Joseph Wölfl

Joseph Johann Baptist Woelfl (German spelling:) Joseph Wölfl (24 December 1773 - 21 May 1812) was an Austrian pianist and composer.

Biography

Woelfl was born at Salzburg, where he studied music under Leopold Mozart and Michael Haydn.

He first appeared in public as a soloist on the violin at the age of seven. Moving to Vienna in 1790 he visited Wolfgang Mozart and may have taken lessons from him. His first opera, Der Höllenberg, appeared there in 1795.

Woelfl was very tall (over 6 feet), and with an enormous finger span (his hand could strike a thirteenth, according to his contemporary Frantisek Tomasek); to his wide grasp of the keyboard he owed a facility of execution which he turned to good account, especially in his extempore performances.

Although he dedicated his 1798 sonatas op. 6 to Beethoven, the two were rivals. Beethoven however bested Woelfl in a piano 'duel' at the house of Count Wetzlar in 1799, after which Woelfl's local popularity waned. After spending the years 1801 -1805 in Paris, Woelfl moved to London, where his first concert performance was on 27 May 1805.

Piano concerto

A piano concerto is a concerto written for a piano accompanied by an orchestra or other large ensemble.

Keyboard concerti were common in the time of Johann Sebastian Bach. Occasionally, Bach's harpsichord concerti are played on piano.

History

In the 17th and 18th centuries, typical concertos for keyboard were organ concertos and harpsichord concertos, such as those written by George Friedrich Handel and Johann Sebastian Bach.

Classical and romantic

As the piano developed and became accepted, composers naturally started writing concerti for it. This happened in the late 18th century, during the Classical music era. Wolfgang Amadeus Mozart was the most important composer in the early development of the form. Mozart's body of masterly piano concerti put his stamp firmly on the genre well into the Romantic era.

Mozart wrote many piano concertos for himself to perform (his 27 piano concertos also include concerti for two and three pianos). With the rise of the piano virtuoso, many composer-pianists did likewise, notably Ludwig van Beethoven, Frédéric Chopin, and Robert Schumann—and also lesser-known musicians like Johann Nepomuk Hummel, Joseph Wölfl, Carl Maria von Weber, John Field, Ferdinand Ries, and F. X. Mozart.

1 (number)

1 (one; /ˈwʌn/ or UK /ˈwɒn/, also called unit, unity, and (multiplicative) identity), is a number, a numeral, and the name of the glyph representing that number. It represents a single entity, the unit of counting or measurement. For example, a line segment of unit length is a line segment of length 1.

As a number

One, sometimes referred to as unity, is the integer before two and after zero. One is the first non-zero number in the natural numbers as well as the first odd number in the natural numbers.

Any number multiplied by one is that number, as one is the identity for multiplication. As a result, one is its own factorial, its own square, its own cube, and so on. One is also the result of the empty product, as any number multiplied by one is itself. It is also the only natural number that is neither composite nor prime with respect to division, but instead considered a unit.

As a digit

The glyph used today in the Western world to represent the number 1, a vertical line, often with a serif at the top and sometimes a short horizontal line at the bottom, traces its roots back to the Indians, who wrote 1 as a horizontal line, much like the Chinese character 一. The Gupta wrote it as a curved line, and the Nagari sometimes added a small circle on the left (rotated a quarter turn to the right, this 9-look-alike became the present day numeral 1 in the Gujarati and Punjabi scripts). The Nepali also rotated it to the right but kept the circle small. This eventually became the top serif in the modern numeral, but the occasional short horizontal line at the bottom probably originates from similarity with the Roman numeral I. In some countries, the little serif at the top is sometimes extended into a long upstroke, sometimes as long as the vertical line, which can lead to confusion with the glyph for seven in other countries. Where the 1 is written with a long upstroke, the number 7 has a horizontal stroke through the vertical line.

Concerto No. 5

Concerto No. 5 may refer to:

Joseph

"Joseph" is a masculine given name originating from Hebrew, recorded in the Hebrew Bible, as יוֹסֵף, Standard Hebrew Yossef, Tiberian Hebrew and Aramaic Yôsēp̄. In Arabic, including in the Qur'an, the name is spelled يوسف or Yūsuf. The name can be translated from Hebrew יהוה להוסיף YHWH Lhosif as signifying "JEHOVAH will increase/add".

In the Old Testament, Joseph is Jacob's eleventh son and Rachel's first (Yossef ben-Yaakov in the Jewish Bible). In the New Testament, Joseph is the husband of Mary, the mother of Jesus. In the New Testament there is another Joseph as well, Joseph of Arimathea, a secret disciple of Jesus who supplied the tomb in which Jesus was buried.

The form "Joseph" is used mostly in English, French and German-speaking countries. The name has enjoyed significant popularity in its many forms in numerous countries, and Joseph was one of the two names, along with Robert, to have remained in the top 10 boys' names list in the US from 1925 to 1972. It is especially common in contemporary Israel, as either "Yossi" or "Yossef", and in Italy, where the name "Giuseppe" was the most common male name in the 20th century.