White
— Common connotations —
purity, nobility, softness, East Asia, emptiness, God, sickness, ghosts, lack, snow, ice, heaven, Caucasian, peace, clean, air, sunlight, light, life, surrender, clouds, frost, milk, cream, good, cotton, angels, weakness, bones, protagonist, winter, innocence, amphetamine, Monarchism, methamphetamine, cocaine, heroin, fentanyl
— Color coordinates —
Hex triplet		#FFFFFF
RGBB	(r, g, b)	(255, 255, 255)
HSV	(h, s, v)	(-°, 0%, 100%)
Source		By definition
B: Normalized to [0–255] (byte)

White is a color, the perception of which is evoked by light that stimulates all three types of color sensitive cone cells in the human eye in nearly equal amounts and with high brightness compared to the surroundings. A white visual stimulation will be void of hue and grayness.^[1]

White light can be generated in many ways. The sun is such a source, electric incandescence is another. Modern light sources are fluorescent lamps and light-emitting diodes. An object whose surface reflects back most of the light it receives and does not alter its color will appear white, unless it has very high specular reflection.

Since white is the extreme end of the visual spectrum (in terms of both hue and shade), and since white objects - such as clouds, snow and flowers - appear often in nature, it has frequent symbolism. Human culture has many references to white, often related to purity and cleanness, whilst the high contrast between white and black is often used to represent opposite extremes.

Etymology[link]

The word white continues Old English hwīt, ultimately from a Common Germanic *χ^wītaz also reflected in OHG (h)wîz, ON hvítr, Goth. ƕeits. The root is ultimately from Proto-Indo-European language *k^wid-, surviving also in Sanskrit śveta "to be white or bright"^[2] and Slavonic světŭ "light".^[3][4] The Icelandic word for white, hvítur, is directly derived from the Old Norse form of the word hvítr. Common Germanic also had the word *blankaz ("white, bright, blinding"), borrowed into Late Latin as *blancus, which provided the source for Romance words for "white" (French blanc, Spanish blanco, Italian bianco, etc.). The root survives in English in the word black.^[5]

Light[link]

White light refracted in a prism revealing the color components.

Artist's conception of the debris disk of G29-38, courtesy NASA

Until Newton's work became accepted, most scientists believed that white was the fundamental color of light; and that other colors were formed only by adding something to white. Newton demonstrated this was not true by passing white light through a prism, then through another prism. If the colors were added by the prism, the second prism should have added further colors to the single-colored beam. Since the single-colored beam remained a single color, Newton concluded that the prism merely separated the colors already present in the light. White light is the effect of combining the visible colors of light in suitable proportions (the same present in solar light).

Since the impression of white is obtained by three summations of light intensity across the visible spectrum, the number of combinations of light wavelengths that produce the sensation of white is practically infinite. There are a number of different white light sources such as the midday sun, incandescent lamps, fluorescent lamps and white LEDs; due to the phenomenon of metamerism, such sources can appear similar whilst having quite different spectra. The impression of white light can also be created by mixing appropriate intensities of the primary colors of light, red, green and blue (RGB), a process called additive mixing, as seen in many display technologies.

Color temperature[link]

The best known way to generate white light is by the process called incandescence, or black body radiation where bodies of atoms with a certain temperature emit a certain type of radiation. For example, the color of a black body at a temperature of 2,848 kelvins. This is closely matched by incandescent light bulbs. The correlated color temperature of such a light bulb is 2,848 K. Daylight can vary from a cool red up to a bluish 5,600 K. Not all black body radiation can be considered white light: the background radiation of the universe, to name an extreme example, is only a few kelvins hot, and is not visible.

In astronomy the stellar class of stars are determined by the color temperature. For instance are white dwarfs small dense stars thought to be the final evolutionary state.

Computer displays often have a color temperature control, allowing the user to select the color temperature (usually from a small set of fixed values) of the light emitted when the computer produces the electrical signal corresponding to white. The RGB coordinates of white are (1.0, 1.0, 1.0). When light hits another object it bends.

Objects[link]

Foam of a transparent and reflecting liquid, turning white when the size of the bubbles decreases.

Newly commissioned officers all in white, celebrate their new positions by throwing their midshipmen covers into the air as part of the U.S. Naval Academy class of 2005 graduation and commissioning ceremony.

White light reflected off objects can be seen when no part of the light spectrum is reflected significantly more than any other and the reflecting material has a degree of diffusion. People see this when transparent fibers, particles, or droplets are in a transparent matrix of a substantially different refractive index. Examples include classic "white" substances such as sugar, foam, pure sand or snow, cotton, clouds, and milk. Crystal boundaries and imperfections can also make otherwise transparent materials white, as in the milky quartz or the microcrystalline structure of a seashell. This is also true for artificial paints and pigments, where white results when finely divided transparent material of a high refractive index is suspended in a contrasting binder. Typically paints contain calcium carbonate or synthetic rutile with no other pigments if a white color is desired.

While the color of a light source can be reasonably measured by its correlated color temperature, a different approach is required for objects since different samples may appear white without a reference. Thus, assessment of whiteness requires a comparison. The International Commission on Illumination (CIE) prescribes one such method.

In painting, white can be crafted by reflecting ambient light from a white pigment, although the ambient light must be white light, or else the white pigment will appear the color of the light. White when mixed with black produces gray. In watercolor painting, white areas mark the absence of paint on the paper.

In nature[link]

Mont Blanc in the Alps

Snow and ice are normally white due to the diffusing structure of transparent water ice crystals. The same is true for many types of clouds where droplets of water diffuse the white light from the Sun. Many mountains with winter or year-round snow cover are named accordingly: Mauna Kea means white mountain in Hawaiian, Mont Blanc means white mountain in French. Changbai Mountains literally meaning 'Perpetually White' Mountains, marks the border between China and Korea and Mount Kilimanjaro's name could originate from Swahili meaning little white hill. The White Sea, an inlet of the Barents Sea on the northwest coast of Russia is undoubtedly named so due to the icy environment.

Beaches with sand containing high amounts of quartz also appear white, which may explain the number of islands called White Island around the world.

Cultural meaning[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2008)

White materials show colored stains and dirt very clearly, due to the high contrast. This is the likely reason it is associated with purity and cleanness, and very often within a religious context. In Chinese, Vietnamese, Korean, Indian tradition, white is the color of mourning and death (or rebirth). However, white can also represent purity and enlightenment, as such, spiritual teachers in India often wear white as a sign of wisdom. White is also often coupled with red in some Indian garments.^{[citation needed]}

Symbolic dualism with black[link]

Black and white dualism in office spaces

White and black has the biggest visual contrast, this can easily be associated to other opposite concepts such as day and night or good and evil. White often represents purity or innocence in Western Civilization,^[6] particularly as white clothing or objects are easy to stain. In most Western countries white is the color worn by brides at weddings. Angels are typically depicted as clothed in white robes. Healing or "good" magic is called White magic.^[7] In early film Westerns the stereotypically "good guy" wore a white hat (earning them the name "White Hats") while the "bad guy" wore black (earning them the name "Black Hats"). This has given rise to the use of the names black hat and white hat for people who abuse and counter abuse of computer systems respectively. In popular culture this idea is sometimes reversed to play on reversal of stereotypes.

In taoism which has great influence in Eastern culture Yin and yang is usually depicted in black and white, depicting the two colors as opposites. The two opponents in board games of abstract strategy often has one as white, such as go, chess, and checkers.

Government and politics[link]

White Ribbon

White is often associated with Monarchism as opposed to other forms of government. This originated from Royalist rebellions against the French Revolution (see Revolt in the Vendée), known as the White terror. It re-emerged in the years following World War I, with civil wars fought between Reds and Whites, for instance the Civil War in Russia and the Civil War in Finland. A similar use is seen in the naming of the White Revolution (Persian: Enghelâb-e-Sefid‎),a far-reaching series of reforms launched in 1963 by the last Shah of Iran. If a strong leader emerges during a time of crisis, he is often referred to as a man on a white horse; this term is often associated with dictatorships.

White is also associated with peace. The white ribbon is worn by movements denouncing violence against women and the White Rose was a non-violent resistance group in Nazi Germany. This symbolism has long roots as seen by the white dove originating from the story of Noah. A white flag is an international sign of either surrender, or truce, that is, it is a sign of peaceful intent, typically at time of war. To show the white feather is to display cowardice. White is the purest of all colors. In Victorian Britain, a purported coward would be presented with a white feather.^{[citation needed]}

White as symbol of purity is seen in the expression Whitewash, which figuratively, means an attempt to obscure unpleasant facts by issuing a blanket of lies or misrepresentations. See propaganda. A white paper on the other hand will often be an authoritative report on a major issue, as by a team of experts; a government report outlining policy; or a short treatise whose purpose is to educate industry customers. Associating a paper with white may signify clean facts and unbiased information. White is known for its calming abilities.

Religion[link]

The association of white with purity and peace is used by many religions.

Boys supplicating whilst wearing the Ihram clothing during arafat

Wedding kimono

Mountain hare in winter camouflage

Surrender of Lord Cornwallis, by John Trumbull

Ihram clothing (also spelt Ahram clothing) includes men's and women's garments worn by Muslim people during the Ihram pilgrimage (Hajj). Men's garments often consist of two white un-hemmed sheets (usually towelling material) and are universal in appearance. The top (the riḍā) is draped over the torso and the bottom (the izār) is secured by a belt; plus a pair of sandals. Women's clothing, however, varies considerably and reflects regional as well as religious influences. Ihram is typically worn during Dhu al-Hijjah, the last month in the Islamic calendar.

Where liturgical robes of priests are often white, for instance the Roman Catholic Pope's cassock is white. White is the liturgical color in the Roman Catholic Church for the Easter season until Pentecost and (usually with gold) for the Christmas and Epiphany season, as well as for all solemnities and feasts commemmorating the Lord (e.g., Corpus Christi Sunday, Trinity Sunday, Feast of Christ the King) which are not sacrificial in nature and for the feasts of Saint John the Apostle (who was not martyred), the Birth of Saint John the Baptist, and all Saints who are not Confessors or Martyrs. It is also used in diaconal or priestly Ordinations and episcopal consecrations and installations, the abbatial blessing, the administration of the minor orders in the seminary and the reception of vows of religious men and women, the consecration of virgins, the dedication of a church, altar, or school, at Nuptial Masses, and (in modern times) at Requiem Masses. Only white clothing is worn inside Mormon Temples once they have been officially dedicated, due to white symbolizing purity.^[8] Many images dealing with God and heaven portray it as existing in the clouds, where everything is white. This phenomenon is not limited to western culture; in Yoruba religion, the orisha Obatala in the Ifá tradition is represented by white. Obatala is associated with calmness, morality, old age, and purity. Also more recently founded religions incorporate symbolism surrounding white. In Theosophy and similar religions, the deities called the Great White Brotherhood are said to have white auras.^[9]

A white light is often claimed to be seen by those who have had near death experiences. This, however, is probably caused by the brain being depraved of oxygen rather than a paranormal event.

White is the traditional color of bridal dress in both western (European) and Japanese weddings. In Western weddings, a white dress is thought to be symbolic of purity (the bride has not engaged in pre-marital sex). This is also said to be the symbolism of the veil. In Japanese weddings, white is to symbolize the "death"^{[citation needed]} of their former family and their introduction into their new family.

In some Asian and Slavic cultures, white is considered to be a color that represents death.^[10] White also represented death in ancient Egypt, representing the lifeless desert that covered much of the country; black was held to be the color of life, representing the mud-covered fertile lands created by the flooding of the Nile and giving the country its name (Kemet, or "black land").

Clothing[link]

White clothing can be practically used as camouflage in snowy environments, or for reflecting harsh sunlight. However, most uniforms with white elements are used as a sign of authority - dissociating the wearer from manual labor or a dirty environment. In a highly formal social function, the traditional dress for men attending is white tie, or white tie and tails, a white bow tie and a swallowtail coat. Physicians and scientists are known for wearing white coats both as a practical measure as protecting from and showing spills and stains, and as a sort of uniform showing authority.

Many traditional sports use white uniforms for players, such as Wimbledon tennis, cricket, and baseball and basketball, where white is the color typically used for uniforms worn by the home team. This may be a result of the sports being played outside exposing players to direct sunlight for prolonged periods of time.

Ethnography[link]

The term white is often used to denote the race of pale-skinned Caucasoids people of European descent perceived as being colored varying tones of pale off white to "white" skin color, whose actual skin color can also vary from pale pink to pale brown; it has been suggested that the colors beige or peach could also be used to represent the average color of most Caucasians. See White people.

Vexillology and heraldry[link]

Vatican City has a flag of yellow and white, although in normal European heraldry one is not supposed to use these two colors together adjacently because both represent metals--yellow represents gold and white represents silver), to deliberately show that the Church is not bound by secular rules.^[11] In English heraldry, white or silver signified brightness, purity, virtue, and innocence.^[12]

See also[link]

• Color realism (art style)
• List of colors
• Variations of white

References[link]

External links[link]

Wikimedia Commons has media related to: White

Look up white in Wiktionary, the free dictionary.

"Weird Al" Yankovic
"Weird Al" Yankovic performing live in concert during his 2010 tour
Background information
Birth name	Alfred Matthew Yankovic
Also known as	"Weird Al" Yankovic
Born	(1959-10-23) October 23, 1959 (age 52)[1] Downey, California
Origin	Lynwood, California, United States
Genres	Parody, comedy, polka
Occupations	Record producer, satirist, parodist, singer-songwriter, musician, director, producer, actor
Instruments	Vocals, accordion, keyboards, theremin
Years active	1976–present
Labels	RCA, Capitol, Scotti Brothers, Volcano
Associated acts	Dr. Demento
Website	weirdal.com

Alfred Matthew "Weird Al" Yankovic (pronunciation: /ˈjæŋkəvɪk/;^[2] born October 23, 1959) is an American singer-songwriter, music producer, accordionist, actor, comedian, writer, satirist, and parodist. Yankovic is known for his humorous songs that make light of popular culture and that often parody specific songs by contemporary musical acts. Since his first-aired comedy song in 1976, he has sold more than 12 million albums (as of 2007),^[3] recorded more than 150 parody and original songs,^[4][5][6] and has performed more than 1,000 live shows.^[7] His works have earned him three Grammy Awards among nine nominations, four gold records, and six platinum records in the United States. Yankovic's first top ten Billboard album (Straight Outta Lynwood) and single ("White & Nerdy") were both released in 2006, nearly three decades into his career.

Yankovic's success comes in part from his effective use of music video to further parody popular culture, the song's original artist, and the original music videos themselves, scene-for-scene in some cases. He directed later videos himself and went on to direct for other artists including Ben Folds, Hanson, Black Crowes, and The Presidents of the United States of America. In addition to recording his albums, Yankovic wrote and starred in the film, UHF, and television show, The Weird Al Show. He has also made guest appearances on many television shows, in addition to starring in Al TV specials on MTV.^[1]

Early life[link]

Alfred was born in Downey, California, and raised in the town of Lynwood. He is the only child of Nick Louis Yankovic (June 4, 1917 – April 9, 2004)^[8] and Mary Elizabeth (née Vivalda; February 7, 1923 – April 9, 2004).^[8] His father was born in Kansas City, Kansas of Yugoslavian^[8][9] descent, and began living in California after serving during World War II;^[10][11] he believed "the key to success" was "doing for a living whatever makes you happy" and often reminded his son of this philosophy.^[10] Nick Yankovic married Mary Elizabeth Vivalda in 1949. Mary, who was of Italian and English descent, and had come to California from Kentucky, gave birth to Alfred ten years later.^[10]

Al's first accordion lesson, which sparked his career in music, was on the day before his sixth birthday. A door-to-door salesman traveling through Lynwood offered the Yankovic parents a choice of accordion or guitar lessons at a local music school. Yankovic claims the reason his parents chose accordion over guitar was "They figured there should be at least one more accordion-playing Yankovic in the world", referring to Frankie Yankovic, to whom he is not related directly.^[12] Yankovic said that "[his] parents chose the accordion because they were convinced it would revolutionize rock."^[9] He continued lessons at the school for three years before continuing to learn on his own.^[8] Yankovic's early accordion role models include Frankie Yankovic and Myron Floren (the accordionist on The Lawrence Welk Show).

In the 1970s, Yankovic was a big fan of Elton John and claims John's Goodbye Yellow Brick Road album "was partly how I learned to play rock 'n roll on the accordion."^[10] As for his influences in comedic and parody music, Yankovic lists artists including Tom Lehrer, Stan Freberg, Spike Jones, Allan Sherman, Shel Silverstein and Frank Zappa "and all the other wonderfully sick and twisted artists that he was exposed to through the Dr. Demento Radio Show."^[8][13] Other sources of inspiration for his comedy come from Mad magazine,^[10] Monty Python,^[14] and the Zucker, Abrahams and Zucker parody movies.^[15]

Yankovic began kindergarten a year earlier than most children, and he skipped the second grade. "My classmates seemed to think I was some kind of rocket scientist so I was labeled a nerd early on", he recalls.^[10] As his unusual schooling left him two years younger than most of his classmates, Yankovic was not interested in sports or social events at school. He was valedictorian of his senior class.^[10] Yankovic was active in his school's extracurricular programs, including the National Forensic League, a play based upon Rebel Without a Cause, the yearbook (for which he wrote most of the captions), and the Volcano Worshippers club, "which did absolutely nothing. We started the club just to get an extra picture of ourselves in the yearbook."^[10]

Yankovic attended California Polytechnic State University in San Luis Obispo where he earned a degree in architecture.^[9]

Career[link]

Dr. Demento and early fame[link]

Yankovic received his first exposure via southern California and syndicated comedy radio personality Dr. Demento's radio show, saying "If there hadn't been a Dr. Demento, I'd probably have a real job now."^[16] In 1976, Dr. Demento spoke at Yankovic's school where the then 16 year old Yankovic gave him a homemade tape of original and parody songs performed on the accordion in Yankovic's bedroom into a "cheesy little tape recorder". The tape's first song was "Belvedere Cruisin'", about his family's Plymouth Belvedere, was played on Demento's comedy radio show, launching Yankovic's career. Demento said "'Belvedere Cruising' might not have been the very best song I ever heard, but it had some clever lines [...] I put the tape on the air immediately.".^[10][17] Yankovic also played at local coffeehouses, saying:

It was sort of like amateur music night, and a lot of people were like wannabe Dan Fogelbergs. They'd get up on stage with their acoustic guitar and do these lovely ballads. And I would get up with my accordion and play the theme from 2001. And people were kind of shocked that I would be disrupting their mellow Thursday night folk fest.^[18]

During Yankovic's sophomore year as an architecture student at Cal Poly at San Luis Obispo, he became a disc jockey at the university's radio station, KCPR. Yankovic said he had been nicknamed Weird Al by fellow students and "took it on professionally" as his persona for the station.^[10] In 1978, he released his first recording (as Alfred Yankovic), "Take Me Down", on the LP, Slo Grown, as a benefit for the Economic Opportunity Commission of San Luis Obispo County. The song mocked famous nearby landmarks such as Bubblegum Alley and the fountain toilets at the Madonna Inn.

In mid-1979, shortly before his senior year, "My Sharona" by The Knack was on the charts and Yankovic took his accordion into the restroom across the hall from the radio station (to take advantage of the echo chamber acoustics) and recorded a parody titled "My Bologna". He sent it to Dr. Demento, who played it to good response from listeners. Yankovic met The Knack after a show at his college and introduced himself as the author of "My Bologna". The Knack's lead singer, Doug Fieger, said he liked the song and suggested that Capitol Records vice president Rupert Perry release it as a single.^[10] "My Bologna" was released as a single with "School Cafeteria" as its B-side, and the label gave Yankovic a six-month recording contract. Yankovic, who was "only getting average grades" in his architecture degree, began to realize that he might make a career of comedic music.^[10]

On September 14, 1980, Yankovic was a guest on the Dr. Demento Show, where he was to record a new parody live. The song was called "Another One Rides the Bus", a parody of Queen's hit, "Another One Bites the Dust". While practicing the song outside the sound booth, he met Jon "Bermuda" Schwartz, who told him he was a drummer and agreed to bang on Yankovic's accordion case to help Yankovic keep a steady beat during the song. They rehearsed the song just a few times before the show began.^[10] "Another One Rides the Bus" became so popular that Yankovic's first television appearance was a performance of the song on The Tomorrow Show (April 21, 1981) with Tom Snyder. On the show, Yankovic played his accordion, and again, Schwartz banged on the accordion case and provided comical sound effects.

Band and fame[link]

1981 brought Yankovic on tour for the first time as part of Dr. Demento's stage show. His stage act in a Phoenix, Arizona, nightclub caught the eye of manager Jay Levey, who was "blown away".^[10] Levey asked Yankovic if he had considered creating a full band and doing his music as a career. Yankovic admitted that he had, so Levey held auditions. Steve Jay became Yankovic's bass player, and Jay's friend Jim West played guitar. Schwartz continued on drums. Yankovic's first show with his new band was on March 31, 1982.^[7] Several days later, Yankovic and his band were the opening act for Missing Persons.

Yankovic recorded "I Love Rocky Road", (a parody of "I Love Rock 'n' Roll" as recorded by Joan Jett and The Blackhearts) which was produced by Rick Derringer, in 1982. The song was a hit on Top 40 radio, leading to Yankovic's signing with Scotti Brothers Records. In 1983, Yankovic's first self-titled album was released on Scotti Bros. He released his second album "Weird Al" Yankovic in 3-D in 1984. The first single "Eat It", a parody of the Michael Jackson song "Beat It", became popular, thanks in part to the music video, a shot-for-shot parody of Jackson's "Beat It" music video, and what Yankovic described as his "uncanny resemblance" to Jackson. Peaking at number 12 on the Billboard Hot 100 on April 14, 1984,^[19] "Eat It" remained Yankovic's highest-charting single until "White & Nerdy" placed at number 9 in October 2006.^[20]

In 1985, Yankovic co-wrote and starred in a mockumentary of his own life titled The Compleat Al, which intertwined the facts of his life up to that point with fiction. The movie also featured some clips from Yankovic's trip to Japan and some clips from the Al TV specials. The Compleat Al was co-directed by Jay Levey, who would direct UHF four years later. Also released around the same time as The Compleat Al was The Authorized Al, a biographical book based on the film. The book, resembling a scrapbook, included real and fictional humorous photographs and documents.

Yankovic and his band toured as the opening act for The Monkees in mid-1987 for their second reunion tour of North America. Yankovic claims to have enjoyed touring with The Monkees, despite the fact "the promoter gypped us out of a bunch of money."^[21]

Yankovic also appeared on the Wendy Carlos recording of Prokofiev's "Peter and the Wolf" as the narrator in 1988. The album also included a sequel of Camille Saint-Saëns's composition The Carnival of the Animals titled the "Carnival of the Animals Part II", with Yankovic providing humorous poems for each of the featured creatures in the style of Ogden Nash, who had written humorous poems for the original. Rubén Valtierra joined the band on keyboards in 1991, allowing Yankovic to concentrate more on singing and increasing his use of the stage space during concerts.

A factual biographical booklet of Yankovic's life, written by Dr. Demento, was released with the 1994 box set compilation Permanent Record: Al in the Box.^[10] The Dr. Demento Society, which issues yearly Christmas re-releases of material from Dr. Demento's Basement Tapes, often includes unreleased tracks from Yankovic's vaults, such as "Pacman", "It's Still Billy Joel To Me" or the live version of "School Cafeteria".

New look and career to present[link]

On January 24, 1998, Yankovic had LASIK eye surgery to correct his extreme myopia.^[22] In the same period, he shaved off his moustache and grew out his hair, thus radically changing his signature look (he had previously shaved his mustache in 1983 for the video of "Ricky" to resemble Desi Arnaz and 1996 for the "Amish Paradise" video). Yankovic reasoned, "If Madonna's allowed to reinvent herself every 15 minutes, I figure I should be good for a change at least once every 20 years."^[23] He parodied the reaction to this "new look" in a commercial for his nonexistent MTV Unplugged special. The commercial featured Yankovic in the short-haired wig from the music video for Hanson's "River", claiming his new look was an attempt to "get back to the core of what I'm all about", that being "the music".^[24]

Three of his latest albums feature the longest songs Yankovic has ever released. The "Albuquerque" track from Running with Scissors is 11 minutes and 23 seconds; "Genius in France" from Poodle Hat runs for 8 minutes and 56 seconds; "Trapped in the Drive-Thru" from Straight Outta Lynwood is 10 minutes and 53 seconds long. Before 2007 (apart from a one-off performance of "Albuquerque" in Albuquerque, New Mexico),^[25] these "epic" songs were not performed live in their entirety due to their length and complexity. (See Live performances for details)

Yankovic has also started to explore digital distribution of his songs. On October 7, 2008, Yankovic released to the iTunes Store "Whatever You Like", a parody of the T.I. song of the same title, which Yankovic said he had come up with two weeks before. Yankovic said that the benefit of digital distribution is that "I don't have to wait around while my songs get old and dated—I can get them out on the Internet almost immediately."^[26] In 2009, Yankovic released four more songs: "Craigslist" on June 16, "Skipper Dan" on July 14, "CNR" on August 4, and "Ringtone" on August 25. These five digitally released songs were packaged as a digital EP titled Internet Leaks, with "Whatever You Like" retroactively included in the set.^[27]

In 2011, Yankovic completed his thirteenth studio album. This album, titled Alpocalypse, is his first studio album since Straight Outta Lynwood, and was released on June 21, 2011.^[28] The album contains the five songs from the previous Internet Leaks digital download release, a polka medley called "Polka Face", a song called "TMZ" for which Bill Plympton created an animated music video, and five other new songs.^[29][30]

Yankovic had reported an interest in parodying Lady Gaga's material,^[31] and on April 20 announced that he had written and recorded a parody of "Born This Way" titled "Perform This Way", to be the lead single for his new album. However, upon first submitting it to Lady Gaga's manager for approval (which Yankovic does as a courtesy), he was not given permission to release it commercially. As he had previously done under similar circumstances (with his parody of James Blunt's "You're Beautiful"), Yankovic then released the song for free on the internet. Soon afterwards, Gaga's manager admitted that he had denied the parody of his own accord without forwarding the song to his client, and upon seeing it online, Lady Gaga granted permission for the parody. Yankovic has stated that all of his proceeds from the parody and its music video will be donated to the Human Rights Campaign, to support the human rights themes of the original song.^[32][33]

Yankovic was also a judge for the 10th annual Independent Music Awards to support independent artists' careers.^[34]

Personal life[link]

Yankovic married Suzanne Krajewski in 2001; their daughter, Nina, was born in 2003.^[35] They also have a pet cockatiel named Bo Veaner^[8] and dog named Bambu. They used to have a pet poodle, named Bela (pictured atop Yankovic's head on the cover of his album, Poodle Hat). Yankovic identifies as Christian and has stated that a couple from his church appeared on the cover of Poodle Hat.^[36][37]

Yankovic changed his diet to become a vegan in 1992, after a former girlfriend gave him the book Diet for a New America and he felt "it made [...] a very compelling argument for a strict vegetarian diet."^[38] When asked how he can "rationalize" performing at events such as the Great American Rib Cook-Off when he is a vegan, he replied, "The same way I can rationalize playing at a college even though I’m not a student anymore."^[39]

In 2004, Yankovic's parents were found dead in their Fallbrook, California, home, apparently the victims of accidental carbon monoxide poisoning from their fireplace that had been recently lit. The flue was closed, which trapped the carbon monoxide gas inside the house, suffocating them.^[35] Several hours after his wife notified him of his parents' death, Yankovic went on with his concert in Mankato, Minnesota,^[40] saying that "since my music had helped many of my fans through tough times, maybe it would work for me as well" and that it would "at least ... give me a break from sobbing all the time." Although Yankovic played the concert as planned, a scheduled meet and greet following the concert was canceled.^[41][42]

Music career[link]

While Yankovic's song parodies (such as "Eat It") have resulted in success on the Billboard charts (see List of singles by "Weird Al" Yankovic), he recorded an equally large number of original humorous songs ("You Don't Love Me Anymore" and "One More Minute").^[8] His work depends largely on the satirizing of popular culture, including television (see The TV Album), movies ("The Saga Begins"), food (see The Food Album), popular music ("Bohemian Polka", "Polkarama"), and sometimes issues in contemporary news ("Headline News"). Yankovic claims he has no intention of writing "serious" music. In his reasoning, "There's enough people that do unfunny music. I'll leave the serious stuff to Paris Hilton and Kevin Federline."^[43]

Although many of Yankovic's songs are parodies of contemporary radio hits, it is rare that the song's primary topic lampoons the original artist as a person, or the song itself. Most Yankovic songs consist of the original song's music, with a separate, unrelated set of amusing lyrics. Yankovic considered that his first true satirical song was "Smells Like Nirvana", which references unintelligible lyrics in Nirvana's "Smells Like Teen Spirit".^[44] Other satirical songs include "Achy Breaky Song", which refers to the song "Achy Breaky Heart", "(This Song's Just) Six Words Long", which refers to the repetitious lyrics in "Got My Mind Set on You", the unreleased "It's Still Billy Joel to Me", and Perform This Way", set to Lady Gaga's "Born This Way".

Yankovic's humor normally lies more in creating unexpected incongruity between an artist's image and the topic of the song, contrasting the style of the song with its content (such as the songs "Amish Paradise", "White & Nerdy", and "You're Pitiful"), or in pointing out trends or works which have become pop culture clichés (such as "eBay" and "Don't Download This Song").

Yankovic is the sole writer for all his songs and, for "legal and personal reasons", does not accept parody submissions or ideas from fans.^[8] There exists, however, one exception to this rule in the case of "Like a Surgeon". Madonna was reportedly talking with a friend and happened to wonder aloud when Yankovic was going to turn her "Like a Virgin" into "Like a Surgeon". Madonna's friend was a mutual friend of Yankovic's manager, Jay Levey, and eventually Yankovic himself heard the story from Levey.^[10]

Unlike other parody artists such as Allan Sherman, Yankovic strives to keep the backing music in his parodies the same as the original. While Sherman reproduced them orchestrally, Yankovic and his band essentially play the original song with new lyrics. Instead of using instrumental versions of the original songs, Yankovic and his band transcribe the original song by ear and re-record the song for Yankovic's parody version.^[45] Sometimes artists whose work Yankovic parodies perform on the recordings,i.e. Dire Straits members Mark Knopfler and Guy Fletcher perform on Yankovic's parody of Dire Straits' "Money for Nothing" and "Money for Nothing/Beverly Hillbillies*".

Yankovic also includes a medley of various songs on most albums, each one reinterpreted as a polka, with the choruses or memorable lines of various songs juxtaposed for humorous effect. Yankovic has been known to say that converting these songs to polka was "...the way God intended". Because the polkas have become a staple of Yankovic's albums, he has said he tries to include one on each album because "fans would be rioting in the streets, I think, if I didn't do a polka medley."^[46]

Some of Yankovic's original songs are "style parodies" for which he chooses a band's entire body of work to honor/parody, rather than any single hit by that band. Such bands include Rage Against the Machine with "I'll Sue Ya" (which features many aspects of the hit song "Killing in the Name"), Devo with "Dare to Be Stupid", Talking Heads with "Dog Eat Dog", Frank Zappa with "Genius in France", Nine Inch Nails with "Germs", and Queen with "Ringtone".^[47] Others are style parodies in the style of a genre of music, rather than a specific band (for example, country music with "Good Enough For Now" and charity records with "Don't Download This Song").

Yankovic has contributed original songs to several films ("This Is the Life" from Johnny Dangerously; "Polkamon" from the movie Pokémon: The Movie 2000, and a parody of the James Bond title sequence in Spy Hard), in addition to his own film, UHF. Other songs of his have appeared in films or television series as well, such as "Dare to Be Stupid" in The Transformers: The Movie.

One of Yankovic's recurring jokes involves the number 27. It is mentioned in the lyrics of several songs, and seen on the covers for Running With Scissors, Poodle Hat^[48] and Straight Outta Lynwood. He had originally just pulled the number 27 as a random figure to use in filling out lyrics, but as his fans started to notice the reuse of the number after the first few times, he began to purposely drop references to 27 within his lyrics, videos, and album covers. He explains that "It's just a number I started using that people started attaching a lot of importance to."^[49] Other recurring jokes revolve around the names Bob (the Al TV interviews often mention the name,^[50] and a song called "Bob" is featured on Poodle Hat), Frank (e.g. "Frank's 2000" TV"), and the surname "Finkelstein" (e.g. the music video for "I Lost on Jeopardy", or Fran Drescher's character, Pamela Finkelstein, in UHF). Also, a hamster called Harvey the Wonder Hamster is a recurring character in The Weird Al Show and the Al TV specials, as well as the subject of an original song on Alapalooza. Other recurring jokes include Yankovic borrowing, or being owed, $5. In a number of Al TV interviews, he often asks if he can borrow $5, being turned down every time. This motif also occurs in "Why Does This Always Happen to Me?", in which his deceased friend owes him $5. Another recurring joke is his attraction to female nostrils or nostrils in general. This also appears in numerous Al TV interviews as well as in several of his songs ("Albuquerque" and "Wanna B Ur Lovr" to name a few.) Yankovic also asks his celebrity guests if they could "shave his back for a nickel." This also appears in the song "Albuquerque". Yankovic has also put two backmasking messages into his songs. The first, in "Nature Trail to Hell", said "Satan Eats Cheez Whiz"; the second, in "I Remember Larry", said "Wow, you must have an awful lot of free time on your hands."^[51]

Yankovic's career in novelty and comedy music has outlasted many of his "mainstream" parody targets, such as Toni Basil, MC Hammer, and Men Without Hats.^[52][53] Yankovic's continued success (including the top 10 single "White & Nerdy" and album Straight Outta Lynwood in 2006) has enabled him to escape the one-hit wonder stigma often associated with novelty music.^[54]

Music videos[link]

While Yankovic's musical parodies generally do not include references to the songs or the artists of the original songs, Yankovic's music videos will sometimes parody the original song's music video in whole or in part. Most notably, the video for "Smells Like Nirvana" uses an extremely similar set to Nirvana's "Smells Like Teen Spirit", including using several of the same actors. This video contended with "Smells like Teen Spirit" at the 1992 MTV Video Music Awards for Best Male Video. Other videos that draw directly from those of the original song include "Eat It", "Fat", "Money for Nothing/Beverly Hillbillies*", "Bedrock Anthem", "Headline News", "It's All about the Pentiums", "Amish Paradise", "Like a Surgeon", and "White & Nerdy". The video for "Dare to Be Stupid" is, as stated by Yankovic, a style parody in general of Devo videos.^[55]

Several videos have included appearances by notable celebrities in addition to Yankovic and his band. Dr. Demento appeared in several of Yankovic's earlier videos, such as "I Love Rocky Road" and "Ricky". Actor Dick Van Patten is featured in both "Smells Like Nirvana" and "Bedrock Anthem"; Drew Carey, Emo Philips and Phil LaMarr appeared in "It's All About the Pentiums"; Keegan-Michael Key, Jordan Peele, Donny Osmond, Judy Tenuta and Seth Green appeared in "White & Nerdy"; and Ruth Buzzi and Pat Boone appeared in "Gump". The video for "I Lost on Jeopardy" includes an appearance by Greg Kihn, the artist whose song, "Jeopardy", was being parodied, along with Don Pardo and Art Fleming, Jeopardy's original announcer and host, as themselves. Florence Henderson played Yankovic's Amish wife in "Amish Paradise".

While most videos that Yankovic creates are aired on music channels such as MTV and VH1, Yankovic worked with animation artists to create music videos for release with extended content albums. The DualDisc version of Straight Outta Lynwood features six videos set to songs from the release, including videos created by Bill Plympton and John Kricfalusi; one video, "Weasel Stomping Day" was created by the producers of the show Robot Chicken, and aired as a segment of that program. As of fall 2010, Yankovic is again collaborating with Bill Plympton to create a video for a new song ("TMZ") which will appear on his upcoming album.^[30]

Reactions from original artists[link]

Under the "fair use" provision of U.S. copyright law, affirmed by the United States Supreme Court, one does not need permission to record a parody.^[56] However, as a personal rule, and as a means of maintaining good relationships within the music community, Yankovic has always requested permission from the original artist before recording his parodies.^[8] He claims that only about two to three percent of the artists he approaches for parody permission deny his requests.^[57] Also, according to Stanford Libraries, fair use is unlikely to justify a parody song that parodies more than a few lines of song lyrics from an existing song.^[58]

Positive[link]

Michael Jackson was a big fan of Yankovic, and Yankovic claimed Jackson "had always been very supportive" of his work.^[57] Jackson twice allowed him to parody his songs ("Beat It" and "Bad" became "Eat It" and "Fat", respectively). When Jackson granted Yankovic permission to do "Fat", Jackson allowed him to use the same set built for his own "Badder" video from the Moonwalker video. Though Jackson allowed "Eat It" and "Fat", he requested that Yankovic not record a parody of "Black or White", titled "Snack All Night", because he felt the message was too important. This refusal, coming shortly after the commercial failure of Yankovic's movie UHF in theaters, had initially set Yankovic back; he later recognized this as a critical time, as in searching for new parodies, he came across Nirvana and leading to a revitalization of his career with "Smells Like Nirvana".^[57] Yankovic has performed a concert-only parody "Snack All Night" in some of his live shows.^[25] Yankovic had a cameo appearance, along with many other celebrities, in Jackson's music video for "Liberian Girl".

Yankovic performing "The Saga Begins" in Auckland, New Zealand on March 10, 2007.

Dave Grohl of Nirvana said that the band felt they had "made it" after Yankovic recorded "Smells Like Nirvana", a parody of the grunge band's smash hit, "Smells Like Teen Spirit".^[8] On his Behind the Music special, Yankovic stated that when he called Nirvana frontman Kurt Cobain to ask if he could parody the song, Cobain gave him permission, then paused and asked, "Um... it's not gonna be about food, is it?" Yankovic responded with, "No, it'll be about how no one can understand your lyrics." According to members of Nirvana interviewed for Behind the Music, when they saw the video of the song, they laughed hysterically. Additionally, Cobain described Yankovic as "a musical genius".^[59]

Mark Knopfler approved Yankovic's parody of the Dire Straits song "Money for Nothing" for use in the film UHF on the provision that Knopfler himself be allowed to play lead guitar on the parody which was later titled "Money for Nothing/Beverly Hillbillies*".^[60] Yankovic commented on the legal complications of the parody in the DVD audio commentary for UHF, explaining "We had to name that song 'Money for Nothing 'slash' Beverly Hillbillies 'asterisk' because the lawyers told us that had to be the name. Those wacky lawyers! What ya gonna do?"^[61] The Permanent Record: Al in the Box booklet referred to the song's "compound fracture of a title."^[10] When a fan asked about the song's title, Yankovic shared his feelings on the title, replying "That incredibly stupid name is what the lawyers insisted that the parody be listed as. I'm not sure why, and I've obviously never been very happy about it."^[62]

The Presidents of the United States of America were so pleased with "Gump", Yankovic's parody of their song "Lump", that they ended the song with his last line instead of their own ("And that's all I have to say about that") on the live recording of "Lump" featured on the compilation album Pure Frosting. In 2008, Yankovic directed the music video for their song "Mixed Up S.O.B."

Don McLean was reportedly pleased with "The Saga Begins", a parody of "American Pie", and told Yankovic that the parody's lyrics sometimes enter his mind during live performances.^[63] His parody not only replicates the music from the original Don McLean song, but it replicates the multi-layered rhyming structure in the verses and chorus. Additionally, George Lucas loved the song and a Lucasfilm representative told Yankovic, "You should have seen the smile on his face."^[64]

Chamillionaire was also very pleased, even putting Yankovic's parody "White & Nerdy" (a parody of "Ridin'") on his official MySpace page before it was on Yankovic's own page. Chamillionaire stated in an interview, "He's actually rapping pretty good on it, it's crazy [...] I didn't know he could rap like that. It's really an honor when he does that. [...] Weird Al is not gonna do a parody of your song if you're not doing it big."^[65] In September 2007, Chamillionaire credited "White & Nerdy" for his recent Grammy win, stating "That parody was the reason I won the Grammy, because it made the record so big it was undeniable. It was so big overseas that people were telling me they had heard my version of Weird Al's song."^[66]

In 2011, Yankovic was initially denied permission to parody Lady Gaga's "Born This Way" for his song "Perform This Way" for release on a new album, but through his release of the song on YouTube and subsequent spread via Twitter, Lady Gaga and her staff asserted that her manager had made the decision without her input, and Gaga herself gave Yankovic permission to proceed with the parody's release.^[57][67] Gaga considered herself "a huge Weird Al fan",^[68] and she stated that the parody was a "rite of passage" for her musical career and considered the song "very empowering".^[69]

Negative[link]

One of Yankovic's most controversial parodies was 1996's "Amish Paradise", based on "Gangsta's Paradise" by hip-hop artist Coolio, which, in turn, was based on "Pastime Paradise" by Stevie Wonder. Reportedly, Coolio's label gave Yankovic the impression that Coolio had granted permission to record the parody, but Coolio maintains that he never did. While Coolio claimed he was upset, legal action never materialized, and Coolio accepted royalty payments for the song. After this controversy, Yankovic has always made sure to speak directly with the artist of every song he parodied. At the XM Satellite Radio booth at the 2006 Consumer Electronics Show Yankovic and Coolio made peace. On his website, Yankovic wrote of this event, "I don’t remember what we said to each other exactly, but it was all very friendly. I doubt I’ll be invited to Coolio’s next birthday party, but at least I can stop wearing that bulletproof vest to the mall."^[70]

In 2003, Yankovic was denied permission to make a video for "Couch Potato", his parody of Eminem's "Lose Yourself":

Last year, Eminem forced me to halt production on the video for my 'Lose Yourself' parody because he somehow thought that it would be harmful to his image or career.^[71]

For the Poodle Hat Al TV special, Yankovic raised the question of artistic expression in a fake interview with Eminem. As Yankovic has always done for his Al TV specials, he edited the footage of a previous Eminem interview and inserted himself asking questions for comic effect.^[72]

Refused parodies[link]

On numerous occasions, Prince has refused Yankovic permission to record parodies of his songs. Yankovic has stated in interviews that he has "approached him every few years [to] see if he's lightened up."^[73] Yankovic related one story where, prior to the American Music Awards where he and Prince were assigned to sit in the same row, he got a telegram from Prince's lawyers, demanding he not make eye contact with the artist.^[57]

Led Zeppelin guitarist Jimmy Page is a self-proclaimed Yankovic fan, but when Yankovic wished to create a polka medley of Led Zeppelin songs, Page refused.^[74] Yankovic was, however, allowed the very rare opportunity to re-record a sample of "Black Dog" for a segment of "Trapped in the Drive-Thru".^[75]

Paul McCartney, also a Yankovic fan, refused Yankovic permission to record a parody of Wings' "Live and Let Die", titled "Chicken Pot Pie", because McCartney is a vegetarian and found the parody to be in bad taste.^[76]

In 2006, Yankovic gained James Blunt's permission to record a parody of "You're Beautiful". However, after Yankovic had recorded "You're Pitiful", Blunt's label, Atlantic Records, rescinded this permission, despite Blunt's personal approval of the song.^[57] The parody was pulled from Yankovic's Straight Outta Lynwood due to his label's unwillingness to "go to war" with Atlantic. Yankovic released the song as a free download on his MySpace profile, as well as his official website, and plays it in concert, since it was not Blunt himself objecting to the parody.^[77]