A camera's angle of view can be measured horizontally, vertically, or diagonally.

In photography, angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

It is important to distinguish the angle of view from the angle of coverage, which describes the angle range that a lens can image. Typically the image circle produced by a lens is large enough to cover the film or sensor completely, possibly including some vignetting toward the edge. If the angle of coverage of the lens does not fill the sensor, the image circle will be visible, typically with strong vignetting toward the edge, and the effective angle of view will be limited to the angle of coverage.

Calculating a camera's angle of view[link]

For lenses projecting rectilinear (non-spatially-distorted) images of distant objects, the effective focal length and the image format dimensions completely define the angle of view. Calculations for lenses producing non-rectilinear images are much more complex and in the end not very useful in most practical applications. (In the case of a lens with distortion, e.g., a fisheye lens, a longer lens with distortion can have a wider angle of view than a shorter lens with low distortion)^[2] Angle of view may be measured horizontally (from the left to right edge of the frame), vertically (from the top to bottom of the frame), or diagonally (from one corner of the frame to its opposite corner).

For a lens projecting a rectilinear image, the angle of view (α) can be calculated from the chosen dimension (d), and effective focal length (f) as follows:^[3]

Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha = 2 \arctan \frac {d} {2 f}

Failed to parse (Missing texvc executable; please see math/README to configure.): d

represents the size of the film (or sensor) in the direction measured. For example, for film that is 36 mm wide, Failed to parse (Missing texvc executable; please see math/README to configure.): d = 36
mm would be used to obtain the horizontal angle of view.

Because this is a trigonometric function, the angle of view does not vary quite linearly with the reciprocal of the focal length. However, except for wide-angle lenses, it is reasonable to approximate Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha\approx \frac{d}{f}

radians or Failed to parse (Missing texvc executable; please see math/README to configure.): \frac{180d}{\pi f}
degrees.

The effective focal length is nearly equal to the stated focal length of the lens (F), except in macro photography where the lens-to-object distance is comparable to the focal length. In this case, the magnification factor (m) must be taken into account:

Failed to parse (Missing texvc executable; please see math/README to configure.): f = F \cdot ( 1 + m )

(In photography Failed to parse (Missing texvc executable; please see math/README to configure.): m

is usually defined to be positive, despite the inverted image.)  For example, with a magnification ratio of 1:2, we find Failed to parse (Missing texvc executable; please see math/README to configure.): f = 1.5 \cdot F
and thus the angle of view is reduced by 33% compared to focusing on a distant object with the same lens.

A second effect which comes into play in macro photography is lens asymmetry (an asymmetric lens is a lens where the aperture appears to have different dimensions when viewed from the front and from the back). The lens asymmetry causes an offset between the nodal plane and pupil positions. The effect can be quantified using the ratio (P) between apparent exit pupil diameter and entrance pupil diameter. The full formula for angle of view now becomes:^[4]

Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha = 2 \arctan \frac {d} {2 F\cdot ( 1 + m/P )}

Angle of view can also be determined using FOV tables or paper or software lens calculators.^[5]

Example[link]

Consider a 35 mm camera with a lens having a focal length of F = 50 mm. The dimensions of the 35 mm image format are 24 mm (vertically) × 36 mm (horizontal), giving a diagonal of about 43.3 mm.

At infinity focus, f = F, and the angles of view are:

• horizontally, Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha_h = 2\arctan\frac{h}{2f} = 2\arctan\frac{36}{2 \times 50}\approx 39.6^\circ

• vertically, Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha_v = 2\arctan\frac{v}{2f} = 2\arctan\frac{24}{2 \times 50}\approx 27.0^\circ

• diagonally, Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha_d = 2\arctan\frac{d}{2f} = 2\arctan\frac{43.3}{2 \times 50}\approx 46.8^\circ

Derivation of the angle-of-view formula[link]

Consider a rectilinear lens in a camera used to photograph an object at a distance Failed to parse (Missing texvc executable; please see math/README to configure.): S_1 , and forming an image that just barely fits in the dimension, Failed to parse (Missing texvc executable; please see math/README to configure.): d , of the frame (the film or image sensor). Treat the lens as if it were a pinhole at distance Failed to parse (Missing texvc executable; please see math/README to configure.): S_2

from the image plane (technically, the center of perspective of a rectilinear lens is at the center of its entrance pupil):[6]

Now Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha/2

is the angle between the optical axis of the lens and the ray joining its optical center to the edge of the film.  Here Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha
is defined to be the angle-of-view, since it is the angle enclosing the largest object whose image can fit on the film.  We want to find the relationship between:

the angle Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha

the "opposite" side of the right triangle, Failed to parse (Missing texvc executable; please see math/README to configure.): d/2

(half the film-format dimension)

the "adjacent" side, Failed to parse (Missing texvc executable; please see math/README to configure.): S_2

(distance from the lens to the image plane)

Using basic trigonometry, we find:

Failed to parse (Missing texvc executable; please see math/README to configure.): \tan ( \alpha / 2 ) = \frac {d/2} {S_2} .

which we can solve for α, giving:

Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha = 2 \arctan \frac {d} {2 S_2}

To project a sharp image of distant objects, Failed to parse (Missing texvc executable; please see math/README to configure.): S_2

needs to be equal to the focal length, Failed to parse (Missing texvc executable; please see math/README to configure.): F

, which is attained by setting the lens for infinity focus. Then the angle of view is given by:

Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha = 2 \arctan \frac {d} {2 f}

where Failed to parse (Missing texvc executable; please see math/README to configure.): f=F

Macro photography[link]

For macro photography, we cannot neglect the difference between Failed to parse (Missing texvc executable; please see math/README to configure.): S_2

and Failed to parse (Missing texvc executable; please see math/README to configure.): F

. From the thin lens formula,

Failed to parse (Missing texvc executable; please see math/README to configure.): \frac{1}{F} = \frac{1}{S_1} + \frac{1}{S_2}

.

We substitute for the magnification, Failed to parse (Missing texvc executable; please see math/README to configure.): m = S_2/S_1 , and with some algebra find:

Failed to parse (Missing texvc executable; please see math/README to configure.): S_2 = F\cdot(1+m)

Defining Failed to parse (Missing texvc executable; please see math/README to configure.): f=S_2

as the "effective focal length", we get the formula presented above:

Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha = 2 \arctan \frac {d} {2 f}

where Failed to parse (Missing texvc executable; please see math/README to configure.): f=F\cdot(1+m)

.

A second effect which comes into play in macro photography is lens asymmetry (an asymmetric lens is a lens where the aperture appears to have different dimensions when viewed from the front and from the back). The lens asymmetry causes an offset between the nodal plane and pupil positions. The effect can be quantified using the ratio (P) between apparent exit pupil diameter and entrance pupil diameter. The full formula for angle of view now becomes:^[4]

Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha = 2 \arctan \frac {d} {2 F\cdot ( 1 + m/P )}

Measuring a camera's field of view[link]

In the optical instrumentation industry the term field of view (FOV) is most often used, though the measurements are still expressed as angles.^[7] Optical tests are commonly used for measuring the FOV of UV, visible, and infrared (wavelengths about 0.1–20 µm in the electromagnetic spectrum) sensors and cameras.

The purpose of this test is to measure the horizontal and vertical FOV of a lens and sensor used in an imaging system, when the lens focal length or sensor size is not known (that is, when the calculation above is not immediately applicable). Although this is one typical method that the optics industry uses to measure the FOV, there exist many other possible methods.

UV/visible light from an integrating sphere (and/or other source such as a black body) is focused onto a square test target at the focal plane of a collimator (the mirrors in the diagram), such that a virtual image of the test target will be seen infinitely far away by the camera under test. The camera under test senses a real image of the virtual image of the target, and the sensed image is displayed on a monitor.^[8]

The sensed image, which includes the target, is displayed on a monitor, where it can be measured. Dimensions of the full image display and of the portion of the image that is the target are determined by inspection (measurements are typically in pixels, but can just as well be inches or cm).

Failed to parse (Missing texvc executable; please see math/README to configure.): D

= dimension of full image

Failed to parse (Missing texvc executable; please see math/README to configure.): d

= dimension of image of target

The collimator's distant virtual image of the target subtends a certain angle, referred to as the angular extent of the target, that depends on the collimator focal length and the target size. Assuming the sensed image includes the whole target, the angle seen by the camera, its FOV, is this angular extent of the target times the ratio of full image size to target image size.^[9]

The target's angular extent is:

Failed to parse (Missing texvc executable; please see math/README to configure.): \alpha = 2 \arctan \frac {L} {2 f_c}

where Failed to parse (Missing texvc executable; please see math/README to configure.): L

is the dimension of the target and Failed to parse (Missing texvc executable; please see math/README to configure.): f_c
is the focal length of collimator.

The total field of view is then approximately:

Failed to parse (Missing texvc executable; please see math/README to configure.): \mathrm{FOV} = \alpha \frac{D}{d}

or more precisely, if the imaging system is rectilinear:

Failed to parse (Missing texvc executable; please see math/README to configure.): \mathrm{FOV} = 2 \arctan \frac {LD} {2 f_c d}

This calculation could be a horizontal or a vertical FOV, depending on how the target and image are measured.

Lens types and effects[link]

Focal length[link]

How focal length affects perspective: Varying focal lengths at identical field size achieved by different camera-subject distances. Notice that the shorter the focal length and the larger the angle of view, perspective distortion and size differences increase.

Lenses are often referred to by terms that express their angle of view:

• fisheye lenses, typical focal lengths are between 8 mm and 10 mm for circular images, and 15–16 mm for full-frame images. Up to 180° and beyond.
  • A circular fisheye lens (as opposed to a full-frame fisheye) is an example of a lens where the angle of coverage is less than the angle of view. The image projected onto the film is circular because the diameter of the image projected is narrower than that needed to cover the widest portion of the film.
• Ultra wide angle lens is a rectilinear which is less than 24mm of focal length in 35mm film format, here 14mm is 114° and 24mm is 84° .
• Wide-angle lenses (24–35mm in 35mm film format) cover between 84° and 64°
• Normal, or Standard lenses (36–60mm in 35mm film format) cover between 62° and 40°
• Long focus lenses (any lens with a focal length greater than the diagonal of the film or sensor used)^[10] generally have an angle of view of 35° or less.^[11] Since photographers usually only encounter the telephoto lens sub-type,^[12] they are referred to in common photographic parlance as:
• "Medium telephoto", a focal length of 85mm to 135mm in 35mm film format covering between 30° and 10°^[13]
• "Super telephoto" (over 300mm in 35mm film format) generally cover between 8° through less than 1°^[13]

Zoom lenses are a special case wherein the focal length, and hence angle of view, of the lens can be altered mechanically without removing the lens from the camera.

Characteristics[link]

For a given camera–subject distance, longer lenses magnify the subject more. For a given subject magnification (and thus different camera–subject distances), longer lenses appear to compress distance; wider lenses appear to expand the distance between objects.

Another result of using a wide angle lens is a greater apparent perspective distortion when the camera is not aligned perpendicularly to the subject: parallel lines converge at the same rate as with a normal lens, but converge more due to the wider total field. For example, buildings appear to be falling backwards much more severely when the camera is pointed upward from ground level than they would if photographed with a normal lens at the same distance from the subject, because more of the subject building is visible in the wide-angle shot.

Because different lenses generally require a different camera–subject distance to preserve the size of a subject, changing the angle of view can indirectly distort perspective, changing the apparent relative size of the subject and foreground.

If the subject image size remains the same, then at any given aperture all lenses, wide angle and long lenses, will give the same depth of field.^[14]

Examples[link]

An example of how lens choice affects angle of view. The photos below were taken by a 35 mm still camera at a constant distance from the subject:

28 mm lens, 65.5° × 46.4°	50 mm lens, 39.6° × 27.0°
70 mm lens, 28.9° × 19.5°	210 mm lens, 9.8° × 6.5°

Common lens angles of view[link]

This table shows the diagonal, horizontal, and vertical angles of view, in degrees, for lenses producing rectilinear images, when used with 36 mm × 24 mm format (that is, 135 film or full-frame 35mm digital using width 36 mm, height 24 mm, and diagonal 43.3 mm for d in the formula above).^[15] Digital compact cameras sometimes state the focal lengths of their lenses in 35mm equivalents, which can be used in this table.

Five images using 24, 28, 35, 50 and 72mm equivalent zoom lengths, portrait format, to illustrate angles of view ^[16]

Five images using 24, 28, 35, 50 and 72mm equivalent step zoom function, to illustrate angles of view

Three-dimensional digital art[link]

This unreferenced section requires citations to ensure verifiability.

Displaying 3d graphics as 3d projection of the models onto a 2d surface uses a series of mathematical calculations to render the scene. The angle of view of the scene is thus readily set and changed; some renderers even measure the angle of view as the focal length of an imaginary lens. The angle of view can also be projected onto the surface at an angle greater than 90°, effectively creating an ultra-wide lens effect.

Cinematography and video gaming[link]

This unreferenced section requires citations to ensure verifiability.

Modifying the angle of view over time, or zooming, is a frequently used cinematic technique.

For a visual effect, some first person video games (especially racing games), widen the angle of view beyond 90° to exaggerate the distance the player is travelling, thus exaggerating the player's perceived speed and giving a tunnel effect (like pincushion distortion). Narrowing the view angle gives a zoom in effect. Also see Field of view in video games.

References and notes[link]

1. ^ Neil Wayne Northey (September 1916). Frank V. Chambers. ed. "The Angle of View of your Lens". The Camera (Columbia Photographic Society) 20 (9). http://books.google.com/?id=kiUEAAAAYAAJ&pg=PA481&dq=%22field-of+view%22+%22focal+length%22+camera. 
2. ^ http://www.the-digital-picture.com/reviews/canon-ef-15mm-f-2.8-fisheye-lens-review.aspx
3. ^ Ernest McCollough (1893). "Photographic Topography". Industry: A Monthly Magazine Devoted to Science, Engineering and Mechanic Arts (Industrial Publishing Company, San Francisco): 399–406. http://books.google.com/?id=eCkAAAAAMAAJ&pg=PA402&dq=%22field-of+view%22+%22focal+length%22+camera+tangent+%22length+of+the+plate%22. 
4. ^ ^{a b} Paul van Walree (2009). "Center of perspective". http://toothwalker.org/optics/cop.html#fov. Retrieved 24 Januari 2010. 
5. ^ CCTV Field of View Camera Lens Calculations by JVSG, December, 2007
6. ^ Kerr, Douglas A. (2005). "The Proper Pivot Point for Panoramic Photography" (PDF). The Pumpkin. http://doug.kerr.home.att.net/pumpkin/Pivot_Point.pdf. Retrieved 2007-01-14. 
7. ^ Holst, G.C. (1998). Testing and Evaluation of Infrared Imaging Systems (2nd ed.). Florida:JCD Publishing, Washington:SPIE.
8. ^ Mazzetta, J.A.; Scopatz, S.D. (2007). Automated Testing of Ultraviolet, Visible, and Infrared Sensors Using Shared Optics. Infrared Imaging Systems: Design Analysis, Modeling, and Testing XVIII,Vol. 6543, pp. 654313-1 654313-14
9. ^ Electro Optical Industries, Inc.(2005). EO TestLab Methadology. In Education/Ref. http://www.electro-optical.com/html/toplevel/educationref.asp.
10. ^ Sidney F. Ray, Applied photographic optics: lenses and optical systems for photography, page 294
11. ^ Lynne Warren, Encyclopedia of 20th century photography, page 211
12. ^ Michael Langford, Basic photography, page 83
13. ^ ^{a b} photographywebsite.co.uk - Lens Types Explained
14. ^ Reichmann, Michael. "Do Wide Angle Lenses Really Have Greater Depth of Field Than Telephotos?". http://www.luminous-landscape.com/tutorials/dof2.shtml. 
15. ^ However, most interchangeable-lens digital cameras do not use 24x36 mm image sensors and therefore produce narrower angles of view than set out in the table. See crop factor and the subtopic digital camera issues in the article on wide-angle lenses for further discussion.
16. ^ The image examples uses a 5.1-15.3mm lens which is called a 24mm 3x zoom by the producer (Ricoh Caplio GX100)

See also[link]

• 35 mm equivalent focal length
• Camera angle
• Camera coverage
• Camera operator
• Cinematic techniques
• Field of view
• Filmmaking
• Multiple-camera setup
• Single-camera setup
• Video production

External links[link]

• Angle of View on digital SLR cameras with reduced sensor size
• Focal Length and Angle of View

This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2010)

The field of view (also field of vision, abbreviated FOV) is the extent of the observable world that is seen at any given moment.

Different animals have different fields of view, depending on the placement of the eyes. Humans have an almost 180-degree forward-facing horizontal field of view, while some birds have a complete or nearly complete 360-degree field of view. In addition, the vertical range of the field of view in humans is typically around 100 degrees.

The range of visual abilities is not uniform across a field of view, and varies from animal to animal. For example, binocular vision, which is important for depth perception, only covers 120 degrees (horizontally) of the field of vision in humans^{[citation needed]}; the remaining peripheral 60 degrees have no binocular vision (because of the lack of overlap in the images from either eye for those parts of the field of view). Some birds have a scant 10 or 20 degrees of binocular vision.

Similarly, color vision and the ability to perceive shape and motion vary across the field of view; in humans the former is concentrated in the center of the visual field, while the latter tends to be much stronger in the periphery. This is due to the much higher concentration of color-sensitive cone cells in the fovea, the central region of the retina, in comparison to the higher concentration of motion-sensitive rod cells in the periphery. Since cone cells require considerably brighter light sources to be activated, the result of this distribution is that peripheral vision is much stronger at night relative to binocular vision.

Conversions[link]

Many optical instruments, particularly binoculars or spotting scopes, are advertised with their field of view specified in one of two ways: angular field of view, and linear field of view. Angular field of view is typically specified in degrees, while linear field of view is a ratio of lengths. For example, binoculars with a 5.8 degree (angular) field of view might be advertised as having a (linear) field of view of 305 ft per 1000 yd or 102 mm per meter. As long as the FOV is less than about 10 degrees or so, the following approximation formulas allow one to convert between linear and angular field of view. Let Failed to parse (Missing texvc executable; please see math/README to configure.): A

be the angular field of view in degrees.  Let Failed to parse (Missing texvc executable; please see math/README to configure.): L
be the linear field of view in feet per 1000 yd.  Let Failed to parse (Missing texvc executable; please see math/README to configure.): M
be the linear field of view in millimeters per meter.  Then, using the small-angle approximation:

Failed to parse (Missing texvc executable; please see math/README to configure.): A \approx {360^{\circ}\over 2 \pi} \cdot {L\over 3000 } \approx 0.0191 \times L

Failed to parse (Missing texvc executable; please see math/README to configure.): A \approx {360^{\circ}\over 2 \pi} \cdot {M\over 1000 } \approx 0.0573 \times M

Failed to parse (Missing texvc executable; please see math/README to configure.): L \approx {2 \pi \cdot 3000 \over 360^{\circ}} \cdot A \approx 52.36 \times A

Failed to parse (Missing texvc executable; please see math/README to configure.): M \approx {2 \pi \cdot 1000 \over 360^{\circ}} \cdot A \approx 17.45 \times A

Machine vision[link]

In machine vision the lens focal length sets up the fixed relationship between the field of view and the working distance. Field of view is the area of the inspection captured on the camera’s imager. The size of the field of view and the size of the camera’s imager directly affect the image resolution (one determining factor in accuracy). Working distance is the distance between the back of the lens and the target object.

Astronomy[link]

In astronomy the field of view is usually expressed as an angular area viewed by the instrument, in square degrees, or for higher magnification instruments, in square arc-minutes. For reference the Wide Field Channel on the Advanced Camera for Surveys on the Hubble Space Telescope has a field of view of 10 sq. arc-minutes, and the High Resolution Channel of the same instrument has a field of view of 0.15 sq. arc-minutes. Ground based survey telescopes have much wider fields of view. The photographic plates used by the UK Schmidt Telescope had a field of view of 30 sq. degrees. The 1.8 m (71 in) Pan-STARRS telescope, with the most advanced digital camera to date has a field of view of 7 sq. degrees. In the near infra-red WFCAM on UKIRT has a field of view of 0.2 sq. degrees and the forthcoming VISTA telescope will have a field of view of 0.6 sq. degrees. Until recently digital cameras could only cover a small field of view compared to photographic plates, although they beat photographic plates in quantum efficiency, linearity and dynamic range, as well as being much easier to process.

Photography[link]

In photography, the field of view is that part of the world that is visible through the camera at a particular position and orientation in space; objects outside the FOV when the picture is taken are not recorded in the photograph. It is most often expressed as the angular size of the view cone, as an angle of view.

Video games[link]

The field of view in video games refers to the part you see of a game world, which is dependent on the scaling method used.

See also[link]

• Perimetry
• Peripheral vision
• Visual perception
• Useful field of view

References[link]

T.I.
T.I. performing at the 2008 Bumbershoot festival.
Background information
Birth name	Clifford Joseph Harris, Jr.
Born	(1980-09-25) September 25, 1980 (age 31) Atlanta, Georgia, United States
Genres	Hip hop
Occupations	Rapper, songwriter, record producer, actor, author
Instruments	Keyboards, sampler
Years active	2000–present
Labels	Grand Hustle, Atlantic
Associated acts	P$C
Website	trapmuzik.com

Clifford Joseph Harris, Jr. (born September 25, 1980), better known by his stage name T.I., is an American rap artist, film and music producer, actor and author. He is also the founder and co-chief executive officer (CEO) of Grand Hustle Records.^[1][2]

T.I. has released seven studio albums (I'm Serious, Trap Muzik, Urban Legend, King, T.I. vs. T.I.P., Paper Trail, and No Mercy) with the most recent five being highly successful on the commercial market. He has released such successful singles as "Bring Em Out", "What You Know", "Big Shit Poppin' (Do It)", "Swagga Like Us" (featuring Kanye West, Jay-Z and Lil Wayne), "Whatever You Like", "Live Your Life" (featuring Rihanna), "Dead and Gone" (featuring Justin Timberlake), "Got Your Back" (featuring Keri Hilson) and "That's All She Wrote" (featuring Eminem). He has served two stints in county jail, twice for probation violations and a federal prison bid for a U.S. federal weapons charge. While serving 11 months in prison he released his seventh studio album, No Mercy. T.I. has also had successful acting career, starring in the films Takers and ATL.

Biography[link]

1980–2000: Early life and career beginnings[link]

T.I. was born Clifford Joseph Harris Jr. on September 25, 1980, in Riverdale, Georgia, the son of the late Clifford "Buddy" Harris Sr. and Violeta Morgan.^[3][4] He was raised by his grandparents in Bankhead, Atlanta, Georgia. His father lived in New York and he would often go up there to visit him. His father suffered from Alzheimer's and later died from the disease.^[5] T.I. began rapping at age nine.^[5] He attended Douglass High School, but later dropped out. As a teenager, he was a drug dealer.^[6][7] He was once known as Rubber Band Man, a reference to the custom of wearing rubber bands around the wrist to denote wealth in terms of drugs or money.^[8] By age 14, he had been arrested several times.^[5] He was nicknamed "Tip" after his paternal great-grandfather.^[9] Kawan "KP" Prather, a record executive, discovered and signed T.I. when he was a teenager.^[10] Upon signing with Arista Records subsidiary LaFace Records in 2001, he shortened his name to T.I. out of respect for label mate Q-Tip.^[11]

[edit] 2001–02: I'm Serious

T.I. released his debut album, I'm Serious, in October 2001 through Arista Records.^[12] The album spawned the eponymous single, which featured Jamaican reggae entertainer Beenie Man. His debut single, "I'm Serious," was released on June 26, 2001. The single received little airplay and failed to chart. The album included guests appearances from Pharrell Williams of The Neptunes (who called him "the Jay-Z of the South"),^[13] Jazze Pha, Too Short, Bone Crusher, Lil Jon, Pastor Troy, P$C and YoungBloodZ. The album featured production from The Neptunes, DJ Toomp, Madvac, and The Grand Hustle Team. Despite the album's guests appearances and production team, the album peaked at number 98 and only sold 163,000 copies in the United States.^[14] Critics pointed to the fact that many of the tracks sounded the same and that a few were blatant rip-offs.^[15] Other critics commented saying, "T.I. claims to be the king of the South, but fails to show and prove. He does, however, have potential. If his talent ever matches his confidence, he may be headed for stardom."^[16]

Due to the poor commercial reception of the album, T.I. was dropped from Arista Records.^[12] He then formed Grand Hustle Entertainment and started releasing several mixtapes with the assistance of DJ Drama.^[12] He resurfaced in the summer of 2003 with fellow Atlanta rapper and former label-mate Bone Crusher's song "Never Scared." His mixtapes and mainstream exposure from "Never Scared" eventually recaptured major label attention and he signed a joint venture deal with Atlantic Records.^[17][18]

[edit] 2003–05: Trap Muzik and Urban Legend

T.I. released his second album Trap Muzik on August 19, 2003 through Grand Hustle Records; it debuted at number four and sold 109,000 copies in its first week.^[19] It spawned the singles "24s", "Be Easy", "Rubberband Man", and "Let's Get Away". The album featured guest appearances by 8Ball & MJG, Jazze Pha, Bun B and Macboney and was produced by Jazze Pha, Kanye West, David Banner, Madvac and DJ Toomp. In March 2004, a warrant was issued for T.I.'s arrest after he violated his probation of a 1997 drug conviction.^[20] He was sentenced to three years in prison.^[21] While imprisoned in Cobb County, Georgia, he filmed an unauthorized music video.^[22] One month later, he was allowed a work release program.^[23]

T.I. was on probation stemming from a 1998 conviction for violating a state controlled substances act and for giving false information. After being released on probation, he earned a litany of probation violations in several counties around Georgia for offenses ranging from possession of a firearm to possession of marijuana.^[21] In 2006, after appearing in an Atlanta court on (May 10) and having charges that he threatened a man outside a strip club last year dropped for lack of evidence, T.I. was arrested on an outstanding probation violation warrant from Florida. The warrant claimed that T.I. did not complete the required number of community service hours he was sentenced for a 2003 assault of a female sheriff deputy at University Mall in Tampa. T.I. was detained by several mall Security Guards at the time of the incident. According to WSB-TV Atlanta, the rapper’s attorney said that the problem was nothing more than a "technical matter" between Georgia and Florida. The confusion arose because T.I. was also sentenced to community service in Georgia for driving with a suspended license, for which he did complete 75 hours of community service in his home state. The rapper was released on bail shortly after being arrested, and was expected to surrender to Florida state authorities the following week to resolve the matter.^[24]

T.I. released his third studio album, Urban Legend, in November 2004. It debuted at number seven on the Billboard 200, selling 193,000 copies in its first week.^[19] The album's official lead single, "Bring Em Out", was released in January 2005 and became his first top ten hit, peaking at number nine on the Billboard Hot 100, while the second single "U Don't Know Me" peaked at number twenty-three on the Billboard Hot 100. His third single "ASAP" reached number 75 on the U.S. charts,^[25] number 18 on the U.S. R&B/Hip-Hop charts^[25] and number 14 on the Rap chart.^[25] T.I. created a video for "ASAP"/"Motivation". However, "Motivation" only made it to number 62 on the U.S. R&B/Hip-Hop singles chart.^[25] He was featured in Destiny's Child's 2004 single "Soldier" along with Lil Wayne, peaking at number three on the U.S. Hot 100 and the U.S. R&B Charts.^[26]

In 2006, T.I. received two Grammy Award nominations for Best Song Collaboration ("Soldier" w/ Destiny's Child & Lil Wayne) and Best Rap Solo Performance for "U Don't Know Me" at The 48th Grammy Awards. That same year he won Rap Artist of the Year, Rap Album Of The Year, Rap Album Artist Of The Year, Rap Song Artist of the Year and Video Clip Artist of the Year on the Billboard Music Award and Best Male Hip-Hop Artist on the BET Awards.

[edit] 2006–07: King, T.I. vs. T.I.P. and federal weapons charges

T.I.'s fourth album, King, debuted at number one on the Billboard 200 chart in the first half of 2006, selling 522,000 copies in its first week.^[27] T.I. released "Front Back" and "Ride with Me" as promotional singles prior to the release of the album. The singles garnered little attention, but helped to promote not only the album, but also ATL. The album also included the singles, "What You Know," "Why You Wanna," and "Live in the Sky," plus a remix of "Top Back." King earned numerous awards and nominations including a Grammy Award nomination for Best Rap Album. He was also featured in the single "Shoulder Lean" by Young Dro reaching the top ten on the U.S. Hot 100 and #1 on the U.S. Hot R&B/Hip-Hop Songs and Hot Rap Tracks.

T.I. at the 2006 Summer Jam concert in Pittsburgh, Pennsylvania

"What You Know" won a Grammy Award for Best Rap Solo Performance and was nominated for Best Rap Song at the 49th Grammy Awards.^[28] Also that year, T.I. collaborated with Justin Timberlake for "My Love," which proved to be a worldwide hit, and won a Grammy Award for Best Rap/Sung Collaboration with Justin Timberlake at the 49th Annual Grammy Awards^[28] and also won Best Male Hip-Hop Artist at the BET Awards for the second straight time. He then served as a featured performer on "We Takin' Over" by DJ Khaled also featuring Akon, Fat Joe, Rick Ross, Birdman and Lil Wayne.

T.I. released his fifth album, T.I. vs. T.I.P., on July 3, 2007. The first single from the album was "Big Shit Poppin' (Do It)," which was produced by Mannie Fresh and was released to radio stations on April 17, 2007. The second single, "You Know What It Is" featuring Wyclef Jean, was released June 12, 2007. T.I. vs. T.I.P. sold 468,000 copies in the United States, according to Nielsen SoundScan, and debuted at number one on the Billboard 200 and the Top R&B/Hip-Hop Albums chart. It was T.I.'s second chart-topper in a row: King opened at number one on the Billboard 200 with 522,000 copies in late March 2006.^[29] The album included guest performances by Jay-Z, Busta Rhymes, Wyclef Jean, Nelly, and Eminem, and production by Eminem, Jeff Bass, Mannie Fresh, Grand Hustle, The Runners, Just Blaze, Wyclef Jean and Danja. Absent from this album's production lineup were T.I.'s longtime producer DJ Toomp and The Neptunes. In October 2007, T.I. released his third single, "Hurt," featuring Busta Rhymes and Alfamega.

On October 13, 2007, federal authorities arrested T.I. four hours before the BET Hip-Hop Awards in Atlanta.^[30] He was charged with two felonies — possession of three unregistered machine guns and two silencers, and possession of firearms by a convicted felon. The arrest was made in the parking lot of a downtown shopping center, which a witness identified as the Walgreens drug store at the corner of North and Piedmont Avenues. T.I. was arrested after allegedly trying to purchase the guns from a "cooperating witness" with the Bureau of Alcohol, Tobacco, Firearms and Explosives. According to federal officials, the witness had been cooperating with authorities a few days prior to the T.I. arrest, when the cooperating witness was arrested on charges of trying to purchase guns from a federal agent. The witness had been working as T.I.'s bodyguard since July, authorities said.^[31][32] T.I. walked out of the Atlanta United States District Court after appearing before U.S. Magistrate Judge Alan J. Baverman on October 26, 2007. Judge Alan J. Baverman required T.I. post a $3 million bond, $2 million in cash and $1 million in equity on property he owns. The rapper was required to remain at home except for medical appointments and court appearances. The only people allowed to live with him were his girlfriend and children. Visitors were required to be approved by the court.

[edit] 2008–09: Paper Trail and prison sentence

T.I.'s suppression hearing was scheduled for February 19, 2008. The performer later pleaded guilty to U.S. federal weapons charges. He was sentenced to an undefined prison sentence, a year of house arrest and 1,500 hours of community service. In an interview with MTV about serving prison time, T.I. stated, "Presumably, while I'm there, I'll be able to strategize my comeback." He went on to say that he would not "just be sitting still doing nothing".^[33] At that time T.I. collaborated with Mariah Carey on the "I'll Be Lovin' U Long Time" remix, peaking at number 58 on the U.S. Hot 100 and number 36 on the Hot R&B/Hip-Hop Songs.

	Whatever You Like (2008) noicon T.I.'s second single from his sixth studio album Paper Trail.
Problems listening to this file? See media help.

While under house arrest, T.I. began writing lyrics down on paper for his following album.^[34] The first promotional single from the album, "No Matter What," was released in April 2008. The music video was released on June 2008 on MTV's FN Premieres. The second promotional single was "Swing Ya Rag" which was produced by and featured Swizz Beatz.^[35] The official lead single was "Whatever You Like," was released on July 2008, and became his most successful single of his career so far, breaking the record for the highest jump to number one on the Billboard Hot 100, jumping from number 71 to number one. Also becoming T.I.'s first solo number one on the chart. While "Whatever You Like" was number one, "Weird Al" Yankovic did a parody of T.I.'s song called "Whatever You Like", the same title as the song by T.I. He released his sixth album, Paper Trail, in September 2008. The title of the album refers to the lyrics he had written down on paper. Like many other rappers, T.I. abandoned this style of rapping after his debut album I'm Serious by just memorizing lyrics. His representative explain that T.I. wanted to "take more time to really put something down [this time]".^[36] The album debuted at number one on the Billboard 200 selling 568,000 copies in the United States.^[37]

The second single from the album, "Swagga Like Us", featuring Kanye West, Jay-Z and Lil Wayne, debuted and peaked at number five on the Billboard Hot 100. With the third single "Live Your Life" featuring Rihanna, T.I. broke his own record on the Billboard Hot 100 when it jumped from number 80 to the number one.^[37] The fourth single "Dead and Gone", featuring Justin Timberlake, peaked at number two for five weeks on the Billboard Hot 100, eventually going on to be nominated during the 52nd Grammy Awards for both "Best Rap/Sung Collaboration" and "Best Rap Song". During the 51st Grammy Awards, he was nominated for four Grammy Awards, eventually winning Best Rap Performance by a Duo Or a Group for "Swagga Like Us". "Remember Me", featuring Mary J. Blige, was released digitally on July 7, 2009. It was the planned first single from the re-release of T.I.'s sixth studio album, "Paper Trail", but the re-release was eventually shelved. The single peaked at number 29 on the Billboard Hot 100. On October 6, "Hell of a Life" was released digitally and went on to peak at number 54 on the Billboard Hot 100. In 2009, T.I. appeared as himself on an episode of Kathy Griffin: My Life on the D-List. On the episode, he took the comedienne to Roscoe's House of Chicken and Waffles in LA and gave her a lesson on how to "swagger."^[38]

On November 21, 2008, T.I. testified in the murder trial of a member of his entourage and a close friend, Philant Johnson (1980–2006), who was murdered in a shooting that occurred after a post-concert party at a club. T.I. has dedicated several songs to Johnson, from the single version of "Live in the Sky" to his more recent hit "Dead and Gone" where Johnson's grave can be seen in the video.^[39]

On March 27, 2009, U.S. District Judge Charles A. Pannell, Jr. sentenced T.I. to one year and one day in prison and ordered to pay $100,300 for federal weapons charges; T.I. had his sentence reduced from a maximum 10 years and a $250,000 fine with a plea bargain.^[40][41] On May 26, 2009, T.I. began serving his sentence in Forrest City, Arkansas.^[42] Two days prior to being imprisoned, T.I. performed a farewell concert at the Philips Arena in Atlanta, Georgia.^[43] T.I. was released from FCC Forrest City on December 22, 2009^[44] and was moved into a halfway house in Atlanta.^[45] T.I. had the Federal Bureau of Prisons ID 59458-019 and was released from CCM Atlanta on March 26, 2010.^[46] After his release from prison, he was subjected to an audit of his finances, drug counseling, DNA testing, and random searches of his property.^[47]

[edit] 2010–2011: No Mercy and drug charges

On March 26, 2010, T.I. was released from the halfway house.^[48] He was in the studio working on his seventh studio album titled King Uncaged.^[49] Jim Jonsin, the producer who previously worked with him on his single, "Whatever You Like" and R&B singer Trey Songz, were scheduled to work on the project.

T.I. made his first public appearance since prison, stepping out with then fiancée Tameka "Tiny" Cottle in support of her Alzheimer's research fundraiser "For the Love of Our Fathers" at Atlanta's Opera venue. "I am very well, very happy to be seen," said T.I., who joined Cottle onstage at the end of the benefit.^[50] T.I. released a new street single titled "I'm Back" on March 8, 2010.^[51] The single peaked at #44 on Billboard's Hot 100 charts.^[52] Around this time, he made a featured guest appearance on Diddy-Dirty Money's single "Hello Good Morning" where the single peaked at #27 in US and charted internationally in eight other countries.^[53]

He also made a guest appearance on Larry King Live on May 13 to discuss with Larry King about his nine-month prison term on federal gun charges and other topics.^[54] T.I. released a promotional soundtrack single entitled, "Yeah Ya Know (Takers)" on May 24.^[55] It peaked at number forty-four on Billboard Hot 100 and number sixty-eight on Canadian Hot 100.^[52] T.I. released another promotional single entitled; "Got Your Back" which featured American R&B singer Keri Hilson and it peaked at number thirty-eight in the US.^[52] Later, T.I. made more featured single appearances such as Jamie Foxx's single "Winner" featuring Justin Timberlake and Drake's single "Fancy" which it featured Swizz Beatz. Both singles made an impact on the Billboard charts peaking at the top 50.

T.I. released a mixtape entitled "Fuck a Mixtape"; the move was somewhat controversial due to its title, with many feeling he was insulting the Mixtape format. T.I. has addressed the issue by stating that it was a response to all the people who told him to just focus on an album and not on a mixtape. T.I. further defended his decision to release a mixtape by saying: "I already have 60, 70 songs. A lot of these songs are period pieces that speak volumes to what's going on right now. If I hold onto them next year or the year after, they'll be dated, because my life will be in another direction. If I'm not gonna put it on the album — and they all can't make the album — then they might as well have another platform to present it to the world".^[56]

On September 1, T.I. and his wife Tiny were arrested on drug charges in Los Angeles.^[57] The arrest for drug charges led to T.I. being sentenced on October 15, 2010 to 11 months in prison for violating the terms of his probation, specifically for possessing ecstasy, testing positive for opiates and associating with a convicted felon. On October 25, the drug charges against T.I. were dropped.^[58]

T.I. changed the title of his seventh studio album and renamed it No Mercy due to his new prison sentencing. He then released the first single from the newly titled album, "Get Back Up" featuring Chris Brown on the same day that he was sentenced back to prison for violating the terms of his probation.^[59] "Get Back Up" peaked at number seventy in the US.^[52] On November 1, T.I. reported back to the Forrest City Federal Facility to serve his 11-month sentence.^[60] His date of release was set to be September 29, 2011.^[46]

No Mercy was released on December 7, 2010. The album peaked at number four in the US and it sold over 159,000 copies in its first week.^[61] RIAA certified No Mercy Gold with over 500,000 copies sold. His second and last single from the album "That's All She Wrote" featuring Eminem was released on December 19 and it peaked at number eighteen in the US.^[52]

T.I. was nominated for two Grammy Awards for Best Rap Solo Performance for "I'm Back" and Grammy Award for Best Rap Performance by a Duo or Group (Fancy with Drake and Swizz Beatz) at the 53rd Grammy Awards. He was also nominated for a Soul Train Music Award for Best Hip Hop Song of the Year for "Got Your Back" and he earned three BET Hip Hop Awards nominations for Hustler of the Year, Made You Look Award, and Best Club Banger for "Hello Good Morning" w/Diddy-Dirty Money.

In early June 2011, T.I. said in a letter: "I’ll be releasing a record in the near future (couple of weeks tops) to hold y’all over til I get back in action." On June 30, 2011, a new song was released onto T.I.'s official website and on his official YouTube channel - titled "We Don't Get Down Like Y'all", which features fellow Grand Hustle rapper B.o.B on the hook. While commenting on the song, T.I. said in another letter; "It's a song that I did soon after my release last time. What inspired me to write this record was the differences in how we do us and how they do them suddenly became incredibly evident in just a very short period of time." It was originally only available on Atlantic Records's online store.^[62][63][64] The song was available on iTunes and other vendors, such as Spotify on August 9 and it peaked at number seventy-eight in the US.

On August 31, T.I. was released from Forrest City Correctional Facility in Arkansas at 7:29 a.m. and was sent to a community living facility to serve out the rest of his 11 month prison sentence. He then released a statement on Twitter saying: "The storm is over & da sun back out. IT'S OUR TIME TO SHINE SHAWTY!!!!! Welcome to the beginning of our Happy Ending!!!!"^[65] He recently inked a deal with VH1 for a new reality show that will follow him as he re-adjusts to life as a free man after the incarceration and he's also working on a book entitled, "Power & Beauty" which was set to be released in October.^[66] He was sent back to federal custody on September 1, less than 48 hours after his release due to a dispute involving T.I. taking a luxury bus from a prison in Arkansas to a halfway house facility in Atlanta. T.I.'s attorney, Steve Sadow, told the Associated Press that the Federal Bureau of Prisons has moved T.I. to a different facility and clarified that the dispute was not drug related.^[67] T.I. was later released from prison and was sent back to the halfway house, where he was released on September 29 at midnight.^[68]

[edit] 2011-present: Trouble Man and The Man and the Martian

On September 30, T.I. released "I'm Flexin'", the first promotional single from his upcoming eighth studio album. The song was produced and features Big K.R.I.T.. T.I. reunited with Young Jeezy on "F.A.M.E." for Jeezy's album TM103.^[69][70] "I'm Flexin" peaked at number sixty-six on Billboard Hot 100, while "F.A.M.E." peaked at number sixty-seven on Billboard Hip Hop/R&B. On October 18, T.I. made appearances on The Howard Stern Show and The View to promote his new novel, "Power & Beauty: A Love Story of Life on the Streets" and discuss other issues involving his time in prison. Later that day, he released the second promotional single "Here Ye, Hear Ye" featuring Pharrell Williams, under the alias Sk8brd. ^[71][72][73]

After his release from prison, T.I. appeared on several remixes such as; "Spend It" by 2 Chainz, "Sleazy" by Ke$ha", Niggas in Paris" with Jay-Z and Kanye West, "Hard White (Up in the Club)" by Yelawolf also featuring Slaughterhouse, "Ima Boss" by Meek Mill alongside a freestyle over Drake's "Headlines", and Lil Wayne's "She Will". He was also featured on Future's second single "Magic" taken from his debut studio album Pluto.

T.I. revealed the title of his eight studio album to be Trouble Man. The album was partly inspired by Marvin Gaye’s 1972 song of the same name, he revealed on Billboard. In a previous interview with Rolling Stone; he said he was debating between two titles, Trouble Man and Kill the King. The third promotional single "Pyro", was released on November 21.^[74] On December 5, his new reality show "T.I. and Tiny: The Family Hustle" premiered on Vh1 at 9p after the first full episodes were leaked onto the internet.^[75]

In preparation for the album, T.I. released a mixtape entitled, Fuck da City Up on New Year's Day. Two songs off the mixtape charted on the Billboard Hot R&B/Hip-Hop Songs, "Popped Off", featuring and produced by Dr. Dre and "This Time of Night" featuring Nelly, respectively.^[76]

While on set for the "Strange Clouds" music video, MTV interviewed B.o.B and confronted him of a rumor that he and T.I. are working on a collaborative album, B.o.B responded: "The joint album, it actually started as a joke. Tip would always refer to me as 'the Martian', and in one of his lyrics, he said, ‘It’s the man and the Martian,’ and we said, ‘Man that could be an album title.’ We kinda just played around with it. But it seems to be taking form in a very organic way."^[77] On December 1, 2011, B.o.B appeared on New York City's Hot 97 radio station and confirmed that he and T.I. are indeed working on a collaborative album titled The Man and the Martian.^[78][79]

On March 1, 2012, T.I. announced he signed Iggy Azalea, Chip and Trae Tha Truth to Grand Hustle Records.^[80][81] He will act as executive producer on Azalea's debut studio album The New Classic and was featured on her debut single "Murda Bizness", which premiered March 26, 2012.^[82] On March 30, T.I. released a snippet of "Love This Life", Trouble Man's lead single, produced by Mars of 1500 or Nothin'. He also revealed that the song will be released on April 2, 2012.^[83]

Other ventures[link]

Acting career[link]

In 2006 T.I. starred in his first film, ATL, which was loosely based on the rapper's life growing up in Atlanta and attending a skating rink named "Jellybeans" (the name of the skating rink was changed due to "Jellybeans" not giving the movie rights to the name). The other cast members included Lauren London, Antwan Patton, Evan Ross, Mykelti Williamson, Jason Weaver, and Keith David. The movie was written by Tina Gordon Chism and Antwone Fisher, produced by Timothy M. Bourne, Tionne Watkins, and Will Smith, and directed by Christopher Robinson. T.I. played the character Rashad Swann, an orphaned 17-year-old senior in high school. In its opening weekend, the film grossed a total of $11.5 million, ranking third in the United States box office, and went on to gross $21.2 million.^[84]

He also appeared in American Gangster as Stevie Lucas, Drug Kingpin Frank Lucas' nephew.^[85]

T.I. starred in the crime heist film Takers (originally called Bone Deep) as Ghost. The film was directed by John Luessenhop and was produced by William Packer, Michael Ealy, Tom Lassally, Jason Geter, Gary Gilbert and T.I. himself. The film was released on August 27, 2010 through Grand Hustle Films and Rainforest Films distributed by Screen Gems. The film also includes Chris Brown, Idris Elba, Matt Dillon, Paul Walker, Hayden Christensen, and Zoe Saldana. Takers debuted at number one at the American box office at 20.5 million in its opening weekend.^[86]

Music and film producing[link]

T.I. was co-executive producer of B.G.'s upcoming album and making beats for artists like Mariah Carey, Cassidy, Rick Ross, Maino, B.o.B, Yung Joc, Young Dro, and himself.^[87] He also executive produced the soundtrack to the film Hustle & Flow and released the collection through his record label.^[88]

T.I. also a songwriter. He has credits from Diddy, Dr. Dre, and Bow Wow.

T.I. launched his film company, Grand Hustle Films. Late 2007, T.I. linked up with Los Angeles-based production company 828 Entertainment to executive produce a new reality show titled Life on Mars which chronicles the life of young prodigy music producer LaMar "MARS" Edwards.^[89][90] T.I. partnered 828 Entertainment with his company Grand Hustle Records to produce a slate of both television and film projects. He also created a reality show on MTV called "T.I.'s Road to Redemption".

Community work[link]

In addition to helping with Hurricane Katrina relief efforts, T.I. worked with troubled youths at Paulding Detention Center in Atlanta, provided scholarships for single parent families at Boys and Girls Clubs, and headlined the Boost Mobile Rockcorps concert at New York's Radio City Music Hall, which featured such performers as Fat Joe, Slim Thug, and Kanye West, and was held exclusively for community service volunteers. As part of his community service time, T.I. has come to a number of middle-grade and high schools in Georgia, where he speaks with the students in an assembly holding a positive message, while maintaining a philathropic view about morals and growing up in the same areas as himself. In June 2005, The Lisa "Left Eye" Lopes Foundation, named for the deceased member of multi-platinum female group TLC, and Atlanta's V-103 honored T.I. with the 2005 Lisa Lopes Award for groundbreaking achievements in music and community service which was court ordered. With this steady list of growing accomplishments T.I. is being recognized as the "Jay-Z of the South," according to Pharrell Williams of multi-platinum production team The Neptunes.^[91]

T.I.'s night club, Club Crucial, hosted a giveaway of 200 bicycles to neighborhood children in the Boys and Girls Club with V-103 announcer Greg Street.^[92] Upon being asked his opinion on Obama supporting gay marriage, he responded that people should be free to do what they want to do.^[93]

Business ventures[link]

Forbes Magazine announced its first ever Hip-Hop Cash Kings list early 2007 with list of the top 20 hip-hop earning artists for the previous business year. T.I. was listed on their list three times.^[94][95][96]

T.I. opened his own nightclub, Club Crucial in Bankhead, Atlanta. It is considered one of the most popular clubs in Atlanta and features full entertainment centers with large flat screen TVs, pool rooms, VIP rooms, food, etc. Celebrities such as Monica, Big Boi, Mike Epps, Shawty Lo make appearances there. The club also hosts weekly events such as Monday night Open Mic Night, Free Fridays, and Celebrity Saturdays where local hip-hop artists are known to come perform their songs at the club.^[97]

Chevrolet secured an endorsement deal with T.I. earlier in 2007 to promote their line of cars, with a focus on the new Impala. Due to his arrest for federal gun charges, he was on the verge of losing his deal with the company.^[98]

T.I. had an endorsement with a social networking website focusing on the hip-hop culture named StreetCred. The website was founded in 2007 by investment banker Rocky Williform. Celebrities such as Diddy, Lil Kim, and Jeezy had accounts on the website. As of 2008, the website was temporarily shut down until further notice.

On June 29, T.I. was named Global Creative Consultant of Rémy Martin Cognac. XXL Magazine revealed that the partnership will include collaborative projects and a focus on continuing the philanthropic works of his K.I.N.G. Foundation. He also announced on Chelsea Lately that he will be releasing his own signature brand of the liquor.^[99]

T.I. lost his endorsement deal with Axe body spray after his arrest for drug possession.^[100]

Controversy[link]

Ludacris[link]

A dispute with Ludacris started when T.I. saw Disturbing tha Peace rapper I-20's video. In the video, a man wearing a shirt which said "Trap House" was being beaten. T.I. mistook the logo to refer to "Trap Muzik". Former G-Unit artist Young Buck asked fellow Southern rappers T.I. and Ludacris to appear on his new record on the track "Stomp". T.I. recorded a verse which contained a line that Young Buck considered to be an underhanded snub towards Ludacris: "Me gettin' beat down?/That's ludicrous/". Young Buck spoke to Ludacris about the verse, to maintain his neutrality in the controversy. Ludacris then recorded the verse that can be found on the album.^[101] T.I's record company wanted Ludacris to change his verse before they sanctioned it but Ludacris refused and T.I. was therefore replaced by Game on the album version.

On June 24, 2007 at the Sunset Tower Hotel in West Hollywood, California, T.I. was involved in a brawl. During a luncheon held by Kevin Liles of Warner Music Group (parent company of T.I.'s label, Atlantic Records), the MC got into a fight with Ludacris' manager Chaka Zulu. According to witnesses, T.I. punched Zulu in the face and choked him and a brief melee ensued.^[102]

T.I. brought home the award for Best Hip-Hop Artist at the BET Awards, and took the opportunity to apologize for his scuffle with Disturbing tha Peace executive Chaka Zulu earlier in the week. While accepting his award, he expressed regret over the situation. "They say it's a fine line between brilliance and insanity," he said, in an apparent reference to his troublesome alter ego, T.I.P. During the broadcast, cameras showed his onetime rival Ludacris smiling in the audience. The audience stood up and applauded T.I.^[103]

The two rappers have since resolved the dispute and have collaborated on two songs: "Wish You Would" on Ludacris's sixth studio album, Theater of the Mind, and "On Top of the World" on T.I.'s sixth studio album, Paper Trail. The original version of the latter had Kanye West.

Lil' Flip[link]

According to AllHipHop,^[104] T.I. and Lil' Flip had an altercation in Lil' Flip's neighborhood, the Cloverland section of Houston. It has been said that T.I. went there to create a DVD exposing Lil' Flip to be a fraud. When T.I. went to Cloverland with his entourage, he was met by Flip and his people. Then it was said a fight broke out with one of the members of Lil Flip's entourage started swinging on T.I. until one of T.I.'s bodyguards started shooting. The same day T.I. went on a Houston, Texas radio station talking about the altercation. He revealed that he had the tape and he was going to release it with an upcoming mixtape, but that did not happen because James Prince stopped him from distributing the tape. It is unknown whether T.I. still has the tape or not. The feud was squashed by Rap-a-Lot's Prince after having them sit down and resolve their feud. The feud was documented by the Houston Press.^[105]

Shawty Lo[link]

In 2008, T.I. was involved in a highly publicized feud with Shawty Lo. The feud was characterized by Shawty Lo's track Dunn Dunn, and T.I.'s reply in What Up, What's Haapnin. The song Dunn Dunn appears to question T.I.'s roots in Bankhead. The music video for What Up, What's Haapnin was shot in Shawty Lo's housing project Bowen Homes, an apparent insult towards Shawty Lo. In an interview, T.I. insisted that his song No Matter What was only partially aimed at Shawty Lo.^[106]

The feud reached its climax at the November 2008 Dirty Awards where the entourages of both artists clashed during the ceremony, forcing it to be shut down.^[107] Two incidents forced police to use pepper-spray and evacuate the audience.^[108]

The feud was publicly squashed on March 7, 2009, when Shawty Lo and T.I. appeared on-stage together at Club Crucial in Bankhead, for T.I.'s farewell concert.^[109][110] After this performance, T.I. gave an interview to MTV, in which he stated that the feud with Shawty Lo was exaggerated by the media, and was not a 'beef'.^[111]

Personal life[link]

Family[link]

T.I. has been in a relationship with former Xscape member Tameka "Tiny" Cottle since 2001.^[9] The couple married on July 30, 2010 in Miami Beach, Florida.^[112][113] Together, they have two sons: Clifford "King" Joseph Harris III, born August 25, 2004,^[9][114] and Major Philant Harris, born May 16, 2008.^[115][116] Their daughter Lelah Amore Harris was stillborn on March 22, 2007, six months into a complicated pregnancy.^[117]

In addition, T.I. has two sons with ex-girlfriend Lashon Dixon: Domani Uriah, born in 2000, and Messiah Ya'Majesty, born in 2001. T.I. also has a daughter named Deyjah Imani, born in 2001, from another relationship.^[6][118]

Through his marriage to Cottle, T.I. has one stepdaughter, Zonnique Pullins, born in 1996 to Cottle and Zonnie Zebo Pullins.^{[119][119][120][121]}

Rescue of suicidal man[link]

T.I. has been praised for helping a twenty-four year old suicidal man in Atlanta named Joshua Starks, convincing the man not to go through with jumping from a 22-story building.^[122] On October 13, 2010, T.I. reportedly heard about the situation on the radio and drove to the scene at Atlanta's 400 Colony Square Building.^[123] He drove to the site, and asked the police if he could help Starks. T.I. then talked to the man, and convinced him not to jump. Afterwards, T.I. stated "For one, I'm not taking any credit. I didn't do it... I could've just as well came down there and it could have been resolved in another way. The fact of the matter is that God put me in a position to help, and I can't take any credit for that."^[124]

Discography[link]

Studio albums

• I'm Serious (2001)
• Trap Muzik (2003)
• Urban Legend (2004)
• King (2006)
• T.I. vs. T.I.P. (2007)
• Paper Trail (2008)
• No Mercy (2010)
• Trouble Man (2012)

Collaborative albums

• The Man and the Martian (With B.o.B) (TBA)

Filmography[link]

See also[link]

	Book: T.I.
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• List of artists who reached number one in the United States
• List of awards and nominations received by T.I.

References[link]