: Disturbing tha Peace
• 2006: "Damn" Shawnna - Block Music
• 2006: "Ultimate Satisfaction" Ludacris - Release Therapy

References[link]

External links[link]

• Official site
• Label Website
• Official Myspace

Sally Field
Field at the 62nd Academy Awards ceremony, 1990
Born	Sally Margaret Field (1946-11-06) November 6, 1946 (age 65) Pasadena, California, U.S
Occupation	Actress, singer, producer, director, screenwriter
Years active	1962–present
Spouse	Steve Craig (1968–1975) Alan Greisman (1984–1993)

Sally Margaret Field (born November 6, 1946) is an American actress, singer, producer, director, and screenwriter. In each decade of her career, she has been known for major roles in American TV/film culture, including: in the 1960s, for Gidget (1965–66) or Sister Bertrille on The Flying Nun (1967–70); in the 1970s, for Sybil (1976), Smokey and the Bandit (1977) and Norma Rae (1979); in the 1980s, for Absence of Malice (1981), Places in the Heart (1984) and Steel Magnolias (1989); in the 1990s, for Not Without My Daughter (1991), Mrs. Doubtfire (1993), Forrest Gump (1994) and Eye for an Eye (1996); and in the 2000s, on the TV shows ER and Brothers & Sisters (2006–11). She has also performed in numerous other roles.

Field won the Academy Award for Best Actress in a leading role on two occasions, Norma Rae (1979) and Places in the Heart (1984). Field's professional achievements also include winning three Emmy Awards: for her role in the TV film Sybil (1976); her guest-starring role on ER in 2000; and for her starring role as Nora Holden Walker on ABC's series Brothers & Sisters in 2007. She has also won two Golden Globes and the Screen Actors Guild Award for Best Actress. She also won the Best Female Performance Prize at the Cannes Film Festival, for Norma Rae (1979).

Early life[link]

Sally Field was born in Pasadena, California, daughter of Richard Dryden Field, an Army officer, and his wife, actress Margaret Field.^[1] Her parents divorced in 1950, and her mother later married actor and stuntman Jock Mahoney.

Field attended Portola Middle School, followed by Birmingham High School in Van Nuys, where she was a cheerleader. Her classmates included infamous financier Michael Milken, actress Cindy Williams (of Laverne & Shirley fame) and Michael Ovitz of Creative Artists Agency (CAA) and Walt Disney Studios fame.

Career[link]

Television[link]

Field got her start on television as the boy-crazy surfer girl in the mid-1960s surf culture sitcom series, Gidget. She went on to star as Sister Bertrille in The Flying Nun. In an interview included on the DVD release of The Flying Nun, she said that she would have preferred to continue playing Gidget. Field hated being on The Flying Nun because she wasn't treated with respect. After her iconic role on The Flying Nun, she had become typecast. Later, she starred opposite John Davidson in a short-lived series called The Girl with Something Extra (1973–74).

In 1971, Field starred in Maybe I'll Come Home in the Spring with David Carradine and a soundtrack by Linda Ronstadt. She played the role of a discouraged teen runaway who returned home after a year on the road with a bearded drug-abusing hippie named "Flack" (David Carradine).

She made several guest appearances, including a recurring role on the western comedy Alias Smith and Jones, starring Pete Duel (with whom she had worked on Gidget) and Ben Murphy, plus the Rod Serling's Night Gallery episode "Whisper".

Field in 1970s.

Having played mostly comedic characters on television, Field had a difficult time being cast in dramatic roles.^{[citation needed]} She studied with famed acting teacher Lee Strasberg, who had previously helped Marilyn Monroe go beyond the "bimbo" roles with which her career had begun.

Soon afterward, Field landed the title role in the 1976 TV film Sybil, the first of two films based on the book written by Flora Rheta Schreiber. Field's dramatic portrayal of Sybil, a young woman afflicted with Dissociative Identity Disorder, previously known as multiple personality disorder, in the TV film not only garnered her an Emmy Award^[2] (in 1977) but also enabled her to break through the typecasting she had experienced from her television sitcom roles.

Music[link]

While starring on The Flying Nun, Sally tried her hand at singing. Sally Field sang on the Soundtrack for The Flying Nun in 1967 and she even sang The Flying Nun theme song "Who Needs Wings to Fly". The same year, she cracked the Billboard Hot 100 with one single, Felicidad. Sally revived her singing career in 2008 when she sang on the soundtrack for "The Little Mermaid: Ariel's Beginning".

Film[link]

Field had made her film debut in 1962 with a small part in Moon Pilot. Her first major film role was in The Way West (1967). In 1977, she co-starred with Burt Reynolds, Jackie Gleason and Jerry Reed in that year's #2 grossing film, Smokey and the Bandit.^[3] In 1979, she played a union organizer in Norma Rae, a successful film that established her status as a dramatic actress. Vincent Canby, in his review of the film for the New York Times, wrote: "Norma Rae is a seriously concerned contemporary drama, illuminated by some very good performances and one, Miss Field's, that is spectacular."^[4] She won the Best Female Performance Prize at the Cannes Film Festival and the Academy Award for Best Actress.

Field did three more of Reynolds' films (The End, Hooper and Smokey and the Bandit II). In 1981, Field continued to change her image, playing a foul-mouthed prostitute opposite Tommy Lee Jones in the South-set film Back Roads, which received middling reviews and grossed $11 million at the box office. She won Golden Globe nominations for the 1981 drama Absence of Malice and 1982 comedy Kiss Me Goodbye.

Then came a second Oscar for her starring role in the 1984 drama Places in the Heart. Field's gushing acceptance speech is well remembered for its earnestness. She said, "I haven't had an orthodox career, and I've wanted more than anything to have your respect. The first time I didn't feel it, but this time I feel it, and I can't deny the fact that you like me, right now, you like me!"^[5] The line ending in "...I can't deny the fact that you like me, right now, you like me!" is often misquoted as simply, "You like me, you really like me!" which has subsequently been the subject of many parodies. (Field parodied the line herself in a commercial.^{[citation needed]}) The phrase, "You like me" was originally from her wry, understated, famous reply in the film Norma Rae, but many people^{[citation needed]} totally missed the subtle connection in her acceptance speeches, with that point in the film.

The following year, she co-starred with James Garner in the romantic comedy Murphy's Romance. In A&E's biography of Garner, she cited her on-screen kiss with Garner as the best cinematic kiss she had ever had.

Field appeared on the cover of the March 1986 issue of Playboy magazine, in which she was the interview subject. She did not appear as a pictorial subject inside the magazine, although she did wear the classic leotard and bunny-ears outfit on the cover. That same year she was awarded the Women in Film Crystal Award.^[6]

For her role as the matriarch, M'Lynn, in the film version of Steel Magnolias (1989), she was nominated for a Golden Globe Award for Best Actress. She had supporting roles in a number of other movies, including Mrs. Doubtfire (1993) in which she played Miranda Hillard, the wife of Robin Williams's character and the love interest of Pierce Brosnan's character Stuart 'Stu' Dunmyer. She followed this with the role of Forrest Gump's mother in Forrest Gump (1994), even though she is only 10 years older than Tom Hanks, with whom she had co-starred six years earlier in Punchline.

Her other films in the 1990s included Not Without My Daughter, a controversial suspense film, and Soapdish, a comedy in which Field, playing Celeste Talbert, the pampered star of a television soap opera, heads an all-star cast including Kevin Kline, Whoopi Goldberg, Elisabeth Shue and Robert Downey, Jr. In 1996, Field was awarded with the Berlinale Camera award at the 46th Berlin International Film Festival for her role as a grieving vigilante mother in Eye for an Eye for director John Schlesinger.^[7] She played Natalie Portman's mother in Where the Heart Is (2000) and appeared opposite Reese Witherspoon in Legally Blonde 2: Red, White & Blonde (2003).

Recent roles[link]

In November 2009, Sally appeared on an episode of The Doctors to talk about osteoporosis and her Rally With Sally Foundation.

On television, Field had a recurring role on ER in the 2000-01 season as Dr. Abby Lockhart's mother Maggie who suffers from bipolar disorder, a role for which she won an Emmy Award in 2001. After her critically acclaimed stint on the show, she returned to the role in 2003 and 2006. She also starred in the very short-lived 2002 series The Court.

Field's directorial career began with the television film The Christmas Tree (1996). In 1998, she directed the episode The Original Wives' Club of the critically acclaimed TV mini-series From the Earth to the Moon, also portryaing a minor role as Trudy, the wife of astronaut Gordon Cooper. In 2000, she directed the feature film Beautiful.

Field was a late addition to the ABC drama Brothers & Sisters, which debuted in September 2006. In the show's pilot, the role of matriarch Nora Walker had been played by actress Betty Buckley. However, the producers of the show decided to take the character of Nora in another direction, and Field was cast in the role. She won the 2007 Emmy Award for Outstanding Lead Actress in a Drama Series in her role as Nora Walker. The blockbuster soap also stars familiar actresses such as Calista Flockhart and Rachel Griffiths, in the roles of Nora's adult daughters, Kitty Walker and Sarah Walker, respectively, as well as unfamiliar actors, such as Welsh film actor Matthew Rhys tackling the very American role of Nora's son, Kevin Walker, and Dave Annable as Nora's youngest son, Justin Walker.

Field recently had a voice role as Marina del Rey, the primary antagonist in Disney's The Little Mermaid: Ariel's Beginning, which was released in August 2008.

Currently, Field can be seen on television as the compensated spokesperson for Roche Laboratories' postmenopausal osteoporosis treatment medication, Boniva.

She has been cast to portray Aunt May in the upcoming Marvel Comics film The Amazing Spider-Man and Mary Todd Lincoln in Steven Spielberg's upcoming film Lincoln, written by Tony Kushner.

Activism[link]

During her 2007 acceptance speech for her 2006-07 Emmy Award for Outstanding Lead Actress in a Drama Series, Field made an anti-war statement: "If the mothers ruled the world, there would be no goddamn wars in the first place!"^[8] Though the crowd present at the Emmy Awards heard it, viewers watching the telecast in the United States only heard "if mothers ruled the world there would be no ... ," due to the censoring of the rest of the statement (in the rest of the world, her remark was not bleeped). In the 2008 presidential election, she supported Hillary Clinton in her bid for the Democratic Party nomination.

Field is also a dedicated advocate for women's rights. She currently serves on the Board of Directors of Vital Voices Global Partnership, an international women's NGO, and has co-hosted the Global Leadership Awards six times.^[9]

Personal life[link]

Field married Steven Craig in 1968. The couple had two sons, Peter Craig, a novelist, and Eli Craig, an actor and director. They divorced in 1975. Sally Field was romantically involved with Burt Reynolds for many years, during which time they co-starred in several movies, including Smokey and the Bandit, Smokey and the Bandit II, and The End. In 1984, she married film producer Alan Greisman. They had one son, Sam. Field and Greisman divorced in 1993.

On October 29, 1988, she and her family survived a crash after their charter plane lost power on takeoff. They all survived with minor injuries.^[10]

Field suffers from osteoporosis and has become a vocal advocate for women's health issues, encouraging early diagnosis of such conditions through technology such as bone density scans.^[11]

Filmography[link]

Film[link]

Television[link]

Discography[link]

Singles[link]

• "Felicidad" (Billboard Hot 100 #94) / "Find Yourself A Rainbow" -- Colgems (1967)
• "Golden Days" / "You're a Grand Old Flag" -- Colgems (1968)
• "Gonna Build A Mountain" / "Months of The Year" -- Colgems (1968)
• "Just One Mistake" -- Walt Disney Records (2008)
• "Just One Mistake (Reprise)" -- Walt Disney Records (2008)

References[link]

External links[link]

Wikimedia Commons has media related to: Sally Field

Wikiquote has a collection of quotations related to: Sally Field

• Sally Field at the Internet Movie Database
• Sally Field at the TCM Movie Database
• Sally Field at AllRovi
• Two Weeks movie site
• Sally Field at Emmys.com
• Actress Sally Field On Hollywood, Family and Aging, an NPR Interview, June 3, 2009 (streaming audio)