Look up montgomery in Wiktionary, the free dictionary.

Montgomery or Montgomerie may refer to:

People[link]

• Montgomery (name)

Places[link]

In Australia[link]

• Montgomery Rocks, Tasmania

In Belgium[link]

• Montgomery Square, in Brussels.

In France[link]

• Sainte-Foy-de-Montgommery, a commune in département Calvados, Normandy
• Saint-Germain-de-Montgommery, idem
• Colleville-Montgomery, idem

In Canada[link]

• Montgomery, Calgary, a neighbourhood in Calgary, Alberta

In Pakistan[link]

• Montgomery District, an administrative district in the Lahore division of former Punjab Province of British India
• Montgomery Tahsil, an administrative subdivision of Montgomery District in Punjab province of British India
• Sahiwal in Punjab, formerly known as Montgomery

In the United Kingdom[link]

• Montgomery, Powys, Wales
  • Montgomery Canal
  • Montgomery Castle
• Montgomeryshire (disambiguation)

In the United States[link]

• Montgomery, Alabama
• Montgomery, California
• Montgomery, Georgia
• Montgomery, Illinois
• Montgomery, Indiana
• Montgomery, Iowa
• Montgomery, Louisiana
• Montgomery, Massachusetts
• Montgomery, Michigan
• Montgomery, Minnesota
• Montgomery, New York (disambiguation)
• Montgomery, Ohio
• Montgomery, Pennsylvania
• Montgomery, Tennessee
• Montgomery, Texas
• Montgomery, Vermont
• Montgomery, West Virginia
• Montgomery College, one of Maryland's community colleges
• Montgomery Creek, California
• Montgomery Field, an airport in San Diego, California, named for John J. Montgomery
• Montgomery Street, a notable street in San Francisco, California
• Montgomery Village, Maryland
• Montgomery County (disambiguation), in 17 states
• Montgomery Township (disambiguation)
• Montgomeryville (disambiguation)

Other uses[link]

• Clan Montgomery
• Glands of Montgomery, sebaceous glands in the areola, described first by Dr. William Fetherstone Montgomery
• Montgomery cocktail, a Martini (cocktail) mixed at a gin:vermouth ratio of 15:1
• Montgomery Elevator, a defunct elevator company acquired by KONE
• Montgomery Motorcycles, a now defunct British motorcycle manufacturer
• Montgomery reduction method for multiplying large integers in modulo field
• Montgomery Street (disambiguation)
• Montgomery Ward, an American department store chain
• USS Montgomery, any of several US Navy ships
• USS Montgomery County (LST-1041), a US Navy Landing Ship, Tank
• SS Richard Montgomery, a still-dangerous ship loaded with explosives sunk in 1944 in the Thames Estuary, England

See also[link]

• The Montgomery (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Monte Montgomery (born August 11, 1966) is an American guitarist and singer-songwriter.

Career[link]

Monte Montgomery (left) at music festival "Parkpop 2008" in The Hague, The Netherlands, June 29, 2008.

Montgomery appeared on PBS's Austin City Limits program on April 17, 1999.

Montgomery was on Guitar Player magazine's 2004 list of "The Top 50 All-Time Greatest Guitarists".^{[citation needed]} Montgomery has also won the "Best Acoustic Guitar Player" award at the SXSW Festival’s Austin Music Awards seven years in a row (1998–2004), the only artist to have ever done so.^{[citation needed]}

On January 24, 2004, Alvarez Guitars unveiled the MMY1 Monte Montgomery Signature Guitar, a model based on Montgomery's 1987 Alvarez-Yairi DY62C Acoustic-Electric Guitar. Due to his intense playing style, Montgomery has broken the neck of his DY62C four times—the MMY1 has a reinforced neck to prevent such breakage.^[1]

Discography[link]

Studio albums[link]

• Monte Montgomery [EP] (1990)
• Lost & Found (1993)
• 1st & Repair (1998)
• Mirror (1999)
• Wishing Well (2001)
• The Story Of Love (2003)
• Architect (2004)
• Monte Montgomery (2008)

Live albums[link]

• Live at the Caravan of Dreams (2002)
• New & Approved (2003)
• At WorkPlay (2005)

Live DVDs[link]

• At WorkPlay (2005)

Personal life[link]

In the early morning hours of March 30, 2009, Sofia Anna Mondini (January 7, 1988—March 30, 2009-^[2]), the 21-year old daughter of Monte Montgomery and ex-girlfriend Angela Mondini,^[2] was shot and killed by a friend allegedly "playing" with a loaded handgun.^[3] Justin Radwin pointed a .22-caliber pistol at Mondini, and after it discharged it struck her in the right chest area. Radwin was arrested on the charge of manslaughter and held on $50,000 bail.^[4] He was sentenced to twelve years in prison in 2010.^[5]

References[link]

External links[link]

• MonteMontgomery.net - Official site

John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968)^[1] was an American jazz guitarist. He is widely considered one of the major jazz guitarists, emerging after such seminal figures as Django Reinhardt and Charlie Christian and influencing countless others, including Pat Martino, George Benson, Russell Malone, Emily Remler, Kenny Burrell, Pat Metheny, Steve Howe, and Jimi Hendrix.

Biography[link]

Montgomery was born in Indianapolis, Indiana. According to NPR Jazz Profiles "The Life and Music Of Wes Montgomery," the nickname "Wes" was a child's abbreviation of his middle name, Leslie.^[2] He came from a musical family; his brothers, Monk (string bass and electric bass) and Buddy (vibraphone and piano), were jazz performers. The brothers released a number of albums together as the Montgomery Brothers. Although he was not skilled at reading music, he could learn complex melodies and riffs by ear. Montgomery started learning the six string guitar at the relatively late age of 20 by listening to and learning the recordings of his idol, guitarist Charlie Christian, however he had played a four string tenor guitar since age twelve. He was known for his ability to play Christian's solos note for note and was hired by Lionel Hampton for this ability.^[1]

Many fellow jazz guitarists consider Montgomery the greatest influence among modern jazz guitarists. Pat Metheny has praised him greatly, saying "I learned to play listening to Wes Montgomery's Smokin' at the Half Note." In addition, Metheny stated to The New York Times in 2005 that the solo on "If You Could See Me Now," from this album is his favorite of all time. Joe Pass said, "To me, there have been only three real innovators on the guitar—Wes Montgomery, Charlie Christian, and Django Reinhardt," as cited in James Sallis's The Guitar Players and in his Hot Licks instructional video. Kenny Burrell states, "It was an honor that he called me as his second guitarist for a session." In addition, Stevie Ray Vaughan, Eric Johnson, Joe Satriani, Jimi Hendrix, David Becker, Joe Diorio, Steve Lukather and Pat Martino have pointed to him numerous times as a great influence. Lee Ritenour, who recorded the 1992 album Wes Bound named after him, cites him as his most notable influence; he also named his son Wesley.

Following the early work of swing/pre-bop guitarist Charlie Christian and gypsy-jazz guitarist Django Reinhardt, Wes joined Tal Farlow, Johnny Smith, Jimmy Raney, and Barney Kessell to put guitar on the map as a bebop / post-bop instrument. While these men generally curtailed their own output in the 1960s, Montgomery recorded prolifically during this period, lending guitar to the same tunes contemporaries like John Coltrane and Miles Davis were recording. While many jazz players are regarded as virtuosos, Montgomery had a very wide influence on other virtuosos who followed him, and in the respect he earned from his contemporaries. To many, Montgomery's playing defines jazz guitar and the sound that learners try to emulate.

Dave Miele and Dan Bielowsky claim, "Wes Montgomery was certainly one of the most influential and most musical guitarists to ever pick up the instrument... He took the use of octaves and chord melodies to a greater level than any other guitarist, before or since... Montgomery is undoubtedly one of the most important voices in Jazz guitar that has ever lived-or most likely ever will live. A discussion of Jazz guitar is simply not thorough if it does not touch upon Wes Montgomery."^[3]

"Listening to [Wes Montgomery's] solos is like teetering at the edge of a brink," composer-conductor Gunther Schuller asserted, as quoted by Jazz & Pop critic Will Smith. "His playing at its peak becomes unbearably exciting, to the point where one feels unable to muster sufficient physical endurance to outlast it." Wes received many awards and accolades: Nominated for two Grammy Awards for Bumpin', 1965; received Grammy Award for Goin' Out of My Head as Best Instrumental Jazz Performance by Large Group or Soloist with Large Group, 1966; nominated for Grammy Awards for "Eleanor Rigby" and "Down Here on the Ground", 1968; nominated for Grammy Award for Willow, Weep for Me, 1969. Wes' second album, The Incredible Jazz Guitar of Wes Montgomery, earned him Down Beat magazine's "New Star" award in 1960. In addition, he won the Down Beat Critic's Poll award for best Jazz guitarist in 1960, '61, '62,'63, '66, and 1967.^[4]

Montgomery toured with Lionel Hampton early in his career, however the combined stress of touring and being away from family brought him back home to Indianapolis. To support his family of eight, Montgomery worked in a factory from 7:00 am to 3:00 pm, then performed in local clubs from 9:00 pm to 2:00 am. Cannonball Adderley heard Montgomery in an Indianapolis club and was floored. The next morning, he called record producer Orrin Keepnews, who signed Montgomery to a recording contract with Riverside Records. Adderley later recorded with Montgomery on his Pollwinners album. Montgomery recorded with his brothers and various other group members, including the Wynton Kelly Trio which previously backed up Miles Davis.

John Coltrane asked Montgomery to join his band after a jam session, but Montgomery continued to lead his own band. Boss Guitar seems to refer to his status as a guitar-playing bandleader. He also made contributions to recordings by Jimmy Smith. Jazz purists relish Montgomery's recordings up through 1965, and sometimes complain that he abandoned hard-bop for pop jazz towards the end of his career, although it is arguable that he gained a wider audience for his earlier work with his soft jazz from 1965–1968. During this late period he would occasionally turn out original material alongside jazzy orchestral arrangements of pop songs. In sum, this late period earned him considerable wealth and created a platform for a new audience to hear his earlier recordings.

He didn't have very long to live to enjoy his commercial success, however; on June 15, 1968, while at home in Indianapolis, Indiana, U.S., he woke one morning, remarked to his wife that he "Didn't feel very well," and minutes later collapsed, dying of a heart attack within minutes. Montgomery's home town of Indianapolis has named a park in his honor. He is the grandfather of actor Anthony Montgomery.^{[1] [5]}

Technique[link]

According to jazz guitar educator Wolf Marshall, Montgomery often approached solos in a three-tiered manner: He would begin a repeating progression with single note lines, derived from scales or modes; after a fitting number of sequences, he would play octaves for a few more sequences, finally culminating with block chords. He used mostly superimposed triads and arpeggios as the main source for his soloing ideas and sounds.^[1]

The use of octaves (playing the same note on two strings one octave apart) for which he is widely known, became known as "the Naptown Sound". Montgomery was also an excellent "single-line" or "single-note" player, and was very influential in the use of block chords in his solos. His playing on the jazz standard "Lover Man" is an example of his single-note, octave- and block-chord soloing. ("Lover Man" appears on the Fantasy album The Montgomery Brothers.)

Instead of using a guitar pick, Montgomery plucked the strings with the fleshy part of his thumb, using downstrokes for single notes and a combination of upstrokes and downstrokes for chords and octaves. Montgomery developed this technique not for technical reasons but for his wife. He worked long hours as a machinist before his career began and practiced late at night while his wife was sleeping. He played with his thumb so that his playing would be softer and not wake her. This technique enabled him to get a mellow, expressive tone from his guitar^{[citation needed]}. George Benson, in the liner notes of the Ultimate Wes Montgomery album, wrote, "Wes had a corn on his thumb, which gave his sound that point. He would get one sound for the soft parts, and then that point by using the corn. That's why no one will ever match Wes. And his thumb was double-jointed. He could bend it all the way back to touch his wrist, which he would do to shock people."

He generally played a Gibson L-5CES guitar. In his later years he played one of two guitars that Gibson custom made for him. In his early years, Montgomery had a tube amp, often a Fender. In his later years, he played a solid state Standel amp with a 15-inch (380 mm) speaker.

Recording career[link]

Montgomery toured with vibraphonist Lionel Hampton's orchestra from July 1948 to January 1950, and can be heard on recordings from this period. Montgomery then returned to Indianapolis and did not record again until December 1957 (save for one session in 1955), when he took part in a session that included his brothers Monk and Buddy, as well as trumpeter Freddie Hubbard, who made his recording debut with Montgomery. Most of the recordings made by Montgomery and his brothers from 1957–1959 were released on the Pacific Jazz label.^[1]

From 1959 Montgomery was signed to the Riverside Records label, and remained there until late 1963, just before the company went bankrupt. The recordings made during this period are widely considered by fans and jazz historians to be Montgomery's best and most influential. Two sessions in January 1960 yielded The Incredible Jazz Guitar of Wes Montgomery, which was recorded as a quartet with pianist Tommy Flanagan, bassist Percy Heath and drummer Albert "Tootie" Heath. The album featured two of Montgomery's most well-known compositions, "Four on Six" and "West Coast Blues."

Almost all of Montgomery's output on Riverside featured the guitarist in a small group setting, usually a trio (and always with his organist from his Indianapolis days, Melvin Rhyne), a quartet, or a quintet, playing a mixture of hard-swinging uptempo jazz numbers and quiet ballads. The lone exception, Fusion, telegraphed his post-Riverside career: it was his first recording with a string ensemble. One of the more memorable sets involved a co-leadership collaboration with vibraphone virtuoso and Modern Jazz Quartet mainstay Milt Jackson, whom producer Orrin Keepnews has said insisted on a collaboration with Montgomery as a condition for signing a solo recording deal with Riverside.

In 1964 Montgomery moved to Verve Records for two years. His stay at Verve yielded a number of albums where he was featured with an orchestra—brass-dominated (Movin' Wes), string-oriented (Bumpin', Tequila), or a mix of both (Goin' Out of My Head, California Dreamin').^[1]

But he never abandoned jazz entirely in the Verve years, whether with a few selections on most of the Verve albums, or by such sets as 1965s Smokin' at the Half Note (showcasing two memorable appearances at the famous New York City club with the Wynton Kelly Trio) or a pair of albums he made with jazz organ titan Jimmy Smith, The Dynamic Duo and Further Adventures of Jimmy and Wes). He continued to play outstanding live jazz guitar, as evidenced by surviving audio and video recordings from his 1965 tour of Europe.

As a considered founder of the smooth jazz school the album Bumpin' (1965) represents a model from which many modern recording are derived: as the liner notes to the CD remaster issue note, after being unable to produce the desired results by the guitarist and orchestra playing together, arranger Don Sebesky suggested Montgomery record the chosen music with his chosen small group, after which Sebesky would write the orchestral charts based on what Montgomery's group had produced. Longer clips from all of the tracks on Bumpin' and other Wes Montgomery albums are found on Verve Records website.

By the time Montgomery released his first album for A&M Records, he had seemingly abandoned jazz entirely for the more lucrative pop market, though as in his Verve period he played his customary jazz in small group settings in live appearances. The three albums released during his A&M period (1967–68) feature orchestral renditions of famous pop songs ("Scarborough Fair", "I Say a Little Prayer", "Eleanor Rigby", etc.) with Montgomery reciting the melody with his guitar. These records were the most commercially successful of his career, but featured the least jazz improvisation.^{[citation needed]}

Wes and Buddy, along with Richard Crabtree and Benny Barth, formed "The Mastersounds", and recorded "Jazz Showcase Introducing The Mastersounds" and a jazz version of "The King and I", both released by World Pacific Records. They first played together at Seattle, particularly working up the set for "The King and I", at a club called Dave's Fifth Avenue. The composers were so impressed by the jazz version of "The King & I" that they pre-released the score of "Flower Drum Song" to the quartet to allow simultaneous release with the sound track album.

Discography[link]

	Wes Montgomery "Tear It Down" (1965) noicon Sample from Wes Montgomery's "Tear It Down," from the album Bumpin'
Problems listening to this file? See media help.

Riverside (1958–1964)[link]

Wes' recordings for Riverside/Milestone Records, including those made with The Montgomery Brothers are on the 12CD Box The Complete Riverside Recordings.^[6]

• 1958: Fingerpickin'
• 1958: Far Wes
• 1959: The Wes Montgomery Trio
• 1959: Yesterdays
• 1959: Pretty Blue
• 1960: The Incredible Jazz Guitar of Wes Montgomery
• 1960: Cannonball Adderley and the Poll-Winners
• 1960: Movin' Along
• 1961: So Much Guitar
• 1961: Wes and Friends
• 1961: Bags Meets Wes! (with Milt Jackson)
• 1962: Full House
• 1963: Fusion!: Wes Montgomery with Strings (strings arranged by Jimmy Jones)
• 1963: Boss Guitar
• 1963: Portrait of Wes
• 1963: Guitar on the Go
• 1963: The Alternative Wes Montgomery (alternate takes for previously issued albums)
• 1964: Panorama (Produced by Orrin Keepnews)

Verve (1964–1966)[link]

• 1964: Movin' Wes
• 1965: Bumpin' (arranged and conducted by Don Sebesky)
• 1965: Smokin' at the Half Note
• 1965: Goin' Out of My Head (arranged and conducted by Oliver Nelson)
• 1966: California Dreaming (arranged and conducted by Don Sebesky)
• 1966: Further Adventures of Jimmy and Wes (with Jimmy Smith)
• 1966: Tequila (arranged and conducted by Claus Ogerman)
• 1966: Jimmy & Wes: The Dynamic Duo (with Jimmy Smith)
• 1969: Willow Weep for Me (unused takes from the Smokin' at the Half Note session; overdubbed woodwinds and brass arranged and conducted by Claus Ogerman)
• 1970: Eulogy

A&M (1967–1968)[link]

• 1967: A Day in the Life (arranged and conducted by Don Sebesky) (A&M Records/CTI Records)
• 1968: Down Here on the Ground (arranged and conducted by Don Sebesky) (A&M/CTI)
• 1968: Road Song (arranged and conducted by Don Sebesky) (A&M/CTI)

As sideman[link]

• 1960: Cannonball Adderley and the Poll Winners (leader: Cannonball Adderley)
• 1960: West Coast Blues! (leader: Harold Land)
• 1960: Work Song (leader: Nat Adderley)

References[link]

External links[link]

• Official Wes Montgomery site
• "Wes Montgomery Unedited" by Jim Ferguson, compiled from his Guitar Player Magazine article on Wes Montgomery (August 1993), his JazzTimes article "The Genius Of Wes Montgomery" (August 1995), and his essay in his liner notes to Wes Montgomery—The Complete Riverside Recordings (1992).
• Wes Montgomery discography
• GP2 – Guitar Player Magazine Interview – June 1973
• Wes Montgomery guitar tabs
• Wes Montgomery Park (Indianapolis)
• Biography and tribute by grandson Anthony Montgomery
• Find-A-Grave profile for Wes Montgomery

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (July 2010)

John Prine
John Prine at MerleFest, Wilkesboro N.C. (2006)
Background information
Born	(1946-10-10) October 10, 1946 (age 65)
Origin	Maywood, Illinois, United States
Genres	Country Folk Progressive bluegrass
Occupations	Singer-songwriter Guitarist
Instruments	Vocals Guitar
Years active	1971–present
Labels	Atlantic, Asylum, Oh Boy, Rhino
Associated acts	Steve Goodman
Website	www.johnprine.net

John Prine (born October 10, 1946, in Maywood, Illinois) is an American country/folk singer-songwriter. He has been active as a recording artist and live performer since the early 1970s.

Biography[link]

Prine is the son of William Prine and Verna Hamm. Prine started playing guitar at age 14, taught by his brother, David.^[1] Prine attended Proviso East High School, and was a member on the school's gymnastic team. He was a postman for five years and served in the Army during the Vietnam War era, serving in Germany, before beginning his musical career in Chicago.

In the late 1960s, while Prine was delivering mail in Maywood, Illinois, he began to sing at open mic evenings at the Fifth Peg on Armitage Avenue. Prine was initially a spectator, reluctant to perform, but eventually did so in response to a "You think you can do better?" comment made to him by another performer. Chicago Sun-Times movie critic Roger Ebert heard him there and wrote the first review Prine ever received, calling him a great songwriter.^[2] He became a central figure in the Chicago Folk Revival, which also included such singer-songwriters as Steve Goodman, Bonnie Koloc, Jim Post and Fred Holstein. Joined by such established musicians as Jethro Burns and Bob Gibson, Prine performed frequently at such clubs as the Earl of Old Town, the Quiet Knight, Somebody Else's Troubles, The 5th Peg, and the Bulls.

John Prine is currently living in Nashville with his third wife, Fiona Whelan. They have three children, stepson Jody Whelan, Tommy and Jack. Prine has a second residence in Pinellas County, Florida.

Recordings[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (October 2010)

In 1971 Prine's self-titled debut album was released. He and friend Steve Goodman had each been active in the Chicago folk scene before being "discovered" by Kris Kristofferson (Kristofferson remarked that Prine wrote songs so good that "we'll have to break his thumbs"). The album included his signature songs "Illegal Smile," "Sam Stone," and the folk and country standards "Angel from Montgomery" and "Paradise." The album also included "Hello In There", a song about aging that was later covered by numerous artists and "Far From Me," a lonely waltz about lost love for a waitress that Prine later said was his favorite of all his songs. The album received many positive reviews, and some hailed Prine as "the next Dylan." Bob Dylan himself appeared unannounced at one of Prine's first New York City club appearances, anonymously backing him on harmonica.

Prine's second album, Diamonds In The Rough, was a surprise for many after the critical success of his first LP; it was an uncommercial, stripped-down affair that reflected Prine's fondness for bluegrass music and features songs reminiscent of Hank Williams's work as Luke The Drifter. Highlights include the allegorical "The Great Compromise," which features a recitation and addresses the Vietnam War, and the touching ballad "Souvenirs," which Prine later recorded with Goodman.

Later albums include Sweet Revenge (1973), containing such fan favorites as "Dear Abby," "Grandpa Was A Carpenter," and "Christmas In Prison", and Common Sense (1975), with "Come Back to Us Barbara Lewis Hare Krishna Beauregard". The latter album was Prine's first to be charted in the US Top 100 by Billboard, reflecting growing commercial success. It was produced by Steve Cropper. Many veteran Prine fans view the release of 1978's Bruised Orange as a creative highpoint. The Steve Goodman-produced album gave listeners songs such as "The Hobo Song," "Sabu Visits the Twin Cities Alone," and the title track showing that he could capture the human condition as easily as writing politically inspired anthems.

In 1974, singer David Allan Coe achieved considerable success on the country charts with "You Never Even Called Me By My Name", co-written by Prine and Goodman. The song good-naturedly spoofed stereotypical country music lyrics. Prine refused to take a songwriter's credit and the tune went to Goodman, although Goodman bought Prine a jukebox as a gift from his publishing royalties.

The 1979 album Pink Cadillac features two songs produced by legendary Sun Records founder Sam Phillips, who by this time rarely did any studio work. The first song, "Saigon," is about a Vietnam vet traumatized by the war ("The static in my attic's gettin' ready to blow"). During the recording, one of the guitar amps blew up (which is evident on the album track). The other song Phillips produced is "How Lucky," about Prine's hometown.

Prine continued writing and recording albums throughout the 1980s and formed his own record label, Oh Boy Records. His songs continued to be covered by other artists; the country supergroup The Highwaymen recorded "The Twentieth Century Is Almost Over," which had been written by Prine and Goodman. Steve Goodman died of leukemia in 1984 and Prine continues to perform many of Goodman's songs in concert to this day, such as "My Old Man."

In 1991, Prine released the Grammy Award-winning The Missing Years, his first collaboration with producer and Heartbreakers bassist Howie Epstein. The title song records Prine's humorous take on what Jesus did in the unrecorded years between his childhood and ministry. In 1995, Lost Dogs and Mixed Blessings was released, another collaboration with Epstein. Prine followed in 1999 with In Spite of Ourselves, which was unusual for him in that it contained only one original song—the rest were covers of classic country songs—and all were duets with well-known female country vocalists, including Lucinda Williams, Emmylou Harris, Dolores Keane, and Iris DeMent (whom Prine appeared with on the Letterman Show & referred to as his "favorite girl singers".)

In 2001 John co-starred in the Billy Bob Thornton movie Daddy & Them (Alvin Montgomery), and "In Spite of Ourselves" can be heard as the end credits roll .

Cancer[link]

In early 1998, Prine was diagnosed with squamous cell cancer on the right side of his neck. He had surgery to remove the diseased tissue and was left with a substantial loss of tissue. This was followed by six weeks of radiation therapy.^[3] The surgery altered his vocals, and has added a "gravel" tone to his voice.^[4][5]

Awards and influence[link]

In 2003, he was given a Lifetime Achievement Award for songwriting by the UK's BBC Radio 2 and that same year was inducted into the Nashville Songwriters Hall of Fame. The following year saw his song "Sam Stone" covered by Laura Cantrell for the Future Soundtrack for America compilation.

Prine has taken his place as one of the most influential songwriters of his generation. In 2009, Bob Dylan told the Huffington Post that Prine was one of his favourite writers, stating "Prine's stuff is pure Proustian existentialism. Midwestern mindtrips to the nth degree. And he writes beautiful songs. I remember when Kris Kristofferson first brought him on the scene. All that stuff about "Sam Stone," the soldier junkie daddy, and "Donald and Lydia," where people make love from ten miles away. Nobody but Prine could write like that."^[6] In Johnny Cash's autobiography Cash, he admitted "I don't listen to music much at the farm, unless I'm going into songwriting mode and looking for inspiration. Then I'll put on something by the writers I've admired and used for years (Rodney Crowell, John Prine, Guy Clark, and the late Steve Goodman are my Big Four)..."^[7] When asked by Word Magazine in 2008 if he heard Pink Floyd's influence in newer British bands like Radiohead, Roger Waters replied "I don't really listen to Radiohead. I listened to the albums and they just didn't move me in the way, say, John Prine does. His is just extra-ordinarily eloquent music—and he lives on that plane with Neil Young and Lennon."^[8] Prine received the Artist of the Year award at the Americana Music Awards on September 9, 2005. The award was accepted in his name by awards host and long-time friend Billy Bob Thornton.

Recent years[link]

Prine recorded a version of Stephen Foster's "Old Kentucky Home" in 2004 for the compilation album Beautiful Dreamer, which won the Grammy for Best Traditional Folk Album in 2005.

In 2005, Prine released his first all-new offering since Lost Dogs and Mixed Blessings, the album Fair & Square, which tended toward a more laid-back, acoustic approach than, for example, Lost Dogs and Mixed Blessings. The album contains songs such as "Safety Joe," about a man who has never taken any risks in his life, and also "Some Humans Ain't Human," Prine's protest piece on the album, which talks about the ugly side of human nature and includes a quick shot at President George W. Bush. Fair & Square won the 2006 Grammy Award for Best Contemporary Folk Album. The album contains original songs plus two covers: A.P. Carter's "Bear Creek Blues" and Blaze Foley's "Clay Pigeons."

2010 kicked off with a flurry of Prine activity, as he stopped by The Marty Stuart Show on RFD-TV in January to perform three of his most popular recordings: "Speed of the Sound of Loneliness," "Souvenirs," & "Paradise." Later in May Prine appeared on Late Show With David Letterman, performing "All The Best" with Jim James of the band My Morning Jacket.

On July 3, 2010, Prine appeared at Ravinia Festival in Highland Park, Illinois, broadcast on American Public Media's A Prairie Home Companion, playing several of his songs.^[9]

On September 30, 2011, Prine played a thirteen song set on the main Banjo Stage at the Hardly Strictly Bluegrass festival in San Francisco, California.

Broken Hearts and Dirty Windows[link]

On June 22, 2010 Oh Boy Records released a tribute album titled "Broken Hearts and Dirty Windows: The Songs of John Prine". The album features members of the modern folk revival including My Morning Jacket, The Avett Brothers, Conor Oberst and the Mystic Valley Band, Old Crow Medicine Show, Lambchop, Josh Ritter, Drive-By Truckers, Nickel Creek's Sara Watkins, Deer Tick featuring Liz Isenberg, Justin Townes Earle, Those Darlins, and Bon Iver's Justin Vernon.^[10]

Discography[link]

Albums[link]

Guest singles[link]

References[link]

External links[link]

• Official website
• A Literary Evening with John Prine and Ted Kooser. March 9, 2005. The Poetry and Literature Center at the Library of Congress.
• Interview with John Prine - KyndMusic, September 2005
• 1971 Radio Interview with John Prine on WGLD Oak Park - fr JOHNPRINE.NET
• John Prine at the Internet Movie Database

Alan Jackson
Jackson in April 2010
Background information
Birth name	Alan Eugene Jackson
Born	(1958-10-17) October 17, 1958 (age 53)
Origin	Newnan, Georgia USA
Genres	Country, Neotraditional country
Occupations	Singer-songwriter
Years active	1989–present
Labels	Arista Nashville EMI Nashville/Alan's Country Records
Associated acts	Keith Stegall, George Strait, The Wrights, Zac Brown Band, Jeff Foxworthy, The Bellamy Brothers, George Jones
Website	www.alanjackson.com

Alan Eugene Jackson (born October 17, 1958) is an American country music singer, known for blending traditional honky tonk and mainstream country sounds and penning many of his own hits. He has recorded 13 studio albums, 3 Greatest Hits albums, 2 Holiday albums, 1 Gospel album and several compilations, all on the Arista Nashville label. More than 50 of his singles have appeared on Billboard's list of the "Top 30 Country Songs". Of Jackson's entries, 35 were number-one hits, with 50 in the Top 10. He is the recipient of 2 Grammys, 16 CMA Awards, 17 ACM Awards and nominee of multiple other awards. Jackson is also a member of the Grand Ole Opry, and he was inducted into the Georgia Music Hall of Fame in 2001.

Early life[link]

Jackson was born to Joseph Eugene Jackson and Ruth Musick in Newnan, Georgia, and has four older siblings. Jackson is of English descent.^[1][2] As a youth, Jackson listened primarily to gospel music. Otherwise he was not a major music fan. However, a friend of his introduced him to the music of Gene Watson, John Anderson and Hank Williams Jr. Jackson attended the local Elm Street Elementary and Newnan High School, starting a band after high school. After a time, he and his wife of six years, Denise Jackson, moved from Newnan to Nashville where Jackson hoped to pursue music full-time.^[3]

Jackson sang in church as a child. He, his father, mother, and four sisters lived in a small home. At one point, his bed was in the hallway for lack of room. His mother lives in the home to this day. His first job, at 12, was in a shoe store. He wrote his first song in 1983. He worked as a car salesman in his 20s.

Career[link]

This section requires expansion with: More info on each individual album, critical reception, etc. etc..

In Tennessee, Jackson got a job in The Nashville Network's mailroom.^[3] Denise connected him with Glen Campbell, who helped jumpstart his career.^[4] Jackson eventually signed with Arista.^[3] By 1989, he became the first signee to the newly-formed Arista Nashville branch of Arista Records.^[5]

Arista released Jackson's debut single, "Blue Blooded Woman", in late 1989. Although the song failed to reach top 40 on Hot Country Songs, he reached number three by early 1990 with "Here in the Real World".^[6] This song served as the title track to his debut album, Here in the Real World, which also included two more top five hits ("Wanted" and "Chasin' That Neon Rainbow") and his first number one, "I'd Love You All Over Again".^[6]

Don't Rock the Jukebox was the title of Jackson's second album. Released in 1991, it included four number-one singles: the title track, "Someday", "Dallas" and "Love's Got a Hold on You", and the number three "Midnight in Montgomery".^[6] Jackson also co-wrote several songs on Randy Travis' 1992 album High Lonesome.^[5]

A Lot About Livin' (And a Little 'bout Love), his third album, accounted for the number one hits "She's Got the Rhythm (And I Got the Blues)" (which Travis co-wrote) and "Chattahoochee", plus the top five hits "Tonight I Climbed the Wall", "Mercury Blues" and "(Who Says) You Can't Have It All". "Chattahoochee" also won him the 1994 Country Music Association (CMA) awards for Single and Song of the Year.

In 1994 Jackson left his management company, Ten Ten Management, which had overseen his career up to that point, and switched to Gary Overton.^[7] His fourth album was titled Who I Am, and it contained four number one hits: a cover of the Eddie Cochran standard "Summertime Blues", followed by "Livin' on Love", "Gone Country" and "I Don't Even Know Your Name". An additional track from the album, a cover of Rodney Crowell's "Song for the Life", made number six. In late 1994, Clay Walker reached number one with "If I Could Make a Living", which Jackson co-wrote.^[8] Alan also appeared on an episode of Home Improvement, singing his hit song Mercury Blues in 1996, appearing on Tool Time to sing about his 1950 Mercury.

Mid-late 1990s[link]

"The Greatest Hits Collection" was released on October 24, 1995. The disc contained 17 hits, two newly-recorded songs ("I'll Try" and "Tall, Tall Trees"), and the song "Home" from "Here in the Real World" that had never been released as a single.^[9] These first two songs both made number one.

Everything I Love followed in 1996. Its first single was a cover of Tom T. Hall's "Little Bitty", which Jackson took to the top of the charts in late 1996. The album also included the number one hit "There Goes" and a number two cover of Charly McClain's 1980 single "Who's Cheatin' Who". The album's fifth single was "A House with No Curtains", which became his first release since 1989 to miss the top 10.^[6]

High Mileage was led off by the number four "I'll Go On Loving You". After it came the album's only number one hit, "Right on the Money", co-written by Phil Vassar.

With Jackson's release of Under the Influence in 1999, he took the double risk on an album of covers of country classics while retaining a traditional sound when a rock- and pop-tinged sound dominated country radio.^[10]

When the Country Music Association (CMA) asked George Jones to trim his act to 90 seconds for the 1999 CMA awards, Jones decided to boycott the event. In solidarity, Jackson interrupted his own song and launched into Jones's song "Choices" and then walked offstage.^[11]

2000s-present[link]

Jackson performing in 2002

After country music changed toward pop music in the 2000s, he and George Strait criticized the state of country music on the song "Murder on Music Row". The song sparked debate in the country music community about whether or not "traditional" country music was actually dead or not.^[12] Despite the fact that the song was not officially released as a single, it became the highest-charting nonseasonal album cut (not available in any retail single configuration or released as a promotional single to radio during a chart run) to appear on Hot Country Singles & Tracks in the Broadcast Data Systems era, beating the record previously held by Garth Brooks' "Belleau Wood." The duo were invited to open the 2000 Academy of Country Music Awards (ACMAs) with a performance of the tune.^[13] Rolling Stone commented on Jackson's style remarking, "If Garth and Shania have raised the bar for country concerts with Kiss-style production and endless costume changes, then Alan Jackson is doing his best to return the bar to a more human level."^[14] After the September 11, 2001 attacks, Jackson released "Where Were You (When the World Stopped Turning)" as a tribute to those killed in the 9/11 terrorist attacks. The song became a hit single and briefly propelled him into the mainstream spotlight.

At the 2001 CMA Awards, Jackson debuted the song "Where Were You When the World Stopped Turning". The performance was generally considered the highlight of the show, and Jackson's site crashed the next day from server requests.^[15] The song came to Jackson suddenly, and had not been scheduled for any official release, but the live performance began receiving radio airplay and was soon released as a single.

Jackson released a Christmas album, titled Let It Be Christmas, October 22, 2002.^[16]

Jeannie Kendall contacted Jackson to do a duet, and he suggested the song "Timeless and True Love". It appeared on her first solo album, released in 2003.^[17]

In early 2006, Jackson released his first gospel music album entitled Precious Memories. He put together the album by the request of his mother, who enjoys religious music. Jackson considered this album a "side project" and nothing too official, but it was treated as such. Over 1.8 million albums were sold.

Only mere months after the release of Precious Memories in 2006, Jackson released his next album Like Red on a Rose, which featured a more adult contemporary/folk sound.

Unlike his previous albums, Like Red on a Rose had a different producer and sound. Alan's main producer for his music, Keith Stegall, was notably absent from this album. Instead, Alison Krauss was hired to produce the album. She also chose the songs.

Despite being labeled as "country music" or "bluegrass", Like Red on a Rose had a mainstream sound to it, upsetting some fans, even making some of them believe that Jackson was abandoning his traditional past and aiming toward a more mainstream pop sound.

However, for his next album, he went back to his country roots. Good Time was released on March 4, 2008. The album's first single, "Small Town Southern Man", was released to radio on November 19.

"Country Boy", "Sissy's Song" and the final single from the album, "I Still Like Bologna", were also released as singles.

"Sissy's Song" is dedicated to a longtime friend of the Jackson family (Leslie "Sissy" Fitzgerald) who worked in their house everyday. Fitzgerald was killed in a motorcycle accident in mid-2007.

His sixteenth studio album, Freight Train, was released on March 30, 2010. The first single was "It's Just That Way", which debuted at #50 in January 2010. "Hard Hat and a Hammer" is the album's second single, released in May 2010.

On November 23, 2010, Jackson released another greatest hits package, entitled 34 Number Ones, which features a cover of the Johnny Cash hit "Ring of Fire", as well as the duet with Zac Brown Band, "As She's Walking Away".

On Jan. 20, 2011, it was announced that Jackson and his record label, Sony, parted ways.^[18]

On March 23, 2011, Jackson announced his new deal with Capitol's EMI Records Nashville. It is a joint venture between ACR (Alan's Country Records) and Capitol. All records will be released and marketed through Capitol's EMI Records Nashville label.^[19]

Jackson has since released two singles, "Long Way to Go" and "So You Don't Have to Love Me Anymore." Both videos were directed by Steven Goldmann. Both songs are to be included on his upcoming studio album for his own label, Thirty Miles West, which will be released on June 5, 2012.

Awards, nominations and induction into the Georgia Music Hall of Fame[link]

In 1989 he was nominated for a total of six Country Music Association awards (CMAs).^[4]

He was nominated for four 1994 CMAs, including Entertainer of the Year.^[2]

Jackson became a member of the Grand Ole Opry in 1991; he was inducted by Roy Acuff and Randy Travis.^[20]

Jackson was the most nominated artist at the 29th annual TNN/Music City News Country Awards that was broadcast June 5 from the Grand Ole Opry House. His six nominations included best entertainer, male artist, vocal collaboration, album, single, and video (two nominations in this category).^[21]

At the 2002 CMAs, Jackson set a record for having the most nominations in a single year – ten – many rising from the song "Where Were You". It also brought his career total up to the second number of most nominations ever, after George Strait.^[22] "Where Were You" also was nominated for a Grammy for Song of the Year. The song was also subsequently parodied in the South Park episode "A Ladder To Heaven".

At the 2003 Academy of Country Music Awards, Jackson won Album of the Year for Drive and Video of the Year for the video to "Drive (For Daddy Gene)."^[23]

Jackson was inducted into the Georgia Music Hall of Fame on October 22, 2001 in Atlanta.^[24]

Alan Jackson was selected to receive a star on the Hollywood Walk of Fame in 2010

Alan Jackson Collection at Cracker Barrel[link]

In 2009, Cracker Barrel Old Country Store, Inc. started to carry the "Alan Jackson Collection" which included a special release CD available exclusively at Cracker Barrel, cowboy style shirts and t-shirts, baseball caps, home goods (candles, kitchen goods) including an old-fashion wooden rocking chair that has a metal plate of Alan's autograph on the headrest; toys, spices and BBQ sauces/rubs and a replica of his own personal cowboy hat.^[25]

Ford trucks endorsement[link]

Ford's agency J. Walter Thompson USA in Detroit, in 1997, worked out with Jackson a multimillion-dollar, multi-year contract for his sole endorsement of Ford trucks. In his video for "Who's Cheatin' Who" he was behind the wheel of a "Big Foot" Ford F-150 pickup truck, and Ford's five NASCAR vehicles (at the time) were prominently featured. Additionally, he changed the lyrics "Crazy 'bout a Mercury" of the song "Mercury Blues" to "Crazy 'bout a Ford truck" in a TV ad for the Ford F-series.^[26]

Touring[link]

Jackson headlined the 1995 Fruit Of The Loom Comfort Tour, a deal worth $40 million. It began January 20 in New Orleans and ran for a hundred dates.^[27]

Alan Jackson's 2004 concert tour launched January 23 in Fort Myers, Florida and was sponsored by NAPA Auto Parts in a deal that included Jackson's endorsement in TV spots. The tour included more than 50 U.S. dates. Martina McBride was the opening for some of the shows.^[28]

In March 2011 he visited Australia to perform for the CMC Rocks The Hunter music festival where he was the headline act for Saturday night.^[29]

Band[link]

Alan Jackson's backup band (since 1989) is "The Strayhorns". The current line-up of musicians is:

• Monty Allen – acoustic guitar, harmony vocals
• Scott Coney – acoustic guitar, tic tac bass, banjo
• Robbie Flint – steel guitar
• Danny Groah – lead guitar
• Mark McClurg - fiddle, harmony vocals
• Bruce Rutherford – drums
• Joey Schmidt – keyboards
• Roger Wills – bass guitar

Personal life[link]

Jackson with his family at a ceremony to receive a star on the Hollywood Walk of Fame in April 2010

Jackson married his high school sweetheart, Denise Jackson, on December 15, 1979. They are the parents of three daughters: Mattie Denise (born June 19, 1990), Alexandra Jane "Ali" (born August 23, 1993), and Dani Grace (born August 28, 1997). Although the couple separated for several months in 1998 due to the strains of Jackson's career as well as his infidelity;^[30] they have since reconciled. Their story is referenced in several of Jackson's songs, including "She Likes It Too" and "Remember When". Denise and their daughters appear in the latter song's video.

Denise Jackson wrote a book that topped The New York Times Best Seller list that covered her life with Jackson, their relationship, separation over his infidelity, and recommitment to each other, and her commitment to Christianity, the book was titled It's All About Him: Finding the Love of My Life, which was published in 2007. In May 2008 she released a Gift Book titled "The Road Home."

Jackson's nephew, Adam Wright, is also a country music singer-songwriter. Adam and his wife, Shannon, perform together as a duo called The Wrights.^[31] The Wrights co-wrote two songs and sang harmony vocals on Jackson's What I Do album.

Jackson is a cousin of Major League Baseball player Brandon Moss.^[32]

In June 2009, Jackson listed his 135-acre (0.55 km²) estate just outside of Franklin, TN for sale. The asking price was $38 million. The property sold in late May 2010 for $28 million, one of the highest prices ever for a home sale in the Nashville area.^[33] In 2010, after Alan Jackson said goodbye to Sweetbriar, his estate just outside of Franklin, the singer then moved into a slightly smaller but equally luxurious home in the same Nashville suburb. The singer and his wife paid $3.675 million for the estate in June 2010, but less than a year later, they’ve listed the home for $3.995 million. ^[34]

Jackson maintains a close friendship with fellow country singer, George Jones. Jones has been mentioned in songs such as "Don't Rock the Jukebox" (Jones also appeared in the video which accompanied it) and "Murder on Music Row". The song "Just Playin' Possum" is dedicated to Jones and talks of how Alan only wants to lie low and play possum, possum referring to George Jones. Jones can also be seen in the video for "Good Time". In 2008, Jones was a surprise guest at Jackson's "CMT Giants" ceremony, where he thanked Jackson for his friendship. He's also close friends with George Strait, who sang "Murder On Music Row" with him. Besides his associations with big stars, Alan also maintains his connections to his roots and old friends.^[35] From his early days of playing the guitar with his old high school friend and fellow musician David "Bird" Burgess, on the Burgess' family front porch, it was evident Alan was going to be Newnan's rising star.^[35] While Bird Burgess has left the country music scene to pursue other avenues, the two have remained friends.^[35] As further evidence to his strong connection to his roots, Alan has given back to the community of Newnan, and in response the city of Newnan dedicated a major thoroughfare the Alan Jackson Highway.

As of February 2012, Jackson's introduction paragraph along with the Early Life paragraph from this Wikipedia article are repeatedly printed in the showroom books in the IKEA store in the municipality of Tianjin in The People's Republic of China.

Discography[link]

Awards[link]

American Music Awards

• American Music Award for Favorite Country Single 1993; "Chattahoochee"
• 1993 Favorite Country Album – "A Lot About Livin' (And a Little 'bout Love)"

Academy of Country Music

• 1990 Top New Male Vocalist
• 1991 Album of the Year – "Don't Rock the Jukebox"
• 1991 Single of the Year – "Don't Rock the Jukebox"
• 1993 Album of the Year – "A Lot About Livin' (And a Little 'bout Love)"
• 1993 Single of the Year – "Chattahoochee"
• 1994 Top Male Vocalist
• 1995 Top Male Vocalist
• 2001 Single of the Year – "Where Were You (When the World Stopped Turning)"
• 2001 Song of the Year – "Where Were You (When the World Stopped Turning)"
• 2001 Top Male Vocalist
• 2002 Album of the Year – "Drive"
• 2002 Video of the Year – "Drive (For Daddy Gene)"
• 2003 Single of the Year – "It's Five O'Clock Somewhere"
• 2003 Vocal Event of the Year with Jimmy Buffett – "It's Five O'Clock Somewhere"

Country Music Association

• 1992 Music Video of the Year – "Midnight in Montgomery"
• 1993 Music Video of the Year – "Chattahoochee"
• 1993 Single of the Year – "Chattahoochee"
• 1993 Vocal Event of the Year - "I Don't Need Your Rockin' Chair"
• 1994 Song of the Year with Jim McBride – "Chattahoochee"
• 1995 Entertainer of the Year
• 2000 Vocal Event of the Year - "Murder on Music Row"
• 2002 Album of the Year – "Drive"
• 2002 Male Vocalist of the Year
• 2002 Entertainer of the Year
• 2002 Single of the Year – "Where Were You (When the World Stopped Turning)"
• 2002 Song of the Year – "Where Were You (When the World Stopped Turning)"
• 2003 Entertainer of the Year
• 2003 Male Vocalist of the Year
• 2003 Vocal Event of the Year with Jimmy Buffett – "It's Five O'Clock Somewhere"

Grammy Awards

• 2002 Best Country Song – "Where Were You (When the World Stopped Turning)"
• 2011 Best Country Collaboration with Vocals- "As She's Walking Away", with Zac Brown Band

References[link]

External links[link]

• Official Alan Jackson website
• Official Music Videos
• http://www.imdb.com/title/tt0603581/