Coordinates	43°36′49″N116°12′12″N
Name	Aviator

An aviator is a person who flies an aircraft. The first recorded use of the term (''aviateur'' in French) was in 1887, as a variation of 'aviation', from the Latin ''avis'' (meaning ''bird''), coined in 1863 by G. de la Landelle in ''Aviation Ou Navigation Aérienne'' (''Aviation or Air Navigation''). The term aviatrix (''aviatrice'' in French) is used for a female aviator.

The term is often applied simply to pilots, but can be extended to include aviation navigators, bombardiers, Weapon Systems Officers, Electronic Warfare Officers. This should not be confused with the term naval aviator, which refers to crew members in the U.S. Navy, U.S. Marine Corps and U.S. Coast Guard.

The term "aviator", as opposed to "pilot" or other terms, was used more in the early days of aviation, before anyone had ever seen an airplane fly, and it was used to show connotations of bravery and adventure. For example, the editors at the ''Dayton Herald'', (in an article of December 18, 1903) described the Wright brothers' first airplane as thus: "The weight, including the body of the ''aviator'', is slightly over 700 pounds".

To ensure the safety of people in the air as well as on the ground, it soon became a requirement for an aircraft to be under the operational control of a properly trained, certified and current pilot at all times, who is responsible for the safe and legal completion of the flight. The first certificate was delivered by the Aéro-Club de France to Louis Blériot in 1908, followed by Glenn Curtiss, Léon Delagrange, and Robert Esnault-Pelterie. The absolute authority given to the "pilot in command" is derived from that of a ship's captain.

In recognition of the aviators' qualifications and responsibilities, most militaries and many airlines around the world award aviator badges to their pilots, as well as other air crews.

Female pilots

Pioneers

Pioneer aviatrices include French, Raymonde de Laroche, the world's first-ever licensed female pilot on March 8 1910; Belgian, Helene Dutrieu, the first woman to fly a passenger, first woman to win an air race (1910), and first woman to pilot a seaplane (1912); French, Marie Marvingt the first woman to fly solo across the English Channel and the North Sea in a balloon (October 26, 1909) and first woman to fly as a bomber pilot in combat missions (1915); American, Harriet Quimby, the USA's first-ever licensed female pilot in 1911, and the first woman to cross the English Channel by airplane; American Amelia Earhart, the first woman to fly solo across the Atlantic (1932); Bessie Coleman, the first person of African-American descent to become a licensed airplane pilot (1921); German, Marga von Etzdorf, first woman to fly for an airline (1927); Opal Kunz, one of the few women to train US Navy fighter pilots during World War II in the Civilian Pilot Training Program; and the British Amy Johnson, the first woman to fly solo from Britain to Australia (1930). Valérie André, a French neurosurgeon and member of the French army, became the first woman to fly a helicopter in combat, while serving in Indochina (1945).

As well as being Turkey's first aviatrix, Sabiha Gökçen, born in 1913, became the world's first female fighter pilot at the age of 23.

In 1979, a Jamaican, Maria Ziadie-Haddad, became one of the first women in the Western Hemisphere to become a commercial jet airline pilot when she was hired by Air Jamaica 1968 Ltd as a B727 Second Officer.

Soviet Union

The Night Witches, a women-only combat regiment of the Soviet Air Forces, flew harassment bombing and precision bombing missions from 1942 to the end of the World War II.

United States

Until the 1970s, aviation had been a traditionally male occupation in the United States. Commerce Department regulations virtually required pilots to have flown in the military to acquire sufficient flight hours, and until the 1970s, the U.S. Air Force and Navy barred women from flying, thus also preventing them from moving into commercial piloting Despite women being trained by the US Army Air Corps and flying every advanced military aircraft the US built (including every bomber, pursuit plane, and the first jet) during WWII as Women Airforce Service Pilots (WASP), this program was disbanded in December 1944 and commercial jobs were not generally available to women, though these highly trained women flew as instructors and pilots for flying services throughout the United States. Women began to enter U.S. major commercial aviation in the 1970s and 1980s, with 1973 seeing the first female pilot at a major U.S. airline, American Airlines, and 1986, seeing the first female captain at a major U.S. airline. In the 1970s, women began being permitted to fly in the United States Armed Forces for the first time since WWII, beginning with the Navy and the Army in 1974, and then the Air Force in 1976.

As of 2006, just over 6% of certified civilian pilots (both private and commercial) in the United States were women.

Japan

In Japan, the first female captain for commercial passenger flights was Ari Fuji, who began flying as captain for JAL Express in July 2010. Fuji was rejected from admission to Japanese pilot training school on the grounds of being too small (155 cm; standard was previously 163 cm, currently 158 cm (as of spring 2010)), so she got her pilot's license in the United States. There are currently a few other female pilots in Japan, though, , no others in a captain role.

Civilian

Civilian pilots fly privately for pleasure, charity, or in pursuance of a business, for non-scheduled commercial air-transport companies, or for airlines. When flying for an airline, pilots are usually referred to as airline pilots, with the pilot in command often referred to as the ''captain''.

United States

In 1930, the Air Commerce Act established pilot licensing requirements for American civil aviation.

United Airlines and Delta Air Lines have slashed their pilot pay scales and benefits in the face of fierce competition from low-cost carriers. In fact, Southwest Airlines Captains and First Officers both have higher salaries than their counterparts at legacy carriers. As of May 2008, median annual earnings of airline pilots, co-pilots, and flight engineers were $111,680. However, such salaries represent the upper level of airline pay scales. Salaries at regional airlines can be considerably less - though, according to the Bureau of Labor statistics, median annual earnings of commercial pilots were $65,340, with the middle 50 per cent earning between $45,680 and $89,540. Pilots making very large salaries are typically senior airline captains, while pilots making very small salaries are generally low-seniority first officers. A large variability in salaries can easily skew an average; thus, the use of median wages to gauge such things as salary. Where large gaps are seen between a median figure, and a lower-bound figure, this usually reflects those who do not stay in that particular field. Viewing this middle ground in context to the upper-bound numbers can give a burgeoning pilot an idea of what to expect if they are able to stay with flying as a full-time career. Based upon voluntary pilot reports, many United States airline pay scales are listed here: . Most airline pilots are unionized, with the Air Line Pilots Association, International (ALPA) being the largest pilot labor union in the United States.

In the United States, due to pay cuts, airline bankruptcies and other industry problems, there are fewer young people who want to make a career out of flying. First-year pilots at AMR Corporation's outsourced operation called AmericanConnection, which is flown by multiple regional partners, would only earn $22,000 a year if they could pick up and fit into their schedule all the extra flying allowed under federal FAA rules.

Commercial airline pilots in the United States have a mandatory retirement age of 65, increased from age 60 in 2007.

International

In some countries, such as Pakistan, Israel, Thailand and several African nations, there is a strong relationship between the military and the principal national airlines, and many airline pilots come from the military; however, that is no longer the case in the United States and Western Europe. While the flight decks of U.S. and European airliners do have ex-military pilots, many pilots are civilians. Military training and flying, while rigorous, is fundamentally different in many ways from civilian piloting. Military pilots are trained to higher regulatory standards than civilian pilots, and while both paths create a safe pilot, civilian pilots are better versed in civilian regulations. In many newhire classes of civilian airlines, military pilots require a few more hours of study than their civilian counterparts. With this fact, coupled with the increasing popularity of European-style airline-training schools in the U.S., it seems likely that the percentage of ex-military pilots flying for the airlines will continue to decrease.

Military

Military pilots fly under government contract for the defense of countries. Their tasks involve combat and non-combat operations, including direct hostile engagements and support operations. Military pilots undergo specialized training, often with weapons. One example of a military pilot is a fighter pilot.

Military pilots are trained with a different syllabus than civilian pilots, which is delivered by military instructors. This is due to the different aircraft, flight goals, flight situations and chains of responsibility. Many military pilots do transfer over to civilian-pilot qualification after they leave the military, and typically their military experience will be used to grant a civilian pilot's license.

Aviator certifications

Pilots are required to go through many hours of training and theoretical study, that differ depending on the country. The first step is acquiring the Private Pilot License (PPL), or Private Pilot Certificate.

The next step in a pilot's progression is either Instrument Rating (IR), or Multi-Engine Rating (MEP) endorsements.

If a professional career or simply professional-level skills are desired, a Commercial Pilot License (CPL) endorsement would also be required. To be the captain of an airliner, one must obtain an Airline Transport Pilot License (ATP).

Some countries/carriers require/use a Multi Crew Co-operating Certification (MCC).

Aviators in space

In human spaceflight, a "pilot" is someone who directly controls the operation of a spacecraft, while located within the same craft. This term derives directly from the usage of the word "pilot" in aviation, where it is synonymous with "aviator". Note that on the U.S. Space Shuttle, the term "pilot" is analogous to the term "co-pilot" in aviation, as the "commander" has ultimate responsibility for the shuttle.

See also

Air safety

IMSAFE (mnemonic for pilot's fitness to fly)

List of aerospace engineers

List of aviators

List of Russian aviators

References

Category:Military aviation occupations Category:Occupations in aviation

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Coordinates	43°36′49″N116°12′12″N
name	Dean Martin
background	solo_singer
birth name	Dino Paul Crocetti
alias	Dean MartinThe King of CoolDinoDino Martini
born	June 07, 1917Steubenville, Ohio, U.S.
died	December 25, 1995Beverly Hills, California, U.S.
genre	Big band, easy listening, pop standard, country
years active	1939–1995
occupation	Musician, singer-songwriter, actor, comedian, film producer
label	Capitol, Reprise }}

Dean Martin (June 7, 1917 – December 25, 1995), born Dino Paul Crocetti, was an American singer, film actor, television star and comedian. Martin's hit singles included "Memories Are Made of This", "That's Amore", "Everybody Loves Somebody", "Mambo Italiano", "Sway", "Volare" and smash hit "Ain't That a Kick in the Head?". Nicknamed the "King of Cool", he was one of the members of the "Rat Pack" and a major star in four areas of show business: concert stage/night clubs, recordings, motion pictures, and television.

Early life

Martin was born in Steubenville, Ohio, to Italian parents, Gaetano and Angela Crocetti (née Barra). His father was from Abruzzo, Italy, and his mother was an Italian of part Neapolitan and part Sicilian ancestry. Martin was the younger of two sons. His brother was named Bill. Martin spoke only Italian until he started school. He attended Grant Elementary School in Steubenville, and took up the drums as a hobby as a teenager. He was the target of much ridicule for his broken English and ultimately dropped out of Steubenville High School in the 10th grade because he thought that he was smarter than his teachers. He delivered bootleg liquor, served as a speakeasy croupier, was a blackjack dealer, worked in a steel mill and boxed as welterweight. He grew up a neighbor to Jimmy the Greek.

At the age of 15, he was a boxer who billed himself as "Kid Crochet". His prizefighting years earned him a broken nose (later straightened), a scarred lip, and many sets of broken knuckles (a result of not being able to afford the tape used to wrap boxers' hands). Of his twelve bouts, he would later say "I won all but eleven." For a time, he roomed with Sonny King, who, like Martin, was just starting in show business and had little money. It is said that Martin and King held bare-knuckle matches in their apartment, fighting until one of them was knocked out; people paid to watch.

Eventually, Martin gave up boxing. He worked as a roulette stickman and croupier in an illegal casino behind a tobacco shop where he had started as a stock boy. At the same time, he sang with local bands. Calling himself "Dino Martini" (after the then-famous Metropolitan Opera tenor, Nino Martini), he got his first break working for the Ernie McKay Orchestra. He sang in a crooning style influenced by Harry Mills (of the Mills Brothers), among others. In the early 1940s, he started singing for bandleader Sammy Watkins, who suggested he change his name to Dean Martin.

In October 1941, Martin married Elizabeth Anne McDonald. During their marriage (ended by divorce in 1949), they had four children. Martin worked for various bands throughout the early 1940s, mostly on looks and personality until he developed his own singing style. Martin famously flopped at the Riobamba, a high class nightclub in New York, when he succeeded Frank Sinatra in 1943, but it was the setting for their meeting.

Drafted into the United States Army in 1944 during World War II, Martin served a year stationed in Akron, Ohio. He was then reclassified as 4-F (possibly because of a double hernia; Jerry Lewis referred to the surgery Martin needed for this in his autobiography) and was discharged.

By 1946, Martin was doing relatively well, but was still little more than an East Coast nightclub singer with a common style, similar to that of Bing Crosby. He drew audiences to the clubs he played, but he inspired none of the fanatic popularity enjoyed by Sinatra.

Mafia connections

A biography on Martin entitled ''Dean Martin: King of the Road'' by Michael Freedland alleged he had links to the Mafia early in his career. According to this book, Martin was given help with his singing career by the Chicago Outfit who owned saloons in the city, and later performed in shows hosted by these bosses when he was a star. The mob bosses were Tony ("Joe Batters") Accardo and Sam Giancana. Freedland suggests Martin felt little sympathy for the Mafia and did them small favors only if it was not inconvenient for him. Another book, ''The Animal in Hollywood'' by John L. Smith, depicted Martin's longtime friendship with Mafia mobsters "Handsome Johnny" Roselli and Anthony ("The Animal") Fiato. Smith suggests that Fiato did Martin many favors, such as getting back money from two swindlers who had cheated Martin's ex-wife Betty out of thousands of dollars of her alimony.

Career

Teaming with Jerry Lewis

Martin attracted the attention of Metro-Goldwyn-Mayer and Columbia Pictures, but a Hollywood contract was not forthcoming. He met comic Jerry Lewis at the Glass Hat Club in New York, where both men were performing. Martin and Lewis formed a fast friendship which led to their participation in each other's acts and the ultimate formation of a music-comedy team.

Martin and Lewis's official debut together occurred at Atlantic City's 500 Club on July 24, 1946, and they were not well received. The owner, Skinny D'Amato, warned them that if they did not come up with a better act for their second show later that night, they would be fired. Huddling together in the alley behind the club, Lewis and Martin agreed to "go for broke", to throw out the pre-scripted gags and to improvise. Martin sang and Lewis came out dressed as a busboy, dropping plates and making a shambles of both Martin's performance and the club's sense of decorum until Lewis was chased from the room as Martin pelted him with breadrolls. They did slapstick, reeled off old vaudeville jokes, and did whatever else popped into their heads at the moment. This time, the audience doubled over in laughter. This success led to a series of well-paying engagements on the Eastern seaboard, culminating in a triumphant run at New York's Copacabana. Patrons were convulsed by the act, which consisted primarily of Lewis interrupting and heckling Martin while he was trying to sing, and ultimately the two of them chasing each other around the stage and having as much fun as possible. The secret, both said, is that they essentially ignored the audience and played to one another.

The team made its TV debut on the very first broadcast of CBS-TV network's ''Toast of the Town'' (later called ''The Ed Sullivan Show'') with Ed Sullivan and Rodgers & Hammerstein appearing on this same inaugural telecast of June 20, 1948. A radio series commenced in 1949, the same year Martin and Lewis were signed by Paramount producer Hal B. Wallis as comedy relief for the movie ''My Friend Irma''.

Their agent, Abby Greshler, negotiated for them one of Hollywood's best deals: although they received only a modest $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions. They also had complete control of their club, record, radio and television appearances, and it was through these endeavors that they earned millions of dollars.

In ''Dean & Me'', Lewis calls Martin one of the great comic geniuses of all time. But the harsh comments from the critics, as well as frustration with the formulaic similarity of Martin and Lewis movies, which producer Hal Wallis stubbornly refused to change, led to Martin's dissatisfaction. He put less enthusiasm into the work, leading to escalating arguments with Lewis. They finally could not work together, especially after Martin told his partner he was "nothing to me but a dollar sign". The act broke up in 1956, 10 years to the day from the first official teaming.

Martin's first solo film, ''Ten Thousand Bedrooms'' (1957), was a box office failure. He was still popular as a singer, but with rock and roll surging to the fore, the era of the pop crooner was waning.

The CBS film, ''Martin and Lewis'', a made-for-TV movie about the famous comedy duo, starred Jeremy Northam as Martin, and Sean Hayes as Lewis. It depicted the years from 1946–1956.

Solo career

Never totally comfortable in films, Martin wanted to be known as a real actor. Though offered a fraction of his former salary to co-star in a war drama, ''The Young Lions'' (1957), he was ecstatic to receive the part because it would be a dramatic showcase with the two most intriguing young actors of the period and he could learn from Marlon Brando and Montgomery Clift. Tony Randall already had the part, but talent agency MCA realized that with this movie, Martin would become a triple threat: they could make money from his work in night clubs, movies, and records. Martin replaced Randall and the film turned out to be the beginning of Martin's spectacular comeback. Success would continue as Martin starred alongside Frank Sinatra for the first time in a highly acclaimed Vincente Minnelli drama, ''Some Came Running'' (1958). By the mid '60s, Martin was a top movie, recording, and nightclub star, while Lewis' film career declined. Martin was acclaimed for his performance as Dude in ''Rio Bravo'' (1959), directed by Howard Hawks and also starring John Wayne and singer Ricky Nelson. He teamed up again with Wayne in ''The Sons of Katie Elder'' (1965), somewhat unconvincingly cast as brothers.

In 1960, Martin was cast in the motion picture version of the Judy Holliday hit stage play ''Bells Are Ringing''. Martin played a satiric variation of his own womanizing persona as Vegas singer "Dino" in Billy Wilder's comedy ''Kiss Me, Stupid'' (1964) with Kim Novak, and he was not above poking fun at his image in films such as the ''Matt Helm'' spy spoofs of the 1960s, in which he was a co-producer.

As a singer, Martin copied the styles of Harry Mills (of the Mills Brothers), Bing Crosby, and Perry Como until he developed his own and could hold his own in duets with Sinatra and Crosby. Like Sinatra, he could not read music, but he recorded more than 100 albums and 600 songs. His signature tune, "Everybody Loves Somebody", knocked The Beatles' "A Hard Day's Night" out of the number-one spot in the United States in 1964. This was followed by the similarly-styled "The Door is Still Open to My Heart", which reached number six later that year. Elvis Presley was said to have been influenced by Martin, and patterned "Love Me Tender" after his style. Martin, like Elvis, was influenced by country music. By 1965, some of Martin's albums, such as ''Dean "Tex" Martin,'' ''The Hit Sound Of Dean Martin,'' ''Welcome To My World'' and ''Gentle On My Mind'' were composed of country and western songs made famous by artists like Johnny Cash, Merle Haggard, and Buck Owens. Martin hosted country performers on his TV show and was named "Man Of the Year" by the Country Music Association in 1966. "Ain't That a Kick in the Head", a song Martin performed in ''Ocean's Eleven'' that never became a hit at the time, has enjoyed a spectacular revival in the media and pop culture.

For three decades, Martin was among the most popular acts in Las Vegas. Martin sang and was one of the smoothest comics in the business, benefiting from the decade of raucous comedy with Lewis. Martin's daughter, Gail, also sang in Vegas and on his TV show, co-hosting his summer replacement series on NBC. Though often thought of as a ladies' man, Martin spent a lot of time with his family; as second wife Jeanne put it, prior to the couple's divorce, "He was home every night for dinner."

The Rat Pack

As Martin's solo career grew, he and Frank Sinatra became close friends. In the late 1950s and early 1960s, Martin and Sinatra, along with friends Joey Bishop, Peter Lawford, and Sammy Davis, Jr. formed the legendary Rat Pack, so called by the public after an earlier group of social friends, the Holmby Hills Rat Pack centered on Humphrey Bogart and Lauren Bacall, of which Sinatra had been a member.

The Martin-Sinatra-Davis-Lawford-Bishop group referred to themselves as "The Summit" or "The Clan" and never as "The Rat Pack", although this has remained their identity in the popular imagination. The men made films together, formed an important part of the Hollywood social scene in those years, and were politically influential (through Lawford's marriage to Patricia Kennedy, sister of President John F. Kennedy).

The Rat Pack were legendary for their Las Vegas performances. For example, the marquee at the Sands Hotel might read DEAN MARTIN---MAYBE FRANK---MAYBE SAMMY. Las Vegas rooms were at a premium when the Rat Pack would appear, with many visitors sleeping in hotel lobbies or cars to get a chance to see the three men together. Their act (always in tuxedo) consisted of each singing individual numbers, duets and trios, along with much seemingly improvised slapstick and chatter. In the socially-charged 1960s, their jokes revolved around adult themes, such as Sinatra's infamous womanizing and Martin's legendary drinking, as well as many at the expense of Davis's race and religion. Davis famously practiced Judaism and used Yiddish phrases onstage, eliciting much merriment from both his stage-mates and his audiences. It was all good-natured male bonding, never vicious, rarely foul-mouthed, and the three had great respect for each other. The Rat Pack was largely responsible for the integration of Las Vegas. Sinatra and Martin steadfastly refused to appear anywhere that barred Davis, forcing the casinos to open their doors to African-American entertainers and patrons, and to drop restrictive covenants against Jews.

Posthumously, the Rat Pack has experienced a popular revival, inspiring the George Clooney/Brad Pitt "Ocean's" trilogy. An HBO film, ''The Rat Pack'', starred Joe Mantegna as Martin, Ray Liotta as Sinatra and Don Cheadle as Davis. It depicted their contribution to JFK's election in 1960.

The 1960s to 1980s

In 1965, Martin launched his weekly NBC comedy-variety series, ''The Dean Martin Show'', which exploited his public image as a lazy, carefree boozer. There he perfected his famous laid-back persona of the half-drunk crooner suavely hitting on beautiful women with hilarious remarks that would get anyone else slapped, and making snappy if slurred remarks about fellow celebrities during his famous roasts. During an interview he stated, and this may have been tongue-in-cheek, that he had someone record them on cassette tape so he could listen to them; this is evidenced by his comments to this effect on the British TV documentary 'Wine, Women and Song' which was aired in 1983.

The TV show was a success. Martin prided himself on memorizing whole scripts – not merely his own lines. He disliked rehearsing because he firmly believed his best performances were his first. The show's loose format prompted quick-witted improvisation from Martin and the cast. On occasion, he made remarks in Italian, some mild obscenities that brought angry mail from offended, Italian-speaking viewers. This prompted a battle between Martin and NBC censors, who insisted on more scrutiny of the show's content. The show was often in the Top Ten. Martin, deeply appreciative of the efforts of the show's producer, his friend Greg Garrison, later made a handshake deal giving Garrison, a pioneer TV producer in the 1950s, 50% ownership of the show. However, the validity of that ownership is currently the subject of a lawsuit brought by NBC Universal.

Despite Martin's reputation as a heavy drinker – a reputation perpetuated via his vanity license plates reading "DRUNKY" – he was remarkably self-disciplined. He was often the first to call it a night, and when not on tour or on a film location, liked to go home to see his wife and children. Phyllis Diller has said that Martin was indeed drinking alcohol onstage and not apple juice. She also commented that although he was not drunk, he was not really sober either, but had very strict rules when it came to performances. He borrowed the lovable-drunk shtick from Joe E. Lewis, but his convincing portrayals of heavy boozers in ''Some Came Running'' and Howard Hawks's ''Rio Bravo'' led to unsubstantiated claims of alcoholism. More often than not, Martin's idea of a good time was playing golf or watching TV, particularly westerns – not staying with Rat Pack friends Frank Sinatra and Sammy Davis, Jr. into the early hours of the morning.

Martin starred in and co-produced a series of four Matt Helm superspy comedy adventures. A fifth, ''The Ravagers'', was planned starring Sharon Tate and Martin in a dual role, one as a serial killer, but due to the murder of Tate and the decline of the spy genre the film was never made.

By the early 1970s, ''The Dean Martin Show'' was still earning solid ratings, and although he was no longer a Top 40 hitmaker, his record albums continued to sell steadily. His name on a marquee could guarantee casinos and nightclubs a standing-room-only crowd. He found a way to make his passion for golf profitable by offering his own signature line of golf balls. Shrewd investments had greatly increased Martin's personal wealth; at the time of his death, Martin was reportedly the single largest minority shareholder of RCA stock. Martin even managed to cure himself of his claustrophobia by reportedly locking himself in the elevator of a tall building and riding up and down for hours until he was no longer panic-stricken.

Martin retreated from show business. The final (1973–74) season of his variety show would be retooled into one of celebrity roasts, requiring less of Martin's involvement. After the show's cancellation, NBC continued to air the ''Dean Martin Celebrity Roast'' format in a series of TV specials through 1984. In those 11 years, Martin and his panel of pals successfully ridiculed and made fun of these legendary stars in this order: Ronald Reagan, Hugh Hefner, Ed McMahon, William Conrad, Kirk Douglas, Bette Davis, Barry Goldwater, Johnny Carson, Wilt Chamberlain, Hubert Humphrey, Carroll O'Connor, Monty Hall, Jack Klugman & Tony Randall, Zsa Zsa Gabor, Leo Durocher, Truman Capote, Don Rickles, Ralph Nader, Jack Benny, Redd Foxx, Bobby Riggs, George Washington, Dan Rowan & Dick Martin, Hank Aaron, Joe Namath, Bob Hope, Telly Savalas, Lucille Ball, Jackie Gleason, Sammy Davis Jr, Michael Landon, Evel Knievel, Valerie Harper, Muhammad Ali, Dean Martin, Dennis Weaver, Joe Garagiola, Danny Thomas, Angie Dickinson, Gabe Kaplan, Ted Knight, Peter Marshall, Dan Haggerty, Frank Sinatra, Jack Klugman, Jimmy Stewart, George Burns, Betty White, Suzanne Somers, Joan Collins, and Mr T. For nearly a decade, Martin had recorded as many as four albums a year for Reprise Records. That stopped in November 1974, when Martin recorded his final Reprise album - ''Once In A While,'' released in 1978. His last recording sessions were for Warner Brothers Records. An album titled ''The Nashville Sessions'' was released in 1983, from which he had a hit with "(I Think That I Just Wrote) My First Country Song", which was recorded with Conway Twitty and made a respectable showing on the country charts. A followup single "L.A. Is My Home" / "Drinking Champagne" came in 1985. The 1975 film ''Mr. Ricco'' marked Martin's final starring role, and Martin limited his live performances to Las Vegas and Atlantic City.

Martin seemed to suffer a mid-life crisis. In 1972, he filed for divorce from his second wife, Jeanne. A week later, his business partnership with the Riviera was dissolved amid reports of the casino's refusal to agree to Martin's request to perform only once a night. He was quickly snapped up by the MGM Grand Hotel and Casino, and signed a three-picture deal with MGM Studios. Less than a month after his second marriage had been legally dissolved, Martin married 26-year-old Catherine Hawn on April 25, 1973. Hawn had been the receptionist at the chic Gene Shacrove hair salon in Beverly Hills. They divorced November 10, 1976. He was also briefly engaged to Gail Renshaw, Miss World-U.S.A. 1969.

Eventually, Martin reconciled with Jeanne, though they never remarried. He also made a public reconciliation with Jerry Lewis on Lewis' Labor Day Muscular Dystrophy Association telethon in 1976. Frank Sinatra shocked Lewis and the world by bringing Martin out on stage. As Martin and Lewis embraced, the audience erupted in cheers and the phone banks lit up, resulting in one of the telethon's most profitable years. Lewis reported the event was one of the three most memorable of his life. Lewis brought down the house when he quipped, "So, you working?" Martin, playing drunk, replied that he was "at the Meggum" – this reference to the MGM Grand Hotel convulsed Lewis. This, along with the death of Martin's son Dean Paul Martin a few years later, helped to bring the two men together. They maintained a quiet friendship but only performed together again once, in 1989, on Martin's 72nd birthday.

Personal life

Martin was married three times. Martin's first wife, Betty McDonald, tried by all accounts to be a good wife and mother to their four children, but her efforts were ultimately undone by her alcoholism . It remains a matter of speculation whether her alcoholism led to the failure of the marriage, or whether Martin's infidelities led to Betty's alcoholism. Subsequent to their divorce, Martin gained custody of their children; Betty lived out her life in quiet obscurity in San Francisco. Their children were Stephen Craig (born June 29, 1942), Claudia Dean (March 16, 1944 - 2001 from breast cancer), Barbara Gail (born April 11, 1945) and Deana (Dina) (born August 19, 1948).

Martin's second wife was Jeanne Biegger. A stunning blonde, Jeanne could sometimes be spotted in Martin's audience while he was still married to Betty. Their marriage lasted twenty-four years (1949–1973) and produced three children. Their children were Dean Paul (November 17, 1951 - March 21, 1987; plane crash), Ricci James (born September 20, 1953) and Gina Caroline (born December 20, 1956).

Martin's third marriage, to Catherine Hawn, lasted three years. One of Martin's managers had spotted her at the reception desk of a hair salon on Rodeo Drive, then arranged a meeting. Martin adopted Hawn's daughter, Sasha, but their marriage also failed. Martin initiated divorce proceedings.

Martin's uncle was Leonard Barr, who appeared in several of his shows.

Later years and death

On December 1, 1983 while gambling at the Golden Nugget casino in Atlantic City, Martin and Sinatra intimidated the dealer and several employees into breaking New Jersey law by making the dealer deal the cards by hand instead of from a shoe. Although Sinatra and Martin were implicated as the cause of the violation, neither was fined by the New Jersey Casino Control Commission. The Golden Nugget received a $25,000 fine (which Sinatra paid, stating that it was his responsibility as he and Martin were the cause of the fine) and four employees including the dealer, a supervisor and pit boss were suspended from their jobs without pay.

Martin returned to films briefly with appearances in the two star-laden yet critically panned Cannonball Run movies. He also had a minor hit single with "Since I Met You Baby" and made his first music video, which appeared on MTV. The video was created by Martin's youngest son, Ricci.

On March 21, 1987, Martin's son, Dean Paul (formerly Dino of the '60s "teeny-bopper" rock group Dino, Desi & Billy), was killed when his F-4 Phantom II jet fighter crashed while flying with the California Air National Guard. A much-touted tour with Davis and Sinatra in 1988 sputtered. On one occasion, he infuriated Sinatra when he turned to him and muttered "Frank, what the hell are we doing up here?" Martin, who always responded best to a club audience, felt lost in the huge stadiums they were performing in (at Sinatra's insistence), and he was not interested in drinking until dawn after performances. His final Vegas shows were at Bally's Hotel in 1990. There he had his final reunion with Jerry Lewis on his 72nd birthday. Martin's last two TV appearances involved tributes to his former Rat Pack members. On December 8, 1989, he joined many stars of the entertainment industry in Sammy Davis, Jr's 60th anniversary celebration, which aired only a few weeks before Davis died from throat cancer. In December 1990, he congratulated Frank Sinatra on his 75th birthday special. By early 1995, Martin had officially retired from performing.

Martin, a life-long smoker, was diagnosed with lung cancer at Cedars Sinai Medical Center on 16 September 1993. He died of acute respiratory failure resulting from emphysema at his Beverly Hills home on Christmas morning 1995, at age 78. The lights of the Las Vegas Strip were dimmed in his honor.

Tributes and legacy

In 1996, Ohio Rte. 7, through Steubenville, was re-dedicated as "Dean Martin Boulevard." Road signs bearing an Al Hirschfeld caricature of Martin's likeness officially designate the stretch, along with a state historical marker, in the Gazebo Park at Route 7 and North Fourth Street.

An annual "Dean Martin Festival" celebration is held in Steubenville. Impersonators, friends and family of Martin, and various entertainers, many of Italian ancestry, appear.

In 2005, Las Vegas renamed Industrial Road as ''Dean Martin Drive.'' A similarly named street was dedicated in 2008 in Rancho Mirage, California.

Martin's family was presented a gold record in 2004 for ''Dino: The Essential Dean Martin'', his fastest-selling album ever, which also hit the iTunes Top 10. For the week ending December 23, 2006, the Dean Martin and Martina McBride duet of "Baby, It's Cold Outside" reached #7 on the R&R; AC chart. It also went to #36 on the R&R; Country chart - the last time Martin had a song this high in the charts was in 1965, with the song "I Will", which reached #10 on the Pop chart.

An album of duets, ''Forever Cool'', was released by Capitol/EMI in 2007. It features Martin's voice with Kevin Spacey, Shelby Lynne, Joss Stone, Big Bad Voodoo Daddy, Robbie Williams, McBride and others.

His footprints were immortalized at Grauman's Chinese Theater in 1964. Martin has three stars on the Hollywood Walk of Fame: One at 6519 Hollywood Boulevard, for movies; one at 1817 Vine, for recordings; and one at 6651 Hollywood Boulevard, for television.

In February 2009, Martin was honored with a posthumous Grammy award for Lifetime Achievement. Four of his surviving children, Gail, Deana, Ricci and Gina, were on hand to accept on his behalf. In 2009, Martin was inducted into the Hit Parade Hall of Fame.

Popular culture

A number of Dean Martin songs have constantly been featured across popular culture for decades. Hit songs such as "Ain't That a Kick in the Head", "Sway", "That's Amore", and Martin's signature song "Everybody Loves Somebody" (and many more) have been used in films (such as the Oscar-winning ''Logorama'', ''A Bronx Tale'', ''Casino'', ''Goodfellas'', and ''Return to Me''), television series (such as ''American Dad!'', ''Friends'', and ''House MD''), video games (such as ''The Godfather: The Game'', ''The Godfather II'', ''Fallout: New Vegas'', and ''Mafia II''), and even fashion shows (such as the Victoria's Secret Fashion Show 2008).

In film and television

In That '70s show episode, S-6/E-2 "Join Together." When the Forman's were throwing away all of their bad foods and drinks, because of Red's Heart Attack. Red's beloved beer and his meats were taken away and Red's Fresh mouth son, Eric said,"Whoa look at this, it looks like Dean Martin exploded!"

In the movie ''A Bronx Tale'', Martin's song, "Ain't That A Kick In The Head?", was featured during the scene when C was playing dice.

A Budweiser TV commercial that premiered during Super Bowl XLI featured Martin's "Ain't That A Kick In The Head?".

British actor Jeremy Northam portrayed the entertainer in a made-for-TV movie called, ''Martin and Lewis'', alongside Will & Grace's Sean Hayes as Jerry Lewis.

Martin was portrayed by Joe Mantegna in an HBO movie about Sinatra and Martin titled ''The Rat Pack''. Mantegna was nominated for both an Emmy Award and a Golden Globe Award for the role.

In the movie ''Return to Me'', three of his recordings are featured: "Good Morning, Life," "Buona Sera" and "Return to Me".

Danny Gans portrayed Martin in the miniseries ''Sinatra''.

In the pilot episode of ''White Collar'', Peter refers to Neal as "Dino", referencing the newly-found Sy Devore suits that Neal now wears – made famous by the "Rat Pack".

In the movie ''Pulp Fiction'', Mia Wallace and Vincent Vega go out to dinner at "Jack Rabbit Slim's" – she chooses "Martin and Lewis", and a $5 milkshake shows up.

In the movie ''Moonstruck'', Martin's recording of "That's Amore" plays over both the opening and closing credits.

In a Royal Automobile Club commercial, "Memories are Made of This" is sung.

In games and gambling

Martin is the subject of "Dean Martin's Wild Party", a video slot machine found in some casinos. The game features songs sung by Martin during the bonus game and the count-up of a player's winnings.

The 2010 video game, ''Fallout: New Vegas'', features Martin's "Ain't that a Kick in the Head?" throughout the game. It can be listened to on the "New Vegas" radio channel and heard on the loud speakers when you enter the Vegas Strip. The first quest of the game is also ironically named after the same song, as the player character is inflicted with a headshot wound.

Dean Martin's music is featured on the radios in the game Mafia II and Godfather II.

In music

A compilation album called, ''Amore!'', debuted at Number One on ''Billboard magazine'''s Top Pop Catalog Albums chart in its February 21, 2009 issue.

Other

In the Victoria's Secret Fashion Show 2008, "Ain't That A Kick In The Head?" was the opening song from the show.

Discography

Filmography

Features: {|class="wikitable" style="font-size: 90%;" border="2" cellpadding="4" background: #f9f9f9; |- align="center" ! style="background:#B0C4DE;" | Year ! style="background:#B0C4DE;" | Film ! style="background:#B0C4DE;" | Role ! style="background:#B0C4DE;" | Notes |- |1946 |''Film Vodvil: Art Mooney and Orchestra'' | |Short |- |1949 |''My Friend Irma'' |Steve Laird | |- |rowspan=3|1950 |''My Friend Irma Goes West'' |Steve Laird | |- |''At War with the Army'' |1st Sgt. Vic Puccinelli | |- |''Screen Snapshots: Thirtieth Anniversary Special'' | |Short |- |1951 |''That's My Boy'' |Bill Baker | |- |rowspan=4|1952 |''Sailor Beware'' |Al Crowthers | |- |''Jumping Jacks'' |Corp. Chick Allen | |- |''Road to Bali'' |Man in Lala's dream |Cameo (uncredited) |- |''The Stooge'' |Bill Miller | |- |rowspan=3|1953 |''Scared Stiff'' |Larry Todd | |- |''The Caddy'' |Joe Anthony | |- |''Money from Home'' |Herman 'Honey Talk' Nelson | |- |rowspan=2|1954 |''Living It Up'' |Dr. Steve Harris | |- |''3 Ring Circus'' |Peter 'Pete' Nelson | |- |rowspan=2|1955 |''You're Never Too Young'' |Bob Miles | |- |''Artists and Models'' |Rick Todd | |- |rowspan=3|1956 |''Screen Snapshots: Hollywood, City of Stars'' | |Short |- |''Pardners'' |Slim Mosely Jr. / Slim Mosely Sr. | |- |''Hollywood or Bust'' |Steve Wiley | |- |1957 |''Ten Thousand Bedrooms'' |Ray Hunter | |- |rowspan=2|1958 |''The Young Lions'' |Michael Whiteacre | |- |''Some Came Running'' |Bama Dillert (professional gambler) | |- |rowspan=2|1959 |''Rio Bravo'' |Dude ('Borachón') | |- |''Career'' |Maurice 'Maury' Novak | |- |rowspan=4|1960 |''Who Was That Lady?'' |Michael Haney |Nominated – Golden Globe Award for Best Actor – Motion Picture Musical or Comedy |- |''Bells Are Ringing'' |Jeffrey Moss | |- |''Ocean's Eleven'' |Sam Harmon | |- |''Pepe'' | |Cameo |- |rowspan=2|1961 |''All in a Night's Work'' |Tony Ryder | |- |''Ada'' |Bo Gillis | |- |rowspan=4|1962 |''Something's Got to Give'' |Nicholas 'Nick' Arden |(unfinished) |- |''Sergeants 3'' |Sgt. Chip Deal | |- |''The Road to Hong Kong'' |The 'Grape' on plutonium |Cameo (uncredited) |- |''Who's Got the Action?'' |Steve Flood | |- |rowspan=5|1963 |''38-24-36'' |Self | |- |''Come Blow Your Horn'' |The Bum |(uncredited) |- |''Toys in the Attic'' |Julian Berniers | |- |''4 for Texas'' |Joe Jarrett | |- |''Who's Been Sleeping in My Bed?'' |Jason Steel | |- |rowspan=3|1964 |''What a Way to Go!'' |Leonard 'Lennie' Crawley | |- |''Robin and the 7 Hoods'' |Little John | |- |''Kiss Me, Stupid'' |Dino | |- |rowspan=2|1965 |''The Sons of Katie Elder'' |Tom Elder | |- |''Marriage on the Rocks'' |Ernie Brewer | |- |rowspan=3|1966 |''The Silencers'' |Matt Helm | |- |''Texas Across the River'' |Sam Hollis | |- |''Murderers' Row'' |Matt Helm | |- |rowspan=2|1967 |''Rough Night in Jericho'' |Alex Flood | |- |''The Ambushers'' |Matt Helm | |- |rowspan=4|1968 |''How to Save a Marriage and Ruin Your Life'' |David Sloane | |- |''Bandolero!'' |Dee Bishop | |- |''Rowan & Martin at the Movies'' | |Short |- |''5 Card Stud'' |Van Morgan | |- |1969 |''The Wrecking Crew'' |Matt Helm | |- |1970 |''Airport'' |Capt. Vernon Demerest | |- |1971 |''Something Big'' |Joe Baker | |- |1973 |''Showdown'' |Billy Massey | |- |1975 |''Mr. Ricco'' |Joe Ricco | |- |1981 |''The Cannonball Run'' |Jamie Blake | |- |rowspan=2|1984 |''Cannonball Run II'' |Jamie Blake | |- |''Terror in the Aisles'' | |archival footage |}

References

Further reading

Arthur Marx. ''Everybody Loves Somebody Sometime (Especially Himself): The story of Dean Martin and Jerry Lewis'', New York, NY: Hawthorn Books, 1974, ISBN 978-0801524301

Lewis, Jerry and James Kaplan. ''Dean & Me (A Love Story)''. Doubleday, New York, 2005. ISBN 0-7679-2086-4

Tosches, Nick. ''Dino: Living High in the Dirty Business of Dreams''. Delta Trade Paperbacks, New York, 1992 (1st edition). ISBN 0-385-33429-X

Smith, John L. ''The Animal in Hollywood: Anthony Fiato's Life in the Mafia''. Barricade Books, New York, 1998. ISBN 1-56980-126-6

External links

Dean Martin at The Biography Channel

Cleveland.com: Homegrown Heroes: Dean Martin Timeline

Dean Works the room at the Sands

Jerry Lewis interview for the Archive of American Television

Dean Martin biography/discography on The Interlude Era site

Radio interview with Deana Martin WSLR

Dean Martin Roasts Johnny Carson

Dean Martin Roast Frank Sinatra

Dean Martin Roasts Don Rickles

Category:1917 births Category:1995 deaths Category:Actors from Ohio Category:Actors from Pittsburgh, Pennsylvania Category:American baritones Category:American military personnel of World War II Category:American comedians Category:American crooners Category:American film actors Category:American jazz musicians of Italian descent Category:American people of Sicilian descent Category:Burials at Westwood Village Memorial Park Cemetery Category:California Republicans Category:Cancer deaths in California Category:Capitol Records artists Category:Deaths from emphysema Category:Deaths from lung cancer Category:Deaths from respiratory failure Category:Musicians from Ohio Category:Musicians from Pittsburgh, Pennsylvania Category:Ohio Republicans Category:People from Steubenville, Ohio Category:Traditional pop music singers

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Coordinates	43°36′49″N116°12′12″N
name	Foster Brooks
birth date	May 11, 1912
birth place	Louisville, Kentucky
death date	December 20, 2001
death place	Encino, California
cause death	Heart Failure
years active	1952-1996
spouse	Loretta Brooks (1933-1950)Teri Brooks (1950-2001)
tonyawards	}}

Foster Brooks (May 11, 1912 – December 20, 2001) was an American actor and comedian most famous for his portrayal of a lovable drunken man in nightclub performances and television programs.

Biography

Foster Brooks was born in Louisville, Kentucky on May 11, 1912. He was one of eight sons. His career started in radio, most notably with station WHAS (AM) in Louisville. Brooks was a staff announcer, but his deep baritone voice was well-suited for singing as well. Brooks gained some measure of fame for his reporting of the Ohio River flood of 1937, where he was featured on emergency broadcasts by WHAS and also WSM (AM) out of Nashville, Tennessee. In 1952, Brooks appeared on local television in a short-lived spoof of Gene Autry and his "Singing Cowboys." He later worked in local broadcasting as a radio and TV personality in Buffalo and Rochester, New York before moving to the west coast to launch a career as a standup comic and character actor.

On the syndicated Steve Allen show of the 1960s, Allen introduced Brooks as an important movie producer. Brooks stumbled on stage doing his drunk act, fooling some of the other guests. Brooks claimed to be the executive in charge of editing movies for television. His biggest success, he said, was the famous movie ''The Three Commandments''.

Singer Perry Como discovered Brooks at a golf tournament in North Carolina in 1969, giving the comedian his major break. Como chose Brooks to open for him, and when a manager balked at the newcomer, Como refused to perform. The manager acquiesced, and Brooks was an instant hit.

Brooks regularly appeared on ''The Dean Martin Show'' television program in the 1970s (for which he garnered an Emmy nomination in 1974) as well as many situation comedies, talk shows, and a few films. Although he had only one basic signature character, he exhibited such extraordinary timing and subtlety that he was instantly recognized as one of the great comic performers of the time. His signature routine was the basis of a hit comedy album entitled ''Foster Brooks, The Lovable Lush'', released in the early 1970s. As his "Lovable Lush" character, Brooks usually portrayed a conventioneer who had had a few too many drinks — not falling-down drunk, but inebriated enough that he would mix up his words to comedic delight.

Brooks drew upon his own battles with alcohol for his act. However, during his period of greatest fame, Brooks rarely drank. Of giving up drinking to win a bet in 1964, Brooks said, "A fellow made me a $10 bet I couldn't quit, and I haven't had a drink since. At the time I needed the $10." He would occasionally make cameo appearances in which his character was perfectly sober, such as his appearance in a 1968 episode of ''Adam-12'' playing a straight-laced citizen who tries to get out of a parking ticket by dropping the name of an officer senior to the main characters.

In character, Brooks asked Dean Martin to join his group “Alcoholics Unanimous,” a play on Alcoholics Anonymous. He boasted he and Martin were charter members of the DUI Hall of Fame.

Brooks slurs to Martin, "his close friends are members of the CHP and LAPD" for his large number of DUI tickets.

Brooks appeared in the 1977 Johnny Cash television special, ''A Concert: Behind Prison Walls,'' where he portrayed himself as a drunken man and also sang the song "Half as Much".

Public sensibilities had changed regarding alcoholics and public drunkenness by the 1980s, so Brooks moved away from his drunk character. He had a recurring role as Mr. Sternhagen, Mindy's boss on ''Mork & Mindy''. For many years, his name was a moniker on a Louisville celebrity golf tournament benefiting Kosair Charities.

Brooks's brother, Tom, was a well-known entertainer in Louisville for many years. Tom Brooks played "Cactus," a hayseed character and sidekick to Randy Atcher on ''T-Bar-V Ranch'' and ''Hayloft Hoedown'', two popular local shows on WHAS-TV for many years in the 1950s and 1960s.

Years later Brooks was referred to on the Cartoon Network television show ''Space Ghost Coast to Coast'' (episode 45, "Switcheroo II"). He was featured in a scene that was cut before being aired, but the scene was later included on the ''Space Ghost Coast to Coast'' volume 3 DVD release. He is also referenced on an episode of ''Get a Life'' called "Paperboy 2000". On the March 1, 2010 episode of ''The Daily Show'', Jon Stewart referred to Senator Sheldon Whitehouse's mispronunciation of a constituent's name by saying, "It's not supposed to end on a Foster Brooks hiccup."

Foster Brooks is referenced in the 2011 game Deus Ex: Human Revolution; an internal email gained through hacking is sent to a Foster Brooks referencing a "Another Year Sober" meeting.

Brooks died on December 20, 2001, at his home in Encino, California from heart failure. He was 89.

See also

List of people from Louisville, Kentucky

References

External links

Foster Brooks, Comedian Known for His Tipsy Persona, dies at 89

Kentucky Archivist: WHAS collection at Berea College

This Is True: Foster Brooks

Performing on Dean Martin show video clip

Category:1912 births Category:2001 deaths Category:American comedians Category:American comedy musicians Category:American film actors Category:American television actors Category:People from Louisville, Kentucky Category:People self-identifying as alcoholics

es:Foster Brooks

Coordinates	43°36′49″N116°12′12″N
background	solo_singer
birth name	Percy Romeo Miller, Jr.
alias	Lil' Romeo, Rome, Romeo
born	August 19, 1989
origin	New Orleans, Louisiana, United States
genre	Hip hop
occupation	RapperModelBasketball playerEntrepreneurActor
college	USC
years active	2001–present
label	No Limit (2001–2002) Priority (2001–2002) The New No Limit (2002–2004) Universal (2002–2003) E1 (2004–2005) Guttar Music (2005–2006) Take A Stand (2007–present) The Next Generation (CEO) (2010–present) No Limit Forever (CEO) (2010–present)
website	http://romeoforever.com }}

Percy Romeo Miller, Jr. (born August 19, 1989), better known by his stage name Romeo (previously Lil' Romeo), is an American rapper, actor, basketball player, entrepreneur, and model. As a rap musician, Miller has released three studio albums and two compilation albums.

Early life

Romeo Miller was born in New Orleans, Louisiana. He is the son of rapper and entrepreneur Master P and former rapper Sonya C. He is the nephew of rappers C-Murder and Silkk the Shocker and the brother of singer Cymphonique. Romeo was signed to No Limit at the age of 5 after he wrote a rap to his dad.

Music career

''Lil' Romeo'' (2001)

He then released his debut album 7 years later titled after his original alias ''Lil' Romeo''. This offering contained the hit single "My Baby" that charted No. 1 on the Hot R&B;/Hip-hop Singles. The album peaked at No. 6 on the Billboard 200 and No. 5 on the Top R&B;/Hip-Hop Albums,selling more then 500,000 copies the first week out making it certified Gold. The album is now certified certified Platinum by the RIAA for the sales of 1,300,000. Also in 2001 he was featured on his uncle Silkk the Shocker's remix single of "That's Kool", which was also featured on his own album.

''Game Time'' (2002–2003)

In 2002, a year later after his debut album, Miller put out his second studio album, ''Game Time''. It peaked at No. 33 on the Billboard 200 and No. 10 on the Top R&B;/Hip-Hop Albums selling close to a 110,000 copies the first week . It spawned the billboard charting single "2-Way" that charted to No. 66 Hot R&B;/Hip-Hop Songs. It also spawned the album second single "True Love" which charted at No. 16 under the Hot 100 Singles. Though not as successful on the charts as Miller's debut album It still was successful in sales certified 2x Platinum, selling 2,430,785 copies making this Miller's highest selling album.

''Romeoland'' (2004–2007)

In 2004, miller released his third studio album ''Romeoland,'' which was not as successful as his last two albums selling 50,000 the first week , but still managed to be certified Gold selling over 459,000 copies in the United States. It was also the last studio album to feature Miller billed as Lil' Romeo. In 2005 Romeo along with his brother Valentino Miller who was known as Young V at that time and their three cousins C-Los, Lil' D & Willie J formed the group Rich Boyz & released their debut album ''Young Ballers: The Hood Been Good to Us''. In 2006 Miller released a compilation album entitled ''Greatest Hits'' the album featured all of his hit songs when Miller was billed as Lil' Romeo. In 2006 Romeo released the two albums ''Lottery'' & ''God's Gift'' on the new label owned by himself and his father Master P, entitled Guttar Music. ''Lottery'' served as Millers first independent release while ''God's Gift'' served as a soundtrack to a movie with the same name. ''God's Gift'' was also Miller's first album to use the name Romeo and to have explicit language. The two albums were also known for containing Miller's single "U Can't Shine Like Me" which was a direct response to Bow Wow, who fans thought dissed Miller in his song "Fresh Azimiz". In 2007 Miller released a collaboration album with his father Master P titled ''Hip Hop History'' it sold 32,000 records worldwide.

''Intelligent Hoodlum'' (2008–present)

In 2008 Miller stated he was working on his fourth studio album entitled ''Gumbo Station''. On June 17, 2008 Miller released the first single from the album which was "Get Low wit It" which featured Akon & his brother Valentino Miller it failed to gain success on the Billboard charts. On March 3, 2009 Romeo released a compilation entitled ''Get Low LP'' that contained songs that were supposed to be on ''Gumbo Station''. It debuted at No. 149 on the Billboard 200 and as of May 5, 2009 it has sold over 20,000 copies. In 2010 Romeo confirmed that he was still working on his fourth studio album but he changed the name of the album to ''The College Boy''. Romeo then announced that the title of the album was going to be ''I Am No Limit''. On January 19, 2010 Romeo released the first promotional single for the album entitled "Tell Me A Million Times" that featured Tempo. Then on January 26, 2010 Romeo released the second promotional single for the album entitled "Ice Cream Man Jr." which was a tribute to his dad Master P. On February 16, 2010 Miller released his debut mixtape ''Patience Is A Virtue'' to promote the album. Then on March 2, 2010 Romeo released two EPs to promote the album which were the ''Famous Girl'' & ''Monster/Practice''. Also In 2010 Miller debuted his newly founded record label The Next Generation Entertainment with his new group the College Boyys. They released a collaboration album on May 25, 2010 entitled ''Spring Break'' which sold over 200,000 copies worldwide. Miller also on this day released three singles which were "You" that featured D'Anna & Lil Twist, "She Bad" that featured Millers cousins Lil' D & Black Don & "They Dont Know" but all of the singles failed to reach the charts. Romeo also performed at the 2010 Hip Hop Honors along with his brother Valentino Miller, his cousins Lil' D & Black Don, & his uncle Silkk The Shocker, along with Trina, Gucci Mane & Mystikal to honor his dad Master P & No Limit Records. In late 2010 Romeo relaunched No Limit as No Limit Forever Romeo also confirmed that he has changed the name of the album from ''I Am No Limit'' to ''Intelligent Hoodlum''. In 2011 It Is confirmed that Romeo is going on a new tour with his dad Master P & his uncle Silkk the Shocker the tour is entitled ”No Limit Forever International". On January 11, 2011 Romeo released his EP ''Dont Push Me''. On May 3, 2011 Romeo released the first official single from ''Intelligent Hoodlum'' which is "Famous Girl (Remix)" which is really the mastered version of the original it still features appearances from Sean Kingston & Miller's cousin Black Don. On August 19, 2011 Romeo released his ''I Am No Limit'' mixtape which was originally supposed to be his fourth studio album before it got changed but Miller just decided it would be best to just release it as a mixtape for his fans.

Other ventures

Acting career

Miller started his acting career with a cameo appearance in the 2001 film ''Max Keeble's Big Move'', as himself. He later co-starred with Jessica Alba, Mekhi Phifer and Zachary Isaiah Williams in the film ''Honey'' (2003). In ''Honey'', his character was Benny, a young boy looking for a break. Also in 2003, he voiced himself on an episode of the animated series, ''Static Shock'', to which he had performed the theme song. He co-starred with his dad in a movie called ''Uncle P'' in 2005. He also starred in another movie with Zachary Isaiah Williams, ''God's Gift'', which came out in 2006. Recently, he made a cameo appearance, as himself, in ''Ned's Declassified School Survival Guide'' as a rapping coach for the teachers. Then in 2007 he starred in film ''ASL'' as himself, Rome, alongside Forrest Lipton and Zachary Isaiah Williams who played the young Romeo; Lil Romey and had also previously starred with Romeo in ''Honey'' and Nickelodeon's ''Romeo!''. He guest-starred as a rapper accused of murder in the 2010 CBS series, ''The Defenders'' and acted in the highly successful film, ''Jumping the Broom'', released in May 2011. In 2011, he also starred in TV commercials for McDonald's & ICDC Colleges.

Fashion designer

On July 24, 2010 Romeo launched his own clothing line titled "College Boyys", which has also been promoted by Miller & his new group the College Boyys. It has also been promoted by artists such as Justin Bieber, Big Time Rush & Jaden Smith. Romeo stated

Basketball career

Name	Percy Miller, Jr.
College	USC
Conference	Pac-10
Sport	Basketball
Position	Point guard
Career start	2008 2010
Nickname	Romeo, Prince P
Jersey	15
Height ft	5
Height in	11
Weight lb	170
Nationality	American
Birth date	August 19, 1989
Birth place	New Orleans, Louisiana
Highschool	Beverly Hills High School
tournaments	y
tournament list	2009 NCAA Tournament
color	DarkRed
fontcolor	Gold }}

Romeo was invited, in the summer of 2006, to the Reebok-sponsored ABCD Camp, which is considered the premier basketball camp in the United States. The Teaneck, New Jersey-based ABCD Camp is an invitation-only basketball showcase previously attended by high-profile players including Kobe Bryant, Stephon Marbury, Tracy McGrady, LeBron James and Carmelo Anthony. Surrounded by future NBA players such as O. J. Mayo, Derrick Rose, and Kevin Love, Miller looked out of place and averaged less than 2 points a game throughout the camp. ''The Wall Street Journal'' made an article on March 8, entitled "A Hot Prospect," cites Sonny Vaccaro, the longtime director of the ABCD Camp, as explaining, "he invited Romeo Miller to the 2006 camp, primarily as a favor to Percy Miller, whom he knew from the club basketball circuit." In the article, Vaccaro indicated, "If you're looking for the profile of an athlete who plays basketball at USC, he's not it."

On April 13, 2007, Miller verbally committed to the University of Southern California (USC) and signed a letter of intent on November 19, 2007.

Miller, a 5'11" point guard, was a four year starter at Beverly Hills High School. As a junior during the 2005–2006 high school season he averaged 13.9 points and 5.6 assists per game. As a senior during the 2006–2007 high school season he averaged 8.6 points and 9.0 assists per game.

According to ''The Wall Street Journal'', it appears the decision to grant Miller a full scholarship at USC was largely driven by his relationship with friend and teammate Demar DeRozan, the 6-foot-6 All-American forward who was rated as the number five prospect in the country on Scout.com. ''The Wall Street Journal'' reported Coach Tim Floyd as saying, "Last April...Percy Miller called while driving both players from a tournament in Fayetteville, Ark...Percy Miller said 'Demar and Romeo are ready to make their decision, and would you like to have them both on scholarship?'...'I said absolutely.'" Miller and DeRozan began playing in the 2008–2009 season.

Miller had a disappointing career at USC. In his two seasons as a Trojan, he played a total of 19 minutes in 9 games and scored a total of 5 points.

Modeling career

On December 27 Romeo modeled for a new 2011 calender. On April 10, 2011 Miller modeled for the April issue of ''TROIX'' magazine. On April 12, 2011 Miller modeled again for some new pictures. He also modeled with the singer-songwriter Chynna Terrell.

Dancing with the Stars

After originally withdrawing from season two of ''Dancing with the Stars'' due to an injury, Romeo competed in season 12. He was partnered with professional dancer, Chelsie Hightower. They were eliminated from the show on May 10, 2011 and finished in the Top 5, one week before the semi-final.

rowspan="2"	Week #
	style="text-align: center; background:#faf6f6;"|Cha-Cha-Cha/ "Romeo"
	2		Quickstep/ "You're the One That I Want"		7		8		8		Safe
	style="text-align: center; background:#faf6f6;"
	style="text-align: center; background:#faf6f6;"
	style="text-align: center; background:#faf6f6;"
	6		Waltz/ "My Heart Will Go On"		10		9		9
	style="text-align:center; background:#faf6f"|Cha-Cha-Cha/ ""Born This Way""Samba/ "Say Hey (I Love You)"
	style="text-align:center; background:#faf6f"|Tango/"Hold It Against Me"Salsa/"Tequila"

In week 7, Donnie Burns was the guest judge and scored the dances.

Personal life

Miller attended Beverly Hills High School in Beverly Hills, California. Romeo sponsors "Loco Tonic", an energy drink he mentions in his newer songs. In 2008, Romeo was ranked No. 18 in the most fit men in the world.

Discography

;Studio albums

''Lil' Romeo'' (2001)

''Game Time'' (2002)

''Romeoland'' (2004)

''Intelligent Hoodlum'' (2012)

;Independent albums

''Lottery'' (2006)

;Soundtrack albums

''God's Gift Soundtrack'' (2006)

;Collaboration albums

''Young Ballers: The Hood Been Good to Us'' (2005) (with Rich Boyz)

''Hip Hop History'' (2007) (with Master P)

''Spring Break'' (2010) (with College Boyys)

''TBA'' (2012) (with College Boyys)

''TBA'' (2012) (with Resq3)

;Mixtapes

''Patience Is A Virtue'' (2009)

''I Am No Limit'' (2011)

Filmography

;Films

''Honey (2003 film) ''Still 'Bout It'' ''God's Gift (film) ''Uncle P'' ''The Pig People'' ''Down and Distance'' ''Jumping the Broom (film) ''Madea's Witness Protection''

Year
2001	''Max Keeble's Big Move''	Himself
2003	Honey'' ||	Benny	Main Role
rowspan="2">2004	|	M.J.	Main Role
''Decisions''	Jamal
rowspan="2"	2006	God's Gift'' ||	Romeo	Main Role
''Don't Be Scared''	Stevie
rowspan="2"	2007	|	Corey Miller	Main Role
''Crush On U''	Rome
2009	|	TJ	Main Role
2010	|	Darren Sheehan	Main Role
rowspan="2"	2011	Jumping the Broom'' ||	Sebastian	Support Role
''Wolf Boy''	''2120''
2012	|	Jake	Main Role

;Television

''Oh Drama!'' ''The Hughleys'' ''Michael Jackson: 30th Anniversary Celebration'' ''Raising Dad'' ''American Music Awards of 2002 ''Proud Family'' ''One on One (TV series) ''Static Shock'' ''All Grown Up!'' ''Romeo!'' ''Ned's Declassified School Survival Guide ''Out of Jimmy's Head ''The Defenders (2010 TV series) ''The Bad Girls Club (season 6) ''Dancing with the Stars (U.S. season 12) ''The Cape ''Reed Between the Lines'' ''Charlie's Angels (2011 TV series)

Year !! Title !! Role !! Notes
2001	''The Brothers García''	Ty
2001	|	Musical Guest	Television special
2001	|	Himself
2001	|	Himself
2002	|	Marvin
2002	The 29th Annual American Music Awards'' ||	Himself
2002	|	Himself	"A Hero For Halloween" (episode 24, season 1)
2003	One on One'' ||	Eric	"Spy Games"
2003	|	Himself	Recorded the final theme song for the series.
2003	|	Lil Q	"It's Cupid, Stupid" (episode 8, season 1)
2003–2006	|	Romeo "Ro" Miller	Main Role/Starring as ''Romeo''.
2005	|	Rapping teacher	"Guide to: Emergency Drills and Late Bus" (episode 21, season 2)
2008	|	Himself	"Lunch Tables" (episode 13, season 1)
2010	The Defenders ||	Killa Diz	"The Defenders – Nevada v. Killa Diz"
2011	The Bad Girls Club: Season 6'' ||	Himself	Guest appearance on the reality show (episode 10)
2011	Dancing With the Stars: Season 12 '' ||	Contestant	Romeo was originally supposed to be competing in season 2 but due to a injury he was unable & his dad Master P filled in for him
2011	|	Gangster	Season 1, Episode 9 – "Razer".
2011	|	Darius	Season 1, Episode 5 – "Let's Talk About Competition"
2011	Charlie's Angels'' ||	Royal's son	Season 1, EpisRode 7 – "Royal Angels"

Felipe Solis is schedule to appear in Romeo's new reality show Romeo & Juliet

Awards and nominations

Billboard Music Awards

*2001, Rap Artist of the Year (Winner)

*2001, Music Videos: ''My Baby'' (Winner)

*2002, R&B;/Hip-Hop: ''My Baby'' (Winner)

Kids Choice Awards

*2004, Favorite Television Actor – Male for: ''Romeo!'' (Nominated)

*2005, Favorite Television Actor – Male for: ''Romeo!'' (Winner)

*2006, Favorite Television Actor – Male for: ''Romeo!'' (Nominated)

Teen Choice Awards

*2004, Choice Breakout Movie Star – Male for: ''Honey'' (Nominated)

Black Reel Awards

*2004, Choice Breakout Movie Star – Male for: ''Honey'' (Nominated)

Young Artist Awards

*2005, Best Performance in a TV Series (Comedy or Drama) – Leading Young Actor: Romeo! (Nominated)

NAMIC Vision Awards

*2005, Best Comedic Performance: ''Romeo!'' (Nominated)

Image Awards

*2005, Outstanding Performance in a Youth/Children's Program – Series or Special: ''Romeo!'' (Nominated)

References

External links

Official website

USC Athletics Player Biography: No. 15 Percy Miller

Photos from Shrink-A-Bulls

Category:1989 births Category:Living people Category:African American basketball players Category:African-American businesspeople Category:African-American fashion designers Category:African American film actors Category:African American child actors Category:African American models Category:African American rappers Category:American child actors Category:American child singers Category:American film actors Category:American male models Category:American voice actors Category:Businesspeople in fashion Category:E1 Music artists Category:No Limit Records artists Category:Participants in American reality television series Category:People from Beverly Hills, California Category:People from New Orleans, Louisiana Category:Rappers from New Orleans, Louisiana Category:Rappers from Los Angeles, California Category:University of Southern California alumni Category:USC Trojans men's basketball players

da:Romeo Miller de:Romeo (Rapper) es:Lil' Romeo fr:Lil' Romeo it:Lil' Romeo no:Romeo Miller pl:Lil' Romeo pt:Romeo Miller fi:Romeo (rap-artisti) sv:Romeo (artist) th:โรมีโอ มิลเลอร์ tr:Lil’Romeo

Coordinates	43°36′49″N116°12′12″N
name	Monty Python
medium	Television, film, theatre, audio recordings, books
nationality	British
active	1969–1983
genre	Satire, surreal humour, dark comedy
influences	The Goons, Spike Milligan, Peter Cook
influenced	Douglas Adams, Eddie Izzard, George Carlin, Vic and Bob, Matt Stone, Trey Parker, Matt Groening
notable work	''Monty Python's Flying Circus'' (1969–1974)''And Now for Something Completely Different'' (1971)''Monty Python and the Holy Grail'' (1974)''Monty Python's Life of Brian'' (1979)''Monty Python Live at the Hollywood Bowl'' (1982)''Monty Python's The Meaning of Life'' (1983)
current members	Graham Chapman John Cleese Terry Gilliam Eric Idle Terry Jones Michael Palin
website	PythOnline
footnotes	}}

Monty Python (sometimes known as The Pythons) was a British surreal comedy group who created ''Monty Python's Flying Circus'', a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to The Beatles's influence on music.

The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content. A self-contained comedy team responsible for both writing and performing their work, the Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of ''Saturday Night Live'' through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.

In a 2005 UK poll to find ''The Comedian's Comedian'', three of the six Pythons members were voted by fellow comedians and comedy insiders to be among the top 50 greatest comedians ever: Cleese at #2, Idle at #21, and Palin at #30.

Before ''Flying Circus''

Palin and Jones met at Oxford University, where they performed together with the Oxford Revue. Cleese and Chapman met at Cambridge. Idle was also at Cambridge, but started a year after Cleese and Chapman. Cleese met Gilliam in New York while on tour with the Cambridge University Footlights revue ''Cambridge Circus'' (originally entitled ''A Clump of Plinths''). Chapman, Cleese and Idle were members of the Footlights, which at that time also included the future ''Goodies'' (Tim Brooke-Taylor, Bill Oddie and Graeme Garden), and Jonathan Lynn (co-writer of ''Yes Minister'' and ''Yes, Prime Minister''). During Idle's presidency of the Club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights revues (called "Smokers") at Pembroke College include sketches and performances by Idle and Cleese. They are kept in the archives of the Pembroke Players, along with tapes of Idle's performances in some of the college drama society's theatrical productions.

Python members appeared in and/or wrote the following shows before ''Monty Python's Flying Circus''. ''The Frost Report'' is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles:

''I'm Sorry, I'll Read That Again'' (radio) (1964–1973) [Cleese: cast member & writer] – [Idle and Chapman: writers]

''The Frost Report'' (1966–1967) [Cleese: cast member and writer] – [Idle: writer of Frost's monologues] – [Chapman, Palin and Jones: writers]

''At Last the 1948 Show'' (1967) [Chapman and Cleese: writers and cast members] – [Idle: writer]

''Twice a Fortnight'' (1967) [Palin and Jones: cast members and writers]

''Do Not Adjust Your Set'' (1967–1969) [Idle, Jones, and Palin: cast members & writers] – [Gilliam: animation] — Bonzo Dog Band: musical interludes]

''We Have Ways of Making You Laugh'' (1968) [Idle: cast member & writer] – [Gilliam: animation]

''How to Irritate People'' (1968) [Cleese and Chapman: cast members & writers] – [Palin: cast member]

''The Complete and Utter History of Britain'' (1969) [Palin and Jones: cast members & writers]

''Doctor in the House'' (1969) [Cleese & Chapman: writers]

Several featured other important British comedy writers or performers of the future, including Marty Feldman, Jonathan Lynn, David Jason and David Frost, as well as members of other future comedy teams, Ronnie Corbett and Ronnie Barker (the Two Ronnies), and Tim Brooke-Taylor, Graeme Garden and Bill Oddie (the Goodies).

Following the success of ''Do Not Adjust Your Set'', originally intended to be a children's programme, with adults, ITV offered Palin, Jones, Idle and Gilliam their own series together. At the same time Cleese and Chapman were offered a show by the BBC, which had been impressed by their work on ''The Frost Report'' and ''At Last The 1948 Show''. Cleese was reluctant to do a two-man show for various reasons, including Chapman's supposedly difficult personality. Cleese had fond memories of working with Palin and invited him to join the team. With the ITV series still in pre-production, Palin agreed and suggested the involvement of his writing partner Jones and colleague Idle—who in turn suggested that Gilliam could provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.

''Monty Python's Flying Circus''

Development of the series

The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook, Alan Bennett, Jonathan Miller and Dudley Moore on ''Beyond the Fringe'', and had worked on ''Frost'', which was similar in style. They enjoyed Cook and Moore's sketch show ''Not Only... But Also''. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan, recording his groundbreaking series ''Q5'' (1969). Not only was the programme more irreverent and anarchic than any previous television comedy, Milligan would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate.

After much debate, Jones remembered an animation Gilliam had created for ''Do Not Adjust Your Set'' called ''Beware of the Elephants'', which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled ''Christmas Cards'', and agreed that it represented "a way of doing things differently". Since Cleese, Chapman and Idle were less concerned with the overall flow of the programme, it was Jones, Palin and Gilliam who became largely responsible for the presentation style of the ''Flying Circus'' series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).

Writing started at 9 am and finished at 5 pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join together with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a 'writer', rather than an actor desperate for screen time. When the themes for sketches were chosen, Gilliam had carte blanche to decide how to bridge them with animations, using a camera, scissors, and airbrush.

While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members was more visual, and more fanciful conceptually (e.g., the arrival of the Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as The Man Who Speaks In Anagrams). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's". Gilliam's animations, meanwhile, ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).

Several names for the show were considered before ''Monty Python's Flying Circus'' was settled upon. Some were ''Owl Stretching Time'', ''Toad Elevating Moment'', ''A Bucket, a Horse and a Spoon'', ''Vaseline Review'' and ''Bun, Wackett, Buzzard, Stubble and Boot''. ''Flying Circus'' stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it. Many variations on the name in front of this title then came and went (popular legend holds that the BBC considered ''Monty Python's Flying Circus'' to be a ridiculous name, at which point the group threatened to change their name every week until the BBC relented). "Gwen Dibley's Flying Circus" was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. "Baron Von Took's Flying Circus" was considered as an affectionate tribute to Barry Took, the man who had brought them together. ''Arthur Megapode's Flying Circus'' was suggested, then discarded.

There are differing, somewhat confusing accounts of the origins of the Python name although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary ''Live At Aspen'' during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the group implied that "Monty" was selected (Eric Idle's idea) as a gently-mocking tribute to Field Marshal Lord Montgomery, a legendary British general of World War II; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".

Style of the show

''Flying Circus'' popularised innovative formal techniques, such as the cold open, in which an episode began without the traditional opening titles or announcements. An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's...", only to be then cut off by the title sequence and theme music. On several occasions the cold open lasted until mid show, after which the regular opening titles ran. Occasionally the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion the credits ran directly after the opening titles. They also experimented with ending segments by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "Colonel" character, who walked into several sketches and ordered them to be stopped because things were becoming "far too silly." Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken, before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and make the formal and determined announcement, "And now for something completely different."

The Python theme music is ''The Liberty Bell'', a march by John Philip Sousa, which was chosen, among other reasons, because the recording was in the public domain.

The use of Gilliam's surreal, collage stop motion animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid, cut from a reproduction of the Renaissance masterpiece ''Venus, Cupid, Folly, and Time'' by Bronzino. This foot, and Gilliam's style in general, are visual trademarks of the series.

The Pythons used the British tradition of cross-dressing comedy by donning frocks and makeup and playing female roles themselves while speaking in falsetto. Generally speaking, female roles were played by a woman (usually Carol Cleveland) when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). In some episodes and later in ''Monty Python's Life of Brian'' they took the idea one step further by playing women who impersonated men (in the stoning scene).

Many sketches are well-known and widely quoted. "Dead Parrot", "The Lumberjack Song", "Spam", "Nudge Nudge", "The Spanish Inquisition", "Upper Class Twit of the Year", "Cheese Shop" and "The Ministry of Silly Walks" are just a few examples.

End of ''Flying Circus''

Having considered the possibility at the end of the second series, Cleese left the ''Flying Circus'' at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese-and-Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts. He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."

The rest of the group carried on for one more "half" series before calling a halt to the programme in 1974. The name ''Monty Python's Flying Circus'' appears in the opening animation for series four, but in the end credits the show is listed as simply "Monty Python". Despite his official departure from the group, Cleese supposedly made a (non-speaking) cameo appearance in the fourth series, but never appeared in the credits as a performer. Several episodes credit him as a co-writer since some sketches were recycled from scenes cut from the ''Holy Grail'' script. While the first three series contained 13 episodes each, the fourth ended after six.

Time-Life Films had the right to distribute all BBC-TV programs in America, however they had decided that British comedy simply would not work in the U.S.A. Therefore, it was not worth the investment to convert the Python shows from the European PAL standard to the American NTSC standard, which meant PBS stations could not afford the programmes. Finally, in 1974, Greg Garrison, TV producer for Dean Martin, used a couple of Python sketches ("Bicycle Repairman" and "The Dull Life of a Stockbroker") on the NBC series ''ComedyWorld'', a summer replacement series for ''The Dean Martin Show''. Payment for use of these segments was enough to pay for the conversion of the entire Python library to NTSC standard. At last, they could be sold to non-commercial TV stations, where officially they began airing in October 1974—exactly 5 years after their BBC debut. One PBS station had a program director (Ron Devillier) so eager that he 'jumped the gun' and started broadcasting the 'Flying Circus' episodes in that summer on the unlikely KERA in Dallas. The ratings shot through the roof—and was an encouraging sign to the other 100 stations that had signed up to air the shows. There was also cross-promotion from FM radio stations across the country, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy.

With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as ''Are You Being Served?'' gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.

Life after the ''Flying Circus''

Filmography

''And Now for Something Completely Different'' (1971)

The Pythons' first feature film (directed by Ian MacNaughton, reprising his role from the television series). It was composed of sketches from the first two seasons of the ''Flying Circus'', reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self-Defence Class", "How Not To Be Seen" and "Nudge Nudge". Financed by Playboy's UK executive Victor Lownes, it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK (this still being in the era before home video would make it much more accessible to view the material again). The group did not consider the film a success.

''Monty Python and the Holy Grail'' (1974)

In 1974, between production on the third and fourth seasons, the group decided to embark on their first "proper" feature film, containing entirely new material. ''Monty Python and the Holy Grail'' was based on Arthurian Legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but it was Chapman who took the lead as King Arthur. Cleese returned to the group for the film, feeling that the group were once again breaking new ground. ''Holy Grail'' was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd, Jethro Tull and Led Zeppelin—and UK music industry entrepreneur Tony Stratton-Smith (founder and owner of the Charisma Records label, for which the Pythons recorded their comedy albums).

The backers of the film wanted to cut the famous Black Knight scene (in which the Black Knight loses his limbs in a duel) but it was eventually kept in the movie.

''Monty Python's Life of Brian'' (1979)

Following the success of ''Holy Grail'', reporters asked for the title of the next Python film, despite the fact that the team had not even begun to consider a third one. Eventually, Idle flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer once they realised that it shut reporters up. However, they soon began to seriously consider a film lampooning the New Testament era in the same way ''Holy Grail'' had lampooned Arthurian legend. Despite them all sharing a distrust of organised religion, they agreed not to mock Jesus nor his teachings directly. Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone who had been mistaken for the "Messiah," but who had no desire to be followed as such. Chapman was cast in the lead role of Brian.

The focus therefore shifted to a separate individual born at the same time, in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on the Mount, speaking the Beatitudes), he is played straight (by actor Kenneth Colley) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance. ("I think he said, 'Blessed are the cheesemakers.'")

Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. ''Holy Grail's'' production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on location in Tunisia, the finances being provided this time by former Beatle George Harrison, who together with Denis O'Brien formed the production company Hand-Made Films for the movie. He had a cameo role as the 'owner of the Mount.'

Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. A Channel 4 poll in 2005 ranked ''Holy Grail'' in sixth place, with ''Life of Brian'' at the top.

''Monty Python Live at the Hollywood Bowl'' (1982)

Filmed at the Hollywood Bowl in Los Angeles during preparations for ''The Meaning of Life'', this was a concert film (directed by Terry Hughes) in which the Pythons performed sketches from the television series in front of an audience. The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since the end of ''Flying Circus'') and live performances of several songs from the troupe's then-current ''Monty Python's Contractual Obligation Album''.

''Monty Python's The Meaning of Life'' (1983)

Python's final film returned to something structurally closer to the style of ''Flying Circus''. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, ''The Meaning of Life'' is embellished with some of Python's most bizarre and disturbing moments, as well as various elaborate musical numbers. The film is by far their darkest work, containing a great deal of black humour, garnished by some spectacular violence (including an operation to remove a liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone."

Besides the opening credits and the fish sequence, Gilliam, by now an established live action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch—''The Crimson Permanent Assurance''. Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) Crucially, this was the last project that all six Pythons would collaborate on, except for the 1989 compilation ''Parrot Sketch Not Included,'' where they are all seen sitting in a closet for four seconds. This would be the last time Chapman appeared on-screen with the Pythons.

''Secret Policeman's Ball'' benefit shows

Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the human rights work of Amnesty International. Between 1976 and 1981, the troupe or its members appeared in four major fund-raisers for Amnesty—known collectively as the ''Secret Policeman's Ball'' shows—which were turned into multiple films, TV shows, videos, record albums and books. These benefit shows and their many spin-offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues. Among the many musicians who have publicly attributed their activism—and the organisation of their own benefit events—to the inspiration of the work in this field of Monty Python are U2, Bob Geldof, Pete Townshend and Sting. The shows are credited by Amnesty with helping the organisation develop public awareness in the USA where one of the spin-off films was a major success.

Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" Carol Cleveland and Neil Innes) all appeared together in the first ''Secret Policeman's Ball'' benefit—the 1976 ''A Poke In The Eye (With A Sharp Stick)''—where they performed several Python sketches. In this first show they were collectively billed as ''Monty Python''. (Peter Cook deputised for the errant Idle in one major sketch ''The Courtroom''.) In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. After a six-year break, Amnesty resumed producing ''Secret Policeman's Ball'' benefit shows in 1987 (sometimes with, and sometimes without variants of the iconic title) and by 2006 had presented a total of twelve such shows. The shows since 1987 have featured newer generations of British comedic performers, including many who have attributed their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. (Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that the Pythons have not appeared in shows after the first four.)

Going solo

Each member has pursued various film, television and stage projects since the break-up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably ''A Fish Called Wanda'' (1988), written by Cleese, in which he starred along with Palin. The pair also appeared in ''Time Bandits'' (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed ''Jabberwocky'' (1977), and also directed and co-wrote ''Brazil'' (1985) and ''The Adventures of Baron Munchausen'' (1988), which featured Palin and Idle respectively. ''Yellowbeard'' (1983) was co-written by Chapman and featured Chapman, Cleese and Palin alongside many of their English contemporaries, including Peter Cook, Spike Milligan and Marty Feldman.

Palin and Jones wrote the comedic TV series ''Ripping Yarns'' (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a non-speaking part in the episode "Golden Gordon". Jones' film ''Erik the Viking'', also has Cleese playing a small part.

In 1996, Terry Jones wrote and directed an adaption of Kenneth Grahame's novel ''The Wind in the Willows''. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river.

In terms of numbers of productions, Cleese has the most prolific solo career, having appeared in 59 theatrical films, 22 TV shows or series (including ''Cheers'', ''3rd Rock from the Sun'', Q's assistant in the James Bond movies, and ''Will & Grace''), 23 direct-to-video productions, six video games, and a number of commercials. His BBC sitcom ''Fawlty Towers'' (written by and starring Cleese together with his then-wife Connie Booth), is considered the greatest solo work by a Python since the sketch show finished. It is the only comedy series to rank higher than the ''Flying Circus'' on the BFI TV 100's list, topping the whole poll.

Idle enjoyed critical success with ''Rutland Weekend Television'' in the mid-1970s, out of which came the Beatles parody The Rutles (responsible for the cult mockumentary ''All You Need Is Cash''), and as an actor in ''Nuns on the Run'' (1990) with Robbie Coltrane. Idle has had success with Python songs: "Always Look on the Bright Side of Life" went to no. 3 in the UK singles chart in 1991. The song had been revived by Simon Mayo on BBC Radio 1, and was consequently released as a single that year. The theatrical phenomenon of the Python musical ''Spamalot'' has made Idle the most financially successful of the troupe post-Python. Written by Idle, it has proved an enormous hit on Broadway, London's West End and also Las Vegas. This was followed by ''Not the Messiah (He's a Very Naughty Boy)'', which repurposes ''The Life of Brian'' as an oratorio. For the work's 2007 premiere at the Luminato festival in Toronto (which commissioned the work), Idle himself sang the "baritone-ish" part.

Post-Python reunions

Since ''The Meaning of Life'', their last project as a team, the Pythons have often been the subject of reunion rumours. The final reunion of all six members occurred during the ''Parrot Sketch Not Included – 20 Years of Monty Python'' special. The death of Chapman in 1989 (on the eve of their 20th anniversary) put an end to the speculation of any further reunions. There have been several occasions since 1989 when the surviving five members have gathered together for appearances—albeit not formal reunions.

In 1996, Jones, Idle, Cleese and Palin were featured in a film adaptation of ''The Wind in the Willows'', which was later renamed ''Mr. Toad's Wild Ride''.

In 1998 during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the five remaining members along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years. The occasion was in the form of an interview called Monty Python Live At Aspen, (hosted by Robert Klein, with an appearance by Eddie Izzard) in which the team looked back at some of their work and performed a few new sketches.

On 9 October 1999, to commemorate 30 years since the first ''Flying Circus'' television broadcast, BBC2 devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. The program appears, though omitting a few things, on the DVD ''The Life of Python''. Though Idle's involvement in the special is limited, the final sketch marks the only time since 1989 that all surviving members of the troupe appear in one sketch, albeit not in the same room.

In 2002, four of the surviving members, bar Cleese, performed "The Lumberjack Song" and "Sit on My Face" for George Harrison's memorial concert. The reunion also included regular supporting contributors Neil Innes and Carol Cleveland, with a special appearance from Tom Hanks.

In an interview to publicise the DVD release of ''The Meaning of Life,'' Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of business rather than one of bad feelings. A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members “together” in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.

Idle has responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."

2003's ''The Pythons Autobiography By The Pythons'', compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to ''Holy Grail'' that had been conceived by Idle, may have resulted in the group's permanent fission. Cleese's feeling was that ''The Meaning of Life'' had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man-like central roles in the original ''Grail'' and ''Brian'' films had been considered to be essential performance anchorage). Apparently Idle was angry with Cleese for refusing to do the film, which most of the remaining Pythons thought reasonably promising (the basic plot would have taken on a self-referential tone, featuring them in their main 'knight' guises from ''Holy Grail'', mulling over the possibilities of reforming their posse). The book also reveals that a secondary option around this point was the possibility of revitalising the Python brand with a new stage tour, perhaps with the promise of new material. This idea had also hit the buffers at Cleese's refusal, this time with the backing of other members.

March 2005 saw a full, if non-performing, reunion of the surviving cast members at the premiere of Idle's musical ''Spamalot'', based on ''Monty Python and the Holy Grail''. It opened in Chicago and has since played in New York on Broadway, London and numerous other major cities across the world. In 2004, it was nominated for 14 Tony Awards and won three: Best Musical, Best Direction of a Musical for Mike Nichols and Best Performance by a Featured Actress in a Musical for Sara Ramirez, who played the Lady of the Lake, a character specially added for the musical. Cleese played the voice of God, played in the film by Chapman.

Owing in part to the success of ''Spamalot'', PBS announced on 13 July 2005, that it would begin to re-air the entire run of ''Monty Python's Flying Circus'' and new one-hour specials focusing on each member of the group, called ''Monty Python's Personal Best.'' Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.

Eric Idle and John Cleese appeared on stage together singing "Always Look on the Bright Side of Life" with the rest of the performers for the climax of Prince Charles 60th Birthday Show.

In 2009, to commemorate the fortieth anniversary of the first episode of ''Monty Python's Flying Circus'', a six part documentary entitled ''Monty Python: Almost the Truth (The Lawyer's Cut)'' was released, featuring interviews with the surviving members of the team as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.

Also in commemoration of the 40th anniversary Idle, Palin, Jones and Gilliam appeared in a production of ''Not the Messiah (He's a Very Naughty Boy)'' at the Royal Albert Hall. The European premiere was held on 23 October 2009. An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009 where the Team received a Special Award from the British Academy of Film and Television Arts.

In June 2011, it was announced that Monty Python have begun production on their first film project since ''the Meaning of Life'' in 1983. Their next film, ''A Liar's Autobiography'', is an animated 3D movie based on the memoir of the late Python member, Graham Chapman, who died in 1989 at the age of 48. ''A Liar’s Autobiography'' was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity and the toils of surreal comedy.

Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing . . . it’s all a downright, absolute, blackguardly lie."

The film will use Chapman's own voice - from a reading of his autobiography shortly before he died of cancer - and entertainment channel EPIX announced that the film will be released in early 2012 in both 2D and 3D formats. Produced and directed by London-based Bill Jones, Ben Timlett and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style.

John Cleese has recorded new dialogue which will be matched with Chapman’s voice and Michael Palin will voice Chapman’s mother and father. Terry Gilliam plays various roles. Among the original Python group, only Eric Idle has not become involved, though Timlett said the filmmakers are “working on” him.

Python members

Graham Chapman was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practice as a doctor. Chapman is best remembered for the lead roles in ''Holy Grail'', as King Arthur, and ''Life of Brian'', as Brian Cohen. He died of spinal and throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the Dead Parrot sketch, which they had written.

John Cleese is the oldest Python. He met his future Python writing partner, Graham Chapman in Cambridge.

Terry Gilliam, an American, was the only member of the troupe of non-British origin. He started off as an animator and strip cartoonist for Harvey Kurtzman's ''Help!'' magazine, one issue of which featured Cleese. Moving from the USA to England, he animated features for ''Do Not Adjust Your Set'' and was then asked by its makers to join them on their next project: ''Monty Python's Flying Circus''. He co-directed ''Monty Python and the Holy Grail'' and directed short segments of other Python films (for instance "The Crimson Permanent Assurance", the short film that appears before ''The Meaning of Life'').

When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and Eric Idle. Regular themes in his contributions were elaborate wordplay and musical numbers. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film ''Splitting Heirs'' (written, produced by and starring him) and 1998's ''An Alan Smithee Film: Burn Hollywood Burn'' (in which he starred), which was awarded five Razzies, including 'Worst Picture of the Year'. He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. He also wrote the Broadway musical ''Spamalot'', based on the ''Holy Grail'' movie. He also wrote ''Not the Messiah (He's a Very Naughty Boy)'', an oratorio derived from the ''Life of Brian''.

Terry Jones has been described by other members of the team as the “heart” of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should you "speak to him on subjects as diverse as fossil fuels, or Rupert Bear, or mercenaries in the Middle Ages or Modern China... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often underrated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in ''Life of Brian'', "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.

Michael Palin attended Oxford, where he met his Python writing partner Jones. The two also wrote the series ''Ripping Yarns'' together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first ten seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled ''Michael Palin Diaries 1969–1979'', published in 2007.

Associate Pythons

Several people have been accorded unofficial "Associate Python" status over the years. Occasionally such people have been referred to as the ''7th Python'', in a style reminiscent of George Martin (or other associates of The Beatles) being dubbed "the Fifth Beatle." The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as ''Associate Pythons'' at the official Monty Python 25th anniversary celebrations held in Los Angeles in July 1994. Neil Innes is the only non-Python besides Douglas Adams to be credited with writing material for the ''Flying Circus''. He appeared in sketches and the Python films, as well as performing some of his songs in ''Monty Python Live at the Hollywood Bowl''. He was also a regular stand-in for absent team members on the rare occasions when they re-created sketches. For example, he took the place of Cleese at the Concert for George. Gilliam once noted that if anyone qualified for the title of the "Seventh Python," it would certainly be Innes. He was one of the creative talents in the off-beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for ''All You Need is Cash'' (1978). By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album ''The Rutles: Archaeology'' and Idle's straight-to-DVD ''The Rutles 2: Can't Buy Me Lunch'', each undertaken without the other's participation. According to an interview with Idle in the ''Chicago Tribune'' in May 2005, his attitude is that he and Innes go back "too far. And no further." Innes has remained silent on the dispute.

Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as the "Python Girl." Originally hired by producer/director John Howard Davies for just the first five episodes of the ''Flying Circus'', she went on to appear in approximately two-thirds of the episodes as well as in all of the Python films, and in most of their stage shows as well. Her common portrayal as the stereotypical "blonde bimbo" eventually earned her the sobriquet "Carol Cleavage" from the other Pythons, but she felt that the variety of her roles should not be described in such a pejorative way.

Other contributors

Cleese's first wife Connie Booth appeared in, amongst others "The Lumberjack Song" and as the "witch" in ''Monty Python and the Holy Grail''. Cleese and Booth later co-wrote and co-starred in ''Fawlty Towers''.

Douglas Adams was "discovered" by Chapman when a version of the ''Footlights Revue'' (a 1974 BBC2 television show featuring some of Adams' early work) was performed live in London's West End. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "Patient Abuse". In the sketch, a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill out numerous senseless forms before he can administer treatment. He also had two cameo appearances in this season. Firstly, in the episode ''The Light Entertainment War'', Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of ''Mr. Neutron'', Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron..."). Adams and Chapman also subsequently attempted a few non-Python projects, including ''Out of the Trees.'' He also contributed to a sketch on the soundtrack album for ''Monty Python and the Holy Grail''.

Stand-up comedian Eddie Izzard, a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of ''Flying Circus'', the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted a history of the group entitled ''The Life of Python'' (1999) that was part of the ''Python Night'' and appeared with them at a festival/tribute in Aspen, Colorado, in 1998 (released on DVD as ''Live at Aspen'').

Cultural influence

By the time of the twenty-fifth anniversary of Monty Python in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish". A similar point is made in a 2006 book on the relationship between Monty and philosophy: "It is remarkable, after all, not only that the utterly bizarre ''Monty Python's Flying Circus'' was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence" Matt Groening, creator and co-developer of animated series the Simpsons, names Monty Python as an influence and pays tribute through a couch gag used in seasons five and six.

Space

In 2010 the commercial space company SpaceX, launched a wheel of cheese into low earth orbit and returned it safely to the earth. Elon Musk, CEO and CTO of SpaceX, claimed this was done as a tribute to Monty Python.

World records

On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic "Always Look On The Bright Side of Life" for the Guinness World Records attempt.

'Pythonesque'

Amongst the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language. The most obvious of these is the term 'pythonesque', which has become a byword in surreal humour, and is included in standard dictionaries. Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorize and that "the fact that Pythonesque is now a word in the Oxford English Dictionary shows the extent to which we failed".

The term has been applied to animations similar to those constructed by Gilliam (e.g. the cut-out style of ''South Park'', whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th anniversary theme night).

''Good Eats'' creator Alton Brown cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode. Recent episodes even include Gilliam-style animations to illustrate key points.

Things named after Monty Python

Beyond a dictionary definition, Python terms have entered the lexicon in other ways.

The Python programming language by Guido van Rossum is named after the troupe, and Monty Python references are often found in sample code created for that language. Additionally, a 2001 April Fool's Day joke by van Rossum and Larry Wall involving the merger of Python with Perl was dubbed "Parrot" after the Dead Parrot Sketch. The name "Parrot" was later used for a project to develop a virtual machine for running bytecode for interpreted languages such as Perl and Python. Also, the Jet Propulsion Laboratory wrote some spacecraft navigation software in Python, which they dubbed "Monty". There is also a python refactoring tool called bicyclerepair ( ), named after Bicycle Repair Man sketch.

In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the Miocene was discovered in Riversleigh, Queensland, Australia. The Australian palaeontologist who discovered the fossil snake was a Monty Python fan, and he gave the snake the taxonomic name of ''Montypythonoides riversleighensis'' in honour of the Monty Python team. (Transliterated from Greek Μοντυπυθωνοειδής back to English, Montypythonoides means "like Monty Python".) In 2006, Ben & Jerry's, known for their "celebrity flavours", introduced to the lineup "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavor. In 1999, Black Sheep Brewery released an ale named "Monty Python's Holy Grail Ale."

The band Toad the Wet Sprocket drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's ''Contractual Obligation Album'' from 1980.

The band Boxhamsters, which is the German translation of Brook-Hamster, the winner of the Upper Class Twit of the Year. A philosophy lecture series entitled ''Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python''. The term "spam" in reference to bulk, unsolicited email is derived from the programme's 1970 "Spam" sketch.

In the book ''The Reptile Room'' by "Lemony Snicket", the character Uncle Monty was named after Monty Python, in a joke referring to his obsession with snakes.

Seven asteroids are named after Monty Python: 9617 Grahamchapman, 9618 Johncleese, 9619 Terrygilliam, 9620 Ericidle, 9621 Michaelpalin, 9622 Terryjones, and 13681 Monty Python .

The endangered Bemaraha woolly lemur (Avahi cleesei) is named after John Cleese.

''Dead Parrot Society'' is the title of a comedy CD released in 1993 featuring sketches from ''Monty Python's Flying Circus'' as well as Graham Chapman, Peter Cook, John Cleese, Dudley Moore, and The Portsmouth Sinfonia The title is also a play on the 1989 film ''Dead Poets Society''.

Media

Television

''Monty Python's Flying Circus'' (1969–74)

:The show that started the Python phenomenon. See also List of Monty Python's Flying Circus episodes

''Monty Python's Fliegender Zirkus'' (1972)

: Two 45-minute specials made by WDR for West German television. The first was recorded in German, while the second was in English with German dubbing.

''Monty Python's Personal Best'' (2006)

:Six one-hour specials, each episode presenting the best of one member's work.

''Monty Python: Almost the truth''(2012)

:Six 1 hour shows about the monty python team and their unwanted celebrity status

Films

There were five Monty Python productions released as theatrical films:

''And Now for Something Completely Different'' (1971)

:A collection of sketches from the first and second TV series of ''Monty Python's Flying Circus'' purposely re-enacted and shot for film.

''Monty Python and the Holy Grail'' (1974)

:King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into standalone sketches.

''Monty Python's Life of Brian'' (1979)

:Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.

''Monty Python Live at the Hollywood Bowl'' (1982)

:A videotape recording directed by Ian MacNaughton of a live performance of sketches. Originally intended for a TV/video special. Transferred to 35mm and given a limited theatrical release in the US.

''Monty Python's The Meaning of Life'' (1983)

:An examination of the meaning of life in a series of sketches from conception to death and beyond.

''Monty Python: Almost the Truth (The Lawyer's Cut)'' (2009)

:This film features interviews with all the surviving Python members, along with archive representation for the late Graham Chapman.

''A Liar's Autobiography: Volume IV'' (2012)

:This is an animated film which is based on the memoir of the late Monty Python member, Graham Chapman.

Albums

''Monty Python's Flying Circus'' (1970)

''Another Monty Python Record'' (1971)

''Monty Python's Previous Record'' (1972)

''The Monty Python Matching Tie and Handkerchief'' (1973)

''Monty Python Live at Drury Lane'' (1974)

''The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail'' (1975)

''Monty Python Live at City Center'' (1976)

''The Monty Python Instant Record Collection'' (1977)

''Monty Python's Life of Brian'' (1979)

''Monty Python's Contractual Obligation Album'' (1980)

''Monty Python's The Meaning of Life'' (1983)

''The Final Rip Off'' (1988)

''Monty Python Sings'' (1989)

''The Monty Python Instant Record Collection, Volume 2'' (1991)

''The Ultimate Monty Python Rip Off'' (1994)

''The Instant Monty Python CD Collection'' (1994)

''Spamalot'' (Broadway version of ''Monty Python and the Holy Grail'' with Tim Curry as King Arthur) (2005)

''The Hastily Cobbled Together for a Fast Buck Album'' (unreleased)

Theatre

''Monty Python's Flying Circus'' – Between 1974 and 1980 (Live at the Hollywood Bowl was released in 1982, but was performed in 1980) the Pythons made three sketch-based stage shows, comprising mainly material from the original television series.

''Monty Python's Spamalot'' – Written by Idle directed by Mike Nichols, with music and lyrics by John Du Prez and Idle, and starring Hank Azaria, Tim Curry, and David Hyde Pierce, ''Spamalot'' is a musical adaptation of the film ''Monty Python and the Holy Grail''. It ran in Chicago from 21 December 2004 to 23 January 2005, and began performances on Broadway on 17 March 2005. It won three Tonys.

''Not the Messiah (He's a Very Naughty Boy)'' – The Toronto Symphony Orchestra commissioned Idle and John Du Prez to write the music and lyrics of an oratorio based on ''Monty Python's Life of Brian''. Entitled ''Not the Messiah'', it had its world premiere as part of Luminato, a "festival of arts and creativity" taking place 1–10 June 2007 in Toronto. ''Not the Messiah'' was conducted by Peter Oundjian, Music Director of the Toronto Symphony Orchestra, who is Idle’s cousin. It was performed by a narrator, the Toronto Symphony Orchestra, with guest soloists and choir. According to Idle, "It will be funnier than Handel, though not as good".

Books

''Monty Python's Big Red Book'' (1971) ISBN 0-413-29520-6.

''The Brand New Monty Python Bok'' (1973) ISBN 0-7493-1170-3.

''Monty Python and The Holy Grail (book) – Mønti Pythøn ik den Hølie Gräilen (Bøk)'' (1977) ISBN 0-413-38520-5.

''MONTYPYTHONSCRAPBOOK/ The Life of Brian'' (1979) ISBN 0-413-46550-0.

''Monty Python's Flying Circus – Just The Words'' Volume 1 (1989) ISBN 0-413-62540-0.

''Monty Python's Flying Circus – Just The Words'' Volume 2 (1989) ISBN 0-413-62550-8.

''The Complete Monty Python's Flying Circus'' Volumes 1 & 2

''The Fairly Incomplete & Rather Badly Illustrated Monty Python Song Book'' (1994) ISBN 0-413-69000-8

''Michael Palin Diaries 1969–1979''

''The Pythons: Autobiography by the Pythons''

''The Life of Brian/Jesus'' (2011) ISBN 978-184876-628-0.

Games

''Monty Python's Flying Circus'' (1990) a computer game released by Virgin Games for 8-bit systems such as the Commodore 64, Amstrad CPC and the Sinclair ZX Spectrum

''Monty Python's Complete Waste of Time'' (1994) released by 7th Level for PC / DOS

''Monty Python & the Quest for the Holy Grail'' (1996), official game released by 7th Level. It used footage and imagery from the film, as well as audio clips (some new) and featured an animated version of a scene never filmed entitled "King Brian The Wild".

''Monty Python's The Meaning of Life'' (1997), also released by 7th Level. According to the jewel case description, it's based on the film by the same name, but it's really something completely similar yet entirely different.

''Python-opoly'' (2007), a Monty Python-themed property game released by Toy Vault Inc. ''Monty Python Fluxx'' (2008), a card game released by Looney Labs

''Blazing Dragons''

See also

Beyond the Fringe

List of Monty Python's Flying Circus episodes

List of recurring characters in Monty Python's Flying Circus

Monty Python's Complete Waste of Time

Python (Monty) Pictures

Spamalot

The Goodies

The Goon Show

References

Further reading

The Secret Policeman's Balls, 3-DVD set (2009)

Monty Python: 40 Years of Insanity

The Life of Python – 20 Greatest Monty Python Sketches (40th Anniversary)

External links

Pythonline.com – Monty Python's sort-of official site, actively maintained by Eric Idle

Monty Python – Official YouTube page

Monty Python Videos – Monty Python's best videos and movies

Python at ifilm.com

Pythonisms: Python quotes as figures of speech

The SOTCAA Monty Python Pages

Release of the 3-DVD Secret Policeman's Balls

40 Years of Monty Python – photo essay by ''TIME'' magazine

Monty Python Reunion event, New York, 15 October 2009

Category:British comedy troupes Category:British television comedy Category:Virgin Records artists Category:Arista Records artists Category:European Film Awards winners (people) Category:Charisma Records artists

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