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Manusmṛti (written also as Manusmriti or Manusmruti) (Sanskrit: मनुस्मृति), also known as Mānava-Dharmaśāstra (Sanskrit: मानवधर्मशास्त्र), is the most important and earliest metrical work of the Dharmaśāstra textual tradition of Hinduism.^[1] Generally known in English as the Laws of Manu, it was first translated into English in 1794 by Sir William Jones, an English Orientalist and judge of the British Supreme Court of Judicature in Calcutta.^[2] The text presents itself as a discourse given by Manu, the progenitor of mankind to a group of seers, or rishis, who beseech him to tell them the "law of all the social classes" (1.2). Manu became the standard point of reference for all future Dharmaśāstras that followed it.^[3]

According to Hindu tradition, the Manusmriti records the words of Brahma.^[4] By attributing the words to supernatural forces, the text takes on an authoritative tone as a statement on Dharma, in opposition to previous texts in the field, which were more scholarly.^[5]

Date and context[link]

The text shows the obvious influence of previous Dharmasutras and Arthasastric work. In particular, the Manu Smriti was the first to adopt the term vyavaharapadas. These eighteen Titles of Law or Grounds for Litigation make up more than one fifth of the work and deal primarily with matters of the king, state, and judicial procedure.^[5] Though most scholars had previously considered the text a composite put together over a long period of time, Olivelle has recently argued that the complex and consistent structure of the text suggests a single author. However, no details of this eponymous author's life are known, though it is likely that he belonged to a conservative Brahmin caste somewhere in Northern India.^[3]

A range of historical opinion generally dates composition of the text any time between 200 BCE and 200 CE.^[6] After the breakdown of the Maurya and Shunga empires, there was a period of uncertainty that led to renewed interest in traditional social norms.^[7] In Thapar's view, "The severity of the Dharma-shastras was doubtless a commentary arising from the insecurity of the orthodox in an age of flux."^[8]

The dharma class of texts were noteworthy also because they did not depend on the authority of particular Vedic schools, becoming the starting point of an independent tradition that emphasized dharma itself and not its Vedic origins.^[9]

Structure[link]

The original treatise consisted of one thousand chapters of law, polity, and pleasure given by Brahmā. His son, Manu, learns these lessons and proceeds to teach his own students, including Bhrigu. Bhrigu then relays this information in the Manu Smriti, to an audience of his own pupils.^[10]

This original narrative was subdivided later into twelve chapters. There is debate over the effects of this division on the underlying, holistic manner in which the original treatise was written.^[11] The book is written in simple verse as opposed to the metrical verse of the preceding dharmasutras. Manu also introduced a unique "transitional verse" which segued the end of one subject and the beginning of the next.

The treatise is written with a frame story, in which a dialogue takes place between Manu's disciple, Bhrigu, and an audience of his own students. The story begins with Manu himself detailing the creation of the world and the society within it, structured around four social classes. Bhrigu takes over for the remainder of the work, teaching the details of the rest of Manu's teachings. The audience reappears twice more, asking first about how Brahmins can be subjected to death, and second to ask the effects of action.^[12]

Table of Contents[link]

This Table of Contents comes from Olivelle's translation of the Manu Smriti and provides the transitional verses between each subject:^[13]

1. Origin of the World (1.1–119)[link]

There are no transitional verses for this section

2. Sources of the Law (2.1–24)[link]

"I have described to you above succinctly the source of the Law, as also the origin of this whole world. Learn now the Laws of the social classes." (2.25)

3. Dharma of the Four Social Classes (2.25–11.266)[link]

• 3.1 Rules Relating to Law (2.25–10.131)

• 3.1.1 Rules of Action in Normal Times (2.26–9.336)

• 3.1.1.1 Fourfold Dharma of a Brahmin (2.26–6.97)

"I have explained to you above the fourfold Law of Brahmins, a Law that is holy and brings imperishable rewards after death. Listen now to the Law of kings." (6.97)

• 3.1.1.2 Rules of Action for a King (7.1–9.325)

"I have described above in its entirety the eternal rules of action for the king. What follows, one should understand, are the rules of action for the Vaiśyas and Śūdras in their proper order." (9.325)

• 3.1.1.3 Rules of Action for Vaiśyas and Śūdras (9.325-36)

"I have described above the splendid rules of action for the social classes outside times of adversity. Listen now to the rules for them in the proper order for times of adversity." (9.336)

• 3.1.2 Rules of Action in Times of Adversity (10.1–129)

"I have described above the entire set of rules pertaining to the Law of the four classes. Next, I will explain the splendid rules pertaining to penance." (10.131)

• 3.2 Rules Relating to Penance (11.1–265)

"You have described this Law for the four classes in its entirety, O Sinless One! Teach us accurately the ultimate consummation of the fruits of actions." (12.1)

Nature and Purpose[link]

The Manu Smriti is written with a focus on the "shoulds" of dharma rather than on the actuality of everyday practice in India at the time. Still, its practical application should not be underestimated. Through intermediate forces, such as the instruction of scholars, the teachings did indeed have indirect effects on major segments of the Indian population. It is also an invaluable point of common reference in scholarly debates.^[14]

It seems likely that the book was written in a manner which was very mindful of the dangers facing the Brahmin community during a time of much change and social upheaval. A renewed alliance between the Brahmin and Kṣatra communities is clearly a goal reflected in the introduction of the vyavahārapadas.^[15] The emphasis which this topic receives can be seen as an offering of solidarity from the religious community to the ruling class.

Commentaries on Manu[link]

There have been numerous commentaries written on the Manu Smṛti. Some of the major commentaries are listed below:

Bhāruci[link]

Bhāruci is the oldest known commentator on the Manu Smṛti. Kane places him in the late 10th or early 11th century,^[16] Olivelle places him in the 8th century,^[17] and Derrett places him between 600–650 CE.^[17] From these three opinions we can place Bhāruci anywhere from the early 7th century CE to the early 11th century CE. The surviving portion of Bhāruci's commentary that we have today deals mostly with the duties of the king and whether or not the king can be a source of dharma.

Medhātithi[link]

Medhātithi is one of the most famous commentators on the Manu Smṛti, and there is some debate regarding the location in which he was writing, but scholars such as Buhler, Kane, and Lingat tend to believe he was from Kashmir or the area around Kashmir. The exact date that Medhātithi was writing is also unclear, and he has been placed anywhere between 820CE and 1050CE.^[18]

Economic ideas[link]

The economic ideas found in Manusmriti have been traced by Ratan Lal Basu.^[19]

Views and criticism[link]

The work is considered an important source for sociological, political and historical studies. Manu Smriti is one of the most heavily criticized of the scriptures of Hinduism, having been attacked by colonial scholars, modern liberals, Hindu reformists, Dalit advocates, feminists,^[20] Marxists and certain groups of traditional Hindus, namely Smartas^{[citation needed]}. Much of its criticism stems from its unknown authority, as some believe the text to be authoritative. There is also debate over whether the text has suffered from later interpolations of verses.

The Manu Smriti was one of the first Sanskrit texts studied by the British. It was first translated into English by the founder of indology, Sir William Jones. His version was published in 1794.^[21] British administrative requirements encouraged their interest in the Dharmashastras, which they believed to be legal codes. In fact, these were not codes of law but norms related to social obligations and ritual requirements.^[22] According to Avari:

The text was never universally followed or acclaimed by the vast majority of Indians in their history; it came to the world's attention through a late eighteenth-century translation by Sir William Jones, who mistakenly exaggerated both its antiquity and its importance. Today many of its ideas are popularised as the golden norm of classical Hindu law by Hindu universalists. They are, however, anathema to modern thinkers and particularly feminists.^[23]

The "Law of Manu" was cited favorably by the German philosopher Friedrich Nietzsche, who deemed it "an incomparably spiritual and superior work" to the Christian Bible. He observed that "the sun shines on the whole book" and attributed its ethical perspective to "the noble classes, the philosophers and warriors, [who] stand above the mass."^[24] However, he also criticized it for its abusive treatment of the chandala, claiming that "this organization too found it necessary to be terrible."^[25]

The law in Manu Smriti also appears to be overtly positive towards the Brahmin (priest) caste in terms of concessions made in fines and punishments. The stance of the Manu Smriti about women has also been debated. While certain verses such as (III – 55, 56, 57, 59, 62) glorify the position of women, other verses (IX – 3, 17) seem to attack the position and freedom women have. The education of women is also discussed in the text. Certain interpretations of Verse (IX – 18) claim that it discourages women from reading Vedic scriptures. Verse (II – 240), however, allows women to read Vedic scriptures. Similar contradictory phrases are encountered in relation to child marriage in verses (IX – 94) and (IX – 90).

In his book Revolution and Counter-Revolution in India, Dalit leader B. R. Ambedkar asserted that Manu Smriti was written by a sage named Brigu during the times of Pushyamitra of Sangha in connection with social pressures caused by the rise of Buddhism.^[26] However, historian Romila Thapar considers these claims to be exaggerations. She writes that archaeological evidence casts doubt on the claims of Buddhist persecution by Pushyamitra.^[27] Support of the Buddhist faith by the Sungas at some point is suggested by an epigraph on the gateway of Bharhut, which mentions its erection "during the supremacy of the Sungas"^[28] Hinduism does not evangelize.^[29]

However, not all Hindus agree with the criticisms of the text, or the assertion that the Manu Smriti is not authoritative. Some prominent Hindu figures, such as Swami Dayananda Saraswati^[30] and A.C. Bhaktivedanta Swami,^[31] hold the text to be authentic and authoritative. Other admirers of the text have included Annie Besant, P.D. Ouspensky, Pandurang Shastri Athavale and Sarvepalli Radhakrishnan. Friedrich Nietzsche is noted to have said "Close the Bible and open the Manu Smriti. "It has an affirmation of life, a triumphing agreeable sensation in life and that to draw up a lawbook such as Manu means to permit oneself to get the upper hand, to become perfection, to be ambitious of the highest art of living"^[32] Contra Nietzsche, Nipissing University philosophy professor W.A. Borody has coined the phrase "sublimation-transmogrification logic" to describe the underlying 'state of mind' lying behind the ethical teaching of the Manu Smrti—a 'state of mind' that would have found Nietzsche's concept of the Dionysian Übermensch abhorrent, and a 'state of mind' or 'voice' that has always been radically contested within India's various philosophical and religious traditions.^[33]

Notes[link]

References[link]

• Translation by G. Bühler (1886). Sacred Books of the East: The Laws of Manus (Vol. XXV). Oxford.  Available online as The Laws of Manu
• Flood, Gavin (1996). An Introduction to Hinduism. Cambridge: Cambridge University Press. ISBN 0-521-43878-0. 
• Hopkins, Thomas J. (1971). The Hindu Religious Tradition. Belmont, California: Wadsworth Publishing Company. 
• Keay, John (2000). India: A History. New York: Grove Press. ISBN 0-8021-3797-0. 
• Kulke, Hermann; Rothermund, Dietmar (1986). A History of India. New York: Barnes & Noble. ISBN 0-88029-577-5. 
• Olivelle, Patrick (2005). Manu's Code of Law: A Critical Edition and Translation of the Mānava-Dharmaśāstra. Oxford: Oxford University Press. ISBN 0-195-17146-2. 
• Olivelle, Patrick (2004). The Law Code of Manu. New York: OUP. ISBN 0192802712. http://books.google.com/books?id=RGPSEuNsPLEC. 
• Olivelle, Patrick (to be published). "Dharmasastra: A Literary History". In Lubin, Timothy; Krishnan, Jayanth; and Davis, Jr., Donald R.. Law and Hinduism: An Introduction. Cambridge University Press. 
• Thapar, Romila (2002). Early India: From the Origins to AD 1300. Berkeley, California: University of California Press. ISBN 0-520-24225-4. 
•  "The Laws of Manu". Catholic Encyclopedia. New York: Robert Appleton Company. 1913. 

Deva Premal, mantra singer, from October 2006

Deva Premal (born in 1970 in Nürnberg, Germany) is a musician known for her meditative spiritual New Age music which puts ancient Sanskrit mantras into atmospheric contemporary settings.

Deva met her partner in life and music, Miten, at the Osho Ashram in Pune, India in 1990, and they have been touring together since 1992, offering concerts and chant workshops worldwide.^[1]

Best known for her top-selling chant CDs,^[2] Deva is a classically trained musician who grew up singing mantras in a German home permeated with Eastern spirituality. Her albums have topped the New Age charts throughout the world since her first release, The Essence, featuring the Gayatri Mantra. Deva & Miten's record company, Prabhu Music, reports sales of over 900,000 albums.

Deva began her journey with mantra in her mother's womb, as her father chanted the Gayatri Mantra, one of the most sacred mantras of Hinduism, to her daily, and it continued to be her bedtime lullaby after she was born. Many years later, she heard a friend singing the Gayatri and was inspired to put together an album featuring it. She and Miten recorded The Essence in her mother's apartment in Germany, the same one in which she was born and where her parents had sung the Gayatri Mantra to her years before.^[3]

Deva brought this journey with the Gayatri Mantra full circle in July, 2005, when she and Miten chanted the Gayatri for her father as he was dying: "We kept singing for what must have been over half an hour, when suddenly the monitor showed that he was about to leave. I continued to sing and the last sound he heard as he passed on was his beloved Gayatri Mantra. Finally we ended with the mantra Om and the circle was complete. He had welcomed me onto this planet with the Gayatri and I accompanied him out of this physical existence with it. What a blessing this was for me! It was the first time that I was present at a death, and to be at my father’s is a memory I will cherish all my life."^[4]

In an interview with Sam Slovik of LA Yoga Magazine,^[5] Deva discussed the potent effect many notice when chanting Sanskrit mantras:^[6]

“The meaning is secondary. The word table is not the table...With Sanskrit, the word ananda is the sound vibration of bliss. In sound the energy of bliss. We have to say bliss; we have to make it smaller by putting it into an English word. Just the sound; ananda, If we were sensitive enough we’d just feel the entire scope of that energy that’s contained in this sound... It’s working on a cellular level. It’s much deeper than the mind. It’s not a language that you need to understand the meaning of before you use it. It’s a deep universal sound code that connects us all.”

Deva's chants have been used in a wide variety of settings in recent years. Cher featured Deva's version of the Gayatri Mantra on her Farewell Tour^[7] and Russian Prima Ballerina Diana Vishneva danced to Deva's Gayatri in Moses Pendleton's F.L.O.W. series.^[8] Actor/director Edward James Olmos is said to have handed out copies of Deva's Gayatri Mantra to the entire cast and crew of Battlestar Gallactica,^[9] as well as citing her music as a source of inspiration in preparing his role as Commander Adama in the series.^[10] Mr. Olmos also used Om Hraum Mitraya from Deva's album Dakshina to close his HBO movie Walkout,^[11]

Deva and Miten performed for The Dalai Lama during a 2002 Conference in Munich, Germany on Unity In Duality, which brought top figures from the scientific community together with members of the Buddhist community.^[12] They gave a concert for the full conference, and were also invited to sing for the Dalai Lama at a small pre-conference gathering.^[13] They had heard that his favorite mantra was the Tara Mantra, dedicated to the Green Tara of Compassion, and that he had asked for it be chanted recently when he was ill, and so they chanted it for him.

Deva's most recent release, Tibetan Mantras For Turbulent Times, was recorded with the Gyuto Monks of Tibet and was created as a support for mantra meditation practice, featuring eight mantras chanted 108 times each. It is a benefit CD, with all proceeds going to the Gyuto Monastery in Dharmsala, India, the Phowa Project, and Veggiyana.

Discography[link]

• The Essence (1998)
• Love Is Space (2000)
• Embrace (2002)
• Satsang (with Miten) (2002)
• Dakshina (2005)
• The Moola Mantra (2007)
• Into Silence (2008) (compilation)
• In Concert: The Yoga of Sacred Song and Chant (w/Miten & Manose) (2009) (CD/DVD)
• Mantras For Precarious Times (2009)
• Tibetan Mantras For Turbulent Times (2010)
• Password (2011)

Notes[link]

1. ^ Dubrovsky, Anna. Yoga Rock Stars, Yoga International, September 2008.
2. ^ Widran, Jonathan. Review: Dakshina AllMusic.
3. ^ Spirit of Things. Mantras Go Mainstream, Interview with Rachel Kohn on ABC Radio, Feb 2008.
4. ^ Deva Premal. Wolfgang And The Gayatri Mantra, Article, DevaPremalMiten.com.
5. ^ Slovik, Sam. Soul Balancing: Path of the Sacred Road Dog, LA Yoga Magazine, March 2010.
6. ^ Shapiro, Ed & Deb. Do Mantras Really Work, Huffington Post, Oct 20 2009.
7. ^ Tsering, Lisa. "Cher Chants Gayatri Mantra At Her Concerts", Times of London, Sept 5 2003.
8. ^ "Beauty In Motion-F.L.O.W. Part III", YouTube.
9. ^ Stailey, M. Battlestar Gallactica: All Access, DVD Verdict Legal Briefs, June 8, 2007.
10. ^ Ruby, Jamie. "Edward James Olmos: Exclusive Interview With MediaBlvd", Battlestar Aries, Aug 5 2009.
11. ^ Educate Your Thinking, YouTube.
12. ^ Tarab Institute. Unity In Duality-Tendrel Congress, Tarab Institute, Oct 10-13 2002.
13. ^ Attwood, Janet Bray Songs of the Divine: An interview from the Dialogues with the Masters Series, Healthy Wealthy nWise, Feb 2008.

External links[link]

• Official website